#WHAT PART OF THIS WAS NECESSARY

[egophiliac]

finally got some time to finish these guys up! which is sort of ironic considering I started these because I wanted to draw Malleus with a Dragapult, and then I just didn't for a million years!

Malleus has the aforementioned Dragapult, except it's a super special non-canon color Dragapult (like an anime-only form that you could get in-game exclusively through some limited-time event where you have to show up in-person at a specific location in Japan) (it has some wacky overpowered exclusive move/form and the OT is listed as Malleus) (so like that kind of ridiculous specialness) (Leona is extremely salty about this). also hoards and hoards of Dreepy. Dreepy LOVE Malleus. they take naps on his horns inbetween begging him to throw them across the island at mach speeds.

Lilia has a Drampa and a bunch of Woobat that he hasn't actually caught, they just follow him around in swarms because they sense a kinship with him. (also breaking my own rule again to say that he had a Mawile in the past, because...I just really wanted to give him a Mawile...)

Sebek has Sandile for obvious reasons, and also a Pikachu that bullies him relentlessly. :(

Silver has a shiny Corvisquire; I really went back-and-forth on also giving him an Aegislash, but...hm. those pokedex entries though. he can stick with just one for now.

(I hadn't planned on the shiny for him, but after I'd decided on the Corvisquire line and was looking it up for reference, I realized that shiny Rookidee is gold and then turns silver when it evolves and I lost my entire goddamn mind)

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 4: Deranged Bedfellows

(Part 1, Part 2, Part 3, Part 4.5)

[starryluminary]

Ridonculous Race but Noah is friends with Owen part 9: Teamwork makes the dream work!

Don't you LOVE IT when Noah gets to play the stupid game? Don't you LOVE IT when Noah and Owen work together and Owen isn't left to do everything himself? Don't you LOVE IT when they mutually support each other and care enough about each other to give it their all??? Personally I love it when that happens

No transcript cause there's no dialogue. Instead have scrapped doodles for this part that I refuse to leave in the jail of the IbisPaint canvas

[r0semultiverse]

Small indie artists in need of support for moving out by September!

💜 These lovely folks [@QuinsCurse (they/them) & @sswitchblade03 (xe/xem and he/him)] are part of a small queer-owned Youtube community I'm in. 💖

💖 If you could lend a helping hand by reblogging & queueing this post up until the start of September, I'd greatly appreciate it & I'm sure these fine folks would too! 💜

⚠️ Do not tag as d*nations or anything like that! ⚠️

"Hi everyone! Requests are officially closed as I am opening emergency commissions! Please consider supporting me as we are getting kicked out and have managed to find a place that’s affordable but need to save up 5k by the end of the month! Anything helps! I also have a dontations page if you are willing to help do that! All the money received from commissions will be going to the deposit! https://ko-fi.com/quinscurse/commissions https://ko-fi.com/quinscurse/goal?g=32"

⚠️ Do not tag as d*nations or anything like that! ⚠️

"https://ko-fi.com/sswitchblade03/commissions https://ko-fi.com/sswitchblade03/goal?g=0 EMERGENCY COMMISSIONS!! My roommate ‪@QuinsCurse‬and I are needing about $5000CAD for a down payment on a new place as we need to be out of our current place by September! Every bit counts! My goal is to be set to $3000CAD. I will draw anything (coloured and rendered) for $5 CAD each! If you are willing to give more it will be appreciated. Examples of my work below!"

⚠️ Do not tag as d*nations or anything like that! ⚠️

[vi-is-badass]

Arcane Season 2 - The Base Violence Necessary for Change

I think this shot is the most interesting part of the trailer. We see a shot of Jinx as a painting on a wall. A symbol. A leader. Her actions stand for revolution in Zaun and I think this could be an interesting expansion of Arcane’s exploration of violence and the idea that there is a base violence necessary for change.

Silco is framed as an antagonist in season 1 because of his actions against the undercity people specifically.

In act 3 he’s not the revolutionary he positioned himself as and is instead hurting the people of Zaun through his leadership. He’s doing as much to hurt topside as Vander was in act 1 (meaning nothing at all). He’s even got the sheriff working with him just like Vander, but, unlike Vander, Silco is hurting his own people to facilitate power and he’s not even fighting for that freedom he claimed to want so much.

We see the damage his actions have wrought. We see the shimmer addicts, forgotten and exploited. We see that he's created a hierarchy rather than a community.

And it’s contrasted with the firelights. People considered terrorists to Piltover, who do use violence to fight back against Silco and topside, and yet offer the biggest glimmer of hope. They aren’t villainized. The act of fighting back isn’t villainized and it shouldn’t be.

Because it’s not the violence in and of itself that’s the issue. It’s what that violence is used for.

The series hammers this idea home through Vander. 

Vander’s staunch stance against violence is flawed as well. It comes from a good place. A desire to protect what he loves rather than destroy what he hates and it did create a time free of the death revolution brings, but it’s made it so no ground could be made to free Zaun and create a better world for the people in it. It created stagnation. 

The people of the undercity are still stuck in a cycle of crushing poverty, growing up without parents, dying young due to pollution or violence wrought by desperate people or oppressive enforcers.

It didn’t move the needle because Piltover and the system in place wasn’t going to change just because the people of the undercity were playing nice.

The unrest and anger felt towards Vander for his ideal was understandable. His views on the cyclical nature of violence and the fact that if you fight you will lose people (“What are you willing to lose”) is correct, but that doesn’t make this option the ideal one.

Which brings me back to that shot in the trailer of that painting of Jinx.

Season 2 looks like it’s going to be a season of opposites and rediscovery where it flips what we expect of Jinx and Vi on its head and further explores these ideas of violence, oppression, and revolution.

And I think this season might possibly do that by reversing how Vi and Jinx reflect Vander and Silco.

In the first season the siblings were direct reflections of their respective father figures, but now they’re inversions. Jinx can become the good to be found in Silco’s ideals and Vi the pitfalls of Vander’s.

Jinx’s actions in season 1 weren’t those of a revolutionary. Her actions weren’t meant to free the people of the undercity or improve their lives. She didn’t steal the hexcrystal to bring hextech to the undercity and improve their lives and she didn’t kill the enforcers on the bridge to get rid of dirty cops. She didn’t kidnap Caitlyn for a greater cause.

But we know that Jinx isn’t only the violence she enacted. That she is “the monster they (the system and people around her) created”. Her actions weren’t heroic in the first season, but they were driven by the life that was forced upon her. Her hurt and anger are justified.

Now that she’s away from Silco, no longer a part of his machine and actively participating in his actions that were hurting the undercity, her actions and anger can take on a new light. She can rediscover herself away from his manipulations (this isn’t to say he didn’t love her but what he did and said isolated her and allowed her issues to fester) and become that symbol we see on the wall.

Jinx could be in a way what Silco could have been if he didn’t let his own self interest get in the way of his ideals. Not quite as forward thinking as Ekko or as idealistic, but still a symbol for resistance that fights for Zaun.

Whereas Vi is sort of on a path to becoming a darker reflection of Vander’s ideals.

Vi becomes a part of the system she used to rage against.

 Based on the season 2 teaser that was released in 2021– 

“Nobody else needs to get hurt.”

–I think it’s likely that Vi believes she can prevent more death or can stop Piltover’s violence against the undercity if she takes Jinx in.

Vi sees herself as a protector who has failed at every turn to protect those she cares about. She lost her parents, Powder, Vander, Mylo, Claggor, etc. and she is constantly desperate to try and save what she loves and that will likely drive her decision to become an enforcer.

Vi, like Vander, wants to save what she loves and as a result isn’t going to fight back against topside. This is a much more extreme version of Vander’s ideals. Where she “compromises” in an attempt to prevent bloodshed but as a result enables (or in her case helps) the system in place.

This decision will have negative consequences (and deservedly so!) because no matter what thoughts or feelings are the driving factor in it she is still siding with her oppressors and ultimately helping the system that is the root cause of that loss and pain in the first place. 

Based on the clip released at Annecy and what people have said the writers explained about Vi’s arc in season 2 it seems like Vi will be ostracized for this decision and deservedly so. She won’t belong anywhere. To the undercity she’s a traitor and to Piltover she’s nothing more than an undercity rat.

She will have lost everything. She will have no one to protect. And who is Vi if she’s not a protector?

Vi will be forced to re-evaluate who she is and what she wants. Just like Jinx, Vi will have to redefine herself when she loses everything.

I can’t wait for season 2 and what the team at Fortiche has in store for us. The way the show tackles complex themes and ideas is incredible and Vi and Jinx are some of the most compelling and complicated characters I’ve seen on tv. I’m looking forward to November.

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

[turtleblogatlast]

I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.

Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”

Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.

Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)

For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.

I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.

[ranticore]

I gave up on editing and did this instead check it out. I had a rough time with the zeta because they kept getting too anthro dog-ish and I wanted them to read as primates. The one pictured there is a crew member on a whaling vessel (chef and lookout).

Image description and transcript of text below the cut:

[Figure 1 description: Front and side views of a zeta's face with the skull and external anatomy overlaid and separate. The skull is similar to a baboon's with massive broad fangs and a huge saggital crest on top for muscle attachment. Figure 2 description: a bar of colours ranging from dark brown, to reddish, to pale cream, to violet, to blue, to dark blue. Beneath it are several blue markings resembling a stylised 'A' or an arrow. Figure 3 description: a pair of zeta standing together. They are blue, brown, and cream in colour and wearing fancy black collars with dark tassels, and knuckle-guards to protect their feet. They have stocky muscular bodies and ape-like heads. One is propped up on their elbows over the back of the other, looking in a different direction.]

Text reads:

Terrestrial Zeta of Siren: Overview

Zeta are large quadrupedal mammals primarily found in the Eastern continent, the only area of significant continuous land. They are specialists at hunting and killing the local wildlife, most of which have strong chitinous shells and can be thought of as similar to millipedes or isopods. Zeta maxillary canines (1c) are the largest on Siren, laterally flattened and lacking sharp points, instead used to crush and split open the shells of their main prey, and they have huge saggital crests to support their jaw muscles. Zeta were formerly aquatic and still retain tail flukes and dense bones from that evolutionary era (3). They have a plantigrade, knuckle-walking locomotion and lack tongues. Zeta are marsupial and unisex.

Fig. 2 shows the coat colour variation. It is divided into red phase and blue phase shades. While most individuals have both phases, some are solely red or solely blue. Zeta are the only people on Siren who have naturally occurring blue pigments in their skin and hair, and blue eyes. The settlers who genetically engineered zeta also programmed in the logo of their megacorporation, which was a stylised blue letter 'A', which would appear like a tattoo from birth on the skin of zeta, formed of their own pigments. Over subsequent milennia, the logo has become indistinct and abstract, and the blue pigment is no longer limited to this particular marking, but found all over.

Kattakati

During the development of zeta, the genetic engineers wanted to produce a creature which would never have solidarity with a member of its own kind. They tampered with the brains of their creations, thinking that they had produced a creature with no sense of community, empathy, solidarity, or sympathy. In the intervening years zeta have developed a novel way to regain those traits, for their own survival. Early aquatic and terrestrial zeta developed a form of eusociality, viewing members of their pack as themselves, as limbs of one being, and over time this developed into the Dry Bowl practice of Kattakati pairing. This consists of a pair of zeta who have entered a binding agreement to consider one another a single being (3). Legally, socially, and culturally, a kattakati is one person. It has a single name and will not allow others to distinguish between its component bodies in any meaningful way, as they are supposed to be taken as a complete whole, together. It is frowned upon to consider the pair anything other than one guy. The two halves of a kattakati do not necessarily agree on all things, but this is not a contradiction; a person often thinks contradicting thoughts, and feels contradicting things. The nature of the bond is not platonic, romantic, or sexual, and a kattakati might make friends and date other people (you can't date just one half - you need to date the whole guy).

[little-mouse-adventures]

@orangerosebush's post here, with my comment and @fowlblue's tags today got me thinking.

Artemis Senior has been teaching his son matters of business from a young age. Not only was Artemis, at 11 years old, discussing stocks with his father, but Fowl Senior had been imparting his wisdom onto his son for years by that point, discussing the ever-increasing value of gold with him before tucking him into bed. Even outside of pure monetary value, Sr. had tried to go legitimate with his business dealings, leading Artemis to have a few legal ventures of his own.

We also see very early on in the books that Artemis has been regularly using Butler as a resource for his plots: bouncing ideas off him was apparently a fairly common tactic when he was scheming.

Both Artemis Senior and Butler are interested in (or at least, not opposed to) educating Artemis on the ways of their lifestyle(s). It would be Artemis Senior who would have taught his son the value of banks and safety deposit boxes and hidden safes but it was Butler who was actively working with Artemis to rob those safety deposit boxes.

In the same vein of breaking-and-entering, TLC also gives us the fun little moment where Butler hands Artemis his own lockpicks, to get into the workings of the bomb.

With one line we learn that Artemis knows how to pick locks, but does not have his own set of lockpicks. Butler, on the other hand, has both the tools and knowledge how to use them. Partnered with a brief mention in TTP of some the specific trades of those previously employed by Artemis Senior (including such things as crime lords, insider traders, and cat burglars), we can extrapolate that Artemis Senior would generally hire someone to pick a lock for him, rather than do so himself.

It's pretty logical to conclude then that Artemis learned big-picture management from his father, and day-to-day skillsets from his bodyguard.

Essentially, Artemis Senior taught Artemis how to run a criminal empire. Butler taught Artemis how to be a criminal.

[captainhysunstuff]

22 more images below the cut (Warning: Less than moral discussion ahead):

Light leads L to a particular stretch of woods that he calls "neutral ground" and demands to hear L's conditions for him to work with Kira. L tries to explain in a way that will convince Light to accept his assistance. It appears to be successful...

Next

Previous

First

Master List

Transcript

Big Disclaimer here: I, personally, don't condone the "Kira Plan" in any way, shape, or form. I don't even believe that there is a "correct" way to enact it. I am very firmly on the "Anti-Kira" and "Light is a Tragic Character with Bad Coping Mechanisms/Self Delusion" teams. I don't want to spoil too much of what's left of this story, but I do have a plan/explanation in the future~.

[uncanny-tranny]

The obsession with "natural = good" isn't truly rooted in what is "natural" but is rooted in complex politics based on what is deemed "natural" by others - those in power. The whole "natural is pure, is right, is morally just" has not historically applied to the marginalized because of our supposed proximity to the "unnatural." Our bodies, our behaviour, our lives and souls will continuously be defined as "unnatural" so long as "natural" remains seen as pure and godly, so long as "natural" is equal to power.

[egophiliac]

So how’s ride kamens going for you as I just pulled my self together long enough to read the other half of the current main story

I've been working on catching up on the event stories since they announced the upcoming main story update! (I totally bombed the last few events...they're so fast-paced and I just didn't have time...😭)

and then of course they went and dropped THIS on us today

(you don't understand, I LOVE Tajador and I already love the two blurry frames they've given us of non-silhouetted Kelka, I'm ready to absolutely lose my shit come the announcement/reveal(?) stream on Thursday --)

[rebouks]

She knew-.. Robin was sure of it.

Despite her warmth, he’d always been slightly unnerved by aunt Alma’s presence; there was something odd about her that he couldn’t quite put his finger on. Some people were harder to read than others, like Alex, but it was still possible.

Alma’s mind was like an impenetrable vault in comparison. Any attempts to feel or hear anything she did were met with a metaphorical brick wall, leaving him reeling as though he’d collided with it head first-.. but not tonight. Tonight, Alma was like an open book, and Robin was convinced she was doing it on purpose.

She’d told him all about her struggles as a child; how she didn’t fit in, how people teased her for being too sensitive, how hard it was to figure out who she was amongst the clamour of everyone else’s inner most image of themselves-.. all the while allowing him unlimited access to those very memories, like a handpicked blooper reel, just for him. Of course, that wasn’t the case though.. was it?

Alma had stopped talking now, but Robin still wasn’t sure how to react. He sat in silence instead, staring at nothing in particular for far longer than what could be considered normal.

“Can you hear me?” he thought, deciding to try a little experiment.

Nothing. Okay, so she couldn’t read his mind-.. then what the heck was she getting at? How had she so succinctly summed up his entire existence in less than fifteen minutes?

“I would’ve liked somewhere as quiet as this when I was young, it’s a shame we didn’t have an attic…” Alma offered, clearly trying to relate to Robin’s situation in any way she could. He still wasn’t entirely sure why, but she clearly wanted to help, and Robin didn’t know anyone else who understood him as well as she did, so perhaps he ought to let her try. He finally abandoned his switch and cautiously joined her atop his favourite, motheaten couch.

“What’re you getting at?” he said bluntly, curiosity getting the better of his manners. Alma chuckled softly, “You’re just like your father.” “It’s genetics, apparently…” Robin let loose a brief grin, glad to be compared to Oscar.

“I don’t know how exactly, but you’re different, Robin-.. and I thought it high time you knew you weren’t alone, and that we can’t let these things get the best of us.” Alma smiled softly as she spoke, but Robin was still too wary to be completely transparent. “We?” he asked, dubiously. “We’re few and far between, but you’re certainly not the only one who’s a little.. special, shall we say? That’s better than different, maybe?” Alma suggested.

Robin hummed thoughtfully, shaking his head, “Special is just another word for different, or weird.” Alma scoffed playfully, “And what’s wrong with being weird? I’m weird-.. we’re all a bit weird!”

“How’re you weird?” Robin asked, squinting at Alma accusingly. “Well, I can sense things I certainly shouldn’t be able to.” Alma started, excited to be getting somewhere. “Emotions radiate from people like a space heater-.. they’re not always pleasant, of course, but I can soak them up if I want to.”

Robin blinked, “Only if you want to..?” “Uh-huh.” Alma nodded. “You can block it out?!” Robin spluttered, suddenly and completely forgetting to maintain his ignorance before swiftly correcting himself. “I mean-.. it sounds like you can pick and choose, right?”

Alma nodded once more, “It wasn’t easy, but I spent a lot of years practicing.” “Years?” Robin sounded crestfallen. “I didn’t have a mentor…” Alma winked.

Robin allowed himself to smirk, figuring he might as well drop at least part of the act at this point. He was still a little nervous about being approached about such things so brazenly, but at least he knew why Alma perturbed him so much now, she was blocking him out on purpose-.. and she couldn’t read his mind either, which was always a plus.

The last thing he wanted was for anyone to know that he possessed that particular ability. Who’d want to hang out with someone who could access their inner most thoughts, the one’s they’d never dream of saying out loud? He shuddered involuntarily, hoping he’d never meet anyone that could read his.

Clementine finally nudged Robin, dragging him back to the present with her ghostly touch. “She looked right at me just then-.. she smiled! Did you see?” Robin spun around, realising that Alma had almost begun her descent. He must’ve missed her goodbye. “Wait!”

Alma paused expectantly, causing Robin to second guess himself and retreat into silence. “I won’t be far, sweetheart-.. whenever you’re ready.” Robin shivered as Clementine poked him again, “She can definitely see me…” “Can you, uh-…”

“See the ghost poking you?” Alma giggled, sounding far younger than she was. The vault doors had snapped shut again by now, but Robin got the impression that aunt Alma was just as excited as he was to find someone else who was weird. “Can you hear her?”

“Maybe-.. though I’m quite sure she hasn’t said anything yet.” Alma peered at Clementine expectantly. “Hey!” Clementine exclaimed as Robin tried to shove her into action, his hand ending up halfway through her waist instead.

“What? It’s not like you can feel it.” Robin snorted. Alma laughed heartily, thoroughly amused. “Well, I heard that-.. you two are good friends, huh?”

Robin nodded slightly, releasing a breath he hadn’t realised he was holding. “I thought I was the only one who could see her-.. that maybe I was going insane…” “Far from it, honey! You hit me up whenever you feel like it, okay?”

Previous // Next

[shesmore-shoebill]

I think the Amanda Arasha combination is especially effective because they do have differing opinions on a number of things, but Arasha is also largely unafraid to actually disagree/pushback on things (in a very good natured, thoughtful, usually well articulated way) without taking it personally. Which, I think is especially fun/good with Amanda, who tends to have strong opinions and expresses them very. powerfully. And I love her for it, but the discussion definitely gets even better when someone like Arasha is willing to push back or call out the comedy of certain personal opinions/subjective viewpoints, and still have a good time overall.

[sakuraspoke]

RITE HERE RITE NOW [x]

[goldensunset]

i’m always such a huge sucker for when a character never addresses another character by name until a big plot moment happens