Gustholomule Prompt #9
Listen listen alright
Yes I disappeared
But
BUT
Look
I'm here now
But also like when I started this blog I wanted to look professional and shtuff bc I'm not actually professional and anyway I kinda already messed it up *flashbacks*
But I've changed my mind
This blog is going to look like the most unprofessional blog ever
At least I'm going to try and make it more 'me' y'know y'know? Y'know what I'm saying? No? Okay
Uhhhhhh
Idk
Matt or Gus goes to lie in the rain and then the other comes to join them and they talk..??? They get to know each other more and maybe some wholesomely embarrassing secrets get told, like stories from when they were kids
Or maybe they just kinda talk and one of them accidentally lets it slip that they have a crush on the other hehahrhahr
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This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.
The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.
And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.
I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.
We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.
So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.
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Country singer Steve Harrington, who has always leaned more into the pop country side of things (think Wanted by Hunter Hayes), but wants his third album to be more true to old school country roots.
His label agrees but only if he works with Eddie Munson, a rock star who had to leave the spotlight when he got kicked out of his band for, well, rockstar behavior gone too far.
Steve isn't amused, especially because he doesn't care for metal music or rock star shenanigans. He was "raised better" and doesn't think Eddie could sit down and write songs with actual emotion and feeling.
Cue long songwriting sessions where Eddie is trying his hardest to be on his best behavior because he knows this is his last shot at being taken seriously, and Steve being surprised every time Eddie proves that he's talented as a songwriter and musician, well outside the scope of just metal and rock.
They write a song that they're both so proud of, Steve asks if he'll record it with him just for fun. The released version would just be Steve.
Eddie agrees.
It's an incredible duet, something country music has needed forever, but Eddie doesn't want that version out there.
The label genuinely accidentally releases their version instead of the Steve only version. As soon as they realize, they remove it from official places, but it's too late.
Fans have already heard it and have gone crazy over it, begging them to let the radio play this version, begging for this version to be available for streaming. The Steve version is great, but it doesn't have the emotion that's laced in the tone of them singing together.
Eddie finally gives in when he sees how happy Steve is about the reaction to it.
But the label decides they want them to tour together, have Eddie work as his opening act, perform his acoustic songs that haven't been officially released anywhere. Eddie can't do it.
He can't go back into that lifestyle. He couldn't do it to his band, who made him promise that he'd come back to them when he got his shit straight. He can't do it to his fans, who stuck by him through some rough shit, but probably wouldn't support a fucking country music career. He definitely can't do it to Steve, who deserves to have someone with him who can be trusted not to go off the deep end.
So he runs. He hides. His uncle welcomes him home, congratulates him on finally embracing his country roots.
It doesn't take long for Steve to find him.
Because he'd been more honest with Steve than he'd ever been with anyone. He told him about his childhood, his Uncle Wayne, his struggle to make it. He told him about his worse struggle when he did make it, how he got in with the wrong people, the wrong things. Prioritized the lifestyle more than his own life.
Of course Steve knew where he'd run to.
Of course Steve came to remind him what his life could be if he allowed himself to find new priorities.
Steve's lips were pretty persuasive, but not nearly as persuasive as his promises to remind him what he could have if he kept his life his priority.
"But what if I let you down?"
"You won't."
"But-"
"No. You won't. You're gonna do amazing things for yourself. And I'm gonna be there to see it happen. That's all."
And he was.
They co-wrote Steve's entire album while Eddie worked on recording his own original songs. He liked that it was an old school rock and roll feel, some blues, some country, some hints of metal sneaking in on a couple songs.
He called his band to come help him with a song, hesitant to even ask, but they came. Of course they came.
He called his Uncle Wayne to play banjo on a song, worried that he wouldn't like the heavier electric guitar notes over it. Of course he loved being involved.
When their tour started, he let himself actually feel nervous.
But instead of running, he looked at the man who supported him through it, even when his own career was on the line.
Of course Steve was there.
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