Okay but it's super interesting how
Din = Power = Ganondorf
Naryu = Wisdom = Zelda
Farore = Courage = Link.
Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.
Din created the body, naryu the mind, Farore the soul.
And the triforce and its wielders so perfectly reflect that.
Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.
Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.
Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.
They sit in perfect parallels to each other.
And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.
Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.
Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.
Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.
But the other direction?
Fire melts ice, ice redirects lightning, lightning burns fire.
And that's the very essence of the triforce.
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I have to wonder about the order of the arrival of the gods' avatars in Exandria, in particular Ayden. Because he's so young. He feels older than his years, but he also feels young in the sense that he is still experiencing the world—he intervenes as often as he is able and is not shy about ending with the small community that they are soon leaving, he is most affected by suffering and injustice. There is a pity borne of his divine point of view, yes, but even comparing him to Trist, who has obviously embraced the mortal world and ingrained herself within it, or S.I.L.A.H.A., who has gone out of his way to experience the wonders of the city that has driven them to such drastic lengths but who seems distantly resigned to its destruction, Ayden feels impressed upon by the circumstances of the world in a way that is much more youthful.
It seems that there was some amount of plan around who arrived when, but it wasn't all that specific beyond Ioun scouting ahead in Aeor, and was otherwise based on their own decision or whim. Why did Pelor wait so long to go? Had he hoped that perhaps the issue would be resolved before it became necessary—before the light of Exandria was sequestered away in a mortal form? Was he wary of growing too used to being mortal, to becoming attached to his life even beyond Trist, who leaves her family ruefully but resolutely all the same?
Ayden walks as though he cannot help but let the world touch him, but he doesn't seem to have companions of his own, instead traveling with Trist's family. They have left their home recently enough that Trist is still wearing her husband's overcoat rather than her own, and he goes without, suggesting that they have fled recently and with haste. In contrast, Ayden makes no mention of parents or a family, though he is young enough that he should still be with them. In this time of war, it is simple to wonder if they've been killed in its path, perhaps before Ayden was aware of the hand he'd had in its making. He carries little, and the shield he has seems to be—at least looks—worn and broken. It's quite likely that it too was created in response to this war, as much as Ayden himself. He looks to his sister and her mercy like a north star.
He feels both new to and impressed upon by the world, and I have to wonder how forcefully he is holding himself apart from its suffering, even as he intervenes often enough that he risks giving himself and his family away—not because he is afraid to experience it, but because he already has. He understands that he is fighting for this world even as he and his family is the cause of its strife. Aeor may offer the gods the mechanism by which to separate themselves from the world they've shaped, but I wonder if having the perspective of Ayden will give Pelor the resolve and the reason to choose it.
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— SUFFERING FROM A FEVER, BUT I REALLY NEED TO FUCK A FEMBOY OR TOMBOY . . .
it’s getting bad again , robin . hnnngh . . . fuuck .
Running down bad with a fever, my words make no fuckin’ sense and half of what I’ll write will be incoherent, horny bullshit but I gotta— I gotta fuck a motherfucking femboy or tomboy in the ass. Either will do cuz’ sure I’m suffering like hell here, stuffed nose, annoyingly itchy throat and godawful temperature, though I’m pretty sure cummin’ inside one of those two or even fuckin’ better, both — will do just fine. Seriously, I mean it.
some slut shaming, weird gender roles, y’know.
FEMBOY ROBIN. Really, really gotta. Y’know, there’s nothing more embarrassing than to properly wear such a skimpy skirt in the own, tight confines of his narrow room with your watchful gaze carefully set upon him, but what’s even worse? Same thing in public, comfortably sat atop your thighs as if nothing is amiss because yeah, surely, nothing is. Nothing wrong with two boys casually hanging out which, said boy is humiliatingly dressed up like a girl right now — who no one truthfully knows nor is consciously aware of. Cock pitifully tented against the front of his summer dress, yellowish material darkening in shade from the oozing pre uncontrollably spilling forth.
And, it’s not like you’ll actually try anything with the towns-folks eyes hidden amongst the lurking shadows, right?? You wouldn’t— you’re not truly like them, the fuckin’ perverts. Shamelessly slobbering over every inch of his untouched, pristine skin, skirmish legs and nervous fingers tentatively messing with the hem of his silken skirt as if your firm grip isn’t steadily increasing along his plush thighs. Like, you’re not ‘discreetly’ spreading his legs apart so that an unfortunate passerby may consequently catch a perverted glimpse of his cock all flushed and leaking for you. Quivering tip, hot and red, trickling out more beads of pearly pre-cum to messily stain at the ground below. It’s not that he means to get all hard like that! Shit— this is solely your fault for deftly exposing him to a hefty crowd like this, your little, pretty ‘girlfriend’ you coyly call him as, might as well proudly show her cute, pink cock to the world if she’s gon’ be such a crude, perverted freak ‘bout it. Only deserving of the typical ‘girlfriend’ treatment which merely entails the usual of having his slutty hole stuffed full of cock, his own miserably swaying with every subtle bounce of your hips upwards, flushed against his ass. Whoops, better luck next time! Try not to dress like a little, fuckin’ whore if you don’t wanna get publicly fucked in broad daylight, Robin!
As for TOMBOY ROBIN? Would it have been any different for her case? Treat ‘em equally, they say — fuck, yeah — you definitely will, with your face snugly nestled between the gap of her thighs, wobbly lips and scrunched up features straining from every careful lick of your wet, pink tongue provokingly huffing against her bare cunt. Uh-huh? Pretty girl likes that or maybe, you should openly refer to her as your pretty, innocent boyfriend, arm contentedly slung over her shoulder because ain’t this how friends typically treat each other as? Promise, they do, Robin.
If anything, it’s an actual tradition to help each other out as good buddies habitually do, as per usual. Yeah, that also naturally involves your skillful fingers knuckles deep inside her drooling cunt, sickeningly wet squelch! of your digits fervently being sucked inside by the wet, welcoming heat of her pussy. Like that? Dizzyingly spreading her folds apart, relish in the slick dripping out as if you’re not the byproduct of it to begin with. Precariously squished against the bricked near in an isolated corner within the school yard and, hell— you’re acutely reminded of the possible consequences that may unfortunately come with it, knowing what that shit headmaster does to said students caught misbehaving or plainly fuckin’ on the school’s ground. Does it stop you, however? Fuck no, and neither will Robin’s adorable, feeble whimpers, bouts of ushered protests wistfully sent your way as if you’re not currently, crudely spreading her cheeks apart to display her two, needy holes for your viewing pleasure. Teasingly rubbing along the edges of her slippery cunt to then, promptly fuck her ass raw as a ‘boy’ should take it. What’d ya mean you want your needy, puffy clit rhythmically toyed with while you’re at it?? A real good boy properly takes what he’s given, alright? So, fuckin’ suck it up and keep quiet till then, ‘kay? “Wouldn’t want anyone to hear, do you, Robin?”
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Thinking a lot about Orym choosing a rabbit when asked what animal he would pick if cursed with lycanthropy.
Because, it makes sense. Orym is small, quick, agile, jumps well, and is highly perceptive. That definitely evokes rabbit imagery. But a lot of Orym’s identity is also tied up with being a protector – giving people AC bumps, the shield being as much a part of his fighting style as his sword, even his title: Saviour Blade of the Tempest. He wants to be a “Shield that protects Exandria”; his priorities about saving the gods are less about the gods themselves, and more about protecting the people of Exandria from the unintended consequences and bloodshed of releasing Predathos. And it would’ve been very easy to pick a large, strong predator to try and evoke the sense of a protector – a wolf, for example, an animal associated with loyalty and protecting its pack. Yet Orym chose a rabbit.
And I think that’s interesting, because rabbits are often seen as ‘cute’ animals – but they’re also a prey animal. In fact, they’re a common food source for many animals across several ecosystems: foxes, wolves, wild cats, dogs, birds of prey like eagles or owls, coyotes, stoats, and humans (and that’s just off the top of my head). Rabbits are skittish, easily frightened; to be rabbit-hearted is to be timid or cowardly. They are not generally associated with fierceness or prowess in fighting. Mice and rats are prey animals too, but typically seen as vermin (rabbits are sometimes seen as vermin too, but a farmer could eat a rabbit – they wouldn’t eat a rat). Deer are prey, but they have hooves and antlers that bring a danger to hunting them, for any animal – the difficulties of hunting rabbits are more related to their evasiveness, speed and good hearing than any life-threatening danger they might pose. Rabbits are, first and foremost, prey animals. They are killed and eaten, so that another animal might live.
Which made me think a lot about one of Orym’s other key traits: self-sacrifice. Bait and switch doesn’t just bump up his ally’s ACs, it specifically switches their place to put him directly in harm’s way. Goading attack is meant to encourage enemies to attack him instead of his friends. He literally made a deal with a hag, essentially exchanging his own life for power to protect his friends. How many times has he gone down in a fight? He’s not the only tank – but unlike Ashton (and Chetney, who also uses ‘self-sacrifice’ in his fighting style with his blood curses) he has no abilities to reduce the damage from the hits he takes (barbarian rage and the werewolf form).
(Side note: I think it’s pretty interesting that Chetney, the wolf, has attacked Orym, the rabbit, more than anyone else when losing control. That Orym’s facial scar was given to him by a friend, not a foe).
Of course, Orym isn’t the only character with self-sacrificial tendencies (FCG wins by a landslide), but I just can’t stop thinking about how weirdly perfect it is that he chose a rabbit for his animal. Rabbits are prey animals. They are eaten, so that other animals may live. Orym takes the hits, he goads and switches with his team mates to put himself in danger, he makes a deal with a hag at the cost of his own life. He’s a soldier, throwing his life away for a cause over and over again because Ludinus must be stopped, because Keyleth has put her trust in him, because it’s the only way to protect his friends, to protect everyone, because it’s the right thing to do. Orym is a rabbit. He’s always been a rabbit. That day in Zephrah, it could have easily been Orym who died instead of Will and Derrig – “unfortunate but necessary sacrifices”, as Ludinus viewed the attack. It’s unfortunate they had to die, but it was for the greater good, according to Ludinus. It’s unfortunate that a rabbit has to die, but it will feed a family of foxes, or stoats, or even a hungry human, so it’s acceptable, right?
Orym is a rabbit. He is giving himself to a greater cause that could very easily kill him – he already willingly signed his life away to Nana Morri. Because that’s what rabbits do. They die to feed others.
And the theme of being disposable is present across the entire group, not just in Orym – Bell’s Hells has been called a “party of NPCs” before. Aside from FCG’s death, I’d say Laudna perhaps fits this theme the best: she was literally murdered and hung from a tree simply because she looked similar to Vex, acting as a warning to adventurers she had never met before. But FCG’s death was – rightfully – viewed as a terrible tragedy by the group. Laudna’s decision to remove Delilah, finally freeing herself from her abuser and emphasising she is more, and deserves to be more, than just some disposable puppet – this was rightfully viewed as a very good thing! But Orym seems to be embracing this identity of self-sacrifice instead, rather than this mindset being properly challenged or acknowledged as a bad thing. After all, there’s no time. There’s too much at stake. Keyleth, Bell’s Hells, all the memories of those who have died in this fight, all the people who might die if Predathos is released and kickstarts a second Calamity – they’re all relying on him, right? A rabbit feeding so many animals with his sacrifice. And it’s not malicious compared to the way that, say, Delilah killing Laudna was an incredibly evil, fucked up and unnecessary thing to do. If Orym died to save everyone else, well, at least everyone else would be saved, right? Saving lives is good, isn't it? How could he complain?
Because rabbits are prey animals, and Orym is a rabbit too. Destined to die so that another animal may feed.
Except, that’s not true. Rabbits are more than just prey. They’re highly social, and thrive best living with others. They’re playful, they enjoy running around and kicking their legs just to show their enjoyment. They’re inquisitive and mischievous, even being associated with tricksters in some folklore and stories. They’re also associated with innocence, playfulness, spring, youth – all manner of things, depending on the story or culture. And they’re not helpless, either, even if they might be thought of as such. They can bite and scratch and draw blood quite easily if they want to! In fact, freezing up isn’t their only response when being attacked by a predator, they are known to fight back if cornered. They can sprint quickly, they have excellent hearing and senses of smell, they know how to evade predators.
Rabbits are prey, and they are also survivors. They have their own social dynamics, their own habits and dislikes and preferences. They are more than just a wolf’s meal. And Orym is more than a soldier, too. He’s more than a “necessary sacrifice”, he’s more than just a shield and sword. He deserves more than to die for a cause. He deserves a happy ending, just like everyone else. I hope he remembers that.
Orym is a rabbit. And the message isn’t that he shouldn’t be a rabbit. It’s that rabbits are worthy of surviving, too.
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