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nopanamaman · 1 year ago

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How does the stalker business work?

Loredump. October 2023

A web of alliances, insiders, clients, and territorial disputes - this is what forms the stalker business, a domain that’s as illegal as it is profitable.

Today, we’ll delve into the basic origins and inner workings of this peculiar profession. Let’s find out how these glorified marauders operate!

How did the stalker business develop?

The stalker business emerged almost as soon as the Zone itself was born. But, much like every structure based around the Zone itself, it became more refined - and more corrupt - as years went on.

What started as individuals travelling the Zone completely on their own accord grew into a network of organised groups with their own informants, clientele and designated territories. Yet when it looked like major alliances had become fully solidified with a couple of large groups operating across vast stretches of the Zone, the development of the internet put a dent in the system.

Yura: Do I really need to know the territorial policies of 70s factions Sergei: YES Olya: No.

As many information-gathering and order-related operations moved online, doing business in smaller groups became a more viable option. Nowadays, the majority choose to operate in gangs of up to 30 people.

Since the business has grown more decentralised and, in a way, accessible, the competition within it has increased dramatically. Territories are less clearly defined and run-ins with members of rivalling gangs are commonplace. When it comes to the human factor, it’s more dangerous than it ever was.

How are the little groups organised?

Modern stalker groups are typically formed around somebody who has direct connections to potential clients or those able to nicely aggregate information about the Zone’s current state. So any group needs at least one product reseller and one strategic leader, which can sometimes be the same person.

The latter is true for Sergei's group, for instance.

He is responsible for processing orders, evaluating the delivered artefacts, reselling them, gathering up to date information about the Zone’s landscape and traffic, and helping the available stalkers plan their trips accordingly. It’s a heavy workload, so having just one person performing all of those tasks wouldn’t be manageable on a larger scale.

Obviously enough, smaller groups are more reliant on the quality of their individual members, even more so when they have a specific role to fill. If we use known members of Sergei’s group as examples, they fit pretty neatly into the following roles:

Radar (радар). Formerly fulfilled by Kolya – a stalker with an outstanding sense for anomalies. Irreplaceable for navigating the more treacherous parts of the Zone. Yura was going to inherit that role.

Doctor (доктор). Self-explanatory. While it’s recommended that all stalkers undergo some form of first aid training, it never hurts to have someone with a deeper knowledge of medicine on the team. This role was filled by Nikita.

Insider (свояк). As the name suggests, it’s a person that helps in various aspects of stalker work by providing client contacts, guard post information, info about other gangs’ operations, and so on depending on their position. Insiders don’t usually take part in actual trips or even work with specific stalker groups, but Olya is built different.

Ram (таран). The muscle of the group. You don’t need to be especially physically fit to navigate the Zone,but when things become dire, it absolutely helps. This was Sergei’s role when he still travelled the Zone.

These are arbitrary designations and many don’t fit into one particular role. That said, creating a balanced group of 3 is easier when there’s a fair understanding of each person’s strengths.

Yura: Oh, kinda like video game classes! Sanya: Yeah, I guess. Yura: So who would I be? Sanya: Support.

What does the typical work cycle look like?

An order is either placed on an online marketplace or is mailed directly to a trusted trader. The trader then passes the information to the strategist, who analyses the current Zone layout, as well as the latest available information about the placements of various artefacts and anomalies.

The strategist then determines the optimal routes to retrieving the ordered goods. Some use special software to aid in the process. The service price is then estimated based on the difficulty of retrieval and transportation. If the initial price suggested in the order is lower than this estimate, price negotiations will ensue.

Once the minimal price is agreed on, the actual planning starts. A group of three is gathered from the pool of available stalkers. They are all informed about the mission specifics and the route they need to travel - this is when the team can discuss and make adjustments to the plan.

Nikita: No, no, this route will be way too stressful for Olyechka. Perhaps, she should sit this one out? Olya: If we don't make this route shorter, Nikita won't come back, I'm afraid. Nikita: Well, aren't you a treat. Anyways, Serozha, my leg has been getting worse and I won't make this climb. Olya: Perhaps, you should sit this one out.

After the artefacts are delivered to the trader, their quality is evaluated. Stalkers tend to pick up whatever valuables they find on the way, which means extra cash for them and more work for the trader.

Once the evaluation is complete, stalkers are paid off and the products are resold at a significantly higher price. The artefacts that were specifically ordered are exchanged for the agreed upon amount of money and the extra stuff is peddled to other high-paying customers.

Since selling artefacts is a risky and complicated endeavour in itself, most stalkers are content with the paychecks they get from their trader.

Finally, when everything is done, stalkers may anonymously share information about their trip to the online community. But considering the competitive nature of the business, not everyone is willing to help out their fellow colleagues – or really, not everyone wants to talk about the things they’ve seen.

What is the online stalker community like?

As was already mentioned, the internet has majorly changed how stalkers went about receiving orders and information about the Zone. It has become an important channel for communication and securing deals.

Firstly, all of the relevant platforms are on the deep web. Secondly, all of them are invite-only.

The three major platforms are:

Doska (literally “the board” as in bulletin board)

A marketplace where orders are placed and taken up by anyone interested, as well as an auction platform for selling off artefacts. Widely used by groups and stalkers who have not yet gained established clients.

Krematorii (crematorium)

A closed forum. Discussions, rumours, shitposting.

10K Crematorium karma

14KKM (as in 14 thousand kilometers, the approximate area of the Zone)

A dynamically updated map of the Zone. User-managed, hence chaotic and unreliable.

Users can mark locations of witnessed anomalies and artefact positions, which others can confirm or downvote. A marking needs to be confirmed by at least 4 people before it is put down and is removed if at least 4 people downvote it. All markings can be commented on.

Most of the community tries to maintain it more or less accurately for the sake of their own future missions, but there are malefactors that will add false markers to it. Should be taken with a huge grain of salt.

Of course, it bears mentioning that there are plenty of fake online communities on the surface web. Those are rife with people roleplaying as stalkers, scammers, kids, and just shitposters. No actual stalker uses those for business.

Rules regarding the Zone

Though the information side of things has changed a lot, the core methodology of travelling the Zone itself remained the same. Sets of universal rules became solidified over the years, which can be described as a mixture of operational protocols and esoteric beliefs.

What are the basic operational protocols?

Basic operational protocols outline best practices for dealing with simple anomalies, traversing the Zone, bypassing guard posts, and handling difficult situations (mercy kills, painless death, encountering other stalkers).

Some common recommendations include:

use projectiles (usually bolts with pieces of cloth attached for visibility) to check for gravitational anomalies;

operate in groups of three - two do the job, the third one watches on;

do not consume any food or drinks you find;

avoid unnatural shadows;

do not stay at the Hollow for over 20 minutes (your body will start to decay);

do not approach the Town (your body will permanently distort);

do not handle fizzy clay without rubber gloves (will leave you debilitated or addicted to the substance);

always send the draisine back;

don't photograph ghosts;

etc.

They are objective results of many years of trial and error. Going against them is likely to end in death or injury regardless of your personal qualities. In other words, there is little dispute over the validity of these rules. The same cannot be set for the second ruleset.

What are stalker beliefs?

The Zone favours the miserable. The desperate, the broken, the lonely. The Zone favours ones that are willing to give up their whole being to her, to completely entrust themselves to her whims. She rewards dejection.

These are common truths to some and hogwash to others. There is no solid proof for any of these claims - how can there be? However, there is no happy stalker, and there is no living stalker without a scar. To many, that's evidence enough.

On top of that, there are some group-specific philosophies. They include:

the Zone is a holy place that needs to be revered;

the Zone is an ulcer of the world that needs to be cleansed;

the Zone is the new stage of Earth’s evolution;

the Zone is divine punishment;

the Zone is a point of contact with a parallel universe;

and many others.

These philosophies dictate how people go about their activities in the Zone in a more ritualistic sense. It’s hard to devise whether or not those little rituals have any effect that isn’t purely psychological.

There is a good number of people that hold a purely cynical view of the Zone. But whether they admit it or not, everyone gradually develops a sense of fear and reverence for it. How they compartmentalise it is a different question.

Conclusion

I could write more about the topic, but as of now, I think this general outline should suffice. The stalker business is a multifaceted enterprise to say the least, so hopefully this article has shed the light on its most essential aspects.

Perhaps, there will one day be a more in-depth follow-up! Who knows. As we continue to unveil the enigmatic layers of the Zone, only time will reveal the full extent of its mysteries... And the engimatic layers of shitty Stalker forums, I guess.

#parties are for losers #loredump #deepest lore #sergei #olya #yura #nikita #sanya #myart #scraps #the mill

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autisticlancemcclain · 1 year ago

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Keith presses the heels of his palms to his eyes and exhales deeply. He lets all the air trickle out of his lungs until his chest feels concave, until spots dance behind his closed eyelids, until his lips start to go numb. Then he lets go and lets the air get sucked back into him like a vacuum.

“One more try,” he whispers to himself, conscious of Lance sleeping — finally — beside him. “One, and then we move on.”

He swipes the touchpad on his computer to wake it back up, dragging the blinking curser over the rarely-used blue ‘10’ under the Google logo. The page loads, and loads, and loads, and finally spits out the next few results.

Most of them he’s already seen before. Dozens of times. BARGAIN BALLET TICKET SUBSCRIPTION, reads one link, CLICK HERE FOR 20% OFF YOUR FIRST MONTH. Another reads, Rush Ticket Prices — Buy Now!

He’s been there. Clicked that. Priced it out. Looked at the worst possible, next-to-the-washrooms, garbage seats. Nothing. Not a single ticket within their limited budget — or even close to it.

Completely out of the realm of possibility even if they hadn’t agreed on a price limit for their Christmas gifts.

He keeps scrolling down a few pages that all advertise the same thing — a disgustingly costly subscription here, bargain-but-not-really tickets there, more scammy resell ads than one would believe possible. Even, notably, a still-active link from 1997 that Keith peruses for clicks and does not actually count towards his one-more-try limit. (It even tries to accept his Paypal, which is crazy and means that someone updated the site to accept modern payment for a show that is no longer running. Keith is so amused by the pure audacity that he has to fight the urge to buy one. Wild thing, ADHD.)

Just as he’s about to give up and buy his boyfriend yet another plant this year, a link catches his attention. It’s the very last result on page 13, with no description, no punctuation, hell, hardly even a sentence of text. Nutcracker ticket sales, it reads, for a website called ‘FeuillesBrillantAcademie.org’.

Keith shrugs. Might as well. Not like anything else has been promising.

He clicks the link and immediately wishes he hadn’t. The ugliest website he’s ever seen literally assaults his eyes — a bright blue and a neon purple, clashing in the worst possible way. It takes at least four solid seconds for his eyes to unblur enough to recognise the screen in front of him as having words rather than a solid wall of Bright And Bad. Even then, he has to squint, glasses practically touching his eyeballs.

Feuilles Brillant Academy is pleased to present the final performance of the hard-working dancers this season, is what he can finally make out. The show begins at 7 p.m. on December 23rd, tickets for $20 per person. In-person payment not accepted. Please pay via e-transfer using the link below. Call out administrative office if there are any difficulties.

Keith stares at the page for as long as his eyes can handle, then he looks up at the ceiling. (Where, he may add, he can still see the screen perfectly, because the damn thing has been burnt onto his retinae. He will never mock Matt for his web design degree again. Well, probably.)

This seems…too good to be true.

It’s outrageously cheap, for one. Keith has been looking for literal days and the cheapest he’s managed to find is $50 per person, for bad rush tickets. $20 is bonkers. For two, this is a perfect time, and nearby, as well. And there are still tickets left. Somehow.

Something is amiss.

Keith’s first thought is that it’s a prank page. But the page is buried so deeply — page thirteen of Google. The hidden archives, basically. If this is someone’s prank, it’s garbage. His second thought is that the link is a virus, which, while possible, is still kind of unlikely for the same reasons. Why on Earth would someone post something nefarious so obscurely? It doesn’t make sense. This might be one of those rare times when something isn’t too good to be true, it’s just good.

Then again. Keith just got his laptop back from the last time he fucked around and well and truly Found Out.

Time to get a second opinion.

Despite the disgustingly late hour, the phone picks up on the second ring.

“Hey, stinky,” says Pidge. Keith can hear the smile in her voice as clearly as the explosions and gunfire of Call of Duty in the background.

“Asshole.”

“Turd for brains.”

“Skidmark.”

“Rotting splatter of parking lot vomit at three in the afternoon in Arizona during high summer.”

“…Pidge, that’s disgusting.”

She snickers. “I win.”

“Yeah, yeah.” Keith freezes as Lance stirs next to him, curling his arm around Keith’s bent leg and muttering something in Spanish too fast for him to understand. Keith smiles, tucking a stray curl back under his fluffy frog-eye hairband, lingering over the scar on his temple from a skateboarding accident when they were fifteen. “I need your help.”

“Well, obviously. You’re calling me at three thirty four in the morning. Usually you’re in bed by nine because secretly you look up to Adam and emulate his habits.”

Keith flushes. “I don’t remember ordering a psych analysis, fucker.”

“Consider it a bonus! Tell Auntie Pidge about your troubles.” He can practically see the face she makes immediately after, and snorts. “Ignore that. My mouth is not attached to my brain. Carry on.”

“I need you to check out a link,” Keith says, choosing to be merciful. “It’s pretty buried and obscure, but honestly I think it’s fine —”

“Yeah, last time you thought a link was fine you fucked your shit up so bad I had to download another virus to cancel it out. I’ve never had to do that before. You fucked your laptop up so bad I’d actually never seen that kind of damage before, Kogane. And I do this for a living.”

Keith pouts. “No, you commit cyber crimes for a living.”

“I have no idea what you’re talking about. I’m an angel and have never gotten so much as a speeding ticket. I am a law abiding citizen. Send over the link.”

Switching his phone to rest between his ear and shoulder, Keith does. “I need to know if the link does what it says it does.”

Pidge hums. He can hear the ding of her laptop as his e-mail goes through, and then the sounds of her clicking as she inspects the website, running it through her various programs that Keith cannot fathom for the life of him.

“What did you say you were looking for, again?”

Keith closes his eyes and tips his head back, letting it thunk gently on the thin wall under the big window, in the corner of the apartment where they’ve shoved their bed. He lets his eyes go blurry, lets the stars they stuck on the ceiling before they did anything else turn into bright green dots. They’re real constellations. The two of them spent hours on them; Lance on Keith’s shoulders, tripping and shouting and laughing.

“I need tickets,” Keith says quietly. He turns his gaze slowly to Lance, who is sleeping soundly again, who has bags under his eyes, whose hands twitch every few seconds, who frowns deeply. “And we can’t — these are the only ones I could find. That I can even pretend to afford. I need it to be —” He swallows. “I need you to tell me they’re real.”

Pidge is quiet for a moment. The only sound is her breathing, her nail tapping slowly on the edge of her screen.

“The link is exactly what it says it is.”

Keith sits up. “Yeah?”

“Yeah, man.”

Keith bites back a cheer so he doesn’t wake Lance up. Hell yeah! This is perfect! Exactly what they needed! Just — a little bit of luck. A little bit.

“Thank you, Pidge,” he gushes, hurrying to punch in his information. “Seriously.”

Pidge huffs fondly. “Okay, dweebus. Gross. Go be all affectionate somewhere else.” She pauses. “Take a picture when you tell him.”

Keith smiles. “I will.”

———

It takes every inch of Keith’s willpower to keep his mouth shut for a whole three weeks.

“I Know you are hiding something, Kogane,” Lance says while walking home from classes, while curling up into him as they watch TV, while cooking, while showering. “I see it in your face.”

“It’s nearly Christmas, you dweebus,” Keith says every time, and every time he softens it with an exaggerated kiss to Lance’s cheek, one to make him laugh despite himself and shove Keith’s face away. “Of course I’m hiding something.”

But it’s eating at them both. Lance’s blatant curiously makes it that much harder for Keith to keep things hidden, to stash the tickets between the pages of his corniest romance novel that Lance won’t touch with a ten foot pole. To wait, and wait, and wait, as they set up the three-foot high discounted Christmas tree and Lance changes their sheets to the flannel ones his mother gave them.

But the days pass. Finals come and go and so does the time. And finally, finally, it comes time to crawl onto the creaky mattress, knees on either side of Lance, nose kisses down his neck, and murmur, “We’ve got plans today.”

Lance groans. “No we do not.”

Keith smiles widely. He knows Lance can feel it, because he scowls harder, trying to hide his own fondness even as he melts into Keith’s affections.

“Yes, we do. I know. I planned them.”

“Well, then, un-plan them,” Lance grouches. He turns over so he’s facing Keith, now, trying hard to glare up at him, but late afternoon sunlight bleeds into his dark brown eyes and makes them shine golden, and they are as warm and bright as the rest of him, and his hands slide up Keith’s chest, over his shoulders, brushing through his hair, to rest on his cheeks. “Come nap with me.”

Keith turns his head to press a kiss to Lance’s palm, keeping his mouth there. Lance rolls his eyes, and can no longer hide his smile. “Later. I made plans. Dress up, I’m gonna pick us up some food for the way. We’ll leave in forty minutes.”

“Ugh.”

“I don’t know who you think you’re fooling, baby. I can see you eyeing the closet.”

“Shut up and get me a burrito.” He soothes the bite of his words by pulling Keith’s face closer to his, pressing their lips together softly. “Please.”

“Whatever you want.”

God, he’s whipped, and Lance knows it, because he grins, pleased, and pulls Keith even closer, kisses him stronger. It takes Keith a good five minutes to muster up the willpower to pull away, and Lance knows it, smirking.

He finally manages to yank himself away, stumbling backwards towards the kitchenette of their studio. Lance pouts at him.

“Menace,” Keith says sternly, deliberately turning away as he pulls on his boots and coat. He ignores his boyfriend’s grumbling and finally makes it out the door, hustling to their favourite bodega and hoping it isn’t too crowded.

Thirty-seven minutes later, burritos secured, Keith is shoving his frozen fingers around the door handle to jimmy it open. The bodega was indeed crowded and they are indeed late. The show starts in an hour. From what Keith remembers from Lance’s recitals — and he has been to many — people who are late are people who miss the show. The ballet does not fuck around with tardiness and disruptions; if you’re late, that’s tough shit for you. Plan better.

“You’re going to eat shit,” Lance says, amused, the fourth time Keith power walks right over black ice and nearly actually dies. “Slow down, babe.”

Keith does not.

“Can’t,” he huffs, keeping a half-eye on the pavement. A tourist walks into him, shoving him into Lance, who takes the opportunity to slide his hand into Keith’s back pocket and wink at him when his cheeks colour.

“Why can’t we slow down? Where are we going?”

“It’s like you don’t know what surprise means.”

“I do know. I also know that if I annoy anyone long enough they’ll snap so I’ll shut up.”

“Nah. I like it when you talk.”

He’d meant it as somewhat of a comeback, as a jab back to Lance’s teasing. But suddenly Lance stops, spine going rigid, something like shock flirting across his face for half a millisecond before he blinks it away and moves again. It happens so fast that Keith would almost be convinced he’d imagined it, except Lance’s cheeks are crimson.

Keith smiles. “Lance.”

“Shut up.”

“Babydoll.”

“Shut up.”

“I’m barely sayin’ anything, baby.”

“You are so fuckin — gay, you know that? God. Who fuckin — who says shit like that? Who on this Earth?”

Keith laughs, bending down to kiss right below Lance’s ear, to feel his flushed skin warm to frozen tip of his nose.

“You are so easily flattered.”

“Easily flatter this dick. How about that. Fuckin. Jerk.”

He lets Lance grouch at him, pleased and embarrassed about it, as he pulls them along the overcrowded streets. He checks his watch. Fifteen minutes ‘til the show starts, thirteen minutes ‘til they get there. Hopefully.

“Are we almost there? It’s cold and these shoes are pinchy.”

“I told you to wear comfortable shoes!”

“You told me to dress up! I can do one of those things, Akira!”

At the seven minute mark Keith starts running. Lance, surprisingly, doesn’t complain — a grin pulls at his sharp features, actually, and he wraps their hands together and runs faster, despite not knowing where they’re going. Every time they bump into someone in a suit he laughs. He laughs harder when they curse at him. Keith has to fight to keep his head in the game, to keep running, to not stop where he’s standing and watch Lance laugh for hours and hours and hours. It’s been too long.

He nearly pulls Lance’s arm out of his socket when he stops then abruptly, shouting “Here! Here! We’re here!” and pulling him inside a well-kept brownstone.

“Where’s…here?” Lance wonders, taking in the well-salted walkway and pretty red-and-green decorations all over the aged brick.

Keith doesn’t answer. “Close your eyes.”

Lance narrows his eyes. Keith makes his expression as wide and pleading as possible, and in seconds Lance caves, much to Keith’s satisfaction.

“You’re a pain in my neck.”

Keith kisses him quickly and chastely. “Thank you.”

“Yeah, yeah. Don’t let me walk into anything.”

Satisfied that Lance won’t peek, Keith shuffles them over to the box office, holding out their tickets. The stewardess smiles at him, scanning them, eyes twinkling at Keith wordless plea for her to keep the secret, and gestures towards a grand set of doors.

“Up the stairs, to your left, seat and row on your ticket,” she murmurs. “Enjoy the show.”

Keith nods his thanks and rushes them off.

“This sounds very fancy,” Lance observes as their shoes click on the — literally marble, how the hell were these tickets $20 — floors. “Dangerously so.”

Keith shrugs. “Perhaps.”

“…Not to be. A bummer. But please tell me you remembered our budget, Keith.”

“I did, Lance. I swear.”

Lance relaxes into him, and Keith realises for the first time how tense he was. He winces to himself. He probably could have made things a tad less stressful and still kept the surprise. He’ll remember that for next year.

“Okay, good. I trust you.”

They barely make it to their seats in time. Keith’s butt barely makes contact with the cushioned chair before the lights dim and the orchestra starts tuning, the rest of the audience lapsing into almost immediate silence.

Lance inhales sharply. “Keith…?”

“Open your eyes, sweetheart.”

Lance does, and they’re wide, and his mouth drops open, slightly, and for a moment he just stares, frozen, at the stage and the lights and the set, the familiar set, as the dim light casts shadows onto his face. The orchestra’s tuning note reaches its satisfying peak, harmonizing as one sound, and Keith’s full attention is on the lines of Lance’s face, the set of his jaw, the curves of his cheekbones.

“Merry Christmas,” he says quietly.

Before he can say anything else, before Lance can say anything else, the familiar sound of pointe shoes tapping delicately across the stage steals Keith’s attention. He turns his eyes to the stage, watching the dancers strut on the stage, and — stops.

He leans forward, squinting.

What?

Keith is…very familiar with the Nutcracker. He’s grown up alongside Lance’s family since he was eight years old. He’s been to more recitals than he can count. He’s been dragged to more performances than he can ever remember. Lance has lived and breathed and loved ballet his whole damn life, for the entire time Keith has known him, and that love bled well outside of the studio, has lasted even after he aged out of the program last year. Keith knows how the Nutcracker begins, and nothing about the program said this one was supposed to be any different.

Half of the dancers walking onstage are significantly shorter than they should be.

Now he knows damn well that there are kids in the Nutcracker. The main character is a kid. That’s the whole deal.

But there is not one adult on that stage right now. Hell, not even a teenager.

Keith looks down at the ticket — Feuilles Brillant Academy. He looks back at the stage. He looks at the other audience members — lots and lots of people with camcorders. And other small children.

Keith sinks into his chair, head in his hands.

His dumb ass bough a ticket to a children’s ballet recital.

Lord above.

“Lance, I am so sorry,” he whispers, “I was so caught up in the ticket being in budget I didn’t bother actually, like, looking deeper into things, this is totally — Lance?”

Keith leans forward in alarm, hands immediately falling on Lance’s knee, on his back. His shoulders shake and his hands are pressed to his eyes.

“Shit, babe, I’m sorry,” Keith says desperately, embarrassment replaced with panic. Everything feels like it’s crashing down around him, as dramatic as that is. He’d been so excited for this. Now it’s a whole mess. “I didn’t mean to — fuck things up, shit, we can leave.”

Lance shakes his head. Blindly, he reaches over the grasps Keith’s hand, holding tightly. His own hand is damp from his tears.

“No, no, it’s — perfect,” he whispers, voice hoarse. “I —”

His chin trembles, and more tears spill over his cheeks. As the music swells along to the climax of the first dance, Lance lifts the armrest separating their seats, half crawling over Keith until his head is tucked in the crook of Keith’s neck, arms folded between their chests, hands clutching at the fabric of his sweater. His voice is wet with tears and soaked in an emotion Keith can’t quite name, an almost — relief.

“It’s been so long. I didn’t want to — I thought I wouldn’t be able to do this again. I wouldn’t let myself think about it.”

Keith lets a huge, relieved exhale, sagging forward. He wraps himself more comfortably around Lance’s frame, squeezing him back, pressing a lingering kiss to his temple.

Growing up has been…hard. For the both of them.

They’d been told by everyone who knew them that they were being stupid and reckless. Keith has been promised that they won’t last more than two years by almost every grownup he’s ever known. Even his own brother had sighed his trepidation when Keith told him, stubborn and bold-faced, that he was moving in with Lance, that they were going to start their lives together the second they pulled off their caps and gowns, that they were ready for the next step. That they were eighteen and ready to face the world.

“Sacrifices,” Shiro had warned, “are going to be half your life now. It’s not that I think you can’t, Keith. I just. There’s a reason people don’t move in with their highschool sweetheart they summer after they graduate. Katy Perry wrote a whole song about it. It’s a banger.”

Keith hates it when his brother is right, and this time he was right about so many things in consecutive order. Living on your own is hard. Learning to live with someone else is harder. Doing it in a city far away from home, while balancing school and work and rent and groceries, is the hardest.

“I miss dance,” Lance croaks, and Keith closes his eyes and breathes deeply and holds Lance tighter.

He knows Lance misses dance. He knows that he hasn’t so much as listened to a ballet since they moved to New York, unless it’s in the dead of night, and he thinks Keith is asleep, and he puts in his headphones and moves their furniture as silently as he can to the edges of their tiny ass studio apartment and laces up his falling-to-pieces pointe shoes and dances like the very act of it is tearing him apart, and cries the whole time. And then stashes his shoes in the bottom of his gym bag and crawls back into bed and pretends again in the morning that he left his pointes back in Arizona. And Keith looks away and lets him because school is already twenty thousand a year and in no shape or form can they afford that and money to rent a studio.

But Keith can give him this. For a little bit, maybe, even if it’s little kids with handmade costumes pirouetting across a stage.

“I know, bluebell.”

Lance exhales, shaky, breath ghosting across Keith’s collarbones, and finally turns back towards the stage, keeping tucked under Keith’s chin. The kids dancing as the Snow Queen’s ladies-in-waiting are — three years old, maybe. At most four. They keep twirling right into each other like clumsy little bumblebees. It’s maybe the cutest thing Keith has ever seen in his entire life, and what’s better is the tiny smile that graces Lance’s face, despite the tears, growing bigger every time one of them wobbles back up to their feet and prances on, oblivious.

They watch the rest of the play in silence, Lance hands entwining with his sometime around the Dance of the Sugarplum Fairy and holding fast. They stand and clap as loudly as the gathered parents, louder even, at curtain call, as each kid jumps and twirls across the stage to thrown roses and cheering. It’s adorable.

They’re among the first to walk out, because the majority of the crowd surges towards backstage to collect their kid, so the walk is blessedly unrushed. They take their time, observing the pictures of grinning ballerinas that line the walls and numerous awards on endless shelves. Keith is filled with a deep and strong longing, a strange feeling of coming home — years of waiting on plastic chairs for Lance to finish solo practice when they were thirteen, fourteen, fifteen. Of taking his boots off at the door and quietly sneaking in the back of the studio, ducking away from other dancers’ boring stares, to watch Lance shine under the studio lights, reflected a thousand times by mirrored walls. Of the smell of lemon cleaner and polished hardwood floors and satin.

He notices a poster on the wall, among dozens of drawings and pictures of intricate sets, and freezes.

“Lance,” he says, tilting his head, “look.”

At the end of a hallway, right next to a door, is a hand-painted banner, reading: WE’LL MISS YOU, MISS RAULA! HAPPY RETIREMENT!

He squeezes Lance’s hand. “I bet they’re looking for a replacement.”

Lance stares at the poster for a long time. “You think?”

“I think it wouldn’t hurt to shoot them an e-mail.”

Smiling, Lance stops them in the hallway, puts his hands on Keith’s shoulders, stands on his tiptoes, and kisses him, long and sweet and loving.

“I’m already in a pretty tight spot now,” he murmurs, still standing so close to Keith and smelling so sweet that he has trouble focusing on his words, “‘cause this is already kind of the best Christmas gift ever. If that ends up being true I’m never topping you again.”

Keith laughs, suddenly, not expecting the turn, and Lance grins, pulling Keith down to him and kissing him again. It’s less of a kiss and more of a press of smiles, a clack of teeth, a shared laugh.

“I love you, Lance. Merry Christmas. I will be the Gift Giving King forever.”

“Shut up, goober.” He lifts Keith’s arm, tucking himself under it as they walk back out into the snowy December night. “I love you too.”

———

based on this post (third slide)

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plague-karm · 8 months ago

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Different takes I have based on my interests and other miscellaneous things because I’m bored.

•Bill Cipher is never getting redeemed, ever, I adore his character but I can admit when my faves are horrible people. Oh and the way some people write the Handyman Bill au makes me REALLY uncomfortable as an abuse survivor. Why do some people write it like it’s the Pines family’s responsibility for Bill’s actions? Thats so fucked, especially with Ford (the ones where they basically shit talk Bill the entire time he’s at the Mystery Shack is funny as fuck though more of that please)

•The “Jax is an NPC” theory is boring and it would make him a lot less compelling as a character if that was the case

•You can still love Danganronpa and admit that the fanservice (ESPECIALLY the stuff with Mikan) is gross

•DNI lists will inevitably attract the people in those lists to harass and piss off whoever the account is and that’s why I don’t use them

•The original Monster flavour tastes like condensed piss and I will never understand the people who drink it when every other flavour soloes it by comparison

•The second half of the Death Note anime isn’t bad at all people were just too busy huffing on L copium to care, also, Mello was one of the best characters in the entire show

•Most of Killstar’s collaborations are terrible, the Monster High collection is one of the most disappointing things I’ve ever seen and it all looks so uninspired and bland (they saved themselves a bit with the second Gloomy Bear collab they did but most of the designs for their collabs are really tacky).

•Hear me outs are becoming incredibly sterilised, there’s a big difference between a hear me out and a character you find attractive

•Also, humans (both real and fictional) along with any Hellaverse characters do not count as hear me outs (to me anyway I’m not the hear me out police)

•Ultrakill will be seen as one of the greatest games of all time once it’s fully released, it is an absolute masterclass in immersion and presentation and the soundtrack is one of the best I’ve ever heard

•I like the DHMIS show a bit more than the web series

•Resellers need to be called out more, I’ll probably make a separate post talking about this more but it gets BAD. Not all of them are bad (especially on Vinted) but the overcharging in certain fandoms is insane (especially with Sanrio stuff it’s actually disgusting)

•Lloromannic have the potential to be some of the most popular Sanrio characters of all time but their potential goes nowhere

•Prima is one of the most misused Vocaloids of all time and it HURTS. When she’s used properly she sounds GORGEOUS but most people use her for pop stuff and she sounds awful there. Shes an OPERALOID, she’s meant for OPERA. Stop misusing her (I also don’t like any of her designs I’m sorry-)

•SeeU is also very underrated, Alone is one of my favourite Vocaloid songs it’s really vibey

•Monster High G3 is very overhated. There are still some designs I don’t like (Iris’ design hurts me, the character with the same body type as me gets the weakest outfit fuck 💀) but its representation is really good (Twyla not being shamed for needing headphones in loud spaces made me so happy)

•ROTTMNT’s version of Donatello is some of the best autism rep I’ve ever seen, I’ve never identified with an autistic character more than I have with him and the fact that the show’s in limbo makes me really upset

•Robo Fizz’ design > normal Fizz’ design

•I don’t care how many songs you give Stolas I will always see Octavia as the victim in that situation and the fact that the crew see her as a “cock block” pisses me off

•Phosphophyllite will go down as one of the greatest protagonists in recent memory, their story is heartbreaking and no one in that manga deserved a happy ending more than them

•Vinted is the best reseller app and it’s not even close

•I don’t care if Art The Clown never gets a backstory, he’s a silly little guy who kills people in horrific ways and I’m fine with that

•Making it a rule to not talk about certain fandoms on big Discord servers is fucking useless, an old autism server I was on went to shit when this happened, just ignore them and move on

•The addictive nature of Character AI needs to be talked about more, I’ve only began to realise how bad it is recently, it’s negatively affected my writing abilities, do NOT download it (especially if you’re mentally ill) you WILL get addicted to it and it isn’t fun. I’ve deleted it and I’m going to try to get into better habits, never again

• William Afton is an evil bastard and that’s okay, he never needed any redeemable traits and I really like that they’re making him do some Saturday morning cartoon level shit while also making him a threat (The Golden Bite in Into The Pit is as funny as it is horrific)

•I don’t care how many times the Fnaf games will try and gaslight me into seeing the Pinkypills Afton design as him, I will ALWAYS picture Matthew Lillard when thinking of this character (also I never want to see any Pinkypills or Ladyfiszi art in the games ever again they’re terrible people and they should’ve gotten fired years ago)

•Rage bait is the key factor in what made the internet a significantly more miserable place, start saying pizza with random fruit on is good again stop with the racist and misogynistic bullshit

•CaseOh being one of the most popular streamers right now brings me joy, in a time where so many male streamers are some of the most miserable and out of touch cunts in existence, having one of the most popular ones be a seemingly normal and chill guy is so refreshing

•I respect Illumination as a studio a lot more than others would think, in an age where horror stories are coming out surrounding every animation studio in existence, I have yet to hear one about Illumination. Do I like their movies? Not really (some of them are kind of fun and the Sing movies are guilty pleasures) but they seem a lot more ethical than other studios (also they’ve openly mocked AI that’s fucking awesome lmao)

•Murder Drones needed more episodes/time to explore certain ideas, that final episode felt like a SEASON finale, not a SERIES finale (no complaints about Cyn though I adore her)

•The art style change to Soul Eater to Soul Eater Not! Will go down as one of the biggest downgrades in history

Anyway that’s it I’m tired I’ll make another one of these when I feel like it I wanna go to bed

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tragedynoir · 2 years ago

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— server exclusive: FINDER + [ link ]

a free, semi-mobile friendly google doc template completely made in tables that is inspired by web searches! it features space for a blurb on your muse (or rp info!), a q&a type section, and seven external links that you can add or remove as you see fit. large amounts of writing and additional photos will simply overflow to the next pages but should not break any design elements. this template also comes in a pageless version that would imitate the infinite scrolling of webpages and help you easily fit in large amounts information without worrying about how it would split across pages! to access the template, join my discord server (in the link above or in source) and find it under the new releases channel. I hope this template is useful to you!

feel free to edit as you please, but please do not remove the credit, resell, redistribute or claim as yours whether wholesale, in part, or modified.

if you like my work, please reblog to share this resource as it really motivates me to create more free resources! ♡ if you'd like to support me further, you may also tip me at my ko-fi jar and gain access to an additional supporter-exclusive template (see: "special delivery"). thank you so much!

#google doc template #google docs template #rp template #muse template #m #fave #rp doc #m de

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algopage · 2 months ago

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The Perfect and Great Web Design Reseller Program

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#web design reseller program #Web Design Reseller

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kadiloopstorebuilder · 20 days ago

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Build Your WhatsApp Store in Minutes — No Tech Skills Needed

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cindylouwho-2 · 1 year ago

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Etsy Deletes the Reselling and Gift Baskets Legal Policies In Favour of New "Creativity Standards"

This morning (July 9, 2024) Etsy released several announcements regarding what can be sold on Etsy, new categorizations for items sold on Etsy, and a new ad campaign. You can read my early thoughts on that here.

As part of this overhaul, they abolished 2 longstanding site policies, namely the ban on reselling in the handmade category, and the ban on almost all gift baskets containing commercial goods. Since they deleted those pages and didn't even mention those rules in any of their announcements, I have preserved those now-dead policies below. Thanks to Bing for still having caches of deleted pages!

First , the Reselling policy (text follows the screenshot)

text of screenshot:

"You have reached the cached page for https://www.etsy.com/legal/policy/reselling/239324376512

Below is a snapshot of the Web page as it appeared on 2024-07-08

Reselling

“Reselling” is selling an item that you, the seller, did not make or design. Etsy's marketplace includes handmade items, vintage items, and craft supplies. Reselling is only allowed in the vintage and craft supplies categories.

Everything listed in our Handmade category must be made or designed by you, the seller. Reselling is not allowed in Handmade. Read more in our Handmade Policy.

Examples of prohibited reselling include the following:

Creatively repackaging commercial items (for example a gift basket consisting of non-handmade items)

Curating a collection of others’ handmade goods that you did not design or make

Selling items made or designed by another seller who is not part of your shop

Selling traditional handicrafts or fair trade items that you did not design or make

Offering personalization as optional, or featured as a separate item (i.e. an add-on card, gift tag or written note), without altering or changing the commercial item.

Etsy reserves the right to remove listings that do not follow our policies. Sellers remain obligated to pay any fees incurred in listing such items.

Last updated on Jul 25, 2023"

And finally, the policy Etsy outright ignored for many years, the Gift Baskets policy:

"You have reached the cached page for https://www.etsy.com/legal/policy/gift-baskets/239976666926

Below is a snapshot of the Web page as it appeared on 2024-07-07 (the last time our crawler visited it).

Gift Baskets

Repackaging or creatively curating commercial items for resale as a gift basket or set is not allowed in the Handmade category, unless it is part of a new structure (see below).

You may not group new items you did not make into a basket or set even when based on a theme, idea, or life event.

For example, a care package for new parents, a college student, or somebody experiencing an illness containing any new items you did not make is not allowed, no matter how caringly curated it otherwise is.

DO: Include only qualifying handmade, vintage, or crafting supply items. DON’T: Include any mass produced item in a gift basket, unless it is part of a new structure.

If you wish to sell an item that contains some commercial components, this may be possible only if the commercial items 1) have been used as components that form a new structure or sculpture and 2) are physically attached to one another.

For example, a diaper cake is an item where components are creatively attached to each other to create a new item.

DO: Creatively use mass-produced items to form a new structure where the items are physically attached to one another. DON’T: Include newly-made, mass-produced items in a gift basket unless they are part of a qualifying structure.

Last updated on May 3, 2022"

I will have more thoughts on this on my main website blog soon, but yes, this means that many commercial items are now officially allowed to be sold on Etsy, as long as they are listed correctly.

#EtsySellerNews #etsy #ecommerce #cindylouwho2

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seoresellerca · 26 days ago

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Unlock exceptional online growth with SEO Resellers Canada, your trusted partner in comprehensive digital marketing. Specializing in white-label SEO services, off-page optimization, local SEO, and cutting-edge strategies like LSI keywords, we help businesses and agencies achieve higher rankings, organic traffic, and ROI-driven results. Discover tailored solutions designed to dominate search engine rankings and drive real business success. Partner with us today.

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reactheme · 6 months ago

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gusdacruz · 1 year ago

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1. Gamar: US$ 13 > OPEN 2. Rebel: US$ 14 > SOLD

What will you get:

High resolution trasnparent png image (300 dpi) and web size image. Icon in two sizes: 600 x 600 and 100 x 100 (ideal for Furaffinity).

Please, credit me by design and base. Dont trace. Dont resell for a higher price than purchased. You can add acessories. Design and base by me. Don't underestimate chibis, they can be the starting point of your future OC. And you can order a version of them in adult proportions from me. See the possibilities (the base chibi is already included in the price):

Extra action pose: chibi $40 / adult $ 60 Reference Sheet (front, back, extra action pose and 2 headshots): chibi $ 120/ adult $ 140 Commercial use license (chibi or adult version): $ 100

Respond in the comments or send me a pm if you have interest.

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webwahllcwebdesign · 2 years ago

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Digital Marketing for Business Syracuse NY | SEO Services Syracuse

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digitaldetoxworld · 10 months ago

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Cheap Web Hosting with free domain Unbeatable Prices and Features for Your Online Presence

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