#Windsor Machines

[windsorinjection]

What is an Automatic Injection Moulding Machine?

What is an Automatic Injection Moulding Machine?

In the realm of manufacturing, an automatic injection moulding machine stands out as a pivotal tool. This machine has revolutionized the production of plastic parts, making it a cornerstone in industries ranging from automotive to consumer goods. But what exactly is an automatic injection moulding machine, and how does it function?

The Basics of Automatic Injection Moulding Machines

An automatic injection moulding machine is a complex piece of machinery designed for the mass production of plastic parts. It works by melting plastic pellets, injecting the molten plastic into a mould, and then cooling it to form a solid part. The "automatic" aspect of these machines refers to their ability to perform this process with minimal human intervention, relying on advanced programming and robotics.

Key Components and Functionality

The machine consists of several key components: the injection unit, the clamping unit, the mould, and the control system. The injection unit heats and injects the plastic into the mould. The clamping unit then holds the mould closed under pressure while the plastic cools and solidifies. Once the part is cooled, the mould opens, and the part is ejected, ready for use or further processing.

Advantages of Using Automatic Injection Moulding Machines

There are several advantages to using an automatic injection moulding machine:

Efficiency and Speed: These machines can produce high volumes of parts quickly, significantly reducing production time.

Precision and Consistency: They offer a high degree of accuracy, ensuring that each part is identical to the last.

Reduced Labor Costs: The automation reduces the need for manual labor, lowering overall production costs.

Flexibility: They can produce parts of various sizes, shapes, and complexities.

Material Variety: These machines can work with a wide range of plastic materials.

Applications and Industries

Automatic injection moulding machines are used in numerous industries, such as automotive, medical, consumer electronics, and packaging. They are essential for producing items like plastic bottles, automotive parts, medical devices, and household appliances.

Conclusion

An automatic injection moulding machine is a vital component in modern manufacturing, known for its efficiency, precision, and versatility. As technology continues to advance, these machines will undoubtedly play an even greater role in the production of high-quality plastic parts.

[vertigoartgore]

1988's Machine Man TPB cover by cover artist Barry Windsor-Smith.

[aemiliaromagna]

I did not just spend a good hour of my life just to try and create a playlist that resembles the parts of the day just for it to end up being the same three artists on rotation. God I need to listen to more new music. Anyways here it is

And just a note: I don’t really listen to some of these artists, I just know a song or two.

ALSO I just relaized I misspelled Haifisch by Rammstein so apologies for that

[nickfuryagentofsword]

Machine Man 2020 2 (1984) by Tom DeFalco, Herb Trimpe & Barry Windsor-Smith

[balu8]

Machine Man #4: Victory

by Tom DeFalco/Barry Windsor-Smith and Jim Novak

Marvel

[benson-thecopy]

*Sigh*

It’s that time of year again.

I PRESENT YOU WITH MY SPOTIFY WRAPPED

As you can very well see, I am not mentally stable

ALSO

WHAT THE FUCK

[fredandrieu]

Un Récit Complet Marvel n° 12 - Machine Man

Tom DeFalco, Herb Trimpe et Barry Windsor-Smith, novembre 1986

[bobbie-robron]

Victoria’s got to learn that she can’t just STAMP her feet and get everything she wants.

On this last day of March, it’s Victoria’s birthday and she is NOT a happy child (far from it) when, instead of a horse, she gets a karaoke machine which Jack tries out with two tunes (including Sex Bomb! 😳). Robert and Andy BOTH got Victoria makeup. Meanwhile, Katie is still looking for a job and it won’t be the King’s one as she doubts they’d interview her again but for Donna… Victoria decides to sulk in her room for the remainder of her birthday so why not Jack and Diane play with the karaoke machine more?

31-Mar-2005

[krafty1]

The Daily Panel 2/18/25

Image Credit: Marvel Comics

[garochetarkinslicersimlish]

Not the same crony making machine

[if-you-fan-a-fire]

"Achieve Goals in Victory Loan Drive," Windsor Star. October 27, 1943. Page 5. --- PENBERTHY Injector Company, another of the scores of smaller Windsor firms which have done a consistently good job in Victory Loan drives, has again accomplished their task in the present drive by going well over the top. Shown in the upper photograph are some of those who conducted the drive in the plant and others who bought substantially. Left to right are: Mr. William Decker, who invested his savings of $3.000; Mr. Bob Sampson, salesman; Mr. Charles Hugill, salesman, and Mr. David Jennison, another bond buyer, who has a son in the R.C.A.F. The firm is now trying for a 3- Star Victory Flag. Below, at the plant of the Windsor Tool and Die Company, employes raised the classification of their firm from "C" to "A" in the Fifth Victory Loan effort. Some of those responsible are shown, left to right: Mr. William Brenie, Mr. Fred Burrell, Mr. William Burdett, Mr. Armand Guidolin, employes who invested substantial amounts of their savings from $500 to $800, and Mr. E. B. Lane, president and general manager of the company. Fullest co-operation was shown between employes and management in the conduct of the drive. All of the employes shown have relatives in the services. An honor certificate was presented to the employes yesterday. (By Staff Photographer.)

[thepermanentrainpress]

BRENDAN SCOTT FRIEL: 2021

2021 – Brendan Scott Friel Release Date: October 13, 2023

Track Listing:

Tiny Machines

Resolutions

Simon the Doubter

Michelle

Tuesday Morning

Let’s Get Together Soon

Cold Air

It’s Just Been a Hard Year

This is an album Brendan has put a lot of clear expression, emotion, and effort into. The production, particularly for a solo artist, is smooth yet detailed. It reminds me of Sufjan Stevens: very soft, sad, and reflective in a personal way.

There are little details in the background of the production best appreciated on headphones. The rhythm time and the horn section are examples of the subtle engineering. There's some deep bass, mellow guitar, and rising sounds that I took in more with every listen.

A major theme is the singer's grief following the loss of his father. Other subjects intertwined include the juxtaposition of fun and happy memories while grieving, and the toll Covid and quarantine took on his psyche alongside the world. 

"Tiny Machines" starts off very slow before a rapid tempo change halfway through. This runs parallel with the lyrics – the contrast between trying to sleep and the symphony of thoughts occupying Brendan's head. It's an interesting and even jarring entrance with the sudden shift in style, but it sets the atmosphere for what is to come.

"Resolutions" was my personal favourite from the album. It's upbeat, detailed, and probably the most "fun" of the tracks considering the context. It's also the happiest of the stories told here. Amongst seemingly endless grief there is joy, beauty, and a meaningful connection in the world taking place. It is sparks lit up, metaphorically and literally amongst the final minutes of New Year's Eve. 

The third track echoes the content of "Tiny Machines," both featuring feelings of being restless and out of control, trapped and confused, "floating away." There's some good rising trumpet halfway through, and the guitar riff stands out for being rapid. The tempo syncs up to the themes of stress – as if the guitar is a pounding heartbeat.

"Michelle" is the story of the singer's sister and his perspective on their shared loss. He reflects on their distance and failed connection. He also describes how she is processing the grief during all the other stressful aspects of life, like motherhood. While very sad in context, it also ends on a note of hope – unconditional love and support.

The string section/riff on "Tuesday Morning" is genuinely moving. One finds themself lost in sadness just from the sound of that violin. It is met with lyrics of depression, of not being able to leave your bed. All that while dealing with a dying loved one, and the guilt felt of suppressing the grief and miserable feelings. 

"Let's Get Together Soon" is the tale of running into an old friend, and the understanding that comes with seeing the relationship in a new context. It's a very human story that most people go through at some point: feelings of regret in a dissolved friendship, and thinking about things you wish you'd done differently. The story describes the friend pulling away after the death of their father, and the narrator's realization and empathy of their behaviour in the aftermath. We all get older, lose loved ones, and have social relationships come and go. Brendan has captured the feeling not just lyrically, but musically and emotionally. You can really feel what's going on, almost as if it's happening to you personally.

"Cold Air" is another track reflecting on past memories, happier times, and that special feeling of being out with friends one particular night. Of course, the feeling is interrupted by a wave of grief and the narrator departing. As he walks home, he reflects on his circumstances ("What the hell am I doing here?"), aging, and what comes next. It's another wave of mixed feelings most of us go through at some point – all the more striking when processing loss. You can practically feel the cold air in the lyrical description.

The final track is simple lyrically and musically. It concludes stating the obvious – "It's Just Been a Hard Year" and the absence that comes with losing a loved one is overwhelming. Where do you go? What are your blessings? Are you processing the grief properly? When will you feel better? These are the questions the singer asks himself, and they have no easy answers. 

2021 is a deeply personal album crafted with beauty and integrity. It isn't exactly something you can dance to, and one should be in the right headspace to listen to it. Nevertheless, it's lovely and cathartic. 

Written by: Cazzy Lewchuk

[vertigoartgore]

Barry Windsor-Smith's cover for the tpb of the early 80's Machine Man miniseries.

[nickfuryagentofsword]

Machine Man 2020 1 (1984) by Tom DeFalco, Herb Trimpe & Barry Windsor-Smith

[omtai]

thinking once again about the pussybow in which gerard tied their tie for the skirtsuit character. they could have so easily just done a windsor knot and that’s that. but it was a deliberate choice to tie it as a pussybow; it’s feminising, it’s softening— originally they were associated with the bows tied on kittens, giving it its name. but as women started to join the workforce (specifically the office which was of course a male-dominated field) it grew to be a form of defiance, a breaking of rules and dress codes.

in relation to ms. skirtsuit it really adds to the theory that while she is complicit and undeniably fascistic since she works under the dictator, there is a good chance she will be insubordinate and, like the pussybow, defiant to his rules. we’ve already seen how she finds herself exempt from His Grand Immortality— the way she didn’t get up to stand and wait as he entered the room the way mr. carnation and the politician did, the way she didn’t even turn to look when the opera singer sang. What i’m trying to say is as the story progresses I wouldn’t be surprised to see her end up as a sort of anti-hero. definitely not a good person, but works against the flow of the death machine.

[wheelsgoroundincircles]

1969 Mercury Cyclone Spoiler II

The 1969 Mercury Cyclone Spoiler II was a rare, NASCAR-inspired street machine. Built for aerodynamics, it featured an extended nose and flush grille, paired with Ford’s potent 351 Windsor or 428 Cobra Jet V8. Only a few hundred were made, making this sleek fastback both a collector’s gem and a high-speed legend.