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#Yes I wanted to flesh her mom's character out a little
sourtomatola · 7 months
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What if Stalker comic part 2
Part 1 here
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(I have another two or more comic's planned for this, so this is totally a spin off for now)
Stalker masterpost
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So over the past few weeks, I’ve been toying with the idea of writing a retelling of the OG series from Annabeth’s perspective.
I’m interested in doing this because though I loved the PJO when I was a child, as I grow older, I find myself craving more nuance from the stories and the characters than what’s already there on the page. I thought hopefully the show would fulfill me, but uhh….amazing character depth is not one of the things I’d call the show’s biggest strong suits, at least not for Annabeth.
Now, I’m aware of the “Daughter of Wisdom” series on AO3, a fanfic series that does the exact same thing. I read that fic years ago and enjoyed it; I thought at the time that the fic was well done. However, I have a lot of ideas for scenes and details that I don’t think really showed up in that fic series, and so I find myself craving to create the POV for Annabeth and certain aspects of CHB that I’ve always wanted to see. I also wanted to spend more time emphasizing emotions and growth for Annabeth in a fic like this, and actually have her challenge and address her pride, sort of like a “I’m overcoming my biggest flaw” journey. I want to write this series from a sympathetic yet honest perspective about Annabeth’s life and her traits…including the traits that are not so pretty.
And so I want input from y’all on what you think would be worth including in a fic like this, and if there’s anything from the OG books that I should change, twist, replace, remove, deepen, or add something new. Here’s a list I already have going:
- emphasis on Annabeth’s relationship with Chiron and how it develops
- more emphasis on Annabeth’s relationship with Grover and how they get along when Percy isn’t there. Do they talk about Percy? And what do they think of each other? Does Grover feel intimidated by Annabeth, or feel like maybe she’s not proud of him because he let her down with the Cyclops incident and Thalia getting killed? Maybe at the end of the quest in TLT, before Percy gets back from Olympus, Annabeth reassures Grover that he’s a great protector and that she doesn’t resent him at all.
- Annabeth’s view of Luke and how/why it becomes complicated; how Annabeth reconciles the objectively bad things Luke has done with her desire for his redemption
- an emphasis on Annabeth and Thalia’s relationship after Thalia returns. How has it changed, Thalia remarking on Annabeth’s growth and teasing her about her crush on Percy, Annabeth helping Thalia cope with the loss of Luke to the “dark side” and also helping Thalia cope with how much the world has changed in 5 years and how Thalia now feels so out of place, Thalia helping Annabeth cope with continuous family struggles
- an emphasis on Annabeth’s relationship with other Athena children. Do they like each other? Hate each other? Are they competitive, all vying for their mom’s attention? Do they share some of Annabeth’s struggles; were their mortal parents also unimpressed about receiving a child they didn’t plan for?
- Annabeth’s relationship with other kids at camp: namely Clarisse, Silena, Beckendorf, and the Stoll Brothers (no, I don’t ship Connabeth, btw). But I also want to flesh out Katie Gardner and Pollux/Castor too.
- a proper resolution to Annabeth’s family drama that yes, recognizes how Frederick had a baby sprung on him that he didnt consent to, and how Mrs. Chase had no idea how to take care of a kid with special needs, but a resolution that also validates Annabeth’s feelings and highlights the ways in which Mr. and Mrs. Chase messed up and failed her with their poor choices.
- a new interpretation of Luke’s “did you love me”question
- An on-page apology from Annabeth to Rachel
- Annabeth’s relationship with her little brothers and how they might still try to love each other in context of their family drama, and not repeat the sins of their parents (breaking generational curses!)
- more emphasis on Annabeth and Athena’s relationship, and how Annabeth evolves from thinking her mother is this image of perfection, to realizing that Athena is just as faulty as the other gods and goddesses, and that Annabeth has a strength over Athena in that Annabeth has a bigger sense of humanity, and can change and adapt when she’s not doing something well. Annabeth can evolve in ways Athena cannot.
Anything else?
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dwaekkilinos · 3 months
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wind and water (pt. 1) | lee felix
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summary: People always had a way of looking at you as if your skin were composed of paper mâché and your heart was made of glass. They just assumed you were kind of like a weak bird . . . but Felix Lee looked at you like you still had some flight left.
pairing: lee felix x fem!reader rating/genre: 18+ Minors DNI | surfing au, childhood friends to lovers, slice of life, angst, fluff, eventual smut word count: 15.7K chapter summary: you're in the wind, and felix lee is in the water. both of you are sons and daughters of no one anymore. warnings/notes: ok so! i originally posted this on my main blog but then i decided that'd be too confusing so it's getting uploaded here hehe (i also decided to split the chapter up to make it short but i can't promise that for future chapters), this fic is literally just hurt comfort with smut like i have no excuse, moving on: explicit language ahead, probably many typos, character death (reader's mom and felix's parents) fictional names for chris's family, hyunjin and jisung being the absolute best besties, forced proximity aka reader and felix have to share a room, mentions of death and everything surrounding it, grief, extreme coping mechanisms (reader goes a little insane and that's ok), insomnia, and i think that's it for this part but if i missed anything let me know, ok ok hope you enjoy <3
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chapter one: this house is haunted ( next → )
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Look for me in the wind.
There’s something people like to say at funerals. It’s stupid really, maybe even a little self-involved, but when the forsaken bell tolls and some poor soul in a casket rolls around, some sorry sucker will without a doubt preach that when people die, they’re never truly gone. It’s supposed to be comforting. It’s supposed to lighten the mood. It’s supposed to make things better; make you better; make you feel better that this person you once knew . . . that this person who had been in your life day in and day out was now gone, sure, but their memory was still there.
That’s supposed to make it better . . . right? It’s OK that they’re dead and gone—an empty cavity with nothing but bones and stitches keeping their flesh from sliding off—because at least they have someone to remember them.
It’s supposed to be OK.
It’s supposed to be.
But it never is.
Nothing is ever OK again. Because the truth is, when people die . . . they’re gone. Dead is dead, and dead is gone. They’re gone.
They become nothing once again. But that's the tricky part, isn’t it?—the fact that they were something once.
And it’s never easy letting go of something that still exists in some nature; because an abandoned house is still a house even with no heart, and a body is still a body even with no soul. Both have the bones to keep them standing for a little longer. Both can withstand a great deal more. And both will.
But they’re still . . . less. The house will never be a home again, and the body will never be a person. They’re just there, not fully present and not fully gone. They exist in this limbo, and it is this in-betweenness that makes letting it all go so . . . hard . . .
How do you put something like that to rest?
But . . . dead is gone, right? Dead is dead and dead is gone, so, fuck! Why was it so hard? She was gone. She was gone, gone, gone . . . but . . . but . . .
Look for me in the wind, was what your mother had told you the day she died. It was something you knew others in the hospital would kill to hear instead of a forced goodbye before a surgery everyone knew would fail. You supposed that should have brought you comfort: that your mother had left you with something irreplaceable.
But it didn’t, because you knew what it meant.
It meant that the rumors were true. When people die, yes, they’re gone, but a part of them is left behind. Only for you, it was the part of her you didn’t want to remember. You didn’t want to walk the streets of New York, always cold and windy, and think of your mother’s dying words.
Look for me in the wind, she had said and hours later she was gone.
When people die, they might not be truly gone, but that didn’t mean you weren’t left with memories you’d rather have died with her. And now . . . now all that you were left with were her final months.
It only reminded you that she was still dead. Even if her memory was there . . . she wasn’t.
You supposed it left you feeling a little . . . lost.
OK . . . maybe lost was a bit of an understatement.
It just . . . it didn’t take long after your mother’s death to figure out she had been the thread holding your family together. And when she died, everything fell apart . . .
It started with your father. At first, you, neither your sister, Erin, saw it, until three shoes by the front door turned to two, and he stopped coming home for dinner, insisting the two of you were grown adults and could fend for yourselves. But you knew what that meant. You’d always known it would happen, too, but your mother would never have allowed it. But you knew. God, you’d known since you were seventeen and you saw the messages on his phone.
Your father had found someone else, and quickly, it seemed. No . . . not quickly. She had always been there. Ever since he went away on a business trip one year after his mother’s death and came back with a secret and a request for a divorce. Your mother never allowed it of course, and they stayed together.
(You supposed you should’ve known he’d stay with her, too, and . . . wait.
Which he did, right? Congrats, dad, you were patient enough to fuck someone else two minutes after mom was shoved in the grave!
Class act, your father.
Whatever.)
So, your mother was dead. Your father was already planning a new family. And you and your sister were stuck in your childhood home, sitting opposite each other at the dining table while the empty seat with an equally empty plate resting on one of your mother’s special placemats, haunted the two of you. Because well, that wasn’t your father’s seat. No, the two of you stopped setting a plate for him the first day he didn’t show.
This seat used to be your mother’s, and that plate was for her . . . or her ghost, you guessed. (It was Erin’s idea. Obviously . . . )
Neither of you had mentioned it.
Neither of you planned to.
Neither of you would.
. . . This went on for a few more weeks.
Then . . . it was August once again. Fall semester was starting. It was going to be the start of your senior year at university. You were almost there. Almost.
Your sister left two days later. Back to Texas. Back to her husband and his kid. Back to her life. Back to normal.
She was twenty-nine and had a life, you got it. You were only twenty-one, just shy of turning twenty-two, and had no clue how to navigate . . . anything.
So . . . you . . . you stayed stagnant in that house.
Now, it was you who sat at the dinner table, not a soul in sight, just you and the empty seat where your mother used to eat when you were growing up. The plate was still empty, maybe even a little dusty now, because no one dared to touch it. Yours was always half-finished. You could never stomach more the second your eyes locked on the empty seat where your mother should have been.
And every night, you’d toss your half-eaten dinner in the trash, glance toward the still-set plate waiting for your mother, wait a few minutes . . . just to see if her ghost truly would take the seat, and when no ghost showed, you’d turn off the lights and head up to your childhood bedroom for the night.
Until . . . it was the night before the first day of the semester, and you realized it would be back to your apartment, and the house . . . her house . . . would be left empty for who knew how long. No more childhood, no more falling asleep on the couch and waking up to your mother carrying you to your bed, no ice cream as dinner, no nothing . . . not even a whisper from . . . her . . .
And like her body that you knew was rotting away day by day in her grave, her house would no longer be a home the second you stepped out the door and returned to the life you had made for yourself. It would stand, bones and all, days passing it by while it slowly rotted away without a single hand to dust its edges and sweep its floors. And so, it, too, would be taken to the weeds, leaving behind memories no one wished to remember. (Perhaps those memories would rot with it, too.)
It all just made you think, and the longer the gears in your brain turned, the more this sliver of rage grew inside of you.
A house with no bones, it would slowly become.
A house with no bones. A house with no heart. A body with no soul. A child with no mother . . .
Your mind just kept spinning and spinning and . . .
You supposed that was when you went a little . . . off course? Downhill? . . . Crazy, maybe? Well, perhaps a little more than that. Maybe like . . . utterly insane. (You were being generous, of course.)
Unbelievable, you say?
Well . . . sit down, buckle up, let’s just see what you have on the checklist.
Trash your childhood home, destroying all evidence that your mother even existed, but obviously leave the plate on the dining table just in case she comes back? Check.
Block everyone you know on . . . everything? Check.
Only show up to class in your mother’s clothes, wearing her makeup the way she used to, asking to be called by her name, basically becoming . . . her . . . ? Check, check, check, and . . . check.
Flunk all your first and second exams? Check, of course.
Midterms come around and your average for all of your classes is about hmm a good forty-six percent? Check.
Eventually withdraw from all your classes, dropping out of university entirely? Yeah . . . check.
The news somehow gets back to your father via bank statements, because how else would he get in contact with you? Oh, and then when he does finally find out about it, he decides that maybe you’re not OK after your mother just literally, oh you don't know, died. And does this mean letting you stay with him and his girlfriend for a little, maybe some therapy and a hug? Maybe? Well, no, of course not!
This means calling up your mother’s childhood friend, practically begging her to take in his delinquent child (AKA you) because well, obviously, you just need to feel connected with your mom again, so duh, that means shipping you off to your homeland or her homeland whatever same thing . . . which is P.S. another continent (Australia of all places . . . yeah) for like their summer or whatever and then you’ll be cured.
. . . Um . . . anyway . . . check!
Yeah . . . you supposed you really fucked yourself with that one.
. . . Whatever.
That was what you kept repeating, at least. Whatever this and whatever that. What else could you do? It wasn’t like anything mattered anymore.
Whatever, you muttered to yourself as you boarded the plane, with not even a second glance. No one was in the airport to bid farewell to anyway. So, whatever.
Whatever, you groaned as you finally landed in, you guessed it, Hell’s hotspot: Sydney, Australia. Whatever, you huffed as you caught sight of the Bahng family—Irene and Monty Bahng and their two kids Chris (one of your childhood friends . . . apparently) and Grace—waving to you. (Supposedly another member of the family was missing—Felix, one of Chris’s friends who you were, once again, supposedly supposed to supposedly know from childhood. He was apparently living with them since last year for unforeseen reasons that no one bothered to mention. But. He didn’t show due to more unforeseen reasons.)
You forgot to groan out another inner whatever the second you stepped into the backseat of their minivan, too wrapped up in your own head to care. Grace kept mentioning this and that, saying how excited she was to have another girl in the house because it was so horrible living with two adult boys. (She was fourteen, interested in being older than she was, and curious about the world. You got it. You used to be that young.)
And Chris, well, he was three years older than you and, as you would like to reiterate, apparently one of your best friends from childhood before your family packed up and moved just before junior high. You remembered little about him, but it wasn’t like it mattered. (You were just glad he kept Grace at bay, telling her to leave you be.)
Irene and Monty were fine, too. They kept asking you how your flight was, if you had eaten, and blah blah blah which you hated and responded with quiet hums as an answer, but . . . whatever. It didn’t matter if they were nice. You were stuck there and you hated it. You hated being back home, too. You hated everything and nothing mattered, so . . . whatever!
You remained silent the entire rest of the way to their house in their shitty, hot, no-WiFi-bearing town from Hell. Your silence carried on even as they ushered you out of the car, taking it upon themselves to carry your bags in without even a single hand from you, claiming that you should walk around the property while they got your room ready so you could get used to . . . everything. And you simply nodded without another word because . . . well . . . just because . . .
The Bahng’s lived atop a hill in a small bungalow with yards and yards of land which overlooked the ocean. You didn’t exactly know which ocean because you’d never cared to learn anything about anything. You’d been a biology major, and you hated it, so it wasn’t like you particularly liked learning. You had just put up with your degree to make your mother proud, and now that she was gone, well . . .
You swallowed hard. Never mind.
It was pretty. You’d give Southhaven that. But that was it.
This wasn’t your home. It never would be. You weren’t sure if you even had a home anymore.
. . .
With a soft sigh, you slightly tilted your head back, eyes closed as you faced the sun. Its heat beat down on you, and for once, you let it touch you. You let it caress your face, desperately trying to warm you, but you had never felt so cold.
And when it seemed your blood had almost frozen in your veins, you felt it . . .
. . . the wind.
In response, your jaw twisted so tight you wondered if it’d be enough to crack a molar. But the slight breeze in a world full of heat nudged you forward, causing your hair to slap your face.
Begrudgingly, you flicked your hair out of your face, forcibly tucking it behind your ears. But the wind persisted, seemingly tugging you toward the edge of the property.
You didn’t want to listen. You wanted to shove off the wind and stalk toward the house, but like the call of your name from your mother’s lips, you couldn’t turn the other way. No, instead, you followed the wind, you followed her voice, and approached the edge of the property where the ocean resided in the distance.
And only then, when you were overlooking the water below, did the wind seem to subside. Like a current, the tide had come in. No more whispers in your ear, but you could still feel it, just . . . in the distance.
You wondered what it meant. You always had. But how could you question the wind? How could you call out to it and beg for its presence?
Swallowing hard, you nearly attempted to question this intangible thing, until something caught your eye.
As you stood atop the hill, quietly questioning its existence, the suddenly wind returned, whipping through your hair, as the image of a man below on the shore stalked toward the ocean, surfboard tucked under his arm. His hair was blonde and wet as if he had been at this all day. His skin was marked with redness and small scratches, showing evidence of his advances. And he had this way of holding himself that just told you he not only held this . . . resentment but also . . . fear toward the ocean.
The wind whispered in your ear once more. You blinked. It was almost as if the wind were telling you to keep watching, to listen and hear the pounding of his heartbeat from up there.
Could you hear how loudly it was beating as he stared down the ocean? Or was it your own heart that you heard?
Was this man even real? Were you?
But that didn’t matter. Real or not, you couldn’t tear your eyes from him. You watched in silence, you and the wind atop the hill, as he paddled out into the water, positioning himself perfectly to catch a wave.
You watched as he waited and waited. You watched as wave after wave became big then small then nothing, and he was left still waiting. And when a good, strong wave did come, he tried and tried, but . . . failed.
And time and time again, the waves kept coming but . . . they seemed to elude him. He missed every single one.
Frustration seemed to consume him as he smacked the water before tugging his hands through his hair to push back the wet, blonde strands. And as he continued to battle with the waves, you could see his anger mounting. The more he missed, the more his frustration grew. You watched him take deep breaths, trying to calm himself, but it seemed even that couldn't bring him the solace he sought.
Finally, you watched as he breathed in sharply through his nose, tilting his head toward the sky as the sun beat down on his face. Just like you had done moments ago, he squeezed his eyes shut, trying to soak in the warmth. It seemed . . . it seemed; however, even that couldn’t help him, his brows furrowed and his mouth in a permanent frown as the wind twisted through his wet hair, causing him to shiver even in the sun.
And you began to wonder . . .
. . . Did the wind haunt him, too?
“He’s good, isn’t he?” you suddenly heard from beside you, but you didn’t jump, you didn’t even turn to greet the person. You already knew who it was anyway. Chris, of course. (You supposed his parents had made him become the spokesperson for the family given the fact that the two of you had been friends a million years ago. Or maybe he was just that . . . out there.)
Whatever.
“Hmm?” you hummed out, remaining as silent as you could.
Chris gestured to the vast ocean below, toward the boy (No, man? . . . ) who still sat on his board, eyes now scanning the waters before him once again. “Felix,” he restated.
Oh. You bit the inside of your cheek.
That was Felix.
“You remember him, don’t you? Taught you how to keep your head above water. You had quite the trouble getting a hang of your sea legs.” Chris chuckled, shaking his head. “I remember you’d cry any time you’d get salt water in your mouth.”
“No,” you murmured. “Don’t remember. Doesn’t seem like he was a very good teacher either. Hasn’t caught a wave once.”
You could feel his eyes on you, but you didn’t turn to meet his gaze. Still, it seemed Chris was hard to turn away. He, like you in the wind, stayed stagnant, solid as stone as he stood beside you. Not even the brisk air could turn him away, even when it seemed to get colder the closer he stood to you. You’d thought maybe he’d catch on; to the fact that in all of Southhaven, the coldest spot was right next to you. But he didn’t. He stayed put, and then . . . then he spoke.
“I’m sorry we couldn’t make it to the funeral,” he spoke softly as if he were talking to a child.
Your heart plummeted, and the sliver of rage grew inside of you once again. A wildfire now, it had become.
Sure, he was a few years older than you, but he didn’t have to treat you like . . . that. You could handle things. You handed your mother’s death for god's sake, so why couldn’t he talk to you like you were an actual person and not some fragile—
“I won’t try to understand, because I don’t,” he continued, knowing you wouldn’t respond. “And I won’t try to make you feel better. I know it doesn’t work that way, but Felix . . . “ He sighed, before breathing in sharply. “He lost his parents a year ago. I won’t try to understand, but he . . . he already does.”
Your eyes snapped in his direction then. But your lips remained sealed.
Chris took this as his sign to continue. “Just—“ he wet his lips, brows raising— “don’t be too harsh on him. If there’s anyone who understands how you feel . . . it’s him.”
Remaining silent, you could only swallow your thoughts, your feelings, your words. You shoved it all down and continued to stare, eyes surely unwelcoming and dull.
But he didn’t seem to be bothered by it. Maybe . . . maybe he was used to it.
“Anyway—“ he huffed out with a growing smile— “come on, your room is ready.” He reached forward to grab the bag you still held in your hands without another word. “You’ll have to room with Felix, but I promise we’re trying to set up the shed for one of you. It’s just a little fucked between Dad’s workshop and Grace’s many, many, many abandoned projects . . . but we’ll get there . . . promise. But, hey, you get your own bathroom and—“
Of course, his blabbering didn’t stop there as he began to lead you toward the house, but you couldn’t spend more energy trying to listen to him. It was all useless anyway. You had a room. There were bathrooms in the house. Food. Everything else you’d need to survive.
But . . . your thoughts were elsewhere. Your gaze landed on the boy . . . Felix . . . once again, watching as he remained still, almost as motionless as the sea that surrounded him. It was almost as if he were waiting for something. Even if he caught a wave, it seemed he’d remain there until that something came around.
Quickly, you began to wonder, would it ever? Or would he remain in that water forevermore?
. . . Would . . . you remain stagnant, too?
And amid it all, the wind returned, whistling in your ears . . . and then . . . then you began to hear a faint voice calling your name. You knew it was Chris, but you didn’t care. You were so deeply immersed in your own thoughts, so consumed by despair, that the sound seemed distant and muffled. It was as if a thick fog had settled over your mind, clouding your senses and preventing you from clearly hearing anything other than that cruel wind.
The calls continued, but you remained trapped within the confines of your own mind. You were rendered deaf to the outside world, and you yearned for a moment of clarity, a moment where you could hear . . .
. . . a moment where you could hear . . . her voice again . . .
Chris called your name again, and you squeezed your eyes shut. It wasn’t her. He wasn’t her. It was his voice that called out to you, not hers.
She was gone, the wind serving as a cruel reminder of this.
And finally, you forced yourself out of this haze, shoving out the thoughts of your mother as you tore your eyes from Felix, who still resided in the ocean, and faced reality; faced Chris.
“You good?” he questioned once your eyes were on him again, and you could finally hear him.
But you didn’t respond.
No, instead you hurriedly approached him, snatched your bag from his hands, and stalked off toward the house, leaving everything behind.
But the wind followed, consuming your senses, and you realized it always would.
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When you were a kid, you had a hard time making any friends. You were awkward and kept your mouth shut at all times. The messages in your yearbooks would always be directed toward how nice you were, but they didn’t know you. You didn’t have a kind soul. It took a while to realize that. It took even longer to accept it—that you were a miserable child who grew into an even more miserable adult.
Boys didn’t like you. Girls didn’t either. Some days you wondered if your parents even liked you. Sure, your mother loved you (albeit, she’d loved your sister more, but that was a given), but some days you wondered if she even liked the person you were.
And your father . . .
You were sure your father was trying to cut ties with the life he had made with your mother the moment they met. (And as time would see it, as soon as she was gone, the love he claimed he had for you and your sister went too.)
So if someone were to ask you if you had been a lonely child . . . You wouldn’t have known what to say because the truth was: if you’re alone all your life; if being alone is all you’ve ever known, then how do you know if you’re lonely?
Was there a checklist for that, too?
Now, yeah, sure, you knew people growing up. Sure, you talked to people throughout junior and high school. But nothing ever carried on outside of the school grounds. Everything had always just been surface-level with you. (At least, from what you remembered, which . . . wasn’t much.)
Being alone wasn’t so bad either. It was just normal. Your normal. So it hadn’t really bothered you when your birthday “parties” consisted of just you, your sister, your mother, and—sometimes, perhaps, maybe if he had the time—your father.
But it wasn’t until university that you realized what it would feel like to lose something.
It wasn’t until the one random art credit you signed up for managed to fall under the same time you had decided to move the rest of your shit into your dorm, leading to you racing to the Creative Arts Center (which was, by the way, located across campus) just for you to end up being the very last person to storm into the classroom, meaning yes, there was only one seat left, and yes, you had to awkwardly claim it with everyone’s eyes on you. But! But! Well . . . the open seat just so happened to be next to Hwang Hyunjin, who would very quickly become the only friend you had ever really had.
Now . . . Hwang Hyunjin wasn’t a tough nut to crack. While you were slightly off-putting and quiet, he was kind and always had something to say, with this odd warmth radiating off him wherever he went. He just seemed to make people . . . better.
His art was that way, too, but that was a story for another day.
Anyway . . . you didn’t exactly remember how the two of you became friends. You supposed it kind of just . . . happened, but one second you were alone, then the next it was where he went you did too, and vice versa.
And halfway through that October, when he introduced you to his dormmate, Han Jisung, the two of you quickly became three, and the rest was three years of history.
It was only then, in those three strenuous years, that you realized that now, for once in your life, you had something to lose. (You’d be a liar if it didn’t keep you up some nights. You’d be a liar if those nights you didn’t cry yourself to sleep, mourning something that had yet to happen. You’d be a liar.)
That was the thing: you always thought it would end. You never thought that this thing you now had would ever last for longer than a few years.
So . . . when you lost your mother, you supposed something in you decided that this was it. It was time to give them up, too, because now that you had lost something, it was time to lose everything, you supposed.
But what you hadn’t accounted for was that Hwang Hyunjin, the poet he was, did not believe in endings. He believed things happened for a reason. He did not believe the two of you met for nothing, and he would be damned if he just let you slip through his fingers like . . . that.
You really did try, too. You tried to avoid him. You tried to lock yourself in your apartment and let the world just . . . fall away. But Hyunjin never gave up; whether it was dropping food off at your front step so you wouldn’t starve, to forcing you to let him and Jisung inside the house just for the three of you to watch a movie in silence, because at least then you wouldn’t be alone. (You were also positive the reason why you even had like a thirty-seven percent in Ecology was because Jisung did your homework and his.)
Somewhere down the line, you realized sometimes you meet people and the rest is history. No matter how hard you tried to push them away like you had done to everyone else in your life, they refused. There was no without with them.
Some things were meant to stay even when you’d already lost everything else. And nights when it felt like you truly had nothing and no one, there would always be a text on your phone from their group chat.
(Some days you wondered if you would even still be here if they hadn’t pushed their way into your life . . . and those days you cried yourself to sleep.)
You supposed there was no more time for that as you glanced behind you, eyes locked on the twin bed situated across the room from yours. There, this Felix, would sleep, the two of you forced to share a room with a bathroom connected to it, sure, but . . . you’d only shared a room your first year at university in the dorms, and that was enough for you. And now . . . this . . .
(You would’ve rather taken the casket next to your mother’s.)
A whiny call of your name tore you from your mind, forcing you to leave behind the past as you turned back to your phone. The faces of Hyunjin and Jisung met you immediately as Hyunjin squinted his eyes at you, taking in your odd demeanor while Jisung tapped away on his phone in confusion (a constant state for him).
Oh, you thought, blinking slowly. You had forgotten they were on the call.
“Hmm?” you hummed, but didn’t speak a word further.
A twitch of confusion tugged at Hyunjin’s brows. “The guy,” he reiterated, trailing off as if waiting for you to chime in and cut him off. But you never did, and for a brief second, you saw him bite the inside of his cheek (something he did when he was worried) before he quickly covered it up by shaking his head and opening his mouth to speak once more. “What’s he look like?”
Before you could get a word in, Jisung clicked his tongue as he lowered his phone. “Do you have to be so cryptic all the time? I get it’s part of the whole tortured artist bit, but—“ he cut himself off with a wave of his hand.
Hyunjin was glaring at him in a heartbeat. “Tortured—“ he scoffed— “Tortured artist? You’re crazy.” He drilled a finger into Jisung’s shoulder. “You sound crazy, know that?”
“Crazy?!” Jisung retorted, fully putting his phone down on the coffee table now. (This was for an ulterior motive, of course, as the next second he was eyeing something out of your sight, which resided on that same coffee table.) “Give me that sketchbook.” Quickly, he bent over and snatched the sketchbook, wasting no time flipping through it. “What have you been drawing, huh? Porn?”
Hyunjin nearly pounced on him. “What the—What is wrong with you? Who even says that?” he grumbled out, trying to pry the sketchbook out of his friend’s hands, all the while, Jisung fought him off long enough to flash you a few of the pages. “It’s called—“ he finally ripped his sketchbook out of Jisung’s grasp and secured it under his arm with an exhale— “figurative arts. Something you’d know if you ever cared to come with me.”
Jisung leaned back, sinking into the couch as he spread his legs for a more comfortable position. “Why the fuck would I wake up at the ass-crack of dawn to go draw naked people with my roommate?” he exclaimed, throwing his hands up. “Roommates go on coffee runs together, not draw dicks, which, might I add, you have to pay for?”
“Because it’s art.”
“It’s porn.”
And with that, Hyunjin tapped out. With an exasperated scoff, he sent one more glare Jisung’s way before he was flipping through his sketchbook, trying to access the damage done, all the while, muttering under his breath in his native tongue. (Something about Jisung being an idiot, of course.) Jisung caught onto this, too, and sent you a sideways look before he began to taunt and mock the older boy.
Only then when you felt yourself laugh under your breath, did you realize you had been fondly smiling at them the entire time. But that was just how things went. They were always like this, being roommates for all of university, and it never ceased to fill you with a sense of belonging. (It also never ceased to fill you with a sense of dread . . . because if your suspicions were correct and you did end up alone . . . then this . . . this would be something you’d miss about them the most.)
But until then . . . you’d mourn quietly. You had to . . .
Clearing your throat and head, your smile slowly fell into a straight line as you glanced between the two boys. “Are you two done?” you heard yourself ask before you even felt your lips moving.
“Yeah, when he’s six feet under,” Jisung retorted, crossing his arms over his chest as he eyed his friend up and down.
Hyunjin nearly rolled his eyes. “Like you won’t be buried right beside me just out of spite.”
“Well . . . I hadn’t thought of that, but now that you mention it . . . “
This time; however, Hyunjin did roll his eyes. “Shut up, would you?”
And at those words, Jisung’s mouth hung open with the click of his tongue. He eyed you as if to ask if you had heard the same thing, but you only shook your head at the two of them, trying desperately to bite back the stiff smile spreading onto your face.
As your smile flattened out into the same thin line, you shifted atop your bed, laying on your side with your knees pulled up to your chest as you held your phone in your hand. “I haven’t met him yet,” you muttered out the next second, before either of them could continue this little ruse they had going on (you knew what they were trying to do anyway . . . (Whether they admitted it or not, you could see the change in the way they acted around you after everything . . . happened (now everything was done to get even a smidge of a smile out of you.)))
Jisung quirked a brow, glancing at Hyunjin with his lips pursed as he asked, “Who?”
“The guy,” Hyunjin vaguely explained as he pointed at you through the screen, or rather the bed behind you that could slightly be seen in the camera.
“Oh,” Jisung hummed with a snap of his fingers, “the one you’re going to fuck?”
Hyunjin pinched the bridge of his nose. “What is wrong with you?”
“Listen, I’m always right,” Jisung exclaimed, glancing between you and his roommate. “The two of you can fuck off. It just makes sense. You’ve known him since you were a kid, right? So, a little reunion blah blah blah, you have to sleep in the same room, you’re drunk, you’re horny, you fuck. It’s the circle of life.”
Silence.
Then . . .
A snort from Hyunjin. (You were sure he’d called him an idiot under his breath, but the connection cut out toward the end.)
And you sighed. “OK, Ji . . . I haven’t seen the guy since I was, like, ten,” you explained, trying to explain to your friend all the one-hundred and one reasons why you were not going to sleep with this . . . this stranger. And then, your mouth opened before you could stop it, and words, words that didn’t even sound like your own fumbled from your tongue . . . “Plus . . . he seems like a nutcase. He didn’t show up at the airport because he was apparently busy . . . but when I got here, he was just surfing . . . not even actually. And that! That was five hours ago. He didn’t even come up to eat. I mean that’s crazy, right?”
Shuffling further up the bed, you grabbed the pillow to hug, while awaiting your friends’ responses, but . . .
“Crazy, huh?” you heard a deep voice question from behind you. And this wasn’t a voice you had heard before, which led you to one solution . . . Felix . . .
Fuck.
Hastily, with your eyes wide, you slapped your phone face down as you shot up in your bed, gaze immediately snapping toward the door.
And there he was.
Felix stood in the doorway, towel in hand as he dried his wet, blonde hair (no doubt dyed a month ago guessing by the appearance of his dark roots peeking through). “Didn't realize I was being analyzed today,” he muttered in a soft chuckle.
But you remained silent. It seemed you’d become more afraid of your voice in recent months anyway, so speaking really was rare, but this . . . this had you speechless for an entirely different reason.
In your silence, you let your eyes wander, and noticed Felix only had one foot in the room, the rest of his body lingering in the hallway as he glanced from your face to your phone to his dresser. It was almost as if he was . . . afraid . . . ? No, hesitant. Yes, hesitant to walk in this space that the two of you were now expected to share as if you hadn’t seen each other in a decade or so.
Because the thing was, yes, you remembered him, but not in the same way you’d remember something that happened a long time ago, but rather in the same way you’d remember a childhood pet. There was warmth there; a certain fondness that you could only place when you truly saw him face to face like this. But it was lacking—like you couldn’t remember why or how you felt this way, you just knew you did.
What you could remember felt like a dream. It didn’t feel like it had actually happened. And sure, nothing ever did lately, but this . . . this was different. You knew him. God, you knew him but you just couldn’t . . . place it. You couldn’t remember anything about him. Just those freckles that adorned his sunkissed cheeks, a wide, toothy smile with dimples, his laughter kept floating through your head as you stared at him.
You could remember a boy around the age of eight, and he was laughing. A soft giggle with eyes that smiled too. Then . . . colors. Sunsets. The feeling of floating. The bitter taste of seawater and . . . oh what was it (?) . . . taffy! Yes, the taste of Cherry Cherry saltwater taffy. And . . . (you swallowed hard) . . . the warmth of a hand in yours . . .
Had the two of you really been friends or was that just something your parents said? . . . How close had you been?
Slightly, you shifted on your bed, body inching toward him as if you were dying to say something . . . anything. But no words left your lips and you remained staring at him, and him at you . . . only he wasn’t looking at you in the same way. No . . . he . . . he was just staring at you, his eyes empty; it was like he wasn’t even there, his thoughts carrying him elsewhere while you remained grounded, wondering who he was and why he had meant something to you if you couldn’t even remember him.
Did he not remember you either? Or—
“It’s silent. Is he gone?” Jisung whispered (well, if you knew him, you’d know that his whispering just meant yelling in a hushed tone . . . so really . . . ).
You remained silent once again, unable to tell your friend to keep quiet. Your eyes just stayed on Felix, taking in the way his drenched shirt clung to his body, evidence of his day’s endeavors. And then you began to wonder . . . did he finally catch that wave?
Swallowing hard, you eyed the small scratch on his cheek. The waves, it seemed, had fought back against the punches he’d thrown them earlier in the day. Had they thrown him to the sand? Or had it always been there?
“Well . . . he’s got a voice on him, yeah?” Jisung piped up again after a minute of no words from you or Hyunjin or . . . him.
Squeezing your eyes shut, you felt your face grow hot. And it seemed Hyunjin knew this would happen, too, as you heard the sound of him slapping Jisung on the arm.
Jisung cried out in retaliation, “What? What?! Tell me he doesn’t sound hot? No, no, Hyunjin, look me in the eyes. Look me in the—“
But this time you were one step ahead. Instead of letting your face grow warmer, you haphazardly snatched your phone and hung up on the two boys before Jisung could say any more.
And then . . . it truly was silent, only the sound of the wind whistling outside mixed with the crashing of waves in the distance could be heard. (That and probably your heart hammering in your chest. (You forgot to mention that you didn’t take well to . . . embarrassing . . . moments.))
You glanced at the scratch under his eye once again as you shifted on the bed, pulling your legs to your chest.
Now . . . you’d like to defend yourself . . . the thing about you was the very fact that you did not do well with people. You never had and you didn’t think you ever would.
For a long time, you tried to claim it was because you simply just didn’t like them, but you knew better than that. What you wouldn’t admit was the fact that you just didn’t know how to talk to people.
You’d always known why people didn’t like you. Even as a kid, it had been obvious. You just . . . didn’t know how to be like them. You didn’t know how to view things in moderation. You didn’t know how to enjoy things. You didn’t know how to talk to them or laugh with them. You supposed you just didn’t really know how to be a person.
And everyone saw this, too. That was why you graduated high school with no one to celebrate it with. That was why you went home every day after school and just sat in your room. That was why you had always tried too hard to fit in, only resulting in looks being sent your way. That was why you had always been alone, waiting for everyone to eventually leave. That was why you still wondered why Hyunjin and Jisung hadn’t given up on you yet.
That was why you now sat in front of someone you once knew; someone that you should recognize; someone that meant something to you but you just couldn’t remember why . . . and now . . . now you couldn’t even utter a word. Because . . . you didn’t know how to speak to people; to him . . .
That was why you had always been alone. And that was why you were alone now.
You were sure he could sense it, too. You were sure he wouldn’t want anything to do with you even if he could remember what you couldn’t. You were sure he’d ask the Bahngs to let him sleep somewhere else as long as it wasn’t next to the odd girl who—
“You must be the American,” Felix suddenly sighed out, stealing you from your own mind. “Can’t say I remember you being this . . . charming.” He sent a glance your way as he finally entered the room, heading straight toward the dresser on his side.
With careful almost fearful eyes, you watched as he rummaged through his dresser for some clothes. “You weren’t meant to hear that,” you found yourself mumbling out, barely audible and hoarse. Quickly, you cleared your throat, and repeated the words once more, this time clearer and a little louder.
(This kind of thing used to happen to you all the time as a kid. You wouldn’t talk for so long that when you finally did, it was like your voice wasn’t even your own. It was like the longer you’d go without speaking, the closer you were to losing your voice altogether.)
Felix laughed under his breath. “Mmm, but I did,” he commented as he glanced over his shoulder at you with clothes now in his hands.
However, when you only stared back at him like a deer caught in the headlights, he sighed. Felix ran his free hand through his wet hair, pushing it out of his face as he fully turned around to face you, leaning on the dresser for support. “Look . . . it’s OK,” he hummed with a small smile . . . one that showed his dimple but only for a second. (Only long enough for you to remember that same dimple from your younger years.) “I don’t mind. Don’t sweat it. Swear I’m used to it.”
Your brows twitched in response, waiting for the ball to drop. When would the flip switch? When would he exile you like the rest?
But nothing ever came.
Felix simply just sent one more tight-lipped smile your way before he headed for the bathroom door attached to the room. And you watched in shock, still waiting for him to say something . . . anything that would send you wallowing under your covers for the rest of the night.
Still . . . even as he stopped in the doorway, nothing came; instead, he mumbled out, “Let me know if you need anything, yeah? I’m gonna hop in the shower. It’s all yours after that.”
And then he was gone. The sound of the shower came a few seconds later, while you stayed stuck on your bed, staring in shock at the place where he once stood.
When you were a kid, you had a hard time making any friends, and it seemed some old habits never died, yes, but . . .
This was different.
This was a boy from your childhood. This was someone you once knew. This was someone who meant something to you once. You knew that. You knew he had to have meant something.
When you were a kid, you had a hard time making friends . . . except, it seemed . . . for him. Only . . . you couldn’t remember why or how or . . . or . . or anything.
With a defeated sigh, you fell back onto your bed, memories of sunsets and a warm hand in yours playing on repeat in your mind.
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The next few days went like this:
Day one: wake up to the sun shining through the curtains, nearly blinding you; realize the view out your window isn’t the busy city streets of New York, but rather a just about deserted beach; rot in bed until three in the afternoon when the thoughts of your mother’s face finally become too much; quietly greet Irene in the kitchen before heading outside with a piece of toast in hand; find Felix surfing just below on that very same deserted beach; watch him miss wave after wave until the sun goes down; dinner, blah, blah, blah and suddenly you’re in bed again, trying not to look across the room where Felix lays; eventually let yourself sneak a peek at him out of the corner of your eye, and when you do, you realize he’d fallen asleep with his lamp on, his face the picture of innocence and yet . . . a pinch in his brows catches your eye; quickly and quietly turn his lamp off before slipping back into your bed and falling asleep with questions of what was playing on his mind.
Day two: wake up, groan at the sun, hate the heat, and stay in your bed until two this time; sit in the living room with Grace (she’s preoccupied watching whatever’s captured her attention on the TV, while you get to work in your sketchbook (something you’ve picked up since that first art class)); dinner, wash, bed; Felix climbs into bed an hour after you have and you realize you’ve subconsciously stayed up, waiting for him; stay silent as he mutters a quiet goodnight to you before the lights are out; stay up an hour more, wondering if he caught a wave.
Day three: Grace wakes you up before it even hits twelve (and you let her because . . . whatever); let her, along with Chris, show you around town as she drags you from store to store, telling you how Abigail Newton would so totally buy that hat but would hate that belt when she passes every mannequin; eventually buy her that very hat so she can tell this Abigail to shove it because . . . whatever . . . ; head back and let her convince you into watching her show with her for the rest of the day; smile once . . . or maybe twice because, of course, you have to indulge her (and that was it); try not to make it obvious you’re staring when Felix comes waltzing into the living room, seemingly coming from his room (your room?) (and not from outside; not from the ocean), plopping down on the couch opposite of you, claiming he just loves this show (but you know he says it to make Grace happy); wonder and wonder and wonder why he’s given up surfing for the day.
Day four: ah, day four, yes . . . manage to wake up at ten (only because Grace told you to the night before); get dressed, touch the locket your mother gave you for your sixteenth birthday for good luck . . . but wait . . . where’s the locket . . . fuck, fuck, fuck; proceed to freak out for the next half-hour, tearing up the entirety of your belongings in hopes of finding it, only to find absolutely nothing; freak out some more, maybe cry a little, and just when you’re about to literally pull all your hair out, there’s a knock at your door and in comes Felix . . . with your locket in his hand; nearly trip over everything just to grab the locket from him, desperately trying to put it back on, but your hands are shaking far too much, only for . . . Felix to gently put a hand on your shoulder before taking the locket back from you; let him brush your hair aside and clasp the locket around your neck; remain frozen in shock as he mutters something about how it must have fallen off your neck last night while you were watching TV on the couch . . . and then . . . he’s gone, and you’re still there.
Day five: Felix is gone; he’s been gone all day and by night, there are people over . . . it’s a cookout apparently . . . spontaneous one, too; awkwardly stand in the corner of the yard, trying to avoid eye contact with everyone because this is too much (everything has always been too much); try not to lose it . . . repeat: try not to lose it; swallow your tears and stay stagnant even as this person who you only know as one of the Bahngs’ family friends comes up to you and starts . . . talking; and then:
“We were so sorry to hear about your mother. She was a good woman. . . . How are you holding up, honey?”
Those words were spoken and you felt your blood run cold. The world caved in a second later. You felt small. Small and worthless. You wanted to disappear. You wanted to run, but you couldn't. Your mind had been the only thing to stay alert. Just run, you thought. Run. Get to your room. There won't be anyone there. Run. Fucking run.
But you couldn’t. You wanted to but the memories of the night your mother died kept rushing in, paralyzing you. You could hear the monitor beeping. You could feel her hand in yours, oddly cold. You could see the nurses and doctors and whoever else scrounging around you, desperately trying to bring her back while someone pulled you back. You could hear your own voice, screaming out for her, screaming for them to put you down, screaming for them, it, whoever to take you instead of her. You could hear her whisper, look for me in the wind, and then you couldn't breathe.
I can't breathe. You tried gasping for air, but it never stuck in your lungs. I can't breathe. You could have sworn this was what drowning felt like as your breaths came out quicker and quicker. Oh, my God, I can't fucking breathe.
You needed air. You needed space. You needed to get inside; to get to your room.
Your eyes darted to the sliding back door, and knew what you had to do. You forced her legs to move as you tried to make it to the door. But you never made it; a hand grasped your arm and you whipped around to face the same woman once again.
“Honey, what’s going on? Are you OK?” she questioned, concern clear in her eyes but you didn’t care.
She couldn’t see it. She couldn’t see that when a child loses their mother, they lose everything. Your mother. Your mother. Your fucking mother. It didn’t matter if you had fought or if some days you didn’t like each other. It didn’t fucking matter. She had been your mother, and she was fucking gone.
Fuck! She couldn’t see it. Unless she did. Was she doing this on purpose? Who even was she? Had she hated your mother and that’s why she was doing this to you? No, you were thinking too much into it. Fuck, fuck, you had to throw up. No, you had to get to your room. You couldn’t be here. You had to get away from this, from them, from everything. You had to be alone as you always had been.
And then you were gone, running inside before taking off through the house, weaving past all these people until you finally caught sight of your bedroom door. You were going to throw up. Fuck, you were going to throw up. Your pace sped up and then you were there, hand on the doorknob, swinging it open and slamming it shut behind you before you lunged for the bathroom.
Another swinging of a door occurred as you whipped the bathroom door open, hand already on your mouth to stop yourself from vomiting all over your clothes. You didn’t register anything else as you slapped your hands down against the sink, instantly peeling over and spilling your guts.
And only when you were done, did you realize where you were, what you had done, and who was staring at you in the mirror.
In silence, you wiped your mouth on your hand, realizing you’d have to take a shower after this anyway, all the while, your eyes remained locked on the person staring back at you in the mirror. Regret and horror filled you, because none other than Felix was standing behind you, chest bare, but with pajama pants on and hair that was still slightly damp from the shower that he had most likely just taken moments before you barged into the bathroom unannounced, and vomited all over his night routine.
Felix still stood in confusion, and perhaps concern, with a floss-pick hanging out of his mouth while he took in your appearance. And while he stared, you lowered your gaze, finding it too hard to maintain eye contact.
“What—” he began, but you quickly cut him off.
“Food got to me,” you muttered out, throwing your hands up with a quick laugh. “Hamburgers’re too rare for me, I guess.”
Felix remained silent, tonguing the inside of his cheek. “I’ll leave you to it then,” he murmured, eyeing you one last time before tossing the floss-pick in the bin and exiting the bathroom with his white tee clasped in his hand. And as he turned you watched him quickly tug the tee over his head, but not before something caught your eye.
“How did you—“ you found yourself saying before quickly holding your tongue. But it was too late, your words had already got to Felix.
He glanced over his shoulder, slowly turning to face you again. “Hmm?” he hummed, searching your eyes with that same consuming gaze.
You only shook your head. “Nothing.”
A beat of silence.
Felix didn’t move, as if still waiting for your question.
No question ever came.
You were sure a minute had passed before you cleared your throat and pointed to the shower. “I’m gonna . . . “
Felix blinked, his eyes widening. “Right,” he mumbled, clearing his throat now. “Sorry.” And then he was gone, closing the bathroom door behind him, and leaving you to your reflection in the mirror.
But you couldn’t bring yourself to face . . . well . . . yourself. Your steered clear of your reflection, your mind too dizzy to comprehend anything other than what you had seen . . . because as Felix had turned his back to you, you had caught sight of a large, deep scar starting from the tip of his shoulder and ending just above his waistline.
Perhaps you couldn’t remember much about him, but you were sure you’d remember something as drastic as that. It seemed dark too, not quite new but not old in the slightest.
And then you began to wonder . . . what had happened to him to cause a scar with such brutality . . . ?
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On a dreary day of a random Tuesday, you were born to a room of only your mother and aunt. Your father had never made it, due to his new office job, and Erin was forced to wait outside of the room with your grandmother because she was only four at the time. And amid shock from her labor, your mother named her baby girl.
Rosebud was to be your name.
Your mother recalled her little girl coming out of her womb with a small port wine stain on the side of her neck. You were red like a rosebud, she used to tell you as a bedtime story when you were little. Rosebud was to be your name, and it had been.
The little girl was named Rosebud and everything was blissful behind the cages of your household. And all was actually well and right until Erin started jumping up and down at her little sister's bassinet, calling you by the name she’d chosen, not Rosebud. She'd cheer your name over and over again, refusing to call you anything else even when your parents scolded her.
But nothing ever stopped Erin. Back then, she could never be confined by her parents, even in the simplest of terms. To her, her little sister was not this Rosebud.
And eventually, after a few days of Erin refusing to call you anything else, your parents gave in. Their newborn was to be named by her older sister. Not Rosebud or anything else your mother had written down.
Luckily, the papers hadn't been signed or anything of that sort, so their little girl was to be named by none other than your very stubborn, now very stern, older sister.
(Your mother, as stubborn as she was, did get her way by gifting you with the middle name of her name. (You sometimes thought this was your mother's way of branding you, like naming you after her was her way of inserting herself into your soul. (If only she had known she’d forever be etched across your entire being just decades later.)))
Anyway . . .
There was the kicker: you didn't just come to be. Your sister had named you, and thus, a very long and very strenuous name for a very angry and odd girl was born (Sometimes nicknamed Rosebud).
In the past week you had been with the Bahngs, you wondered how little Rosebud ended up alone on the other side of the world. It had been on your mind ever since you arrived and saw how this family acted. It was as if you were witnessing a real family for the first time in your life.
When you were a kid, you’d sometimes see other families while sitting in the stands for your sister’s soccer, basketball, lacrosse (etc . . . ) games (as well as her student council lectures and her flute recitals . . . including that one time she joined the school play for Romeo and Juliet (she got Juliet . . . obviously)) . . . Whatever . . . you’d see how other families acted towards each other at these . . . electives. Some were like yours, but other . . . other had this genuine warmth that you just . . . you just couldn’t wrap your head around.
Those were the times you wondered if your family was normal. If mom and dad fighting every day was the same for everyone else. If sisters battling against each other to be the best . . . the most loved was . . . normal.
You’d learned later that it hadn’t been, but truly seeing it every day in and out like this . . . it was . . . well . . . you were sure there were pieces of your heart beginning to wither away further and further and . . .
The Bahngs (plus Felix, if you were being honest) were a family. A real one.
And there you were, always watching them like something out of place.
It made you wonder . . . had Rosebud been the beginning of an end for your family. Was the day you were born, the day the love in your house died?
Had you screamed too loud? Had you been too fussy of a baby?
Had you drained the love from them, sucking it all up because you were just so desperately greedy for it? Were you still?
. . . If overstayed your welcome; if by the end . . . would you end up draining the Bahngs, too . . . ?
“It’ll pass . . . “ the words suddenly echoed throughout your ears, and you almost thought it was your own mind tricking you into hearing things, but then you realized . . .
You realized where you were. You realized you werent seven or thirteen or even eighteen, still being your family’s shadow. No, now you were twenty-one, left in a strange country with no overbearing mother, no absent father, and no perfect sister. You were alone, yes, tucked into your bed in the Bahng household, but you weren’t entirely alone, because on the other side of the room laid someone you used to know; someone you couldn’t quite remember; someone who was now staring at the ceiling with you.
The lights were off save for your lamp which you had your hand resting on for probably a while now as your mind drifted somewhere . . . else. While . . . Felix endured the light, kind enough not to bother you until . . . now.
It’ll pass, he had said, and you knew what he meant.
When you first arrived to Southhaven, Chris had told you Felix was living with them because of what happened to his parents; because he had lost them a year ago. You never asked what had happened. You never planned to, but given that . . . and him being witness to you literally puking your guts right in front of him, you could guess he knew your mother was gone, too, and you weren’t exactly . . . handling it well.
It’ll pass, he’d said, but what did he mean? What would pass?
You could never get over this if that was what he meant. You weren’t strong like that. Your sister was. She could handle this . . . but you . . . nothing was every temporary with you. Once you’d experienced something, once you’d had something; once you felt it . . . it all stayed with you. Even your first heartbreak . . . you didn’t have to still be in love with him to remember what it had done to you; what it had made you become. The thing was: there was no without with you; everything stayed and you were always changed, never the same again.
“Let me guess . . . “ Felix began again once he realized you weren’t going to respond, or rather . . . couldn’t respond.
You swallowed hard, awaiting.
“They asked if you were OK?” he asked, his voice a little softer now.
Your brows twitched. “Yes.”
And you could have sworn you heard him sigh across the room as if . . . as if the question bothered him, too. And then: “Fuckin’ hate when they do that . . . Threw up the first time, too,” he murmured. “You’re not alone.”
Oh . . .
You hadn’t expected that. You knew he must have felt what you were feeling once, too. Maybe he still did, but . . . It’ll pass, he’d said, but no! No! Losing your parents . . . It was like losing everything you had ever known, including yourself.
You’d been so rude to him, too when you knew how this felt. You knew how immobilizing it was. You knew what it did to a person, and you had still said those things.
And yet . . . there he was . . . comforting you . . .
Only then did you turn to face him, finding that he was still staring at the ceiling. “Felix?”
He turned, eyes meeting yours. “Mmm?”
Wetting your lips, your eyes searched his. “Thank you.”
Felix smiled. It was small . . . lacking, but . . . there. “Room full of orphans,” he nearly whispered, the smile still there. “Gotta’ stick together, right?”
And then . . . you began to smile, too. It was small . . . lacking, but . . . there, just like his. It was enough. It was all you had. Perhaps it was all he had, too.
The lights were out a second later, leaving the two of you in the dark silence. You knew you wouldn’t be sleeping any time soon, and you wondered if he was the same.
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There was a period after your mother’s death when you couldn’t sleep.
It started with just a few less hours of sleep where you’d just stare at the ceiling, listening to your old clock tick seconds, minutes, hours by while you just laid in silence. You’d never known it could be so loud—the silence—until she was gone.
That should’ve been comforting, right? How even in the silence no one is ever truly alone, but it always managed to make you feel . . . worse . . . small. It made the world seem so much greater than you or your family or anything you had ever cared about. It made her death seem like just another number to add to the end of year tally.
It made everything seem meaningless.
So you laid awake . . . and listened . . .
Eventually, you’d let yourself blink just for a second of nothingness, and then you’d roll over, letting sleep take you. Until it was two weeks after your mother’s burial, and you began to realize it had been two days since you’d slept.
Two days of continued nothingness; of being in that house without your mother; of breathing when she no longer could.
You supposed that was when it started—when you began to hear her voice in the wind; when you convinced yourself that you were seeing her out of the corner of your eye; when you started wondering if maybe just maybe there was a chance you’d see her again in some form or another.
When you finally did sleep that following night by some miracle, you dreamt of her. You dreamt of her at the kitchen table with a plate stacked full of all the foods she loved. You dreamt of her warm smile. You dreamt of her gentle hand brushing the tangles out of your hair. You dreamt of her . . . and when you awoke, your eyes were sore and your cheeks were damp.
You supposed you should’ve talked to someone. Your sister, perhaps, but . . . your family was never one for . . . talking. (She wouldn’t know what to say anyway. Erin was perfect, yes, but she had no bedside manner.)
So the sleepless nights went on.
And when the semester started up again, two nights of no sleep turned into three, then four, until you stopped taking note of what nights you slept and what nights you didn’t.
You tried to ignore the depersonalization. You tried to ignore how you clung to your mother’s clothes, wearing them to class and even when you slept. You tried to ignore the need to be called by your middle name . . . her name. You tried to make it seem normal . . . but . . .
Then the hallucinations started.
At first it was in your bathroom mirror . . . then more whispers in the wind which turned to straight up conversations you thought you were having with her. And then . . . then you started to see glimpses of her on campus. In the beginning, it was people you didn’t know—people you’d just pass by while walking to class . . . but as the days and the nights became longer, you’d see her in your roommates, your friends . . . Jisung . . . even Hyunjin.
And you weren’t proud, you weren’t even sure if it even happened, but you’d been in the library one day, and you’d seen . . . her, and you just couldn’t take it anymore.
. . . Apparently, you’d attacked someone in the library, screaming at them to tell you what they wanted from you. (You didn’t find this out until you woke up in Hyunjin’s bed the next morning and he’d explained the entire thing . . . not leaving out the fact that you’d passed out immediately after, but maybe that had just been in your imagination, too? Right? Because you really couldn’t have done that to someone? Right . . . ? . . . )
Between the attack and your failing grades, the news reached your father in no time. You’d take fault for the grades. You’d own that . . . but the attack; the sleepless nights . . . you didn’t want to know you were capable of that. (But the sleeping pills that were forced down your throat every night after the attack were proof enough that something wasn’t . . . right.)
You knew what this meant. You knew what that made you, and you didn’t know how to accept that. (You supposed you didn’t know how to accept most things.)
Sleeping was easier now, albeit, the dreams you had were just as excruciating as those days you’d hallucinate seeing her on the street . . . but at least you knew what was reality and what was not. (There had to be an upside in that. There had to be.)
It had been a month since then. The end of December now. In Southhaven where your winter was their summer and the weather was gentle, not the harsh rain and snow you were used to.
Now you could sleep, and dream of her, yes, but you’d wake up every morning and she wouldn’t be in your mirror. Now you woke, turned to the side, and glanced at a boy who seemed to be holding onto just as much as you were, and you’d be a liar if you said that didn’t interest you.
Because you wanted to know; you wanted to know if losing yourself this much after losing someone was . . . normal. Because truly, either everyone felt this way even just a little bit, or you were completely and utterly alone . . . and you were sure that would be the thing to kill you.
But there was no way you could admit this; there was no way you could ask him what he meant by his little ‘It’ll pass’; there was no way you could ask him when it would pass. So, for the time being, you watched him in silence as you had watched everyone growing up.
This was normal for you anyway. When you were a kid, drifting through middle school and high school alone, you used to watch the people around you. You used to watch how they acted around each other; how their social media posts matched . . . how their smiles matched in them, too. You used to yearn for that—to be liked like that; to have people like that; people that wouldn’t be embarrassed to be seen with you.
It didn’t help that your sister always had someone over, whether it was friends to boyfriends. You used to watch her, too. You’d sit in the armchair while she chatted with her friend on the phone, lying horizontally on the couch. You’d hang around in the kitchen when she’d have her friends over for pool parties, sleepovers . . . whatever . . . and she’d always shoo you off, but you wouldn’t go far. No, you’d wait on the staircase, tucked behind the railing as you listened to them laugh.
And when you’d finally asked Erin if you could join them next time . . . she declined. We are sisters, not friends. Get your own friends, and stop scaring mine away, she’d said, and you understood.
You never did end up finding any friends, of course (well, at least not until university but . . . you know . . . ); instead, you figured out how to make yourself invisible. And so . . . a shadow you became, learning how to communicate with other people through conversations that weren’t your own.
You learned how to read people; how to tell them what they wanted; how to know what to do when no one else did. (You supposed it all went to shit when your mother died and you realized you could watch people and watch people but you’d never be able to figure yourself out; you’d never be able to help yourself.)
Whatever . . .
The point was: learning about people from afar had always been familiar to you, and when it came to Felix, you decided it was better to watch him in silence than speak with him. He was just that type of person, you had gathered.
Now, you knew how it sounded, but people watching wasn’t like flat-out stalking (Ok . . . you could admit it wasn’t exactly the sanest thing to do but . . . whatever.). Listen, listen, you just so happened to end up waking up when Grace would call you, letting her drag you wherever she wanted because maybe she had grown on you a little over the past few weeks. And most of the time, Grace would take you down to the beach where her brother and his friends apparently liked to surf (well, where everyone in this town preferred to surf) and sometimes Felix would join.
So, were you keeping a close eye on him, curious about everything that he was and who he had been to you in the past? . . . Yes.
And the days he wouldn’t show, you wondered where he’d go. No one ever mentioned it. He never said a word about it, and you were left wondering.
Maybe he was off to that sandy beach just below the Bahng residence. You just didn’t know . . . and that bothered you more than you wanted it to.
And those days that he didn’t show, you’d taken to drawing in your sketchbook. God, fine, you’d taken to drawing him. But, but, listen, the only reason you were was because of what you had seen your first week in this godforsaken place—his scar.
Perhaps that was what had entranced you. Or maybe it was the past you knew which included him but couldn’t quite figure out the rest of the pieces. Or maybe . . . maybe it was him who intrigued you.
Fine . . . like Hyunjin had said on the phone last night . . . maybe you had a small crush on him. Like . . . maybe . . .
You couldn’t help it. He was just so . . . so . . .
. . . you didn’t even know.
Whatever . . .
Anyway . . . today was different. Grace woke you up early, yes, but when you finally stepped outside twenty minutes later, you found the entire Bahng family dressed and ready to go. Irene was busy trying to shove all the beach bags and surfboard and towels and sunblock into the trunk of her minivan, while Monty was already dabbing Grace’s face with sunblock and Chris . . . well . . . he was in the front seat, waiting for everyone to hop in so he could drive.
And you, you stood stuck in the doorway, watching this family be . . . a family while you . . . you had . . . no one. You could have sworn you heard your heart break a third time in your life, but before the floodgates could open, a hand had clasped your shoulder. You turned, in shock, and there he was—Felix.
With a squeeze of your shoulder and a small smile, he nodded toward the minivan, gesturing for you to follow him. And with that, you, and Felix, who was seated behind you in the very last row, climbed into the car. He sat there alone, too, and you couldn’t help but watch him out of the rearview mirror the entire trip, wondering why he had taken the back seat and not you.
That . . . that was about an hour ago. Now . . . now you were the one sitting alone on your beach towel, sketchbook in hand and a pencil in the other as you drew the scene in front of you. While you drew, you desperately tried not to throw your pencil down and flip to the page where you had drawn Felix’s scar.
A call of your name tore you from your sketchbook as you glanced up finding Grace just a few feet from you, holding up a rather large seashell and waving it around to show you. You couldn’t help but smile at her. A real smile, too. Wide and toothy and just like your mother used to get out of you.
Because you couldn’t help it; not when you looked at Grace a little too long and found that she was only a fourteen-year-old kid and reminded you a little too much of who you used to be at that age.
So you smiled, and she grinned back wider before going back to shell searching. And you . . . you watched with that small smile on your face before your eyes slowly flicked back down to your sketchbook and you began to draw the scene before your eyes once again.
Only this time, as you were about to shade, another voice drew you from your mind. Only this time, the voice was much deeper and coming toward you. Only this time, it was Felix calling your name. Only this time, you quickly slammed your sketchbook shut before he could catch sight of what you had been drawing. Only this time, you looked up in horror, trying to act normal but completely failing as you made eye contact with . . . him.
It seemed Felix had caught onto this, too, but instead of mentioning it, he only bit back a grin. And you swallowed hard, shifting slightly as you realized he was going to sit beside you on the towel.
His hair, blonde with dark roots, was wet, and he was wearing a rash guard this time, unlike the first time you saw him. But he still looked . . . good. You could admit that, because well, he just had this . . . way . . . about him . . . but . . . whatever . . .
As he sat down beside you and released a gruff sigh, a few water droplets flicked onto your own bare arms, catching your attention immediately. You blinked at it, unmoving.
A beat of silence.
Then:
“Gracie seems smitten with you,” he mumbled your way.
Your eyes finally snapped from the water droplets sliding down your arm to your lap where your sketchbook lay. “I guess,” you muttered back, fingers playing with the edges of the sketchbook.
“Chris won’t say it. He’s too fixed on you being, like . . . different or whatever . . . but . . . just . . . thank you for being kind to her. I know she comes on strong, but that’s—“ he waved his hand in the air, exhaling sharply— “The kids around here are . . . “ he swallowed audibly that time, and sighed once more before continuing, “awful, so . . . keep up the good . . . work?”
And that time, as his words left his lips, you could have sworn you saw him grimace at what he’d said. And that . . . that got a small, barely audible, barely even noticeable, laugh out of you.
But when he glanced up to meet your gaze, unsure of if he’d heard you correctly, you quickly covered up your amusement, wiping the grin off your face. Instead, when his eyes met yours, you only nodded in response, giving him a small, tight smile.
Felix, however, had caught your little laugh. You knew he did, and he knew you knew. So it was a no-brainer when one side of his mouth tipped into a half-grin as he shook his head. “You don’t say much, do you?” he mused, scooting a little closer, but not close enough for it to seem deliberate.
Wetting your lips, you mumbled, “Not much to say.”
Felix nodded, leaning away from you once again, and you thought you’d lost his attention, but then: “Do you like the ocean?”
You blinked. Why was he so interested? Had he found out about your drawings? Was he taunting you? No, no, that . . . that was stupid. But—No.
You quickly shook your head, then released a sigh. “Um . . . I guess,” you said, nearly under your breath as you shrugged. “I haven’t been this much since I was a kid.”
“Is it weird being back then?”
“I don’t know.”
Felix narrowed his eyes, not in a menacing way or anything like that but almost as if he were considering your response. But he didn’t dwell long as he switched the conversation. “What’s it that you’re drawing anyway?” he abruptly asked, gently tapping your sketchbook.
You blinked . . . again. Shocked . . . again. “Nothing,” you quickly tried to cough out, “just . . . nothing important. It’s shit.”
His brows twitched, his head tilting to the side as he took you in. “Nah, you’re just—“ he cut himself off, shaking his head, but his eyes never left you. He continued on searching your face as he spoke. “We’re our own worst critics, you know?”
You glanced at his nose, then his cheeks, and finally at a freckle that oddly seemed to resemble a heart before you decided that yes, you would like to draw this next—him like . . . this. “Just a realist,” you hummed out, still completely in your own mind as your eyes danced over his features.
“OK, maybe you are,” Felix said with a shrug. And then he was leaning in again, chin in the palm of his hand. “Draw me then. It’s my face. I know it well. If it looks like me, you pass. If not, you gotta hand over the pencil.”
Oh . . .
You swallowed your words.
If only he knew . . .
But instead the words that spilled from your lips were: “And if I don’t want to draw you?”
Felix shrugged, unbothered. “Then . . . draw yourself for me.”
Your brows raised. “And if I don’t want to do that either?”
Another beat of silence.
Then, Felix laughed through his nose. He was staring at you again, kind eyes and a small smile on his lips. “Alright then . . . What do you love, sad eyes? Hmm?” he asked, his voice low.
What do you love?
You didn’t know anymore.
But you had loved something once. You knew you had.
Sunsets. The smell of sunscreen. Sand under your fingertips. Sea water on the tip of your tongue. Cherry Cherry saltwater taffy. And a hand in yours.
“Got it?” Felix asked again, tearing you from a past you couldn’t even remember. “OK . . . now draw that.”
Sunsets. A hand in yours.
You sighed, your next words shocking even you, “What if it’s something . . . intangible?”
“Then how can you draw it wrong?”
How can you draw it wrong? he’d asked you, but you couldn’t respond, because you didn’t know. You didn’t even know what the memories meant. How could you even begin to draw them?
And just as you were about to write him off again, the sound of Grace’s soft laughter echoed throughout your ears. Without any forethought, your head snapped in the other direction, eyes quickly finding her . . . and . . . Chris and . . . Monty . . . even Irene.
It seemed that Monty and Chris had snuck up on Grace, grabbing her before she could realize it, then taking off into the ocean, their laughter in the air. All the while . . . Irene stood where the water met the land, a wide smile on her face as she softly chuckled at their antics.
And you realized something else then. That is what you would’ve drawn. That is what you loved.
Your family had never been a good one, but it was yours. Even your father hadn’t been so bad when you were younger and unaware. You still felt loved by him when you didn’t know the world. And back then, when you thought their fighting was normal, you still came together at the end of the night and watched movies as a family.
That was the last time you remembered being truly . . . happy, and you couldn’t quite place when that all stopped . . .
You thought you’d miss it forever. And you knew that . . . that was what you loved most in the world—a family that didn’t exist anymore . . . perhaps a family that never did.
And yet here were the Bahngs, and they had what you wanted most in the world. They had it effortlessly, too.
Fuck. You swallowed the quickly forming lump in your throat, realizing a little too late that your body and your mind were too many steps apart. Your hands had begun to shake, and before you knew it, that queasy feeling in your stomach was back. Fuck, fuck, fuck. You needed to get out of there.
That was your motive. You quickly stood to your feet, sketchbook still in hand as you tried everything not to look Felix in the eyes. “Sorry, um . . . “ you stammered out. “I have to go. I have to—bathroom.”
And then you were gone, stalking off toward the minivan in hopes it was, by some chance, unlocked. You just needed a minute alone. You just needed to be alone like you always had been.
Alone, you repeated in your head as you finally made it to the minivan, your breathing uneven and shaky. Alone, you begged as you grabbed onto the door handle, pulling repeatedly. Alone, you all but cried as you realized there was no way the door was going to magically unlock just for you. Alone, you knew as you fell against the car, silently crying into the crook of your arm.
It could have been hours that you were standing there, silently mourning a family you could’ve had and a mother you never would. It could have also been seconds, but you did know that you wished you were back home with Hyunjin and Jisung and New York with its cold weather and noisy traffic. At least then you wouldn’t be reminded of the family you didn’t have.
And once you had finally calmed your breathing, you glanced up at the sun, your eyes swollen from crying, and sighed. Is this what your life was now? Is—
The clearing of a throat tore you from your mind, but you didn’t jump. You already knew who it was. You could tell by just the sound of his voice.
“You don’t have to stay, Felix,” you sighed as you remained facing the sun, not wanting him to see you like . . . this. You just wanted to be alone like you had always been. You just wanted him to leave, but then . . . you refused to tell him this. You refuse to tell him to leave, and perhaps . . . perhaps you wanted him to stay or perhaps you were truly going crazy again.
“There’s no bathroom here,” Felix mumbled after a minute, his voice lacking as he ignored your previous words.
Chewing on the inside of your cheek, you nodded. “Yeah . . . “
With that, Felix stayed silent, just watching you as you wished for the ground to swallow you whole. But it didn’t and you stayed put, realizing this someone you used to know was seeing you at your very worst—tears, snot, and all.
And with a heavy sigh, you let it happen. You let everything fall away just for a second as you sunk to the ground, eyes closed as you leaned with your back up against the minivan.
But what did surprise you was the fact that a few seconds later, you heard Felix step toward you, and then . . . then he was sitting down right beside you.
You didn’t dare look at him. You weren’t even sure if you could. Instead, your eyes fluttered open, small tears rolling down your cheeks as you quickly brushed them away, keeping your gaze trained on the sandy parking lot.
Felix didn’t speak either, and you quickly realized he was waiting for you to say something first. He was waiting for you to do it yourself when you were ready.
And when you finally were ready, you clutched your sketchbook closer to your chest, before you spoke. “I’m, uh, I’m sorry by the way,” you found yourself saying before you could come up with a different response. “For that day; the first day we met. It’s not right . . . but sometimes I just say things. I don’t know why. I never mean it.”
You knew it was almost a month too late. You knew he probably didn’t give a shit now, but you had a habit of clinging onto things, and well, it had never left your mind.
So the words you said, you meant, and you hoped he knew that. You hoped he could feel it in your voice.
And when he didn’t respond, you glanced up, brows pinched upward, only to find he was already looking at you. But only when your eyes met his, did he smile, and you realized he had still been waiting for you.
That was when he spoke—when he had your eyes on him. “And I told you, it’s alright,” he hummed, his voice deep yet . . . soft. “There’s the American way, then there’s the better way . . . Australian. So this . . . this is my way of showing you a little bit of Australian hospitality. Water under the bridge, yeah?”
But you didn’t respond. You didn’t even nod. You couldn’t. How could he be so . . . so . . . kind?
No one had ever been so . . .
No one had ever . . .
No one . . .
Felix seemed to catch onto this with just another glance at your face. “Look . . . “ he began, his features contorting into questioning, “if you need it to be forgiven, it’s already done. It’s—”
“Why are you being so nice to me?” you couldn’t help but ask, cutting him off for the first time. “It doesn’t make any sense. You don’t even know me.”
A deafening beat of silence.
Beat.
Beat.
Was that your heart or his?
Beat.
Then, a sigh from Felix. His brows twitched, his eyes squeezing shut and he tongued his inner cheek. “There are certain things no one should have to go through alone,” he slowly began, his words slow yet still so . . . so soft. His eyes fluttered open a second later, and you saw his words before he spoke them. “Losing your mother is one of them.”
Your body became limp at his words, your sketchbook falling to your lap, but your hands stayed locked firmly around it. Felix noticed this, his eyes flicking down to where the black sketchbook lay. He pursed his lips, then nodded, and you waited, knowing he knew.
“You draw dead things . . . “ Felix mumbled a second later, his eyes still trained on the sketchbook in your lap.
Squeezing your eyes shut, you knew there was no running from him now, because he knew. He knew.
Grief made people do tricky, sick things, and you knew this well. It had turned you into another person, and in your downfall, you’d taken to a new . . . hobby—drawing dead things.
You didn’t quite know why, you just knew that when you’d stumble across those poor pigeons hit by cars or those squirrels and moles and mice that cats liked to leave on your doorstep, you always took pictures of them, later drawing them in your sketchbook.
It was the only thing that managed to make you feel better, because there it was—death.
Death had taken your mother, and it would surely take you, too, but if you drew it maybe you could have something over it. Maybe . . . maybe if you made death into art then . . . then you wouldn’t cry every time you heard your mother’s voice in the whispers of the wind.
And at the beach, you’d heard your mother’s voice, you’d felt the wind, and then you’d seen the poor fallen seagull as the current carried its lifeless body to and fro. You couldn’t stop yourself from sketching it while everyone else was busy in the water. But Felix had caught a glimpse of it when he approached you on the beach. Now, you knew he had.
Your sick little secret was no more. Felix . . . had been the only one to uncover it.
That you couldn’t run from.
So, instead, with a heavy sigh, you released your tight grip on the sketchbook, and whispered, “Yes.”
With the release of your words, you couldn’t help it, you grimaced in preparation, wondering when he’d leave you, too. Because he would. That was just how things went.
But . . . it wasn’t disgust which he met you with. No, instead . . . instead, he shifted in his spot and then you saw it—his hand was now resting on his knee, palm up with his fingers spread, and you finally realized what he was offering you.
You glanced at his hand, fully now, and swallowed hard. He was holding out his hand for you to grasp.
But you stayed frozen, unmoving, unsure.
Until . . .
“You don’t have to . . . but . . . “ Felix began, his deep voice a little hoarse now. “When I was a kid, I had problems falling asleep. Nightmares, you know . . . kept me up half the night. And my mom . . . she’d stay up with me trying everything. Glass of warm milk, counting sheep, whatever. Most of the time we’d just stay up watching TV until I eventually knocked out. But there were times when nothing would work . . . so eventually she’d put me to bed and say that she’d be there the entire night, holding my hand, so even if I had a nightmare, it’d be OK . . . and . . . every time . . . I’d wake up and my hand would still be in hers.”
Finally, his eyes met yours.
Your brows twitched, eyes searching.
“I was able to sleep after that,” he mumbled once more, offering up a small smile. It was lacking but it was there, and it meant something. It meant something. “No more nightmares. I guess I felt . . . safe.”
A beat of silence.
Or maybe it had been your heart pounding in your chest.
Beat.
Beat.
Beat.
Then . . . you shakily placed your hand in his. Warmth at your fingertips. Sunsets. Cherry Cherry saltwater taffy. A hand in yours.
With a complacent sigh, you let the incomplete memory in as you slowly threaded your fingers through his, securing your hand tightly in his.
Sunsets. A hand in yours. His hand in yours. His hand.
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unclewaynemunson · 8 months
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Jeff is one of my favorite characters and I think we should start a post of all our favorite Jeff headcanons. He and Freak get left out in almost every Eddie-centric fic I read, with his "best friend" being either Gareth or Chrissy, and I'm tired of it. Jeff is wonderful. Here's my hc's:
- Jeff and Eddie have been best friends since middle school. They started CC and Hellfire together.
- they went to the Snowball together and rigged the bubble machine to spew bubbles during the slow dance songs. The dance had to end early and Jeff and Eddie never got caught
- Jeff's parents loves Eddie. They used to have sleepovers at each other's place almost every weekend.
- Jeff was the first person Eddie came out to. Jeff tried to be surprised and "that's great, man, thanks for telling me!" But Eddie saw right through that.
- Eddie is afraid of geese and spiders. Jeff thinks this is fucking hilarious.
- post-Vecna, Jeff is the one Eddie reconnects with first. Eddie tells him everything, despite the NDAs and Steve's warnings. Jeff believes him, because he knows there's wacky shit going on in Hawkins, and he's seen Eddie's wounds.
- they have that kind of friendship that nothing can break. Even if they don't see or talk to each other for years, because Life Happens and people lose touch, they'll always have part of themselves carved out for their best friend.
Ok, that's all I got for now, and sorry for the long ask! I just love Jeff so much and he (and Freak, too, because Freak gets ignored because of fatphobia) deserves just as much love and attention as Gareth gets.
What are your Jeff and Eddie headcanons?
I am loving this Jeff love and your headcanons, thank you so much for sending this to me!!! <3
I think with Unnamed Freak things are a bit different bc, yaknow, he doesn't have a name. For me at least that makes me hesitant to write about him so I don't wanna go as far as to say it's all bc he's fat (even though I'm not gonna deny that that probably also plays a part in how popular he is in this fandom urgh). Anyway, yes this fandom certainly does Jeff dirty. I think it's this gross combination of racism and people copying a lot from already existing stories, characterizations and headcanons without much critical thinking of their own (which baffles me, if you're creative enough to write a story please use that creativity for some originality ffs). Anyway, this is gonna turn into a rant again can you tell I'm still annoyed? so let's turn to something more positive now, like my headcanons for our beloved Jeff:
He was the first person in Hawkins (after Wayne obviously) that Eddie got close to. For Jeff it was kinda the same, being a black, nerdy boy in this town had been very isolating for him and Eddie was his first real friend.
Unnamed Freak made their duo into a trio a bit later. All the others in the group (including Gareth) were Eddie's "lost little sheepies" who he sought out to protect. This means that Jeff and Unnamed Freak are the only people who don't borderline worship Eddie but see him (and love him) for who he is including all his flaws. They're also the only ones not afraid to call him out on his bullshit.
Jeff's mom is really cool. Her name is Pauline and she's not like Jeff at all (she was a cheerleader in high school). Despite their differences they love each other a lot. (Jeff's mom is actually heavily featured in one of the fics I wrote so I got her all fleshed out lmao)
He has two little twin sisters. They're friends with Erica, one of them is one of her friends we meet in the mall in s3. He has this typical hate-love relationship with his sisters: they fight a lot, but at the end of the day, he would die for them.
HE'S BISEXUAL
While he can't wait to get out of Hawkins and to a place that'll be more accepting of him, he doesn't want to move too far away from his family.
He's the most loyal friend in the world, 100% a ride-or-die kinda guy
While he does love metal a lot, his guilty pleasure is Tina Turner
Tell me all your Jeff headcanons i wanna hear more about him!
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kaminocasey · 10 months
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Dream A Little Dream of Me Part 2
Summary: Your reality is different than theirs. But hopefully, you can use that to your advantage and help put a stop to the Clone Wars. If catching the eye of a certain captain is also in the mix, then that's also a plus, right?
Pairing: Eventual Rex x F!Reader
Warnings: 18+ MINORS DNI; Alternate Reality stuff, Angst, Insomnia, Pong Krell, Umbara Arc
WC: 3.2K
A/N: Hi, hello, hey. Sorry it's been a minute since I wrote the part one to this! I'm still incredibly excited about this series. Hope you still are too!
Part One │ Taglist Form
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“You look sleepy as hell.” Your co-worker and old college roommate, Annie, smiles at you sympathetically from her desk that sits across from yours.
“Don’t I always?” You chuckle with a half shrug, as you continue logging the files you put back earlier for your bosses. 
You don’t have the most exciting job in the world. You work as a paralegal in your great uncle Robert’s law firm, but it’s really good money. And sure, it could be considered a nepotism hire if you really squint your eyes, but your uncle told you he’d treat you fairly in the hiring process. And he didn’t favor you to any of the other paralegals. At least, not really.
“Yeah, but like… you look especially out of it today.” She offers you a power bar and you shake your head, holding up your own from inside the top drawer.
You nod, drinking your coffee as you click out of excel on your computer. “I am sleepy, though. I had this insane dream last night.” 
Last night played over and over in your head, leaving you with so many questions. The number one being “How?” and what if you weren’t able to go back to that dream again? Why did it feel so real?
“Oooh. A sex dream?” Annie’s sweet smile turns into a smirk and you roll your eyes with a chuckle. “No, Annie. Not a sex dream.” You look at her as you ring your finger around the edge of your mug. 
You kinda wished it had been a sex dream, with the way that Rex had been looking at you. God, you missed him already. That’s not normal, right? How can you miss a fictional character of a show from a dream?
Then, your mind travels to just how real they felt. Like real flesh against your own. Fives’ face… Rex’s hand… Maybe you shouldn’t dwell on it too much. Just accept it for what it was. 
A good dream. Nothing more. 
When you get home from work, you avoid putting on The Clone Wars. It hurts a little to think about them right now. Plus, you’ve got a ton of other things you need to get caught up with. You’ve been putting off laundry for three days, along with vacuuming and dusting your living room. While it’s not an incredibly large space, it’ll still take some time. 
As you gather up the laundry hamper in your room, you can’t help but think about how silly this all feels… Your mind can’t even help but go back to the dream, to Rex’s hands on yours. How warm his skin felt against yours. 
You miss him… 
You miss all of them… 
As you clean, your phone starts to ring. You pull it out of your pocket after dumping a load into the washer, seeing that it's your mom.
“Hi, mom.” You smile. 
“Hi, sweetheart. How was your day?” She asks.
Maybe there was an upside to this whole dream thing. It seems to bring you and your mom a little closer. Although, with her, you’re always waiting for the shoe to drop. Though, maybe this would help. 
“Have you eaten dinner?” She asks.
“I have not. Just started doing some housework, actually.” You reply as you walk to your utility room to grab your duster. 
“Do you want me to come over and cook for you?” She asks.
You’d like to say yes, but you’re really looking forward to at least trying to go to sleep. And since you don’t have work tomorrow, you could sleep extra longer. 
“I would love that, but I’m actually really tired for once. Do you want to get a late lunch tomorrow?” You ask.
“I’d love to!” She seems genuinely happy that you’ve asked her. 
As you go through your house, cleaning a bit, and then make a quick sandwich, you and your mom talk about a lot of things. How your day was, how she’s joined a new book club, how your dad is supposed to be back in town from a long business trip so maybe he’ll join the two of you for lunch tomorrow. It’s just so nice being able to have someone to talk to again. You didn’t exactly have friends lined up at the door. Although, you didn’t exactly try your hardest to make them. Maybe you’ll ask Annie to get drinks over the weekend.
When you finally start to yawn, your mom suggests that you lay down and that she’ll start singing to you again. You definitely don’t put up a fight there. 
Your mom murmurs your name.
“Yeah?” You close your eyes.
“I know I don’t say this a lot, but I love you.” She tells you, softly.
You smile. “I love you too, mom.” 
And then she starts singing.
Stars shining bright above you
Night breezes seem to whisper "I love you"
Birds singin' in the sycamore trees
Dream a little dream of me
You think of the men that you saw last night, how kind and compassionate they were with you.
Say "Night-ie night" and kiss me
Just hold me tight and tell me you'll miss me
While I'm alone and blue as can be
Dream a little dream of me
You think of how you need to help them win the Clone Wars. Maybe you alone can make a difference. Maybe they’ll listen to you.
Stars fading but I linger on, dear
Still craving your kiss
I'm longing to linger 'til dawn, dear
Just saying this
You think of Rex. His vanilla and warm ocean breeze scent. How could a man be so beautiful? How could a smile be so heartstopping? 
Sweet dreams 'til sunbeams find you
Sweet dreams that leave all worries behind you
But in your dreams, whatever they be
Dream a little dream of me
You open your eyes. But instead of finding yourself on a gunship, or the barracks, you’re on an examination table. 
This can’t be right… 
In a slight panic, you quickly sit up right. 
“Woah, woah. Easy now.” You hear a kind, male voice to your right as his hands steady you. 
You’d know that voice anywhere. Rex. Instant warmth floods your veins at the realization.
“Re- Captain.” You murmur, looking around, realizing you’re on the Umbarran base. 
“I was beginning to get real worried about ya.” He smiles, patting your hand. 
Electricity shoots up your arm as butterflies settle in your stomach. 
“What happened?” You ask, looking at Kix as he approaches you to check your vitals. 
“Well… As soon as I walked away after our chat, you passed out, right there on the tarmac.” He tells you. “I had Kix transport you here with us.”
So, you’re picking up where you left off. Okay. Good. 
“Which I didn’t think was a good idea.” Kix smirks, knowingly at Rex. 
Rex rolls his eyes at his brother. “You passed out right after talking to me, I felt responsible in a way.”
You can’t help but look up at him in awe, a soft smile on both yours and Rex’s lips. He was worried about you twice now. 
“You’ve been out for quite a while.” Kix tells you.
“Missing all the action.” Rex teases and you let out a breathy laugh.
“Sorry, I must’ve just been exhausted.” You tell them. “What did I miss?” 
Rex gives Kix a look and then Kix excuses himself, leaving just you and Rex. He sits on the edge of the exam table, watching your hands before speaking.
He looks up at you. “You were right… About Krell… How did you know?” 
You shrug, not exactly sure what to tell him. It's not like you can just outright tell him the truth, right?
“You wouldn’t believe me if I told you.” You murmur.
He puts his hand over yours. “Try me.” 
He’s looking at you so softly again, so full of warmth. And respect. With a sigh, you start to tell him everything, but another clone trooper walks in.
“Sir, the General is requesting your presence in the command tower right away.” The man tells him.
Rex nods once and the other trooper walks back out.
“Will you be alright here?” Rex asks you, still holding your hand. 
You nod. “Yeah.” 
Kix walks back in and starts going through some cabinets.
“Alright.” Rex gives your hand one last squeeze before letting go and you instantly miss his warmth. “I’ll try to swing back by to check on you.” You can’t help but grin at the captain. “That’s sweet of you, but not necessary. I’m fine.” 
To show him that you’re fine, you put your feet down on the floor and walk around the table. You’ve gotta try to stop Krell. You think you might just know the men to help you.
“You’re sure?” Rex looks you up and down, double checking to make sure you actually are alright.
“Positive.” You nod.
“Alright. If you need me-” He starts.
“Yeah, Rex. We know where to find you.” Kix rolls his eyes.
Rex gives Kix a quick glance and then smiles at you once more before leaving the medbay. When you turn toward Kix, he’s got his arms crossed.
“What’s up?” You ask, self-consciously.
“Something’s different about you.” Kix quirks an eyebrow. 
Your stomach drops. “Oh?” 
“You’ve got a thing for Rex, don’t you?” He smirks.
You almost let out a breath of relief. “Ha. You’re funny. I’ll be back. I’m gonna find the freshers.”
“Sure you are.” He teases before turning back around to go through the Umbaran’s medical systems.
You quickly walk down to the barracks, where you remember that Fives, Jesse, Hardcase, and Tup might be. But you have to remember that Dogma is supposed to be there too and he’s going to stick up for Krell, because he thinks that’s the right thing. 
When you reach the barracks, you walk in and find Fives, Jesse, Tup, and Hardcase. Just like you expected.
“She lives!” Fives sees you and immediately starts grinning.
“We really thought you were in a coma.” Hardcase jokes. 
“No we didn’t.” Tup gives Hardcase a funny look and then looks back over at you as you sit down on one of the bunks. 
“Glad to see you’re alright.” Jesse nods with a soft smile. “Shouldn’t you be resting though?”
These men are all just as kind and charming as you’d expected they’d be. It really makes your chest clench at the thought of not being able to help them in some way.
“I needed to speak to you guys.” You tell them. 
They all join around, looking at you with curiosity. 
“This is going to sound crazy… but I need you guys to believe me and then spread the word as quickly as you can, okay?” You look around at them.
“Sure, mesh’la. What is it?” Fives sits down on the bunk across from you. 
Well, here it goes…
“Krell isn’t a good Jedi. I’m sure you’ve figured that out by now, right?” You ask him.
Fives chuckles, humorlessly, glancing at his brothers. “Yeah, you could say that.”
“He’s going to continue the assault on the capital. But what you don’t know is that he’s given the 212th orders to fire at you guys, lying to them and telling them that you’re actually the enemy dressed as clones. He’s going to tell you the same thing.” You tell him, with a face as serious as possible, needing them to believe you. “I know you guys want to take the starfighters and-”
“The assault on the capital will continue as planned.” Rex’s reluctant voice is in the doorway of the barracks and everyone looks from you to him and then back at you. 
“See?” You whisper to Fives. 
“Why would he attack his own men?” Fives whispers quickly.
“Because he hates clones and he’s actually evil.” You stand up to look at Rex.
“So, that’s it?” Jesse walks over to Rex. “We just march into those missiles?”
Rex glances at you curiously but doesn’t say anything more. You give the men a quick serious look and then nod at Rex with a smile before walking back out of the barracks, across the tarmac, and toward the medbay. 
And then you remember Hardcase and him not making it back. So you start jogging back to the barracks, trying to think of a way to keep him alive. 
“Forget something?” Rex asks, walking toward you.
“I just wanted to tell Hardcase something, is all.” You smile. 
“Oh…” Rex murmurs, his expression confused. “I see.” 
And then you realize he thinks that you mean something entirely different. 
“Oh, Rex. No. Not like that.” You laugh.
He smiles softly. “Oh, good.”
“Good indeed.” You glance at the barracks.
“Fives told me what you told them. About Krell… and the clones.” Rex murmurs, glancing around subtly to make sure no one is listening.
“Oh?” You bite your lip, nervously.
“I… think it’s odd. But something is telling me to believe you. So we’ll march on, helmets off, blasters down, so they see it’s us. Alright?” He offers.
You feel a lot better and let out a breath of relief. 
“Earlier, you said ‘I’m someone you trust right?’ and that keeps replaying in my mind. You are someone I trust. Someone I even… admire.” He tells you, stepping a little closer. 
Your heart leaps into your throat and you try so hard to keep your cool. If this is truly a dream… Please don’t wake up right now. 
“I admire you too, Rex.” You smile up at him.
“Is there anything else you need to tell me?” He asks.
“Krell is only pretending to be in the Jedi Order. He still has them fooled… and it’ll be hard to take him down. But, if you get the 212th to tell Kenobi that he tried to put clones against clones-” You start.
All of a sudden, as if on time, there’s a huge blast taking out the hangar bay. 
“Oh shit. Fives!” You run back toward the hangar, forgetting that was supposed to happen.
You really need to focus.
Except Rex pulls you back against the building when he sees Krell heading that way, pushing you up against the building and accidentally pressing his body to yours so that he blocks you from view. Or at least, you think it’s an accident… but you hope otherwise.
You look up at him, parted lips, heat traveling throughout your entire body. He gives a shy half smile and your heart screams “KISS HIM!” but your mind is telling you, you need to find Hardcase.
“Sorry, don’t want you on Krell’s radar.” Rex apologizes, but doesn’t let you go.
You hear Krell start shouting at Hardcase and Fives, breaking you two apart. 
“I better go help them.” Rex pulls away, reluctantly.
“Wait! Tell Hardcase to take the ray shield down in front of the reactors, and if that doesn’t work, try tricking the battle droid into taking the missile toward the reactor. Okay? He’ll know what that means when the time is right.” You squeeze Rex’s hand.
“Alright. But you’re telling me how you know all this, later, right?” He glances down at your lips. 
“I promise.” You reach up and kiss him on the cheek. “Now go.” 
He smirks as he walks away, to go help Hardcase and Fives. You feel like you can breathe a little bit better now. Hopefully, the rest of your plan goes off without a hitch.
And then it kicks in. You just kissed Captain Rex on the cheek... and he liked it! How long had you been wanting to do that? 
You wait a few moments and then see Krell angrily storming off. Rex walks the opposite direction, across the tarmac and you follow him. 
“Perimeter sweep?” You ask, softly, falling into step beside him. 
“I won’t even ask how you knew that.” He chuckles. “But yes.”
“Did you tell Hardcase what I needed to tell him?” You ask, fidgeting with your hands, nervously.
“No, I didn’t get the chance to, I’m sorry.” Rex tells you.
That terrible feeling pools into your stomach and you feel the intense weight of a couple million clones’ lives on your shoulders. 
“Where is he? I need to find him.” You start looking around. 
“Oh, there you are!” Kix calls over to you. 
You don’t have time to deal with Kix though, you have to find Hardcase. You can’t let him sacrifice his life like he did in the show. All they need to do is get the ray shield down. 
“Sorry, I’ve gotta find him.” You start to walk away but Rex stops you.
“Listen, I will find him after my perimeter scan, alright?” He tries to get you to look at him.
“Rex, you don’t understand. They’re leaving soon. If you don’t tell him now, he’s going to die.” You rush out in a panic, barely making sense.
“What?” Rex’s brows furrow. “I-I don’t understand.”
“What’s going on?” Kix approaches, looking at the scene before him.
You probably look crazy with tears in your eyes and yelling about Hardcase. 
“I’ll tell him, okay? I’ll find him-” Rex starts but as he sees three figures coming toward the three of you, he turns you around so you can see them for yourself. “They’re right there. It’s gonna be okay.”
You lean against the 501st captain, letting out a breath of relief for the tenth time tonight. If you weren’t so stressed, you’d definitely enjoy the way he’s holding you upright, making sure you don’t go anywhere. It’s clear he cares about you. 
“Kix, why don’t you take her to get something to eat.” Rex guides you into the hands of Kix but you can’t take your eyes off of the captain and he doesn’t take his eyes off of you. “It’ll be okay, I promise.”
You nod, trusting him, letting Kix lead you back to the medbay to find something to eat, even though you’re not hungry. This is a lot for one person. If you could just get ahold of Mace Windu or Master Yoda somehow… 
“Kix?” You ask, glancing at the command tower. 
“Hm?” He replies. 
It’s too bad that The Bad Batch hasn’t been introduced at this point yet. You could really use Tech’s skill at locating the jamming device that Krell has no doubt planted. 
“Who’s the most technologically inclined in the 501st?” You ask.
He stops to give you a strange look. “See, you’re being weird for real this time. Why are you asking that?” 
“Because… I need to know what sort of jamming device the “enemy” would use to cut off our contact with the 212th.” You shrug. “Who’s the most technologically inclined guy in the 501st?” 
He stares at you hard for a minute. This look says “I know you don’t belong here”, and you realize you’ve fucked up.
Then, he narrows his eyes at you. “You are.”
Well, Shit…
TAGLIST: @twistedstitcher27 @misogirl828 @rebel-finn @rexandechosandwich @madameminor @dumfanting @rain-on-kamino @corona-one @tecker @ladykatakuri @brynhildrmimi @the-sith-in-the-sky-with-diamond @zoeykallus @maulslittlemeowmeow @littlemousedroid @arctrooper69 @rexxdjarin @padawancat97 @hated-by-me @sleepingsun501 @quigonswife8 @idlenesses @redheadgirl @themcuwriter @ashotofspotchka @sunshinesdaydream @crosshairsimp73 @ariadnes-red-thread @rosmariner @heyitsaloy @starstofillmydream @high-ct5555 @echos-girlfriend @sleepywych @nekotaetae @justanothersadperson93 @aconstructofamind @book-of-baba-fett @chopper-base @palliateclaw @501st-rexster @dead-poolz @nahoney22 @where-is-my-mind-tho @jediknightjana @erishimoon @witching3 @queen-of-many-fandoms @wizardofrozz  @burningfieldof-clover
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mhsdatgo · 2 months
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Coming from a Team Green stan, people using the term "bastards" to refer to Luke, Jace and Joff as if that was an excuse to hate them makes me fucking snort. Yes we know they're bastards, so what. It's what they've heard and been told all their life. If that is enough reason for you to think they deserve shit thrown on them then Imma need you to take off your Westerosi lord "they're born of lesser flesh" whore's best friend heart shaped sunglasses real quick and see them as actual characters because you sound no less blood purity obsessed than TB thinking that "Hightower blood" is enough reason to hate anything regarding Alicent's children.
To think that they aren't deserving of lands and titles is perfectly fine when you look at it from Westerosi people's point of view, but that's no reason to hate them at all? (This also applies to some TB stans who storm the posts of maybe a guy who's chilling reading a book and make it their LIFE MISSION to protect them like they're their mama anytime someone barely mentions it.)
One may find various reasons to like or dislike them. You may dislike Luke for slicing Aemond's eye and never feeling a shred of remorse about it, you may like Luke because you think he did what he thought was best in order to protect his brother (although they could've escaped to their mom the moment he was blinded by dirt, but at least they spared themselves a scolding for being up and about at 3 AM going for someone's throat with a real dagger).
You may dislike Jace because he picked after his mother's "who cares what others think we rule lmao" ass line. You may like Jace because when he said that, he was trying to uplift his little brother who was growing self-conscious about the way other lords and ladies were staring at him. It's understandable. They aren't 2D characters everyone must either love or hate.
If you really want someone to blame for how things turned out, why don't you blame Rhaenyra for thrusting them into failure and sending her 13 year old out knowing the Greens would've sought allegiances as well? I don't know, at least send someone who would've been able to outrun Aemond, idk. You call yourself Queen, girl. Choose someone else, that ain't my job. Why don't you blame Daemon for wanting to send kids as envoys when they've got no experience whatsoever and their dragons are literally just babies?
Remember they were never part of a war until their mother pushed them in. They weren't "thieves" for "stealing" Driftmark. Luke didn't even WANT Driftmark. They just wanted to beef with their uncles in peace for the love of God. That they grew up spoiled brats is another story, the apple doesn't fall too far from the tree.
Personally I don't love or hate Jace or Luke. We've been given wayyy too little scenes for them to look anything else other than Aemond's and Aegon's punching bags, respectively. Except for Jace who got me cheering and screaming for him when he was literally THE ONLY ONE WHO STOOD UP FOR RHAENYRA IN EP.10 but yeah, that was the end of it.
Find new reasons to like and dislike characters. Anything that doesn't involve sounding like an aryan race supporter, thank you.
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tiktaalic · 8 months
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i want to #VoteMary but didn’t they write bella off specifically because everyone hated her so bad for being a woman (or is that a myth)
I thought I posted it but I didn’t. But yes. Kripke did say fan reception is why they killed bela. And he says his mistake w her is that she’s too aggressive and antagonistic and on even keel and a threat. I think he mentions specifically regretting having her shoot sam. Because that’s Over The Line and colors her perception. But like to me. This simplifies down to bela was killed off because of out of universe misogyny. She’s a fun character. She has characterization.
Mary was created purely so that she could die. Specifically so she could die rolled out of bed in a nightgown pink lipgloss on before she’s stabbed in the abdomen and burnt to death. She is THE little miss fridge. Like. By 2000s goal posts. Bela is an alright character for a woman. By 2000s goal posts. Mary is egregiously misogynistically written for years. Mommy nightgown brutally murdered to kickstart revenge quest. Mommy nightgown who shows up in dreams and fantasies to tell her sons they’re Brave and she loves them. Mommy nightgown fake out version who Zachariah made up to get at dean Before he makes a crack about sleeping with her.
And there are the flashbacks eps which I actually like alright. And then they get CRAAAAAAAAAZY with it and little miss nightgown throws on a robe instead of the nightgown and she ignores her kids and says I am not just a mother because it’s 2016 and women are PEOPLE! And then they kill her again. Which is so hysterically funny I like. Well it sucks so bad obviously but i cannot deny HYSTERICALLY funny to bring her back with explicit intent to flesh her out and make her into something more complex than a symbol that gets flashed every few seasons that died and is fantasized about so we can watch dean hastily wipe away a tear. And then to kill her again. Whejififiriejfj.
Also like. Bela very much has had The Tide Change on her. People in general are like Bela’s pretty cool actually she rocks she’s fun they treated her badly but she’s great and I enjoy her. I look up bela Talbot on Twitter and it’s fancams and bela Talbot my dream girl etc. Mary suffers the slings of the arrow every day. She’s annoying she’s a bitch she’s a Mary sue shes too much of a girlboss she’s a bad mom she’s an abusive parent she’s as bad as John. People HATE her ass. They STILL hate her ass. As SOON as she becomes a person people want her DEAD. still! In 2023! People STILL think she’s abusive and boring and too much of a Strong Woman archetype and that she’s the worst thing the shows ever done. No one is still holding a grudge against bela Talbot. People clock into the Mary grudge factory every day. Still. In 2023.
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hecate-spawn · 1 year
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Mafuyu's mom. Mafuyu's FUCKING MOM oh my god guys
How the fuck did they make such a good character (in terms of like, fleshing out not like, good morality wise) out of someone we haven't seen or heard for almost 2 and a half years. But boy Sega got the point across. I'm glad they painted her mom in such a dark light so we understand how bad her mom is. Really went "show not tell" without showing what Ms Asahina looks like.
But anyway oh jesus she's terrifying. Just the manipulation and judgment and control in everything she says. It's like she's disguising herself, pretending not to be a monster. It's also the fact her mind is so twisted that she thinks what she's doing is right.
And the fucking way she just casually tells Kanade "to think about her future and not regret it"
Chills.
Also, the fact she's been guilt tripping her daughter since Mafuyu was probably around seven is just so fucked up.
Another thing I wanted to add was how Mafuyu and Kanade we're both affected by "the coldness"
Like, it's no wonder Mafuyu is the way she is with Ms Asahina crushing any idea of what Mafuyu wants to be or likes. Any idea of Mafuyu being her own person seemed to be almost immediately crushed right from the get-go.
And the fact Kanade felt it from only being with Mafuyu's mom for a little while... honestly she's scary. She sucks yes, but she's scary and she holds more technical power over Mafuyu then nightcord does because of her position as Mafuyu's mother. Nightcord can't really do like, a lot to physically help Mafuyu because her mom's word is final.
But Mafuyu is slowly starting to break out of the hold her mom has on her, and this is such a perfect build up to her next focus event.
Anyway sorry this is bad I just wanted to express whatever this was
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kit-williams · 3 months
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Barn Anon. Am... Am i treating the Space Marines right? I'm taking a step back, looking over the drafts and stuff. I'm going like eh? I know I'm trying to stay in line with the whole husbandry thing while also treating them as sapient beings. The line is blurrier than I thought.
Yes its a very tricky line but I've developed a whole headcanon over it
Space Marine Husbandry Headcanon
that something (probably warp fuckery) has Space Marines cling to certain humans they form a link or a tether to which they have some unknown desire to just protect and bond with
Space Marines will stay with a human even without a bond but they will more likely leave
That they are also from all across the 40k timeline so we have pre meeting primarchs all the way to primaris marines
That they showed up after world war 2 (maybe a little bit before but I'm not gonna deal with space marines and world wars)
And because of warp fuckery that people don't question their existence. Only a few people question everything like the mother and her son, she is highly uncomfortable with them because something feels wrong. Castle's charges (aka the reader/mom) feel like something's off but its not a deep seeded abnormality and she can ignore it because she grew up around castle. Or like most people who just accept it as is.
Space Marines Speak High Gothic
Dreadnaughts are still a thing
It's set on modern day earth and I've implied they aren't from here/this time
Chaos can't really influence people here so explaining why nurgle's plagues haven't wrecked everything. Though people can get hurt because sometimes space marines will fake a bond
Also there are no named characters here
And that you helped formed/fleshed out a lot of these ideas
But yeah I do a lot less of the they're animals and more of they are being heavily influenced by the warp? an entity? by something for them to all kinda "get along" and have the drive to protect their charge.
But if you want I can post a poll and ask if you are doing space marine husbandry right
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toxicanonymity · 10 months
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I dont think it’s a problem that I see a man like slasher!Joel and go ‘Icould fix him’ 😌
I would love to know when you write characters and flesh them out if you have headcanons of their entire backstory, little things in their past that contextualise them that you don’t include in your writing? I don’t know why but that’s something I find myself doing a lot during my personal writing process haha. Does each of your Joels have their own little personal universe? Experiences and quirks?
Yes, there are definitely things in my head I don't include. Sometimes "off-screen" bits and pieces, sometimes possible backstories .
Joel's camper (midnight tow)
For example, there are scenes in my head where slasher!Joel is interacting with his mom. As if he lived with her for most of his life and then finally got the camper but he still goes by her house like a good boy. She's this sweet old lady who’s just delighted to see him. She's fussing over him, asking if he’s eating enough, when’s the last time he had a real meal, telling him he can’t live off the microwave, wanting to make him a chicken pot pie. She asks if he’s met anyone and he says no. She offers to do his laundry and he wants to do it himself. He says he’s not gonna find a woman if his mom is still doing his laundry (but he still lets her do it when there’s nothing sketchy in it lol).
“You're so handsome, Joel. I know she's out there–OH! ☝️I was trying to open this jar the other day. . .it's so darn hard." She retrieves a jar of apple sauce from the fridge, moving painfully slowly, then hands it to Joel. Joel unscrews it effortlessly with his big strong hands, and she beams with pride. He’s sad thinking about her going days without her applesauce because she couldn’t open it, then he gets annoyed with himself that he’s sad. She asks him to stay the night and he says next time. And she sends him off with half of her own chicken pot pie in a vintage casserole dish covered in wrinkled foil. 🥲
Edit: Midnight Snack is the canon intro to mama
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piece-of-the-pie-if · 6 months
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Is it possible we can get more info on MC’s family?
Yes! At the moment I'm still debating over a couple of things like naming them and how big the family is but!! As of right now (18/10/23) this is how the family is looking──
Mother, Amelia (placeholder name) is the current owner of the café/patisserie your family owns, she took over from her father who had taken over from his father. She's plump in frame and always covered in flour but her smile is always warm. Her eyes hold the 'don't mess with me' look but she's also fiercely protective of her child(ren) and anyone else she takes under her wing. She's a cool mom, in reality! She gives really good advice and is a very good listener. Inspirations include Molly Weasley (harry potter movies) Kitty Foreman (that 70s show) and Linda Belcher (bobs burgers).
Father, Andre (placeholder name) is a tall and bulky man with muscles for days and a thick mustache that grows very quickly and covers both of his lips more other than not! Strong but silent type, he doesn't talk much but he has a constant presence in your life. He took his wife's last name when they got married and was more than happy to help in the family business──he loves making bread. (Has cracked one or two 'breadwinner' jokes before) Inspirations include Tom Dupain (miraculous ladybug) and Jin (the dad from turning red).
Optional younger sibling, (unnamed) just moved up to middle school as MC moved to senior year. They're going through puberty and are in the middle of a growth spurt. (I have not fleshed them out further than this.)
Optional maternal uncle, Marco (placeholder name) has just gotten out of rehab (2 years sober now!) And has started living and working in the family café/patisserie until he can plant his feet firmly. He's a little closed off but it's mainly because he doesn't want to bother you or weird you out because of his past. He's very good at icing cakes/decorating pies!
Optional pet. I just love a family pet, however your family live above the café/patisserie so having a rambunctious pet may be an issue. I was thinking that the pet is rather old, having been your mother's since she was quite young. (In my personal headcannon it's a 13 year old jet black cat with an eye missing that just sits in the sun and graces the cafe/patisserie with their presence!)
I'm also thinking of giving players the option of choosing if they have two mother or two fathers... but if I do that I'll probably make them real characters instead of editable ones.
All in all, MCs family is very cosy, loving and supportive, which is the only thing not changing. With all the drama going on in this IF additional home life drama feels like it'd be too unbalanced.
+also what is this place called??? where you just sell sweet things/deserts and maybe also beverages??? Is it a café? Can café's be a family business????? I'm losing my mind every time I write café/patisserie pls help.
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forlorn-crows · 5 months
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You can't just ask me this crow, I'm so bitchy bestie-
So I'm gonna give you two I'm most bitchy about :)!
Ghoul characterized wrong? It's Rain. Oh my god. It's rain all the way, people either make him a shy little thing uwu boy or he's a massive bitch. Not even a fun bitch, like genuinely I've seen some people write him as being so snarky and nasty for literally no reason and it drives me up the walls!!!!! Like yes he can be bitchy, he's a little sharp tongued at times, but he's not? Malicious? Or cold-hearted? Honestly it's more recent I've noticed the shift towards bitchy Rain than anything else, like end of last tour coming into this one but this one especially. It frustrates me to nooo end because like, stop it, I'm putting him up on a shelf you can have him back when you learn to be nice to my babygirl.
Ghoulette? Cumulus but especially Lus when she's shipped with other ghouls. By herself she's seemingly always the mom casted character (I'm pretty sure you've heard my feelings on this already so I won't bore you with that rant today) and just sooooo bland, but when she's shipped with any of the boys (90% of the time it's Mountain specifically) it feels like she literally doesn't care about them? Feels like she's written as just tolerating their affections, its rarely ever her being actively in love with someone else.....?? I think thats why I'm so fond of the way you write her and Mountain tbh, because it actually feels like she, yknow, likes him.
Anyways
I have opinions man.
- Void
we're here to biiitch lets goooo (though i said it already, when it boils down to it, there is very little i seriously have a problem with when it comes to how we as a community write ghouls that technically dont even have fucking names lmao. its just interesting to see what irks people, and how true some of the patterns can be amongst fellow creatives)
malicious is def the word i was trying to find when speaking about dew being written as mean. look, i love mean rain as much as the next person. bc mean rain is hooot. but hes not 'mean for the sake of being mean' like i said. as a person. obviously kink and scenes are very different, i'll try to stick to speaking about character as a whole. but, i get what you mean, its like, im pretty sure he exists somewhere in the middle there?
and some others have some thoughts about the 'uwu boys' as well. and yeah, honestly? i want my ghouls to read as old as fuck hellbeasts. i dont want them reading like innocent children. and i dont want to get in a debate about agre either, bc thats a different boat, but thats part of the reason i dont read or write agre. rain is not a dainty shy innocent uwu little creature. he is strange and offputting and confident and reserved when he needs to be etc etc.
again, ive got specific stuff to go over about lus. but, i do think you bring up a good point about writing the ghoulettes in relation to the ghouls. which, as a bi woman, why dont we write different gender pairings moree????? hello????? again, different topic, not the task at hand. but i think it has to do with what you're saying here. its like there's a piece missing in their interactions. and sometimes it can get into objectification territory bc they arent fleshed out properly.
if were saying the ghouls are poly....then the GHOULS. ARE. POLY. you know what im saying?? its not just the group of 'boys' and the group of 'girls'. i want the in between too. and i'll always make a point to write more of it. thank you for being fond of my mountlus, bc i am very fond of them and their relationship.
@divine-misfortune
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omg!! plz tell us about ur fnaf au!!
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I have been let off my leash again!!! Okay so I want to preface this with what the state of FNAF lore was like when I started working on this:
Started working on this between the release of FNAF4 and Sister Location, ended shortly after the reveal of Michael's "I'm coming to find you"/Robot spaghetti endings.
Back when the Puppet was still using He/him pronouns and we had limited knowledge about Charlie/Henry, etc. past the stuff from FNAF: World and I think the Silver Eyes novel.
This was still firmly at the tail end of people switching from calling Purple Guy Vincent in their AUs to using William Afton because of the books.
Very little of this will match anything even remotely canon including names.
So the AU was what I called the 'Afton Siblings AU':
Basic premise: None of the Afton children died. They still went through deeply traumatic shit and grew up under their father's thumb until he got arrested for the Missing Children's Incident, released, and then fucked off into the ether.
Michael: 26, he works as the nighttime security officer at their Fazbear's location. When he was 13 he stuck his brother's head into Freddy's mouth on his birthday as a prank after treating his brother like shit in the wake of their mom leaving them, and Caleb nearly died. Their father ended up sticking his own arm into the mouth of the animatronic and breaking his hand very badly, but kept Freddy from crunching all the way through Caleb's skull and killing him. Once William healed up, he brought Michael back to the restaurant and killed all of Michael's friends to make a point. Michael has been in charge of taking care of his siblings ever since.
Bailey (Baby): 23, the tallest of the kids, which is something she delights in literally holding over her brothers. She works as their Fazbear's location's mechanic. She keeps the animatronics running and it the only one who is aware that the suits aren't just haunted, but that the bodies are inside of the suits as well.
Caleb (Crying Child): 18, he works as a server at the Fazbear's location he once almost died at when he was a little kid. He forgave Michael years ago for the incident and he has the best relationship with the animatronics because the echo of his childhood trauma is still lingering in the pizzeria as Golden Freddy. (Think Stone Tape theory)
The Afton kids are all pseudo-adopted by Henry when shit goes down, and he makes sure that they have jobs and bought them their childhood home when everything goes tits up and their father is in the wind. They all call him 'Uncle Henry' and he doesn't hold what William has done against them, but none of them have ever directly talked about that with Henry. They all live together and are just trying to keep things at the pizzeria calm and under control as their father keeps, somehow, going around and continuing to rack up his body count.
However, I got distracted before I ever fully fleshed out this AU by some side characters and their extremely unhinged sex life. So hey, y'all remember Jeremy?
Jeremy Fitzgerald: 25 forever, died in 1987 when the Mangle bit through his skull, taking one of his eyes and causing catastrophic brain damage. As with all things in a Fazbear's location, he could not simply stay dead, and Fazbear Entertainment dug up his corpse (or perhaps never let his body be buried in the first place, he's not sure) and sat him back in the security office to continue doing his job after death, and uh, to his great displeasure, yes that absolutely worked. He is stuck in a haunting loop like the animatronics and continues to do his job for many years.
Nightmarionne/the Puppet/Net/Marion: Looks like the normal puppet during the day/to other people, but to Jeremy, he looks like Nightmarrionne because Jeremy can now see how he's been twisted and warped by his need for vengeance. However, he normally puts that aside to care for the 'children'. Somehow, pre-FNAF6 I had decided that he would grow and be more fully sapient than the rest of the animal-suit-bound animatronics and I was accidentally right about that.
Jeremy and Net start off very contentiously, because Net thinks that Jeremy stole the 'gift' of life after death somehow, which would tie him back to 'The Man' who the animatronics know as their murderer.
Jeremy, of course, has no fucking idea what he's talking about. He still gets tortured about it though.
Years pass and eventually Jeremy's brain kind of rewires to the pain of being tortured, especially because no matter what Net does to him (or the other animatronics cause he does end up in a suit more than once), it's all temporary. Net eventually explains to him about the children, the gift, the murders, and they (as essentially the only adults in the building) try to look after it and the other suits.
Jeremy pops a boner while Net's playing with his offal one night and the rest is pretty gory history with them genuinely falling in love and having a very healthy and trusting relationship-- where half of their sex is body horror but, shhh 🤫
All is fine and dandy until their location gets marked for re-opening and Henry sends Michael to go to that location and check it out, where he meets Jeremy, finds out their location is also haunted, and Jeremy learns that because he's haunting his own corpse, he's not actually bound to the same rules as the animatronics. He can leave the building, stay up after 6am, and etc. he just hadn't because he was so conditioned by the others he never tried.
Jeremy befriends the Afton kids not knowing about their father, and that creates further conflict down the line when William comes back into town for some reason.
(he also has a very weird threesome with Michael and Net at one point, but you know, that's not important)
(Baily also makes Net a strap but that's also not important)
I spent... more time writing Jeremy/Net porn than I want to admit to, frankly, and this fic eventually started to be adapted into my Everrealm Amusement Park story that I also never finished.
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blueberry-macaron · 9 months
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Do you think people who always hated the LS have an easier time hating on Movie!Adrien than people who used to ship it?
From what I've seen anti LS peeps like movie!Adrien, while fans of the show hate him. I thought that was weird at first, but after thinking about it, I think I have an explanation as to why.
The focus of Movie!Adrien's sad backstory was the death of his mother and that causing problems in his relationship to his dad (who wasn't as much of a horrible person as in the show, so abuse wasn't really an issue the movie touched on) but also affecting him as a person. He was closed off and afraid of getting close to people. Basically you could say he was more like his PV version. That's already a strong contrast from his show self with the strong craving for human friendship and love, so that probably already threw people off who liked show!Adrien.
We first learn about his mom when he goes to that theather where she used to perform. It's his place where he feels closest to her. Then he starts talking about it with Marinette/Ladybug and in the end he reconsiles with his dad, telling him that "yes, mother's gone, but we're still here" and they hug it out, accepting things for what they are. Now I don't want to give the movie too much credit because this "arc" was not fleshed out at all. Most of that happens in the montage. The basis was there, but after establishing that, they rush through the movie and put their focus more on fights, the romance and the music. And I think this rushing through things is the reason Adrien enjoyers couldn't connect to this other Adrien. Basically "The first one was great, so why should I care about this new one that is so different? He's less outgoing despite his dad already pushing him away and him hating loneliness? He's more mean to LB during their banter for no apparent reason? Where is Chat being a shoulder to cry on when LB looses her self confidence?"
If you present a new interpretation of a character to fans of said character, you'll have to try a little harder to convince them this interpretation is good with actual good story telling, which this movie severely lacks due to the very simplistic plot, and also... not relying on the show and the audience having to fill the blanks with information from the show as much as the movie did.
Meanwhile salters see show!Adrien as someone who gets a lot just handed to him because he made a sad face, generally has no agency and makes Marinette's life harder than it has to be and they don't like that. Then along comes this other version where his emotions don't feel like a constant pity party but are something he learns how to deal with, he doesn't constantly makes missions harder than they have to be (expect the ending sort of) and he finally has some agency. That's what I like about the way he's being portrayed. And as I said, the movie doesn't flesh those aspects out, but the premise alone of Adrien having to overcome his mother's death with the help of people around him is so much more interesting and likeable for me and probably others too, unlike the constant whining about how hard his life is until somebondy (Marinette) comes along and bends over backwards to fix it for him while he stands around and looks pretty.
So yeah, that's my take on the situation. I do find it pretty funny though how some stans act like Movie!Adrien is some alpha dude bro while show!Adrien drinks his respect women juice. Not to burst your bubble but both handle LB's rejection very poorly and are dicks to her about it. At least movie!Adrien still jumped to action instead of immediately abandoning his miraculous
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iliaclwrites · 2 years
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can you do something like eddie has to host hellfire but he can’t because it’s summer and his uncle is home sick or something? so eddie begs the reader if he can host it at her house since they’re neighbours or something? and the hellfire club finally gets to meet the girl eddie has a huge crush on. maybe with a fluffy ending, idk anything you want, it’s just a very specific scenario i like to think about a lot 😭
You opened the door to your house with a sigh. "Alright, alright," you said, as Eddie rushed past you with a chant of, sorry sorry sorry. He dropped the bag of doughnuts he'd promised as part of his bribe on the kitchen table and headed up to your bedroom, still apologising.
Wayne was ill, Eddie had told you over the phone, and the Hellfire club desperately needed a place to play. Lucas' parents were in, Dustin's mom had book club, and Mike's family were fumigating. That left you and your bedroom, princess, please, pretty please, with a bag of fresh Dunkin' Donuts on top?
What else could you have said?
You settled in at the end of the desk in your room, leafed out extra so Eddie could huddle more chairs around it, and set in to work on one of your college entrance essays. Eddie ruffled your hair as he stuffed a doughnut into his mouth and set up the gameboard, tossing dice mats around the table like fat confetti. 
You kicked your legs up onto the table, leaning back so you could read one of the books you were referencing (Du Maurier’s Rebecca, an absolute banger of a novel if you’d ever read one), and carded through the pages. You were so absorbed you didn’t notice Eddie’s eyes slide up your legs to the hem of your skirt, or the way he fumbled with one of the character sheets as you crossed one leg over the over. 
(“Shit,” Eddie mumbled to himself, swallowing as you chewed on the back of your pen. Bad Eddie. Bad. Terrible. Going to Hell, Eddie. You wrinkled your nose, and he quickly tore his gaze back to balancing the clipboards. Awful, no-good, carnal-sins-of-the-flesh-are-wrong-Father Eddie.) 
“I’ll get it!” you chirped as the doorbell rang. “You keep setting up.” 
“Yes, wife,” Eddie muttered beneath his breath, turning to watch your little white skirt flounce as you headed down the stairs, opening the door to a group of staring children. Eddie poked his head out from the top of the stairwell. “Ah! My disciples!” 
You looked down at them. Wheeler’s brother, the kid from the basketball team, and the curly haired one that was always hanging around Eddie like a little lost limpet. You smiled, nervously. 
“Oh!” Dustin said, and peered around you. “You never said she was pretty!”
“Are you kidding?” Lucas muttered as you turned to lead them in and upstairs. “That’s literally all Eddie ever talks about.” 
“Shut up if you want to live, Sinclair,” Eddie hissed, jabbing a finger at him. Lucas gulped. 
“Make yourselves at home,” you said, heading back toward your bedroom door toward the kitchen. “Any of you want drinks?” 
A chorus of well-behaved ‘just water, please, if you have it,’ chimed back to you, and you nodded, vanishing into the other room with a swing of your skirt. 
(“That’s her?” Mike demanded, and Eddie let out a strangled laugh. “No chance, dude. Sorry. She’s, like, really pretty.” 
“And you’re her friend?” Dustin demanded, and Eddie glared at him.
“That so hard to believe?” he snapped, and the boys pointedly looked at your room. The shelves of well-thumbed books. The delicate acoustic guitar resting on a baby-blue sparkly stand by the window. The stacks of Vogue magazines holding up a collection of makeup. “We’ve known each other a while.” 
“No shit,” Lucas said, heading for your dresser, where a polaroid of you and Eddie was embedded into the frame. The two of you as young kids, dressed in dungarees and sticking your ice-cream covered tongues for the camera. “Did you, like, brainwash her?” 
Eddie huffed. “She brainwashed me,” he snapped. “She made me listen to all of Revolver when we were fifteen because she had a crush on Paul McCartney.” 
“You jealous of Macca?” Dustin teased, and Eddie flipped him off. “I can’t believe that the girl you’re always talking about is real, I guess. Like, a real girl. A girl girl.” 
Eddie reared his head, flicking a d4 at Dustin. “What’s a girl girl?” he demanded. 
“Like, she has Madonna albums,” Mike said. “Her room has scented candles in it. We thought you had a crush on, like, some sort of goth chick that wears eyeliner and army boots.” 
“And a shaved head.” 
“And fangs.” 
Mike continued, pointing out your math olympiad trophies hung proudly next to a poster print of Van Gogh’s Cypress Trees. “She’s just not you.” 
Eddie wrinkled his nose. “Girls have depth, you know,” he said, snootily. “The kid can whip your ass at Star Wars trivia. And she can absolutely shred Dio on that guitar.” He paused for a moment, and winked at them. “Once she starts talking about Lord of the Rings, my munchkins, you’ll love her as much as I do.” 
There was a beat. 
“Love, huh, Eddie?” cooed Dustin, and Eddie groaned. “Nawwww.”)
You bit back a smile from where you were listening at the door, waters balanced on the tray in your hands. You pushed it open, and beamed at them blithely, willing the blush to vanish from your cheeks. “I hope you don’t mind, I brought the doughnuts up.” 
Eddie schooled his features. “That’s my girl,” he said, and gestured for you to sit at the table. “Let the games begin.” 
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zmediaoutlet · 3 days
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hello z, i have tried to pick some fun ones! 36, 62, 93
!! o bud of buds!! holy cow!
36. do you base your characters of real people or not? If so, tell us about one.
this is a bit of a tricky question with fic, but of course the answer remains ultimately yes -- bc all those little details that don't exist in the original text need to come from somewhere, and it turns out that you can flesh out existing characters quite a bit in a way that still feels IC with details from your mom or bestie (cough) or that one waiter at that restaurant. With OCs, who are usually also NPCs, it's also best practice as far as I'm concerned to plagiarize wholesale from real life -- they don't really matter except as flavor or to act as a cog in the machinery of how the scene moves forward, so you might as well make it easy on yourself AND possibly get a tiny inside joke with yourself, and also they just naturally are believable because they're real. Trying to come up with someone Distinctive and Wacky almost always reads false, whereas if you just use a real human who is distinctive and wacky au naturel they just... work. Shout-out to the inclusion in one of my stories of that one Beowulf professor who looks and acts like Santa. (I wonder if he's still with us?) Making that guy up would be stupid and you'd be tempted to include Fun Details to color him in; as is he just. Exists. Much better.
62. what’s the weirdest reason you’ve ever shipped something?
I thiiiink I can say that my shipping reasons are almost never because something would be Hot (unless I'm lying, but I don't think I am), so I guess in the larger fic context that might be weird in itself. Off the top of my head weird is a big ask. I ship Sam/Eileen specifically in the sense that I want her to be really into it and I want Sam to think that he's into it and then realize very quickly that, oh yeah, he's never actually fully committed to a relationship and what was he thinking, and so they fuck once and then he takes a call from Dean practically before he's wiped off and Eileen realizes with sinking disappointment and humiliation that she's never ever going to measure up. Like -- the reason I ship it is out of weird spite, haha. That's pretty bad, isn't it. I also ship Paul/Jessica from Dune basically purely out of that one scene where they first climb into their stillsuits in the first movie, not because I actually want to but because they are so fucking weird about it, and what is shipping really but listening to the weird-ass notes that canon itself drops and going "...wait, you what?"
93. do you hear other people’s writing styles when they talk?
SUPER no. I mean for a given value of talk. I am lucky enough to have some writer-buds and the way they communicate in text hardly matches up at all to the stuff they put out, which I find really interesting. I've been told that I talk a little how I write but of course that depends on the fandom and the mood of the story -- like, Supernatural-from-Dean's-POV-the-way-I-write-it tends to be really naturalistic and straightforward and he even drops a lot of the same references I would (seriously, Dean would've gotten along with the z fam), so that just feels like--transcribing. But, you know, The Australian doesn't work that way, nor does The Ornithologist. (Last time I read narrative from The School was a long time ago but I think that was a little closer? We'd have to think about it.) I wonder if that's a deliberate choice from people? I wonder further if literally writing more volume of words might affect how you communicate non-narratively. e.g. David Sedaris (for this week's mild obsession) certainly talks how he writes, but which came first? Conundrums.
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