#a LONG bridge to be sure

[vintagesimstress]

Me about every scene in Act 3 of my hopefully-one-day-going-to-be-published-story:

[the-crimson]

I’m just spinning q!bbh in my mind rn I’ve got theories and analysis and bits of it are a stretch and it is rambly and long so it’s going under a cut but here we go XD

Everything he’s done since the eggs were taken has been so incredibly deliberate and he developed this plan when he was in the depths of the greatest despair. According to what he told Baghera today, he developed this plan before the anger stream when he lava cast the presidential office as that was part of the plan to draw out the workers.

So Bad blatantly lying and gaslighting and just being incredibly suspicious to everyone today feels deliberate. It feels like he’s intentionally burning these bridges. The whole gun debacle is a great example of this. I saw a post that suspected bbh took Ron to test Baghera and her loyalty to him by doing something he knows she’d disapprove of and while I don’t think that’s why he took Ron, I defiantly think that’s part of it.

The whole gun thing I feel is Bad’s test for Forever. Bad has lied to his face and changed the story so many times that even when Bad tells him the truth Forever doesn’t care. I think Bad is intentionally pushing Forever just like he is Baghera. He’s pushing him to see what it would take for Forever to cut ties. It’s brutal and is actively hurting Forever just like how Baghera was hurt learning what Bad had done to Ron.

Bad feels no guilt for what he’s done to Ron. All he cares about is what others would think of his actions. He knows what he’s doing is “wrong” but he doesn’t care. Such black and white morality is beneath him. He’s doing what he thinks is necessary.

And that includes his own self destruction. He is testing all of these relationships knowing full well that he might destroy them. He knows Baghera is so much more moral than him and has such a higher value of life so he intentionally showed her something that would shatter her perception of him. Bad knows that trust is very important to forever so he intentionally lies and gaslights him knowing full well that Forever may never trust him again.

Bad created this plan when he was at his lowest point. On an average day, Bad’s value of his own life is nonexistent. He designed a plan to uncover how the federation spies on them knowing full well that it could turn everyone against him. That sure sounds familiar doesn’t it? Bad’s proposed this exact same plan under different circumstances(“joining” the feds to make them worse so everyone revolts against them inspired by his building inspector bit”). He doesn’t care about himself and is willing to throw himself to the wolves and make everyone hate him if it means defeating the federation and getting their children back. Previously, bad never went through with the plan because he wasn’t as desperate but now… during the depths of his grief after the kids were stolen, there was nothing holding him back from complete self annihilation.

I think Tubbo discovering/catching on to bbh’s kidnapping put a hitch in Bad’s plans because now his tests for others are being influenced by an outside variable he can’t control, that’s why he spent the whole day doing damage control. He’s trying to spin the story in such a way that he’s still somewhat in control of the situation. He knows that the cats out of the bag. Everyone is going to suspect him now so what does he do? He spends the day making himself even more suspicious. He admitted to torturing foolish in the past. He admitted to imprisoning forever during the happy pills arc. He admitted to planning on abducting a player in the future. He’s making himself look so much more guilty.

Everything he does is with intent. What could be the intent here? He’s told several people that he wants to be arrested so he has access to the federation prisons/facilities. He’s told several people that he is capable of kidnapping/torturing someone. He denies he’s guilty of Ron’s disappearance while simultaneously making himself look guilty. Is he trying to push the federation? To see if they actually will arrest him? All fingers point to bbh and the federation knows this - they basically say so in the journals Tubbo found. But they continue doing nothing. The workers are warned to stay away from him at all costs but… why wouldn’t they just arrest him? They’ve done so to others for less. That’s the question I want Tubbo to be asking. He’s smart enough to realize there’s something off here. Yes bad has a guy in his basement but why hasn’t the federation done anything about it?

Maybe that’s Bad’s test for Tubbo. Bad knows Tubbo is fiercely intelligent and that he can’t bullshit has way past him so he gave Tubbo so much. Yes there was a lot of bullshit but Bad intentionally gave Tubbo more ammunition against him. Is that Bad’s test? If Tubbo finds proof that Bad has Ron in his basement and the federation continues not to act, will that clear Tubbo of suspicion in his eyes? Tubbo knows the worker Bad is trying to find, is Bad giving Tubbo a chance to unknowingly prove himself by uncovering Bad’s secret? “Has anyone ever told you your too smart for your own good, Tubbo?” It sounded like a threat but it could have been an invitation.

Fred has become an incredibly important npc and I have a feeling he is the key to unlocking the mysteries of the eggs and the great evil. I’m pretty sure he’s the one in the radio transmission that talks about why the eggs disappeared and Ron said he overheard Fred talking about the evil. Fred knows so much more than he lets on and one way or another, the players are gonna find out.

I’m also fascinated by Bad’s conversation with Bagi about Boo. Only after Bagi confessed to telling Forever about the secret did Bad put in his clipboard that she passed the test. We’ll how did she pass the test? She told someone about his secret. We’ll, she came clean about it. She told someone she thought was Bad’s best friend then admitted it. She wasn’t trying to go behind his back and thus was trustworthy. However, as the day went on and Bagi learned about Ron, this changed. Her perception of Bad changed and Bad updated his notes about her in response. She went from trustworthy to sometimes trustworthy to be careful what you tell her. She still passed the test but the level of trust dropped dramatically - which is so fascinating.

At the end of it, I think… through all of this, Bad is gonna burn all his bridges in order to find the eggs and destroy the federation. He’s accepted that at this point. He was so dismissive of Baghera’s concerns for Ron and Bad and almost felt like he was placating her, just telling her what she wanted to hear. If Baghera interferes with Ron, I don’t think Bad will accept that and he would sacrifice their relationship to continue his plans. If anything, I could see him releasing Ron into Baghera’s hands only to capture Fred in his place - and this time he wouldn’t tell a soul.

Just the sudden switch in attitude when everyone triggered his radar was palpable. “Get out of my house or die” he was so furious that this test had been interrupted but he masked it while with baghera. When Bad went flying into the hall of grim shouting at everyone to get out and attacking them mercilessly, you could feel the rage (part of that was the lore secrets being accidentally revealed but still) the entire visit with Ron was a performance for both Ron and Baghera and I feel so bad for Baghera because she’s in an impossible position.

She wants to be there for Bad she wants to support him but this… this is so far beyond what she is willing to excuse from him. This has crossed so many lines but there isn’t any turning back. She doesn’t want to lose Bad either through breaking his trust or being taken by the federation but at the same time she can’t stand by and do nothing. She needs to help him. Unfortunately, that means it’s highly likely Bad will end up immolating their friendship if she pushes too hard.

And just the way Bad acts around Ron is so fascinating. It’s all a performance. The large furnished home. The fridge full of food. The fish. The weird attachment Bad shows - almost a reverse Stockholm syndrome - while simultaneously talking over/for Ron in such a dehumanizing way. It’s so fascinating in the moments when the mask falls away. When Bad was watching Baghera talk to Ron - idk if it was just me - but I felt like Bad was a hawk observing it’s prey. He plays up the sugary sweetness and dependence but he still feels like a tiger prowling the bars of his cage eyeing the snacks on the other side. It’s the way he moves and what he choosss to look at during these scenes idk bbh’s body language is insane and I could devote an entire essay to analyzing it

Like Bad’s stream title before he started stream, there are only two sides. Either ur with him or against him and the only thing he values is finding the eggs and tearing down the federation. He doesn’t care if everyone grows to hate him. He doesn’t care if he grows to hate himself. There are no lines he won’t cross. It’s all worth it. It’s all inevitable.

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[lunar-years]

"I've noticed that sometimes having a tough dad is exactly what drives some fellas to become great at what they do. You know I hear Bono's father was a real piece of work but then again, so was Joshua Tree, so you know 🤷‍♂️" Ted literally should have been banned from ever speaking on Jamie's father again after this one because what a wild thing to say to someone you witnessed being physically and verbally abused by their father ?? 'sorry your dad sucks but maybe you'll be a great player because you were abused <3' UM? Not to mention Jamie JUST told you that actually, his "tough dad" became such a problem that it drove him to do anything to get himself away from the situation including abandoning the thing he's "great at" and thereby tanking his mental health like????

[slavhew]

Hello!

If you're not too busy, would you mind listing some of the things you think count as death flags for Mr. Spender?

There's the obvious fact that he's the "old" mentor to group of young protagonists, but what else do you think would count?

OHH BOY ok so I'd think I'm a crackpot for this but since we're talking about Zack "Foreshadowing" Morrison. I have some thoughts

No harm in leading with the (chronologically) first thing that jumped out at me:

This one IMMEDIATELY made me antsy whenever I came back to it after my initial read, and considering Zack has referred to it on twitter in the past as one of their favorite jokes it's definitely not been forgotten about.

Second, the sheer amounts of near-misses, jokey or not, of Spender narrowly avoiding specifically lightning

Again, not much, but it's weird that it happened thrice, latter two of which had real gravitas rather than an one-off joke.

And third, Spender himself. He's repeatedly shown himself to be kind of a self sacrificing idiot, as well as prideful to a fault. Granted, it's both him and Mina trying to take on all the responsibility of saving Mayview and its inhabitants from their fate.. But Spender is exactly that right measure of doesn't-value-himself-enough (chest footprint aftercare or lack thereof), having an obscene amount of power (enables his loner act + pride) and poor judgement that has the capacity to put him at great risk. And it has!

Spender has not only shown low enough self-esteem to view himself as the de-facto scapegoat for the safety of the town, but also prideful enough to make very bad calls that end up in people, often himself, hurt (COUGH FORGE INCIDENT COUGH)

This is all conjecture, but it's definitely enough to make me worried about him :') Even if all this doesn't mean he'll necessarily die he's definitely getting (even more) seriously injured at some point. I love the guy but he's so far doing a horrible job of convincing me he wants to live bad enough to circumvent at least that

[reeama-the-mage]

The difference between the tragedy of Edwin's and Charles' lives and deaths and what makes Charles' much more compelling to me is that Edwin never had anyone he could trust: he grew up with distant parents who i imagine he saw rarely and could not confide in, then he went to school and was immediately recognized as other in a way he had not fully realized of himself yet and was killed for it, and then comes hell and well who can u trust in hell? Certainly not the things that chase you until your legs ache, and even if your compatriots in the whole ordeal are as innocent as you, trapped in the same technicality, what is the good of trusting them, when they are just as helpless as you?

But Charles? Everyone Charles was supposed to trust betrayed him. His parents were close to him, atleast somewhat, atleast his father was around enough to get sick of hearing owner of a lonely heart, and his mother was around enough to watch his father beat him and be silently horrified and ultimately not do anything about it, maybe she stepped in once and we just never saw it, but I wouldn't bet on it, Charles' mom is 'quiet' that's her defining feature to Charles not protective or gentle just 'quiet', then Charles gets to school and he is popular he has friends! He has people who care for him (or should maybe, as long as he's good at sports like he's needed to be) and then he stands up for one person, because he has always wanted to be good and maybe he trusts himself to do it just this once and his friends kill him and his own actions signed the death warrant and he cannot even trust himself to do the right thing properly (it never got better and then you died)

And maybe, maybe Edwin does it too, with less intention to hurt, and with less knowledge but Charles and Edwin trust eachother maybe more than anything (maybe Charles would sooner slip away from earth's gravity than stop putting his trust in Edwin who he thinks is good and smart and brills and aces) and maybe Edwin still looks at Charles trying to protect him after Charles has had maybe the worst week of his existence and says "that was a bit...... extreme" and Edwin still promises Charles can tell him anything while hiding himself in a way that makes Charles feel untrustworthy

So yeah I'll never stop thinking about the tragedy of Charles Rowland actually 👍 think about him with me

[commsroom]

eiffel returning to earth and encountering people and places and things that he's known so closely for years - that some part of him might even instinctively feel he should recognize - but without the ability to consciously remember them vs. lovelace returning to earth and seeing all those familiar things and knowing them, and knowing how they've changed in her absence, but being unable to shake the part of her that keeps telling her she's seeing them for the first time. how both of these could be used as an exploration of trauma, and returning to a place (that hasn't changed at all; that's changed too much) that you no longer fit into; that rubs up against the changed shape of your life in raw and uncomfortable places.

[shummthechumm]

one thing i love about universes with feral/quadrupedal animals is when they redesign items familiar to us to better fit characters who don't have hands. like year they can't wear bags the same way we do so they instead have harnesses/saddles like this cause of course they would:

or using latch doorknobs OR EVEN swinging doors being more commonplace. animals like cats and dogs can open those easier in real life so translating that into a fictional world is a fun idea. why would a world full of mainly no-thumb-havers even bother with round knobs lol

oooo or the issue of sanitation because if you are using your paw/hooves/etc to walk....are you expected to wash them anytime you use them like hands or does the general population just ignore that because "hell we all do it". is there a mix of reactions because of cultural differences? how do winged creatures like bats and birds deal with...any of this????

all the unique ways they could build weapons and armor...do they have artificial horns or claws they could put on? how practical would a wielding a sword/spear via your mouth be???

also when everything like architecture or furniture is scaled down or altered for quads. is super fun visually as well. it makes my brain go: ":)" every single time

[shalom-iamcominghome]

hey! I love your blog and the things you post. I wanted to say that if you have questions about Halakhah or about anything else that is related to Judaism, I would love to help you! I'm not pretending to be a rabbi or something, but I know alot about Judaism. keep in mind that I'm an ortodox jew and not a conservative)

Orthodox jews 🤝 Every other jews

People I love with all my heart 🩵🩵🩵

(And thank you! 😭)

[dutybcrne]

Kaeya oftentimes wonders what it must have been like, living in Khaenri'ah. Reading the tales of Khaenri'ahn heroes Jean's shared with him, of things he remembered his father mentioning, helped him picture it all. As did knowledge the Akademiya has of Dahri ruins he managed to get his hands on one way or another years later, during his visit to Sumeru.

[fluffypotatey]

Since I very sincerely doubt Uther managed to kill ALL the Dragonlords (they're knights, not the KGB, and it was a lot easier to disappear back then) imagine them returning to Albion from Rome or whatever to find Cousin Balinor's only son is ruling Camelot and the Druids, is best friends with an immortal knight and one dude that's been raised from the fucking dead, is bonded to THEE oldest dragon they've ever heard of (and who is also nuttier than squirrel stew) and a semi-feral hatchling that barely listens to four (4) people max and hisses/bites/claws at the rest, and oh yeah, is married to a fucking Pendragon.

Family dinners must be a hoot and a half.

oh to be a fly on the wall when they finally make an audience in Camelot. oh to see Merlin's face morph from apprehension to wonder to exhaustion to horror because they're telling Arthur everything they know.

[cerealmonster15]

honestly not a lot is evven happening in this chapter it's just an excuse for me to write a bunch of the characters sitting around and being nosy gossips for fun lol

[thecodeveronica]

At almost 1,100 words now!

OH MY GOD I'M DOING IT, I'M REALLY DOING IT

[hzdtrees]

Streams and bridges

[tovaicas]

not me importing my anti-air defense worldbuilding h/cs into ishgard bc I can

[kris-mage-fics]

It's been super windy the last two days, and a tree decided to give up the ghost and fall on our apartment last night! Thankfully it appears the only damage is to the fence between our building and the neighbor. The tree is actually leaning against the roof of our balcony/roof of the building. (I couldn't get that in a photo because the sunlight is weird and was messing with my camera.)

I'm not all that shocked that this particular tree fell, it's been losing branches in wind storms for years now. It sure was loud and scared the crap out of me when it happened! For a brief moment I thought the roof might cave in! It wasn't until this morning when my husband woke me up that I knew what happened. He checked the balcony last night to see if the wind knocked over his bike, but it was still standing. Somehow he missed the tree just a few feet away, lol!