உயிர் எழுத்துக்கள் | அ அம்மா ஆ ஆடு | அ ஆ இ ஈ | உயிர் எழுத்துகள் | a aa e ee
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Women,, ,, , ,,,, , , , 🩷
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CREEP REWATCH TIME BITCHES
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i've already seen 3 mesmerizer edits using the song binomi.
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voice reveal /j
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💐 🍓💤🎊🧸 (for you and Blurr :3)
💐 - What flower do you associate with your oc F/O? Why?
blue bellflowers bc they remind me of little stars and tbeyre blue vibrant, and wisteria and lily of the valley bc theyre kinda shy and sleepy and mysterious, and jasmine! bc it makes me think of smells and teas hed like!
🍓 - What are you and your F/O’s trope{s}?
tall hardworking and sometimes direct dweeb meets short stubborn and sweet dweeb who softens him and brings out his sillier more relaxed side. two wall flowers find each other.
💤 - Who sleeps in and who’s an early riser?
ughgg.. he wakes up early- gross
like EARLY EARLY.. how is he both a morning person AND a night person???
🎊 - Who makes a big deal out of every little anniversary?
both of us, but blurr gets all excited bc its like he has a secret or surprise to share. he cant sit still and the whole day is just “happy anniversary!!” and little gestures and then probably some big thing that he calculated for a while. its cute
🧸 - Would they build a pillow fort together just because?
blurr, and i quote
“we are not building a pillow fort oh my primus what are we sparklings—?”
“do you know nothing of infrastructure- here lemme help-!”
“oh wait.. this is kinda cozy— mm..”
proceeds to take a nap
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my brain feels like a can that is slowly crumpling under pressure of the Everything
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So You Want to Write about Horses: Color Edition
Well, your knight better not be riding in on a white horse, because that horse is actually grey! And what do you mean a brown horse? Is your cowboy's faithful horse sorrel or chestnut and what does it matter?
I can help.
(Part 4! Enjoy this post? Want to know more? Check out So You Want To Write About Horses Part 1 and Part 2 and So You Want To Write About Horses: Medieval Edition)
Lets begin with base horse colors:
This is fairly easy. All horses are either red-based or black-based. The other colors of horses are all modifications on these two basic variations. A plain red-based horse is a chestnut horse. If you live West of the Mississippi river, you would call this horse a sorrel. Same thing.
A plain black-based horse is a black horse.
Easy, right?
Genetically speaking, the choice between a black or a chestnut is controlled by the Extension gene, represented as E/e. A black horse is created when the genetics are either EE or Ee, as the Extension gene is dominant. A chestnut horse can only be ee, the regressive form with no black hair expression.
However, black horses are actually not that common, relatively speaking. Most horses are some form of chestnut, ee, or a bay.
The bay horse is a variation on a black base. They have black manes and tails, black on their legs, and red or brown bodies. A bay horse is created by the Agouti gene (A/a), which changes the expression of the Extension gene (E/e). So a horse with EE AA will be a bay horse, like above. A horse with Ee Aa will also be a bay horse, exactly the same. In order for a horse to be black, they must have a dominant Extension gene and a regressive Agouti gene, EE aa or Ee aa.
Chestnut horses have no black in their coat, so the Agouti gene cannot affect them. They can be carriers, however, and make a bay horse when paired with a black horse. A chestnut horse could be ee aa, ee Aa, or ee AA, and look completely the same.
Congradulations, you now know horse color genetics! Now for the fun ones.
Dun Genes
If you've ever seen Spirit, Stallion of the Cimarron, you know this color
^This is the actual colt that Dreamworks animators modeled from!
Dun (D/nd1/nd2) is a gene that modifies all base coat colors. It can modify black, creating a black dun/grullo horse, it can modify bay, creating a bay dun, and it can modify chestnut, creating a red dun. In all of these variations, the body of the horse is lightened, the mane, tail, and legs are dark, and the horse has 'primitive' markings, including an eel stripe down the back, darker face, and leg bars.
If you notice, dun has three variations! D is the dominant form, so any horse with D is a dun of some kind. Nd1 is a variant in the same gene that gives the horse similar markings, but it is not dun, and will be over powered by the dominant D version. Nd2 is a horse with no dun factor, so no markings or lighter coat. Dun horses can be D/D, D/nd2, D/nd1. A horse with non-dun factor (and look similar to a dun) can be nd1/nd1 or nd1/nd2. A bay, black, or chestnut horse will be nd2/nd2.
Cream Gene
Another gene diluting color is the cream gene, which you may know from the famous horse of Roy Rogers, Trigger
Trigger is a beautiful example of a palomino, a red-based cream dilute. As you can see, Trigger has a pale mane and tale and a gold colored body. Cream (Cr/Prl/-) is a dilution gene, or a hypomelanism gene, meaning it prevents red color in horse hair. Any red on a horse will be lightened. Chestnut horses, being all red, will have their entire bodies, mane, and tail lightened. Bay horses, with red hair only on their bodies, will have the body lightened, but the black mane, tail, and legs stay black, creating a buckskin horse
But wait! That horse looks exactly like the bay dun horse! Yes. Yes they do. However, buckskins do not have eel stripes, leg bars, or darker heads, and are a completely different gene. In fact, you can mix the two get a cream dun (Dunskin). It might be a slightly lighter dun.
Because a black horse has no red, black horses with the Cream dilute stay black, IF they have only one version (Ee aa Cr). Cream is an incomplete dominant gene, meaning that two versions makes the effect of the gene even stronger. Double creme dilutes are Cremellos, and they are very pale (but not white!)
The double creme dilute overrides all the other genes. They are still there, but the horse is so pale, you can't see them. A variation of this color is the perlino, a horse with a recessive dilute gene called Pearl (Prl/-)
Pearl is recessive, meaning that one copy does not change the horse's coat. Two copies creates the perlino, and because Pearl is on the same gene as Cream, a false cremello can be created by a horse with one cream gene and one pearl gene. Crazy, right?
Now, there are so many more genes, but lets skip ahead to some patterns.
Horse Patterns
These are technically not colors, but rather genes that selectively turn off color in certain areas to create a coat pattern in horses. The most important of these are Tobiano, Frame, and Appaloosa genes.
Tobiano is the gene for the coats of Paint horses (a color breed with a registry) and one of the genes for pinto horses. Pinto means any horse with large splashes of white, which includes the Frame gene, also known as Overo.
Both of these horses are Pintos, but only the lower one is an American Paint Horse, or Paint, and the top one has the Tobiano gene (TO), while the bottom has the Frame gene (O). A horse can be double Tobiano (TO/TO), Tobiano and Frame (known as Tovero) (TO/O), but a double Frame horse will die an early and painful death, due to Lethal White Factor.
Lethal White Overo is when two Frame horses are bred together and the foal receives the O gene from both parents. The foal can survive birth, but has malformations of the intestines that are incompatable with life. ALL affected horses die within days of birth.
Appaloosa horses are a very interesting horse. Technically, Appaloosa refers to a breed, developed by the Nez Perce tribe in the Pacific Northwest. Appaloosa is thought to come from "a Palouse horse", the name of a major river in the tribe's area. When the tribe was forced on a reservation, most of the horses were slaughtered or given to local white settlers, leading to many Appaloosa horses becoming merged to the Quarter Horse breed. As a result, most people use it as a color term.
Nancy Wak Wak (Umatilla) on an Appaloosa, 1937. Oregon Historical Society Research Library, 018041
The genes responsible for the Appaloosa pattern is the Leopard Complex, controlled by an incomplete dominant gene (Lp/-), which turns on the complex when present, and turns it off when absent. Several other genes control the amount of white, the type of white, how big the spots are, ect. One Lp turns the complex on, but two Lps creates a mostly white blanket, or a fewspot coat.
This horse has double Lp. The horse above it has one Lp, creating the many spotted coat.
Not all spotted horses are Appaloosas! In Denmark, the Knabstrupper is a breed of horse with no relation to the Appaloosa, but with the same gene creating the same spotted coat. Completely different breed, different origins, but same genes.
In all of these patterns, the pattern can be maximal, or very visible, or minimal, and not visible at all. A horse can look solid colored, but be hiding a pattern gene. So if you want to make babies, test your horse's genetics first! You do not want to accidentally cause a genetic deficiency.
Finally, the famous white horse.
Grey and White Horses
Most 'white' horses are actually grey. White horses are very rare. Grey horses are called grey because they are born with a colored coat, but because of the Grey gene (G/g) they lose color as they get older. Grey horses go through many colors throughout their lives.
A grey foal and grey mother. Babies are born with the base color visible, but lose it as they age.
A dapple grey horse in the process of losing its baby coat.
A fully greyed-out horse at adulthood. Even all grey, the skin around it's eyes and nose is still black, because the skin underneath has not lost color, only the hair.
A white horse is born white, will always be white, and is never naturally any other color. The skin of a white horse is pink, because it, like the hair, does not have color.
Sodashi is a Japanese racehorse and a member of a super-rare white horse family. Several members of her family are pure white, due to a mutation that gives them extreme white pattern, much like with the Tobiano gene. Her relative, Buchiko, shows the minimal pattern that gives them their white color.
Same pattern, but maximal and minimal expression!
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MHA Chapter 421 spoilers translations
This week’s initial tentative super rough/literal translations under the cut.
1
おまえらもかよ
omaera mo ka yo
"You guys too, huh?"
2
そっちもな
socchi mo na
"And you as well."
3
警察から"まだ戦える者は"って……!
けいさつから"まだたたかえるものは"って……!
keisatsu kara "mada tatakaeru mono wa" tte......!
"[I heard] from the police, 'Who is still able to fight?'......!"
tagline
A組続々…
エーぐみぞくぞく…
EE-gumi zokuzoku...
Class A, one after another...
4
相澤先生が黒霧を味方につけたって聞いてーーー
あいざわせんせいがくろぎりをみかたにつけたってきいてーーー
Aizawa-sensei ga Kurogiri wo mikata ni tsuketa tte kiite---
"I heard that Aizawa-sensei got Kurogiri to join our side---"
5
友だちがまだ戦ってんの見てーー…
ともだちがまだたたかってんのみてーー…
tomodachi ga mada tatakatten no mite--...
"I saw that my friends were still fighting--..."
6
行かずにいられましょうか
いかずにいられましょうか
ikazu ni iraremashou ka
"And I felt like I had to go."
7
意識がある内は…どこへだって!
いしきがあるうちは…どこへだって!
ishiki ga aru uchi wa...doko e datte!
"As long as I'm conscious...to wherever you go!"
8
勝つ為にここまでやってきたもんね
かつためにここまでやってきたもんね
katsu tame ni koko made yatte kita mon ne
"We've come this far for the sake of winning."
9
今日踏んばれなきゃ
きょうふんばれなきゃ
kyou funbarenakya
"Today we have to stand firm."
10
何の為にヒーローを夢見たかわかりゃしねえ!だからよお〜〜
なんのためにヒーローをゆめみたかわかりゃしねえ!だからよお〜〜
nan no tame ni HIIROO wo yumemita ka wakarya shinee! dakara yoo~~
"For what reason did we dream of becoming heroes! That's why!~~"
11
みんな…!
minna...!
"Everyone...!"
1
オイラたちが
OIRA-tachi ga
"We"
2
来た‼︎
きた‼︎
kita!!
"are here!!"
tagline
No.421 WE ARE HERE 堀越耕平
ナンバー421 ウィー・アー・ヒア ほりこしこうへい
NANBAA 421 UII AA HIA Horikoshi Kouhei
No. 421 WE ARE HERE Kouhei Horikoshi
1
灰色の肉が並んでいる…
はいいろのにくがならんでいる…
haiiro no niku ga narande iru...
(literal.) "Gray bodies are lined up..."
(context.) "You are all just gray bodies to me..."
2
本来ならば僕は弔の一部として…もろともうちくだかれていたのだろう
ほんらいならばぼくはとむらのいちぶとして…もろともうちくだかれていたのだろう
honrai naraba boku wa Tomura no ichibu to shite...morotomo uchikudakarete ita no darou
Originally, as a part of Tomura...I probably would have have been destroyed along with him.
3
だが
daga
But,
4
与一が砕ける音を聞いた時
よいちがくだけるおとをきいたとき
Yoichi ga kudakeru oto wo kiita toki
when I heard the sound of Yoichi smashing to pieces,
5
僕の世界は色褪せた
ぼくのせかいはいろあせた
boku no sekai wa iroaseta
the color of my world faded.
6
執心を喪い
しゅうしんをうしない
shuushin wo ushinai
"I've lost my passion,"
7
故に
ゆえに
yue ni
"therefore,"
8
喪失の穴に通る攻撃はなくーー…
そうしつのあなにとおるこうげきはなくーー…
soushitsu no ana ni tooru kougeki wa naku--...
"there is no attack that can pierce through my loss--..."
9
僕は止めを免れたのだ
ぼくはとどめをまぬがれたのだ
boku wa todome wo manugareta no da
"I am the one who escaped the final blow."
10
今なら理解る
いまならわかる
ima nara wakaru (kanji: rikairu)
"Now I understand,"
11
緑谷出久
みどりやいずく
Midoriya Izuku
"Izuku Midoriya."
1
悲劇こそが人を強くする
ひげきこそがひとをつよくする
higeki koso ga hito wo tsuyoku suru
"It is tragedy that makes people stronger."
2
そう思わないか?
そうおもわないか?
sou omowanai ka?
"Don't you think so?"
3
どうだろね
dou daro ne
"I don't know about that."
4
あんたらみてーに起伏に富んだ人生じゃねえから
あんたらみてーにきふくにとんだじんせいじゃねえから
antara mitee ni kifuku ni tonda jinsei ja nee kara
"My life is not full of ups and downs like all of yours."
5
「明日の実技置いてかれねーよーに」とか…そういう事でしか俺は頑張ってこなかったな
「あしたのじつぎおいてかれねーよーに」とか…そういうことでしかおれはがんばってこなかったな
「ashita no jitsugi oitekarenee yoo ni」 toka...sou iu koto de shika ore wa ganbatte konakatta na
"I had no reasons to try my best other than things like...'I don't want to be left behind at tomorrow's practicals.'"
6
それに
sore ni
"Also,"
7
今日まで大変そうだったよ
きょうまでたいへんそうだったよ
kyou made taihen sou datta yo
"until today, he seemed like he'd had it rough,"
8
かつてガンギマリだった彼は
かつてガンギマリだったかれは
katsute GANGIMARI datta kare wa
"and one time his face was so intense and distant*."
(Note: What Sero is saying here is that one time Shouto had this look on his face that is described by the Japanese slang word: gangimari. Gangimari refers to an intense, eyes-wide face that comes from a marijuana high. It also refers to a feeling of emptiness that comes with the high. If you search for images of the face, you'll see it's often a frightening look. I believe Sero here is referring to the face Shouto makes at him in their sports festival battle in chapter 34, so I believe this description is meant to refer to how Shouto was overwhelmed with anger and mentally somewhat removed from the fight itself.)
1
悲しー事なんざ
かなしーことなんざ
kanashii koto nan za
"[I think] such sad things"
2
あるよりない方が良いだろ‼︎
あるよりないほうがいいだろ‼︎
aru yori nai hou ga ii daro!!
"would be better not to have than to have!!"
3
赫灼
かくしゃく
kakushaku
Flashfire
4
熱拳
ねっけん
nekken
Fist
1
早くリカバリーガールの元へ…!
はやくリカバリーガールのもとへ…!
hayaku RIKABARII GAARU no moto e...!
Quickly, to where Recovery Girl is...!
2
婆さんも怪我人を診続けて限界だ…治癒できるかどうか…
ばあさんもけがにんをみつづけてげんかいだ…ちゆできるかどうか…
baasan mo keganin wo mitsudzukete genkai da... chiyu dekiru ka dou ka...
The old lady is at her limit as she continues to examine the injured... I wonder whether it can be healed...
3
あんたいても母さんたち熱いだけだ
あんたいてもかあさんたちあついだけだ
anta itemo kaasan-tachi atsui dake da
Even with you here, mom and the others will only be hot.
4
行きなよ
いきなよ
iki na yo
So go.
5
まだ少しでも
まだすこしでも
mada sukoshi demo
Even if it's [just] a little,
6
力が出るんなら
ちからがでるんなら
chikara ga derun nara
if you can muster [any] strength...
7
ってな!
tte na!
"That's what"!"
8
荼毘に勝ったって聞いた時ちょっと思った!
だびにかったってきいたときちょっとおもった!
Dabi ni katta tte kiita toki chotto omotta!
"When I heard you won against Dabi, I thought about that for a moment!"
9
……ありがとう…
......arigatou...
"......Thank you..."
10
戦える奴召集完了
たたかえるやつしょうしゅうかんりょう
tatakaeru yatsu shoushuu kanryou
"Recruiting of those who can fight complete."
1
ガイズ‼︎今日が分水嶺だ‼︎
ガイズ‼︎きょうがぶんすいれいだ‼︎
GAIZU!! kyou ga bunsuire da!!
"Guys! Today is a watershed [moment]!!"
2
行こう‼︎最後の大仕事だ!!!
いこう‼︎さいごのおおしごとだ!!!
ikou!! saigo no ooshigoto da!!!
"Let's go!! It's the last big job!!!"
3
手負いのヒーロー…これだけの数がいて何も感じないのは…寂しいものだな
ておいのヒーロー…これだけのかずがいてなにもかんじないのは…さびしいものだな
teoi no HIIROO...kore dake no kazu ga ite nani mo kanjinai no wa...sabishii mono da na
"Wounded heroes... With just this number of them here I don't feel anything... How lonely."
4
オールマイトに届きえぬ屑肉に
オールマイトにとどきえぬくずにくに
OORU MAITO ni todokienu kuzuniku ni
"You scraps of meat who can't match All Might,"
1
掃き掃除だ
はきそうじだ
hakisouji da
"I'll sweep and clean you up."
2
逸らせえ‼︎
そらせえ‼︎
sorasee!!
"Deflect!!"
1
速ぇ…!
はえぇ…!
haee...!
"Hurry...!"
2
一つの挙動に数十人で対処しなきゃ
ひとつのきょどうにすうじゅうにんでたいしょしなきゃ
hitotsu no kyodou ni suujuunin de taisho shinakya
"If dozens have to deal with a single action,"
3
戦いになんねえ!
たたかいになんねえ!
tatakai ni nannee!
"this won't become a battle!"
4
みんな離れないで‼︎
みんなはなれないで‼︎
minna hanarenaide!!
(literal.) "Everyone, we can't be apart!!"
(contextual.) "Everyone, we can't be scattered!!"
5
一かたまりになって戦おう!
ひとかたまりになってたたかおう!
hito katamari ni natte tatakaou!
"Let's fight as one bunch!"
6
行かなきゃーーー
いかなきゃーーー
ikanakya---
"I have to go---"
7
体が…!
からだが…!
karada ga...!
My body...!
8
戻ったのはあくまで数分
もどったのはあくまですうふん
modotta no wa akumade suufun
"Only a few minutes were returned [to you],"
9
腕を失う少し前まで…
うでをうしなうすこしまえまで…
ude wo ushinau sukoshi mae made...
"to a little bit before you lost your arms..."
10
継戦のダメージは残ったままだ
けいせんのダメージはのこったままだ
keisen no DAMEEJI wa nokotta mama da
The damage from the rest of the battle remains.
11
…どれ程長く激しい戦いを…
…どれほどながくはげしいたたかいを…
...dore hodo nagaku hageshii tatakai wo...
"...What a long and violent battle..."
12
…っ
...
"...gh!"
13
僕は…OFAをなげうちました
ぼくは…ワン・フォー・オールをなげうちました
boku wa...WAN FOO OORU wo nageuchimashita
"I...relinquished One For All."
1
ないのか⁉︎
nai no ka!?
"It's gone!?"
2
歴代の"個性"は……でも…
れきだいの"こせい"は……でも…
rekidai no "kosei" wa......demo...
"The successive generations' quirks are......but..."
3
短い時間だったけど…
みじかいじかんだったけど…
mijikai jikan datta kedo...
"[I had it for] a short time, but..."
4
"無個性"の僕に染みついてる…
"むこせい"のぼくにしみついてる…
"mukosei" no boku ni shimitsuiteru...
"it's ingrained in me [as I'm] quirkless..."
5-6
オールマイトがそうだったように
OORU MAITO ga sou datta you ni
Just like with All Might.
7
まだ残り火があります
まだのこりびがあります
mada nokoribi ga arimasu
"I still have the [lingering] embers."
1
残り火があれば…AFOあいつは…
のこりびがあれば…オール・フォー・ワンあいつは…
nokoribi ga areba...OORU FOO WAN aitsu wa...
"If I have the embers...then that All For One..."
(Note: This line is partly cut off, so I made some educated guesses.)
2
……緑谷
……みどりや
......Midoriya
"......Midoriya,"
3
傷薬と包帯あと…体を冷やしちゃいけない
きずぐすりとほうたいあと…からだをひやしちゃいけない
kizugusuri to houtai ato...karada wo hiyashicha ikenai
"After a wound salve and bandage...don't let your body relax."
4
避難先の方々からだ
ひなんさきのかたがたからだ
hinan saki no katagata kara da
"It's from the people who evacuated."
5
メンズノンノの全サ第五弾Tシャツ…!
メンズノンノのぜんサだいごだんTシャツ…!
MENZU NON NO no zen SA daigodan T SHATSU...!
"A Men's Non-No one-size-fits-all fifth edition t-shirt...!"
(Note: Men's Non-No is a men's fashion magazine.)
6
走ろう☆
はしろう☆
hashirou ☆
"Let's run ☆"
7
僕らは君の力が必要だし君も僕らの力が必要だ
ぼくらはきみのちからがひつようだしきみもぼくらのちからがひつようだ
bokura wa kimi no chikara ga hitsuyou da shi kimi mo bokura no chikara ga hitsuyou da
"We need your strength, and you also need our strength."
8
この手を握ってくれ青山くん
このてをにぎってくれあおやまくん
kono te wo nigitte kure Aoyama-kun
Please grasp my hand, Aoyama-kun.
1
頑張れ…‼︎
がんばれ…‼︎
ganbare...!!
"Do your best...!!"
2
皆
みんな
minna
"Everyone"
3
一緒に戦ってくれてるよ
いっしょにたたかってくれてるよ
issho ni tatakatte kureteru yo
"is fighting together!"
4
デクさん
DEKU-san
"Mr. Deku!"
5
緑谷兄ちゃん
みどりやにいちゃん
Midoriya-niichan
"Big Bro Midoriya!"
6
デク…!
DEKU...!
"Deku...!"
1
頑張れ
がんばれ
ganbare
Do your best!
tagline
少年は走るーーー
しょうねんははしるーーー
shounen wa hashiru---
The young man* runs---
*(Note: This word can mean "boy," but it's also the word All Might uses for Izuku that often gets translated as "young man." Both work.)
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You may oo ee oo but do you ever AA EE OO
no but I do O-oooooooooo AAAAE-A-A-I-A-U- JO-oooooooooooo AAE-O-A-A-U-U-A- E-eee-ee-eee AAAAE-A-E-I-E-A-JO-ooo-oo-oo-oo EEEEO-A-AAA-AAAA
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Uyir Ezhuthukal Learn Tamil Alphabets | அ ஆ இ ஈ உயிர் எழுத்துக்கள் #uyirezhuththukal
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Chiastic Structure of S2
The post preceding this is Chiastic Structure of S1.
S1 was neat, tidy and simple compared to S2.
S2 was...difficult. I have a feeling this is because of the missing minisodes. There felt like there were "holes" in places, where there was a strong scene with no corresponding pair, and yet in others there were single lines matching up.
You will also notice its quite...skewed? The hinging midpoint is right at the end of Ep4, which means the last two episodes mirror the preceding the four! So there are gaps. For example, the conversation in the pub in Ep2 doesn't match with anything specific.
One of the things I hoped it might shed some light on was the purpose of the trip to Edinburgh, which seems like a bit of a dead end. It does, in a way - I will discuss it a bit further below, along with some other parallels that didn't fit the structure.
A: Before the Beginning
B: Aziraphale meets Crowley
C: "How much trouble can I get into just for asking a few questions?"
D: "I'm very good at forgiveness. It's one of my favourite things."
E: Gabriel: "I love you, you're funny"
F: Argument about helping the other
G: Crowley offered Duke of Hell position
H: Crowley apologizes to Aziraphale
I: Hiding of Gabriel - 25 Lazurii miracle
J: Shax threatens Crowley
K: Jobs children are turned into geckos
M: Aziraphale's Trial by Temptation
N: Aziracrow see God talking to Job: AZIRAPHALE: I don't suppose he's getting any answers.
O: AZIRAPHALE: That sounds, um…CRAWLEY: Lonely?
P: An angel asks permission for entry to the bookshop
Q: Aziraphale makes unauthorized changes to the Bentley
R: CROWLEY: Oh, come on, Mr. Dalrymple, it's not brain surgery!
S: BARTENDER: You'll be one of those investigative reporters, no doubt?
T: Aziraphale goes back to offer assistance to Elspeth and wee Morag
U: Aziraphale stalls on saving wee Morag, says he doesn't have permission
V: The laudanum toast to wee Morag
W: AZIRAPHALE: Will you get into trouble?
X: Crowley does Operation Lovebirds - Calls tempest
Y: CROWLEY: "What are we talking about now?" GABRIEL: "Who am I? What's happened to me?"
Z: Crowley confronts Gabriel about Aziraphale - Its always too late
AA: Shax saying to Aziraphale she heard Aziracrow were an item 90 years ago
BB: Zombies kill - 1st brain eaten
CC: Crowley talks Aziraphale into performing a bigger magic act
DD: Aziracrow shake on deal to do more miracles if needed
EE: Zombies kill - 2nd Brain Eaten
FF: The Staging of the Bullet Catch
GG: Aziraphale gives permission for Furfur to enter the dressing room
HH: Furfur says to expect a legion to come for Crowley in the morning
II: Furfur's audience with the Dark Council, is treated condescendingly
● SHADES OF GREY - you said "TRUST ME."
II: Shax is stopped by Demon Josh, is treated condescendingly
HH: Shax wants a legion to storm the bookshop
GG: Beez asks if Shax has permission to enter the bookshop
FF: AZIRAPHALE: I can guarantee you it will be a night to remember!
EE: Shax wants killers, 10,000 demons
DD: Deal for Dr Who Annual with Mr Arnold
CC: AZIRAPHALE: Maggie and Nina are depending on me
BB: 70 demons and a malignant and creeping sense of unease
AA: Nina asks Crowley about how long he and Aziraphale have been together
Z: Crowley confronts Gabriel about Aziraphale - stops him before its too late
Y: Nina: "I’m going mad" - is spoken to by all the people at the Ball
X: Aziraphale does Operation Lovebirds - Maggie asks Nina to dance
W: AZIRAPHALE: I think you're overestimating how much trouble we're actually in.
V: SHAX:… they are toast. T-O-S-T E. Toast. Now!
U: Crowley stalls Shax on attacking humans, asks if she has permission
T: Crowley says he's coming back, won't leave Aziraphale on his own.
S: CROWLEY: Officer, I need to report a crime.
R: Aziraphale: It all looks so simple in Jane Austen… the brains behind the 1810 Clerkenwell diamond robbery.
Q: An unauthorized demon enters Heaven, changes
P: Maggie gives permission for the demons to enter the bookshop
O: MURIEL: It's a bit lonely.
N: Aziraphale opens the portal to Heaven: GABRIEL: I told you you could ask. However, I am the only First-Order archangel in the room, or, you know, the Universe, so I'm not gonna answer so much.
M: Gabriel's Trial
K: Gabriel puts himself into the fly
J: Aziraphale declares war on Hell
I: Reveal of Gabriel - memories restored
H: Gabriel apologizes to Beelzebub
G: Aziraphale offered Supreme Archangel position
F: Argument about helping the other
E: The Big Damn Kiss
D: "I forgive you"
C: "Always asking damn fool questions, too."
B: Aziraphale leaves Crowley
A: Beginning of the End – Learn of Second Coming
Discussion on parallels that didn't fit the structure:
1. Crowley is given permission to destroy all of Job's possessions / Gabriel refuses to give permission to destroy the Earth aka Armageddon II
There is a repeat emphasis on licenses, permits and authority throughout S2, so I really thought Crowley's permit to destroy of Job's possessions would have a match. It did, but it didn't fit the structure! If you look closely some of the other permits and authority lines do slot in. I'm planning some metas on these topics in the near future, as the use of language around these concepts is quite interesting, and there is some history to throw into the mix as well.
2. Crowley deceives the archangels with the help of an angel
This pair is a reference to Crowley and Aziraphale teaming up in the Job minisode to restore Job's children, and then Muriel aiding Crowley to sneak into Heaven. I'd just like to point out that Crowley could have gone to Heaven on his own - remember Eric went up with the hellfire in S1E6 - but he doesn't know where to go and get Gabriel's file, that is what he needs Muriel for.
3. Popping up to Edinburgh
Ah, the trip to Edinburgh! Why? WHY!!! Why go all that way for ... nothing?
Guess what - it's a parallel sequence to Crowley popping up to Heaven.
I was going to write a companion piece to this but...my to do list is getting a bit long at the moment. Let me know if you want me to expand on it.
4. Ignoring messages
So this one started as "Nina gets txt messages from Lindsay, Mrs Sandwich says not to look at them," at the start of Ep3, then during the Ball Crowley is trying to lead the humans out of the bookshop and Shax confronts him with another bundle of mail. Crowley is succeeding in ignoring his messages from Hell, but Nina isn't.
5. Muriel and The Interrupted Tea Ceremony
In S2 it noticeable that everyone except Crowley needs permission to enter the bookshop, whereas in S1 they could just walk in. Originally I made a comment elsewhere that I thought this part matched with a sub-story to the Ball, the story of Sodom and Gomorrah and hospitality to angels, but then I came back and had another look and saw that there was a surface match - but I'm still going to do another post about the "cupperty" because it keeps getting lost in all the noise!
6. Threats and Declarations of War
Shax makes a number of threats throughout the series, to hunt Crowley down and to declare war on Aziraphale. So when Aziraphale inadvertently declares war on Hell with the halo toss, you'd think there would be a matching pair. There is, but not with a declaration of war, just a threat to Crowley. This is probably one of the weaker pairs.
7. Mysteriosity, audacity, ferocity and dangerocity
The Marvelous Mr Fell and his Mysteriosity has a pair with Shax's speech to her fellow demons about the unprecedented audacity of the attack on the bookshop, and how their lack of numbers will be made up for with their ferocity and...dangerocity. It should have fit, but it didn't.
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Zenothian (fanmade planet) Letters
~ Tried to make it interesting and not just replicas of English, but the only language I know is English so I did what I good given my basic bitch status
°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°
~ Zenothe (I have more lore of it on my page) is Darcy's planet in my lore and my fanfictions, and in my Winx club rewrite is is the root language of a lot of spells, especially old ones (mainly witch magic, as Zenothe is mainly witches) and is even used in fairy spells sometimes as a word or two
~ It is a powerful language for spells, as it also has roots on the Dominian (Domino) runic alphabet that is old as hell, which is more simpler and less complex, only having the basic vowel runes (AA, EE, II, OO, UU, and the non-vowel runes)
~ It is traditionally written in the runic format in spells and rituals, though is more popular written in the English/Magixian letter format (such as in my rewrite the times it it used)
~ The runes/traditional letters are pronounced like the Magixian letters below them, though there is a clear difference between how well the words flow if you were raised on learning it or not (those on Zenothe normally learn both this and the English/Magixian language)
~ Those who are from Zenothe's words clearly audibly flow better when speaking Zenothian because the vowel sounds are especially specific and sound choppy if one is not used to it
~ For example, someone who is new to Zenothian would pronounce the AO vowel sound as eh-oh with two syllables, though someone who has known Zenothian for a long time would pronounce the latter more prominently (O, oh) with slight differences depending on weather or not it's AO, IO, etc, and more so as one sound and syllable
~ New at Zenothian: Focuses on the letters as two separate sounds (AO, eh-oh)
~ Well-versed in Zenothian: Focuses on the letters merged into one sounds and syllable (AO, oh with a quick and slight ah sounds at the beginning. Sounds more like 'ow')
~ The 'root' symbol of the A-vowel sounds is a V-shape, for the E-vowel sound it is two small horizontal lines, for the I-vowel sound it is a vertical line, O-sound a circle, and U-sound an upper-facing arch
~ The 'roots' of the consonants is a vertical line and some sort of curve(s) and/or line(s) around said line
°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°
Pronunciation:
~ The pronunciation of the consonants is the same as the English/Magixian language
~ A-vowel sounds: AA (eh), AE (eh-ee), AI (eh-eye), AO (eh-oh), AU (eh-ewe)
~ E-vowel sounds: EE (ee), EA (ee-eh), EI (ee-eye), EO (ee-oh), EU (ee-ewe)
~ I-vowel sounds: II (eye), IA (eye-eh), IE (eye-ee), IO (eye-oh), IU (eye-ewe)
~ O-vowel sounds: OO (oh), OA (oh-eh), OE (oh-ee), OI (oh-eye), OU (oh-ewe)
~ U-vowel sounds: UU (ewe), UA (ewe-eh), UE (ewe-ee), UI (ewe-eye), UO (ewe-oh)
°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°
Example:
~ The Zenothian word for home (taking inspiration from the Latin word, 'longe,' for 'far') is louui
~ This would be pronounced, for someone new to Zenothian, low-ewe-oo-i): L, OU, UI
~ But for someone who knows the language well and is used to it, the word louui would sound more so like loh-oo-eye, the OU sound being merged into one syllable and merging with the first bit of the UI sound
°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°
~ When I dug up all of this from my notebook I found a little statement in brackets of me asking myself 'what am I doing?' and I think that sums this up pretty well
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How are Palestine and Gaza pronounced? I've heard both multiple ways
Palest-ee-n vs Palest-eye-e vs Falast-ee-n
G-aa-za (like the a in father) vs G-ah-za (like the a in apple)
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edited the faker fnf sprite hes so aa ee o e o e u ehhh
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