#after I’m off

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[ibtisams]

Today, my 15 day hunger strike is officially over. The solidarity and strength I feel is incredibly powerful and overwhelming. I can’t even properly put into words how fulfilling these past 2 weeks have been. I appreciate everyone who donated to Anera in honour of my hunger strike, and my friends who participated in solidarity.

My time off tumblr was freeing, though learning of all the hate campaigns for me and my friends and now receiving conspiracy theories about the people in my life has left a bad taste in my mouth. I’m grateful to have this platform so I can do everything in my power to help Palestine, but it’s hard for me to not become angry every time I log in to this site and there is less focus on Palestine and more focus on hate. It has become obvious there are some people who follow me because they want to learn about and help Palestine, but even more people who are only here to speculate on my personal life and view me as a fictional character.

I love and appreciate the Palestinian community I have found on tumblr, but it feels like now the site has turned into all of us having to always do everything we possibly can to get people to focus on Palestine while everyone else can use our efforts for performative reasons. It is not something I want to be a part of, and it does not make me feel good. The past 15 days have given me the clarity to see all of this for what it is, and so for the time being, I am going to continue to focus on the activism I can do in person, and more selectively use this blog to bring attention to gofundmes and resources. I hope this comes across as genuine as I feel right now, and helps some of you see how exploitative this website has become for Palestinians.

[melancholyfleurs]

something so deeply erotic about laying in between someone’s legs after you’ve gone down and licking your fingers off to taste every last drop in between little kisses to their trembling thighs, hips and tummy… yeah

[ursamajori]

god i love being SOOO obnoxious about my ocs everyone should be 50% more obnoxious about their ocs right neow

[chloesimaginationthings]

Hey! I love your art ^^

Been meaning to ask, is there a reason for the slight "redesign" for game Vanessa? Or did she just feel like putting lipstick on after becoming Vanny?

The slight redesign was to differ her more from movie Vanessa

Similar to how Mike and Michael look pretty different, I wanted a similar thing for Vanessa and Vanny, she’s more or less the same but easier to immediately tell the difference

[ewwww-what]

I mean??? That’s one way to get him to stop picking on you I guess?????

[stuckinapril]

Reprogrammed my own brain by realizing that people don’t just get your devotion outright, but have to work for it. You do not go from 100 to 0 as people fault u. You go from 0 to 100 as they prove bit by bit that they are worthy of ur trust and patience. I used to be infinitely patient & understanding bc I thought that was my “gambit”—an initial investment I was hoping would beget more investment from the other party. I don’t do that shit anymore bc it has never served me once. I will show kindness and compassion to someone, but unless they prove they’re willing to put in the work to make a relationship work (platonic or romantic alike), I’m not going out of my way to emulate patience bc I’m hoping that somehow that will change them. Never ever ever. Humans almost always never work like that. They either give a fuck when they see you’re on the outs w them and change, or they don’t and you’re better off. It’s not “you’re worthy of my time until proven otherwise.” It’s “you’re not worthy of extra effort by me until proven otherwise.” And that may sound harsh but it’s healthier than the opposite approach

[electrozeistyking]

tomorrow

[turtleblogatlast]

One of the earliest examples of Leo’s “I’ll do my own thing to accomplish our goal without discussing it with my team first” is in episode one. It’s super, super quick, and ultimately inconsequential, but it subtly sets up a great precedent that I think is very interesting.

When the boys need to grab the medallion from Splinter without Splinter noticing, Raph, Mikey, and Donnie huddle together with Raph taking the lead in trying to devise a plan to get the mystic device. Meanwhile, Leo slinks away and grabs the device by clocking the situation (by knowing his father well enough to predict his actions - something he does with each family member multiple times in the series) and making a move on his own.

It works out perfectly fine, and is ultimately the best move, and it’s honestly okay that he didn’t consult everyone for something so small when it’s such a non issue to get it, but it nicely sets up how this tends to go in the series, including how it goes in the movie.

To be honest episode one is actually really good at setting up a lot of things for each character in the long run, this is just one example that caught my attention, as small and unassuming as it is.

[puppetmaster13u]

Prompt 199

“Where the fuck are my legs?” 

Danny wasn’t happy. It wasn’t funny! Usually he just had a ghost tail when flying really fast, like super speed, not all the time! It’s not funny Clockwork, you’re used to having a tail, he isn’t! 

What do you mean it’s permanent?! He needs his legs! Clockwork!! He wouldn’t have agreed to the adoption if he knew he’d lose his legs! 

…Okay, that was a lie, Clockwork was a great parent who encouraged his chaos and enjoyed screwing over assholes like the Observants. But still! He looks like some sort of snake person now! No he doesn’t want a nap, he’s not a baby! 

Clockwork, why are you being quiet? He’s not a baby! He’s not a baby, right? What do you mean all ghosts are babies until they’re a hundred years dead!? But he’s a halfa- what do you mean it takes longer for Ancients?! 

No he doesn’t want that nap, he’s having a midlife crisis here several years too early! 

[burst-of-iridescent]

seeing the same people who complained that zutara fandom adultified katara & insisted that she was just as much of a child in the show as the rest of the gaang now having a meltdown over some vague ass interviews that might imply katara is no longer taking as much of a motherly role in the live action because “it ruins her character”… funny, i thought yall said zutara shippers were just making that up?

[lnmei]

Here’s a bit of a departure from my usual art posting but I’d like to get the word out about my dear friend Edrian and his friend Angeles’s endurance performance and hunger strike for a free Palestine in Los Angeles starting today, June 17th. (More info on Edrian’s Instagram and at venerations.cargo.site)

Edrian will begin cutting out paper dolls and ribbons to reach 35,647 of each, reflecting the reported death toll of Palestinians killed by Israel’s genocide in Gaza since Oct. 7th. He will not move from the venue until he is done and do nothing aside from cutting with few exceptions made for his own physical and economic survival. In addition to that and to represent a microcosm of the suffering in Gaza and Palestine, he will be on HUNGER STRIKE until he finishes. It’s an impossible task to do alone before starving so audience participation is essential. I’m spreading the word to ask for support through participation!

You can participate in a number of ways (more detailed instructions here):

Spread the word. Word of mouth and social media sharing are crucial as this performance is being promoted pretty exclusively via word of mouth.

Donate money to Palestinian aid funds! Certain high donation amounts can help Edrian continue his endurance performance by allowing him to engage in life-giving activities like showering or socializing with a loved one, and reaching the 100k total goal allows him to end his hunger strike.

If you live in and around Los Angeles, visit the venue (800 Date Ave, Alhambra, CA 91803) There you can help him cut and show your support. ***The performance is on the second floor of the venue and there is no elevator so it is not accessible except by stairs :(

If you don’t live near LA, you can cut paper dolls and mail them to the venue address to count towards the total. (printable templates here) This is what I will be doing. It’s easy to do with any spare time you’re not using your hands. I recommend mailing them in small batches if possible to get them in on time and reduce the risk of losing mail. I also recommend including info about the count of paper dolls in each parcel (for example include a note telling the total number of paper dolls) Every small amount counts!

If you are an Art Center College of Design student or alumni, sign the petition to pressure Art Center to divest from Israel! Art Center has refused to host Edrian and Angeles for their performance, torn down their posters promoting it, and in general refused to take a stance against Israel’s genocide. As artists and human beings we must resist genocide and refuse to support institutions that side against the people.

He is also live-streaming his performance and documenting progress if you would like to show support just by being present.

If you’ve never participated in a political performance before now’s a great chance, any little bit counts! I appreciate any time or effort you take to read this, support my friends, and work towards a free Palestine! ♥️🇵🇸

[davidtennan-t]

*barking noises*

[mo-mode]

Okay so now that we have more satyr lore in the show, I’m gonna need an in-universe documentary about all of the magical creatures and monsters narrated by minor god of nature himself David Attenborough and filmed by a crew of brave satyrs but it always goes horribly wrong. every time they try to document a monster in its natural habitat, the monster’s just reading a book or like eating a churro or something until either it tries to eat the crew or a demigod child appears and then they turn into a living nightmare and David is like “oh dear” in his posh British accent and they cut to some b-roll footage of centaurs galloping or something. And then when they try to get some cute footage of magical creatures, either the satyrs almost die or there’s a tragic death of the creatures like hippocampus babies traveling in a pod with their family, but then one of them gets eaten by a sea serpent and you see a satyr wailing in the corner as we hear David say something like “oh what a shame but that’s the circle of life” and they just keep on going. the satyrs keep trying to give the animals satyr’s blessings but that’s not allowed cuz they can’t interfere like normal documentarians can’t so it’s just them trying and failing to protect the animals while the omniscient god David Attenborough keeps narrating without pause. But it’s also their duty as satyrs to preserve nature so they still need to make the best show possible

It’s a Need. I will write the script myself, okay? Don’t tempt me. Rick Riordan hire me PLEASE

[kittykatninja321]

When people say “Jason wouldn’t smoke because he died of smoke inhalation” I respectfully have to disagree, because if there’s one thing Jason is going to do he’s going to take aspects of his trauma and use them for himself and push on them like a bruise (he takes the name red hood, he uses explosives and guns, the crowbars were lame but they weren’t out of character), so I don’t think that would stop him from smoking. The way I see it I think Jason would be one of those people who occasionally smokes a cigarette when things are Particularly Bad, even though they swear they stopped smoking, like a maladaptive coping mechanism basically

[ricky-mortis]

Have some Ted doodles- as a treat.