your writing is so amazing I’m begging you to write anything for nanami
❤︎ ໋𓈒 ex husband nanami who fucks like he can’t live without you
warnings. fem! reader, ex husband nanami, mating press, breeding kink, praise kink, slight whiney nanami. mdni.
an. thank u bb!! xo i want him so bad
ex husband nanami that’s completely infatuated with you. he’s never stopped fully loving you—you probably never stopped him either. his touch against you was gentle, he’d watch as you’d try to cover your face with your hand. beneath him, nanami lets off a grunt with a idle hand pressing against your tummy.
“nono, don’t do that,” he whispers, the feeling of his wedding ring he’d never take off skims against your skin. “i wanna see my wife before she makes another mess on me.”
wife.
a term he’d always call you, despite the two of you not exactly being together. yet you’d always find yourself back in nanami’s arms, in his bed.. vice versa.
“k-kento,” you’d gasp, each thrust he creates has the bed creaking and creaking. you gawk as nanami once he grabs your hand to kiss it. twice, the softness of his lips that ran against your skin made your heart swoon. “fuck, you’re so—big.”
“perfect size for you, sweetheart,” he sighs, and he picks the position specifically just to see your face…purely to study your facial expressions, planting a plethora of kisses all over your face. “god, you don’t know how much i’ve missed you.”
he was so thick, stretching you out with such ease like an elastic band—your walls forevermore clamped against him and you bit the inside of your cheek with your eyes rolling back. “so just let me show you, sweetheart.”
as nanami maintained a thorough pace, he was visibly sweating a bit.. not much to your surprise.
beads of it ran down the side of his partly arched eyebrows, his jawline was perfectly sharp each time he clenched his jaw and it was unintentionally sexy.
“w-woman, whenever you look at me like that…” he groans.
the way your walls gripped him oh so tight, it left him speechless. nanami had your legs just dangling in the air as he’s hitting against your cunt with such sloppy erotic thrusts.
your ears ring vividly as your lip trembles in pleasure. “makes me wanna give you another baby.”
“do it then, kento.” you moaned, and for a second the two of you make direct eye contact. his heart pounds and nanami gives you a soft glance.
a sheepish grin going across his pink lips. he lets off a moan right against your ear, “…baby, i just might. ‘m so pent up ‘n full for you. should give you triplets this time. i always adored how you looked with a pretty rounded tummy.”
his brutal hits against you, the way he pivots his hips each time, you’re left with your mouth dumbly dangling open, nails carving into his skin. “oh my g-god, kento. keep hitting me right there, pleasepleaseee.”
he’s plugging into you with such soft force, your legs nearly give out. nanami’s low husky grunts against your ear makes you throb for more.
“i will,” he mutters, grabbing your hand to give it another kiss. “you’re so pretty like this. am i making you feel good? speak to me, my love.”
all that escaped from your lips was a soft, “mhm.”
“that’s all you can give me?” he teases, leaning in to plant a soft kiss near your mouth. nanami’s fingers graciously ghosts against the middle part of your neck. he swipes a thumb against it, smothering you with kisses until he left you gasping for air. his dick reached the deepest parts of you, the curve he had fully expanding into you and you’re just a whiney mess. “my wife’s never been this soft spoken.”
“i— i’m gonna cummm,” you babbled, a sensitive cluster of nerves brewing up from the inside. “kento. ‘s gonna—”
as he’s buried into you, he lets off a soft whine at the way your cunt tugged against him. the filthy wet sounds between your legs created reverberated across the room.
“look at me, look at me.” your eyes dart towards him and his smile was so warm and gentle. you feel the way every few seconds his cock was disappear inside your folds, in and out and your eyes just rolled and rolled. “you drive me insane,” he grumbles, his thrusts began to become more unkept and dirty. his fingers intertwine with yours before he whispers in a broken voice. “marry me again.”
“kento,” you moaned, and he stares deeply into your eyes, bringing a few more kisses towards the center of your mouth. you found yourself speechless, forever being coddled with his warmth from how he’s just so gentle with you. his weight gingerly hovered against you before he lets off a sigh, stroking your cheek. “re-marry?”
he lets off a grunt once he feels your droopy legs just brush all against his back. you’re constantly moving all because of him and it makes him smile. “i’d give anything just to see you in a pretty white dress a-again.”
for a split second, his words gets cut off and he laments lowly at how your pussy gripped him tightly with much needed force. “sweetheart, ‘m gonna fill you…you want that?”
“please,” you whined, practically hugging his back. this position was so lewd — nanami always expressed his love for mating press, it was so affectionate not to mention intimate. he’d always have a good enough excuse just to see your cute expressions right when you were about to orgasm.
“anything for my girl,” he murmurs into your neck, and his voice gets a bit pitchy — whiney even. forlorn and almost desperate, he was trembling on his words from how sensitive you had him, a nanami you don’t think you’ve ever experienced this version with. “so full for you,” he whispers, licking a strick up your neck before claiming your hands against with his.
you feel his ring graze against your palm as he’s quickening his pace just a tad bit. “just for you though, j-just for you.”
once nanami cums, it’s so thick. lengthy ropes spew into your cunt and your legs were left twitching, just clinging onto his waist. nanami’s softly panting against your ear, murmuring how gorgeous you were, how pretty you looked, and most importantly….how charming you’d look with your tummy plump for him again.
“come here,” you’d moan, picking up nanami’s head so he could face you directly. you’d hastily bring him into a warm kiss and he returns in, swabbing a thumb across your cheek before he groans into your mouth.
nanami’s heart raced—you were forever perfect in his eyes, each second the kiss lasted, he craved more of you. still buried inside of you, you feel his palm softly press down against your tummy and you moan. the moment he pulls away, nanami takes off his ring before placing it inside of your hand, kissing your hand afterwards.
“think about it, for me?”
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Unfortunately I came across a very strange and misinformed video about Black Butler.
It’s not good. Don’t watch it. Unless you wanna ruin your day, in which case have fun.
Despite it all, I watched it. What left me wondering, however, was how off the mark the person who made the video was on, well, everything.
From their insistence that the Book of Circus Arc theme or point is non existent, to reading Ciel’s character so badly they genuinely thought the Green Witch Arc did nothing for his character development.
While baffled, it also made me think on how someone could read Black Butler so badly.
Sure, you can say that there’s no real way to read or interpret something “in the wrong way” but interpreting The Hunger Games as a pure battle-royale action story would make you believe it’s bad.
“Why are we focusing so much on how the capitol preps them?” Or “Why isn’t Katniss winning everything?” Or “I wanna know more about the rebellion” All questions that miss the actual point of the story - which is criticizing (not solving or ignoring) the way that media distracts us from violence via spectacle.
The same thing applies here. While there is no “right” way to consume media, there’s things that the author makes clear they wanna focus when creating a story. Things that, if you understand, make the story you’re reading actually make sense.
And in Black Butler there’s three things that you have to understand to properly get what Yana is saying.
Sebastian is the protagonist
Ciel and Sebastian’s relationship IS the story.
And that relationship is, fundamentally, a positive one.
A quicker version of it would be:
Black Butler is a love story from the POV of Sebastian, and you have to ship it to get it
- but that’s not entirely true.
You can still look at it as a complex but ultimately positive rship and get in broad strokes of what it’s conveying. It doesn’t have to be romantic. Although, it helps much more than a platonic framing.
(That said, interpreting their rship as father and son, still isn’t the best way to go about it. Mostly because by its very nature of “soul consuming” their relationship is extremely sexually charged. And hey, if you’re into that I don’t judge. However, if you’re desperately trying to interpret their rship as NOT romantic to the point you fall back on heteronormative patriarchal ideals of nuclear familiar as framing device, I don’t think this interpretation bodes with you)
Now, having all that ground work:
Why do I say these are the key components to understand BB?
Okay so, first,
1. Sebastian is the Main Character. The protagonist.
There’s a lot of people who wanna argue against it, claiming he’s either the villain or the antagonist. Both wrong.
He does not function as an antagonist. Even if, and an emphasis on if, you consider Ciel to the protagonist, Sebastian isn’t a narrative antagonist.
If you wanna go back to Creative Writing 101, be my guest. An antagonist is directly defined by the protagonist. It’s the opposing force. If the protagonist wants A, the antagonist wants to stop them from getting A.
Sebastian’s catchphrase is “Yes, my Lord”. He never opposes Ciel, in fact quite the contrary. By the mere fact they’ve created contract, it means that they’ve both agreed in the inevitable outcome.
People want to frame Sebastian as the villain, because Ciel having his soul taken by a demon, would be a BAD END in the context of their moral compass. They see Ciel as a frail victim of abuse, who’s being tricked by Sebastian, who wants Ciel’s soul.
Which is an. Interpretation. A bad one. But still one.
The narrative (and whether the narrative fits your personal moral compass and lack of critical thinking is irrelevant) treats Ciel as an agent in his own destiny. The abuse he suffered was the moment in which he had no control. It’s only after he meets Sebastian that he can rid of both his guilt and his despair, and do what he wants.
In this case though, it’s revenge.
The famous “Asthma” scene shows this. If Ciel is taken back to his past, he becomes helpless. Swarmed with pain and memories that make it so that he can’t even react. Sebastian is his saving grace. If Ciel didn’t have him, and the power he wields to rebuilt what’s broken, he would crumble once more.
If Ciel has a panic attack, because of all the pain he has, Sebastian picks him up and says “you are not a helpless child anymore, you are not a victim anymore, you have the power to do anything. So, what do you wanna do?”
Ciel’s answer is to kill them.
A proper analogy would be to say that, if Sebastian offers a gun, Ciel pulls the trigger. They are both at fault. Sebastian, strictly speaking, is not here to directly cause Ciel’s downfall, but as a tool Ciel uses to plunge into the abyss.
If, again if, you were to frame Ciel as a protagonist, Sebastian falls closer to the “Voice of reason” character. Not a literal voice of reason, but a literary one. If you have a protagonist and an antagonist exchanging ideals, the Voice of Reason serves to engage with the protagonist on their own ideals.
That said, Ciel isn’t the protagonist. The story quickly falls apart if you interpret it as such.
Things such as Ciel’s character arc being…shall I say odd?
It’s not that his character arc isn’t there, but it’s never lineal. His goals stay the same, the only thing that happens is that we start to peel back the “why”s of his goals. Throughout the series it’s never about Ciel understanding himself better, he knows who he is, he knows what he wants, he knows why he wants it. He doesn’t ever need to uncover these, but simply remember them. Because it’s always about the audience understanding Ciel.
He knows he wants revenge.
In the Circus Arc: He knows that he needs Sebastian because without him, the pain of the abuse he suffered would be too much to bear. But WE are introduced to it.
In the Book of Atlantis: He knows that with this new lease he does not want happiness and peace, he wants revenge. The one being told this is the audience.
In Green Witch Arc: He knows that their revenge isn’t for his family, the real Ciel or guilt. It’s because he wants it. He’s angry, he’s upset, and this is entirely for him. The one being told this is the audience.
Except. Not really. The one either discovering or remembering these key moments - is always Sebastian.
Sebastian is the one who reassures him that he now holds the power of a demon to override the pain. Sebastian is the one who remembers that to override that pain, Ciel wants revenge. And Sebastian is the one who discovers that that revenge isn’t built out of grief or guilt, but for himself.
We are witnessing it all, through the eyes of Sebastian.
This is why we have an extremely vague idea of who Ciel is, Sebastian does not have the whole picture.
If you haven’t been reading this manga with your eyes closed, you’ll realize we have a better grasp at Sebastian’s character than that of Ciel. We get a lot of insight on how he thinks and what he values through light hearted dialogue he has with the servants. You even see the character development in these little interactions.
Think about how when he first arrived to the mansion he magically created food with no regards to taste, but when he meets Bard he states that food is created to see whoever will eat it, smile.
That is character development, more than you will be able to see from Ciel.
Because Ciel’s character, while not static, doesn’t go from point A to point B. Mostly, cause it doesn’t need to. He went through that when he lost the real Ciel and got Sebastian. Everything we are watching is the falling out.
Now, given the fact that I’ve told you that it makes more sense for Sebastian to be the protagonist/main character, and that he 100% isn’t either a villain or antagonist in ANY of the interpretations you can get:
Do you believe me?
If you don’t, you’ll probably believe Yana herself.
This is from the first Volume, where Yana herself describes the process of making Black Butler. The primary idea behind the creation of BB was a butler as a “hero”.
If you go back to the introductory chapter, you notice that Ciel is barely mentioned. He’s simply the one to give Sebastian impossible tasks and standards that Sebastian must find how to overcome.
Ciel is properly introduced until the NEXT chapter. The second chapter has this formula too, introducing Lizzie as a problem to overcome. Although, to Sebastian the best way to “get rid of the problem” is simply to indulge her.
The issue here being that the problem isn’t as simple as a business meeting but something directly tied to Ciel and Ciel’s past. Each time that Sebastian has to solve a problem, it chips away at Ciel. While with Lizzie he shows a persona, once he’s alone with Sebastian he acknowledges the toll it took on him. It serves to build Ciel as Sebastian’s master, and how some problems aren’t as simple as discarding a tablecloth.
The third and the fourth, are a unified narrative, with a similar premise to the first chapter. Ciel gets kidnapped and Sebastian must find a way to retrieve him without raising suspicions.
If the first chapter is to set up what Sebastian must do as a butler, the third and the fourth serve to set up what he must do as a demon.
The entirety of the volume, and up to Book of Circus Arc, is about how Sebastian tries to follow the increasingly absurd orders that Ciel has - it is not about Ciel trying to solve them.
That’s how they work, we follow Sebastian for the most part, because he’s the one having to come up with the solutions.
If anything, in early Kuro, where the emphasis was more on a slice of life conflict, Ciel is the antagonist. He’s the one creating problems for Sebastian to solve.
What’s more, in the second volume, the very first chapter is one from Sebastian’s POV. So far, we hadn’t gotten an entire chapter from Ciel’s POV. In fact, I would find it hard to point to a single chapter where Ciel is the POV throughout. The reveal of real Ciel and the flashback is the closest contender.
But once we move past early Kuro, and into Book of Circus, this set up changes.
It’s fairly easy to assume that Ciel is the main character, because from this point on the conflict of the plot sorta surrounded him. We spend a lot of time with him and with his story. The enemies start being people directly tied to Ciel and Ciel’s trauma. Rarely, if at all, we get to see Sebastian before he met Ciel.The framing device for the story, is Ciel.
This is where point 2 gets intertwined.
2.- Sebastian and Ciel’s relationship IS the story.
The story begins at the point where Sebastian and Ciel met. Who Ciel was before he met Sebastian, informs why he’s the way he is when he does. You have to know all he went through to understand why he’s a brat, why he lashes out. However Sebastian’s past doesn’t matter…because Sebastian himself doesn’t care much for who he was, before he was “Sebastian”. That’s also part of the narrative.
Unlike Ciel, he doesn’t seem opposed to revealing information from before the contract. He talks about how pets from where he is from are gross, he talks about how he knows how to dance because of other places he’s been to, and alludes to the life he's lived before.
Just that, to him, they're footnotes.
He makes allusions to a very bland, uninteresting life, up to the point he meets Ciel.
That’s why we don’t know more about his past.
As for why we focus on Ciel’s story…okay maybe we need Creative Writing lessons 102
I studied Dramaturgy for about 3 to 4 years. And something you notice is how play-writing is the quintessential story telling. It’s making it work with the bare bones of a story.
Some other mediums have more finesse, more depth, or more spectacle - all amazing things that work for whatever they’re created for. But understanding a play, how and why it works, helps understand the fundamentals of any derivative story telling medium.
Particularly, conflict.
Conflict is dialogue and dialogue can take many forms. A story, in its essence, is a dialogue between two opposing ideas.
Take Batman, for example, who embodies the ideas of justice and order. On his own, he’s not a well rounded character.
If you ONLY present him, in a vaccum with nothing else, you don’t have a character. You have a list of characteristics that you’re supposed to know.
You only know who he is when you have dialogue with another character.
I say Dialogue, but it doesn’t necessarily mean spoken language at one another. Dialogue can mean fist fighting, playing tabletop games, talking to other people about the other, or even just a competition. The idea is to simply to compare and contrast both ideas.
If you want an example on how tabletop games serve as dialogue, watch the video “Well, Someone Had to Explain the Liar’s Dice Scene” by Lord Ravecraft
Another example, were we to retake Batman, you have him fight Joker. Who’s the embodiment of chaos and randomness.
In the following picture, you get far more information than the one previously shown. While the Joke fights with daggers and fake guns, Batman only uses his fists. He doesn’t use the tricks that Joker does. His serious demeanor, contrasted with Joker’s glee at the dangerous situation. The fact that Batman has a deathly grip on Joker’s shirt, while the Joker doesn’t, which shows a desperation to catch him.
You are being shown, through a dialogue, who Batman is.
It’s so much easier and much more effective to explore a character through another character.
This is the reason why Shonen has a tendency to make incredibly good gay ships. If you want to explore Naruto’s personality, and his feelings of inferiority, you HAVE to have him interact with Sasuke.
If you wanna understand Hinata’s passion for volleyball, you have him enjoy himself the most with the only other crazy motherfucker who’s as obsessed with volleyball - Kageyama.
And I think that originally, Yana had this problem.
Sebastian was the protagonist, but she had little room to develop him as a character in the confines of the manor, dealing with random enemies.
She likely tried to create Grell as someone of the same stature as Sebastian. Someone who could be this other person to engage dialogue with and show or allude to his past a bit more.
The problem being that Sebastian didn’t care for his past. Or really, engaging with anyone. He sees everyone as below him, but when confronted with Grell who isn’t below him, he doesn’t wanna talk to her.
So you’re stuck in conundrum.
How do you have dialogue with a character, that as a character trait, doesn’t really wanna have dialogue?
Well, Grell also solves the problem. Because only the moment she gets him to start any semblance of a dialogue - is questioning why he’s serving Ciel.
And this is the moment when it’s perfectly cemented that the focus of the story is their relationship.
Why is Sebastian here? Why does he stay? What did he see in Ciel that made him want this extremely convoluted contract?
THATS the dialogue.
THATS the conversation we’re having in Black Butler.
We need to know Ciel because understanding who he is, let’s us know WHY /Sebastian/ is here.
Then slowly, with the introduction with the Undertaker, we find out Sebastian’s conflict.
Which is…
He’s scared of losing Ciel. It becomes apparent with the constant imagery of the Undertaker taking away Ciel and at some point even obtaining r!Ciel’s body, that he’s worried it might happen.
But he can only be worried that Ciel might be taken away if he wants to stay near Ciel.
And that’s his character arc.
Realizing that he actually likes Ciel, cares for him and the role he plays a butler that he doesn’t want this to end.
In the first chapters, he doesn’t feel a need to protect Ciel anymore than what’s strictly necessary. Just don’t die, that’s about as deep as his involvement in chapter 4 gets.
But by the Green Witch Arc, he feels a need to protect Ciel from ANY harm.
This is why I also said
3.- Their relationship is fundamentally a positive one.
In broad strokes, Sebastian to Ciel is the person who allows him to survive. He’s not worried about giving up his soul since he’s already dead. While Ciel to Sebastian, is someone who’s making him have fun. He’s slowly becoming more and more attached to Ciel and the life he has with Ciel.
Their relationship is not that of just a predator and prey, but also of master and pet.
In the terms that Black Butler itself would call: Sebastian is a wild wolf acting like a collared dog.
Ciel is aware that the wild beast will eat him at the end of the day, but if he clings hard to leash for now, he might just be able to have Sebastian maul his abusers.
Sebastian as a dog, currently finds that he enjoys being a chained dog.
(This is demonstrated in the Green Witch arc where he quite literally says, he doesn’t wanna be a wild beast and prefers to be a butler)
And much like the actual DOG Sebastian, Ciel constantly interprets his attempts to get close and protect him, as an act of aggression.
This push and pull of Ciel’s perception of Sebastian and Sebastian’s true motives is what feeds the story.
And the briefs interludes were that isn’t the case (what other people call the “plot”, but I would refer to as the connective tissue) such as Sullivan and Wolfram, the other servant’s past, the grim reapers and the like, serve as a parallel to Ciel and Sebastian relationship. Either to signify how they care for each other, highlight their weaknesses or fears, or explore how they feel.
It’s no surprise that Sullivan and Wolfram are parallels to Ciel and Sebastian. A sheltered sickly child who seeks the protection of a cold hearted machine that only knew how to kill, but who eventually found he cared for her genuinely.
Undertaker and Claudia’s relationship being heavily paralleled with them, even though we aren’t 109% sure what they had but heavily implied it was a romantic attraction from the undead supernatural creature and a Phantomhive.
Everything is a parallel.
That’s why, like the approach of the terrible original video, is flawed.
Trying to interpret Black Butler as action scene after action scene, with mystery after mystery with the only connective tissue being the mystery of who burned down the mansion - is missing the trees for the forest.
That’s not the point.
And if you’re too much of a prude to engage with gothic horror in its gothic horror game, I see little point as to why you even bother to engage with it at all.
A lot of people, including the person who create the video, simply refuse to acknowledge Black Butler IS the story of Sebastian and Ciel as a close and positive relationship, romantically and sexually charged. The reason for it being that they’re “put off” by it.
Part of me wonders how much that is genuinely true, and how much is just performative outrage. It’s like ignoring the fact that Cersei and Jami are in an incestous relationship and try to frame it as “platonic love”, because the idea of it is THAT off putting.
But regardless of that, if you don’t like the fact that it’s as canon as canon can get, I would reccomend you don’t engage with the story at all.
As I’ve explained, the entirety of the series is about them. If you refuse to see Sebastian and Ciel as, at the very least, a duo that cares deeply for the other - you aren’t reading Black Butler.
I have no idea what you’re reading.Perhaps your own biases and subconscious stigma with British aesthetic. At that point, watch the fucking British Royalty Gossip Magazine. You’d find more substance there.
Just don’t be like the person in the video, please? Don’t play dumb. Don’t ignore the fact that Yana is a Shotacon, don’t ignore the fact Sebastian is a hero, don’t ignore the fact that the entirety of the story is based on Sebastian and Ciel’s dynamic.
Because if you do, you are ashamed. You are ashamed of what this story is about. You don’t wanna engage with the text, you want to engage with yourself. You wanna project into Ciel whatever traumas and experiences you have, for the sake a vanity project, where you come out as the morally superior.
You don’t wanna talk about Black Butler, you wanna talk about how good YOU are. How you “don’t sin” by watching it “without all the gross unholy stuff”.
Which is the exact opposite of what BB is about.
So, if you don’t want to, save us all the humiliation fetish and leave.
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౨ৎ ˖ ࣪⊹ pretty angel | CHOI YEONJUN
⟢ bf!yeonjun x fem!reader
⟢ drabble; fluff, suggestive
⟢ cuddles and morning kisses are always a good start to your day, especially when it's with your cute boyfriend.
⟢ wc: 576
⟢ warnings: established relationship, physical affection, petnames; (baby, angel and princess), domestic boyfriend jjun agenda, kisses and lots of them. let me know if I've missed anything!
⟢ a/n: this is my late birthday gift to my angel, Angie ᡣ𐭩 @junniieesbby. I've been in a slump with writing recently but I really hope you enjoy this one!! getting out cute boyfriend jjunie for the dash :>
turning softly under the duvet of your bed, you're woken up by the warmth of your boyfriend's body radiating next to yours. his lips plush as he pecks at random points along your cheek, down your neck and down to your shoulders until you open your eyes, meeting into his sleepy ones, yet they twinkled as you held eye contact.
"morning cutie, slept well?" yeonjun's hoarse voice rumbles against your shoulder as his arm slings over your still figure.
you let out a hum as you stretch out your arm and letting it drape over yeonjun's broad shoulder when you bring it back down. his smile was incredibly sweet, cheek squished against the pillow and the side of your shoulder.
"I always sleep well when you're beside me, baby."
you giggle to yourself when you felt his hold on get tighter after the simple petname. yeonjun's the most affectionate between the both of you—you of course coming in a close second. but he never fails to compliment you when he feels like you need it the most, or even give you that physical affection, because truthfully it's something you both yearn for when you know you're about to spend the day together.
"aren't you cute," he tucks a stray strand of hair away from your face, cupping your cheek as his thumb caresses your skin. "you look good too."
"agh, what are you talking about." you refuse to believe him knowing just how rough you look in the mornings, but that never changed yeonjun's mind.
he shakes his head, jutting out his bottom lip into a cute pout that makes you want to kiss his lips.
"you're my pretty angel, how can you say that about yourself?" he kisses your shoulder again, this time a little slower. you can feel him dragging his lips along your skin and working his way towards the side of your neck and focusing on that area.
"mmh, you never fail to flatter me, baby." you sigh when his fingers begins to skim over your stomach, feathery touches that made you suck in lightly. "you're too good to me jjunnie."
"just giving you what you deserve, and that's all my love for you sweetheart."
yeonjun's weight on his bed shifts as he lays his body between your legs, burying his face into your neck while he pecks the area non-stop. his kisses managed to give you goosebumps, the tingling spreading across your skin. your giggles and sighs fill his ears and your boyfriend does the same. chuckling against your skin at how cute you are while you react to his kisses.
his hips however, have a mind of their own. rolling in a slow yet delicious rhythm that almost has you bucking your hips up to chase that friction you both are in dire need of.
"so good to me jjunie." you whisper again.
you circle your hands behind his neck and along his broad shoulders and under the neckline of his tank top. the heat of his skin warms up the palms of your hands until you tangle your fingers in his hair at the back of his head.
"wanna have breakfast in bed princess?" he lifts his head as his half lidded eyes look down at you with a cocky grin on display.
you gasp at the feeling of his gentle fingers hooking on the waistband of your shorts, pushing them down until your bare ass hit the sheets beneath you.
"sounds perfect to me."
© BOBA-BEOM ; all rights reserved. do not repost, copy, alter or translate in any way or platform.
taglist: @bb-eilish @ericyjun @ericyjun @luvsoobs @yeonyeonyeonjun @junniieesbby @kyrkitten @day6andetcetera @dainsleif-when-playable @txt-yaomi @soobinsman @choiwrld @ahnneyong @wccycc @lizdevorak @fairybin @Laylasbunbunny @acaiasahi @itaehynz @cha0thicpisces @fairybinie @yunkiwii @prodsh00ky @aprilisque @ja4hyvn @https-yeonjun @lovejoshua @seolis-world @jak-ey @smutnoullitheorem @my313
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OMG Im begging you to write about "You and your friend teasing Rafe in the back of the car on the drive home from the bar" got me feral
Hehhehe 🤭🤭🤭🤭 gahhh here’s a little more on that for you bb. Thank you for your ask 😘
+18
Minor DNI
Cali grabs the back of your neck, pulling away from your kiss, smiling against your lips. "Fuck, Rafey. Your girl’s so sweet," she whispers, her voice hoarse from a night of partying. You brush the straps of your dress off your shoulders, quickly unclasping your bra while Cali works on hers. Your boobs bounce free, making her giggle, her hands instantly draw to your tits.
Topper glances in the rearview mirror and lets out a gasp. His mouth falls open, unsure of how to feel. "Yo, what the fuck is happening back there-" The car swerves as Rafe shoves him from the side, shushing him.
“Shut the fuck up, man. Let the ladies play. Aight?” He brushes off Rafe, turning his focus to the back.
“Cali. Baby… Don’t think we could’a talked about this before?” he whines.
“If I gotta tell you to shut up again, I’m kickin’ your ass. Plain and simple. They’re just kissin’, Top.”
"You're a lucky man, Rafe.” Cali coos, dismissing her boyfriend completely.
“I know. She’s perfect,” Rafe sighs as he cranks his neck to get a better look. His light blue eyes hanging low - drunk, high, and horny; just seconds away from crawling into the back seat himself. "Just pretend like we’re not here. Wanna watch you eat her pussy-”
“Jesus fuck!” Topper scolds. “Enough.”
“What, man?” Rafe asks through a taunting laugh. “You’re not enjoyin’ this.
“I mean… I am but I’m fuckin’ drivin’. I’m gonna kill us all.”
“Yeah - yeah. Don’t do that. I’d miss this,” Rafe grins smugly as he digs in his pocket. “Don’t worry, brother. I’ll record it. Topper narrows his eyes on Rafe, making Rafe roll his away. You a virgin or somethin’ Thornton. Why are you actin’ like such a pussy. Don’t you and Cals fuck?”
“We fuck. A lot. Okay?” Topper scoffs as he tightens his grip on the wheel.
“Then stop bein’ a bitch.”
“Yeah. Stop bein’ a bitch, baby,” Cali teases before deepening your kiss. Your tongue rolls with hers tasting the sweetness of her lipgloss and the liquor lingering on her lips from the bar.
“Fuck, baby. Keep goin’,” Rafe pleads. “Don’t stop.”
She works lower, kissing down your neck as Rafe adjusts himself. His long, thick dick pressed against his jeans. Cali wraps her lips around your nipple, massaging and pressing your breasts together. Your moans fill the small car, making Rafe groan longingly. You lay back on the seat slightly, propping yourself up on your elbows. Her fingers draw up your skin, setting your body ablaze as they drift between your thighs.
"Can't imagine how wet you are, princess," Rafe mumbles. Cali pulls off your panties, handing them to Rafe. “Fuckk.” He hums as he rubs his rough thumb along the wet lace, getting his answer. She grabs your legs, spreading you open further, pressing your body into the leather seats. "Prettiest pussy I've ever seen. What about you, Cali?" Rafe brags as he points his phone at you.
"Everything about her is pretty Rafe..." She sighs. Cali dips her small fingers between your folds, spreading your slick, extending a hand to him. Rafe looks at you, getting the go-ahead from you before sucking her fingers clean.
“Mmm… mhmm. That’s my baby,” he lives as he tucks your panties in his pocket. "Dirty fuckin' girls.” Cali slaps your thigh, making you squeal and Rafe groan. She leans in, lapping at your cunt, making you throw your head back. "That’s right… suck her fuckin’ pussy, Cals. Shittt. You two are gonna kill me," he mumbles as Cali sucks down on your clit. “Let me come back there, princess,” Rafe smiles. You shake your head ‘no’, biting your bottom lip as your breathing quickens. “Just a little tease. Aren’t you, baby girl.”
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