#all im gonna do is end up making myself miserable

[foxtriestobiteandmaimandkilland]

I hate it when my parents try to defend our country n its history by saying theres been times we didnt colonize the world and fuck over everyones lives and try to kill minorities and hate the poor and just absolutely be full of fucking evil. Like yes rn is worse than other times but times before now have been pretty fuckig shit and i dont think trying to defend puritand is getting u anywhere

[kohakhearts]

theres a really. special kind of despair in the uncertainty brought about by moments of success and achievement. the inevitable “what now” of reaching your goals. and i kind of wish someone had warned me how hollow graduating university would feel, tbh

[puppmeo]

And the cycle begins anew . As it does every week

[grimandghoulish]

.

[bungusofficial]

mutual how are you so good at getting into arguments with people who agree with you

probably bc i only respond to people who cant write or read

"rape play can be consented to" and "rape can be consented to" are VERY different sentences. n like honestly i shouldnt even have bothered.

if you have such a fundamental misunderstanding of the english language i wont waste my time trying to communicate with you. when every word means something different its not really english anymore is it. if everything u say is so divorced from the english language that i need to ask you to repeat and translate everything i dont think im at fault here

i might just cut contact w anyone in the community because everything i say is misunderstood and misrepresented and not taken seriously if im not sucking up to people.

and so many words have new double-meanings and im led to think i disagree with ppl because theyre fucking incapable of writing a coherent sentence. and then its my fault somehow.

and its not like 'transid' or paraphilia dont exist outside of the radqueer community. everyone wants to change things about themselves. everyone changes. people are into weird shit and have mental disorders. i dont have a problem with peoples experiences.

n if rqs put any effort into what they say (or even didnt blame me for assuming that a word doesnt have any new secret meaning) id treat it the same as the mogai or liom community. whatever. kinda fun. sometimes theres a relatable label

.delete later

[toastsnaffler]

feeling better this morning not in a sense that the issue has gone away but I'm deciding not to focus on the shit that's out of my control and problem solve for the shit that's within my control. even if it sucks and its hard I can't live my life feeling like this so often man

[kuiinncedes]

Friendly message to say sometimes it feels like you're the only one going through those hardship of speaking your mind but I promise you aren't. You should not be beating yourself up about it. Communication can be so hard and pressurized

<3333333333333

ur gonna make me cry again and this time my roommate is actually here lmfao

[love-belle]

you're the best in my life and i lost you !!!

*ੈ✩‧₊˚ in which they truly are the best in each other's lives but they lost them.

or

for when you finally get to know that maybe it is unrequited. ˚ ༘♡ ⋆｡˚

social media au // charles leclerc x fem!reader

prequel - i'd never walk cornelia street sign ⋆·˚ ༘ *

warnings - language

author's note - finally here!!!!! i REALLLLLLY hope u like it !!! i have so much planned for this week and i hope i can show u all of it soon !!! thank u so much for reading i love you <3

tagged - @willowpains @lexxlouuu @topaz125 @leclercloml @sophiaasf @slut4peterparker @crlsummer @ananyasr1bughead @official-chicken-little @jspitwall @lovely-blackinnon

≡;- ꒰ °instagram ꒱

liked by lewishamilton, carmenmmundt, lilymhe and 3,927,588 others

yourusername my sophomore album "good riddance" is finally here and i'm soooo excited for u all to hear little pieces of my heart sewn together. every single syllable is what i feel and what i have been feeling. we all have that one person that we absolutely refuse to talk about so just like that, i ended up writing a whole album instead. thank you sooo much for supporting me, i love you all forever. and to the inspiration behind this, thank you. you were good to me. you're the best i've ever had.

19,628 comments

username SCREECHING WHAT THE FUCK

username oh my god

username now im half of myself here without you?????? you're the best in my life and i lost you????? and we had no control when it fell through???? it was one sided hate how i hurt you?????

-> username WHERE DO WE GO NOW

username i 😭 know 😭 i 😭 know 😭 better 😭 you're 😭 no 😭 guarantee 😭

username I ALMOST LOST IT I'LL HEAL EVENTUALLY BUT FASTER WHEN UR NEXT TO ME NEXT TO ME

-> username IM CODEPENDENT BUT TRYING HARD NOT TO BE IM BETTER WHEN UR NEXT TO ME

username why the FUCK aren't people talking about the blue and how it's literally her and charles???

-> username "you came out of the blue like that i never could've seen you coming i think you're everything i wanted" NAHHH FRRRRR

username there was absolutely NO NEED to break my heart like this

username charles is probably tearing up rn likeeee

-> username bro's hiding in a corner bc i KNOW lily is out for blood today

danielricciardo cool album

-> yourusername thank u i wrote it myself!!!!!!

-> username as if daniel's stories aren't js him crying and singing along the whole album 😭😭😭

username "i know it won't work" had NO business ruining me like that when i know damn well i haven't even held hands with someone

username THE VOICE MESSAGE IN THE INTERLUDE OMGKMGKMGKGSJJAJS

-> username i bet you my first born that it's CHARLES

-> username lost it when it was cut from charles' message (yes it was charles and yes it broke my heart) to y/n's like THERE WAS NO NEED TO HURT ME LIKE THAT

username i wish for pain and im glad we only live once bc this woman WILL find more creative ways to hurt us with her amazing songwriting and vocal skills

lilymhe LOVE LOVE LOVE LOVEEEEE

-> yourusername I LOVE YOUUUUU

lilymhe SO SO SO GOOD AHHHSJSJSJS

-> yourusername STOP TYSM IM GONNA CRY

lilymhe the only album to ever exist btw

-> yourusername ur the 1 for me ❤️

username still not over two people like what do u MEAN "hate how we touched just to push things aside. when u take me for granted i make it alright"

username she's never attaining peace for releasing this and ruining my nights

username OH I KNOW SPIRALLING IS MISERABLE I SHOULD PROBABLY GO BACK HOME WHY DOES THAT FEEL DIFFICULT DIFFICULT

carmenmmundt still crying

-> yourusername same 😭😭😭

carmenmmundt george wants to comment but he can't see through his tears

-> yourusername PLEASE OMG

username "and to the inspiration behind this, thank you. you were good to me. you're the best i've ever had." DO U WANT ME TO CRY

username charles i am in ur walls

username i will never understand how she wrote "it's nice to have a friend" for charles and now she wrote "two people" like how did THAT transition happen

-> username the worst transition ever btw

landonorris thid is si good anf im cryjng so harf whay thr fucj

-> yourusername lando deep breaths

-> landonorris DINT TELL MR TI TAKR DEEP BRESTGS I SWRAR

-> yourusername wow

-> username i identify so much with lando it's INSANE

username somewhere in monaco pascale leclerc is listening to this album and it's a good day ❤️

-> username bet u literally my bank account the entire leclerc household is BLASTING this

carla.brocker words cannot explain how proud i am 🩷🩷🩷 i love you so much big sis

-> yourusername carlaaaaa 🫶🏼🫶🏼🫶🏼 u own my heart i LOVEEEE you

-> username this made me tear up whatcthebfuck

username no bc i KNOW charles heard "will u cry" and CRIED like that man is not strong enough to bear that

-> username no bc "u don't move me???? i see through u????? i don't follow???? i don't want to?????"

-> username that man is in SHAMBLES about this rn

username GOOD RIDDANCE TOUR WHEN

username this will be my personality for years to come

lorenzotl proud of you y/n/n 🤍

-> yourusername i love u charlotte's bf thank u

username cannot breathe bc "it's almost like you like to let me down" and "i hate the fact that i miss u around"

≡;- ꒰ °twitter꒱

≡;- ꒰ °instagram ꒱

liked by yourusername, landonorris, danielricciardo and 2,672,882 others

charles_leclerc so proud of you. seeing you live your dream is the best feeling ever and i hope you get to see the world just like we talked about. things aren't the same but my support for you will always be unwavering. this is what you were made for and i couldn't be more happy 🤍

tagged yourusername

16,628 comments

username what the actual fuck

username WHAT THE ACTUAL FUCK

username stfu this isn't DONE like u CAN'T do this

username "things aren't the same but my support for you will always be unwavering" WHAT IF I CRY

username so u mean to tell me that he went to her show after MONTHS even when they're not together just to support her???? bc he wants her to see the world even if things aren't the same????? what the fuck

username i did NOT need this at 7am in the morning come back later

username babe wake up new y/ncharles lore js dropped

danielricciardo amazing show!! aren't you glad i dragged you there?

-> charles_leclerc i literally booked the tickets myself what are you on about?

-> danielricciardo let me have this one mate

username last night was UNREAL bc wdym y/n's ex fiancé was there and wdym she sang full machine and the blue for him and wdym he came on stage and spoke so fondly about her and WDYM MAX VERSTAPPEN AND LANDO NORRIS THREW WATER AT THE AUDIENCE JS FOR THE HELL OF IT

username this is my roman empire

username i know he was dying inside like

username imagine fumbling a bad bitch like y/n couldn't be me LMFAOOOO

username y'all brutal in the comments let my man grovel in peace

landonorris nice caption. now say i love you.

-> charles_leclerc i love you lando

-> landonorris not to ME to HER (i love you too 😘😘😘🥰🥰🥰😍😍😍)

-> charles_leclerc oh (no)

username SCREAMING DANIEL SNATCHING Y/N'S MIC FROM HER AND SINGING HIS FAV SONG FROM THE ALBUM

-> username THEY'RE SO UNSERIOUS 😭😭😭

username this caption will haunt me in my dreams

username is it js me or did her voice crack when she said "now i know it's unrequited"

-> username NO BC I FR THOUGHT THAT IT WAS JS ME

-> username she genuinely looked on the verge of tears throughout "405" like

-> username imagine being y/n and singing the most heartbreaking song ever about ur ex IN FRONT OF UR EX

username no bc this feels like a confirmation that they'll never be together guys why does this feel so final i want my parents back.

username SCREAMING WHATHEBRCUKXKSKA

carlossainz55 surreal night. loved seeing you lose your cool every time she was nearing your side of the stage

-> charles_leclerc just because we can speak doesn't mean we should

username the camera switching from y/n to charles when she sang "i know it won't work" was so me like the camera person is messy js like me fr

username genuinely in ruins on my bedroom floor rn y/ncharles nation we LOST

username no bc i CANNOT enter their friendship era ever again after seeing what i have seen for the past few years

-> username fr like people don't GET IT!!!! they were supposed to get MARRIED

username forever crying bc of them 💔💔💔

yourusername forever grateful for u!!!! thank u so much 🫶🏼

*liked by charles_leclerc*

yourusername u deserve the world

*liked by charles_leclerc*

username charles replying to everyone but y/n on the post HE made for HER makes me so idk like it's weird

username no bc why do i have the feeling that y/n and charles are NOT good and this is js something done for "damage control" or wtv

username im.

[satcrvz]

no think.. just video games w megumi :p

also im so guilty. brothers bsf trope RUNS my mind.. i haven’t like actually written in a hot minute so not too much guys… would you believe me that i had this idea for hanma about a year ago?

cw: gn!reader but you dance as the girl in promiscuous, you're yuujis sibling, teenie make out but not really? it doesn't happen lol

"wait megs we should play just dance" you say all while you try to plug the hdmi cord in, but continuously fail miserably.

he speaks up, half excuse, half truth, "i'm not uh, a big dancer"

"it'll be fun!" suddenly you feel megumi come in beside you, practically nudging you out the way to hook up the console himself. you stand there with crossed arms with an eyebrow cocked waiting for him to turn back towards you. "you know i could've done that myself?" there's a hint of sass in your voice.

"clearly not", it comes out as a breathy laugh, an obvious smirk of amusement planted on his face

"okay fushiguro whatever. . don't say anything if the controller coincidentally flies straight out my hand into your head"

"hey are you gonna kill me if i put on promiscuous..?" your legs are pointed towards the tv but your torso is turned to face megumi, on your right.

he sets the controller down and rolls up his sleeves, "i wont. but if you ever suggest a horrible song, i might"

"fair enough!"

the song begins, and megumi has an obviously late start, considering hes never played this song on the game before.

"baby you're gonna fucking hit me slide behind me instead of front next time" there's another smirk on his face, part of him is focused on the dance and the other half is fawning over how serious you're almost taking this. obviously you two aren't the best dancers, but hey its fun right?

eventually the song gets near the end and both of you just kinda zone out at the end giving each other an there's no way we're doing that look.

"so!" you clap your hands together holding them in one spot "what'd you think?" you take the pause before his answer to really admire his features, his hair was slightly disheveled with little hairs sticking to his forehead.

"it was.. fun. i actually enjoyed it, unlike the other times yuuji and nobara put on rasputin. and i like spending time with you." his words really made you realize how close you were to him. how close had i really gotten to him since the song ended?

suddenly you both find your hands around each other, his resting on your waist and yours around his neck. its like you guys were — no somethings not right… my yuuji senses are tingling..

"you played without me???!" yuuji practically bursts into the living room screaming. "wait. don't tell me you guys were about to make out." he brings his left hand up to run down the side of his face. during his outburst you and megumi had pretty much moved half an arms length away from each other, both of you clearly embarrassed by your brothers entrance.

"seriously do not tell me. im going to leave for like, 5 minutes and pretend this didnt happen." he continues, "fushiguro, sleep with one eye open dude"

after yuuji leaves the two of you can't help but burst out laughing. next time, you'll be sure not to let yuuji catch you playing just dance without him, or let him catch you about to make out with his best friend, technically, your boyfriend.

[dr-spectre]

I saw your most recent post and noticed you somewhat said (kind of idk I don’t know how else to phrase it) you were on team present! Do you have any specific reason or just joining for funsies

I've explained my reasoning for joining team present in the past but you know what? I'll explain it again for you.

When I think back to moments on when I'm truly happy, it's always when I'm in the present. When I'm just thinking about the here and now. Thinking about "what do I wanna do today?" When I think of the past, it often makes me feel sad because... those feelings are gone... the places I used to go all the time... are gone... and that... stings. It really REALLY STINGS!

When I think of the future, it makes me feel scared and worried. I think, "will I be successful? Will the choices that im doing now will send me down a bad path filled with regret? Will I find a girlfriend? Will I be able to start a family?" In the past where I got sucked up into the """productivity""" advice youtube pipeline, it made me feel fucking miserable and awful. That I wasn't some robot, that I wasn't disciplined, that I didn't "work hard" and that "if you don't work hard now you'll regret it in the future!! You could be great!"

But then I realised something... the future doesn't fucking exist yet. There is no predetermined path. This ain't no fucking RPG where you choose the good or bad ending.

Life is chaos. Life is pure mayhem. Even if you work hard, your life could still be god awful. So what if I wanna relax today? I aint gonna end up broke, dying on the street in the future. I CAN DO WHATEVER I WANT!! BEING IN THE PRESENT MEANS FREE WILL!!! ITS REAL!!! YOU CAN FEEL IT!! YOU CAN EXPERIENCE IT!!!

I now live life by one quote... one phrase...

I CAN DO WHAT I SO PLEASE! I HAVE CONTROL!

I dont pick teams based on which Idols are in them, I pick them based on my own beliefs as a human being. I hate getting into Idol wars because it's so fucking stupid. DO Y'ALL REMEMBER WHAT HAPPENED LAST TIME WE GOT INTO AN IDOL WAR?!?

We got a whole fucking hero mode based on that idea. The idea that we should NOT do those sorts of things. That we should not fight. But come together instead. To celebrate what we have. To create more memories together. Because that will make us happy.

You paint the world and I will play my melodies...

I will not choose team past because Callie is in it.

I will not choose team future because Frye is in it.

I am choosing team present because that is what I truly believe in.

Plus. I'm a Splatoon 2 baby. Without that game, I would not be where am I today. I would not have the chance to voice my opinion to hundreds of people. To express myself and feel heard and seen for the first fucking time in my life.

I feel like I owe something back to that game and I will do so by picking team present, aka....

Off the Hook.

[femboty2k]

WOAGH I got tagged by @elliegoose to do a thingy!

now the tag game was to introduce yourself with:

one tv show

one movie

one album

one video game

I, however, liked that they did two and I am ALSO cute and get to do whatever I want so im gonna do two, too.

TV shows: The Venture Bros. and Hilda

talk about opposite ends of the spectrum, eh? Now Venture Bros. will always come with an asterisk, that being that it's an Adult Swim show that was created in the early 2000s by two white guys. Its comedy, especially in earlier seasons, can be unsavory. I'm a big believer in things being imperfect though. Not every show can live up to every standard, and sometimes you just need to roll your eyes at jokes that were made 10-20 years ago. If you can get past that what you get is an excellent and genuinely fun world full of Spyfi and Superhero parodies with a good story to boot.

Hilda, on the other hand, is a show for younger audiences based on a kids book series that largely has to do with various pieces of Scandinavian folklore. I've watched Hilda all the way through twice, once on my own as it was coming out and then once with my wife, and its just so so so lovely. The colour tones of red blue yellow and white, the delightful music, the adorable cast of characters and creatures, its such a good time. One of the best cozy up and just vibe it out shows imo. In my top 5 for sure.

Movies: Everything, Everywhere, All at once and Wolf Children.

What hasn't been said about EEAAO? It won awards that it damn well deserved, its got a perfect cast, it makes me cry every time I watch it. A compelling story about family and change, and the monumental difficulties that can come with them, as well as how different people survive hardships in their life, all wrapped up in the most batshit thing you've ever seen. Clair De Lune, THE SONG I GOT MY NAME FROM, is the main theme and it makes me tear up every time. In every universe, I would love to do laundry and taxes with you, and watch this movie.

Wolf Children isn't far off from that vein. I consider it to be Studio Chizu's magnum opus and I don't say that lightly. From the presentation and voice cast to the music and gorgeous art used in the movie, not even to MENTION how good the story about family, change, growing up, and letting go is, if you don't cry in the first 30 mins you should evaluate your emotional status. This movie means so much to me, its such a gorgeous story, and more people should know about it. Studio Chizu doesn't have a single miss in my opinion, just lesser and greater movies. Wolf Children is hands down the greatest.

Albums: Get Lonely by The Mountain Goats and No Dogs Allowed by Sidney Gish

What??? Clair's top two isn't DnB or something techno related???? Nah dog, I get sad a lot and have a thing for poetry. Get lonely was an album I listened to in some of the worst years of my adult life. I was 20 living with my family who made me miserable in a state that was (and still is) trying to get rid of people like me, and I had very little things that were mine. Walking around downtown Bartow, Florida, in the two weeks of winter that hell state gets while listening to John Darniel sing about soft agonies while watching my breath dissipate into the air? That was mine, and it always will be. TMG in general is I think my favourite band. The poetry on display in every one of their songs is just, too beautiful for my dumb ass to put in any meaningful way.

No Dogs Allowed was an album I listened to while working a midnight shift job I hated while also living with my family. Its an upbeat, quirky, kind of melancholy romp with songs that bring me back to driving from Bartow to Lakeland hoping I could stop myself from either killing myself or fucking up my friendships, whichever came first. Spoiler alert, I'm still alive. It also reminds me of the last big thing I ever did with my sibling before I left Florida for good, which was go to the Tampa Bay Aquarium with them. Several songs from the album were on the playlist I made for us, and hearing them always makes me want to shoot them a message to see if they're doing okay.

Video Games: Night in the woods and Final Fantasy XIV Online

Night in the woods is very, very near and dear to my heart. I honestly don't know what to say. If you've played it you know how good it is. How well written the story of Mae and her mental health crisis is. How it goes over things like poverty and trying to get by/make a better life. Family struggles that they don't talk to you about, small hometown decay that seeps into your every memory until the place you grew up in looks like a collection of distorted rotting shapes. I play it once a year in the fall, and each time I do its like seeing an old friend again. At the end of everything, hold onto everything.

Final Fantasy XIV Online is a game you can play with your friends. I could go on and on and on about how I have 1300 hours in this game and how I met some good friends on it, and how important it is to me as a piece of writing and a community and an experience. But we'd be here all day. FFXIV was there for me in some very tough times. I met new people, I grew distant from others, I have regrets and joys that I still carry with me. If you can get into it with the right people, the game really is something special. Its something to be shared, its a bustling community with all the edges that come with that, its a world where you can be a 7ft. tall elf with green eyes and white hair, and its a part of me.

As for who I wanna tag: @problematicmilf , @ninefoldrin , @baphomets-hairy-bonkhonagahoogs , @mobileleprechaun , and anyone who sees this and wants to do it too. This was fun! Hope I don't seem too lame lol.

[peachesofteal]

with all these asks im resigning myself more and more to the bittersweet ending of them not getting back together but it being for the benefit of them all 😭

they obviously love eachother so much but for several chapters there’s this idea that’s been floating in the back of my head haunting me lol. idk when it’s mentioned, but you said in an ask that ‘simon’s job when he’s home is just darling’ in that he shoulders taking care of her. which is so lovely and when she isn’t doing well it seems necessary, BUT i feel like its cruel long term. he almost sets her up to fail (not on purpose) bc he gives her all of the support and attention he can and then he goes basically no contact for an indeterminate amount of time in a very dangerous environment where he can’t guarantee he’ll ever come home, and when she falters without the crutch, he gets home and has to do so much legwork just for her to get back to “baseline”. and this repeats over and over and she never gets the opportunity to really take control of her own health and wellness.

i can’t see it working longterm if one or both of the boys stays on fieldwork, but i feel like simon talking to price was about getting to him to switch to deskwork but the Hand of Author God makes me feel like him switching wouldn’t have worked if bringing it up for the first time made everything so fucked up like this lmao. like, for this whole blowup to happen because she never let him finish his sentence to say “i’m switching off fieldwork” seems like too much of a consequence for it to be the ONLY problem with the plan

him being on deskwork fixes the on-off support with darling, but he’d probably be miserable and then johnny would be alone in the field without his support. and the 141 would be definitely kneecapped if half their team transitioned to deskwork, and i feel like there’s too much camaraderie for them to leave Price and Gaz high and dry like that

i think it’ll end up happy but not in the way that erases all of the issues that have been building. which sucks. but is very empowering to darling, to potentially see her get out of the cycle of hurt that honestly hurts MORE since it comes from such pure intentions. she loves her boys and they love her but it’s so hard on them all :’)))) maybe a few years down the line when she’s more solid and self-sufficient she could withstand the downsides of their job better, and maybe by then they’d be semi retired from age or injury anyways, but idk. then it starts to become simple math HAHAHA

id love for u to prove me entirely wrong and be like no actually the power of love fixes it all, they all get happy and pseudo married or whatever and no one is sad ever again but i feel like you’re not gonna do that lmfao

anyways hugs and kisses for this story its eating me alive HAHAHA

All I will say is happy endings are ✨ subjective ✨ but don’t resign yourself to anything, just wait and see 🖤

[nekonyaniii]

Some thoughts about yexuan with his return to godheim i need to get out this from my head + this is my take and dont come at me also cmiiw!! 😭... spoiler, do not look(read by your own risk also it's so long goodbye)

i was rereading return to godheim yexuan like 88671992974 times ady and I just can't help myself to cry about it everytime I read it.. I really should .. stop .. but I can't LMAO I need to seek theraphy(asmr bday save me pls I just wanna think about 1:30mins make out)

Oh god .., Silver Knight, what have they done to you that make your fate is so harsh in Godheim/Yesai Timeline? Everytime I think about how miserable his fate in there I just can't help myself but get hurted

His explaination is firm but his voice naturally softened when he spoke about her, even Hammel is suprised hearing soft voice. And the more I think, his soft voice is because how he actually care so much about her, likes her from long ago, since his youngself when they meet as a teenagers, he just doesn't realize and can't remember anything(due empire erase his memory) so the only thing in his mind about lilpainter is his senior's daughter but deep down he knows her more than this

After repeating so many cycle of her deaths, he become anxious and hesitates because whenever she is passing away, she affecting his emotions. Hammel noticed and speaks up how this girl hold special place in his heart, he sighs and admit it that he is worried about her!!😭 This cycle is really cruel for him, he see her passing away many TIMES in his own hands how can it not make you anxious? How can he calm after repeating so many little painter's death before his eyes ?

Then he did manage to get out without any scratches left in her body, but soon the poison affect her body and the way he realize it make me so broke. Like .., He finally did it! Without a scracth??! Rescuing her from there! Can you imagine how glad he is when he thought he is finally rescuing her without her dying in his own hand. But as soon as he realize she got poisoned that delay her death, he cannot express how he's feeling, he thought he did it, he thought now can feel in ease after see her stay alive getting out from there.. he burried his face on her knees regretting his mistakes and hiding his emotions knowing that she soon will die again before his eyes, in his arms again, he must prepare for it..

This cycle is one of the hell for him, she confessed to him that lilpainter like him but he cannot return his feelings due it's heavy for him, he cannot spoke it so easily nor because she almost near her death, but because he is gonna be the one who only carries the memories and feelings alone knowing little painter will soon forget it after the new cycle start. His feeling is mixed, he doesn't look forward to see tomorrow knowing she would leave and the cyle will restart.

Now this, make me more depressed about this man. The only person he cherised is little painter and the only person he cares is her. And what if she didn't choose him after that cycle and timeloop. He will the one who bear all those bitter memories alone remembering how she said she likes him while she doesn't remember anything what she said before. Yexuan cannot avoid it, he have to witness everything about her in Yesai timeline(this is so cruel how they write 'destined' which he cannot escape from it ..), he can only watch from afar and guide her also protect her. He always have a soft spot for her but he always push it away that thoughts because he told to himself it's just a unecessary feelings that will hinder him.. There's so many things I want to explain more.. but Silver Knight fate, is really one of a cheff kiss piece. The good thing in this card is because how the ending they ended up together!! Im so happy for them! They also blessed by the goddess! After so many cycle, after so many timeloop and possibilities.. He happy together..🥹 Definetely why this is now my favorite card 😭 I NEED THIS STORIES RELEASED IN GLOBAL ASAP!!

Also i still love how he said this with a smile on his face, he is so hurted but he have to face it eventually.. Damn it yexuan, thank you for making me mentally ill(i got the ss from bilibili o<-<) hahaha

[ofmdee]

😵

been having some thinky thoughts today, and for a while, rly, abt my Feelings abt breathing underwater and i tried to type something up on twitter but that jsut was not letting me think my thoughts correctly

i love BU........... so goddamn much. it started out as nothing more than a silly idea abt little mermaid ed meeting stede and kind of ballooned into what ive built it up into today. it's so important to me... but it's making me a little miserable right now?

miserable because i dont want to work on it, but i WANT TO want to work on it, i want to tell this story and read the finished product, ive got so many ideas, but i just. cannot get myself to do the actual WORK of making sentences and then staging all the pics........... what used to be a fun little pastime now feels like a chore, an obligation, a compulsion almost. it sucks, but it sucks more NOT doing it, you know what i mean? idk.

i know ive built it up into this big THING to myself, like... idk, i do this so often, i have big ideas and love to plan and organize them and then i get going with such intensity until i abruptly fizzle out. i start things and dont finish them, and i guess i just rly dont want this to be another thing that gets thrown on my unfinished projects pile :/

i have the next 2 parts drafted, but every time i go back to poke at them and edit them i just get so disheartened because it's obvious that my heart wasn't really in writing them, and it's difficult to salvage a rough draft like that. part of me wants to just delete those parts entirely and say fuck it im taking an indefinite hiatus, and i will start fresh when this is fun again! which would probably be the best thing, actually, but... i am reluctant to do that, because i just dont have anything else to rly fill my time rn.

i havent been getting a lot of joy out of... anything, rly, for a long time now, im so bored and apathetic and even my normal go to things arent cutting it anymore. and idk if it's a depression thing or if im truly outgrowing some interests, but either way i know i need to get more Things in my life somehow, because writing and sims are my two biggest pastimes, and then i combined them, and then i got sick of both so ive got so little to go on! so i keep poking at the things that i used to love, hoping to find that spark again 😪 i love these little guys and their little world!!! and it makes me sad that im not actually having Fun with the PROCESS.

it doesn't help that i am constantly torn between man i wish more ppl read my fic!!! i work so hard on it!! and man i never want anyone to perceive me or my writing ever it's so amateur!! idk what i want and idk what i want to DO about it!!

so, idk!! idk where this is all going, lol, i just... wanted to try and organize these thoughts somehow.

trying to reason w myself that at the end of the day, i am writing a fanfiction. that's it. it's not that big of a deal, and yet it feels huge to me, somehow. I don't wanna let down the ppl who are reading it, and i dont wanna let myself down again, either.

BUT it's not supposed to make me feel miserable it is supposed to be fun i am lowkey crying rn because like urghghghgh why isnt it fun?!!?!

so. i think i gotta do some more thinking, because not making any kind of decision is making things worse! and idk, if all of this hasnt put u off of the idea of my fic, here is the series page lmfao i could use some encouragement i guess......

but i am going to seriously put more thought into an official hiatus, because i think i am getting Too preoccupied with it again and it's messing with me!!!

i actually had a decent time doing those kitty ed pics today, even tho they didn't do so hot, so maybe i am just gonna try to focus on that kind of thing, doing stuff that actually catches my attention, and also doing things without the intention of sharing them at all. allowing things to be messy. i get so caught up in the thought of someone else seeing my work that i paralyze myself trying to make it PERFECT.

i had a decent time doing that oneshot from ed's pov as well. so maybe i need to work on projects that are a bit smaller scale. i dont have to say goodbye to BU stuff forever, but i am just so ALL OR NOTHING that it feels like a way bigger decision than it actually is 😓

so i guess....... im gonna sleep on it for a while. think about it and try and come to a firm decision. because if i take a break, i need to REALLY take a break, which includes not thinking about it all the time and constantly beating myself up for not doing it 😅

idk, thank you if you read this far, here are a few kitty pics of ed for ur time:

[stuck-in-the-ghost-zone]

MAC HI don't mind me i just finished the genloss founders cut and im putting my ful lreview in ur inbox bc u said u weren't gonna watch it i think but i want 2 share my thoughts with someone who will not rip me to shreds for criticizing it even slightly <3

OK. I'M NOT GONNA LIE. IT KINDA SLAPPED. maybe i just think it was really good in comparison to the original four hours of streams that dragged on. i honestly thought the original streams of genloss were longer but NO all three streams add up to about four hours???? it just felt so much longer when i originally watched it i guess!!! u can understand why i am sure. but the founders cut was like two and a half and oh my goddddd cutting out a lot of it made such a huge difference. holy shit. like i definitely did get bored and skip through a little bit but honestly i didn't skip through much!! every time i got to a part where i was like "oh fuck not THIS bit that goes on for 30-45 minutes god dammit" it ended up being like maybe ten minutes at most which was SUCH A GODSEND. i am delighted to report that they cut the half hour cooking bit in the first episode down to like 7-8 minutes <3 the best surprise ranboo could have given me tbh. like with the way things were cut down and framed differently i actually laughed at a couple points????? WILD. did not think i would find any genuine comedy here. lowkey there were points that were funny. insane

honestly with the unfunny bits being cut down, it actually let the slightly more serious lore bits shine more, and the payoff for when it got to the third episode felt SO much more deserved. like. the original streams i'd probably give a 3/10 collectively and that's being generous but i would unironically say the founder's cut deserves like a 7/10. maybe a 7.5 if i found it in myself to ignore the bad special effects. (there was still plenty of bad comedy ngl i still don't know why charlie slimecicle's face was superimposed on a towel. that scene was nothing. it was literally nothing. they could have removed it and it would change nothing but they kept it in idk why)

ANYWAY. if they had released genloss like this first maybe i would unironically be a fan of it now. tbh. i would still be making fun of the bad comedy and the horror that was barely horror but i think i would actually be like participating in the fandom a lil and i would probably find it in me to find some charm in the bad special effects. all in all Not Bad!! not good, but not like actively bad. ofc im still running on the adrenaline of the ending because episode 3 was objectively the best out of them all so maybe my perception is skewed but. kinda decent. 7/10 👍 anyway i hope ur havin a good day i hope to finish pd season one soon over the next couple days!!!!!

taking the cowards route and putting my thoughts under the cut bc a lot of my mutuals these days really enjoy genloss and i don't want them to be mad at me

(genloss crit/neg/whatever under the cut)

dude this makes me so unironically sad . why the FUCK was genloss what it was the first time around when this was obviously the better route to go from the very beginning. I am still staunchly in my "I don't like genloss" position but. I DID WATCH IT. i sat through ALL of the original streams and it was so miserable for me. im not going 2 watxh the directors cut or whatever bc i dont hate myself enough to sit through all of that again but i trust your opinion!! if only it would've been planned out thought out prerecorded videos from the start I also probably would not hate it as much as I do!!! maybe I even would've liked it !!! (<< not likely bc i do have Other Issues with it than just the fact that it was too long too unfunny too unfocused etc whatever im getting into hater territory sorry. always welcome 2 genloss fans to try to explain to my why its Good Actually so i can recommend them actual horror media)

like . the streams added absolutely NOTHING to it other than that final choice scene or whatever. and even if they wanted to do that still u know what would've been an awesome smart choice??? prerecord and edit the whole thing and then premiere THAT video on twitch- then when it comes time for the final choice you can still have people vote!! then you can have two separate endings prepared based on which way the vote was swaying. like. its that easy. it would've made the whole experience so much more enjoyable . ughhghghg the fucking wasted potential on HOURS of unfunny badly improvved bits is so devastating

personally I still cant excuse the bad effects considering the amount of times ranboo bragged about the genloss budget like. maybe you should've used your resources better and also if it would've just been prerecorded from the start things wouldn't look as rushed as they did but ¯\_(ツ)_/¯ what do I know !!

anyway I'm so glad this version was better but for me it will always ALWAYS be tainted by the . misery I felt while watching the streams lmaoooo . I wanted to like genloss so bad. I tried so hard. head in hands !!!!!!!!!!!

[hms-no-fun]

Currently struggling a lot with getting very excited about a project, writing a lot, editing that writing until it's way more polished than what I can come up with off the cuff, and then being too intimidated to add to the document anymore since the previous good writing still gives off this looming intimidation if that makes sense? The more I write the greater the fear is I'll crash the story into a ditch that reveals the premise can't work. have you had that "its not all coming together shit theres a snag thats really important that i missed" moment? I realize it's pretty inevitable for that to happen, but whenever I write myself out of a moment like that I always second guess that I'm still overlooking something important or taking the easy way out. I know it's probably just all about pushing through but I worry that by pushing im just further diluting the original spirit of the project? Sorry for the all over the place ask, hope you have a good day :3

this is always a tough situation to navigate as a writer. happens to me often, and it has taken me a very long time to come even remotely close to being able to deal with it productively. believe it or not, i actually have quite a lot to say about this, so prepare for that below the break.

first of all, no, it's absolutely NOT all about pushing through. i find "pushing through" can just as often make the problem worse. keep in mind that i can only speak to my own experience and process, so any advice i might give here should only be taken insofar as you personally find it useful.

this is a form of writer's block. there are many different types of blocks, each with their own causes and hypothetical treatments. a big part of becoming A Writer as such is learning the difference between them, and developing methods for dealing with them on a case by case basis that don't involve substance abuse. don't do cocaine. that's step one.

most of my blocks are in the vein you describe. i'll be writing a scene that feels good, until i cross a threshold somewhere and suddenly the whole thing feels dead in the water. the first thing i do when this happens is stop writing. it's hard to stop when you're on a roll, i know. life is short and it's hard enough to write even on a good day, but sometimes you can just tell that you're on the wrong track and at that point you're probably not gonna be able to write your way back on.

once stopped, i check the basics. have i eaten recently? am i hydrated? have i taken my medications? these are rarely my problem (i keep a big water bottle with me at all times and my gf makes sure i'm fed), though you never know how useful a snack break can be. most of the time if the problem isn't with the text, it's that i've been writing for too fucking long and i need to clock out. learning to clock out is SO hard. but as i've been getting into the habit these last couple months, while i generally write less per day i ultimately end up writing more over time. i can feel my brain cooking when i've been writing too long. it's a muscle like anything else. if you did a bunch of overtime shifts at a more physical job, you'd need time to recover too. your body isn't a machine, your brain isn't a computer, and living things are inconsistent. it sucks but you'll have a better time all around when you learn to work with your body instead of against it.

another question is, have i showered recently? i find showers tedious and boring. also i still have depression even though my life is a lot better than it used to be. i lived on my own for a very long time as a deeply closeted self-hating trans woman, so my hygiene habits are not always up to sniff. as much as i hate to admit it, showers help. i can't tell you how many times i've sat at a godfeels chapter or video script and just felt fucking miserable, only to come back forty minutes later from a shower, full of creative energy. i despise self-help shit. just not a fan of the culture of positive attitude wellness check stuff because you can't self examine your way out of your class position. sometimes the problem is that you're broke. sometimes life fucking sucks and you just don't have the art in you, and that's okay. there's a common misconception that if something bad happens to you, at least you can make an art to get through it. but in my experience it's actually a lot harder to make art about bad times when you're still in them. most of the time it takes months if not years of safety and recovery before you can really face it head on artistically. so like, be nice to yourself. it's not your fault that you live in a society.

but also sometimes literally you just need a shower or to eat some leftovers or to go to fucking bed. i hate it every time that is true because i want my problems to be real and philosophical and not just some dumb body thing that happens to everyone. alas, no one can escape the quotidian obligations of simple mortality.

THAT SAID! this stuff isn't usually my problem, and often i find that what's solving the problem when i do step away to eat/drink/shower isn't even the specific activity, but the act of stepping away at all. getting my mind off it for a sec. when i hit a block that doesn't feel completely insurmountable, i like to back away from my computer and pace around a bit. then i'll stare at my big whiteboard with a marker in hand and just let my mind wander. i don't even write anything half the time! but the mere act of trying to compartmentalize the problem into something brief enough for shorthand helps me spot the pain points.

one of my favorite books is Zen and the Art of Motorcycle Maintenance, which despite what you might assume from its title is NOT a self-help book but instead a work of philosophy from 1974 taking the form of a travelogue. what Robert Pirsig explores in this book is what he calls the Metaphysics of Quality. basically he's trying to understand the split-second judgments we make of things we like and things we don't. i absolutely do not have time to go into the specifics, just know that his Quality refers to the abstract certainty you have when something is Good or Right or Correct or Qualitatively True. like how you pull your hand away unconsciously when you touch a hot stove, but for ideas. you just Know.

a scene that really sticks with me from that book (probably the most famous scene) is when Pirsig describes needing to fix a mechanical problem with his motorcycle only to be stopped dead in his tracks by a stripped screw keeping him from removing the engine cover. he talks about being so focused on the obvious solution to the primary complex problem that, on encountering a smaller, simpler problem that has to be dealt with first, he finds himself completely stuck, calling this "a zero of consciousness." it's a problem so annoying and minuscule and stubbornly unsolvable that you just want to hit the thing with a wrench and throw it in a river. addressing this new problem, this block, requires an adjustment in thinking. and here i'm going to quote a pretty lengthy passage, but don't worry, i'm typing it out by hand with the book in front of me so there's no time saved on my end:

Consider, for a change, that this is a moment to be not feared but cultivated. If your mind is truly, profoundly stuck, then you may be much better off than when it was loaded with ideas. The solution to the problem often at first seems unimportant or undesirable, but the state of stuckness allows it, in time, to assume its true importance. It seemed small because your previous rigid evaluation which led to the stuckness made it small. But now consider the fact that no matter how hard you try to hang on to it, this stuckness is bound to disappear. Your mind will naturally and freely move toward a solution. Unless you are a real master at staying stuck you can't prevent this. The fear of stuckness is needless because the longer you stay stuck the more you see the Quality-reality that gets you unstuck every time. What's really been getting you stuck is the running from the stuckness [. . .] Stuckness shouldn't be avoided. It's the psychic predecessor of all real understanding. An egoless acceptance of stuckness is a key to an understanding of all Quality, in mechanical work as in other endeavors. It's this understanding of Quality as revealed by stuckness which so often makes self-taught mechanics so superior to institute-trained men who have learned how to handle everything except a new situation. Normally screws are so cheap and small and simple you think of them as unimportant. But now, as your Quality awareness becomes stronger, you realize that this one, individual, particular screw is neither cheap nor small nor unimportant. Right now this screw is worth exactly the selling price of the whole motorcycle, because the motorcycle is actually valueless until you get the screw out. With this re-evaluation of the screw comes a willingness to expand your knowledge of it. [. . .] What your actual solution is is unimportant as long as it has Quality. Thoughts about the screw as combined rigidness and adhesiveness and about its special helical interlock might lead naturally to solutions of impaction and use of solvents. That is one kind of Quality track. Another track may be to go to the library and look through a catalog of mechanic's tools, in which you might come across a screw extractor that would do the job. Or to call a friend who knows something about mechanical work. Or just to drill the screw out, or just burn it out with a torch. Or you might just, as a result of your meditative attention to the screw, come up with some new way of extracting it that has never been thought of before that beats all the rest and is patentable and makes you a millionaire five years from now. There's no predicting what's on that Quality track. The solutions all are simple-- after you have arrived at them. But they're simple only when you know already what they are.

this is, in brief, my entire creative philosophy when it comes to writer's block. i share such a lengthy passage because i think it's useful to underline that we're not talking about a problem that is necessarily unique to the labor of writing. this process is a human process. it's just that with writing, the nature of the block itself is often much more difficult to identify than a stripped screw.

there's a couple things i do to try to identify what's got me stuck. a lot of times what happens is that everything in a scene felt good until it didn't, and then everything after that moment fell flat. so i'll go back and read the whole thing and just try to feel the scene. is everyone in character? is their dialogue too quippy, or too aggressive, too expository? are we in the midst of a conversation that has simply gone on way too fucking long? i know it can be torturous to reread your own stuff but idk what else to say except get used to it. especially when you're still early in the drafting phase! like if you know you're not gonna release this thing imminently, there's no reason to be precious about the stuff that's good or to beat yourself up over the stuff that's bad. i know that compulsion to try to Get Everything Right The First Time is strong, but it's completely unsustainable.

sometimes the block is that i just don't feel like writing narration. i've always sucked at grounding a scene with descriptions of the place. lately i'm trying to get away from relying solely on descriptions of staging/blocking, but it's hard for a bitch like me who mostly prefers writing dialogue. i've gotten a lot more comfortable with putting notes between dialogue exchanges like [character moves, looks at picture, has a dramatic thought, other character fiddles with object]. it can feel like cheating sometimes but it's not. there's no such thing. no one will know the route you took to get to the end. they will only see what you show them, when you decide to show it to them.

sometimes the block is in some minor or major betrayal of the story's spirit. the (Terezi) & Jade scene i talked about in this ask is a good example. i hit a point where nothing was working anymore. no one would talk to me. the light was gone. i can always tell when i made the wrong choice. it's such a particular sensation. as though i'm walking and i realize i no longer recognize the road i'm on and must've made a wrong turn somewhere. the solution to this particular block is introspection, retracing my steps, because the wrong turn isn't always obvious. maybe it's that someone in the scene is being too mean, or that i've failed to accomplish what the scene exists to do in some way, or that someone's made an uncharacteristic choice that now everyone in the scene is arguing about and it's like, man, this is taking too long, i'm not enjoying this anymore.

another example from A1 is the second half of the solo. i'd had most of the jasprose scene, the karkat-calliope-roxy scenes, and the vrisrezi-jade scenes written since i posted the A1 chorus. where i ran into trouble was that i needed to get jane, jake, and (terezi) to show up. my original plan was to have them arrive one by one, thus allowing their individual dramas a moment in the spotlight before being subsumed into the group. not a bad idea in theory but in practice it was fucking tedious. here we have a bunch of characters already immersed in the scene captured by the intrigue of Jade being enigmatic, and then some unawares jagoff wanders in and suddenly everyone has to stop what they're doing and be like "hey hello how are you what's up" and then they explain how they got there and then they ask what's up and it's such a DRAG. honestly i would say the majority of my creative blocks by volume are moments when the story really wants me to just cut to black for a smoke break and come back when somebody gets mad enough to throw a punch. i mean that's the the development of A1 in a nutshell. originally everyone was gonna start the track locked up in space-jail on the hopebringer, jade would show up all apologetic and say what she expects padua's deliberation to be, then the whole cast would see her throw a fit over a decision she knew was coming, they'd all be absolved of guilt and let free, then they'd all argue about who's staying or going with Jade in the morning, they'd split up to go pack their stuff and then...

well that was exactly the problem. i wanted to get all the pertinent things out of the way. jade's code switching, voidthought, some EWL teases. give the whole cast a chance to react to it. i thought that would be expedient, because it got the Plot out of the way and gave time to characters for Feelings. if that version of the scene had come at the end of chapter 8, it might have worked. but i realized that as soon as jade's audience was no longer captive, i had no fucking clue what to do with them anymore. we already knew who would go with jade, so acting like that's some kind of mystery is just lame. i started writing A1 from a place of desiring informational density & a quick pace, because we've got places to go and things to do. but if the real purpose of A1 is to explore why these characters choose to go with Jade, then that needed to be done with a lot more care and precision. that's when i decided to let Jade spend two days underground making the earth right again, so that she has to come to everyone individually rather than the other way around. and it muddies her motivations, if you don't mind the pun. it puts her at an appropriate remove from the others. i ultimately wound up conveying all the same information as in the original version, but i did it in a way that was more appropriate thematically and artistically. it wound up being longer road than i anticipated, but this is a long story and in this case the longer road was better for the journey.

take the chapter where Jade visits Roxy. i needed some time with Roxy alone to set the scene, since she's the first person Jade decides to visit and i like writing about the insides of trailer homes. i wanted to get some politics from Jane in this chapter, so hey, why not throw in a televised speech? oh, and then i can have some tucker carlson types remind us that Earth C is a fucking mess. i wrote all that, and it was good, but it was just Roxy watching tv. i tried to get into Jade's arrival and couldn't. so i went back and realized, oh, Roxy should be yelling at the tv the whole time! now we get Jane's politics, Roxy's reactions to those politics, as well as bits and pieces of context re: Jane's relationships with Karkat and Roxy. now when Jade arrives, we can play with the question of whether she heard the speech from outside Roxy's door, and why neither of them was physically at the speech in the first place. there's tension and imbalance in Roxy's state of mind when Jade does arrive, so we're more inside her perspective than we usually are, which in turn helps us identify with her when Jade starts infodumping about antimemes.

so often for me, working through a block is a matter of doing a better job utilizing what's available to you. going back to the A1 solo and trying to bring Jake, Jane, and (Terezi) into the scene. i finally returned to it after a couple months of being sick and dealing with life problems. i was frustrated because i'd hoped to be several tracks in to 3.2 by now, and instead i was confronted with just how much more of this thing is left and how long that might take if i couldn't pick up the pace. this thing NEEDED to get done.

and then i remembered that Jasprose is literally right there.

and that was it! problem fucking solved! i had jasprose drop all three of them into the scene completely unceremoniously using manic teleportation through a fenestrated plane, and from there the entire rest of the chapter erupted out of me in a single go. it's such an obvious solution to the problem that you as reader probably assumed it was the plan from the very beginning. but it's like Pirsig says: the solutions all are obvious-- after you've arrived at them.

then there's the problem of overwriting. i actually did i think four different versions of the opening to the A1 solo. the first person narration was a late addition. i tweaked that scene so so so many times. it kept feeling close but not quite. when i did the thing where i reread to find where the block happened, instead of actually reading the thing i just kept finding spots where i could write more. i can extend this anecdote. this line could be better. maybe a comma here would work better than an ellipsis...

this can be good because sometimes what's blocking you is that you skipped over something that needed more time. maybe some information or a dramatic emphasis that gives the stuff you can't yet write the momentum it needs to get going again. but i've gotta be real careful doing this, because i can do it forever. and then, as you describe (hey look, i'm actually talking about your specific problem now!), that hyper-polished section sets everything else up to fail by comparison.

i think the trick is knowing the difference between when a scene needs an editing pass vs when a scene just straight up isn't working. when it's not working, sometimes you do just have to throw it all out and start over. but if it's good enough that you feel like all it's missing is better dialogue and some more description, then you can hold off on that polish until the rest of the thing is done. this conundrum is most common at the beginning of a chapter or story in my experience, precisely as a result of the process i've been describing this whole time. when you hit a block and retrace your steps, you can always find things to fix. so it's sort of natural that any given chapter becomes less polished the further along you get in to it. that's why it's so important to understand the differences between all these different types of blocks, and to remind yourself that literally nothing you've written is finished until the moment you've made it public.

a big part of getting the A1 solo out the door was me swallowing my desire for perfection in every exchange and saying, no, this is good enough. it's not 100% what i want, but it's close enough that it just isn't worth the effort it would take to get there. sometimes there are scenes that are worth that effort, but they are always rarer than you think and they're never the ones you'd expect. i will freely admit that there are a lot of characters expositing their motivations in this chapter. i tried to embed as much of that in humor or drama as i could, but sometimes you just have to shrug your shoulders and walk away and hope your readers will be nice to you.

of course the funny thing is, once i finished the chapter and had all the panels sketched out and wiped my hands clean of the whole affair, janet needed two weeks to make the images. so i ended up having time to polish up a couple of those things that i felt were lacking after all. but those additions were radically small and intuitive, because i'd divorced myself from the raw production and had committed to so many directions that i *couldn't* change much. i'm so used to writing for release that i don't know what to do with myself when my part of the job is done before i can kick it out the door. i've come to find that waiting, taking breaks, walking away and coming back, do wonders for your ability to egolessly examine your work and identify what's wrong. sometimes you just need a day or two to sleep on it.

and sometimes you realize that you've really just over-written a scene, out of preciousness or insecurity or whatever else, and the result is so much bigger than everything else you want to do that it's more expedient to just scrap it. i hate when this happens, man. i did this with an early version of the A1 chorus, when Jade is stuck in space alone and shouting about how unfair her life has been. you know sometimes there's an emotion in a scene that's addictive. some bit of pathos that you just feel down to your bones, fuck me man, this is so GOOD, this is so JUICY, this shit has QUALITY. it's so good you don't want it to be finished. so you keep writing it, and writing it, and you rewrite it, and you add to it, because you really want to squeeze every drop of emotion you can from the thing. and then you wind up with a bloated melodramatic mess that's so overplayed you've annihilated everything that compelled you to write it in the first place.

i want to be clear that this isn't wasted work. nothing you ever put to the page, no matter how ultimately useless it might prove to be, is wasted work. the way i see this whole process, top to bottom, is that there's this thing. i don't know what it is, but it's there. maybe it starts with an image, or a line of dialogue, or a relationship, or a natural vista, whatever. it can be anything. what matters is it's a sign pointing you in a direction. it's something that has Quality that you can feel with such potent immediacy that you have no choice but to write it. the act of writing is something of an expedition, because the real magic of it comes when those disparate signs start colliding with one another. an image becomes a scene, a house, a world, a universe. sometimes these signs lead to dead ends, but with experience you learn to tell the dead ends from the rough patches. you learn how to make your own way. you do this by listening to what this thing is telling you. every story i've ever written has known better than me what it wants. i can impose so much onto it, i control 90% of the process at least. but that other 10% cannot, should not be quantified or controlled but simply understood. if you try to bottle the flame, you'll just end up snuffing it out.

no artist really knows why they do what they do or how they're able to pull it off. they can tell you their methods, their process, their coping mechanisms, they can write ludicrously lengthy diatribes on tumblr in response to an innocuous ask, but you can't pin down the soul of the thing. Quality is ephemeral, because it's first. it happens before you've had time to think, like putting your hand on a hot stove. you just know. and you have to trust that knowledge to carry you forward, not second guess it too much, not try to wrangle the thing into a shape it doesn't want to assume. sometimes this requires writing scenes that you don't love, because it's easier to build a messy bridge between the moments that drive you than it is to perfect every single moment out of an artificial commitment to like, Being A Good Writer or whatever.

a lot of this is just practice. you get better at communicating with your creative impulses. but also i think it helps to internalize that nobody sees the rough drafts, nobody sees the duct tape. and nobody knows the perfect vision you'll be convinced you failed to meet. nobody has ever made a perfect thing, and no one ever will. who wants to be perfect, anyway? godfeels wouldn't be what it is if i wasn't willing to let it be messy. if i'd tried to do it better, it never would have gotten done, and nothing i'm doing now would have even conceptually gotten to exist.

also, it's okay to abandon shit when it stops feeling good. i have so many unfinished books kicking around from my 20s, dude. i feel bad about some of them, but ten years not finishing books is still ten years spent writing. it's actually quite rare for good ideas to result in finished works, because good ideas are cheap and they're not all for you. but you gotta keep trying anyway because sooner or later you'll catch a spark that has real gas, and if you've done the work you'll be ready for it. it'll feel like destiny. it'll feel like magic, how matched that idea is to your skill level. but it won't be magic, it'll be skill. if you hadn't put the work in to know how to follow that intuition, it'd be just as dead an end as everything else you never finished. you do the work so that when you get lucky you can take advantage of it. so in that context, writing is quite low stakes. if it's not good enough, fuck it, try something else!

anyway i hope there's some decent insight buried in here somewhere. thanks for such a good question!