#all of these things and more have killed so many people

[dalishious]

Zevran Arainai is an Underrated Delight

There is so much depth to Zevran Arainai’s writing that is often overlooked in favour of either sexually objectifying him or ignoring him altogether… which is kind of ironic, considering that’s how so many people in his life have treated him within universe. And then, of course, there’s the biphobia directed at his character back when Dragon Age: Origins first released. He was a joke in many Gamer Bro circles about how they killed him for flirting with their male protagonist. It’s such a shame, really. Because personally speaking, Zevran is one of my favourite characters in the entire Dragon Age franchise.

Zevran’s introduction to the game immediately sets him apart from every other character who is capable of joining the party. He first appears as an enemy; an assassin hired to kill the Warden by Loghain, the Warden’s political opponent. You immediately have the option to either kill him, or add him to the party roster. Zevran does not initially join the Warden’s cause out of the goodness of his heart; he does it because he knows that the Antivan Crows who essentially own him – which we’ll get to – will kill him for failing to assassinate your character. This really paints his original placement within the group’s dynamics in an interesting light. No one really trusts him; Alistair and Morrigan both outright voice this. Zevran himself believes he is only safe with the Warden so long as he makes himself useful, per how he sells his worthiness to the Warden when trying to convince them to let him join. There’s tension there that really makes getting to know him extra interesting, because before anything else, you need to build trust. So, when he’s finally ready to start revealing parts about his personal history, you the player really get to feel like you’ve earned something special from his character.

Zevran’s mother was Dalish, but fell in love with an elf from the city and left her clan behind. Unfortunately, Zevran’s father was assassinated, leaving her with nothing but his debts to pay. She turned to sex work, until she died giving birth to Zevran, and all that debt fell onto him in turn. Zevran was raised by the sex workers in the brothel his mother worked at, until the age of seven, when the Antivan Crow Guildmaster Talav Arainai bought him for seven sovereigns; one of eighteen children made into “compradi” (recruits) that year. In his training, Zevran was tortured in a variety of ways, and in his own words, “taught to know nothing else but murder”. Of those eighteen, Zevran was one of two who survived the training, the other being a human boy named Taliesen. Then, a woman named Rinnala (“Rinna”) was placed into House Arainai from the Azul Contract that dictated the Crows were to take in unwanted bastard children of the Antivan Crown. For a time being, Zevran, Taliesen, and Rinnala worked well together as a professional and romantic trio. But when Zevran and Taliesen were tricked into believing Rinnala betrayed the Crows in an internal Crow scheme, they killed her. When they learned otherwise, Zevran took it particularly rough, combined with the realization of how little he himself mattered, too.

The trauma that Zevran has experienced is something he often makes jokes about, or speaks detached from. I’ve been called out many times on doing the same thing with my own trauma, and I know it’s a pretty commonplace response in others as well. That makes it feel all the more real; his responses are so authentically relatable. It’s also in a way, I find a little therapeutic to get to comfort a character whose survival mechanism has been to downplay his trauma for so long. The Warden is able to tell Zevran that what he’s been through sounds horrible, and even though Zevran tries to excuse things as not being that bad, you gain significant approval from him, just for showing him sympathy. Sympathy is something he’s severely lacked in his life. For all Zevran jokes about his traumatizing experiences, they clearly left a mark on him. Zevran eventually admits to the Warden that he did not actually anticipate being able to kill them, and that what he really wanted in taking on the job was to die. Again, sorry to get personal here for a moment, but I too have attempted suicide, and honestly I still struggle with ideation sometimes. And yet again I must say that I find something really beautiful in a character like Zevran, who is able to find peace and happiness on the other side of surviving such a thing.

As for Zevran’s romance… oh, Zevran’s romance path is such a delight. He is so multidimensional in that he’s very flirtatious and fun, while also showing genuine vulnerability in time. He admits that his role as a Crow meant he was encouraged to use seduction as a tool. His only experience with a true relationship ended very poorly, with Rinna’s death and a wedge forming between him and Taliesen, who he is eventually forced to kill too in the game. One of my favourite moments in the entire game, is when you invite him to your tent and he says no… and if you accept his consensual rights, that is what changes everything for him and the Warden’s relationship. Zevran feels safe and loved, and he gets to be happy. As of Dragon Age: Inquisition, a romanced Zevran is still at the Warden’s side, too, if they’re alive.

I love Zevran Arainai so much. He truly is an amazingly well done character, and deserves so much more respect and interest than he gets.

*Sourced from in-game dialogue and World of Thedas vol. 2

[luveline]

hello lovely angel!! humbly requesting zombie!steve au, perhaps more of jealous steve? i love their dynamic so much💗 maybe someone is flirting with reader, and enter protective steve:)

thanks for requesting! fem, 2k

You tend to think of it in two weird halves. You love Steve, and you never would’ve known that without the end of the world, so things are okay. Sometimes you wonder if he ever could’ve loved you if he hadn’t been so close to you for so long, but he loves you in this insane capacity of softness that says otherwise. Like, soulmate style. 

It didn’t begin that way. Steve your reluctant guide, and you his unlikely saviour. You’d stopped him from dying at the very start of it all and he couldn’t leave you behind. And Steve, he’d been mean to you. He didn’t want to take care of you initially, but you’d grown to get along. You’d argue black and blue and he’d still rub your back at night. 

There are so many moments you’ve shared that make what you have all the more special. A hundred different memories from before you’d ever kissed. You think about it now, watching him across the firepit as he shows a young girl, Cassandra, how to braid her hair. 

The one that’s sticking today is when Steve got really bad food poisoning for the first time. When you’d known you were in love with him for a while, and when he’d stopped pretending he didn’t know. He’d been sick everywhere, on both your shoes, and you’d rubbed his back through everything.  

It was nice to take care of him. Nicer that night when you’d shared a bed and he’d hugged you half to death. 

He has no idea how much he means to you, or how much those moments with him kept you going when you were all alone. You’re lucky now to have found community, but those stolen hours in bed with him hugging him and getting to be his support, you wouldn’t have made it here without them. 

“Hey.” 

You look up as a man sits down. A boy, a man —what do you call twenty somethings? You don’t feel like a woman most of the time, but you are. 

“Hi,” you say. 

“I’m Jamison.” 

“You’re Eddie’s friend, right?” 

“Who, Munson?” Jamison makes a kidding face, a disgusted scrunch of his eyebrows that falls away to more friendly fondness. “Yeah, we go back. You’re Eddie’s friend too, right? I saw you guys taking out some laundry a few days ago.” 

Jamison is handsome. He has tan skin, short hair, and a crooked nose. His smile is disarming. If you hadn’t fallen in love with the handsomest guy around, you might feel nervous under his gaze. 

Time spent ugly under Steve’s reverent handling makes you confident. You genuinely feel prettier knowing Steve loves you, and it makes it easier to be yourself with strangers. 

“Eddie’s awesome,” you say easily. “I thought he was gonna kill me when we first met, but he’s too nice.” 

“Nice, really?” 

Jamison is casual, as people go. You wonder what his motivations are for talking to you at first, but as conversation stretches, littered with the cracking pops of the fireplace and brief pauses of surprisingly comfortable silence, you realise he’s just talking. Maybe he’s lonely. You know how that feels. 

He tells you that he and Eddie had been in a rock band together before the apocalypse. You’d known to some extent that Eddie was in a band, but Jamison tells you all the details you’d been missing. They were called Corroded Coffin, four members, Eddie played guitar and Jamison thought he was pretty fucking good at it, actually. 

“I don’t think we would’ve been, like, Metallica. But we could’ve been good. We were gonna make a record.” 

You smoke sympathetically. “I bet you could’ve been.” 

“What were you doing? Before all this?” 

“I honestly barely remember,” you say quietly. Your life before Steve is a blur, and it’s painful, too. “Things are harder now, I know that. I wish every day that we could go back to how things were, you know, I miss TV and grocery stores and my family.” You lick your lips. “I wish things were different, but somehow, I think I like my life now. I have stuff to do. Is that crazy?” 

“It’s not crazy. Everything fucking sucks,” —you both laugh— “but that’s not crazy. I’m lucky, I still have my dad, and my friends. There’s purpose in being here.” 

You nod emphatically, just once. “Exactly.” 

You have purpose, now. You get to be a friend, a girlfriend, a confidente. You take care of people. 

It all comes back to Steve, at the end of the day. Would you change the world if it meant never having met him? 

Nope. 

You glance across the fire for him, but he’s not there. 

You put your arm behind your back and bend, looking for him. 

“Looking for someone?” Jamison asks. 

You deflate with relief when you spot him standing near the gaggle of tents about fifty feet away. He’s looking at you from over Robin’s shoulder. You wave, and he waves back with a big smile. 

Something seems a little wrong. 

“Steve,” you explain. 

“He’s your boyfriend, yeah? Eddie told me you’ve been together since the start.” 

You don’t bother correcting him. He might not mean together as how you’re thinking it. “Yeah, that’s him. Have you met him?” 

“Kind of. We all thought he was a huge dick, back then.” 

“He sort of was,” you say. “I mean, we all had our own stuff going on. I get that I’m biased, but he’s my favourite person I’ve ever met. He’s so kind, I don’t think I could describe it to you or anyone just how much he cares about people. I wouldn’t be here without him, and… I don’t know, I’m not saying you’re wrong, but if you ever wanted to meet him again, he’s amazing. He’s a great friend. He’s so fucking funny, he makes me laugh every day.” 

“He’s sort of giving me the stink eye,” Jamison says. 

You wave your hand weakly. “He has raging jealousy issues.” 

“Shit, am I getting you in trouble?” 

“No, never!” you say, tempted to laugh. “He doesn’t get mad at me for stuff like that. He’s normal, I promise. Just sensitive.”

You tell Jamison that it was nice talking to him because it really was, but you’ve been missing Steve for hours already and you need to get back to him before you go totally bonkers. 

He’s sitting on the floor in the tent. The weather has been beautiful lately, you could sleep under the stars if you weren’t scared of being zombie charcuterie. Steve has stripped down to just his jeans and socks, no t-shirt or shoes to be seen. He has his sketchbook splayed open on his thigh, but he abandons it the moment you kneel down. 

“Hey,” you say. 

Steve folds his book closed, pencil between its pages. “Hi. Have I told you lately how beautiful you are?” 

You shuffle in to take his hand. Clumsy touches, his fingers warm and a tad clammy between yours. “You told me yesterday that I have a smile like an angel. I know you were kidding, but I still felt it.” 

“I wasn’t kidding,” he says, wrinkling his nose with a smile. “You think every compliment is a joke.” 

“Don’t make me laugh so much, then.” 

He squeezes your fingers gently. “Sorry I didn’t introduce myself to Jamison. Just, I knew him already from school. And he did not like me.” 

“That’s okay. He seemed nice, I think you’d get along if you met now.” You kick your shoes off and crawl as close to him as you can get. He looks up at you, but you look down at his lap. “What are you drawing?” 

“I was just trying to touch up that landscape I did of the river,” he says, a sheepishness to him as he opens his sketchbook. 

You read it with affection, trace lines and hatchings in awe. “Steve, I really wish you had time and space to do this stuff properly. Not that you aren’t doing it properly, just, I know you could make something just as beautiful as this with paint.” You slide to be sitting properly, putting you both at the same height, so you can meet his eyes as you continue. “Did you know what you wanted to do, when you were finishing school? Did you ever think about art?” 

“I thought about it.” His lips quirk. “Mostly about how my dad would’ve kicked me out if I said something that stupid.” 

“It’s not stupid.” 

“I know.” 

That would’ve been a nice life. You and Steve living together, with a basement for his paintings, or a garage turned studio. You’d read books together every night like you do now, and you’d scrub paint smudges off of his cheek. 

You love him so much it must give you an aura. 

“I’ve got nothing to worry about, huh?” he asks softly. 

You drift in, tipping your head back for a kiss you don’t take. “I don’t know, Steve, Jamison used to be in a rock band.” 

He scoffs in disgust. You think it might be a mixture of anger at Jamison and himself. “Who wants to date a rockstar?” 

“I might’ve.” 

You’re teasing, of course, smiling as your kiss draws nearer, and nearer. 

“Well, I can be a rockstar,” he says quietly, warmth of his breath on your lips. “Just give me a chance to get there.” 

You brush the tip of your nose against his and hold your breath. “That’s okay,” you say, letting it rush out of you in a huff, your excitement to be kissed too much to bear, “I like my guys all mixed up. Preferably good at track, and swimming, but with a soft side. Kind of guy who fills a sketchbook up with my face.” 

Steve lists to the side. Your lips are so close, you can feel the phantom of them against yours as he moves in. “It’s not just your face… it’s your hands, your arms… your everything–”

He cuts his own explanation off with a soft kiss. That softness swiftly hardens, turns rough, ten long seconds of sweetness before his hands coming up behind your head and he’s pressing inward, deepening the kiss, and giving you little room to breathe. 

You have no intention of dating any rockstars, but his jealous streak has nothing but upsides for you. Steve knows that his jealousy over the innocuous is his own problem, his own insecurity that he’s working on, and while you sympathise with him (after all, haven’t you yourself worried he’d find someone else he liked more?), you have to confess to enjoying the edge to his kissing. 

You make a pleased, humoured sound as he breathes you in like you’re a drug he’s been waiting for. He gets sloppier, and you can’t help pulling away to laugh. 

“What?” he asks, thumbing at your cheek in a soft juxtaposition. “Sorry, am I being a dick?” 

“No, it’s fine. Kiss me how you want to.” 

Steve kisses your cheek softly. “He knows you have a boyfriend, right?” 

“He knows.” 

Steve hums like he’s smiling and nudges your nose with his, until you part your lips, and he wades in for another dose. 

[shanastoryteller]

Meg is the first choice, of course, but she’s not suited to this type of long term mission and they all know it. The problem is, almost none of them are. The nature of the beast, she supposes.

That’s why it ends up being her, in the end. Well, it’s almost Ruby, but there’s one thing she has that Ruby doesn’t.

How she ended up here in the first place.

She thought Clyde loved her. She thought he’d take her away, from her father and her terrible life, and so when he died too young, before he could fulfill any of his promises, she’d sold her soul to bring him back.

But he hadn’t kept a single promise. She’d died in her father’s house.

“You remember being in love, don’t you?” he asks, cruel in his callousness, which is different than his other types of cruelty. It’s all he has, shining out in a thousand different ways. “You’ll be better at faking it.”

All she does is fake it.

“Yes,” she says.

This mission gets her topside. It’s worth it for that alone.

~

She slips into a pretty blonde named Rebecca first but by the end of the day, the girl’s screaming has given her a headache, and she slips right back out. She’ll probably just think she had a bad trip.

He’d offered to arrange something for her, but she wanted to pick herself, and she’s not interested in having someone crying and moaning in the back of her mind. But it’s not like there are a lot of options.

She could kill one, of course. But she’s never – she hasn’t been topside, before. Everything she’s killed before had already been dead. So she hovers for the next week, looking for some sort of opportunity, for something she can use that’s not going to scream at her.

The day before she’s going to have to either pick someone or risk being sent back, there’s a car accident.

The girl’s heart is still and her body’s warm, blood pooling down her head, but that’s nothing she can’t fix. She settles into the body, jumpstarting the heart and can feel the skin on her head knitting back together. It’s also blessedly, thankfully silent, with her the only one inside this body. The driver who hit her is dead and people are crowding in, a crying girl pulling her free. “Anne! Anne, are you okay, oh my god, I can’t believe that happened-”

She wrinkles her nose before smoothing out her expression.

The name will have to go. She’ll say she’s reinventing herself after tragedy, or something, but she’s not going to walk around responding to Anne. That’s not her name.

Anne’s a sophomore, which isn’t ideal, but she’s beautiful and doesn’t have that many friends and barely talks to her family, so she’s actually perfect.

She’s also blonde.

She’d been blonde before too.

~

All the demons who had run these sort of missions before give her advice, tell her things that will help her. Some of their assignments had lasted months, but no one’s tried to do it for as long as she’s supposed to.

He likes smart girls.

Be confident. Be flirty. He’s shyer than he looks.

He never had a mother. He likes it when girls take care of him.

He likes to take care of girls too. He wants to feel useful.

She’d had dreams, before, of all the ways she’d could escape her father. It wasn’t common for girls to get more than a basic education, but she’d been smart. She could read and do complicated sums and enjoyed the quiet evenings when she balanced her father’s books. She’d thought she might like an advanced education, thought it could get her out of her life, but hadn’t known how to manage it.

Clyde had seemed easier. More attainable. More realistic.

She’d sold her soul for nothing in the end. She hadn’t even got the full ten years of her bargain.

She doesn’t know how much of their advice she can take.

She can be smart, but considering the school they’re at, all the girls will be smart. She hadn’t been confident or flirty, which is maybe why she’d latched onto the first boy who smiled at her. She never had a mother herself and doesn’t know to act like one.

She’s never been taken care of and doesn’t know how to do that either.

There’s no way for her to do this. She’s going to be replaced and sent back below and he’ll be angry at her and she hates hates hates when he’s angry at her, what he does to her.

“Are you okay?”

She looks up, something cold on her tongue, but falters.

He’s standing there, warm hazel eyes and long dark hair, hunching to try and make himself smaller, and a smile on his face that does nothing to hide his concern.

“Do you ever feel like,” she starts, her dead stolen heart beating too quickly, “everything is falling apart around you and you have no idea what you’re doing and like maybe your whole life is one huge mistake?”

Well, fuck. She’s definitely being replaced now.

Except Azazel’s favorite throws back his head and laughs, smile stretching into a grin. “Every day of my life, more or less.”

“How do you deal with it?” she asks, scrubbing a hand over her face.

He shrugs. “Well, my brother would say women and liquor.” He seems to realize how that sounds a moment later and he pales, “Um, not that I’m – I’m not saying, I wasn’t trying to. He’s just sort of a cad, and – I wasn’t trying to, with you, uh.”

She feels herself softening in spite of herself. “So you’re not one to apply that method yourself?”

“No,” he says firmly, eyes wide. “God, I’m just – I’m sorry. I – I’m Sam.”

“Hi Sam,” she returns, with a smile she doesn’t have to fake. “I’m Jess.”

~

She’s not supposed to fall in love with him.

She’s to worm his way to his side. She’s to keep him from running back to his family, to keep him from rebuilding the bridges he’s burned. She’s to keep him distracted and focused on her until his powers activate and then she’s to guide him into using them, to be supportive and loving and to push him straight into Azazel’s arms.

Sam loves his family so much.

He talks of his brother all the time. His father less, the emotions there more tangled, but love no less fierce.

She nudges him away from it, talks to him about how it’s normal for families to grow apart, to say that they’ll understand when he graduates, that he’ll show them they type of man that he is.

By the time he graduates, his powers will start manifesting, and he’ll avoid his family without her prodding. He knows what they’ll think of him, then, and Jess tells herself that she’s helping him. That this is for Sam’s own good.

If he’s with her, then he’s safe. His father won’t kill him while he’s safe at school. He can’t kill Sam for powers that he’ll never know about.

It’s easy to dig into the anger for his father, to use his last words to Sam as a way to hold him at her side. His brother is more difficult. Jess doesn’t do much with that, in the end, tells herself that it would be too complicated, too suspicious, and as long Dean is sticking with their father it amounts to same thing anyway.

The truth is more complicated.

His father will kill Sam if he has to.

She doesn’t think that his brother will. She thinks that maybe he’d choose to protect Sam, over their father’s wishes, over everything he’d been taught, no matter the consequences.

She fears that she and Dean have a lot in common.

She invites Sam over for holidays, makes summer plans with him, holds as much of his attention as she can manage.

She studies and makes friends and laughs and spends so much time with him, but not all of it. It has to be believable after all, has to be constant, in a way that it didn’t have to be with all the other demons sent to take care of him.

Jess lives a life that had been denied to her and tries to do what she was sent to do and does the one thing she was definitely not supposed to do, which is fall in love with Sam Winchester.

~

His brother shows up in their apartment and she knows that she’s going to lose him.

Sam tries to act angry, but she knows him too well. He’s moving around his brother like a flower following the sun and she asks him not to go, tries to find the words to keep him here, but they all get caught in her throat. If she begged, if she threw a fit, if she demanded it of him, he would stay. He’d tell his brother he’s sorry but he’d stay with her and not help him and burn their relationship for good. He loves her enough to do that for her. She knows it.

She loves him enough not to make him.

He kisses her and she knows it’ll be the last time. He doesn’t.

“What did that take, five minutes?” Azazel is right there, breath on the back of her neck, and his anger fury rage pressing down on her even closer. “Over three years at his side and you lost him in five minutes. What a waste.”

“I kept him for over three years,” she says, tries to keep her voice steady, but knows she fails.

She had him for over three years.

“Not good enough,” he whispers, lips on the shell of her ear. “Guess I’ll have to send Meg in after all.”

Pain erupts hot across her stomach and her screams mix with his laughter.

~

Love always burns her in the end.

[gregrulzok]

Devil's Minion is an interesting title though, isn't it.

I mean one of them is a creature designed and all but required to kill. He could eat animals, technically, but we know that isn't sustainable long term - even Louis, who genuinely tried it, wanted it so bad, couldn't keep the diet up for long. That's just not sustainable for their bodies, not what they were made for.

And the many long centuries of isolation, many long centuries of being unable to go out during the day, to talk to people without raising suspicion - and the changing of times, watching the culture shift and drift away from you without being able to fully follow it... Anyone would be distant from humans, from humanity, it's a shift in the psyche supported from every angle to make you view people as prey rather than equals.

And then the other? Human. A guy. He had relatives, friends, probably. He's more than likely lost people before, knows the grief of death far more intimately than a being designed to take two or three lives in a day ever could.

And yet, night after night, he holds the hunter in his arms. Cuddles up to him, ignores the fact that any warmth in his lover cost another human being their life. He ignores the pain and suffering they went through despite being fully equipped to understand it, ignores the grief and heartache he knows their close ones must be feeling - more than that, he takes pleasure in it! He drinks the blood of the monster, for no reason other than his own pleasure, and he tastes in it the wails and screams and desperation of those that were killed for it, and he's addicted to it. He wants more. He craves it, needs it.

More than THAT, even, he wants nothing more than to be part of it. To have the power to take human lives, to be the same as the alleged devil. Armand had no choice in the matter, not really, and has no choice but to kill - Daniel wants it, more than anything, he's constantly preoccupied with it, begs for it over and over and over.

.

And on the other hand, it's Daniel who gets his wishes granted. Daniel who can point at anything he wants and have it in his possession the next moment. Sure, he has to follow Armand's whims and impulses, teach Armand, follow him everywhere, but at the end of the day Armand is serving Daniel as much as he is himself, if not more.

And it's Armand who has to, through arguments and tears and heartache, defend what he sees as the one boundary he set in the relationship. The one line he has begged Daniel over and over again not to try to cross, Daniel has to test again and again.

He'll do anything for Daniel, anything, except for the one thing that would hurt him most - and its still not enough.

...

Devil's Minion, huh.

[the-one-and-only-elita]

One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)

*Spoilers Below*

First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).

I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.

I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.

When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").

What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.

Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.

It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.

Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.

Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.

I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.

Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.

[katyspersonal]

Someone really said we shouldn't take Messmer's last words ( when he cursed Marika) seriously because he was demonically possessed by the abyssal serpent ijbol

I do not think that it was the case either! My impression from his phase transition was more of him finally giving into his serpentine nature, and thus, finally allowing himself to feel his true feelings!

"Hatred that would be confined" here can mean both him hating himself (since fire is a hazard to the Erdtree, evidenced by Fire of Ruin and Destined Death, so why not his?) OR hating her for having forsaken him! Except... they are not mutually exclusive. He could have hated himself for existing as something that could inevitably bring ruin to everything she created and hated her for abandoning him!

Like other characters in the DLC, he is aware that we've been called by Grace of Gold, her creation, to become her new Lord! Nonetheless, he decides to still disrespect what counts as her wishes, which already gives something away, at least for me. It could be that him taking Crusade beyond just vengeance, to fascism level, WAS what split them apart, and he is still convinced he knew what was better for purity and life of her Order better than her (LOOOOVE this version because it makes him even scarier). It could be jealousy, because some nobody Tarnished would get the chance to fix things for her when he tried to do the same and yet she was not "grateful". It could be that this "purpose" he took up for her feels like the only thing still connecting them, since she is not coming back. It could be many things that I can keep listing!

Yet, at the same time, he asks her forgiveness before removing the seal! So, killing someone he (correctly) believes she is awaiting is a lesser crime than removing the seal she gave to him to keep Base Serpent away? I think it is very telling that the root of how much he hates his flame is her hatred of it.

( x ) Perhaps, by being deadset on killing everyone spurn of her grace, he sort of overcompensates for how much he hates himself for being graceless (in a way, 'shorn of light' is very blatant)... He can't fix his nature, nor can she, but he could remove her OTHER pains and grudges. He is compensating!.. like, for how much he wishes to never having been born, or something...

Damn this got weirdly sad And a simpler interpretation is that it was just a cry of pain, because he was dying and she was not there for him. Or maybe it was the horror of feeling like he was to fall into Abyss, since he removed the seal? Not that I ever died in my life yet, but I'd imagine that thoughts and emotions upon violent death would not be very rational!

I really want some help with Japanese description of this item, because this "but never again" feels like some sort of grudge. Like that she realised it was useless; not so much because what afflicted him was untreatable, but because she deemed him not worthy of any more chances! You see what I mean! Again, English choices of words should be taken with a grain of salt.

Messmer also was not "possessed" by Base Serpent, he became Base Serpent! Saying you will be taken in jaws by a serpent shorn of light, he means himself! He has a habit of addressing himself in third face already, saying that you will meet death in the embrace of "Messmer's" flame, not "his" flame! There is definitely some parallel with Malenia unleashing Scarlet Rot again just to not lose to us, but whereas Scarlet Rot is confirmed to eat away at people's personality and memories (Millicent's questline), nothing said it was the case for the Base Serpent!

(Images by Zlofsky as usual) All statues of Marika in the Lands Between are missing heads... except for one, depicting her as a mother holding a child, hidden in his chamber by a veil. I need to check it later, but in at least three cases it makes no sense to be this way: one in the Church of the Crusade where Queelign hangs out, another surrounded by his soldiers, and another in Shadow's Keep itself! UNLESS, he is the one responsible for crashing the images of her head...?

It feels like he has been very conflicted long before this dreadful moment of unleashing his serpentinge nature! He did not want to think of her because it hurt, but also still wished to be held by her again. Considering the statues, it feels like he hated her as a Goddess, but loved her as a mother. So, he hates her divine existence, her as an owner of the Erdtree, a "destined victim" of all fires, but also knows it can't be separated from her and follows her design. Perhaps, follows TOO much.

Basically it IS a reasonable assumption that upon his death, he's been feeling as though he did everything he could for her, but that was not enough for her to see beyond her fear! Worse yet: she did try to love him, but "never again"! Hatred of abandoned child is a very intense thing, but it is also not a true hatred. It is more akin to cry for being accepted, but distorted into insults, curses, pushing away and such!

^^^ If this doesn't look like Humanity running wild manifestation of someone's own repressed self-hatred, loneliness and suffering getting unleashed I don't know what does fdhfdhs I don't know, man... I just think there is more evidence for the fact that he's been suffering because of her.

[casuallyanidiot]

Yandere deer Hybrid with a hunter darling.

Tw.Nsfw themes! Dead dove do not eat!

Kidnapping, death, Yandere, MDNI

He's so regal and princely, with auburn colored curls framing his face like ribbon would a doll. Ciervus is a proud one, and he doesn't shy away from it. He stands taller than his peers, and his winding horns only add to his already imposing stature. He's a catch by all means: strong and intimidating to the point where no predator would mess with him and his future doe.

No one except you at least.

Ciervus is absolutely fascinated. He knows you're not something he should trust, but you've got so many things about you that he just can't tear his eyes from. Your hands are rough from handling your rifle all day, everyday, and you've got this permanent frown on your grimed streaked face. How odd. He thinks you'd be a cute doe, if you weren't fully human that is. He can't blame you for that, but it is a bit frustrating. He has his pick of potential mates, and if you just had little fuzzy ears or shiny black hooves, then he's sure he could've had you squealing and under him a long time ago.

He stamps his feet in frustration as he watches you. There's something thrilling about watching you settled in the underbrush, pointing your weapon at those he would consider his people. Every few days or so, someone he grew up with, frolicking in the spring once long ago, would disappear with only a loud bang and a streak of blood to signal their fate.

He knows it's bad to even seek you out. He could die. You would have no reservations about killing him after all. But Ciervus can't help the way his loins grow warm when he catches your scent through the trees. Even when you've dragged off the body of another poor deer, he's crouched, pressing his nose into the earth where you had sat in wait only hours before. There's something primal in the way he huffs your lingering smell off of the scattered leaves and smushed grass.

He wishes that you would know he was here, so that he could woo you properly.

Ciervus approaches you one day, and in his hands are his shed horns.

You're apprehensive, to be certain, but you let him come close. He feels shivers run up his spine. He can feel your body heat as he leans in close and presses his gift into your hands. He doesn't know why for sure you hunt those like him, but he thinks the antlers might have to do with it. He doesn't care all that much. You can't shoot him from this angle, pressed up against your back with his teeth grazing over your skin. He can feel you freeze up, and he grins at the though that this might be the first time you've ever felt like prey out here in these woods.

He lets his hands wander, dipping down the curve of your waist. You smell like death, iron, and sulfur, like you're a devil haunting this place. He relishes your pounding heart, and his lips press into the thrumming pulse point. It's then he reaches back and presses his fallen antlers to you. He figures you should have them. They take a year to grow and fall off, and he's spent that time yearning for you. It's only fair that the human tangled in greenery is the one who gets it.

"You deserve these," He whispers and finally pulls back. You're too shocked to do anything but sit there with eyes almost as wide as his and watch as he disappears.

After that day Ciervus becomes more brazen. He starts to stalk after you. He knows that to you, he's just some weird fawn with a death wish. Maybe he is, but that doesn't mean he'll let you kill him so easily. He gives you so many reasons not to.

He knows that other deer trust him. He knows that to the other woodland critter, he's just an innocent face that is not to be messed with. In that sense, he knows he can be of use to you. For as much as he follows you, you now also follow him. It sends a thrill down his spine, knowing that the barrel of your rifle is trailed after him. If he was going to lose his life to anyone, he'd want it to be you and not some drooling, snarling creature that would tear his beautiful face into a bloody mess. But he wants more time with you, so he leads you to other hybrids.

A fox, a goose, a wolf, other deer, it doesn't matter. You learn quickly, and you know that where he goes, there's an easy catch.

You vanish into the dark tree line, a body dragged behind you, and each night he lets you leave. You always return for some reason or another, and he doesn't fear the lack of you. At least he doesn't until you're gone for over two weeks.

Ciervus is beside himself. It's the first time that he's been without you for this long, and he begins to wonder if you'll ever come back. He's especially volatile during then. He fights any other young buck that come near, his nostrils flaring and his little tail wagging in utter annoyance. He expands his territory in an attempt to see if you went anywhere else, if you finally decided you were done with him.

When you appear once more, face blank and unchanged, he decided he can no longer take it. You must think nothing of him. Truly what a little fool you are. You must learn. You have to understand how he feels, and that he will have you even if it kills him.

He doesn't lead you to another hybrid this time, and he feels his cock twitch when he sees the frustration on your face. Oh...you were looking for him. It's a gratifying notion, and he bites his plump lip in excitement. He lets you go about your normal routine, but this time when you start to take your hunt for the day and leave the woods, he follows.

He's never left the sanctity of the woods. Not once in his entire life. There's this twisted sort of pride that fills him knowing that he's doing this for you. And as he peers inside your little cabin nestled along the roadside, he knows that the only reason why he would be doing any of this is because you're going to be his mate.

Your home is filled with the smell of iron and chemicals that burn his nose, but he watches from your window as you wrap a stiffening body (A rabbit hybrid this time) in a tarp and wait for a rumbling truck to come and take it away. He can see you be vulnerable in a way you'd never been before. Your bulky hunting gear is off, and he can finally see just how little you are compared to him in all his hulking glory. His ears twitch. You really are just a little doe.

He waits for you to relax, sitting on your bed and yawning as you prepare to rest for the day. He strikes then, breaking your window and yanking you out with little regard for how the glass cuts into you on the way out. His lithe and bulging arms wrap tightly around your midriff and knock the air out of you. He smiled at the way you try to fight despite struggling to breathe. He croons and presses a kiss to your cheek. He suspected as much when he gave you his antlers, but you really aren't all that strong, are you? At least not enough to fight him off.

He shushes you and shoves two thick fingers into your mouth when you try to scream, and a wide, unnatural smile crosses his lovely face.

"Shhh, shh its okay- ow! Hnh, haha, I guess I deserved that. No more biting, okay little doe?" He murmurs as he pets your hair and drags you further into the forest. It's so dark, and he knows that your human eyes won't be able to see where he's taking you. He takes you to a little cave decorated all pretty with soft furs, flowers, and moss. He sets you down, thrashing and screeching, into a little nest he's made.

He knows you think you're strong, but he's going to make sure you know your place. You were never really meant to be a hunter, you were always meant to be the strong mate he deserved.

His large hand reaches down and finds your ankle, catching it from where you tried to kick his sides. His wide, dark eyes peer down at you, and he smiles. Oh he how he loves you, but you're far too stubborn. Even now you're clawing at his arms, and his face crinkles apologetically.

"Little doe, this is for your own good," He says with a firm tone. You part your lips to argue, but a sickening crunch reverberates throughout the cold, stone walls of the cave. You let out a bloodcurdling scream as your leg twitches in pain. He releases your now broken ankle, and he wipes away your tears as he puts extra padding around your wounded foot.

"There there, don't cry. Shhh, shhh you're okay. I'll take care of you," He soothes and presses you down. You're a little heap of sobs, and his heart squeezes painfully. "Don't worry, little doe. I'll be a good mate. I'll wait until you're allllllll better before I start trying to get you used to me down here," He says softly as he presses his hand to your clothed crotch. He feels you flinch away, and Cervius can only chuckle.

"I know, I know, we won't do that until you feel better," He assures you and presses his palm over your mouth to muffle the insults and screams that were trying to escape that pretty mouth of yours. He waits until you pass you before he finally relaxes and snuggles up against you.

He's finally caught you. His little doe. His prey.

[thousand-winters]

One of the most unsettling things about Belos making grimwalkers over and over and over again, aside from the obvious, is what he had to do with the materials.

The ortet bones? Well, I guess he could have plenty from Caleb's skeleton or even from the dead grimwalkers if he ever had to get to that point.

The selkidomus scales? Depending on the quantity he needed, even killing one selkidomus would last him for a while if he preserved the scales really well, though it also seems like they're not all that common by the time the story takes place, so there are chances he hunted them too much and put the species at risk.

Palistrom wood? Now that one was definitely scarce at this point, but of course it seems like he exploited that resource over and over and over too, either in the form of consuming palismen or using it for the grimwalkers.

The galderstones? Potentially he could have found a bunch of those, though we do know he was probably running out of them or no longer had any by the time of the story since Adrian does mention galderstones would make a good gift for the emperor, implying it might be known that Belos wants galderstones.

But the stonesleeper lungs...

There weren't even many anymore in the Deadwardian era, absolutely not nearly enough for the sheer amount of grimwalkers he made and killed.

So there are two options there. An elaborate explanation relating to how the EC was able to revive basilisks again (and how it seemed for some reason on that one HM memory portrait that Flora, aka Beastkeeper, had some huge relevance to Belos), which could have made it possible for Belos to recreate the stonesleepers exclusively to use them as resources, since to people like Lilith they were all but extinct.

Or...

He just. Pulls out the lungs out of each grimwalker he kills. Which is a way more horrifying possibility, but what else could he do...

[nthspecialll]

Bill Williamson shaped by an army knife

(This post is a casual explanation(ish), not meant to defend but rather explore and discuss Bill Williamson's character and how it is shaped by the army, it has also been sensitivity and proof read by a native to ensure that I did not accidently word anything in a way that would hurt the native community)

As many knows, Bill Williamson was in the army, and if you look closer you can see the many different ways in which it formed him, the ways in which a constantly stressful envioment filled with death shaped the person he is.

I am going to mention the one thing that stood out to me first, racism. Now hang on when I say this, he isn't, he is not racist, but you know what he is? A parot who got fed words and repeats them. And why would I say that? Do I have evidence? Yes.

The two characters we see Bill go after is Javier and Lenny, he calls Lenny "boy" and says "come over here!" or "I don't like your attitude", meanwhile with Javier he straight up calls him a slur. But something to notice is that Bill praises both of those characters at other times. Bill calls Lenny "son" and yells to everyone about how amazing he is and the proud almost fatherly instrict is oozing. With Javier there is a similar interaction where he is drunk and he is yapping Sean's ear off about how amazing Javier is.

We do not see that with Micah (That I can find), the only possitive thing Micah says to either of them is "you aren't so bad, for a greaser". Another thing to point out is that Micah is constantly belittling both Lenny and Javier, saying things like "you can write and everything, unusual for one of you. Oh you know, hoodlums," Bill does not, he does not belittle them.

So why would he say such things? Because he was angry, and why would he say that because he is upset?

Bill was in the army, common knowledge, uncommon (or at least commonly forgotten) is the fact that he fought the American Indian War. He did not fight other white people, he fought the native americans, and they were scary. He tells that story himself in a camp interaction, talking about how scary it was, and I do think he was frightened and not just empty words as he at the end jumps at the sound of a neighing horse.

Bill saw people get murdered, he saw his friends get slaughtered and he was told by the army to turn that anger towards the natives. The army implimented racist ideologies to excuse the genocide they were making and to rile their armies.

I often think of the line between Bill and Dutch where Bill says "I saw things!" and Dutch says "I am sure you do! But I don't think you could understand it" and I think that is spot on. Bill saw his friends dying, he saw his comrades dying, people he was likely as close to as he was the VDL gang (I will return to that later) dying. All he saw were these people murdering his friends, not that those people were fighting for their right to exist, and for every body the army framed it all on the natives, that it was all their fault, without mentioning anything that the army was doing to the natives.

The only times Bill acts out in a racist manner is when he is angry and he is often angry at himself, but he has always been told that when he is angry he should direct it towards people of color by the army, so he does. He does not believe it, but he does it anyways. There are a few times, like in the camp interactions mentioned, where he is not angry, but that is simply the brainwash that the army put him under to justify killing. He is saying those things because he has been told to.

He says the words but they seem empty as his actions are more supportive of his friends than anything.

Another thing I noticed is how protective he is of the gang, not just of Dutch, but the gang, even though he is painted as lazy, many times he is not, especially when it comes to protection. I often see him standing at the edge of camp even when he is off guard, and in that one camp interaction where strangers find camp, he is there, he is watching over them, in the Valentine robbery he was also smart enough to know to bring backup, he knew that if things were to go wrong, he needed to have someone there, Arthur.

Now some people are going to come and say "Oh but he didn't realise the security job was a trick," no, he did not, do you know who also did not? Dutch, Lenny, Karen, characters whom it was mentioned in front of. The only ones who did realise were Arthur and Sean, and despite Bill trying to throw the blame off himself at first, he does blame himself, there are interactions of him saying he blames himself for Sean's death. Similarly when Angelo Bronte offers up money, he is not planning to take it, he is making sure no one else is, I got a whole post on that.

One of the other things about Bill, is that people say he did not care when Lenny died. I do think he did, he has so many camp interactions where he is calling Lenny son, being proud of him and so on, but I do think that the army got to him there too. When in battle people die, people die often and you cannot stop because they do, no matter how much you loved that person, if you are on an open battle field charging towards the enemy, you do not have time to stop.

When in the army you are expected to be a tough manly dude, in chapter six Arthur can ask if Bill is okay and he never gives a real answer, instead he shifts the convosation away. Bill believes he is not allowed to show weakness because doing so in the army was not allowed, anything unmanly was not allowed. I do also believe that is where he gets his fucked up realtionship with his sexuality (I am not even going to explain why I think of him as queer, I do believe others are able to see if, but also if anyone says "No he aint!" that is a fair opinion but the va does hc him to be queer), wanting to flirt (or at least befriend) Kieran but not knowing how to without coming off as unmanly.

Returning to how he would care for the army friends he made, is how he ended after he got thrown out. Bill says his biggest fear as a kid was to be an alcoholic and look at where he ended up. He even says he completely lost himself after the army, that Dutch "saved Bill Williamson."

Well even if it was not everyone whom he liked, there was at least one person. If we look at his letter from the army, he is thrown out for attempted murder and deviancy ("the fact or state of diverging from usual or accepted standards, especially in social or sexual behaviour." aka can be used for homosexuality). An interesting thing to note is that both of those alone is enough to throw someone out of the army, so why is both there unless they happened at the same time? I see it likely that Bill was discovered with a lover and either the person found them attacked Bill and lover or Bill attacked the person who found them to silence them. Either way, Bill did not succeed and instead he got thrown.

Tags: @cupidsbeartrap

[feminismisstillahatemovement]

You truly don’t believe that most women can genuinely love their husbands? Do you think the same is true in the inverse?

No, I believe that most women can fall in love, I just don't observe them worshiping the man they are with like a god for decades until death, the way a lot of men will worship a woman. There are some fairly simple evolutionary reasons for this, if you need me to go into them.

This particular difference between the sexes is, interestingly enough, one of the main reasons the attempts to make women heroes in modern films have failed so badly: the male hero has, for many thousands of years, always been a sacrificial role, in which he offers up his life on behalf of the tribe, which they traditionally reward after his death with honors and public gratitude. But in the western tradition we don't feel good thinking of women as sacrifices on behalf of men, and we can't sell that convincingly to the people.

In other words, if a male cowboy or astronaut or cop or fireman or whoever dies at the end of the film to save a woman and her children, we feel he has done good, and can leave the cinema oddly elated. Whereas, if a woman is beaten to death or torn apart or burned alive in order that a man she doesn't know gets to live, we don't feel that trade has been worth it, and we feel that film's a downer.

The feminist ideologues pushing for all these kick-ass action heroines misunderstand the 'hero' label as simply a nice shiny thing they want, because they see some men have it, but the thought of the women they are writing sacrificing anything never even occurs to them. So, instead of creating female counterparts to male heroes, they create extraordinarily selfish, belligerent and unlikeable Mary Sues, who simply beat up and kill men to get their way, and that is what is now being presented as a positive role model to young girls, just making the world worse one awful film at a time.

The root biological truth, that we all innately know but never openly acknowledge, is that males are disposable, and women are not, because women bear the children, and so must be protected more than men. Both men and women view women as more valuable than men, unless that man is supplying something extra and extraordinary to the tribe (or individual woman), and even then, that just brings his worth up to something approaching the level of care we have for women.

Another way of putting it: If King Charles III dies jumping on a bomb to save a mother walking by, we will think of him as a good dude. Whereas if Queen Elizabeth II had died leaping out of her carriage and jumping on a bomb to save the life of one of her footmen, we'd likely think of her as mentally ill, as it would be so outside of our hierarchy of values and expected behaviours.

Just some thoughts.

[venus-is-thinking]

DRDT Chapter 2 Episode 14: Initial Thoughts

What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!

SPOILER WARNING FOR DRDT CH 2 PART 2!

T/W: Murder, hanging (with depictions)

The Reactions

Hu is literally so pretty.

I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.

RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.

I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.

Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.

This is honestly very valid.

Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?

Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.

Like, girl. They literally JUST said that they don't trust anyone. That includes you.

She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?

(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)

Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???

If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.

It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.

(The entire fanbase nods in agreement.)

I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.

I got so jumpscared by the Closing Argument-style CG.

I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.

I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.

This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.

I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???

where did their cape go :(

Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.

*Levi's secret quote looms*

Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??

Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)

TAPE TIME :D

The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???

Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."

Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.

I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.

In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.

Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.

I'm probably reading into things too hard, but it's so hard with David. What do you know!!!

Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.

I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.

This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.

It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.

I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.

I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.

To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.

I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.

It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.

It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.

will I EVER understand what the fuck this man is cooking

Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos

My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.

I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.

...*squints REALLY fucking hard*

The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.

Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?

i'm out of images :(

I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.

On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.

Theory Update/Analysis

Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.

I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.

EDEN

Reasons Eden Would Be The Blackened:

THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.

THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.

NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.

A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.

INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Eden Wouldn't Be the Blackened

HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.

HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.

THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?

THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.

GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.

Points About Eden That Could Go Either Way

THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.

RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.

CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???

ACE

(why are they both orange)

Reasons Ace Would Be The Blackened:

NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.

WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.

WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Ace Wouldn't Be the Blackened

OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?

SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.

EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.

STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?

ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.

COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?

Points About Ace That Could Go Either Way

TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).

ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?

Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!

For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.

[gdn019283]

Kilgharrah is a dragon that lost his entire species, watched his fellow companions get killed by Uther and by his genocidal reign, and got imprisoned and chained in a cave with no food or water for more than 20 years. He had nothing and no one, but lived through it all by sheer force and the will of revenge. He is a sentient being, with emotions, thoughts, a voice and the most powerful magic the world has ever known (even more powerful than Merlin’s, and we saw it).

Yet, I don’t understand why most people in the Merlin fandom find him the culprit of many of the choices on the show and even of the end.

His kind has been wiped off; he had revenge to think about while being imprisoned. He did not point at Arthur specifically or at Uther, just at the injustice of it all.

But still, he listened to Merlin and respected what he had ordered him to do, even after all he had endured.

People often tend to forget that Merlin is, as much as Gaius, a class traitor, and if we can explain why he is, then why can’t we explain Kilgharrah’s behaviour?

Most choices he told Merlin to make were part of his rational mind, one that had seen various parts of the future. He thought of the ones that made most sense to him and even then, Merlin defied him, so how can he be Kilgharrah’s fault that everything went to shit in the end? The dragon was tired, old, lost and maybe hopeless, but he persisted, he tried giving Merlin what he never had, what even Gaius couldn’t give him:

a space to be actually free; the joy of flying; a good friend who understood what being magic was like, because Kilgarrah is as ancient as the earth itself and magic flows through him too.

He helped Merlin so many times, told him about killing Morgana, because he knew that Merlin had already made a mistake. From then on, the future had changed shape and Kilgharrah saw it. He tried to prevent the worst, but it was Merlin who didn’t listen to him, it was him who said he didn’t want to kill a friend, it was Merlin who said that he couldn’t stand his friends’ grief, it was Merlin who commanded rather than asked Kilgharrah to gift him the power to heal Morgana, and it was actually Gaius who had told Merlin he had done the right thing by trying to kill Morgana (and this is only an example. Merlin did not kill other people when Kilgharrah told him to, so Merlin had something called free will. Every choice was made by him, and the Great Dragon has nothing to do with it).

All Merlin’s points were right, yet, for a dragon who didn’t have the tools to prevent Merlin’s mistakes and choices, he tried to warn him the best way he knew how. Most of the times it was with simple actions that went straight to the point.

If someone has to be at fault, then Merlin has to be at fault too.

I like Kilgharrah.

He is a great character, an example of what genocide can do to you, and he is so funny, so complicated and the fact that they were able to give such a good personality to a dragon warms my heart. He is a listener, he tried helping Merlin even when he couldn’t and was so happy when Aithusa was born.

He wasn’t alone anymore.

Merlin was his friend, because they were the same:

Lonely, and just that tad bit hopeful that a greater future was ahead of them.

Merlin did not fail because of Kilgharrah and to the dragon’s opinion, Merlin actually didn’t fail at all.

What I find unjust in the show isn’t really Arthur’s death. It’s the way we come to it and all the wrong things that happen in between, the non logical way Merlin’s magic worked, but what if Arthur had to die in order for Albion to have its Golden Age?

And perhaps, Kilgharrah knew, but didn’t know how to tell Merlin, much like Merlin couldn’t tell Gaius what he had seen in the Crystal Cave, because the future can take so many different shapes, and it was Merlin who ended up creating it, while he had tired to avoid it and change it, at the same time.

Kilgharrah is an amazing character and I love the shit out of him.

[short-wooloo]

The thing that really jumped out to me about Transformers One was how relevant Megatron and his "burn it down" view is in the current day

I see it so often, young (often leftist and/or communist) people who declare that the only solution is the destruction, at best not thinking about the innocents who will disproportionately suffer from it, and at worst deliberately ignoring the suffering, or worse declaring the death and suffering to be "acceptable losses"

(Spoilers under the cut)

And we see this in the film, Megatron has won, Sentinel Prime is beaten, injured, has been exposed as a fraud, and lost any support he had, but it's not enough for the newly christened Megatron, the only thing satisfactory to him is total, unnecessary destruction, he brutally kills Sentinel (there's something there to be said about revolutionaries declaring themselves judge, jury, and executioner), Murders Orion in the proccess, and has the proto-Decepticons start indiscriminately firing in order to "burn it all down", endangering the lives of other bots-including his fellow miners!-in the process

But this is fine to Megatron, because to him the goal makes it ok, "the ends justify the means"

But "the ends justify the means" always leads to a dark place, and that is what "burn it all down" is at the core, the willingness to sacrifice so many innocent people for a hypothetical

But there's another way Megatron feels very similar to the "burn it all down, damn the collateral" crowd

The way both deem those who prefer reform over destruction to be a traitors or just, if not worse, than what came before, real life "burn it down" types tend to hate reformists and realists (ie normie libs) more than the fascists and racists

And lastly, there is the Tyranny

We all know Megatron's story, what he will becone, a Warmonger, genocidal towards non Cybertronian-especially organic life (who wants to bet in the sequel Megatron's solution for dealing with the Quintessons is to Slaughter them to the last?), a mass murderer, destroyer of worlds, and above all, a Tyrant

That is where his revolution leads (oh hello russian/french revolution and civil war/napoleonic wars, I didn't see you there), because Megatron sees violence as the only answer, violence will be his only answer, violence is what keeps his followers in line (Starscream), and if he successfully comes out on top of the coming war with the Autobots, violence will be the only means he'll remain on top, because that's the only reason he's there in the first place

The "revolution, burn it down" types of the real world already have a nasty pro authoritarianism streak, between their dictator worship and belief that they know best and everyone who disagrees needs to shut up/is a traitor and must die (but leftistly), why would that change if they get their wish of violently burning it all down?

[distort-opia]

*bursts through your window at 4AM wearing bloodied Hamlet costume* Hey Tort beloved i got you a whole chicken and an egg for breakfast:

Batman VS. Bruce Wayne— which one, in your opinion, is the person and which one is the persona? Realistically, when hell breaks loose on a good god abiding gotham day, which one could Bruce lose and still have his identity remain somewhat intact? I know different comics and media take complete separate parts of him as what makes him, but which one do you think makes Bruce Wayne who he is at heart?

Hi! You're not the first person to ask, so I'll put these two together. Thank you for the hearty breakfast and please accept these cakes as apology for how delayed this answer is (you and Anon both).

To be honest, I consider the question of "which one is real, which one is fake" as a bit overdone... and needlessly complicated. Especially because many times when people bring up the debate, they're thinking of "Brucie Wayne" and "Batman", with arguments of Batman being the real personality seemingly always correct and almost obvious. This oversimplifies things, because there's "Brucie Wayne", there's Batman, and then there's just Bruce.

Is the persona of "Brucie Wayne", the ditzy womanizing playboy with half a braincell, fake? Yes, absolutely. That one's a mask which serves the purpose of hiding the existence of Batman. But is that the same as Bruce Wayne, the man we see joke around with Alfred in the Cave, interact honestly with Dick and the Family and Talia and Selina and so many others-- the human underneath Batman? No, it isn't. That Bruce Wayne is very real. And Batman is not a separate persona or a mask, it's just another facet of the same person, borne out of Bruce Wayne's trauma. Batman is so many things... a coping mechanism, a way to commit suicide, the fantasy of who Bruce would like to be; but he's got roots within Bruce to such a fundamental extent that calling him a mask, or a persona, feels wrong to me. Batman is both the worst and the best of Bruce Wayne. There's no separating them... no matter how badly Bruce would like to make it that way.

Because Bruce has struggled (and still does) a lot, both with admitting to himself that there's more to him than the existence of Batman, and with maintaining a balance between the many personas he wears. "Batman is the real one, Bruce Wayne is fake" is something Bruce desperately wanted to believe and make real himself, in multiple stories. This is where this long-standing fandom belief probably stems from: from Bruce having convinced himself that "Bruce Wayne" is dead, and that there isn't anything left to him but Batman. Hell, Bruce has literally tried to "kill" Bruce Wayne and only be Batman in Bruce Wayne, Murderer? and Bruce Wayne, Fugitive; this is probably the story arc that dealt with this divide in Bruce's psyche in the most depth, I absolutely recommend giving it a read.

However, the more important thing is the why. Why this constant struggle? And it's a simple reason... maintaining ties to his humanity versus giving himself over entirely to the Vow. Batman was forged out of Bruce's pain, and is a response to loss. Batman is how Bruce channels his emotions into purpose. Batman will always want to never go through the loss of loved ones again, and the simplest solution to that is to never care again. Never have romantic relationships, maintain a distance from all the people in his life. But humans can't live like that. Bruce can't live like that, he needs grounding by the many relationships he does have, despite how much the side of him that's Batman pulls in the other direction. That's why Bruce Wayne, Fugitive ends like this:

And the thing is, we keep having the same story, over and over. Bruce nearly being consumed by Batman, and then finding his way back, most of the time with the help of his Family.

Here's another instance:

Batman: Legends of the Dark Knight #140

And another one, which so beautifully illustrates how Batman and Bruce Wayne are the same, but also how Batman contains a suicidal and self-destructive side of Bruce too:

Batman: Ego

(Lol. Yeah this is your life, man.)

But you could find an equal number of examples in which Bruce declares that "Bruce Wayne" is useless and disposable, and that Batman is the only thing that matters (e.g., Robin 1993 #125). Because again, this is comics. There's no finality in sight, no traditional ending that everything we read is heading towards. Bruce will keep doing this dance, will keep having to learn how to balance these two sides of himself. Most recently this happened in Zdarsky's Batman run, with the conflict between Bruce and the Batman of Zur-en-Arrh... but don't even get me started on that utter disappointment.

Actually though, @psalmsofpsychosis, this part of your question is quite interesting: "Realistically, when hell breaks loose on a good god abiding gotham day, which one could Bruce lose and still have his identity remain somewhat intact?" Because there have been times of crisis in which this has happened, in comics. And what Bruce did is probably not what you'd expect. This answer got long enough though, so I'm putting the rest under the cut.

Bruce has gone through a lot. There's been many catastrophic-level events he's dealt with. And at first glance, you'd think that he'd consistently fall back on Batman, if that's who he "really" is. But when his will genuinely breaks, that isn't what always happens. In Batman: Cult, a story that takes place towards the end of Bruce's first decade as Batman, after Jason became Robin, shows that Bruce can give up:

Batman: The Cult

Bruce abandons Gotham, and with it, Batman. Obviously, he eventually comes back. But it had to be Jason dragging him around for half this issue just to make him fight, just to make him function. (Much earlier than this, in Going Sane, he also considered just leaving Batman behind. But that story is deeply intertwined with Joker's identity as much as his, so I'm just mentioning it.)

And then Barbara gets shot, Jason dies, Bane goes after Batman in the Knightfall arc... it's just one thing after the other for the poor guy. Knightfall and its continuations are very extensive and many things happen, but after Bruce's spine is broken, he leaves Jean-Paul Valley in the role of Batman. And even after Bruce's injuries get healed, making a previously proclaimed goal of becoming Batman again much easier, he tells Tim that he doesn't want to come back. That he wants to stay retired, and "rejoin humanity":

Batman: Knightquest

Tim has to tell him of a crime that Azrael as Batman did, which is impossible to ignore... and Bruce has to confront Jean-Paul and see the truth of him having gone mad himself, before he decides to retrain and "become worthy" of his Batman identity once more.

Then, in a much bigger and well-known storyline that follows the Cataclysm event, Batman disappears for months. No Man's Land starts with a world in which Bruce has been away in Monaco trying to be someone else, instead of in Gotham, being Batman and taking control of the wrecked city which had been abandoned by all. Oh he comes back, but still...

No Man's Land: Ground Zero

So. Batman isn't his "real" identity, it isn't the core of him. Many times, he's wanted to run away and leave Batman behind, just like in some stories he was ready to completely destroy the "Bruce Wayne" identity and only be Batman. But in times of crisis, he repeatedly tried to leave and find happiness outside of Gotham and carrying the mantle of Batman... without succeeding.

Sometimes, Bruce hates Batman, and tries to run away. And other times, Batman hates Bruce, and tries to destroy him. It's a constant give-and-take, and neither facet of him has managed to succeed so far, because Bruce is Batman. There's no one without the other.

[cerise-on-top]

König as a Father to a Son

I saw people characterizing König as someone mean and cruel again. Do people honestly think he would only care about his daughter and not his son? Some people make me really sick. Anyway, here's König as a father to a son, who he loves and adores and would fight the world for because he's a good father <3

I can see him being close to tears the first time he holds you. It doesn’t matter to him whether you’re related by blood or if you’ve been adopted, you’re just so small and helpless. You’re so tiny, he could easily crush you and just kill you. He’s well aware that he shouldn’t be thinking anything like this about you, but he can’t help it, you’re just so incredibly precious to him. He knows that you’ll grow up into a fine young man, and he’ll do whatever he can to ensure that you’ll be happy in your life. Although his partner would want to hold you as well, I feel as though he’d have such a hard time letting go of you, his paternal instincts kicking into overdrive. He’d smile so much, putting his forehead against yours and just cooing at you. You’d make him the happiest man in the world and he wants to be a good father for you.

However, he wouldn’t be all that present in your life. He’s a good and competent soldier, who works at a PMC, so he will be sent on many missions. However, the thought of making it back home, just to see you grow up, keeps him going. Even if he’s been shot, he’ll think about you, about how bad he wants to see you, about how he wants to be present in your life, and he’ll carry on. Even when he should have died, his determination kept him going. He’ll become an even more efficient soldier on the battlefield once he’s had you. Nothing and no one can keep you from him.

When he is present? He’ll try to spend as much time with you as possible, trying to make up for the lost time. He’ll go take walks with you, he’ll cuddle you in bed as you’re both drifting off to sleep, he’ll buy you whatever you want. He has the monetary means to do so, so why wouldn’t he spoil you? Lots of hugs from your father, he’s really just trying to bond with you. Yes, many people might see him as a monster, but he can be truly kind hearted with the people he cares about. He’ll play with you, he’ll let you sleep with him in his bed, hell, he’ll even let you use him as a tree to climb whenever you so please. He’s really not so bad as a father. If you really want to, he’ll even play fight with you, always losing and pretending to be hurt to show you just how strong you are.

Even as you grow older, he’ll try to be with you as often as he can. Always calling you, sending you text messages and such. He just really wants to be part of your development. And if anyone ever gives you trouble at school? Well, normally he’s not very confrontational outside of his work, but when it’s about you he would not hesitate to demolish another child either. He will threaten those children until they start crying and leave you alone. Even if you might not want him to, he will find out who those little brats are and make them leave you alone. He remembers how horrible it is to be bullied at school and the last thing he wants is for you to go through the same thing. He will not tolerate you feeling bad about something that you can’t control or that isn’t your fault. Papa König always has your back.

That being said, he’s probably not as strict as many would think. Sure, he’s a military man who has killed more people than most of us ever even got to know, but he does want you to live your life too. Sure, he’ll teach you how to defend yourself. It’s one way of him bonding with you as well. You’ll become a strong young man, but you better not use your fighting skills for evil. You should be protecting the weak with them. If he ever finds out about you abusing your fighting skills he will get genuinely mad at you and scold you. But I think in that case it should be justified. No, he’ll have you grow into a fine young man, who will protect those who can’t protect themselves. You’ll be a kind and compassionate man under his care. Even so, you’re not forbidden from going out with your friends to drink here and there. He did too when he was younger, his parents never minded. Drinking is a huge part of Austrian culture, so he’ll even buy the booze for you and your friends. Nothing too strong just yet, but you can count on him. Will also go grab some fast food for you and your friends as well. All in moderation, though. He doesn’t want you to drink too much either. But he would sit down with you from time to time just to drink a beer or two with you.

He’ll also try to give you the feeling that you could always come to him if you ever need support. He’s a lot older than you, he has a lot more experience under his belt than you do, so he will always do what he can to help you out. Especially if you have a mental illness. He has social anxiety, so it’s not like he doesn’t get it. Doesn’t matter if you have a personality disorder, schizophrenia, or something else. He’ll do his research and try to help you however he can. He won’t judge you for taking medication and he won’t judge you for needing help either. Just because you’re a boy doesn’t mean you should have to bottle everything up until you reach your breaking point. If you ever need help, you can always come to him. Regardless of whether you want to vent, want some advice, or just want to cry into his shoulder. His parents always did the same for him, so naturally he’ll do the same for you too. He won’t judge you, he won’t yell at you, and he won’t scold you. He won’t ever neglect you just for feeling the way you do. Quite the opposite, he’s glad when you do come to him, it makes him feel as though you trust him and that he didn’t fail as a father. You’re his son, so of course he’s going to do whatever he can to make sure you can smile and be happy.

König doesn’t mind you being queer either. Why would he? He’s not straight himself either, so he’s one of the last people to judge you about it. Will give you a pat on the back and thank you for being honest with him and trusting him enough with this kind of information. If you want to go to Pride, he’ll join you. While I don’t think he’ll be happy per se to be surrounded by this many people, he’ll do it for you so you can celebrate who you are.

Another big thing for him would be that he’d teach you German. Both High German and his dialect. It’s very important to him. I think he would get a little more strict with you if you were to only speak High German. His dialect is a big part of his culture, which is slowly dying out and being replaced with High German, which is a huge shame to him. He wants you to speak his dialect and will correct you if you speak too much High German. Sure, he’ll always know more words in his dialect than you since he’s of a different generation, but you will be speaking his dialect for the most part. This is only if you’ve been adopted, though. If you’re related by blood then he’ll naturally teach you his dialect.

Overall he’s a pretty loving father. He’d fight just about anyone for you and make sure you’re doing well, no matter what. He’s just happy to have a son like you, he loves you so much.

[ambeer6]

Longer than expected yapping about case 2 of DRDT. (dated ep 14 of ch 2)

Some thoughts about the chapter 2 case. Warnings for all the obvious.

First of all, I think Teruko is right about how the pulley system was set up. Rope over the rafters on the ceiling, then through the seesaw and then around the carousel. Then tying the rope to the correct length before letting go, so there's no worry about stopping the carousel with your bare hands. This simply makes sense.

Something that confuses me, is the amount of people arguing against this idea? Not many people on tumblr thankfully, but I don't really see why this setup would be unbelievable.

Advantages of the pulley:

Using a pulley reduces weight. Arei would be far easier to lift using this method. Even a kid could lift her this way by simply leaning into the carousel.

Using the pulley means you don't have to pick up Arei and hook her into the noose. You can simply leave her unconscious on the ground and hook the noose around her instead, then push the carousel.

Even if you're okay with her dying of strangulation, it's easy to tie the rope to the right length and just let her drop to break her neck. It grants Arei a quick death. (and you'll be done quicker)

Even if the killer is strong enough to just lift Arei into the noose, using a pulley is much easier and means you'll spend less time holding her. I know not everyone would care, but I certainly wouldn't enjoy holding onto an unconscious girl and trying to lift her into a noose, let alone an awake girl trying to struggle. (if you believe she woke up)

Downsides of the pulley:

A lot more work to clean up afterwards. Especially since we know most of it wasn't actually cleaned up, all they did was hang Arei into a different place afterwards. (I wonder if they were in a hurry, or if they assumed that somehow people wouldn't realize Arei couldn't have broken her neck from the short rope on the swingset)

a lot more work to set up to begin with. You'll have to either get up very early, or set it up the night beforehand if you wanted to be completely prepared for the murder. Clearly this wasn't just a spur of the moment thing.

That's pretty much all I can think of, honestly. When talking about the advantages or downsides of the pulley at least.

Other stuff that's maybe a bit silly to bring up:

Those fish are a bit big to have fitted through the holes in the jerrycan handles.

How do we think those jerrycans were attached to Arei? Like, I know the handles are broken (also giggle at the size of the holes and the size of the fish), but my question is more like... did they use rope? It sounds logical to use rope, but they don't mention any rope burn on Arei's body.

Maybe the 'glove is for ropeburn' truthers meant the ropeburn on Arei herself? Did the killer place the glove on Arei's neck before hanging the rope with the jerrycans off her? If they got rid of the jerrycans afterwards, maybe they also took Arei's glove. (disclaimer: I don't think they used the glove this way, but I'm open to arguments in favour of it's usage)

Rose mentioned she memorized the trash. Do you think there's a chance the needle and thread will be brought up by her? I feel like if those are going to be important, then Rose will be the person to mention seeing them in the trash.

Clothes baul.

Something else I want to mention is that the way some people talk about this case makes me uncomfortable. I want to remind people that this is just a story that someone wanted to tell. I understand that the people saying they'll drop hang themselves if the killer is a specific person are just joking, but if I were the dev, I'd feel extremely uncomfortable from just how many people are talking about the case like this.

I understand not wanting a certain character to die and I can't stop you from making jokes about it, but saying that killing off your fave character is a horrible writing choice and you'll kill yourself over it, would put immense stress on the dev, as well as everyone who helped with the project.

Also on the topic of writing: people make illogical decisions sometimes, but especially when under stress. The case needs to make sense, but I don't want people arguing something is bad writing because the killer made one or two illogical decisions along the way.

Another thing I noticed is that a lot of people are assuming what I call the "Ellery Queen case logic", which assumes that the reader (or viewer, in this case) should be able to solve the full murder based on the clues given during the investigation, before the confrontation (trial, in this case). While definitely understandable, it's great being able to solve things beforehand, we need to remember that this is not the only way to go about writing cases. Personally I've engaged more with what I call the "Arthur Conan Doyle case logic", which leaves the most vital piece(s) of evidence hidden from the reader (viewer) until the end of the final confrontation. This makes is either very difficult, or even impossible to solve the case beforehand, meaning you'll have to wait until the very end to even see the final piece of the puzzle.

Now, there's no saying whether Despair Time uses either one or the other case logic style (they could mix it up between every chapter if they want to), so because of that, I ask people to be polite about people's theories, even if they don't explain every single piece of evidence, or if they state that we need to wait for more evidence to be revealed even though the trial already started.

Nothing wrong with voicing your own ideas on people's theories, it can be helpful if they actually misremember something (I misremembered stuff too, so it was good to have it pointed out!) and can help people rework their theories with your arguments in mind, but I just ask that you're not condescending about it if you do.

THAT'S ALL! THANKS FOR READING!