#almost fragile
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the necrodancer watching me shit the bed on every custom chart available
#rift of the necrodancer#crypt of the necrodancer#listen. I'm in a fragile state. and hearing his ''that was embarassing'' voiceline after not even making it halfway through the song almost#made me cry#Mr. The Necrodancer can you please be niceys to me. people on the steam workshop are insane it's not my fault
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Shen Jiu and Shen Yuan are both indoor cats but for different reasons
#shen jiu keeps destroying the local bird population and getting into fights that he does not always win#shen yuan is too fragile for the outdoors and keeps getting catnapped/almost hit by cars/crying#also neither cat is spayed or neutered and that is a problem in of itself#svsss#crack#should i tag the characters#yeah it'll be funny#shen yuan#shen qingqiu#shen jiu
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On the Wild characterization issue...sometimes I can't help but wonder if they're viewing him through an early game lense or as a player with a lot of game overs? Trying not to be judgy I think the way different players game experiences map on to how they interpret links personality is a really fun and unique aspect of the fandom. That said what I really don't understand how common it is to cast him as a teenager, I look at that guy and see early 20s idk.
with botw being probably one of the more popular and most accessible game to new fans i think we really do see a lot of diversity with people characterizing him how they play him, and i think it brings uniqueness to his character, like if they died a lot and want to then characterize him as a bit more reckless that’s whatever. ive been watching my best friend play botw and shes insane and will get up on a hill like a sniper and just take out bokoblin camps instead of doing what shes supposed to and she wont use like any weapon except the bow even when shes 2 feet away from monsters whereas I spent a lot of time running around and photographing mushrooms and animals when i did my play through. everyone plays the game differently
but Wild is not useless or fragile or a five year old, and never while playing his game did i ever think those things. Him coming out of the shrine doesn’t make him suddenly 1 day old, memory loss doesn’t make someone an infant and we really need to stop using the word ‘feral’ to describe human (hylian) beings. i understand hes not real and people can characterize him however they want but seeing such a capable and independent character turned into a useless baby makes me a little angry because where on earth did that come from. he is one of the more independent links, there was no companion holding his hand for his entire journey, and while yes there are some characters who have experienced traumas so great that there are things theyre now incapable of doing, i dont believe Wild to be one of those people. if anything his failures have only made him more driven and more determined and more angry and desperate to succeed this time
also im like 90% sure that canonically in botw he IS a teenager so thats probably why people make him so young, plus i have some memory of jojo saying he’s 117 somewhere
#everyone can have their own opinions i just personally hate to see that characterization of wild#hes not a baby hes almost an adult and hes not some fragile little thing that will break if you look at him weird#jes ask
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laur and their strange creature thing
#ewlaur#brodites who like laur rejoice r n... everyone ekse SHUT UP#me i like laur i do me THIS CONTENT IS FOR ME and me alone#obligatory they them laurel design mention nonbiney wow woooo laur#ew eduardo#eduardo ew#eduardo eddsworld#eduardo sensitive about his teeth cause uhhhh uhhh INSECURE..nice#hes sensitive about everything though fragile masculinity?WRONG fractured masculinity that shit is cracked and in a million little pieces#i like drawing him and his baby darling laur almost normalfys him a tad by just existing#only a tad</3 laur is just as crazed so any balance is immediately lost#idk who cares lol :3!!!#i was going to worry about cracking down on all my unfinished junk and shit butttt#actually! i dont carr! i want to draw what i want#i wont win over all public favor and all the cool artists deeming I'm cool whether i post neighbor slop or try hard high effort slop!#no point in trying to make content for a hypothetical non existent audience! be your own audience type shit#uhhbhh...thats it i think...uhhh meow#HEY HE SAID IT!! HE SAID THE THING HAHAH MEOW!!!!
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Headcanon that Mario needs to hold Luigi (or Peach) whenever he's feeling riled up and needs to calm down.
#like say he almost got into a foggt woth bowser or spike for disrespecting his family or friends#or he's had to save his brother from danger for the billionth time and his heart is already fragile as it is#super mario#mario#luigi#mario headcanons#headcanon
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Frev friendships — Robespierre and Éléonore Duplay

Please present the testimonies of my tender friendship to Madame Duplay, to your young ladies, and to my little friend. Also, please do not forget to remind me of La Coste and Couthon. Robespierre in a letter to Maurice Duplay, October 16 1791
Present the testimonies of my tender and unalterable attachment to your ladies, whom I very much desire to embrace, as well as our little patriot. Robespierre to Maurice Duplay, November 17 1791. These letters are the only pieces conserved in which Robespierre mentions Éléonore.
[Robespierre’s] host's daughter passed for his wife and exercised a sort of empire over him. Causes secrètes de la révolution du 9 au 10 thermidor (1794) by Joachim Vilate, page 16.
When the constituent assembly was transferred to Paris after the October days, Robespierre came to stay in the house of Duplay, located on rue Saint-Honoré, opposite the convent of Assomption, and wasted no time in becoming a zealous devotee. The father, the mother, the sons, the daughters, the cousins, etc, swore only by Robespierre, who deigned to raise the eldest of the two [sic] daughters to the honors of his bed, without however marrying her other than with the left hand. At the time of the organization of the revolutionary tribunal, Robespierre had father Duplay appointed as juror; the two sons had a distinguished rank among Maximilien I’s bodyguards, whose leader was Brigadier General Boulanger. Mother Duplay became superior of the devotees of Robespierre; and her daughters, as well as her nieces and several of her neighbors, obtained high ranks in this respectable body. Souvenirs thermidoriens (1844) by Georges Duval, volume 1, page 247.
It has been rumored that [Éléonore] had been Robespierre's mistress. I think I can affirm she was his wife; according to the testimony of one of my colleagues, Saint-Just had been informed of this secret marriage, which he had attended. Mémoires d’un prêtre regicide (1829) by Simon-Edme Monnel, page 337-338.
Madame Lebreton, a sweet and sensitive young woman, said, blushing: “Everyone assures that Eugénie [sic] Duplay was Robespierre’s mistress.” “Ah! My God! Is it possible that that good and generous creature should have so degraded herself?” I was aghast. “Listen,” cried Henriette, “don’t judge on appearances. The unhappy Eugénie was not the mistress, but the wife of the monster, whom her pure soul decorated with every virtue; they were united by a secret marriage of which Saint-Just was the witness.” Souvernirs de 1793 et 1794 par madame Clément, Née Hémery (1832) by Albertine Clément-Hémery.
[Robespierre’s] relationship with Éléonore, the carpenter's eldest daughter, had a less protective and more tender character than with her other sisters. One day, Maximilien, in the presence of his hosts, took Éléonore's hand in his: it was, in accordance with the customs of his province, a sign of engagement. From that moment on he was seen more than ever as a member of the family. Une Maison de la Rue Saint-Honoré by Alphonse Ésquiros, published in Revue de Paris, number 9 (May 1 1844). At the end of this article, Esquiros claimed to have obtained the information contained in it from Éléonore’s sister Élisabeth. Shortly thereafter, said Élisabeth did however write a letter to the paper in order to ”protest loudly against the use that, without consulting me, you have made of my name, and to declare that this article, on many points in contradiction with my recollections, also contains a large number of inaccuracies.” She does unfortunately not indicate exactly which parts of the article are inaccurate and which ones are not, and certain details contained in it match up too well with what Élisabeth writes in her (by then not yet published) memoirs for me not to believe Esquiros hadn’t actually interviewed her prior to writing the article. In spite of her complaint, all the information in article was republished, almost entirely word for word, in volume 2 of Ésquiros’ Histoire des Montagnards (1847).
My eldest sister had been promised to Robespierre. Note written by Élisabeth Duplay, cited on page 150 of Le conventionnel Le Bas : d'après des documents inédits et les mémoires de sa veuve (1901) by Stéfane-Pol.
Duplay's eldest daughter, Éléonore, shared her father's patriotic sentiments. She was one of those serious and just minds, one of those firm and upright characters, one of those generous and devoted hearts, the model of which must be sought in the good times of the ancient republics. Maximilien could not fail to pay homage to such virtues; a mutual esteem brought their two hearts together; they loved each other without ever having said so to each other, there is no doubt that if he had succeeded in bringing order and calm to the State, and if his existence had ceased to be so agitated, he would have become his friend's son-in-law. The slander, which spared none of those loved by the victim of the Thermidorians, did not fail to attack the woman he wanted to make his wife, and one was not afraid to write that a guilty bond united them. We, who knew Éléonore Duplay for nearly fifty years, we who know to what extent she carried the feeling of duty, to what extent she rose above the weaknesses and fragility of her sex, we strongly protest against such an odious imputation. Our testimony deserves all confidence. France: Dictionnaire Encyclopédique (1840-1845) by Éléonore’s nephew Philippe Lebas jr, volume 6, page 821.
A virile soul, said Robespierre of his friend [Éléonore], she would know how to die as she knows how to love... The destitution of his fortune and the uncertainty of the next day prevented him from uniting with her before the destiny of France was clarified; but he only aspired, he said, to the moment when, the Revolution finished and strengthened, he could withdraw from the fray, marry the one he loved and go live in Artois, on one of the farms that he kept from his family's property, to there confuse his obscure well-being in common happiness. (Extract from a part of l’Histoire des Girondins looked over by Philippe Le Bas). Le conventionnel Le Bas: d'après des documents inédits et les mémoires de sa veuve (1901) by Stéfane-Pol, page 78.
All the historians assert that [Robespierre] carried out an intrigue with the daughter of Duplay, but as the family physician and constant guest of that house I am in a position to deny this on oath. They were devoted to each other, and their marriage was arranged; but nothing of the kind alleged ever sullied their love. Testimony from Robespierre’s doctor Joseph Souberbielle, cited in Recollections of a Parisian (docteur Poumiès de La Siboutie) under six sovereigns, two revolutions, and a republic (1789-1863) (1911) page 26.
[Robespierre] rarely went out in the evening. Two or three times a year he took Madame Duplay and her daughters to the theater. It was always to the Théâtre-Français and to classical performances. He only liked tragic declamations which reminded him of the tribune, of tyranny, of the people, of great crimes, of great virtues; theatrical even in his dreams and in his relaxations. Histoire des Girondins (1847) by Alphonse de Lamartine, volume 4, page 132. Lamartine claimed to have interviewed Élisabeth Le Bas Duplay and it therefore seems likely for this detail to come from her.
The eldest of the Duplay daughters, who Robespierre wanted to marry, was called Éléonore. Robespierre allowed himself to be cared for, but he was not in love. […] The Duplay family formed a kind of cult around Robespierre. It was claimed that this new Jupiter did not need to take the metamorphoses of the god of Olympus to become human with the eldest daughter of his host, called Éléonore. This is completely false. Like her entire family, this young girl was a fanatic of the god Robespierre, she was even more exalted because of her age. But Robespierre did not like women, he was absorbed in his political enlightenment; his abstract dreams, his metaphysical discourses, his guards, his personal security, all things incompatible with love, gave him no hold on this passion. He loved neither women nor money and cared no more about his private interests than if all the merchants had been free, obligatory suppliers to him, and the inn houses paid in advance for his use. And that’s what he acted like with his hosts. Notes historiques sur la Convention nationale, le Directoire, l’Empire et l’exil des votants (1895) by Marc Antoine Baudot, page 41 and 242.
Madame Duplay had three [sic] daughters: one married the conventionnel Le Bas; another married, I believe, an ex-constituent; the third, Éléonore, who preferred to be called Cornélie, and who was the eldest, was, according to what people pleased themselves to say, on the point of marrying my brother Maximilien when 9 Thermidor came. There are in regard to Éléonore Duplay two opinions: one, that that she was the mistress of Robespierre the elder; the other that she was his fiancée. I believe that these opinions are equally false; but what is certain is that Madame Duplay would have strongly desired to have my brother Maximilien for a son-in-law, and that she forget neither caresses nor seductions to make him marry her daughter. Éléonore too was very ambitious to call herself the Citizeness Robespierre, and she put into effect all that could touch Maximilien’s heart. But, overwhelmed with work and affairs as he was, entirely absorbed by his functions as a member of the Committee of Public Safety, could my older brother occupy himself with love and marriage? Was there a place in his heart for such futilities, when his heart was entirely filled with love for the patrie, when all his sentiments, all his thoughts were concentrated in a sole sentiment, in a sole thought, the happiness of the people; when, without cease fighting against the revolution’s enemies, without cease assailed by his personal enemies, his life was a perpetual combat? No, my older brother should not have, could not have amused himself to be a Celadon with Éléonore Duplay, and, I should add, such a role would not enter into his character. Besides, I can attest it, he told me twenty times that he felt nothing for Éléonore; her family’s obsessions, their importunities were more suited to make feel disgust for her than to make him love her. The Duplays could say what they wanted, but there is the exact truth. One can judge if he was disposed to unite himself to Madame Duplay’s eldest daughter by something I heard him say to Augustin: “You should marry Éléonore.” “My faith, no,” replied my younger brother. Mémoires de Charlotte Robespierre sur ses deux frères (1834) page 90-91.
A little wooden staircase led to [Robespierre’s] room on the first floor. Prior to ascending it we (Fréron and Barras) perceived in the yard the daughter of the carpenter Duplay, the owner of the house. This girl allowed no one to take her place in ministering to Robespierre's needs. As women of this class in those days freely espoused the political ideas then prevalent, and as in her case they were of a most pronounced nature, Danton had surnamed Cornelie Copeau "the Cornelia who is not the mother of the Gracchi." Cornelie seemed to be finishing spreading linen to dry in the yard; in her hand were a pair of striped cotton stockings, in fashion at the time, and which were certainly similar to those we daily saw encasing the legs of Robespierre on his visits to the Convention. […] Fréron and I told Cornelie Copeau that we had called to see Robespierre. She began by informing us that he was not in the house, then asked whether he was expecting our visit. Fréron, who was familiar with the premises, advanced towards the staircase, while Mother Duplay shook her head in a negative fashion at her daughter. Both generals, smilingly enjoying what was passing through the two women's minds, told us plainly by their looks that he was at home, and to the women that he was not. Cornelie Copeau, on seeing that Fréron, persisting in his purpose, had his foot on the third step, placed herself in front of him, exclaiming: ”Well, then, I will apprise him of your presence," and, tripping upstairs, she again called out, "It’s Fréron and his friend, whose name I do not know." Fréron thereupon said, "It’s Barras and Freron," as if announcing himself, entering the while Robespierre's room, the door of which had been opened by Cornelie Copeau, we following her closely. Memoirs of Barras: member of the Directorate (1899) page 167-169, regarding a meeting he and Fréron tried to have with Robespierre following their return from Marseilles in March 1794.
In the morning, the daughters of the carpenter with whom Robespierre lived dressed in white and gathered flowers in their hands to attend the feast [of the Supreme Being]. Éléonore herself composed the bouquet for the president of the Convention. Histoire des Montagnards (1847) by Alphonse Esquiros, volume 2, page 447-449. In a footnote inserted on page 28 of Thermidor, d’après les sources originalets er les documents authentiques (1891), Ernest Hamel writes that Esquiros obtained this description from Élisabeth herself.
…Éléonore, Victoire, Sophie, Élisabeth, raised in the peaceful interior of the home, in the oasis of the family, sincerely imagined that the same happiness extended to the whole city; they blessed in their hearts the God of the revolution who had given such rest to the French nation. Only one circumstance worried them, it was that for some time the porte-cochère of the house had been strictly closed night and day on orders from the carpenter. Éléonore timidly asked Maximilien the reason for it in front of her other sisters. He blushed. “Your father is right,” he said; ”Everyday right now something passes along this street that you must not see.” In fact, around two o'clock in the afternoon, a tumbril was rolling heavily on the pavement of Rue Saint-Honoré; the sound of horses and the cries of people could be heard even in the courtyard. It was the thing that passed by. Une Maison de la Rue Saint-Honoré by Alphonse Ésquiros, published in Revue de Paris, number 9 (May 1 1844). The incident is portayed as taking place during the time of the ”great terror” of June-July 1794. When republishing the anecdote in his Histoire des Montagnards (1847), Esquiros instead has Robespierre say this to Éléonore on January 21 1793, the day of the king’s execution.
It was the first days of Thermidor: Maximilien continued his evening walks at the Champ-Élysées with his adoptive family. The sun, at the end of the sky, buried its globe behind the clumps of trees, or swam softly here and there in a dark gold fluid. The sounds of the city died away in the agitated branches; everything was rest, silence and meditation: no more tribunes, no more people; nothing but the peaceful and solemn teaching of nature. Maximilien walked with the carpenter's eldest daughter at his arm: Brount followed them. What were they saying to each other? Only the breeze heard and forgot everything. Éléonore had a melancholy brow and downcast eyes: her hand carelessly stroked the head of Brount who seemed very proud of such beautiful caresses; Maximilien showed his fiancée how red the sunset was. Here ends the story of intimate life; here Mme L(ebas) movedly wiped her eyes. This walk was the last. The next day, Maximilien disappeared in a storm. Une Maison de la Rue Saint-Honoré by Alphonse Ésquiros, published in Revue de Paris, number 9 (May 1 1844). When republishing the anecdote in Histoire des Montagnards (1847), volume 2, page 460, Esquiros adds the following part right after reprinting the anecdote word by word: “It will be good weather tomorrow,” said [Éléonore]. Maximilien lowered his head as if struck by an image and a terrible presentiment.
Legendre: At the time of 9 Thermidor, I was secretary as well as Dumont: I said to him: “There’s going to be some noise. Do you see in this rostrum the whole Duplay family? Do you see Gerard? Do you see Dechamps?” At the same moment Saint-Just began his speech; Tallien interrupted him and tore the veil. Louis Legendre at the Convention March 26 1795
One of those who had witnessed the outcome of this catastrophe (the execution on 10 thermidor) told me that he recognized in the crowd Duplay's eldest daughter, who had wanted to see for one last time the man whom her whole family had looked upon as a god. Mémoires d’un prêtre regicide (1829) by Simon-Edme Monnel, page 337.
The widow of the deputy Le Bas, who gave birth to the man who was to be my teacher, was one of the daughters of the carpenter Duplay. This Duplay family had become Robespierre’s family. He lived with them, and when he died, he was engaged to Mademoiselle Éléonore, the sister of Madame Le Bas. The fiancée mourned Robespierre up until her death. This whole family was closely united, and the memory of the deceased contributed not a little to this union. Premières années, (1901) by Jules Simon, p. 181-187.
#robespierre#éléonore duplay#frev#frev friendships#poor éléonore#she can choose between getting depicted as either#a - a blind fanatic#b - a clueless little girl#c - an ambitious seducer#d - someone who was above ”the weaknesses and fragility of her sex”#I guess the last one is the least bad but still more or less akin to saying ”you’re pretty smart for being a girl”#your aunt did not go to prison for almost a whole year for this philippe!#éléonore possibly being present for the session of 9 thermidor and the execution on 10 thermidor though…💀
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wheee
#star's shinies#mostly just messing with light no further commentary#I thought I did but I couldn't find the panel I wanted to reference#I may have misremembered it or had a different translation sooo#yeah no random meta today#Actually#why does viper consider Oroborous to be their strongest illusion when mirage R is so overpowered#idk maybe I missed something but I think it more speaks to their perception of power and control#they have that whole illusions vs martial arts thing going on with fon but the illusions they claim are their most powerful... are the ones#that are real? not the ones that affect the mind so strongly#I think part of that is that they have clearly had to prove themselves a lot *to* people who don't value that power#which has led to that duality of the pride and arrogance they present with their seemingly low actual opinion of themself and their talents#also#fon and mammon have many neat parallels I think#they may have been designed to be similar in that way even? opposing colours (light vs dark) but still that flowy shape language#but primarily in their flames#disintegration and construction exist in opposition to each other while also relying on the same? axis? maybe? idk#+ you get that kind of personality conflict where the one with the destructive powers is calm and controlled while the one with the creativ#powers is unstable and almost fragile#which in some ways makes their powers uniquely dangerous in their hands specifically- there are many destructive and angry storm users#in khr but that power in the hands of someone who will think before using it is much more worrying#and unstable mist users are shown again and again to be especially dangerous because someone who can bend reality losing their grip on#reality is a recipe for disaster#and to think I said I had no meta today#khr#katekyo hitman reborn#viper khr#mammon khr#fon khr#not in the art but I rambled about him in the tags enough that I think I need to tag him
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A sketch portrait I made of my sorcerer character from Forbidden Lands, Stìg the Broken, to imagine how he looked when he was a young mage.
Now he's a 120 year old walking corpse, unfortunately he melted his own face off during a magic accident and he's on the brink of death every session we play. But he's still balling and throwing stones and magic around to everyone we encounter. The twink to insane grandpa pipeline.
#i love him he's so silly and fragile he almost dies every session#forbidden lands#rpg#character#original character#myarrt#myoc#myocs#stìg#sketch#sketches#portrait#character design#ttrpg#fantasy
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“men should not wear dresses/appear feminine” why should people be denied experiences for something they cannot decide and was assigned to them years ago? if transphobes like to reduce people to chromosomes and genitalia, then why does the act of simply wearing clothing shatter their whole notion of masculinity?
#it is almost as if their concept of masculinity isn't that secure in the first place#not to mention dresses were made for men#clothes have no gender#trans#transphobes#fragile masculinity#lgbtq#queer#lgbtqia#lgbtq community#transgender
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let this rainbow be a good omen


#i've had the worst last hours with no idea what happened to my blog and why it was banned#but then i received a notification and almost cried omg#won't be posting a lot for now#i think they confused me for bot#reddit was screaming with same issues past few days#i'm even afraid to say i'm back it all feels so fragile#well okay i hope it's all good now#hogwarts legacy#hogwarts#ps5 screenshots#hogwarts legacy screenshots#hogwarts legacy mc#sebastian sallow#pscc sebastian
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Hey chat, how come there's not that many anthro kiwi Sniper designs? Not like I looked for any but the kiwi Sniper tag is mainly just fuzzy orbs.
Anyway his parents are dingos in this specific furry AU-
#ThatFailure's Art#Team Fortress 2#TF2#Furry#Kiwi Sniper#Fanart#TF2 Sniper#Sniper TF2#Team Fortress Sniper#Furry Art#Note now that I have both arms so I had to look up refs for him holding the bow and all of what I saw were sitting down#However since he's not a human he likely has a different center of gravity and thus can stand#I also imagine that pulling the arrow back with his beak will eventually take a toll on the beak as it is a more fragile type#He's not using his chin to pinch the notch of the arrow to his shoulder because he doesn't have as much shoulder movement#Fun fact kiwi birds have almost NO wing bones. They are so vistigial that they might as well not even be there. They're nearly gone#Actually kiwi skeletons just get to me in general they're so weird why aren't their ribcages at least a LITTLE more bulky????
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Ah, my favorite kids ever :]
(Otherwise known as my beloved Orchid and Reset <3)
#spotatalk#eternal ashes#it's been forever since I've drawn them- but these are my errormare and afterdeath kids! (respectively-)#Orchid is the product of Nightmare wanting an heir (because the war w/ dream was progressing) and making a deal w/ error#but because of Error's weird code and Night's original magic being a tree spirit + not a skeleton she ended#up being a glass cannon with fragile bones#meanwhile Reset is the second child of Reaper and Geno. he's the Collector of Souls (a gifted prowess ensure he could someday ascend within#Reaper's au) and he's beloved by his parents <3#only thing about Reset is that he can't kill others. because he's a 'collector' he has to wait for a soul to be#abandoned or removed by an outside force. usually that'd be Reaper. for most of the story? it's Orchid :]#but here they're just tots!#Orchid's not strong enough to summon her spindles yet. Reset's coping w/ the death of his older brother. they're besties!!#orchid#reset#<- almost forgor their tags
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the first thing penelope notices isn't the blood or the weight he's lost or the matted hair or anything else, but that his eyes look tired. the first thing penelope looks at is her husband's eyes.
#the next thing is how his frame is lighter#how he seems more fragile almost#and then his smile.#his smile.#god.#epic the musical#epic the ithaca saga#the ithaca saga#distant screaming screams into the void
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my favourite writing device is having an un-Rei-liable narrator
#rei#volo#cheren#// tikposting#// character meta#the crowd booes me off the stage#forgive the pun XDDD his name is too easy to pun on#the way i write it it's not a conscious choice. it's just how the pov character (rei) experiences and contextualises the world#revealing backstory and personality and mindset through narration !!!!#not necessarily out of malice it's just. how he views things#interpreting new and foreign experiences through the lens of what came before...#conversations which read differently to different people.#in the context of rei that's stuff like unease around authority figures#always choosing his words carefully to project an image of competence (he has to be needed)#distrust and not taking things at face value but also paradoxically a fragile and nurtured sense of almost blind optimism#when it comes to friendships. like volo. (everyone turned on me when the sky turned red but it all resolved itself in the end didn't it?)#(what makes this different? / a lot of things. / i choose to believe)#volo [directly]: “i won't be stopped from my goal” rei thoughts: we can work with this!!!!#and everything with Arceus too and his divine blessings and a plan that will work out in the end#if Rei can just... figure out what part he's meant to play. interpreting events as a narrative hurtling towards some unknown conclusion#i am talking about rei here specifically but this writing device is so good in general#would be fun to try get inside volo's head. there's so much going on there i don't understand yet#quite fond of that one analysis post about how volo lacks emotional intelligence and sees relationships as transactions#not necessarily out of malice it's just how he views things. whether because of past experience or brain chemistry#also need to give a shout to cheren my guy who is an outsider pov who projects his own experiences onto new things so that he Understands#(an outsider to Hilbert and N's clash of truth and ideals. life changing experience and knowledge but felt just a little off to the left)#(the narrative repeated again with new heroes. all he can do is help them but it falls on their shoulders in the end)#(no wonder he tries to insert himself into Situations)#anyway tag ramble over feel free to also ramble to me about your takes XD#rei pokemon
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wanted to make a mannerism sheet for my rebornverse ocs and got carried away yippeeeee
#oc bracket#mercury#marble#mona#pokemon reborn#pokemon desolation#pokemon rejuvenation#<-- in that order of names w the games#its been a bit since i reviewed them as characters so this was fun.#the fragile art of being unbashedly unashamed of loving your ocs.#i love my ocs here so much i cant believe its almost a year since i manifested them.#how long will i be here. i don't know. who knows. time is a weird expanse. im being whimsical.#art#i totally don't know why i colored only one of Marble's eyebrows.
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just thinking abt giving Zandy his good first Christmas after you woke up
like he had never experinced a loving family or any of that kind, and certainly not holidays. Zandik hadn't too, you remember that clearly, you dragged him out to get this and get that, made him watch you bake cookies and such because you didn't want him to somehow mess them up.
so... you tried to do that again but with Zandy instead, ofc you couldn´t tell him about 'Santa Claus' and stuff like that, he'll just tell you many reasons why that would be impossible and so on. but you did make an effort to make him gifts, several for each segment infact. now you might say that would be unreasonable bc they could just go and buy it instead, but you made everything yourself, and they wouldn't even try to complain or get a replacement anyway.
(you also asked threatened the other segments and even prime to get him(Zandy) a present as well, or you might just give them on less than everyone else. they, of course, easily obeyed not wanting the others getting more affection than them.)
-Luv ya
SOBBING MAKING ZANDY'S FIRST CHRISTMAS ONE TO REMEMBER... 😭 Ahh so cute,, you just want to make the precious bb happy!! You know very well how Zandik never had anything nice during his childhood, you know you can't do anything to go back fix that, you can only make him feel loved now... letting him wrap his arms around you securely as he watches your every move very carefully (and has the gall to dictate you on the decisions. "You've used too much of that frosting. I want a different flavor." Also tries to eat them before they're done, the expression on his face when you first physically slapped his hand away was priceless. At least he gets to lick the spoon clean.)
But... maybe Zandy can live out the happy experiences a child should have anyway? (Making Zandy happy and also healing Zandik's inner child at the same time... </3) Of course, he gets the baking experience with you, he gets to decorate the tree with you too, you lifted him up and let him put the star at the top! Maybe if your health is good, he can make snow angels with you and have snowball fights! And the gifts, yes the gifts, you want Zandy to have the experience of excitedly ripping them open and marveling at the gift. Doesn't matter what it is either, Zandy is the type of bb who would appreciate anything. (Maybe you even get Pantalone, Childe, and Bina on the case!! They're fond of the child segment as well :3)
Haha, I imagine Zandy being a bit confused about why the segments are being so nice to him but the feeling is overwhelmed by the joy of all the gifts and attention... maybe this is the Christmas magic you told him about!
The other segments definitely brag about their gifts to each other... they make it a competition even though it's not supposed to be.
#smooches talks#luv ya anon#dottore love notes <3#fragile reader <3#zandy bb <3#YESSSS TO ALL OF THIS#if zandy smiles then everything in life is worth it#bye zandik is def the type of kid to make the others cry by telling them fictional beings like santa weren't real 😭#the 25th is almost over here but i tried my best to respond in time lmao
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