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hagstones-and-howling-hills · 1 year

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i would LOVE to know your thoughts on legally blonde movie vs musical!!!!!!!

Ooh boy where to start dude.

Firstly, I personally prefer the musical but that’s because I like musicals. I also think that song is a great way to convey character and theme. Love me a reprise. So this’ll be a little biased towards the musical. Also Imma focus a lot on character because that’s my favourite part of any media.

I think one of the biggest changes that interests me is with Callahan's whole deal and the repercussions of it. The decision to change the scene in the film into actual physical assault I think was a good choice because it raised the stakes and made Warner and Callahan look like bigger assholes. I also think that moment where Vivian recognises what has happened and shuts Warner up really enforces the idea that women have to stick together in male dominated fields like law and in some way it replaces the scene in the film where the female professor encourages Elle. I like the musical direction to have Vivian be the one to bring Elle back to law but I think it's important that in the film its an older woman in some position of power who is telling Elle to stick with it. There's a feeling of "this is a woman who has fought her way through" and her being rude to Elle earlier makes her encouragement hit even harder. Like I said I do like that Vivian takes her place and I understand why that female professor was taken out of the musical what with casting and time frame.

I overwhelmingly prefer Emmett in the musical. I think most people do because he gets so much more character development. I like the dichotomy emphasised in their backgrounds and I think it's important to acknowledge Elle's privilege. Yes she got the grades for Harvard because of hard work but her dad's still footing the bill. Not only that but she can drop out at any time and still have that money to fall back on. I think Emmett is one of those situations where the love interest and main character better each other. Obviously Elle is humbled by Emmett's backstory and learns to take things more seriously but Emmett also develops from his relationship to Elle. I think the scene in the store is very important- this is Elle making him up, giving the confidence he needs through the medium she understands: fashion. She hypes him up by making him look hot where before Emmett had hyped her up by showing her how smart she was. Both of them lift each other up and help them see the best of themselves.

When it comes to the trial I have mixed thoughts. I think "Legally Blonde" does the assault and aftermath with more emotion but I've always been of the opinion that music makes everything bigger emotionally. Obviously there's also the homophobia but I think that can be overlooked more in the musical because gay or European is such a banger. Not to mention how many queers adore legally blonde in all of its forms (me included). When we focus on the gay aspect I prefer the musical but I think when it comes to the trial overall I may prefer the way the film does it. I like the awkwardness of Elles trial, it really feels like her first time and we're nervous along with her. When she finally realises that Chutney killed him we get excited with her in a way that I feel is different to the musical. In the musical we know she's going to win because she goes in with so much confidence and the build up is entirely different and I think the payoff is so much better. Another point is the trial is less played for laughs like, there's a lot more comedy with the whole cutaway to the crime but the film plays the murder more seriously, especially with Chutney like, I really feel for her in the film, especially that line of "She's my age".

In conclusion I love both iterations of the musical for separate reasons, I love the soundtrack of the musical but I also appreciate the original text and the foundations it set. I mean, the musical has the advantage of being an ever evolving thing and we've seen more diversity and small changes in recent years whereas Legally Blonde the film is sort of stuck in 2001 and the culture of that year and it's aged a bit in some places. I still hold it as one of the most important films of all time, right up there with stuff like Psycho, Casablanca and The Godfather. Legally Blonde is my Godfather.

#wills whisps #legally blonde #legally blonde the musical #sorry that it took me like a year to answer this

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dykeferatu · 4 months

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Hi, River! :)

What's your favourite NIN song(s) my dude? (If I may call you my dude.)

hello! god this is like asking me to choose a favorite child except i think that would be easier. if i was a parent. it's hard to chose only a few faves but it will TRY to keep this limited... (note from future river: i failed)

fuck this is actually so difficult... ok i have to get closer out of the way

obviously..... predictable choice but it's a hit for a reason ok!! it was my top song on spotify last year and i literally only started listening to nin in october. so good... i saw u respond to my post about track transitions and the transition from closer into ruiner makes me go crazyyyyyyy. i love ruiner as well but again. trying to keep it limited..

ok nearly every song on tds is a favorite so i'm just going to highlight a few more and then i'll give other releases a chance 😭

reptileee.. UGHHH. yeah this one just does something to me. the machinery sounds. yum. that guitar bit that lines up with that one machine sample that's playing throughout (3:43 if u don't know wtf i'm talking abt)... and i like the muffled yelling in the outro

there are songs on tds i guess i technically like listening to more but there's something about this one that makes it special to me. it's comforting somehow! the intro is meditative, and the meat of the song is cathartic. i like how we get the same muffled effect as on reptile, but here even the instrumentals are muffled

BURN!! one of my first favs. so good and aggressive. grraaahhhh

ok gonna try to limit myself to one song per release from here on out bc i really do love so many.....

so fun and funky. the nursery rhyme lyrics are a little silly but i love it. also love the part where he just screams

so many good things abt this one... the first things that made my ears perk up were the synths on the chorus

there's just a weight to the sound of this one that i'm obsessed with atm. also, the crunch is real good

ok already breaking my promise but the fragile has so many songs and i haaave to highlight please. underrated as hell!!! hearing that chorus for the first time changed my brain chemistry (<- could say this about a lot of nin stuff lmao)

breaking my promise AGAIN because LA MER...... such a beautiful song. does things to me. has made me cry. whatever........

gotta love only. the beat. the rambling verses. the chorus. the reference to down in it. fun!

i ran out of embeds but THAT WON'T STOP ME...

Me, I'm Not - i woke up with this song stuck in my head once and then i listened to year zero and finally Got It

Discipline - just a banger

Various Methods of Escape - hesitation marks is CRIMINALLY UNDERRATED

The Background World - i do kinda with there was a version with a shorter outro bc i looove this one but it's hard to put on playlists. great way to end the ep tho

God Break Down the Door - PLAY THAT SAX TRENT!! i also love his voice in this one

OK i'm done. i agonized over this and i still wanted to include more 😭😭 tysm for asking and thanks to anyone who got to the end of this post <3 ily

#inbox #can u believe i (still) held back

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leonbastralle · 3 months

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GAMES I PLAYED IN 2023 - FIRST HALF-ISH

i've been seeing a lot of this in gif form but i do not have the energy or video material and also i'm late but i rly wanted to make a post where i say a lil bit abt all the games i played and how i liked them!

pokemon platinum, soulsilver, white, white 2, y, sun, alpha sapphire & shield: i started a big mainline pokemon marathon in 2022 but most of it fell on 2023. it was a lovely time tbh and i miss it! platinum was a bit too grindy (but we love cynthia) and soulsilver traumatised me for glitch reasons. my favorites out of this lineup were definitely gen 5 in terms of storyline and pokemon selection, the later ones were a bit too handholdy and slow for my taste, and alpha sapphire could not compete w the og emerald which is my favorite pokemon game of all time. i did rly love shield though but that's bc i'm a) a football girl and b) i played it on my wife's sofa askfjhkasjf. anyway music is bangers all around and i do love The Concept of pokemon so i didn't hate any of them.

lonely people potion shop: this was an absolute surprise indie gem that i found on my wife's itch.io in 2022 but i replayed it for her in 2023 so it counts. this game is a rly short very fruity visual novel where you make potions for people and chat with them. it's one of the most heartwarming and gentle games i've played, every character is so lovely and caring towards each other and also to you the player! 100% would recommend i cried a bit several times.

validate: i really wanted to love this game because a dating sim/visual novel/narrative fiction type game w a super diverse cast (in terms of backgrounds, body types, gender, sexuality, and mental health struggles) and such a lovely art style? sounds perfect! and it would be if the characters weren't so...unlikeable sjfhaksjfa. it eventually got so difficult for me to root for them and also kind of frustrating bc the routes overlap in a way that even if you get good outcomes in one route, you can still mess up the relationship in a different route (because you have routes for each of the characters) so i ended up not finishing it.

neo cab: another one i never finished but was rly intrigued by! another visual novel but choices matter type deal where you play as a taxi driver in a dystopian world where you're being replaced by self driving taxis. the mechanics and cast are really cool and if the storyline didn't stress me out so much i would've finished it by now but i definitely will one day!

coffee talk 1/2: barista simulator meets visual novel in an urban fantasy setting where you also kinda save the world one drink at a time! i loved the first one so so much and finally played it last year in preparation for the second one coming out that i'd been anxiously awaiting, it's so vibey and the characters and their storylines are so interesting and i loved seeing their heartfelt interactions! also the first game was giving such strong queer vibes but they kinda dropped the ball w that in the second game trying to backtrack on that. ruined the experience for me a little bit but still a very solid game w cool additions to the already great cast of the first game!

skyrim: not much to say about that one. my favorite classic walking simulator that i keep coming back to, still very much playable and so pretty even on the switch! unfortunately also incredibly broken so i can't finish the solstheim questlines kjsfhkajsfas fuck you todd howard

calico: wonky little game where you explore the world and also bake and own a café that you can fill with all sorts of animals from cats to snow foxes to capybaras because why the fuck not! absolutely delightful, 10/10

later alligator: lovely little puzzle game w great old timey detective vibes and a banger soundtrack where everyone is alligators. these characters are such great fun, i loved the writing and i loved learning about all of them and doing tasks for them! the minigames got a bit frustrating at times bc i was lacking the coordination skills or just general strategy and there are some completionist things i could never do because of that and the main character (the main guy you're doing things for, not the player character) can get on your nerves pretty quickly but otherwise a lovely game w a great twist in my opinion

strange horticulture: this one made it into my all time favorites too. you play as the owner of a supernatural plant shop in a place where A Lot of strange things are going on. it has a bunch of really cool mechanics like plant identification and a lot of map related puzzles to find new plants, secrets etc. the overarching story that gets revealed bit by bit from an unknown person's pov outside of the gameplay while related events are also happening in real time was so interesting, and there are a lot of cool choices you can make that lead to various more or less unsettling outcomes. the spooky vibe is SO good but at the same time it has a very calming homey feel AND YOU CAN PET THE CAT 10000/10

penko park: another absolute indie banger. probably something like a pokemon snap but the beasties look fucking stupid and kinda creepy and the lore is cursed as hell. throughout the game you explore the remains of a park that was built upon the abuse of all sorts of cute little creatures (and big creatures) and while you mostly try to take pictures of every weird looking fella in their different emotional states that you bring upon them in various ways, maybe there's something you can do to right the wrongs of the park founders! who knows! (also special shoutout because these are german devs and as a german, i am especially demanding when it comes to german games and this one knocked it out of the park) (haha the park get it)

#my games #gaming year in review #idk how tf to tag this so im just gonna slap some random ones that ill hopefully be reusing eventually #theres a second part some other time bc i played too many games skjdhfksdf #it was the unemployment

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alexissara · 7 months

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My Favorite Musical Artists of 2023

It is Spotify wrapped season and so instead of letting a company decide what I liked most or listened to most when it isn't totally accurate I shall instead tell you my favorite musical artists of the year and what musical art resonated most with my heart and why.

Normally I don't like to do this sort of list until it's actually the next year because in December maybe I'll get into Electronic Disco Funk and have 3 artists that should really be here but I figure now is a good time

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Ado

Ado really was a machine of putting out great music both on contract for anime and songs that are just related to her own work. I found her listening to the One Piece Film Red soundtrack and loving those songs this year but her vocals on Show, All Night Radio, FREEDOM and more all are breath takingly great. She clearly knows great people to collaborate with to make amazing music and her vocals are utterly delightful with a brilliant vocal range.

Ado music is perfect for making playlists for my OCs, listening to while writing, working on chores, really just a perfect artist for every function I often look to music for.

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Janelle Monae

Janelle Monae is a consistent favorite even in years where they have released no new songs they still stand among my favorite artists of the year with songs like Make Me Feel, Many Moons, Tightrope and Screwed always being on my rotation of songs. Now Lipstick Lover joins as another Monae staple that will constantly be on repeat for me. The Age Of Pleasure was a really great album and I think this era of Janelle's music was really good and I think Janelle was really bold going into being a free ass person and refusing to let themselves be defined by others on their own terms.

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Reinaeiry

While I am not the biggest fan of the same kind of operatic dramatic songs that often drive many of Reinaeiry's songs, in any given year she still puts out more songs I love then songs that are not my thing. There is a touch of bitter sweetness because my ex loved her music too and so it often reminds me of her and our break up was a bit less than a year ago but having moved back around to being friends with her the music can sit comfortably in my ears as music that means a lot to me even if some songs now have bitter sweet memories tied to them it makes some songs work better too.

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Yoasobi

Yoasobi has had a year getting to preform songs for some of the years biggest anime projects but this was the year I discovered her music and in it I found so many amazing songs. 海のまにまに is probably my favorite from the year but I also really enjoy Horizon, セブンティーン, Biri-Biri, and Hero a lot too. She has a lot of really banger music videos and they are just delights to watch. I find a lot of her songs are perfect chill songs to really set a nice calm wokring on something serious tone in the background, like just enough added energy to not be sleepy music.

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Jamie Page

While I got into Jamie Page last year, Jamie Page's music this year has also been bangers and am still loving the songs i fell for last year. Love Renewed is a new Jamie Page classic and I am always listening to songs like Encore, Gummyworm, Bitter Sweet and People play Pretend. Jamie makes perfect poppy and fun music that can get into the sadder emotions while still being upbeat and really fun to listen to.

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Joel Baylis and Shelby Harvey

The Cassette Beasts OST is probably my actual most listened to music of the year. The soundtrack is just so fucking good, like above and beyond, I really need to actually buy the album on bandcamp because I love it so much. Your Inception and Arrow of Time are probably my favorite songs from the album but Same Old Story, Wherever We Are, face down and the rest of the vocal tracks are all bangers. All these songs are gonna be forever staples for me making OC playlists and just jaming out when I am working on being creative. Their perfect songs for writing action scenes not so dominant that they take all my attention but enough to pump me up for some badass action.

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Chrissy Chlapecka

Chrissy's transition from Tiktok bimbo positivity poster to pop icon this year was glamorous. She really brings something new to the early 2000s pop kinda vibe she is going for with a much more powerful and queer vibe with an aim at being a bit more intentionally political without it being so dominant in the music to pull away from them being like "dumb" pop. A lot of "influencers" attempt the transition into music but it is very clear that Chrissy is actually a musical talent who stumbled into being popular online for not doing music then used that to boost her passion.

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Dorian Electra

Weird core legend Dorian Electra is truly a musical artist who is always worth checking out even when a song is a total wiff it's usually at least fun to watch the music video. I am always relistening to my favs from Dorian but this year had a lot of great blasphemy core music like Sodom & Gomorrah but also brilliant songs like Puppet that really all captured my heart and are just great pop songs in addition to being a little funny or whatever else Dorian is going for.

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Band-maid

J-rock legends Band-maid are always a favorite for me. BAND-MAID are so good at their respective gimmicks it almost makes me sad that they are tied to the gimmick of having to dress up as maids. I enjoy a good Maid outfit but I do think their music is just so seriously damn good and I do worry the gimmick is also a detraction from how truly badass their music is. They are just such amazing artists and they are just a delight to listen to especially if I am gaming and want to replace a sound track or something.

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Tape Girl

Ska is my favorite kind of music, while I didn't include a ton on this list I had to include at least one Ska artist and Tape Girl was an artist I found this year who really blew me away. There were a ton of great artists I discovered this year but as of now I mostly just have one song from them I really love while Tape Girl basically has no misses. Tape Girl is really fun and the instrumentations are all so good, they are just ahhh such fantastic tracks and really songs well worth listening to.

#spotify #spotify wrapped #Music #Music 2023 #2023 #Top 10 list #top 10 #list #Tape Girl #BAND MAID #Janelle Monane #Ado #Reinaeiry #Yoasobi #Jamie Page #cassette beasts #Joel Baylis and Shelby Harvey #Chrissy Chlapecka #Dorian Electra

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non-bee-knees · 4 months

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Alright Sinners,

My ranking of every Hazbin Season 1 Song, (purely based on how much I like them for whatever reason)

Starting With:

16. Welcome To Heaven:

St. Peter pisses me off. Idk if it's his voice or whatever, but he's annoying and unnerving and I hate it. :((((

15. It Starts With Sorry:

This was originally bottom of the list, before i remembered tht Welcome to Heaven exists. I think it's a cute song, sure, but it's just...meh. It's kinda lost when its surrounded by other bangers, and especially when it's preceeded by Stayed Gone - it had no chance. I love Pen, but this isn't it for me

14. Whatever It Takes:

If I had a nickel for every time a musical series had and wasted JAMES MONROE IGLEHART, I'd have two nickles. Which isn't a lot but it's weird that it happened twice (the other time is Tangled the Series)

Seriously though, when it's just Carmilla singing, this song is great, it's powerful and passionate. Then Vaggie starts singing. And don't get me wrong, I think Stephanie is a great voice actress and singer, but from the start I just didn't like her as the voice of Vaggie. It seems off to me, and it feels even worse here. Great song, but I think this is a person preference sort of thing bringing it down :(

13. Happy Day In Hell:

Opening song, pretty good. I was planning on using this as a sort of middle ground for the rest of the songs, but once you get into it, it's clear that while it's good, so many other songs are better, sadly. It is such a fun song, and I love the background voices, they're fun. Plus the little tempo change is cute halfway through, I like it a lot. It just doesn't hold up in comparison to the rest of the soundtrack

12. More Than Anything Reprise

Cute little thing right before the end, it's sweet and I'm glad that Charlie and Vaggie are good again. It suffers the same issue as Happy Day in that while it's good, there are other greats. It wins over it because I like the vocals here, and the change in the music from the original More Than Anything is neat.

11. Hell Is Forever:

My boyfriend is very very bummed that I put this one this low. I like this song, but again, there are others I like so much more. Adam is a dick, Alex does a fantastic job voice acting, and I do like the way he emphasises bits like 'pearly gates' its neato. Plus the whole 'guitar solo' bit is fun :))

10. Out for Love:

The first listen, I thought it was meh. As I relistened, it just got better and better. Idk who voices Carmilla but she is FANTASTIC, the mix of the guitar and the heavy beat, and her sining/speaking on beat is good. As well as the bit where the music stops for a second before the second chorus. Fabulous stuff honestly, if being an Overlord doesn't work out for Carmillia she could become a singer instead like holy shit.

Also this is the second Carmilla/Vaggie song... the whole Carmilla was from Heaven theories are looking stronger by the minute

9. Poison:

Shit. Banging song. Blake does such an AMAZING JOB>?!?!?!?! Like holy fuck what a banger. I like this song, the way it's used in the show is brilliant, the ENDING?????? OMG. The bits around "Anyway you want me baby thats the way you got me baby" Are my faves, like those longer notes are so good ffrrrrrrr. I very like this song.

8. Respectless:

GIRLLLLLLL????? VELVETTE?????!!!??!?! OMG BABY GET IT. Vox is my fav V but shit Velvette is such that Bitch fr. This song is so fun, she's so right, and Unpopular Opinion- I think her voice is absolutely perfect for her charcter. Couldn't imagine her without her shitty little british accent. Also Velvette changes clothes every Ep; such a fun detail

7. More Than Anything:

Screaming, kicking my legs, giggling JEREMY JORDAN SBF HIBDBB:VHIBDHF I LOVE HIM HE PUTS HIS WHOLE SOUL INTO EVERYTHING HE DOES AND THIS IS NO DIFFERENT

such a sweet, genuine song, i love hearing them realise that they really love each other and learn about each other, I love the duet at the end, I love charlies solo bit, the fucking "Apple doesn't fall far" sbdfbhhb'bvofvj ADOREEEEEEE Such a cute song FR kisses

6. Finale:

So many elements here that are just *chefs kiss* JEREMY JORDAN I WANT TO KISS YOU. The gang all singing together is just so fucking cute, Vox and Val are Gay and Canon and theyre so cute thinking they're gonna rule Hell T-T - I need to see how Vox reacted to Al not being dead. AND SPEAKING OF: AL's VERSE???? SIRRRR?? ARE YOU OKAY??? mans was loosing it frrr (i also wanna kiss him on the forehead and put him to bed) (Some one pointed out that he doesn't have his staff in the last moments of the song) (also it's cute that he headed back to his radio shack to breakdown, babe really said 'safe space')

5. You Didn't Know:

We all knew this was gonna be this high up, WHAT A BANGER?????? I adore Sera's voice, it's so good, and Lute singing?? get it girl. And we all know the 'Hell is Forever' Reprise is absolute PEAK soooooooooooooooooooooooooo fucking good. ANd the end??? ADAM YOURE A CUNT but also Drama ✨✨✨

4. Stayed Gone:

NFBHBH{B@OUFE@OF Alastor and Vox are two of my fav fiction men Types: Suave sassy cunts with way too much power (with fun voice effects for extra Style)

Seriously this song really outlines them so well??? Like Vox is desperate for control, hence the fucking new's cast, and he's erratic and insane, trying his best to make absolutely sure that his viewers stay his viewers, instead of pivoting to Radio. In contrast, Al is still and calm, staying in one place while Vox flicks all over the place through his screens. AND DON'T GET ME STARTED ON THE END PART He really went Sicko Mode to bully a man after 7 years of ignoring him, FUck i love Alastor

3. Loser, Baby:

Need more be said? It's Loser, Baby, it has it all. Smooth vocals, fun jazz, cute choreography, a dancable beat, a wonderfully approachable message (my bf got worred that i liked it so much because he thought it was concerning at first, but it's so comforting to be told, 'hey we're all fucked, let's be fucked together 😊'

Blank and Keith work so beautifully together vocally that if we don't get another duet in S.2 imma riot I swear.

also "They're fucking singing???" GOLD

This song put Husk right into my top 3, only for Ep 5 to push him righ to Number 1(*)

2. Hell's Greatest Dad:

JEREMYYYYYYYYYYYYYYYYYYYYYYY

JORDANNNNNNNNNN

IS A FUCKING MASTERPIECE

'from the big boss of hell himself' FUCK ME (/hj)

Seriously tho, an electrojazz duet between Al and Lucifer was such a gorgeous idea whoever made this song needs a fucking RAISE the differences in their music while they're soloing, only for it to 'clash' when Lucifer brings out the fiddle (yes its a fiddle, not a violin)

(also violin and piano are complimentary intruments, so while its not a violin, it's still neat to know that they still work 'together' as they hate each other)

The end with Mimzy?? Funny, I liked it. I hate mimzy, she's annoying and she's bound to return, but yeah, I liked her interuption as her intro, it's fitting. Also Lucifer's little 'who' at the end makes me giggle.

Ready for This:

D ;bvb'obvrgo#rjhprb#o#RPGNR

I quite like this song. In case you couldn't tell by the way it's No.1. Its a mix of the vocals being FUCKING GORGEOUS, the changes in style as the song goes on 'come on boys hop in the saddle' IMMA KISS ERIKA. Also the way the Cannibals get on board so fast is so funny, their verse is so fun

And don't get me started on ROSIEjf bhfb'au#bf'h[bfb#ru "That's enthusiasm darling" I LOVE HERRRRRRRRR

Her and Al are so sweet, thier little verse at the end is lovely. I think in trying to convince Rosie to trust Charlie, Al accidentally realised how much he cares about her 🤭

You can tell how much I like each song as I slowly loose my sanity as the list goes down 😅

(*) My fave is Husk, the Rosie, then Al, then Vox, then Angel 😊

This is all just my opinons; Please let me know what you agree with, what you disagree with, where you would put each song and why - id love to hear it xxxx

#hazbin hotel #hazbin hotel husk #hazbin hotel spoilers #hazbin alastor #hazbin angel dust #hazbin hotel charlie #hazbin hotel vaggie #hazbin hotel songs

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tomsmusictaste · 5 months

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Tom’s Top Ten | ALBUMS OF 2023

It's (belatedly) that time of year again, let's get into it.

10. Hotel Bleu - Broadside

I’ve made peace with the fact that Broadside record is likely to top Old Bones for me but Hotel Bleu is choc full of plenty of upbeat catchy tunes, a refreshing dose of positivity after their more sombre previous record Into The Raging Sea.

Favourite song: Dazed & Confused

9. Past // Present // Future - Meet Me @ The Altar

MM@TA have delivered a very solid debut record. One downside is the lack of easycore-style riffs and breakdowns (one of the main things that drew me to this band’s previous EPs) in favour of a more generic pop-punk sound - that said, all songs are plenty catchy and do a great job of showing off Edith’s vocal range, which is front and centre of this record.

Favourite song/s: Say It (To My Face) / It’s Over For Me

8. Childhood Eyes - Yellowcard

A big year for Yellowcard putting out their first new music since breaking up in 2016, and it delivers. It may just an EP but it's earned it's spot on the list and made me incredibly excited to see what else is on the way from this new era of Yellowcard. Also a collab with Dashboard Confessional? A Spider-Man 2 soundtrack reunion, you love to see it.

Favourite song: Childhood Eyes

7. Slow Burn - Conquer Divide

One of the later albums from the year but I'm glad that I didn't miss this one - Conquer Divide have been something of a 'background band' for me up until now, but this is a record I found myself listening to front to back over and over.

Favourite song: N E W H E A V E N

6. One More Time - Blink-182

I have to confess I have mixed feelings on Blink-182's big comeback album - great to see Tom back in the band and the band back to their classic lineup, lots of great emotion on the title track. Maybe contro but I do think some of the non-single tracks feel a bit pale or watered down compared to the singles, but the singles themselves do have a lot of what I love from that classic Blink sound.

Favourite song: Dance With Me

5. Postcard From A Living Hell - RedHook

RedHook were a new discovery for me this year, and a welcome one at that. This is one of those albums that soon as it came out I had on constant repeat, just banger after banger, not to mention a collab with Mik from Yours Truly; that gets a hell yeah from me.

Favourite song: Inarticulate ft. THE FAIM

4. Join The Club - As December Falls

One of my hottest anticipated releases of the year, As December Falls have come soaring this year, with this their third album and constantly selling out their tours (before i can get a ticket >:( ). Every single song on the tracklist is single worthy and the record makes no shortage of showing off Bethany's vocals, in particular on the emotionally driven 'Home.'

Favourite song: Mayday

3. A Call To The Void - Hot Milk

After knocking out of the park time after time with their EPs, Hot Milk finally released their debut full-length and brought everything that's good about them to the table. From the very first listen I knew this was gonna be a strong contender for AOTY, and indeed was only beaten out by two others.

Favourite song: Alice Cooper's Pool House

2. The Surface - Beartooth

It should be no surprise to my followers seeing Toof pop up on the list, there truly never has been a Beartooth album that hasn't made my top ten and The Surface is no exception. Going against the grain of their MO up until now and releasing an entire metalcore album full of love and positivity was an incredible move, and wonderful to see Caleb find himself in a place where he can write this kind of lyrical content and celebrate his own journey overcoming mental health struggles. The Surface is a welcome addition to the Beartooth catalogue.

Favourite song: I Was Alive

Before we get to the Number One, I'd like to shoutout some honourable mentions that didn't quite make the cut - those being 'Til The Wheels Fall Off - WSTR, Tear Me To Pieces - Story Of The Year, Power To Play - McFly, Untitled Mixtape - Carousel Kings and Linkin Park's 20th Anniverary Edition of Meteora

Also a special shoutout to Sum 41, Neck Deep and Green Day, for their singles off albums that will be released in '24. Good stuff.

With that all out of the way, let's get into my NUMBER ONE ALBUM OF 2023...

1. So Much (For) Stardust - Fall Out Boy

It was tough to crack down on the order of the top three here, but ultimately the number one album couldn't be anything else. I've made no secret that I'm not the biggest fan of the three FOB records prior to this, but here the boys return with a bang combining all that's good about both their pre-hiatus and post-hiatus sounds, resulting in an incredible record that has been definitive for my 2023. What more can I say? Fold Out Bed bloody did it.

Favourite song: Love From The Other Side

And there you have it! Those are my top albums of 2023. We're already a fair way into '24 at the time I'm posting this and this year too is shaping up to have some strong contenders... bring it on.

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juicyjuicy05 · 1 year

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Opinions on Over The Garden Wall

The soundtrack slaps like oh my god I could listen to that for days

Best op

The nuances of the unknown and it’s parallels to purgatory

Favourite ep is potatoes and molasses purely for the whole Jimmy Brown plot

Least favourite ep would have to be where they’re at the tavern but I do love the intro to The Beast in that one

I love Fred the Horse

The general vibes/aesthetic of this show is everything like wow

The Beast and The Woodsman’s character dynamic is so well done I just can’t

ALSO all of the foreshadowing that happens?????? Like holy hell when I rewatched it I went ballistic at everything I recognise like especially in the intro and outro

Mrs Langreeve’s lament is such a mood

That no good Jim Brown

Potatoes and molasses is such a banger

All of the songs are bangers

The animation is so pretty like especially the backgrounds

Enoch is just great

Overall a brilliant show 10/10

#over the garden wall #otgw #my opinions #this whole series has my heart mind and soul

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loki-who-remains · 8 months

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The soundtrack for season 2 is unbelievable. I thought nothing could beat season 1 music, but Natalie Holt did it again. I’m in awe. I can't wait for Vol.2.

I’m not a musician, I don’t really distinguish different instruments apart from general terms, but for myself I summarised that strings mainly belong to Loki and Sylvie, the theremin to TVA and Mobius, chorus/voices to HWR and Victor Timely. And again, it comes in three.

Burden of Wisdom

This is the first track for season 2 and it actually starts with the same whispery voices that can be heard in He Who Remains, which is the last track for season 1! I recommend listening to both in chronological order. The contrast between them, the character and gravity they convey. Ugh!

Theremin, chorus and strings are intertwined in a heartbeat-like sound. In this track you can actually hear a bit of the TVA theme but performed on Loki’s strings, as if he's accepted his fate paved for him and Sylvie by HWR. It does sound like a burden.

One Shot

It’s complex music with a lot of drama, hope and despair but also a happy ending. And it is a complicated sequence when Loki time slips to the future, is pruned and gets back to the present. The harp and chorus sound almost asgardian. It’s very stringy, and there are Sylvie’s strings this time too, and an epic, heroic build-up and Loki’s iconic fanfares when he is pulled from the time and soft lands on Mobius. To me personally this is very Sylkius somehow

Temporal Loom

It is the hard of the TVA, so the music sounds like a heartbeat, slightly irregular, quickening by the end. The whispers, and then the epic chorus. You can clearly see a small fragile man on the gangway against this monstrous merciless machine.

Zaniac

This is a banger. 70s disco beat, something from a James Bond movie. But if you listen closely, you can hear strings from Loki Green Theme in the background. They sound ominous but not loud enough for Brad to take it seriously just like he underestimates his opponents just a moment later. Loki’s strings and TVA’s theremin make pretty damn good combo, I love it I love it I love it so much.

Delivery

Such hopeful, pensive music. You know the history was altered that very moment and can’t be undone, this boy will change everything for better or for worse. In the end, the ultimate power in the universe are books in right (or wrong) hands. Chorus is there and is very prominent, not a whisper but almost angelic choir.

Time to Go

I looooove how this one starts so non-HWRy! Very playful, funny and slightly chaotic which suits Victor’s luminary persona that he puts on to hide his vulnerable soft self. It also has Loki’s iconic fanfares, performed by a woodwind this time. It doesn’t match with Loki’s appearance like in One Shot, but still is a really nice touch. And then it’s calm, pensive and somehow lonely. And that’s how Victor is, really.

O. B.

OB’s theme sounds like something from the future. His main notes are simple, optimistic tones arranged with electronic background. It stands out from all other TVA personnel related music. Just like him: a genius unstoppable engineer, alone in his department who won’t hold a grudge for this, always busy, always happy to see his colleagues and work in a team

Your Girl

Hauntingly beautiful and tragically romantic, but with undertones of static, Jaws and a villain theme from a horror movie.

I don’t wanna stop but I will because I feel like I’m starting to repeat myself and don’t have enough words to describe music. No, no, okay, one more

Tricks

The thrill of the chase. Brad's personality aside, it's terrifying to be chased by someone you can neither outrun nor outtrick. Makes you think what would happen if Loki suddenly changed his mind and turned into a full mode villain. Q&A has a similar vibe but with far more dark undertone.

okay I really need to stop here

All I wanna say is, Natalie Holt knows how to convey the essence of a character through music

#loki season 2 #loki series #natalie holt #loki soundtrack #Spotify

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girlfriendsofthegalaxy · 1 year

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tuesday again 4/11/2023

more concise than usual. don't get used to it.

listening

the trombone is an underutilized instrument in indie rock. this is a delightful music video, the vocals bother me a lot less now that i know they're deliberately going for a robotic effect.

youtube

if you liked the Killing Eve soundtrack (largely brought to you by Unloved and Junoire), that sort of very smooth lightly psych-rock flavored thinking woman's music to smoke clove cigarettes to while slouching around used bookstores, you may like this song! reading this back it sounds kind of snotty but sometimes you need a french woman main character song to make doing errands feel like being on a secret mission

i found one of their previous albums, Psycho Tropical Berlin, sort of a one-hit wonder with Hypsoline (the credits song for As Above So Below) but it really is a fucking banger

i want the album art as a shirt So Bad but not enough to pay $25 shipping from france about it.

i think this was off the spotify weekly discover playlist? can't imagine where else i would have run across it

reading

remember the vampire-adjacent private detective novels i was reading? not the ones from last week, the earlier ones. the author alexis hall chucks you a free short story Sand and Ruin and Gold if u sign up for his mailing list.

i think the orca comparisons are a touch heavy-handed at times, but the imagery in this thing...i really am a sucker for the rot of a coastal tourist trap. i bear no fondness, but i do give them a weary nod of acknowledgement. this town is a construct for other people to enjoy. i typed out a very long thing about how the economics of tourism shaped the town and everything about the civic calendar down to the school year, but--it was not really meant to have real residents or be a real place. there was absolutely nothing to do and nowhere to hang out without paying for anything in the off season.

It was just after closing on Reunification Day, the last of the stragglers gathered up and banished back to their world. A spiral of faded, plastic bunting from the celebrations had blown into one of the pools. I went to get a pole to hook it out but heard a splash and turned in time to see Nerites leap from the water in a gleam of skin and scales. The wind whisked the ribbon from between his fingers, and he reached after it, his body twisting sinuously in the air before he crashed into the pool again.

I’d never seen him—or any of them—move like that before. The jumps and slides we taught them were supposed to mimic their natural behaviours, but they rarely performed them spontaneously. And this was something else again: a wild leap and an ungainly splash, more beautiful to me than the most perfect bow or spin because it seemed so absolutely heedless.

He surfaced again, almost vertical, spinning in the pale-grey spray, one hand catching for the bunting’s tail. A tug, and it tumbled from the sky, nothing but a lifeless piece of string.

i am beginning to remember that all the shit that really sticks in my brain is in short stories and novellas you (general, including me) have never heard of.

watching

star wars resistance. i am finding this far more enjoyable than the bad batch or the mandalorian bc it has something of a storyline that it sticks to, even though most of the runtime is a teen... he's not really a teen, he was a new republic pilot so he's probably like twenty but in my heart he's like fifteen. part of the appeal of ds9 for me was a very consolidated set of recurring background characters and getting to see that there are other things/factions/people all working for their own ends. baby's first practice spy mission.

the ship design is really killer: it asks and answers the question "what if a pirate spaceship was also a galleon?"

i find myself excited to watch the next episode, which is not a familiar feeling when i watch star wars stuff. i really hope s2 holds my interest as much as s1 did.

why am i doing this? i have seen all the star wars except for: most of the LEGO stuff, most of the addendum and errata for tcw (including the crystal crisis arc), the holiday special, and most of the droids and ewoks animated shows. like i am Really scraping the bottom of the barrel here, even though i'm not really sure why this show fell into such obscurity.

playing

a bit cranky with weird west, bc i think to get past this stealth level i will have to dismiss my companion (can't seem to knock out guards unless i'm standing up, the companion AI has a very loose definition of "staying close" and is only "invisible" if you're also crouching, and you can't direct your companion to stay put in one place OR to stay close/stay crouched permanently. i may have exhausted most of the appeal of the world on my first fifteen-hour run through the first story. i am more than a little disappointed bc i did have a fuckton of fun in those fifteen hours and was expecting the good times to continue.

making

still halfheartedly poking away at the baby blanket, less than half a repeat this week and i don't feel like getting up, digging the blanket out of the catproof bag, and putting enough lights on for a real photo. this is repeat 7/10 tho so we are slowly approaching the end

#tuesday again #tuesday again no problem #Bandcamp

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flower-boi16 · 10 months

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Moon Girl and Devil Dinosaur is AWESOME!!!!!!

OK so, have you ever went to watch a show, that you expected to just be a fun 7/10 series only for it to absolutely blow you away with how well-written fun, and GREAT it is? Well, Moon Girl and Devil Dinosaur was that show for me. This show only has 1 season released so far and it has already become my new favorite cartoon of ALL time. But why is that? Well, let's dive into why Moon Girl and Devil Dinosaur is an awesome series.

NOTE: I have not read the comics this show is based on, so this is judging it as a stand-alone show and not an adaptation. Oh, and this review contains spoilers for the series, you've been warned

1. The Art Style & Animation

I LOVE this show's art style. It looks like it comes straight out of a comic book with the character designs, the backgrounds, the thick outlines on the characters, the bright colors that pop in every scene, this show looks GREAT! The animation also gets cool and creative in the show's action-music video like sequences at the end of each episode where they change the colors of each character AND they use some cool ass and creative animation in each of these sequences too, whenever these pop up in an episode, they are always great to look at. And then there are the fights in this show outside of that and they look great too! Overall, this show has a fantastic art style that looks pleasing and fun to look at.

2. The Music

DAMN does this show have an amazing soundtrack. I LOVE every single song here. They are just super catchy and great to listen to, and remember those sequences at the end of each episode I mentioned in the previous section? Well, these sequences have some of the BEST songs in the whole show. My favorites are definitely the ones in the last two episodes, both of which are 70s remixes of the theme song, which is also a BANGER too! Other great songs include My Hair is a Mood, The Wave, The Beyonder's Song, Out of My Mind, Go Big, The Look in Your Eyes, and MANY other ones as well! This show has the best soundtrack out of ANY cartoon I've seen. Go listen to this show's soundtrack right now, it's actually amazing.

3. The Characters

Okay, enough of praising the superficial aspects about this show, now, it's time to praise the other parts of it; that being, the characters.

Lunella- The main protagonist of this show, and she's great. The show does the usual things that all good shows do and that is teaching its protagonist lessons, however, Moon Girl and Devil Dinosaur does this so incredibly well that it makes Lunella a great protagonist. You have Lunella learning pretty basic lessons like being patient and not feeding internet trolls when they say mean things about you online, they also have her grow as a character like learning to face her childhood fears in episode 14, and learning that, fear isn't something you should get over, it should be something you should get through.

There's also episode 7 where she learns to overcome her awkwardness whenever she's in a slumber party and becomes better at making friends. Even basic lessons she learns like in episode 4 where she learns that she shouldn't be overly competitive add so much nuance to that moral. LOS-307 (the robot Lunella competes against in that episode) wants to try and connect with Lunella because they don't really have any friends, yet Lunella ends up ignoring that and gets so focused on the game that LOS ends up being turned on while they are on charging for so long and overheats, because Lunella was too caught up in the game. She was too obsessed with winning and that cost her almost getting killed. Other episodes like the one where she learns that it's ok to say when you need a break from stuff, the one where she learns that what makes life special are all the fun moments in between are also all great too.

But the episode where her character is at her absolute best imo is in episode 11, AKA; the gentrification episode. In that episode, she learns that she, as Moong Girl, is a voice for the community of the LES, and a role model, and she meets these two guys Marty and Marcy, who want to revitalize the LES to be "better". She thinks that it would help the LES only to see that the changes Marty and Marcy make are affecting the LES for the worse, gentrifying it. She then gets scolded by her mom as Moon Girl saying "how could you support something like this?". She used her voice in a way that badly affected her community, and then there's that AMAZING scene with her mom as herself, and says that she tried to use her voice, but it turned out it didn't matter.

And then she learns that she needs to use her voice wisely as Moon Girl, and that her voice does matter, she just needs to make herself heard. And then goes to fix this and bring back her block from it's gentrified state. I'll talk about this episode more in the next section, but it did such an amazing job of making Lunella a FANTASTIC protagonist. She's flawed, she makes mistakes and those mistakes have big consequences, but she learns and grows from those mistakes. Oh ya, I could also mention many other episodes like episode 5 but I think you could get the idea; Lunella is a great protagonist. Grows throughout the whole series and each episode finds a new way to make her develop in a way that's compelling.

Casey- I have a lot less to say about Casey than I do about Lunella, but I still really like Casey. She's the social media-obsessed popular girl in this show and normally with these two types of characters Casey would be a bully to Lunella, but that's subverted here which is nice. I also love Casey and Lunella's friendship, it's really cute and they a lot of great chemistry with each other that makes their dynamic interesting and fun!

Episode 12 is the episode where Casey goes through a bit of character growth, as she throws bat mitzvah and has Moon Girl make an appearance so it could be the most epic one, only for Casey to become too obsessed with the bat mitzvah to the point it creates a rift in her friendship with Lunella. I think that episode did a good job of making Casey go through some character growth, and overall, she's a fun character and a great tritagonist.

Devil- Devil's cute. I like him. Devil is Lunella's suto pet/crime fighting partner, and I do like him. Like with Lunella and Casey, there are episodes that give him a little depth, like episode 8 or episode 13, these episodes focus on Devil and they are pretty good, not the best episodes of the series but they are still great. Devil's friendship with Lunella is cute too, they have such great chemistry with each other. Devil is a good deuteragonist for this series.

So Moon Girl and Devil Dinosaur has a pretty great main cast. The characters are likable, and get great growth throughout the series. Now let's talk about...

4. The Villains

Moon Girl and Devil Dinosaur is a superhero show, so it's going to have a lot of villains. Most of the time these guys usually appear for only one episode to serve the plot for each episode. The first villain, Aftershock, is the main antagonist of the pilot, and she does a decent job as the show's first major boss. She's funny, she's threatening, and her design looks pretty cool. Next is the Syphonater, AKA Angelo. Angelo wanted to help the community but never got noticed, and when Moon Girl got all the attention he never received, he became jealous of her which made him susceptible to being a host for the Syphonater. Again, he serves his job fine as being that episode's main antagonist.

Other villains include Gravitas, a villain with gravitation powers who went after Moon Girl and Devil because they accidentally destroyed his car, Mane who is all of Lunella's natural comprised into one giant hair monster thing, Abbyss who can shoot dark cloud things and who doesn't want to be evil, but since she's apart of a family of supervillains she has no choice, LOS-307 who's a supercomputer that turns evil after overheating (I actually got worried for them when it looks like they were about to die like, damn, this show got me to care about a robot...how) and many, many other villains. All of them serve their purpose for the episodes that they are in and they are entertaining to watch. However, there are two villains that I think are the most worth talking about. Those being The Beyonder and another antagonist I'll talk about later in section 6.

The Beyonder is my favorite villain in this show so far. He reminds me a lot like HIM from the OG powerpuff girls; an all-powerful being that likes to torment our heroes for the fun of it. He's just such a fun villain, he basically was sent to Earth so he could study about humans, and when Lunella says one thing about Eduardo being a useless partner, he takes that like her saying that humans are worthless and says that if Lunella doesn't complete her school project with Eduardo, he'll wipe out the human race. Nah, turns out he was just messing with Lunella there. The Beyonder is just such an fun entertaining villain, he's no doubt my favorite villain of the show.

The villains in this series are relatively decent, most of them serve their purpose for each episode that they are in, some are sympathetic and get redeemed at the end of each episode, most of them don't, so this show's villains are pretty solid, now let's talk about...

5. The Morals & Messages

Moon Girl and Devil Dinosaur has the basic kinds of lessons you would see in most kids shows; however, it's the executions that matter here and they way Moon Girl and Devil Dinosaur teaches it's lessons is great! Let me give you an example; Episode 3, this episode has Lunella learning to be patient and that she shouldn't rush things. Basic moral on paper. Then later in episode a villain named Gravitas shows up and begins recking things. How is he defeated? Lunella goes and waits for him to run out of juice so he can't use his gravity powers.

What I like here is that the episode gets its moral across in a creative and interesting way; Lunella defeats Gravitas by waiting or being patient for him to run out of juice so he can't attack her anymore. It gets a moral across in a way that's both creative and entertaining to the audience without it feeling hamfisted. Another example; Episode 4, I already mentioned this episode in the characters section but this is one of my favorite episodes of the show so far. Like episode 3, it takes a pretty basic moral; don't be overly competitive, and does something interesting with it.

In the episode, a new AI comes to Lunella's school named LOS-307, a robot who was just built eight months ago, and Lunella goes to play chess against it. The robot tries to connect with Lunella and become friends, but Lunella is too focused on winning against them to connect. It gets so bad to the point where neither of them beat each other and Lunella is still playing against them even after school is over. And then later in the episode, when Lunella sneaks back into the school to beat LOS once and for all, they end up overheating which causes them to go evil, LOS tells Lunella this before this happens but Lunella is still so focused on winning that she doesn't listen.

Lunella was so focused on winning that she didn't get to connect with someone and she ended up almost getting killed because she didn't listen to LOS's warnings. It takes a moral that has been done to death and does something interesting with it. Another example is episode 9 where Lunella creates a app so she can skip all of the boring parts of her life like doing chores, waiting in lines, and other stuff, only learn that life isn't meant to be a highlight reel, rather its about the small moments in between that give life meaning. Episode 14 is another example, where Lunella has to overcome some childhood trauma where she got lost in a theme park without her grandma Mimi, and encounters a scary clown.

Normally the message here is that you should get over your fear, but the show takes a different direction with this and says that fear isn't something you should get over, it's something that you should get through and that it's OK to be scared, as it's something that we always have to deal with.

This show is great at teaching morals in a way that's both entertaining and doing different and more interesting things with those morals. They never feel hamfisted or anything, and the show adds it's own spin on morals that have been done to death by doing them in interesting ways. But there are two episodes that I think are the best at this, both of which are the two best episodes of the show. Those episodes are episodes 5 and 11. These episodes tackle the topics of hair discrimination and gentrification respectively, which are both topics you wouldn't see being talked about in a kids show, especially in a Disney TVA show.

Now, I'm not the one to judge how well these episodes handle these topics, but by the looks of it from other people who have seen this show it looks like both episodes handled these topics very well. Episode 5 has Lunella try to make a hair relaxer for picture day that is coming up after a girl from school made fun of her hair. Unfortunately, she ends up becoming bald as all of her hair falls of and gains sentience in the form of a villain called Mane, who is all of Lunella's hair. And then later in the episode Mane goes and sabotages random stuff for Lunella and then after they both meet eye to eye Lunella goes to talk to her family and reveals to them what happened.

And then we get this wonderful scene with Lunella's Mom and Grandmother after Lunella tells then what happened. Lunella's Mom and Grandmother both comfort Lunella by telling her that they've been in similair situations like Lunella, where they both tried to "fix" their hair but they ended up getting bald as well. And then they tell Lunella that she shouldn't believe the lies people say about her hair, that it's messy and ugly, and that to love your hair is to love yourself.

It's a new spin on the "looks aren't everything" message, except it talks about hair issues, Lunella got caught up in what one person thought of her hair so she tried to fix it, and then later in the episode when Lunella goes to stop Mane, she realizes that she has been fighting herself and that she wasn't loving herself when she tried to "fix" her hair when she thought it was ugly because someone said it was. This episode imo did a great job with its moral and the fact that the show had the balls to cover a topic like this is impressive. And then there's episode 11, I have already talked about this one in the last section so I won't repeat myself here, but as I said in the characters section this episode talks about gentrification very well and it does absolute wonders for Lunella as a character.

Lunella learns that, as Moon Girl, she has a voice and that voice is one for the community, and she approves of the changes Marcy and Marty propose at first, until she sees it's changing the block for the worst. And then in the episode she learns to use her voice wisely. Episode 11 is just a phenomenal episode for how it tackles gentrification and what it does for Lunella's character, best episode of the show hands down.

This show is great at teaching lessons and the fact its able to cover these topics so well is amazing. But wait, there's one more thing I need to talk about in this show, and that's...

6. The Finale

Ok so, this section contains MAJOR spoilers for the final two episodes of the first season. If you don't want to be spoiled, skip this section. Now. You have been warned. Anyways, the finale comprises of last two episodes; episode 15 and episode 16 titled "OMG Issue 1" and "OMG Issue 2" respectively. Episode 15 has a lot of reveals thrown at you, such as the reveal that Mimi is the original Moon Girl, ya know, the scientist that Lunella got her superhero name from? And it also introduces a new antagonist in the series who will likely be the big bad of show; Maris Morlak, who used to be Mimi's partner/best friend before turning evil.

First, let's talk about Morlak as a villain; he's definitely intriguing. His backstory is that he and Mimi built a machine that could create portals into other dimensions, and their racist boss presented it without them and took the credit. After the portal gets opened and the boss gets grabbed in and his ring falls off, Morlak now wants to use the portal to open dimsions so his and Mimi's work will never be erased. He's a good villain, his threatening, he has some great charisma, and his motivation is solid. I'm very interested to see what the series does with him in season 2, he has a lot of promise and I can't wait how the show fleshes him out further in the future.

Now let's talk about what these episodes do for Mimi as a character. Mimi before these episodes was just a cool grandma who supported Lunella throughout the series, but these episodes reveal that she was the previous Moon Girl who built the portal with Morlak as I already stated. Episode 16 is a really beautiful flashback scene of Mimi's life after she went into hiding from Enclave (the evil organization that Morlak is taking control of) which shows her first meeting Lunella's grandfather, all the way to when Lunella was little. It's a really cute flashback and it got me in the feels for a bit. So I think these last two episodes did some great stuff with Mimi's character, and I can't wait to see what they do with it in season 2.

Alright, now let's talk about how these final two episodes end; to add in a little context here, Morlak captures both Lunella and Mimi to rebuild the portal after destroying pretty much everything in Lunella's lab, but Lunella escapes while Mimi stays probably to try and protect Lunella. And then Lunella and Casey along with Devil go and devise a plan to save Mimi and stop the portal. They go there and have a fight and then the episode ends with Lunella sacrificing herself by going into the portal so her and Mimi can push the buttons on the opposite sides so the portal can close.

Wow...those episodes where fantastic! They threw so much at you and I'm so intrigued to see how season 2 will play out considering how episode 16 ended. Like, damn, Lunella is in another DIMENSION now. I have so many questions, but not the kind where I'm confused, the kind where I'm wondering what's going to happen next. How will the rest of Lunella's family react to her being missing? Will they also get to now that she's Moon Girl? What kind of dimension did Lunella end up on? What are they going to do with Morlak? I am SO excited to see where this series goes after these episodes, I can't wait for season 2 to come out so I can see where the show takes all of these major new plotlines revealed in these last two episodes. Oh and did I mention that the songs in these episodes were FIRE??? That song in episode 16 is my favorite song of the whole show, it's just SO damn catchy and I love how it's a 70s remix of the show's theme song (which is already great btw). These episodes were overall fantastic.

I have one complaint though; and that's with one scene in episode 16. So basically while Lunella runs back to lab to save Devil the lab blows up with Devil inside, so it looks like he's dead...until it's revealed that he escaped the lab. Um, HOW did Devil escape the lab before it blew up? The timer was already up by the time he woke up from all of his wounds so...how did he escape??? That's the only thing that bothered me about these last two episodes though, aside from that, these episodes were great and a fantastic finale to the first season. I can't wait to see where season 2 takes this series.

7. Conclusion

Moon Girl and Devil Dinosaur is an AMAZING series. It's so damn well written with loveable characters great messages and an awesome finale. The songs are great, the animation is great, the characters are great just...everything about this show is great. It's so damn fun, and after watching some garbage like High Guardian Spice or PPG 2016, this show felt like a breath of fresh air for me. I highly recommend you watch this show, its one of the best Disney TVA shows out there and my favorite TV series from the channel.

Score: 10/10

#moon girl and devil dinosaur #review #cartoon review #moon girl and devil dinosaur review #disney channel #disney tva #disney cartoons #marvel shows #marvel

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pb-dot · 3 months

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Film Friday: Bohemian Rhapsody

This week I want to try something a bit different. So far I've mostly written about movies I really like. Hidden gems, movies that are, if not 10/10s are for the most part good and clever and made by people who really care about making a good flick. Today, I'm going to talk about a movie that I don't like. I'm actually going so far as to say the movie pisses me off. I'm going to try to be fair and explain my reasoning because there are some interesting points as to why this thing sucks, and I don't want them to drown in the bile. So, let's talk about Bohemian Rhapsody.

For the uninitiated, Bohemian Rhapsody is the story of Freddy Mercury, lead vocalist in the British classic rock leviathan Queen. Born in Zanzibar and later immigrating to the UK, Mercury's truly stunning baritone tonal range and operatic songwriting sensibilities paired with his flamboyant and powerful stage presence made him and Queen an unstoppable force in the music scene up until his tragic death from AIDS in 1991.

Now, if you're thinking this is the kind of life story that the typical musician biopic yearns for if you could write a bit less of a bummer ending somehow, you'd be right. The screenwriter has solved this by climaxing the movie at the triumphant note of Queen's legendary Live Aid 1985 performance, where Freddy, by now aware of his HIV diagnosis, reunites with the band to pitch one for the angels and sing his heart out for a good cause.

So, to cover the good things first. The Live Aid recreation is some truly impressive stuff, best viewed on the biggest screen you can. The soundtrack is, of course, Banger City, although it's mostly the crowd-pleasing hits. Not a lot of Innuendo, Barcelona, or Brighton Rock on the soundtrack if you feel me, but I suppose there is something to be said for the mass appeal. I also like Rami Malek in the lead role. He plays Freddy with a vulnerability that feels very genuine, and although he doesn't quite reach the peaks of Stage God Grandure that ol' Freddy operated on, he does sell the simulacra reasonably well.

Now, onto the less good parts. Now when I say Freddy's story fits the musician biopic, that isn't necessarily strictly a compliment. The by now well-worn ruts of "Rise To Stardom but Oh No Being Famous Kinda Sucks And Is Bad For You Actually but You Get Together With The Band Again and Rock Out Because That Is The Most Important Thing" is the kind of thing even a causal watcher of the subgenre can dictate in their sleep. Being a bit formulaic isn't strictly wrong of course, but it does feel a bit disrespectful when applied to the life of an actual real person.

Of course, I say that, but for being a film about Freddy Mercury, Bohemian Rhapsody doesn't actually feel like that as much as it feels like a movie about the band members of Queen's perception of the guy. Now I say this in part because Freddy's interactions with the LGBTQ community (more on this later) feel a bit told from an outside perspective, as the filmmakers have chosen to tell this slice of the story as the poor lad's downward spiral. Freddy's in a bad place and he goes to gay clubs and truck stops and whatnot. Like, considering what ended up killing the man I can see where that came from, but it also feels like a flattening. Freddy didn't hang out in gay bars to die from aids, one assumes, and the fact that Freddy's soon-to-be shitbag ex looms in the background of several scenes dressed and lit like a villain on Star Trek does not help.

The reason why I say this really is "Freddy as understood by Queen" is because of what I have to assume is historical revisionism going on. Our protagonist does bicker with his bandmates, and he's late for rehearsal, and it does come up of course, but the rest of the band is just so goddamn reasonable. Yeah, he's a flake and he's out there partying all night with those scary gays (not that there's anything wrong with that) but y'know, he's Freddy, he's a bit of a tosser but he's a good lad. Nobody loses their temper with him, nobody says an ill word about this obviously spiraling man, and if anyone does bring anything up it is in the gentlest, most understanding tones you've ever heard. While that isn't bad in itself, it does feel highly suspicious, especially when you take into account that bar Freddy, all of Queen's original lineup is still alive and was, in fact, involved in producing the movie. Honestly, if they had owned this perspective a bit and made Freddy this Jesus Christ in Spartacus-esque figure, too large to be contained on film alone, that would be neat, but no, it's a tell-all story told by people who at the best have a fraction of the story.

This isn't the film's biggest sin in my eyes though, no, it isn't even the atrocious editing although yes it does break several core tenets of good editing for no discernable reason. No, the most atrocious thing this movie does in my opinion comes down to one particular scene in Act 2. Here, Freddy has a heart-to-heart with his long-time friend and, in the actual man's own words, "common-law wife," Mary Austin. In a moment of melancholy Freddy confesses to Mary that he is Bisexual, to which she responds "Freddie, you're gay" and in essence cuts the conversation and the relationship right there. Now this isn't outrageous in itself, people have assumed that bisexual men are just gays in disguise up until very recently. What is somewhat unforgivable though is that this statement, and Mary's followup on it is literally the last words on Mercury's sexuality.

Now, the exact thats and whiches of Mercury's sexuality are a bit murky to my understanding, so this could be an attempt at hedging their bets in that regard. That said it is just incredibly disrespectful to let someone else than the character in question have the last word on anyone's sexuality, fictional or not.

Now I can see what the filmmakers were going for here. "You're lying to yourself and me when you say that you love me (in a way that we both find meaningful)" can be a place where a relationship ends, and it's an appropriately grim one for the start of a downward spiral. That said, it's hard not to read this as "This FAIRY thinks he can trick us into thinking he's BISEXUAL but he's LYING because he's GAY and then he gets SAD and has DANGEROUS GAY SEX about it."

It's a whole mess of a scene, and even without all the other issues, it soured the entire experience for me. This wasn't the story of a musical genius with a complicated relationship with his own sexuality and the degree to which he was public with that sexuality in a time when that kind of openness was sought with destructive intent. This is the story of a musical genius whose understanding friends and bandmates love and support despite being a silly little gay. This is celebrating the works of a man despite the inner life he led that fueled those works, not because of it. I wouldn't call this movie explicitly hateful exactly, but it's so thoroughly saturated with what esteemed philosopher and playwright Abigail Thorn calls "yer da'-thinking" that it'd honestly be better if it just called Freddy a slur and got it over with.

To pull back from that frothingly rage-filled abyss for a second, it is perhaps too much to expect even a biopic to even-handedly handle its subject matter. After all, when making a movie about someone dead, all you have is whatever they left behind and the perspectives of the people who survived them. Adapting anything also requires some changes made, if nothing else because setting a start and an end to a story changes the story even as it creates it. That said, this isn't an excuse to remix historical events to your liking. Live Aid 1985 did not struggle until Queen turned the tide, it was a highly successful event in which a very famous band did one of the best rock performances of all time, to name one example.

So in short: I don't like Bohemian Rhapsody (2018) very much. The song is still a banger though.

#film friday #Bohemian Rhapsody #queen band #Peebs rants #I think I managed to stay mostly on topic on this one #but this film makes me so dang mad you have no idea #well at this point you may have an inkling dear reader

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