#also he's so incredibly queer and i love that for him

[ham1lton]

you said u read ao3 fics! what are your f1 recs?

ahhh!!!!! this is the best question you could have ever asked me like ever i love you so much. i’ve been dying to talk abt this for a hot minute. i opened myself up to any sort of ship mostly because i cared more abt the fic quality then the ship you know? kinda glad i did it because my fav ones are not necessarily ships i am a fan of. it’s really long so i put it under a read more!!

okay so number one has to be the fic that was my first fav f1 fic. this is steal the air out of my lungs (make me feel it). now this has a lot of elements that i love. guy who’s in his own head vs other guy who’s also in his own head but pretends he isn’t. also idk why but i’m always a sucker for a good medical au and this one fucking delivers!!! another maxiel fic i read was three rounds and a sound which has coffee shop owner daniel w/ stressed out student max. a lot of introspection but it’s also unfolding while the romance is. idk i just love this. it’s so good. last maxiel fic is come on, star boy which is a alt universe where daniel is the american guy he always wanted to be and max is the new transfer to his small town’s football team. it isn’t just incredibly written but everyone feels so real and vivid. i can visually see this in my mind everytime i read it. i listened to a lot of ethel cain while reading so that helped. i love this so much and the brocedes in the background?? you’ll never get away from the sound of the woman that loves youuu 🗣️

i’m not really a landoscar girl, i’m gonna be honest. however, where i am going is right where i am, is just incredible. alt universe where the drivers live on a street version of stars hollow? brocedes that influence everything even though they’re long over? charles being insane over max? pierre hating on esteban every second that is possible (i was laughing every time he would just cuss his ass out unprovoked) and annoying george being their street’s version of gilmore girls’ taylor?? what more do u need in ur life?? also oscar in this fic is just my dream man. i think a croissant from him would fix me. actually i read a lot of this author’s landoscar fics and they’re so cute i was sending kudos as much as i can. like almost home! just want to bite them both and put them in my pocket. they’re so obviously in love i want to shake them down and scream and smoosh them together. lawyer!oscar i love you. check out their profile!! incredible writer :)))

i’m also not a galex truther but the two of us, in sympathy is so cute!! rich boy!george with broke junior doctor!alex. george attempting to court alex and just absolutely failing. i love it. they’re such a mess i need them in my life. also this loscar future fic is so intense but incredible. i’m really bad at describing but i binged it on my train home and i was really glad i did - i promised to forget you now.

the reason i even got into f1 aka brocedes. this fic i think was one of the first i read. on the faultline which is just amazing. i can’t recommend it enough. read it if u can. another fav is a brocedes threesome with their toxic fucking each other via proxy aka new money, and it’s all cash. cute brocedes!! nico thinks lewis is his sworn enemy but everyone knows otherwise. roseberg’s vs haminkton. this was so cute and funny. cause why was nico saying lewis, the owner of a tattoo shop was stealing business from him… when he owns a florists… he’s so dramatic i want to tuck him in my pocket. this job will take my sole has the same premise but they’re both shoe shops which makes a lot more sense. i just love stupid rivalries and dramatic nico.

now back to my sweethearts, the lights of my life, the fires of my heart - sewis. all of these fics have past brocedes just for context. every tongue should confess talks about religion and queer identity in such a nuanced and delicate way? i adored this fic. transmotion which is another alt universe with fashion designer!lewis and footballer!sebastian both figuring out their careers, themselves and their relationship. maybe together we can get somewhere - this is an mpreg fic which usually isn’t for me but it’s about seb and lewis going on a road trip for an abortion and it’s so good. honestly the ending line of ‘it’s a good feeling, to know that sebastian’s outstretched hand is right there.’ it just stuck with me. i loved it. the numbering at bethlehem which is thee sewis fic to me. professor au?? this was made for me. like perfectly moulded. everything about this is art. i could do a full essay on this fic. just read it, it’s incredible. just amazing. sebastian as the child prodigy who has nowhere else to climb?? i love them both in this fic so much!!! tnab sewis get behind me!! i’m gonna protect u!!

okay i’m sorry this is so long. i just love art. i love writing. i just love the work these authors’ have spent putting together these masterpieces for free!! check them out!! leave kudos!! comment!! <3

[graysoncritic]

A (Negative) Analysis of Tom Taylor's Nightwing Run - Introduction

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

I want to start this essay by admitting I’m actually embarrassed by its length. Why did I spend so much time on something I dislike? The truth is, I did not begin this with the intention of creating such an extensive, formal study of the Tom Taylor and Bruno Redondo’s Nightwing run and how it reflects the wider problems with DC’s handling of one of their most iconic characters. I was just trying to organize the thoughts that came up during discussions with other Dick Grayson fans. Before I knew it, I had enough material, enough desire to challenge myself, and enough frustrations to vent to properly create this monstrosity.

I did not begin this Nightwing run determined to hate it. In fact, I was ready to love it. As Taylor promoted the run before the first issue was officially released, I was so excited for it. As I read short interviews where he discussed Heartless, I could not wait to have a new, incredible villain. Foolishly, I believed Taylor when he said he loved Dick Grayson. 

Needless to say, I was disappointed. Then frustrated. Then angry. The beginning of any story is a period where writer and reader form an indirect bond, and as the story progresses, so do the highs and the lows of said relationship. As such, a reader’s tolerance for negative factors will either increase or decrease depending on their experience up until that point.

In other words, if the writer fails to earn the reader’s trust and instead takes their attention for granted, even seemingly insignificant details become irritating in a way they would not be if presented in a better story. In such scenarios, the reader can no longer overlook those minor moments because there’s little good to balance them out with. It is a death by a thousand cuts. 

In the case of Taylor and Redondo’s run, along with those thousand cuts are also broken bones, internal bleeding, head trauma, and severed limbs. A weak plot, simplistic morality that undermines the story’s stated themes, and, most importantly, a careless disregard for Dick Grayson and everything he stands for utterly destroyed my enjoyment of this series. 

It is still too early to tell what sort of impact Taylor’s (as of time of writing, still unfinished) run will have on Dick Grayson’s future portrayals. But just because we cannot predict its long term significance, it does not mean we cannot critique it. Currently, we simply lack the benefit of hindsight. 

If this essay were to have a thesis, then it is this: Tom Taylor and Bruno Redondo’s Nightwing not only fails to tell a compelling Nightwing story, but it also exemplifies a cynical, self-serving, and shallow approach to storytelling that prioritizes creating hollow viral moments to boost the creators’ own online popularity over crafting a good story, honoring the character in their care, and respecting his fans – fans who have, historically, often been women, queer folk, and other individuals who felt othered by a cisheteronormative patriarchal society. Taylor and Redondo’s thoughtless and superficial narrative not only undermine the socially progressive ideals they supposedly care for by propagating a cisheteronormative patriarchal worldview, but they also demonstrate a lack of love and understanding for the character in their care. At best, Taylor and Redondo have no interest in getting to know Dick Grayson, nor any respect for their predecessor and their contributions to this character. At worst, they despise Dick so much that they wish to reinvent him into something completely different, tossing away everything that was special to his fans in order to appeal to a readership that never cared about Dick Grayson. 

I structured this essay so that, hopefully, each part will build on the ones that came prior. Naturally, because all aspects of a story are interlaced, there will be overlaps between each of the sections. As it may have become obvious from this introduction, I’ll be focusing primarily on the writing of this run. That is not to say that I will not address the art, but writing is the field I know most about, and so it feels only fair to focus my critique on that. 

I hope that by the end of this essay, I will have successfully proved that this run’s mishandling of different narrative elements betray a cynical appropriation of progressive ideology and a disregard and disinterest in what makes Dick Grayson so special to so many people. This is an attitude that is present within DC Comics’ current ethos as a whole.

Now, who is this essay for? Honestly, it’s probably not for Tom Taylor fans. I do not believe I’ll be persuading anyone with my writing, and, to be quite honest, neither would I say I wish to do so. Taylor and Redondo’s run has won numerous awards and has many dedicated fans who adore it for what it is. If that is you, then I’m glad. I wish I could be among your numbers. I wish more than anything that I could love this story. But I do not, and I know many others agree with me, and it is to them, I think, that I’m speaking to. As Taylor’s run is praised to heaven and back, I needed a safe space to voice my thoughts. This essay became this safe space. And to others who also feel unseen by the constant praise this run is getting, I think this could speak to you, as well. To be cliche and cringe, this will hopefully let you know that you are not alone. 

Finally, I want to acknowledge some people whose thoughts greatly contributed to the creation of this essay. For around three years now I’ve been having wonderful interactions with other Dick Grayson’s fans, and those discussions were not only incredibly fun and cathartic, but also provided great insight into what needed to be included in this essay. My best friend especially gave me a space to vent when I got frustrated, and my original outline borrowed a lot from the messages I sent her, as well as notes I took for our discussions.  

I’ll also be directly quoting four different Dick Grayson fans (identified as Dick Grayson Fans A, B, and C in order to allow them to keep their anonymity). Their analyses were so critical to the formation of my thesis and for a lot of what will be addressed in this essay that I actually feel like they deserve co-credit in this essay. Dick Grayson Fan B especially deserves a shoutout in helping me track down a couple of pages used as supporting evidence, as I knew what pages I was looking for but was having a hard time remembering in which issue they were located. I’m quoting them with permission, and crediting their ideas and contributions whenever relevant. 

Now, without any further ado, let’s get started. 

[billpottsismygf]

Episode 7 (The Very Long Stairway)! I didn't put it in my last review, but I had a strong feeling we were going to get a flashback to the start of Edwin and Charles' relationship in this one. I had wondered if it would start with it, Good Omens style, so when it didn't happen immediately I thought maybe I was wrong. I was vindicated, however! And I love the use of the Night Nurse's already established powers as a framing device for it. I got so into what was happening, though, that I forgot that was how it started and was surprised when the camera panned to her watching everything.

So, oh my god, Edwin sat and talked with Charles as he died!!!! Edwin is so incredibly kind to him and it's heartbreaking that he knew this boy was going to die in front of him, and decided to make sure he had the most calming death possible. And Charles instantly decided to stay with him. I think it's very telling that he latches onto Edwin so quickly. Charles is someone who values kindness and helping people - he literally just died because he saved another boy from being bullied - so when he understands what Edwin did for him, he knows this is a person to hang onto.

I had wondered for a while if Charles had been the one to rescue Edwin from hell, given that they met 30 years ago, the same time he got out of hell. Turns out that no, Edwin had already just got out of hell by himself, but this was still a really satisfying flashback. Speaking of their relationship, we also finally got the love confession. I really didn't want Edwin to say anything, but it went about as well as it possibly could have. Still, gah, reeling from the secondhand embarrassment and the fact that this is not the time, Edwin! I was about to be so annoyed if the thing 'worse than a demon' had caught them because they spent so long dawdling on the staircase.

The scenes in hell themselves were really effective. Loved the page ripping punishment, very Sisyphean, and in fact the entire scene that followed with Simon was so touching I had to watch the whole thing again immediately. He was a stupid boy who didn't know what he was doing, and their reconciliation reminded me a bit of Pat forgiving the boy who shot him in Ghosts. Anyway, it seems that everyone has a crush on Edwin apart from the one boy he wants. Still, Edwin and Simon reconciling and Edwin telling him that 'if you punish yourself enough, everywhere becomes hell' but that being queer doesn't have to be a punishment, was incredibly moving. Again, Edwin has empathy for him and shows him kindness.

Relatedly, I also loved the scene with Despair. The moment she came on screen, even with her face obscured, I realised who she was. She barely features in Sandman, far less than Death anyway, but I recognised her instantly. Obviously I'm intrigued about the whole 'I'll call you if ever I need you' thing, but for the purposes of this episode I really love how that scene solidified the importance of Edwin having compassion. Edwin can be very bitchy (which I love him for), and he had every right to be mean to the boy who sent him to hell, but he chose kindness instead.

Conversely, Crystal got to choose violence and I love that for her. It was very satisfying seeing her literally get to bury David. It's fitting, as well, that David once overpowered her mind and now she's using her mind to overpower him. It is, of course, 'bad for the tree' if he stays there long, so I wonder if we'll see repercussions from that further down the line.

What else? Oh, the opening scene! The Cat King is such an interesting figure. He's creepy in the way he pursues Edwin, but it feels like they're on slightly more level ground now. He's a wild card character who's not exactly a villain, but will always act in his own interests. I'll be interested to see where his character goes from here, especially now it's been established that he's less powerful than Esther. His line about how strong and great Edwin is and who does Esther think she is trying to beat him, while obviously a problem in terms of giving her ideas, was also interesting in its own right. He clearly knows a fair bit about Edwin and genuinely thinks highly of him. Until this point we've only really seen him interacting with Edwin, where he taunts him the whole time, so this has made me all the more intrigued and invested in him.

Small things:

Edwin explaining to Charles that he doesn't fall through the floor because of the vague and weird ghost rules once again gave me strong Ghosts vibes.

I continue to love Mick, so really hoping he'll be okay after his confrontation with Esther.

Maxine in hell was interesting! I thought we'd learn more about her after her death, but it was a very fleeting appearance.

I thought Jenny might actually learn about ghosts and demons and psychics (oh my), but it seems not, alas.

Simon got a blue light after Edwin left, so does that mean Death came to him? Can people in hell get closure from unfinished business and move on? Or is it something Edwin specifically is good at doing for people?

Monty's still around and doing Esther's bidding! Someone turn him back into a human, please! Maybe Crystal?

I loved Niko getting to save the day (for now) through the power of reading comprehension!

[loremaster]

Who's your favourite detective from the whole cast?

I like all of them (yes, even Desuhiko) ...but I knew my fave was gonna be Vivia from the moment I saw him in that damn fireplace lol. Like, no neurotypical person would do this. Not even gonna bother pretending with this one.

I was totally vibing with his metaphorical takes on the situation, and thought it was funny how Yuma has such a hard time understanding what he's putting down. The first "I wanna die someday..." made me laugh out loud (the more minor the inconvenience the funnier tbh). I can so relate to how tiring he finds everyday life and I knew I wanted to see more of him from the beginning.

Chapter 4 did not disappoint in the slightest. That arc is honestly 80% of why I'm still so invested in this game still, as someone who's been going through a traumatic Grief Arc myself. It's fun to project myself onto a 6'5" fireplace cat (and Yakou too but that's another story).

[angorwhosebabyisthis]

there are a lot of reasons i'm really, really impressed by how well sdmi portrayed the dynamic of an abusive relationship with pericles and ricky, and one of the big ones is how accurately they show what it looks like when abuse starts to escalate.

the extent of that is yet another thing that'll take a longpost of its own to go into, because it spans like.... the entire arc of their relationship in the show. but one thing that stands out to me in particular is their portrayal of the massive red flag that is a partner trotting out bigoted behavior against a group you're in. especially insults, and especially directed right at you.

this show has a LOT of fatphobia, jesus christ does it ever, and there are certainly some fatphobic tropes going on with ricky; but i've always been surprised and impressed by how many of the nastier ones they avoided, especially considering his role in the story and what his arc is about.

he is a major, nuanced character whose trauma is treated with full weight and sincerity. it's implied that his body type changed the way it did due to the trauma he went through when he was younger, and the ensuing mental illness, which is a pretty realistic experience for a lot of people. the things that happen to him are played for full tragedy and horror, when it would have been so, so easy for them to make light of it because Tee Hee Fat Guy and Tee Hee Male Abuse Victims Funnee. despite how his whole thing involves corporate greed, they don't go the route of portraying him as Gluttonous and Hedonistic; if anything he is very obviously not using all that money for even basic physical self-care, and the only time we ever see him eating anything it's when he's drinking wine grape juice with pericles. which, like, there's issues to be unpacked with that too, but jesus christ it's an improvement over what usually happens with characters like him.

he's a fat queer man who isn't degendered or made feminine in a mocking and/or predatory way. (there's nothing wrong with feminine fat queer men and they need more non-shitty rep, please and thank you god, but there is a lot of nastiness in the tropes they're often used for in mainstream media, and one of those tropes is when people consider 'fat queer man' and 'masc' to be oxymorons.) no one ever once calls him ugly; if anything multiple people in his life think he's attractive and desirable, for better or for worse. no one body-shames him. and no one ever mentions his weight.

except pericles.

'The Horrible Herd' and 'The Devouring' are two halves of a whole here, re: escalation of abuse. 'Devouring' is when the abuser goes full mask off and shit hits the fan; 'Horrible Herd' is the wind-up before the punch. HH is when ricky realizes things are getting Bad and he needs to put a stop to this now, and Devouring shows what happens when he tries, because by the point where it's gotten bad enough to give him a wakeup call it's already too late. it's how abusive relationships tend to go, and it's chillingly accurate.

and what's one of the things pericles says during Horrible Herd when that punch is winding up? something no one's ever said before now, including him? 'you pudding-faced dummkopf.'

he body-shames him. he insults his weight, and that's a major turning point. bigotry is something that's often there to some degree from the start, but not always, because some abusers are good at hiding things like that until they're confident they've got you where they want you. the message with ricky and pericles is loud and clear: when this happens, the walls are dripping blood. get out.

(if you can. and be careful when you try.)

when this show is good, it is really, truly good. god damn.

[gunpowder-gemini]

FINALLY have wrestled my brain into sitting down and watching Good Omens and it is, in fact, very good!! Incredibly good!! Absolutely in love with it ♥️♥️♥️

It does, however, hurt terribly

[skitskatdacat63]

— Emperor Charles VI's diary entry on Count Althann's death

[text: "My only heart, my comfort, my most faithful servant, my soulmate, who loved me dearly as I did him for 19 years, [we] had a true friendship, we were one heart and one soul, and we never concealed anything from one another. He will always be in my heart, [my] beloved friend..I. have lost everything."]

[dollypopup]

I think it's real obvious that if you actually like Colin you don't belong in the Polin fandom. y'all are all so ableist about him and think the absolute worst of him and a huge number of the posts and fics are romanticizing Penelope straight up abusing him

we should make a new tag because this one is NOT it

[currentlyonstandbi]

Ewen Leslie and Matthew Backer as Dr. Henry Jekyll and Gabriel Utterson in Strange Case of Dr. Jekyll and Mr. Hyde

[spaceytrash]

You know now that Daniel Craig is finally free from Bond and has shown to the general public that he can play more than just an action hero with Bneoit Blanc I just hope we get to see more of these artsy emotional dramas he clearly wanted to do more of earlier in his career before he became Bond. If he still wants to do them that is. Tbh I just want him to act in whatever he wants and has fun in but he has such an amazing range, like he could literally play anything, and he was drawn to more emotional hitting roles than just action heroes before so I would love to see him in a very emotional drama or somethong else completely left field idk

[loveofastarvingdog]

9-1-1 is normal about their gay people so i don’t have to be

[mechieonu]

genuinely considering writing a treatise on scott or smth bc i love him so much. wish i could be artful and list exactly, EXPLICITLY what it is he has that i adore

[aletterinthenameofsanity]

Y'know, there's this gripe I've had for years that really frustrates me, and it has to do with Love, Simon and people joking about it and calling it too-pg and designed-for-straight-people and all the like. (A similar thing has happened to Heartstopper, but that's another conversation.)

I saw Love, Simon in theaters when it came out my senior year in high school. I saw it three times, once with my friends/parents on opening night, once with my brother over spring break, and once with my grandparents.

On opening night, the air in the room was electric. It was palpable. Half the heads in there were dyed various colors. Queer kids were holding hands. We were all crying and laughing and cheering as a group. My friends grabbed my hands at the part where Simon was outed and didn't let go until his parents were saying that they accepted him. My friend came out to me as non-binary. Another person in our group admitted that she had feelings for girls. It was incredible. I left shaking. This was the first mainstream queer romance movie that had ever been produced by one of the main five studios, and I know that sounds like another "first queer character from Disney" bit but you have to understand that even in 2018 this was groundbreaking. Getting to have a sweet queer rom-com where the main character was told that he got "to breathe now" after coming out meant so much to me and my friends.

But also, from a designed-for-straight-people POV (which, to be frank, it was written by a bisexual author and directed by a gay man, this was not designed for straight audiences), why is it a bad thing that it appealed to the widest possible audience? That it could make my parents and grandparents see things in a new light? My stepdad wasn't at all interested in rom-coms but he saw it with me because it was something I cared about and he hugged me when we came out of the theater. My very Catholic grandparents watched it with me and though my grandpa said he still didn't quite understand the whole 'gay thing,' all he wanted was for me to be happy and to have a happy ending like Simon did. My Nana actually cried when Simon came out and squeeze my hand when his mother told him he could breathe.

And when Martin blackmailed Simon, my mom, badass ally that she is, literally hissed "Dropkick him. Dropkick him in the balls" leading to multiple queer kids in the audience to laugh or smile. Having my parents there- the only parents, by the way, out of my group of queer and questioning friends- made multiple people realize that supportive adults were out there. That parents like those in Love, Simon do exist in real life.

When people complain about Heartstopper not being realistic or Love, Simon being too cutesy, I remember seeing Love, Simon on opening night. I remember my friend coming out and my stepdad hugging me and my mom defending us through this character. I remember the cheers that went through the audience when Bram and Simon kissed and the chatter in the foyer after the movie was over and the way that this movie made me understand that happy endings do exist.

Queer kids need happy endings. Straight people need entry points to becoming allies. Both of these things can come together in beautiful ways. They can find out about more queer culture later, but for now, let them have this. Let them all have a glimpse at a better, happier world. Let them have queer joy.

[wordsinhaled]

i’m so totally normal about the fact that aziraphale’s last (known) deliberate foray into the queer community was when he learned the gavotte at the fictionalized hundred guineas club (!!!) in the 1800s and now in the 2020s he’s like “grindr? what’s that?”

many are talking about his repression which is very valid… and yet the thing to me that stands out about aziraphale is that he’s actually… incredibly stable in his identity and that identity IS incredibly queer. queer by the standards of heaven AND by human standards as well

metatron describes his “de facto partnership” with crowley as “irregular.” and in fact aziraphale in his entirety is irregular. he likes and makes it his business not only to understand but to be a connoisseur of all manner of things angels aren’t supposed to even remotely care about. food. music. books. theatre. sleight of hand. and more.

it’s the sort of behavior that would’ve gotten him othered, treated as a bit odd, in heaven even if he hadn’t chosen to consort all across the earth with a literal demon. and it IS treated that way - the fact is aziraphale even as an angel has got proclivities that set him apart from the rest of the host (even after offering him the highest position in heaven, metatron still acts deeply dismissive of him… like aziraphale’s bookshop is merely a quaint little hobby of his that can be easily transferred to another custodian, and not a literal extension of who aziraphale has become, full of his tartan and unique bibles and special vintages of wine and the books arranged in a very specific way)

so. aziraphale is a queer angel but of course he’s also queer to other humans. but in such a way that… he had his realization a LONG time ago, and put the matter very much to rest after that. aziraphale is perpetually something like several centuries behind schedule. he owns an ancient computer that probably continues to run windows 98 simply because aziraphale’s decided it should. he wears the same waistcoat and coat for generations because he simply likes them precisely the way they are and sees no reason to change them. but the idea that he doesn’t know how he comes across to others - of course he does. he knows he looks like your prim and proper grandfather and he prefers it that way

aziraphale looked around at humans in the 1880s and said: ah yes. this is where i fit. and promptly ensconced himself in that queer subculture. learned the gavotte. read his austen. loved crowley from afar. aziraphale is fiercely and vibrantly queer. just with the sort of assurance of someone who lives with his lover in a commonlaw marriage for decades and then shows up at city hall for the certificate once society decides it’s ‘allowed.’ like… he hasn’t had any need to know what grindr is because aziraphale’s ‘scene’ was a century and a half ago and it defined romance for him too.

but my favorite thing about aziraphale is how much of him is about appearances versus the truth. he can lie straight to angels’ faces and sleep at night. he knows he comes off soft but he once wielded a flaming sword. he dissembles helplessness but he’s far from it and he knows precisely how it makes others treat him. and at the core of aziraphale is rigidity, inflexibility of ideas… his sense of self is stable where crowley’s is malleable, and so on, and so on

and the fact that he’s continuously fixated on trying to misguidedly do the right thing, the fact that he seeks heavenly approval and wants to fit the world into his schema of good vs evil… in no way do i think that means he isn’t one hundred percent aware of how he feels about crowley or what it means about him by angelic or human standards. i’ve seen some folks saying that aziraphale doesn’t want to like kissing crowley and like… as much as i love me some brideshead revisited/atonement flavored angst; i put forth that it’s not internalized homophobia or queer panic but simply: “i’m trying to do the right thing for both of us and you won’t let me.” and “i wanted our first kiss to be different.” he was envisioning an entirely different flavor of romance than what he got but he emma woodhoused too close to the sun

like, y’all. aziraphale in all likelihood has a glorious collection of historical queer erotica. he just has a feathery diva coat hanging in his closet, and for what. “oh, good lord” he says at crowley’s revolutionary outfit in the bastille, while eyeing him up like an entire meal. he’s so good at affected propriety, at carefully constructed stuffiness, but between the two of them aziraphale’s got to be the one who has experience

aziraphale had been physically throwing himself at crowley the entire season. he orchestrated an entire regency ball so they could touch hand to hand. he spends the entire season (well, and season 1) looking at crowley like he’s particularly coveted. he looked at crowley before the fall like he was glorious and beautiful. aziraphale’s queer and he knows it and i think that isn’t his problem, it’s the fact that he wants to build a different sort of future for the two of them but crowley’s gone and thrown a wrench in it by reminding him of everything he can finally have. like. that’s the heartbreak. it’s how dare you make this ugly? i forgive you for our first kiss being all pain and salt. it’s my dearest, i wanted to make heaven as beautiful as you deserve. as sacred and safe for us as our bookshop. and i can do that for us, because once i held a flaming sword and i still remember how the hilt felt in my hands. and now the taste of you is in my mouth.

[our-aroace-experience]

My mom is approaching 70 and is in what I can only describe as a Queer Platonic Relationship. My whole life my mom has been ambivalent about romance, and I suspect that if she were young today she’d describe herself as aro. She and my dad were happily married before he passed away, but even so, I don’t really have memories of them being over romantic. Their friends and and family didn’t believe them at first when they announced their marriage (when she was 36!) bc they “didn’t act like a couple”. They worked well as partners and both wanted kids, but there was always something different about their relationship compared to the relationships of my friends’ parents. Since my dad’s death she has shown zero interest in getting remarried and has been happily single for more than a decade.

My mom has an incredibly full life. She’s got lots of friends of all ages, fulfilling hobbies, and a shitty little dog that she loves to pieces. I never worry about her being bored and lonely.

She has this neighbor in her apartment building. They help each other out the way couples do with tasks like grocery shopping, attending family events together, and they co parent the shitty little dog, but she swears up and down that there’s nothing romantic between them. They help each other with medication, hospital visits, and navigating the scary changes of getting old together. She and my grandpa used to argue about her getting remarried to this neighbor bc he didn’t want her to be “lonely”. My mom insisted that she’s not lonely and the relationship was not romantic. There’s love and companionship, but it’s “not like that”.

Back when I started to show interest in dating as a teen my mom was so confused. “You actually want to go on dates? My mom used to force me to date and I hated it.” When I came out as gay as an adult she was like “That’s cool. I still don’t get why you wanna date people.”

My dad once told me a story about how early in their marriage, my mom once accidentally “dated” a different man without realizing that he was taking her out on dates. From her perspective she just was having fun outings with a friend. When the guy “came clean” and told my dad “I’m dating your wife” he just laughed because my mom had been excitedly telling him all about their “dates”. She missed every single clue that this guy had been laying down for her that he was interested. “He invited me to have breakfast on his boat! I’m so excited for the birdwatching that time of day!” (My mom also might be a little autistic but that’s neither here nor there). She just is not a romantically inclined thinker.

I love my mom very much and I’m so lucky to have her as a role model. She’s taught me that happiness is extremely versatile. You don’t have to follow a traditional set route for a complete life with meaningful relationships. Romance is a social construct as much as anything, and you are free to engage with it on your own terms. Don’t be afraid to live and love the way you want to. Your life will be fuller and happier for it.

I’m so happy you’ve had a positive experience, and your mum sounds lovely!

[vaspider]

Last year I wrote about what happened at Pride when a couple of kids didn't understand why us older folx were so bitter about Reagan.

This year, I have something a little softer.

Someone who looked a little older than me came up to the booth wearing a pink t-shirt proclaiming him one of the Sisters of Perpetual Indulgence, San Francisco chapter. As I was ringing him up, I asked if he'd been involved for a while.

"Yes," he said, "for a bit," in that way us middle-aged people do when we're sort of wincing and feeling old.

"Okay, well," I said, sitting at my register in my queer booth full of queer clothes and patches and pins, topless in public for the first time. (I had pasties on for my own comfort bc I was working, but I live in the city of the Naked Bike Ride, and I took full advantage). My baby brother and both of my partners ran around behind me, my brother wearing a loose tank top that makes his scars visible.

"I need to tell you that you all helped keep me alive."

He blinked at me as I continued, "I was a kid in high school in the early 90s. I lived in the middle of nowhere in Pennsylvania, and what you all were doing was so loud and so out there that even I heard about your work. It was one of the things that kept me alive. So thank you, and please thank the rest of the Sisters."

I heard about them through people in my parents' church complaining about them, and then I sought more information through the beginning of the internet, through newspapers, through anything I could find. I found the cover of Newsweek that one of the Sisters was on. I read about their "exorcism" of fundamentalist preachers whose books sat on the shelf in my parents' basement and probably still do. I saw how loud and colorful and unapologetically queer they were.

The knowledge that someone was out there, so full of defiant joy, refusing the shame that people kept trying to put on them? Oh, that kept me alive. I saw them, and I knew I could make it through. I wrapped my hands around that knowledge, and I held on so tight.

It took me a long time - a long, long time - to unwind most of it for myself and get to the point where my fat butch ass was sitting bare-chested in the July breeze, looking up at him as he held out his arms and said "you're actually giving me chills." I answered, "I mean every word. You helped keep me alive. So thank you."

I never know what to say when people come up to me in public and tell me that I helped them or changed their life in some way. I appreciate it, and I genuinely love the people who apologized for "fanpersoning" at me last weekend, I just never know what to say. I'm incredibly grateful that the Sister I spoke to was incredibly gracious, saying "usually we give blessings, but I feel like you blessed me." Another member of the party let me pet their tiny dog, who was not very interested in me, and that's okay. It was an overwhelming day. Then, they moved on.

Me? I'm still sitting with the fact that I looked last weekend into the faces of people who didn't know they were holding my head above water, and that I got to tell them the work they do matters. It's a rare thing to get to tell someone, "You saved me," and I'm treasuring it.

Last weekend, I wore my new battle vest with nothing underneath it, unless it was too hot, and then I just sat in my chair, chatting and ringing ppl out with my skin free to the air. I decided last year that top surgery isn't for me, but that also I'm going to love this body unapologetically, and it's no less a transmasculine body because the soft new dark hair on my belly isn't accompanied by pink scars along my ribs.

I didn't get here on my own. I got here because someone else cut through the undergrowth ahead of me so I could take another step forward. Here I am, decades later, still taking step after step, one at a time, and trying to lay paving stones behind me.

Last weekend was another step along that way, another step through unwinding the fear and shame and sadness that my parents and their church built into me. Another step out of hating myself for hiding parts of myself for so long, for acting out in other ways to distract people from my queerness, for feeling so much guilt when other people tell me I'm brave, because I know how much of myself I hid for how long because I was a coward, because I was afraid.

Another step into expiating stigmatic guilt.