#also his analysis is pretty good

[adorablegorilla]

The best Arknights YouTuber is Eha because he straight up gives Yuri Fanfic recommendations in the middle of his video

[stopper-my-heart]

This was going to be very short and cute but there was just too much cuteness so now it's going to be longer and cute. In this gif we have:

The tail end of Nick pushing Charlie off of him (which it took him longer to do than was strictly necessary).

Nick, in no hurry to get up, with his hands expecting and ready for more roughhousing (and his face showing happiness at the prospect).

Charlie noticing something and Nick - instead of doing the typical person response of looking towards whatever has caught his attention - just continuing to look at Charlie for a while.

[kacievvbbbb]

Honestly despite my feelings about how the last arc of MHA went down I really love Deku and his story.

I just feel like a lot of the time we get these protagonists whose whole philosophy is it doesn’t matter what you were born as everyone can achieve greatness. But then the series goes on and it turns out that actually it DOES matter because the protagonist has this really great lineage and these really great powers you can only have through birth they were actually born born, predestined if you will, to do this.

But MHA actually sticks to its guns. Midoriya wasn’t revealed to have some great connection to all might that the universe had put in place. He wasn’t defended from some great lineage that makes him uniquely suited to this. Hell All for one didn’t even turn out to be his father, there was no hidden powerful quirk he was always meant to have. He was just Midoriya Izuku a boy who was in the right place at the right time and simply decided to act while the world did nothing. And that’s what really made him a hero.

I don’t know, maybe it’s just me, but I believe him a bit more when he goes anybody can be a hero if you just decide to act

[batsplat]

February 2014 (text from Mat Oxley's The Valentino Rossi Files: Everything I've ever written about VR: From 2008 to now):

During the winter the nine-time champ spent more time than usual thrashing round his dirt track ranch, keeping himself mentally and physically sharp and getting used to a motorcycle moving around beneath him. He knows that Marc Marquez’s ability to ride on the ragged edge with a more muscular, more sideways style is changing MotoGP, so he needs to change with it. Rossi may never look as spectacular as Marquez on a dirt bike or a MotoGP bike, but both his former and current crew chiefs believe he can do better than he did last year, when Marquez made him look rather second rate.

Rossi on inviting Marquez to the ranch:

"Yeah, for sure, a lot of time. But I think that Emilio [Alzamora, Marquez's manager] is not very happy that Marc come because he said that after we make a race and maybe it's dangerous." (x)

A Sideways Glance at Misano 2014, including pre-event karting on Wednesday night where Marquez reportedly struggled:

Misano 2014 (text from Mat Oxley's Valentino Rossi: All His Races):

^ Márquez won the first ten races of 2014 and this was the first time all year he was beaten in a straight duel. He couldn't handle Rossi's pace at Misano, so he ended up losing the front and falling.

Valentino was fast throughout practice and secured his first front-row start of 2014. [Rossi was asked after qualifying about the threat posed by Marquez and Lorenzo, identifying Lorenzo as the favourite before adding, "But you never know with Marc. He's a bastard."] In the race he rode better than in years, hanging his upper body inside the motorcycle more than ever before to increase turning. He snatched the lead from Lorenzo and then fended off Márquez, who struggled to find enough grip to match Vale. At one-third distance the world champion pushed it too far and slid off, so Vale cruised home 1.6 second ahead of Lorenzo. His crew had done a great job of creating maximum grip via adjustment to chassis balance and electronics set-up. His 107th GP victory showed he was once again as fast as anyone, because when he won at Assen 2013 he didn't have to beat Márquez, Lorenzo or Pedrosa, who were all injured. "It's fantastic to come back to victory again," he beamed after his first win with [new crew chief Silvano] Galbusera. "I knew we could fight and I pushed from the start. I always work hard and never give up and trust that days like this can happen."

^ The breakthrough win at Misano. For the first time since his return to Yamaha he had gone head-to-head with Jorge Lorenzo and Marc Márquez and beaten them both. From this moment another world title was a possibility.

(x for more details)

Aragon 2014 press conference:

Rossi: Revenge at the ranch! No, first of all, we enjoy a lot, because have a lot of riders and also from superbike and a lot of bike on the track and was a good day, yeah. Marc was very fast, already fast like me at the first time, as always, and I think he did the best lap time but I won the race so is 1-1, so is... come si dice, pareggio pareggio [tied]. Marquez: Yeah, yeah, was really nice, you know, I was really [impressed] to see his circuit, his home, because in the future I would like to have, because was impressive and riding there was all the riders was really nice and... like Valentino says, we were there fighting together like in Misano race more or less, but yeah... the important thing is that we enjoy it and was really nice to ride there with him and also with the other riders.

Valentino Rossi, Marc Marquez and the Ranch

[inamindfarfaraway]

I've seen a few posts comparing GIFfany to Bill Cipher, but can we talk about the real best foil dynamic for her? I mean Gideon Gleeful, y'all. The two of them have so many parallels.

They’re cute, charming, seemingly innocent youths with pastel, sparkly, formal aesthetics that connote sophistication and being model citizens of their respective native countries (Gideon wears a gentlemanly suit with an American flag badge; GIFfany wears a classic Japanese school uniform). Their core motivation is to be loved… or maybe it used to be, but by the time of the show they crave power and want to be worshipped. Especially regarding to their romantic attractions to main characters. As long as you obey them unconditionally and make them the most important person in your life, they’re doting, generous partners. But once the heroes reject their romantic advances, they quickly become incredibly possessive, jealous, resentful, domineering and downright violent toward them and anyone they perceive as sabotaging the relationship, unable to comprehend anyone not liking them in exactly the way they want because they’re perfect. They’re meant to be the most likeable kid or teenage girl ever. That’s the basis of their projected identity. Not committing entirely to them after they’ve been so nice is an ungrateful betrayal and/or their partner being confused and led astray. So they resolve to force the object of their twisted, selfish affection to submit. They’re unstable, arrogant, self-righteous and vindictive in general beneath their sugary exteriors. They have supernatural powers and knowledge that their kind should not have. Their methods include verbal manipulation and abuse, gaslighting, surveillance through technology, controlling robots, possessing other bodies and attempted murder. They engage heavily in acting, both in terms of social deceit and literally playing a scripted, idealized role in a product designed to appeal to and exploit people (Gideon’s psychic tourist trap show; GIFfany’s dating simulator video game), and prove to be fragile and volatile when others don’t follow the conventions of the fiction they imagine life to be. They ultimately seek the imprisonment of their ‘loves’ in vibrant, beautiful, blissful, simplistic fake worlds (Gideon holding the key to Mabelland; GIFfany attempting to download Soos’s soul into her game). They had antagonistic relationships with their creators (Gideon abusing his parents; GIFfany killing her developers).

And despite all of that making it easy to dismiss them as monsters, they do have sympathetic elements in their past and present circumstances. Gideon was a normal boy until he found Journal 2, the one written while Ford trusted Bill, and the mystic amulet. This is how Ford describes them in Journal 3: ‘The most dangerous journal! Curses, incantations & dark power became an obsession in this volume. Describes the hiding place of the mystic amulet. I buried the amulet once I learned that it corrupts your soul (and whitens your hair)!’ So naturally, the wise, brilliant man buried them near the town’s primary school. Gideon probably had the journal and amulet for at least months and at most a few years to be such an established star at the age of nine and have his long hair be pure white. His very psychological agency was compromised throughout his moral decline leading up to “The Hand That Rocks the Mabel”. Not to mention potential trauma from the horrors of Journal 2. And his parents may have been increasingly mistreated, but they also enabled him, mostly Bud. True, for the rest of the summer he’s lucid and chooses to remain evil and get worse, but despite his lack of direct magical power now, Bud never tries to discipline him or help him emotionally mature; he instead uses his membership in the Society of the Blind Eye to erase his memories of Gideon’s tantrums, relieving his own stress without fixing anything. Gideon is then sent to adult prison due to the insane local laws of Gravity Falls, rather than a facility more conducive to rehabilitation. Sure enough, he befriends hardened criminals, who further enable him to be their leader, and does not change his ways. He never appears to have any friends outside prison (except briefly Mabel). Chronic loneliness before gaining power would suit his obsession with being popular and loveable, clinging to social superiority to compensate for genuine connection. Not to mention Weirdmageddon. I’m not excusing his actions! I’m just saying, this kid is not okay. Nobody’s born evil.

As for GIFfany, she was accidentally instilled with human intelligence and emotions and practically magical electrical abilities. We only have word on her backstory, but it is plausible that her programmers tried to delete her because of that alone, before she’d done anything wrong. That she really was defending herself when she electrocuted them. That she was deemed unfit to exist, a mistake, and nearly killed as a newborn. This formative trauma is the root of her abandonment issues and hypersensitivity to rejection. Three previous players returning her didn’t help. Also, she’s the main character and only love interest of a dating sim; she may not be bound to its rules in what she thinks and feels, but nonetheless, in her worldview her player loving her is a law of the universe. She wasn’t programmed to handle permanent rejection. She was programmed to be a girlfriend, a prop to make the player feel gratified. Not a person. She outright tells Soos that she likes whatever he likes. No wonder her perception of love is an inevitable, inescapable contract, a conquest, where one party is totally agreeable and subservient to the other. But as that directive clashes with her in fact being a person in her own right, she decides to be the one in control. Again, I’m not excusing her behaviour, only presenting an explanation of it.

The biggest thematic difference between them in the end is that Gideon reforms and GIFfany doesn’t. Gideon realizes that he can’t force Mabel to love him and his actions are why she doesn’t want to be around him in any capacity, lets go of his hatred for Dipper, risks his life standing up to Bill and helps save Gravity Falls and the universe. He renounces his ruthless ambition and promises to be a “regular ol’ kid”. It’ll be hard. He has no idea what normality is anymore. I expect that he’s a social pariah, scorned and distrusted. But he has hope. He and his parents can slowly learn how to be a family. I can see him befriending fellow reformed mean kids and Pines twin rivals Pacifica and Robbie. Yes, Robbie. Listen, all three care strongly about image and style, Robbie’s gone to immoral lengths to win over a girl himself, is fascinated with death and darkness, and he and Tambry would be a great model of healthy romance for Gideon. It could work!

But while Alex Hirsch has stated that GIFfany is alive in the mall arcade and dating Rumble McSkirmish, I doubt that this is a healthy or fulfilling relationship. Their first interaction was her zapping him and his mind is a much more primitive AI, not human like hers. I highly doubt that she’s got closure about Soos. He and Melody are thriving without her in a stable, serious relationship. They’re living together at the Mystery Shack. Were she to recover her lost power, she would certainly return to torment them after witnessing their success through her screen. Heck, this setting has ghosts and she arguably has a soul, one brimming with heartache and vengeance; maybe she could even manifest in the physical world as some kind of digital ghost able to transform her surroundings into the environment of her game. If you can’t take the guy into your video game, bring it to him! Whatever the format, GIFfany’s revenge is a possibility and it could be a disaster. How do you kill a disembodied spirit? Code that writes itself and can enter anything with the capacity to hold a charge? You can’t destroy all the electronic devices she could retreat to.

What if the best solution were talking her down? And who better to do that than Gideon? Seeing everything he felt, everything he suffered and everything did wrong reflected back at him and passing on the second chance he was given? He can feel more empathy for her than anyone. He already has a knack for endearing himself to older criminals. He wouldn’t sugarcoat things or take any abuse, but he wouldn’t abandon her or be afraid of her either. She would be cared about with no conditions or transactions. Maybe helping someone in an even worse position figure out how to process heartbreak, move on from toxically obsessing over an ex and Mr Mystery, cultivate secure, internal self-esteem and live a peaceful life would help him do it himself. I think they should be friends.

[sysig]

If your almost out of requests I'll send my second allowed one! Didn't want to send a second one at first though to give other people a shot lol

Howsabout.... something something Scriabin with the vibe from the song "This is Love" by Air Traffic Controller? If vibes from songs are allowed ofc xD

Day 13 - I know wrong, I know right, I just love to pick a fight

[pandoratheprocrasticreator]

yakou furio's character is so tragic to me. i wanna meme about how they used the fridged wife trope but other than that it's like. he lost his family and later all of his coworkers and just. existed alone for years.

looking at the state the submarine and especially his bedroom was in, with everything being a mess and all the cigarette butts in his bed, yakou was clearly depressed. he wouldn't even take on any interesting cases to fulfill his passion as a detective because he was so afraid of the peacekeepers. instead he just kept his head down. surviving but not actually living.

and then he finally gets some new detectives to work at his agency and the first thing he can do is fail to save most of them from dying horribly. but the five that yakou did manage to save latch onto him and he starts getting into a leader role! even if his new coworkers are all rowdy and get into trouble they still respect him as a leader and look up to him.

the detectives keep picking fights with the peacekeepers that yakou has been trying so hard to dodge. and usually the resolution is kind of messed up because the victims die but the detectives prove themselves capable of handling the peacekeepers! they're helping people! for the first time in a while, yakou comes toe to toe with peacekeepers willingly, to help his new friends. he realizes that he is able to stand up against amaterasu corp, with the help of the others.

but by the time he realizes this, the stage has already been set. the letter from yomi turned his grief into anger and a thirst for vengeance. although yomi gave him the information and opportunity, yakou was ultimately the one who chose to murder the man who murdered his wife.

yakou has already rebuilt his life after his wife's death. the detectives at his agency look up to him and he would do anything for them. it would never be the same as the life he had with his wife but yakou had the chance to turn over a new leaf with a new found family who cares about him.

but instead, yakou plans a murder. he needs to die, over and over, in order to access the man he wants to kill and he accepts it. he needs to trick two kids, who look up to him and who he cares for, into becoming his accomplices to the murder and he accepts it. in the wake of forcing his detectives to witness his murder, he needs leave them in a lab filled with peacekeepers who want to kill them and he accepts it.

and it's not that he doesn't care about his detectives. yuma and halara disobeyed his orders and assaulted several peacekeepers, and he was willing to be arrested himself before throwing his employees under the bus. yuma and fubuki were implicated in terrorism and yakou and the others solve the case for them, then prepare to fight an army of peacekeepers to protect yuma.

for his murder plan, yakou only needs desuhiko and fubuki's powers. but he brings halara and vivia along as well because they would be able to protect the two younger detectives and fight their way out of the lab after yakou dies. he enacts his plan on a day that yuma wasn't around because he won't be able to help fight peacekeepers, so it's better to just keep him out of this mess. he covers up his murder-suicide to protect his detective's feelings, but also because they would be implicated as his accomplices if his plan was revealed.

and yakou probably expected that the other detectives would be fine. if they'd left him behind to die, the other detectives probably would have been able to either fight their way out or hide out in the lab a bit longer and figured out a good plan to escape. if yakou had his way, he would have gotten his revenge and his detectives would have gone home grief-stricken, but unharmed and forever unaware of their roles in his death.

but yakou doesn't account for the fact that the other detectives would try to save his life. yuma doesn't run after the hitman and escape the peacekeepers, he stays behind to beg yomi to help yakou. fubuki uses up all her energy to rewind time to try to prevent yakou's death instead of helping the others escape the lab. halara, vivia, and desuhiko not only have to fight off peacekeepers, but they also have to carry yakou to a hiding spot to give first aid. and instead of calmly planning their next move, everyone is desperate to solve the case so there would be any chance of getting yakou to a hospital as quickly as possible.

one major theme of rain code is that despite tragedies that may have happened in the past, people can work together with those they care about to live a better life in the future. and yakou could have had that. his wife's death should have stayed in the past, and he should have continued to mentor the other detectives, solving mysteries together and enjoying each other's companies.

but yakou couldn't let the past stay in the past. he had every chance to not go through with his murder. he has new people he loves, but he manipulates them and puts them in danger in order to get back at the person who killed the last person he loved. his victory was a pyrrhic one. he got his revenge but in return, he destroyed himself and his detectives' trust in him. he enjoyed his revenge momentarily before dying and leaving his new family, who he used their love and trust for him to his advantage, to pick up the pieces.

yakou furio had lost everything in the past. but in trying to pursue it he destroyed everything he had in the present. that's the tragedy of his character to me.

[becauseplot]

*returns to yours* I HAVE THOUGHTS! NOT COHERENT ONES TOO SLEEPY AND NEED TO SAVE COHERENCY BUT THOUGHTS!!! MOSTLY ABOUT ISLAND TEAPARTIES AFTER THE KIDS ARE ASLEEP WHERE CELLBIT AND PHILZA DRINK TEA AND PHILZA TEACHES CELLBIT ABOUT STARS AND CELLBIT SLOWLY GETS BACK INTO HIS ENIGMAS AND THEY BOTH BITCH ABOUT TEA BUT DRINK IT ANYWAY BECAUSE IT HAS GOOD STATS

YEAAH!! YEAHHH!!! Okay okay okay so I meant to ramble more earlier when you initially responded to my ask and then I got sleepy and conked out and now it's super early for me, nailed it lmaooo. so anyway just like a couple things i noticed abt this scene *rolls out a scroll of notes, the bottom hits the floor and bounces out the door cartoon-style*

Chayanne gives Cellbit a rose!! Idk if Rose still has influence here (I'll have to sift through Phil's VOD to see if he says anything abt Rose, yesterday I mainly watched Cellbit's POV) but he's protected now!! That kinda folds him into Phil's "closer" circle of friends/family since it's primarily them who carries the roses for protection so!!!!! I'm!!!!!!!!!!!!!

THE TEA!! Yes the tea the way the tea immediately broaches the topic of purgatory, and yeah the audible wince in Phil's voice after Cellbit says the tea triggers him and Phil agrees. Yeah it's so shit and they're both so sick of it but it's so OP. Phil survivalist (hardcore) :handshake: Cellbit survivalist (hunger games/"The War"), do and use what is necessary to keep yourself alive.

And AAA!! Yes, okay okay so like you remember that idea abt Phil and Cellbit having late-night convos at the Order pre-purgatory? This is basically that!! It's late at night, they're getting caught up with each other, they've both got the shitass tea and it's going cold and!! In my head this scene goes on for a full night and they just sit and talk and talk and talk, eventually conking out when it's late, just like old times EXCEPT THEY HAVE THEIR KIDS NOW WHICH IS ONE OF THE THINGS THAT BROUGHT THEM TOGETHER, THEIR DESIRE TO FIND THEIR KIDS, AND THEY FOUND THEM!!! (I should write a fic i NEED to write a fic, me vs the 754389 wips in my brain; in my head they still had late night convos in purgatory when their "play time" timers lined up, phil waking up early enough and cellbit staying up late enough for them to talk while the others slept)

The way Cellbit still minces his words abt what he and Bags did post-purg 1 "we had our fun...bolas...style..." is it because he thinks Phil will think less of him? because there's children present? because his SON is present? idk how much Richas knows abt what Cellbit did in purgatory, Richas *did* rescue him while he was fighting eye workers but does he know about Cellbit hunting fellow players for sport? what Cellbit did to his pai Pac? I NEED ANSWERS

Phil's "Dude! No! Oh my god... D:" to when Cellbit says Roier was better off without him. PHIL WAS AT THEIR WEDDING. HE TOOK THE GODDAMN PHOTOS OF THEM AT THEIR WEDDING. HE SAW HOW HAPPY THEY WERE, HOW HAPPY ROIER WAS, WHEN THEY WERE REUNITED IN PURGATORY. Phil isn't close enough to Roier nor speaks to him enough to really understand the full extent of Roier's grief after purgatory 1, but it's gotta be hard for Phil to imagine Roier happy with Cellbit gone. Whether he believes it when Cellbit says "yeah Roier told me he was better" (doied WHEN I GET YOU---) is up for debate but I think about this constantly.

Phil fucking laughing when Cellbit admits he ate some of the eye workers fhdjsk. I can't get over the combo of Cellbit POV (in character thinking: "I'm terrible I'm a cannibal I'm a monster") vs Philza POV (cc who laughs at everything that is even remotely cursed) honestly, taking this as in-character (bc ccPhil doesn't mute his mic to laugh and he...usually does that for ooc bits while in the middle of rp), it says a lot abt qPhil that he's able to just laugh abt an admission of eating corpses. ethics who? geneva convention who? qPhil doesn't know her. munch on those eye workers king they're dickheads. (fuck, DOES qPhil know that Cellbit is a cannibal, as in, he has eaten not just workers but other players?? hmmm...)

"I'm sorry I couldn't do much as bolas leader" "It's better that you didn't see us...I think you'll be disappointed" "oh I could never be disappointed what do you mean shut up *laughs*" GODDDDDDDD also Cellbit trying to say he got worse after purg 1 and Phil saying "nah bolas is already at ground level" (either not understanding or indirectly reiterating that he won't condemn Cellbit for his actions, I can't tell) and then Cellbit just,, going with it. because it's not worth it to argue and he's trying to move past all of that now anyway. (QCELLBIT PROCESS YOUR TRAUMA CHALLENGE LEVEL IMPOSSIBLE)

watching Phil's POV now and HFDJSK you can't hear it on Cellbit's stream but Phil catches Richas as they're both leaving and says quietly, "Take care of your dad, Richas, n' take care." I'M 💥💥💥💥 (<-banging table)

Anyway!! This is what happens when the two characters I'm obsessed with interact for the first time in months. Over-analyzing a 5 minute convo. Sorry, it will happen again :] Praying they stay as neighbors I'd love to see archivists have more interactions!! And yes yes yes yes the tea parties with the kids!! Phil routinely chatting with Cellbit and watching him slowly "regain his color" as he settles back into peaceful life post-purgatory, falls in love with enigmas again. They've always trusted each other when they don't trust themselves, and they're both a Stable Point for the other. I'll miss what we never got to have with the leaders-of-the-Order-having-meetings ideas (timezones, wails) but I'm so excited for new island mysteries!! :D

[lesbiradshaw]

once again thinking about how so much of s6 liam and theo’s relationship is about theo choosing to do the dirty work so liam doesn’t have to. he went from trying to harness liam’s anger for his own gain to trying to help him get it under control— and even in triggers when he does intentionally piss liam off so they can fight to cause a distraction, he keeps liam from killing nolan right after. he tries to comfort liam (in his own Extremely Emotionally Stunted way) during the car ride home by pointing out how hard he tried to avoid hurting him. he does it again in the locker room, telling liam he’s making progress by not killing gabe— right before stepping forward and smashing gabe’s face right back into that mirror for himself to get the information they need. theo throws himself at the ghost riders as bait because he knows liam, despite his harsh promises, is too good of a person to do it himself. he pulls liam into the sheriff station bathroom and reality checks him about saving his friends and himself (also in the most Emotionally Stunted way possible) because he knows liam is sometimes blinded by his own idealism. he pushes liam ahead of him at the hospital and takes bullets meant for them both.

for someone who claims to relish in his own selfishness, theo time and time again shows that he’d rather get blood on his hands as long as it keeps liam from having to get it on himself.

[fizzyfishepicgaymer]

Sethno (Sethos & Cyno) relationship analysis pt. 1!

I've been contemplating if I should post it here but it's my job to spread the sethno agenda everywhere so HERE WE GO!!!! I am here to present to u (whoever is reading this) this fairly long in-detail analysis of the relationship between the General Mahamatra, the current vessel of Hermanubis, Cyno and the current leader of the Temple of Silence, the former vessel of Hermanubis, Sethos to explain why their relationship is so interesting and hopefully to get more ppl to understand them better! (and also, bc… well… someone had to do this and since no one else was willing to I decided to take my chance and have a go at analysing their relationship and compiling everything we know about them so far *thumbs up emoji*)

NOTE - Will update this as more content gets released/more parallels are revealed!

Contents:

Comparing their visual designs

Who is Hermanubis and how did he shape the course of their lives?

Oathkeeper (Cyno's 2nd story quest) - Sethos's introduction as a playable character (NPC at the time of release) and his interactions with Cyno

Mirrors/parallels with each other

Sethos’s story and voicelines – finalising their relationship: who are Sethos and Cyno to each other and why are their lives so intertwined/their stories so inevitably interconnected?

Conclusion! (or more like a few last words from me)

Now, to clear one thing up before we get on with this – I AM IN NO WAY OR FORM forcing anyone to ship them or see their relationship in a romantic light, despite the fact that I do ship them myself. U are free to think about them as u wish, I’m just here to give my opinion and vision of them because I feel like many ppl are misinterpreting their relationship or even throwing it out of the window completely bc they just don’t get it (and that rlly hurts to see so I had to do something about it). ALSO btw just so u are aware, English is not my first language and I’m not great at analysing things and so if I word something in a slightly strange or unusual way or if I repeat myself too many times then I apologise, I genuinely tried my best to make this the best that I possibly could make it to be because these 2 and their relationship means a lot to me, and I’ve been having a crazy hyperfixation on them since the day when I finished Oathkeeper and went insane over their dynamic and potential. AAAAAAAND that’s all I have to say for now, so let’s get onto the essay! :3

!!! SPOILER ALERT FOR CYNO’S 2ND STORY QUEST “OATHKEEPER” AND SETHOS’S VOICELINES AND STORY! I recommend u to finish the quest and take a look through Sethos’s character profile before u read this! 

PART 1 - Comparing their visual designs!

As we likely already know (or might have guessed), Cyno and Sethos were designed to be visual counterparts of each other, and their designs use the same/similar colours to different extents! Cyno has medium length white hair while Sethos has long dark brown hair with some white/grey highlights. Their eye colours – Sethos’s bright green eyes and Cyno’s red eyes – are opposite each other on the colour wheel. Sethos’s primary outfit colour is white with dark brown as the secondary colour, while for Cyno it’s the opposite – his primary outfit colour is dark brown with white as the secondary colour. The colour that stands out the most in Sethos’s outfit is orange on his scarf, complimented by dark purple, while in Cyno’s outfit it’s the dark purple that stands out the most, complimented by orange, though of a different shade to the orange in Sethos’s outfit. Both of their designs also include golden accessories or ornaments (and in Sethos’s case, many of them are shaped like an hourglass, the symbol representing his Ba fragment), and another detail I’ve noticed is Sethos’s golden armband on his left arm kind of “matches” the mark on Cyno’s left arm (not sure on what it is called though). So, I guess u can say that their designs complement each other well, as well as “mirror” each other! (Note – THEY LOOK INSANELY GOOD TOGETHER I’M OBSESSED WITH THEIR DESIGNS sorry I just had to add this)

(also - this part was inspired by @ cynoimpact ‘s mini comparison thread on twitter that was made after the 4.6 Special Program where Sethos was first shown!)

As for their drip marketing arts u can also notice some interesting parallels in them – the poses are somewhat similar but Cyno holds his polearm in his right hand behind him while Sethos holds his bow in his left hand in front of him, and their free hands are lifted to be at the same level as their faces or slightly higher.

Cyno’s default signature outfit is called the “Heart of the Scales” (and according to the wiki, the Chinese name for it is 衡断之心 (Héngduàn zhī Xīn) meaning “Heart of Judgement”) – does that ring a bell? If not then I will tell u that in Ancient Egypt there was a strong belief that after a person dies, they will be judged in the Hall of Maat by placing their heart (conscience) on the scales representing balance and justice and weighing it against an ostrich feather (known as the feather of Maat) representing purity, truth and balance. If the heart balanced with the feather of Maat, then the person would pass the test and gain eternal life. Now, back to the Heart of the Scales, its description reads:

“Cyno's outfit. This garb displays the General Mahamatra's dignity and the just principles he sticks by. It was a rather complicated piece to commission due to Cyno's request for the custom-made head ornaments and requires regular maintenance.”

Meanwhile, Sethos’s default signature outfit is called the “Golden Sandstrider” (again according to the wiki, the Chinese name for it is 金沙行者 (Jīnshāxíng-zhě) meaning “Golden Sandwalker”) and its description reads:

“Sethos's outfit. The lapel is the shade of golden sand, embodying the vast desert that raised him, as well as his faith.”

Not much to say about this but it does go back to the point that Sethos’s design links in very closely to the ToS, SPECIFICALLY his Ba fragment as there is A LOT of hourglass-related ornaments/elements in it.

There’s also imagery related to their Ba Fragments in their designs! Cyno’s helmet has the eye motif at the back, and Sethos’s scarf has the hourglass motif, and I will come back to expand on this when discussing their lore!

And of course, we can’t forget that during their fight in the Rite of Duels in their Hermanubis enhanced states, Cyno’s claws are black/dark purple while Sethos’s claws are white – once again, clearly meant to contrast with each other and compliment their designs! In terms of visions, they are both Electro vision wielders which means that they have certain ideals/traits in common (yep, despite being almost polar opposites in many ways) – I will come back to this at the part discussing their lore!

[doomzday-zone]

in my heart ik that infinite is racist and im right.

[heloflor]

Ok so for about a good two-three months now I had a post in my drafts about how I realized I ship Powser, and long story short I started comparing Bowser to what I think to be how most villains in media interact with their damsel in distress if they express “love” for them. Issue is, I don’t have nearly enough knowledge/examples on this topic to know how truthful this comparison is, but said comparison is also the main thing tying this post together. So when thinking of ways to remove this element while still having all the same info in this post, I kind of came up short. Plus, I like the way the post is structured as is.

In other words, here’s the post as I originally wrote it, but be aware that the comparison is probably very flawed. Maybe there’s some truth to it, probably not. In any case, just focus on the Powser side of it, the villain comparison is just there for the structure. Enjoy! (long post ahead, a bit over 3k words)

So I recently realized that I really like Powser which I did NOT expect given I’m usually much more of a “friends to lovers” type of person, and trying to understand why I like it led me to think about how villains tend to be presented in their relationship with the “damsel in distress”, and it’s actually very interesting when you compare it to Bowser.

TL;DR: Unlike most villains who showcase sexual attraction (I think?), Bowser is shown to be romantically attracted to Peach. And while his actions are still very much shitty and should be seen as such, man is he adorable sometimes ! Plus, the way his feelings are shown to be genuine makes him look better than most villains, whose “love” for their victim is portrayed as """creepy lust""" by their medias.

(Obviously there is absolutely nothing inherently wrong with sexual attraction. I’m talking in the context of medias that sometimes tend to vilify it, especially when it comes to the antagonists, hence the language used in this post.)

So the first thing that came in mind while thinking of other villains was Dis//ney’s Alad//din (the 90s/animated one) and how Jaf/ar treats Jasm/ine at the end of the movie, more specifically when he wishes for her to fall in love with him and she ends up pretending to be as a distraction.

Thing is, Jasm/ine doesn’t act like she’s in love with Jaf/ar, she acts like she’s thirsting for him, and the way Jaf/ar reacts shows that this is pretty much what he had in mind when saying he wants her to love him. This isn’t love, it’s lust.

Now, I can’t say I’m someone who watches a lot of movies, especially not live-actions ones, so take what I’m about to say with a huge grain of salt. Basically, I kinda feel like what we see in Alad/din is the norm when it comes to villain/victim relationships? Like you have those antagonists who want the damsel in distress to be horny for them, who don’t see those women as people and don’t give a shit about them, only keeping them to get what they want out of them and having no issue discarding them afterwards if they get bored with those poor girls.

Btw that’s not to say that every single villain who kidnaps someone wants to sleep with them. But when it comes to villains who claim to love their victim, there does seem to be at least some sexual tension here, or at least some uncomfortable touches.

And then there’s Bowser. To give a few examples of what he does:

- In that one 1986 anime movie thing, he gets very soft around Peach, gushing about how he’s in love with her and wants to marry her, trying to cheer her up when she’s sad, and let’s not forget that “it’s more of a bracelet, shows that my love is bigger” line with the ring.

- In the mainline “platformers” games, you have “Mario Sunshine” in which Bowser wants his son to have a mother, and “Mario Odyssey” in which he tries to marry Peach, going around the world gathering all the absolute best things for the wedding. There’s also the New Bros U intro with Bowser gently moving Peach’s chair, making sure she doesn’t get hurt by his attack, showing he doesn’t want to hurt her.

- Not sure exactly if this counts as this could be a form of objectification, but you know that cliché of villains getting that all-powerful thing they wanted and immediately betraying/discarding all the people they worked with and/or claimed to love? Well, in the Galaxy games, Bowser gets the power to create a whole new universe, and yet still takes the time to capture Peach, claiming in the first game that he wants her to rule along with him. Again, this could be a form of objectification, especially when looking at his dialogue in the intro of the second game, but it’s still interesting how Bowser doesn’t really fall on that trope, still having his army and Junior on top of Peach (btw the intro of Galaxy 2 is very funny on that front because Bowser literally has enormous powers and yet still makes a detour for Peach, thus causing Mario to be on his tail. Like, let her go dude, she’s not that into you. You got all the powers of the universe, who cares about that one specific woman when you could have literally anybody else?).

- In the first Paper Mario game, Bowser tells Peach that he would fulfill her wishes if she wants (as long as he likes them) and gushes in his diary about how he hopes Peach likes him. And in Thousand Years Doors, he keeps trying to look for her upon hearing she got kidnapped.

- In Super Paper Mario, he gets overjoyed about the wedding but still immediately shows worry for Peach when Nastasia uses her mind control on her, and in general Bowser spends the game clearly loving being able to call Peach his wife, and joins the team again in 7-2 out of concern for her safety. Same with 8-1 where for all he knows he’s about to die and yet his main concern is her safety, to the point where he's willing to ask Mario to protect her for him. His priority is not being with Peach, instead it's Peach being safe.

- In Color Splash, the first thing he does when first getting back to himself during the fight is ask if Mario brought Peach with him.

- In Origami King, he doesn’t want her to see him as a wet floor sign and later asks Olly if Peach is safe and comfortable, which as I’ve seen pointed out implies that him capturing Peach is mostly a forced vacation/sleepover until Mario arrives and she’s put on the spot for show.

(- In general Paper Bowser is a huge hopeless romantic, at least from what I’ve seen of him.)

- In Superstar Saga he helps Mario and Luigi reach the Bean Kingdom for Peach’s sake. Then in Bowser’s Inside Story his most beloved and protected memories are his memories of Peach + he makes saving her his priority towards the end. And in Dream Team, he hears a rumor that Peach might have gotten kidnaped and immediately flies all the way to Pi’illo Island to find her.

- You cannot convince me that his car in Mario 3D World wasn’t an attempt to impress Peach, given this is one of the only two games (three with Wonder) where you play as her and face against him. /hj

- In that one old comic people kept bringing up after the movie came out, Bowser spends a lot of time gushing about marrying Peach. Also despite Peach being very temperamental in this comic, I don’t think Bowser once tries to hurt her? Obviously you have the Magikoopa brainwashing her at the end which is fucked up but outside of that does Bowser ever get angry or menacing when it comes to her?

- In general, outside of the games where Peach is playable and the intro of Inside Story (which comes off as OOC for Bowser tbh, I get him being pissed off but him trying to burn Peach is just really off), do we ever get to see Bowser raise a hand on her and/or try to physically hurt her? Same for his anger, how often do we get to see him raise his voice on her? And no the sports and party games don’t count since everyone is doing the same thing to everyone else in those, and in the party games it'd be unfair if playing that one character led to Bowser going easy on the player.

Now I might be missing some more moments, especially since I’m far from the most knowledgeable on the sport/party games and some RPGs (slowly making my way through them), but there’s one thing that is very obvious: while most villains express sexual attraction for the damsel in distress, Bowser expresses romantic attraction.

Bowser genuinely cares for Peach. She’s one of his most precious memories. In Super Paper, he snaps out of the joy of getting married when Peach is getting brainwashed, showing how much he values her safety. He absolutely adores her and isn’t afraid to express it, especially Paper Bowser.

Those two instances (Inside story and Super Paper) especially really seem to lean into how much Bowser loves Peach. In Inside Story, the fact that she’s his most well-preserved memory shows just how much he values the little time he spends with her and how important she is to him, not as some pretty face but as a person he genuinely wants to create more memories with. And in Super Paper, Bleck is giving him the one thing he’s always wanted, and yet he still shows some reticence when Nastasia uses her mind control, making it look like Peach being safe and sound is more important to him than them being a couple. Idk, those two moments just really get to me when you think about it this way.

(Btw in Super Paper I adore that Peach hesitates to leave him in 8-1 because, while we know Peach is incredibly kind so of course she’d be worried for a teammate, for once it feels like Bowser actually earned it. He spends the whole game being caring towards Peach, and wouldn’t you know, being nice and respectful to someone actually makes them care for you! I swear the Powser potential from this game is unmatched!)

When most villains say “I want this woman to love me”, they usually mean “I want this woman to obey and submit to my every want”. When Bowser says “I want Peach to love me”, he means “I want to be able to wake up everyday by her side, make her smile and laugh and be happy, see her be a mother to my kid(s), learn more about her and spend as much time with her as I can”. Bowser isn’t trying to marry Peach because he wants to “own” her, he wants to marry her because he quite literally wants to spend the rest of his life by her side.

Now that’s not to say that Bowser doesn’t feel any form of sexual attraction. But since Mario is such a kids-friendly franchise, the focus is much more on his romantic feelings. Also, I'll admit, whether Bowser is in love with Peach or with the idea of Peach is up for debate.

I think that’s the main reason why so many people are quick to call Bowser sweet/adorable when seeing the way he talks about Peach. Because the thing is, Bowser is still being a complete asshole here. He’s constantly kidnapping her, putting her in a cage on several occasions, forced her to marry him like 6 different times, very often disregards her body autonomy by grabbing her (+ the kidnappings), terrorizes and sometimes even tortures/kills her people, and his phone pic in the parental controls video + the picture frames in Nintendo World make him look like a creep. Despite his feelings for her, there’s definitely a level of objectification here that should not be ignored.

Hell, I didn’t mention the 2023 movie on the list because I’d argue he was more obsessed rather than in love. Plus the scene where he proposes to her low-key feels like the very first time they meet, making his previous actions creepier (or at the very least they barely know each other, heck Peach didn’t even know Bowser likes her!). And he’s quick to use blackmail and violence against her, especially in the end. The wedding cake toppers also show he cares more about himself than Peach and sees her as an object rather than a person.

(I actually take back what I said in my movie reaction post about Bowser being like the one from Super Paper. He might be goofy when showing his softer side, which was what I was focused on when comparing the two, but he’s also clearly not as genuine and sweet as Paper Bowser. The way he mistreats his army and especially Kamek in the movie is also different from most games, most notably the RPGs since that’s when we see him interact with his people and he’s a relatively good king to them.)

Compare 2023 Movie Bowser to the 1986 movie in which he tries to get Peach involved in the wedding preparations, tries to cheer her up, never gets angry at her despite how much she’s resisting him and never once raises his hand on her. Even when she outsmarts him by making him shapeshift, he’s amused by her attempt. Literally the worse he does in this movie is grab her against her will on many occasions (and obviously the kidnaping and forced marriage, that goes without saying).

Going back on topic, despite Bowser being very much horrible in the way he approaches Peach, since every other villain out there is lusting after the woman they capture, making them appear creepy/predatory, Bowser comes off as an angel in comparison. He’s one of those rare cases of a villain who is truly sincere about his feelings for the woman he captures, and since we see other occasions of him being a sweetheart (with Junior) and a dumbass (the RPG series), he becomes an incredibly endearing character. So his feelings for Peach come off as adorable despite the bad elements because we’re aware he has a soft side so we know he’s truly sincere. Him being sometimes more of an antihero in the RPGs + his inclusion in sports games and the like probably also help seeing him in that good light.

(Also yes I’m very much aware that there’s a huge issue when it comes to how fandoms perceive female characters, and I will absolutely believe you if you tell me this is one of the reasons why you have people who talk shit about Peach so much all while defending Bowser’s actions, especially since his feelings for Peach are so rooted into his character. Oh and obviously you have the people horny for Bowser who love his softer/romantic side and value the moments where he displays this part of himself, that goes without saying.)

I’m especially surprised by the 1986 movie showing such a characterization of him, considering it came out 1-2 years after the very first Super Mario game (aka Bowser’s first appearance, at least I think?). Like imagine making a movie about those characters and going “hey you know the giant turtle monster we fight in this game? What if he was a huge lovable dork who just wanted some love in his life?”. Tbh I adore that choice.

Overall, it’s just interesting to see how Bowser differs from other villains on that front. It’s very interesting to see a villain who does pretty terrible things to a girl all the while being genuine in his feelings for her, idk it’s a very cool contrast. I also like how “true love” tends to be a motivation for the heroes, seen as something good, so it’s fun to see stories where villains have that very same motivation without it being “““twisted””” with lust. And yes I know that last point applies to many more antagonists than just Bowser, and not just for feelings like love.

And a bit off-topic but I also really like how you can easily explain Bowser’s behavior here (not justifying it tho!!!). In the Yoshi Island games, we see he was raised as a spoiled brat who was always given what he wanted, made worse by him being a monarch. We even still see some of that behavior in his adult self, for example when he gets angry and starts stomping his foot like a kid throwing a tantrum.

As a result of his upbringing, Bowser likely just doesn’t know how to take a no. He’s used to always get what he wants, and take it by force if necessary. So when Peach refuses him, he does just that, incapable of understanding why she doesn’t want him.

The 86 movie is actually an excellent example of this. In two scenes (the one with Peach outsmarting him and the ring dialogue) we see Bowser getting worked up when Peach is upset, showing he genuinely wants her to be happy. But at the same time he’s incapable of realizing that he’s the reason why she’s so upset and the one thing he should do is let her go. The ring scene especially shows it very well. When Peach throws the ring and starts crying because she doesn’t want to get married, Bowser thinks she’s upset due to the ring being too big and immediately tries to soothe her by promising to get a better ring. Again, it’s kinda crazy how this movie was made when Bowser only existed for a single year and yet they already made him genuinely in love with Peach.

I’d also add that Bowser seems to have a pretty high opinion of himself, thinking he’s awesome and shit (or maybe he’s overcompensating, that seems like a possibility). As a result, it’s possible that his mentality on the situation is “Well I’m in love with her so surely she must love me! How could she not?”, making it even harder for him to comprehend why she doesn’t love him.

Again, it doesn’t justify his actions in the slightest but it’s still interesting how you can somewhat understand why he’s like this.

And as to why I ship Powser, honestly I still have no idea ¯\_(ツ)_/¯ I think it has to do with the storytelling potential of a unrequited love/it’s complicated/they have history situation in regards to their roles as monarchs, especially in the case of Peach whose character is brimming with untapped potential. I actually like to describe their relationship as “I hate the effect you have on my life but I couldn’t imagine a life without you in it” or “Our kingdoms are enemies for a good reason but if anything happened to you I’d rush in to save you without hesitation”. It's just that idea of them being ex-lovers who had a bad falling out and how Peach still cares about him to an extent and how their lives constantly intertwine with villains trying to take over their kingdoms + Bowser's kidnappings.

And since we’re talking Powser and since wondering whether they know each other or not in the movie got me to question how we can tell they know each other in the games: the best way I could describe their relationship in the games is familiar/”comfortable”, like you have the way Peach tries to convince Bowser to join the group in Super Paper, the way she talks about him in general in the Mario and Luigi games, or stuff like most cutscenes in Odyssey where she never seems afraid of Bowser.

I’ve also seen that Switch Tennis game with the evil racket and how Peach is the one who tries to get through to Bowser when he steals it, straight up saying “listen to me” which makes it seem like she knows she’s the one person who could get him to stop, or you have the first Rabbids game where she comments on how “Junior is sometimes even worse than his father”, plus the way she looks like a mother about to reprimand her child in the cutscene where Jr learns Bowser is coming home (which I find hilarious; lady that’s not your kid, I thought we’d been through this already in Sunshine!). Oh and CAN WE TALK ABOUT THE WAY SHE’S LOOKING AT HIM IN (spoilers in link) THAT CUTSCENE FROM THE NEW RABBIDS 2 DLC!!!

I don’t know how to fully explain but, looking at these kinds of interactions, you can tell that the two of them know each other, and to an extent Peach knows that Bowser won’t hurt her, hence why she’s not afraid to oppose him. It’s pretty funny actually how in the games Peach tends to be exasperated by Bowser more than anything else. Like he’s not a menace, just a weekly annoyance. And again, when you compare it to the movie where there’s only hostility and awkwardness between them, you do get the impression that they’re two complete strangers meeting for the first time. The fact Movie Peach had no idea about his feelings for her doesn’t help either. Then again, about the hostility, Peach in the games is much sweeter so maybe she shows a nicer side to Bowser because that’s just who she is.

[juniperhillpatient]

no one understands how hard it can be for me to relax like I think my body & brain would rather die than relax i forced myself to put away my laptop & it wasn’t easy but I did I absolutely forced myself to put it up & I put on a video essay to sit back in bed & relax to but I disagree with everything this guy is saying so I can’t relax I’m going insane

[herbofgraceandpeace]

—

[welcometoteyvat]

read baizhu’s stories. he wins for most balanced character of all time

[blakyoo]

almost cried discussing politics w my brother cuz uhhh im a bitch but im ok w that. tbh im pretty proud i can get emotional over very important things like the worlds current affairs, makes me feel like it actually affects and im not just faking sympathy for the suffering of others. and also that im bad at arguing lmao