#also i love how say ‘every’ character but then proceed to only talk about aang katara and zuko

[comradekatara]

The Awakening is one of the most underrated episodes in the series.. this episode was such a turning point for aang

Aang first ran away in a storm to avoid his duty, and now he’s running away in a storm to do his duty. Poetic!

Love also Roku and Yue in this episode

yes! the way this episode establishes so many of the central tensions for the final season and parallels basically every character so deftly is perfect. the chiastic storm symbolism, the storm inside aang of crushing responsibility and guilt and grief and rage…. and in both cases, whether it’s to run away or to attempt to face his problems head on, leaving behind his loved ones (like he tried to do in the crystal catacombs) is always the wrong choice, he needs to rely on his friends. and his friends need him too. katara’s speech about how aang thinks he has to do everything alone kind of seems out of left field considering aang has always valued and cherished forming deep bonds, especially with katara. but then you remember that katara’s last memory of aang, that has been haunting her for the past however many weeks she’s been on that boat desperately trying to save him, was aang (unintentionally) martyring himself. and that would be traumatizing for anyone to witness, their best friend literally dying in their arms, but it’s especially triggering for katara because it’s happened before. kya died for her. hakoda left her. sokka emotionally abandoned her in his promise to die for her.

being a waterbender, the last waterbender, is such a complicated role for katara, because on hand she must feel immense guilt over the way her entire family and tribe prioritizes her life, and is especially motivated to become the world’s greatest waterbender specifically to prove that her mother’s sacrifice was not in vain. but it’s also that drive to be the best that awarded her the spirit water, that gave her the ability to heal aang when history repeated itself. katara couldn’t save kya, she couldn’t make hakoda stay, she couldn’t heal jet, but she can with aang. she literally brings the avatar, struck by lightning while in the avatar state (thus effectively ending the line of avatars were he truly dead) back to life. katara revived him as the inciting incident of the entire narrative, and then she revived him again in their darkest moment. because katara will continue to bring back hope to the world, resoundingly, through sheer force of will, with nothing but her bare hands and overflowing heart.

i do love aang’s arc in this episode, the narrative parallelism, the tragedy of him burning his glider, his last physical relic of his past and his people. i love the way he is so determined to perform the duty he has shied away from for so long due to the shame and humiliation of actually trying, and failing. of course aang was already motivated to perform his duties to the world, because guilt is a hell of a motivator, but the existential terror of actually being killed adds tenfold motivation. instead of running away from his problems, aang is now running towards them, equally as thoughtlessly and hastily. because he is too ashamed to care about tact, he just wants to rectify his devastating mistake. and that’s why he says that he needs to regain his honor. scarred and humiliated and lost, he finally understands how zuko feels.

zuko acts as the third side of a prism through which he, aang, and katara, are all refracted and reflected in one another. this episode makes use of that parallelism both in the contrast between zuko “finally regaining his honor” (illusory, of course, but he gets to come home and see his father again, and that’s all he’s wanted all along) while aang has lost it, and zuko confronting his father for the first time in three years, just like katara does. katara is angry at hakoda, her anger exacerbated by her grief over aang. she’s angry that hakoda left them, even if logically she doesn’t blame him for it. and she doesn’t mask her anger (i don’t think she’s even capable), and hakoda, for his part, receives it, listens to her, treats her with love and affection, holds her, acknowledges his own pain. it’s an incredibly beautiful scene; the episode is excellent if only for that scene.

it’s also immediately followed up with its opposite. zuko walks into ozai’s chamber, no anger only fear, kneels before his throne while ozai circles him like a predator (a move that both zuko and azula picked up from him). even a few episodes later, in “the beach” when azula asks, “are you angry at dad?” zuko’s face falls open and vulnerable, almost afraid at the accusation, and goes, “what?? no!!” even though it’s a perfectly fair question. ozai banished zuko for three years when he was still a child, whereas hakoda left katara for three years when she was still a child. katara resents hakoda for leaving against his will whereas zuko doesn’t even feel like he’s allowed to resent ozai for anything. ozai never once actually touches zuko, but zuko still flinches. zuko kneeling on the ground while ozai circles him like a hawk. hakoda and katara holding each other, both in tears, both open and vulnerable. zuko katara parallels always make me go crazy, of course, but this is one of the most insane juxtapositions in the entire show to me. i just love the katara hakoda reconciliation scene, and all the more for its narrative impact as it precedes zuko and ozai’s.

the ozai face reveal is also pretty incredible imo. for the past two seasons, ozai’s face as been obscured by shadow, framed only at angles that made him unknowable to the viewer. he is a larger than life villain, to both aang and zuko, not simply a man but something far greater and more terrifying. except no. he is just a man. zuko returns home, and immediately sees that. the ozai of looming shadow from zuko’s faulty memory is in fact just some guy. a uniquely powerful guy, of course, but he’s not gargantuan, too great to be comprehended by mortal eyes. zuko was just a child when he left, but he has since grown, in many ways. and while ozai still terrifies him to his core, because how could he not, we see, as zuko sees, that he is just a man.

as the image of aang’s goals becomes clearer in his eyes, he too, learns to see ozai as just a man. in the following episode he even crafts his likeness out of noodles (“impressive, i admit”). ozai is not some fantastical godlike being. no, aang is the fantastical godlike being in question, and it’s his literal god-given right to humble that man playing god who claims that aang has no place in his world. to obscure ozai’s face is to illustrate the sheer magnitude and terror of the power he wields. and to show ozai’s face, and then over the course of a season, continually undermine him and mock that face and depict it as noodles, or pantsless, is to take away some of his power, his cultivated, dictated, arbitrary power.

the awakening is a fantastic episode as it sets up the central internal conflicts for book 3, especially for aang and zuko, but also for katara, acknowledging the weight of her grief as it culminates in “the southern raiders.” (also her waterbending progress as it’s demonstrated in that one scene is incredible, i guess being at sea helps in one’s waterbending, who’d have thunk!) it’s basically a microcosmic encapsulation of the entire season, appropriately ending on a loving gaang hug as they promise to help one another through this. the heart of the show lies in that hug. it’s a fantastic episode.

[army-of-mai-lovers]

in which I get progressively angrier at the various tropes of atla fandom misogyny

tbh I think it would serve all of us to have a larger conversation about the specific ways misogyny manifests in this fandom, because I’ve seen a lot of people who characterize themselves as feminists, many of whom are women themselves, discuss the female characters of atla/lok in misogynistic ways, and people don’t talk about it enough. 

disclaimer before I start: I’m not a woman, I’m an afab nonbinary person who is semi-closeted and thus often read as a woman. I’m speaking to things that I’ve seen that have made me uncomfy, but if any women (esp women existing along other axes of oppression, e.g. trans women, women of color, disabled women, etc) want to add onto this post, please do!

“This female character is a total badass but I’m not even a little bit interested in exploring her as a human being.” 

I’ve seen a lot of people say of various female characters in atla/lok, “I love her! She’s such a badass!” now, this statement on its own isn’t misogynistic, but it represents a pretty pervasive form of misogyny that I’ve seen leveled in large part toward the canon female love interests of one or both of the members of a popular gay ship (*cough* zukka *cough*) I’m going to use Suki as an example of this because I see it with her most often, but it can honestly be applied to nearly every female character in atla/lok. Basically, people will say that they stan Suki, but when it comes time to engage with her as an actual character, they refuse to do it. I’ve seen meta after meta about Zuko’s redemption arc, but I so rarely see people engage with Suki on any level beyond “look at this cool fight scene!” and yeah, I love a cool Suki fight scene as much as anybody else, but I’m also interested in meta and headcanons and fics about who she is as a person, when she isn’t an accessory to Sokka’s development or doing something cool. of course, the material for this kind of engagement with Suki is scant considering she doesn’t have a canon backstory (yet) (don’t let me down Faith Erin Hicks counting on you girl) but with the way I’ve seen people in this fandom expand upon canon to flesh out male characters, I know y’all have it in you to do more with Suki, and with all the female characters, than you currently do. frankly, the most engagement I’ve seen with Suki in mainstream fandom is justifying either zukki (which again, is characterizing her in relation to male characters, one of whom she barely interacts with in canon) or one of the Suki wlw pairings. which brings me to--

“I conveniently ship this female character whose canon love interest is one of the members of my favorite non-canon ship with another female character! gay rights!” 

now, I will admit, two of my favorite atla ships are yueki and mailee, and so I totally understand being interested in these characters’ dynamics, even if, as is the case with yueki, they’ve never interacted canonically. however, it becomes a problem for me when these ships are always in the background of a zukka fic. at some point, it becomes obvious that you like this ship because it gets either Zuko or Sokka’s female love interests out of the way, not because you actually think the characters would mesh well together. It’s bad form to dislike a female character because she gets in the way of your gay ship, so instead, you find another girl to pair her off with and call it a day. to be clear, I’m not saying that everybody who ships either mailee or yueki (or tysuki or maisuki or yumai or whatever other wlw rarepair involving Zuko or Sokka’s canon love interests) is nefariously trying to sideline a female character while acting publicly as if she’s is one of their faves--far from it--but it is noteworthy to me how difficult it is to find content that centers wlw ships, while it’s incredibly easy to find content that centers zukka in which mailee and/or yueki plays a background role. 

also, notice how little traction wlw Katara ships gain in this fandom. when’s the last time you saw yuetara on your dash? there’s no reason for wlw Katara ships to gain traction in a fandom that is so focused on Zuko and Sokka getting together, bc she doesn’t present an immediate obstacle to that goal (at least, not an obstacle that can be overcome by pairing her up with a woman). if you are primarily interested in Zuko and Sokka’s relationship, and your queer readings of other female characters are motivated by a desire to get them out of the way for zukka, then Katara’s canon m/f relationship isn’t a threat to you, and thus, there’s no reason to read her as potentially queer. Or even, really, to think about her at all. 

“Katara’s here but she’s not actually going to do anything, because deep down, I’m not interested in her as a person.” 

the show has an enormous amount of textual evidence to support the claim that Sokka and Katara are integral parts of each other’s lives. so, she typically makes some kind of appearance in zukka content. sometimes, her presence in the story is as an actual character with layers and nuance, someone whom Sokka cares about and who cares about Sokka in return, but also has her own life and goals outside of her brother (or other male characters, for that matter.) sometimes, however, she’s just there because halfway through writing the author remembered that Sokka actually has a sister who’s a huge part of the show they’re writing fanfiction for, and then they proceed to show her having a meetcute with Aang or helping Sokka through an emotional problem, without expressing wants or desires outside of those characters. I’m honestly really surprised that I haven’t seen more people calling out the fact that so much of Katara’s personality in fanon revolves around her connections to men? she’s Aang’s girlfriend, she’s Sokka’s sister, she’s Zuko’s bestie. never mind that in canon she spends an enormous amount of time fighting against (anachronistic, Westernized) sexism to establish herself as a person in her own right, outside of these connections. and that in canon she has such interesting complex relationships with other female characters (e.g. Toph, Kanna, Hama, Korra if you want to write lok content) or that there are a plethora of characters with whom she could have interesting relationships with in fanon (Mai, Suki, Ty Lee, Yue, Smellerbee, and if you want to write lok content, Kya II, Lin, Asami, Senna, etc). to me, the lack of fandom material exploring Katara’s relationships with other women or with herself speak to a profound indifference to Katara as a character. I’m not saying you have to like Katara or include her in everything you write, but I am asking you to consider why you don’t find her interesting outside of her relationships with men.

“I hate Katara because she talks about her mother dying too often.” 

this is something I’ve seen addressed by people far more qualified than I to address it, but I want to mention it here in part because when I asked people which fandom tropes they wanted me to talk about, this came up often, but also because I find it really disgusting that this is a thing that needs to be addressed at all. Y’all see a little girl who watched her mother be killed by the forces of an imperialist nation and say that she talks about it too much??? That is a formational, foundational event in a child’s life. Of course she’s going to talk about it. I’ve seen people say that she doesn’t talk about it that often, or that she only talks about it to connect with other victims of fn imperialism e.g. Jet and Haru, but frankly, she could speak about it every episode for no plot-significant reason whatsoever and I would still be angry to see people say she talks about it too much. And before you even bring up the Sokka comparison, people deal with grief in different ways. Sokka  repressed a lot of his grief/channeled it into being the “man” of his village because he knew that they would come for Katara next if he gave them the opportunity. he probably would talk about his mother more if a) he didn’t feel massive guilt at not being able to remember what she looked like, and b) he was allowed to be a child processing the loss of his mother instead of having to become a tiny adult when Hakoda had to leave to help fight the fn. And this gets into an intersection with fandom racism, in that white fans (esp white American fans) are incapable of relating to the structural trauma that both Sokka and Katara experience and thus can’t see the ways in which structural trauma colors every single aspect of both of their characters, leading them to flatten nuance and to have some really bad takes. And you know what, speaking of bad fandom takes--   

“Shitting on Mai because she gets in the way of my favorite Zuko ship is actually totally okay because she’s ~abusive~” 

y’all WHAT. 

ok listen, I get not liking maiko. I didn’t like it when I first got into fandom, and later I realized that while bryke cannot write romance to save their lives, fans who like maiko sure can, so I changed my tune. but if you still don’t like it, that’s fine. no skin off my back. 

what IS skin off my back is taking instances in which Mai had justified anger toward Zuko, and turning it into “Mai abused Zuko.” do you not realize how ridiculous you sound? this is another thing where I get so angry about it that I don’t know how useful my analysis is actually going to be, but I’ll do my best. numerous people have noted how analysis of Mai and Zuko’s breakup in “The Beach” or Mai being justifiably angry with him at Boiling Rock or her asking for FUCKING FRUIT in “Nightmares and Daydreams” that says that all of these events were her trying to gain control over him is....ahhh...lacking in reading comprehension, but I’d like to go a step further and talk about why y’all are so intent on taking down a girl who doesn’t show emotion in normative ways. obviously, there’s a “Zuko can do no wrong” aspect to Mai criticism (which is super weird considering how his whole arc is about how he can do lots of wrong and he has to atone for the wrong that he’s done--but that’s a separate post.) But I also see slandering Mai for not expressing her emotions normatively and not putting up with Zuko’s shit and slandering Katara for “talking about her mother too often” as two sides of the same coin. In both cases, a female character expresses emotions that make you, the viewer, uncomfortable, and so instead of attempting to understand where those emotions may have come from and why they might be manifesting the way they are, y’all just throw the whole character away. this is another instance of people in the fandom being fundamentally disinterested in engaging with the female characters of atla in a real way, except instead of shallowly “stanning” Mai, y’all hate her. so we get to this point where female characters are flattened into one of two things: perfect queens who can do no wrong, or bitches. and that’s not who they are. that’s not who anyone is. but while we as a fandom are pretty good at understanding b1 Zuko’s actions as layered and multifaceted even though he’s essentially an asshole then, few are willing to lend the same grace to any female character, least of all Mai. 

and what’s funny is sometimes this trope will intersect with “I conveniently ship this female character whose canon love interest is one of the members of my favorite non-canon ship with another female character! gay rights!”, so you’ll have someone actively calling Mai toxic/problematic/abusive, and at the same time ship her with Ty Lee? make it make sense! but then again, maybe that’s happening because y’all are fundamentally disinterested in Ty Lee as a character too. 

“I love Ty Lee so much that I’m going to treat her like an infantilized hypersexual airhead!” 

there are so many things happening in y’alls characterization of Ty Lee that I struggled to synthesize it into one quippy section header. on one hand, you have the hypersexualization, and on the other hand, you have the infantilization, which just makes the hypersexualization that much worse. 

(of course, sexualizing or hypersexualizing ANY atla character is really not the move, considering that these are child characters in a children’s show, but then again, that’s a separate post.) 

now, I understand how, from a very, very surface reading of the text, you could come to the conclusion that Ty Lee is an uncomplicated bimbo. if you grew up on Western media the way I did, you’ll know that Ty Lee has a lot of the character traits we associate with bimbos: the form-fitting pink crop top, the general conventional attractiveness, the ditzy dialogue. but if you think about it for more than three seconds, you’ll understand that Ty Lee has spent her whole life walking a tightrope, trying to please Azula and the rest of the royal family while also staying true to herself. Ty Lee and Azula’s relationship is a really complex and interesting topic that I don’t really have time to explore at the moment given how long this post is, but I’d argue that Ty Lee’s constant, vocal  adulation is at least partially a product of learning to survive at court at an early age. Like Mai, she has been forced to regulate her emotions as a member of fn nobility, but unlike Mai, she also has six sisters who look exactly like her, so she has a motivation to be more peppy and more affectionate to stand out. 

fandom does not do the work to understand Ty Lee. as is a theme with this post, fandom is actively disinterested in investigating female characters beyond a very surface level reading of them. Thus, fandom takes Ty Lee’s surface level qualities--her love of the color pink, her revealing standard outfit, and the fact that once she found a boy attractive and also once a lot of boys found her attractive--and they stretch this into “Ty Lee is basically Karen Smith from Mean Girls.” thus, Ty Lee is painted as a bimbo, or more specifically, as not smart, uncritically adoring of Azula (did y’all forget all the non-zukka bits of Boiling Rock?), and attractive to the point of hypersexualization. I saw somebody make a post that was like “I wish mailee was more popular but I’m also glad it isn’t because otherwise people would write it as Mai having to put up with her dumb gf” and honestly I have to agree!! this is one instance in which I’m glad that fandom doesn’t discuss one of my favorite characters that often because I hate the fanon interpretation of Ty Lee, I think it’s rooted in misogyny (particularly misogyny against East Asian women, which often takes the form of fetishizing them and viewing them only through a Western white male gaze)  

(side note: here at army-of-mai-lovers, we stan bimbos. bimbos are fucking awesome. I personally don’t read Ty Lee as a bimbo, but if that’s you, that’s fucking awesome. keep doing what you’re doing, queen <3 or king or monarch, it’s 2021, anyone can be a bimbo, bitches <3)

“Toph can and will destroy everyone here with her bare hands because she’s a meathead who likes to murder people and that’s it!”  

Toph is, and always has been, one of my favorite ATLA characters. My very first fic in fandom was about her, and she appears prominently in a lot of my other work as well. One thing that I am always struck by with Toph is how big a heart she has. She’s independent, yes, snarky, yes, but she cares about people--even the family that forced her to make herself smaller because they didn’t believe that their blind daughter could be powerful and strong. Her storyline is powerful and emotionally resonant, her bending is cool precisely because it’s based in a “wait and listen” approach instead of just smashing things indiscriminately, she’s great disabled rep, and overall one of the best characters in the show. 

And in fandom, she gets flattened into “snarky murder child.” 

So where does this come from? Well, as we all know, Toph was originally conceived of as a male character, and retained a lot of androgyny (or as the kids call it, Gender) when she was rewritten as a female character. There are a lot of cultural ideas about androgynous/butch women being violent, and people in fandom seem to connect that larger cultural narrative with some of Toph’s more violent moments in the show to create the meathead murder child trope, erasing her canon emotionality, softness, heart, and femininity in the process. 

This is not to say that you shouldn’t write or characterize Toph as being violent or snarky at all ever, because yeah, Toph definitely did do Earth Rumbles a lot before joining the gaang, and yeah, Toph is definitely a sarcastic person who makes fun of her friends a lot. What I am saying is that people take these traits, sans the emotional logic, marry them to their conception of androgynous/butch women as violent/unemotional/uncaring, and thus create a caricature of Toph that is not at all up to snuff. When I see Toph as a side character in a fic (because yeah, Toph never gets to be a main character, because why would a fandom obsessed with one male character in particular ever make Toph a protagonist in her own right?) she’s making fun of people, killing people, pranking people, etc, etc. She’s never talking to people about her emotions, or palling around with her found family, or showing that she cares about her friends. Everything about her relationship with her parents, her disability, her relationship to Gender, and her love of her friends is shoved aside to focus on a version of Toph that is mean and uncaring because people have gotten it into their heads that androgynous/butch women are mean and uncaring. 

again, we see a female character who does not emote normatively or in a way that makes you, the viewer, comfortable, and so you warp her character until she’s completely unrecognizable and flat. and for what? 

Azula

no, I didn’t come up with a snappy name for this section, mainly because fanon interpretations of Azula and my own feelings toward the character are...complicated. I know there were some people who wanted me to write about Azula and the intersection of misogyny and ableism in fanon interpretations of her character, but I don’t think I can deliver on that because I personally am in a period of transition with how I see Azula. that is to say, while I still like her and believe that she can be redeemed, there is a lot of merit to disliking her. the whole point of this post is that the female characters of ATLA are complex people whom the fandom flattens into stereotypes that don’t hold up to scrutiny, or dislike for reasons that don’t make sense. Azula, however, is a different case. the rise of Azula defenders and Azula stans has led to this sentiment that Azula is a 14 y/o abuse victim who shouldn’t be held accountable for her actions. it seems to me that people are reacting to a long, horrible legacy of male ATLA fans armchair diagnosing Azula with various personality disorders (and suggesting that people with those personality disorders are inherently monstrous and unlovable which ahhhh....yikes) and then saying that those personality disorders make her unlovable, which is quite obviously bad. and hey, I get loving a character that everyone else hates and maybe getting so swept up in that love that you forget that your fave is complicated and has made some unsavory choices. it sucks that fanon takes these well-written, complex villains/antiheroes and turns them into monsters with no critical thought whatsoever. but the attitude among Azula stans that her redemption shouldn’t be hard, that her being a child excuses all of the bad things that she’s done, that she is owed redemption....all of that rubs me the wrong way. I might make another post about this in the future that discusses this in more depth, but as it stands now: while I understand that there is a legacy of misogynistic, ableist, unnuanced takes on Azula, the backlash to that does not take into account the people she hurt or the fact that in ATLA she does not make the choice to pursue redemption. and yes, Zuko had help in making that choice that Azula didn’t, and yes, Azula is a victim of abuse, but in a show about children who have gone through untold horrors and still work to better the lives of the people around them, that is not enough for me to uncritically stan her. 

Conclusion    

misogyny in this fandom runs rampant. while there are some tropes of fandom misogyny that are well-documented and have been debunked numerous times, there are other, subtler forms of misogyny that as far as I know have gone completely unchecked. 

what I find so interesting about misogyny in atla fandom is that it’s clear that it’s perpetrated by people who are aware of fandom misogyny who are actively trying not to be misogynistic. when I first joined atla fandom last summer, memes about how zukka fandom was better than every other fandom because they didn’t hate the female characters who got in the way of their gay ship were extremely prevalent, and there was this sense that *this* fandom was going to model respectful, fun, feminist online fandom. not all of the topes I’ve outlined are exclusive to or even largely utilized in zukka fandom, but a lot of them are. I’ve been in and out of fandom since I was eleven years old, and most of the fandom spaces I’ve been in have been majority-female, and all of them have been incredibly misogynistic. and I always want to know why. why, in these communities created in large part by women, in large part for women, does misogyny run wild? what I realize now is that there’s never going to be a one-size fits all answer to that question. what’s true for 1D fandom on Wattpad in 2012 is absolutely not true for atla fandom on tumblr in 2021. the answers that I’ve cobbled together for previous fandoms don’t work here. 

so, why is atla fandom like this? why did the dream of a feminist fandom almost entirely focused on the romantic relationship between two male characters fall apart? honestly, I think the notion that zukka fandom ever was this way was horrifically ignorant to begin with. from my very first moment in the fandom, I was seeing racism, widespread sexualization of minors, and yes, misogyny. these aspects of the fandom weren’t talked about as much as the crocverse or other, much more fun aspects. further, atla (specifically zukka) fandom misogyny often doesn’t look like the fandom misogyny we’ve become familiar with from like, Sherlock fandom or what have you. for the most part, people don’t actively hate Suki, they just “stan” without actually caring about her. they hate Mai because they believe in treating male victims of abuse equally. they’re not characterizing Toph poorly, they’re writing her as a “strong woman.” in short, people are misogynistic, and then invoke a shallow, incomplete interpretation of feminist theory to shield themselves from accusations of misogyny. it’s not unlike the way some people will invoke a shallow, incomplete interpretation of critical race theory to shield themselves from accusations of racism, or how they’ll talk about “freedom of speech” and “the suppression of women’s sexuality” to justify sexualizing minors. the performance of feminism and antiracism is what’s important, not the actual practice. 

if you’ve made it this far, first off, hi, thanks so much for reading, I know this was a lot. second, I would seriously encourage you to be aware of these fandom tropes and to call them out when you see them. elevate the voices of fans who do the work of bringing the female characters of atla to life. invest in the wlw ships in this fandom. drop a kudos and a comment on a rangshi fic (please, drop a kudos and a comment on a rangshi fic). read some yuetara. let’s all be honest about where we are now, and try to do better in the future. I believe in us. 

[softluci]

atla hcs

i’ve been thinking about this for a minute, and i wanna do a set of headcanons for how i think the brothers (and eventually the undateables) would feel about certain avatar: the last airbender characters, or something along those lines. i actually just wanted to talk about lucifer and azula, so everything else here is a bonus. this doesn’t matter, but for what it’s worth: wherever the mc pops up, they will be gn, enjoy!

also: this kinda goes without saying, but there are most definitely spoilers in here. for which seasons? i don’t remember, i watched this show when i was nine, but proceed with caution if you have yet to watch it.

lucifer

if it’s one thing you are not gonna play with him about, it is princess azula. this man is an azula supremacist, and while he might not say those words exactly, anyone would be able to tell that’s the case if they talked to him about the show for longer than two minutes. he actually wasn’t even interested in the show until azula showed up, and he will readily admit this to anyone who inquires about it. what makes it funny is the fact that her first appearance is literally, like, ten seconds, so that means he saw her and immediately knew she was the best, which, like—real recognize real. is he projecting? am i projecting? yes, no. in that order. shut up.

he actually almost couldn’t hide how proud he was when azula almost killed aang, this man is deranged. the same way he takes her wins personally, he takes every loss of hers personally as well, so when she lost that agni kai? 🚶‍♂️ 

the average azula enjoyer believes azula should get a redemption arc, lucifer believes azula should simply get whatever she wants, and the difference between those two things is striking.

average azula enjoyer: i believe azula deserves to heal and redeem herself. it isn’t fair that she was left with her tyrannical, abusive father during formative years of her childhood, with no one to help her or show her what it means to be good. she cannot be blamed for the way she turned out. it especially isn’t fair that she gets no redemption for evil things she did at age fourteen, for a year, while the entire show is iroh’s redemption arc, and he was doing evil for decades—he is literally called “the dragon of the west” because of it. additionally—

lucifer morningstar, resident azula supremacist: everything azula did, she was right to do, because i would’ve done the same. there was never a point at which she was wrong, it’s just unfortunate that nobody could keep up with her, her father included. the only reason why she ended up losing, ultimately, is because this is a children’s show, and good is supposed to win out. it was plot armor. if this were realistic, she would’ve beaten everyone—at the very least, she would’ve beaten zuko in the final agni kai, it’s just that he broke the rules and brought backup. at the time of the agni kai, she was literally the strongest firebender in the show. that’s actually the only part of this lucifer is right about, but you can’t tell him that.

if you ask him what his favorite quote in the show is, he’ll immediately say, “i can see your whole history in your eyes. you were born with nothing, so you’ve had to struggle, and connive, and claw your way to power. but true power? the divine right to rule? is something you’re born with.” and he will do it so well that it’ll give you the chills. 

in actuality, his favorite quote is, “i’d really rather our family physician look after little zuzu, if you don’t mind.” it’s just that it doesn’t have the same chilling effect as the first one. 

does he like any other characters? does he even care about any other characters? he has a deep fondness for sokka because he reminds him of mammon.  yes, and they are katara and suki, with honorable mention to avatar kyoshi. 

does he hate any characters? no, but if you mention avatar kuruk or uncle iroh to him, he might get annoyed. is mildly frustrated by aang, but has the sense to cut him some slack for being twelve and the last of his kind. never speak of ozai.

mammon 

toph supremacist. frequent user of the phrase, “toph is just fucking class.” knows for a fact that toph is the best and strongest bender in the entire show, and no one has ever managed to convince him otherwise. mainly because nobody really disagrees. like, have you ever even seen toph slander?

just like lucifer with azula, he wasn’t invested in the show until toph showed up, which, once again, is funny, because technically her very first appearance is only a few seconds long, so that means he saw her for a literal second and just knew. you can’t even be mad at that, real recognize real. 

no one will ever see him more proud than when he’s talking about one toph beifong. he can’t get over her raw, unbridled talent, and he really never should. if you let him (so, if you’re levi), he will spend so much time analyzing her character and every single one of her strengths, from the fact that she’s the only one who knows when azula is lying, all the way down to the fact that even though she projects a tough persona, she can still be vulnerable, AND—

not only is she strong, but her personality is simply untouchable. this girl grows on literally everyone; like, even lucifer likes her, even though he’ll die before saying it out loud. 

he gets so smug whenever someone asks him who his favorite is and it’s because he knows his taste is top tier, and what makes it worse is that no one can even disagree because toph is just that good. 

will never admit it, but he was shaking and crying during the scene where it looked like toph and sokka were literally gonna die. was also gonna cry when toph almost drowned. basically: he is eternally grateful to suki. 

his favorite line in the entire show is, “i am the greatest earthbender in the world! don’t you two dunderheads ever forget it.” it’s just fucking class.

does he like any other characters? he sees himself in sokka, he’ll tell you that much. he also knows that satan and lucifer like sokka because of him, and he found out because he heard them talking about it. to their joint dismay, they turned to see him standing behind them, grinning like an idiot, and they couldn’t even scare him into leaving them alone when he hugged both of them at the same time because, one, they didn’t really want to, and two, they couldn’t turn off their fondness for him fast enough ^_^. did they reciprocate his hug? did they stay like that for a little bit? did lucifer kiss the tops of their heads? maybe so🤨

does he hate any characters? not really, but he doesn’t particularly like azula because she scares him and makes him sad, like lucifer and doesn’t see her appeal. once tried to make a case for why she shouldn’t have a redemption arc and felt painfully human from the way he almost died. do not mention toph’s parents to him. the name ozai should also never be on your tongue.

levi 

resident sokka enjoyer and suki appreciator. do not ever call sokka dumb in front of this man unless you want a proper lecture. unlike a few of his brothers, he doesn’t like sokka just because of his similarities to mammon. he also likes sokka because he relates to him on a personal level. 

levi absolutely knows what it’s like to feel inadequate and outshined by people younger than you. he absolutely knows what it’s like to feel like your competence is overlooked. while he might be unfamiliar with how it feels to strategize for a war and lose a battle, but it is one of his biggest fears and it absolutely crushed him to see sokka go through that. 

on a lighter note, levi has a deep appreciation for sokka’s comedic value, despite the fact that it can overshadow his intelligence. levi would actually venture to say that he likes sokka’s funnier side because it overshadows his intelligence to the point that it throws the opposition for a loop. this is the aspect of sokka that reminds him of mammon. 

it also seriously warmed his heart to see how everyone missed sokka while he was away for sword training; he especially liked that episode because it was just an affirmation of the fact that sokka is an integral part of team avatar, which he really needed to see. 

you know who else is an integral part of team avatar who needs to be recognized as such more often? suki. do you know how much pain levi is in every time he thinks about the lack of suki screentime . it’s a lot . suki is just too good for the amount of screentime she has, he’s sorry, but it’s true. this is evidenced by the scene of her literally running across prisoners’ heads to apprehend the warden of boiling rock. that scene speaks for itself—she and the other kyoshi warriors end up as zuko’s body guards for a reason. 

he will never let anyone forget that if it weren’t for suki, sokka would still be a misogynist. she was an essential element to sokka’s growth as a character and everyone had better remember it or so help him. also , he is a firm believer in the fact that suki was the best love interest for sokka, with zuko as a close second. don’t ask questions. rip yue but argue with the wall.

his favorite line in the series? 

“zuko’s gone crazy! i made a sand sculpture of suki, and he destroyed it! oh, and he’s attacking aang.” 

it’s not profound or cool or anything like that, but it makes him smile and giggle every time he thinks of it ^_^. 

does he like any other characters? he has a lot of love for toph and azula for the sole fact that the series improved exponentially after both of their introductions; he thinks both of them are in leagues of their own and seeing them in action just puts a smile on his face. he’s also inexplicably fond of king bumi. 

does he hate any characters? not particularly, actually! he pretty much respects and appreciates everyone, except the guy who mutilated his thirteen year old son for speaking out of turn.

satan 

just pick a girl. any girl. and from the way he talks about them, you’ll think they’re his favorite. he can and will go on about the girls of atla for the rest of eternity.

but since we’re being specific:

katara appreciator. azula enjoyer. basically, between him and lucifer, no tongue raised against azula shall prosper. he has a deep respect for each of their wraths. he also really must have a thing for angst because both of these characters just break his heart. 

if you let him (in other words, if you’re levi), he will go on about how it’s not fair that people call katara annoying when, in reality, she just hasn’t healed from the trauma of seeing her mother’s corpse at age eight, followed by having to take care of her village, meaning she got literally no time to grieve properly, and—

call katara annoying in front of him and you might actually have to meet god for your shallow views of such a deep, complex character. 

he will also go on and on about how katara would be the best bender in the show, if it weren’t for toph, who is untouchable. instead, he’ll talk about how katara almost killed pakku for being misogynistic and how she single handedly beat azula during sozin’s comet. you will frequently hear this man say, “katara aang’s master for a reason,” and he’s right. 

similar to if you call katara annoying, if you call azula scary in front of satan, he’s bullying you. he’s sorry, but it has to happen. no way you’re scared of a traumatized fourteen year old, what are you, eight? or do you have no understanding of azula’s depth? both are unacceptable. 

satan is the average azula enjoyer, times about seven. you simply won’t get away with speaking poorly of azula in front of this man, so if you’re like mammon and don’t like her, you better tread very carefully. 

one time mammon tried to be like, “azula is too far gone to deserve redemption anyways,” and satan literally reverted to his demon form as he said: “if i were abandoned with my terrible father as a child, with literally no one to help me, and then my friends betrayed me, and then, as i was about to be crowned ruler of my country, my dumb fucking idiot brother showed up with his dumb peasant friend for backup, which isn’t even allowed, i might be mad forever too, actually—” and then he threw the nearest chair at mammon for his criminally bad take.

another reason why satan loves azula so much is because he’s convinced she’s a lesbian and satan is the most “let’s go lesbians!!!” person you will ever meet. you actually can’t convince him that she isn’t a lesbian. forget chan. nobody gives a fuck about chan.

what’s his favorite line in the entire series? 

“trust me, zuko—it’s not going to be much of a match.” 

like, come on. katara is just too good. 

does he like any other characters (other than the girls of atla)? he’ll never admit it, but he has a lot of respect for sokka and a soft spot for him because he reminds him of mammon. he also has a lot of respect for aang because he reminds him of beel of how well he handled literally everything despite being twelve. 

does he hate any—yes. never speak of avatar roku. or iroh. or ozai. for good measure, don’t mention general zhao either. 

asmo 

what lucifer is to azula, asmo is to ty lee. like do i even have to say anything else. but for what it’s worth, he also love, love, loves azula because she reminds him of lucifer, from her strength and class, all the way down to her descent into madness. and even though she breaks his heart just as much as she does satan’s. he may or may not have cried over azula in satan’s room while they were talking about her. unlike lucifer and satan, he can respect it if you don’t like her, but it’ll make him so sad. 

but enough about azula. ty lee is where it’s at for him. her subtle strength and unwavering love is something to die for, and he will defend it against anyone, up to and including lucifer, and he’ll win too. asmo is not to be trifled with and neither is ty lee; he can make a strong argument as to why ty lee is the strongest character in the show, and you will have a very hard time trying to refute his points. (the main point being: it’ll be really hard to win a fight against someone who can paralyze you in a few seconds, bender or not.)

the fact that ty lee ran away from home because she was tired of the fact that nobody ever saw her as her own person is just something that tugs at asmo’s heartstrings. he thinks ty lee’s bravery is just something that can be so personal. 

also—he has a massive appreciation for the fact that, even though there’s a war going on and ty lee is in near-constant danger, she still has the sense to maintain her appearance and worry about the skincare of not just herself, but also people she’s close to. that is a detail he will never let anyone forget. 

never mentions it in front of lucifer but one of his favorite scenes is when she paralyzes azula to save mai. once again: ty lee’s bravery is just something that can be so personal. 

he doesn’t have a favorite line in the series, but his favorite exchange of dialogue is between ty lee and azula, wherein ty lee is trying to teach azula how to flirt. he thinks it’s the cutest thing in the world.

does he like any other characters? of course! he likes everyone ^_^ . you’d actually be hard pressed to find someone he hates. ozai. it’s ozai. he has a real soft spot for mai because she reminds him of belphie. something about their shared aversion to affection is just so cute to him!

beel

aang supremacist, will hold steadfast to the fact that aang is the best character in the show and you will struggle to figure out how to convince him otherwise. 

if you ask him why aang is his favorite, the first thing he will do is gesture to a picture of him and say, “look at the material,” like it’s the most obvious thing in the world, before diving into a ten minute in depth character analysis for this boy. 

come on. he shouldn’t even have to explain himself. not only is aang one of the strongest, most competent avatars to exist, ever, he also mastered all four elements in a year, when he was twelve—he’s literally a different breed. and he managed to beat ozai in his own way, without killing him, as a means of staying true to a culture that could have literally died with him at any point in the show. aang is just fucking class.

he also admires aang for his near unwavering kindness and lighthearted nature. and for never going berserk and killing everyone he sees, especially after finding out his people were killed while he was in ice.

you have no idea how much pain beel was in when he found out that the air nomads were just gone. seeing a child find out that not only their family is gone, but also the entirety of their people and culture, just absolutely broke his heart. and that guilt aang was feeling? hit way too close to home for him. 

he also thinks it’s really nice that aang was so quick to forgive zuko after everything, and the two of them ended up being really good friends. it just puts a smile on his face. 

after some reflection with levi, he would’ve liked to see the full scope of an airbender’s power in the series; as in, he would’ve liked to see someone suffocated, but it’s okay, because aang wasn’t like that.  and he heard it happens in the next series over.

anyway, beel’s favorite quote in the show...well, it isn’t really a quote, as much as it’s a dialogue between two characters. it’s the scene where toph asks, “do you really think friendships can last more than one lifetime?” and aang says, “i don’t see why not.” it could bring a tears to his eyes just thinking about it; and in the next series over when it’s proven to be true, he absolutely cried. 

does he like any other characters? he’s actually really fond of zuko and mai because they both remind him of belphie. he also likes sokka for the same reason lucifer and satan like sokka. he has a deep appreciation for katara because aang would literally be dead without if it weren’t for her.

does he hate any characters? well, he doesn’t really like azula. he feels bad for her, but he doesn’t like her. but as for who he hates? take a wild guess. 

belphie 

zuko makes him sob is his number one. yes zuko is his favorite because of his redemption arc, yes he sees himself in zuko, no he will not explain any further than that, what’s your point🤨

in actuality, he will never be able to properly articulate how important it is for him to see that redemption is, indeed, attainable, if you put the work in. in a similar vein, he will also never be able to give words to how important it is for him to see that forgiveness is also attainable.  it means the world to him. that is why it makes him cry. the feeling is overwhelming. i’m gonna cry if i think about it for too long.

he will cling to the fact that zuko is the best character in the show, and he will cling to it even when zuko embarrasses him by saying stupid shit like, “no lightning today?” and even when zuko is so awkward it causes him physical pain. that’s his number one and he’s not changing on it!

firm zukka supporter. will not argue. that’s all.

what’s his favorite line in the entire series? it’s one of the two you’re thinking of. make that decision for yourself.

does he like any other characters? he positively adores aang and will readily admit that it’s because he reminds him of beel. bonus points for aang because he also loves the dynamic between him and zuko. toph is a distant third, mainly because he just really likes her attitude. he looks at her and thinks, now this is someone who would not hesitate to kick lucifer’s ass. 

does he hate any characters? you better believe it. he hates iroh because he reminds him of dia. he can’t really bring himself to like azula because she makes him a different kind of sad. and if you know what’s good for you, you will never mention ozai. 

[thinkingisadangerouspastime]

what do you think about the aang is possessive comment? about EIP ruining kataang? also about there being an implied (and nonexistent) love triangle thrown in nearing the end of the series as a tease?

I think fandom just likes to complain, lmao, but I’ll address each of these one at a time!

1) “aang is possessive”

This argument is honestly the most ridiculous thing I’ve ever heard because it’s just so obviously false?? Possessive is literally defined as “demanding someone’s total attention and love,” which Aang never does? Aang always respects Katara’s position in their relationship, especially after the EIP kiss, which everyone knows was entirely inappropriate and wrong of him. Aang recognizes her hesitation and makes no more romantic attempts towards her after that moment. Not one! Katara is the one who initiates them getting together in the finale because the war is finally over and she is no longer afraid of losing him. I beg people, do point to the “possessiveness” you’re referring to, because the closest we get to any character being possessive is Zuko in “The Beach”:

Zuko: [Side-view of Zuko and Mai walking.] He thinks he’s so great. [To Mai.] Well, what do you think of him?

Mai: I don’t have any opinion about him. I hardly know him.

Zuko: You like him, don’t you? [Mai sighs and walks away.]

//

Ruon-Jian: What are you doing?

Zuko: [Close-up. Angrily.] Stop talking to my girlfriend!

Ruon-Jian: [Side-view. Walks up to Zuko.] Relax. It’s just a party.

Frontal view of Ruon-Jian. Zuko knocks him across the room into a vase, which breaks from the force.

Yeah, Aang never acts like that. 🤷

Now, this isn’t to say Aang doesn’t get jealous. Jealousy is a perfectly normal and natural emotion, and honestly I’d go so far as to say that everyone has been jealous at least once in their life. What’s key about Aang is he doesn’t act on his jealousy. He doesn’t throw anybody across a room, for one. Sure, he doesn’t want Katara to kiss Jet, so he makes a little quiet comment about it. Pretty normal, and it ends there. Not dissimilar to Katara’s bit of snark about On Ji! Even the EIP comment, which everyone uses to argue that Aang is “possessive” (which again, blatantly untrue, because he does not demand or expect a relationship with Katara as a result of that scene; also all he does is nod lmao and tbh that’s such a healthy reaction to jealousy I mean he doesn’t grab Zuko and chuck him onto the stage like his name is Ruon-Jian, does he?) - Aang literally just gets upset about the implication from an imperialist play that Katara doesn’t reciprocate his feelings. Why?

Let’s be frank: Aang knows, or is fairly certain, that Katara does like him by this point in the series. That’s why he doesn’t ask her “do you like me”. Instead, he asks:

Aang: But it’s true, isn’t it? We kissed at the Invasion, and I thought we were gonna be together. But we’re not.

By this point the show, the viewers know their feelings are mutual. Katara knows how Aang feels about her, and Aang knows Katara likes him, too - he just isn’t sure about how ready she is for a relationship. So him getting upset about the propagandist, pro-imperialism play implying Katara isn’t interested in him, when he essentially knows she does like him, is honestly kind of understandable? Imagine if you were watching a really rude movie about your life and it included a scene of your best friend who you’re already kind of in a relationship with saying that they’re in love with the dude who used to bully you and only think of you as their sibling. Like, that’s kinda wack? I’d be a little upset - and definitely weirded out - too.

(I’ve also seen people argue Aang leaving Guru Pathik to save Katara also somehow demonstrates his so-called possessiveness, as if his love for her and her love for him wasn’t established mere minutes earlier to be the love of the Air Nomads reborn. I don’t think the show could have been any clearer about how mutual, powerful, and honest their love is through that scene. Also, he proceeds to let her go to enter the Avatar state at the end of what? The next episode? So again, any arguments that he was “possessive” and “didn’t let her go” are thus moot and entirely inapplicable points.)

Basically, Aang isn’t “possessive” and people who think he is are just looking for an excuse to hate on him, lmao.

2) “eip ruined kataang”

The only way EIP could have ruined Kataang would be if all the previous Kataang buildup was either terrible or near-nonexistent. And great news! Kataang was built up very well throughout the series, growing from a close, deep friendship to cute, blushy crushes to a true, lasting romance (pretty iconic of them). Even if someone doesn’t ship them, they can acknowledge that within canon, Kataang had a very strong foundation (it’s one of the core relationships of the show, the other being Zuko and Aang as narrative foils). The implication that one poorly written episode somehow cancels out the previous 56 episodes and the following four is embarrassing.

Now, I certainly wouldn’t have minded if there had been a scene dedicated to Aang and Katara discussing his poorly-timed kiss. I ship Kataang, so there is absolutely no reason for me to be opposed to more Kataang content! But A:TLA has a very clear trend of not showing such discussions on screen - example: Zuko never sits down with Katara and apologizes for using her mother’s necklace to manipulate her; Katara never apologizes to Sokka for her callous comment about their mother - so the fact that Katara is the one to initiate their relationship at the end of the serious clearly demonstrates that she has forgiven Aang for his inappropriate kiss and is ready to be with him. (And I’ve said it before - if she can forgive Zuko for all the shit he put them through, she can forgive Aang, her best friend and the guy she loves, for one poorly-timed kiss.) Narratively speaking, ’twas resolved.

Also, it’s incredibly important to consider EIP within the context of the series as a whole. If someone really feels entirely devastated by that one episode, then… their loss? I’m sorry to hear it? 56 episodes of near-flawless buildup - a slight dip + a healthy, logical finale where Katara chooses to be with Aang because she is at last no longer afraid of losing him = more than good enough for me. People can argue her decision doesn’t make sense all they want, but it actually makes perfect sense when you consider what has been built through every previous episode: she was in love with him! You can’t isolate a single episode and expect it to speak for the series as a whole, after all.

Basically, EIP gets blown out of proportion because some people like to pretend it was the only Kataang episode ever written, lmao.

3) love triangle

I always laugh when I see this because where?? The only love triangle in A:TLA was the one fandom invented. Within the canon narrative, Katara and Zuko were never romantically interested in each other. I don’t care about “shipping-goggle interpretations” or AUs or post-canon or early planning that didn’t make it into the final drafts. If you look at A:TLA, if you look at the creators’ intentions, it’s plain as day that Kataang and Maiko were the only romantic pairings planned for Katara and Zuko. And that’s okay! That’s why fanon exists. But people have got to stop whining about a love triangle and ship teases that just… didn’t occur. If they read Zuko and Katara’s interactions as romantic, well, that’s great and all, but it’s also on them, lol. That sounds so mean oml I’m sorry y’all 💀. I just mean that Kataang was very clearly written into the show from episode 1 and Maiko from Book 2 (or Book 3 if you really, really don’t like the flashback), so expecting Zuko and Katara to get together doesn’t make any sense (to me) when they never had any romantically-coded interactions.

Yes, of course I’ll admit there were a few Zvtara gags, but that’s exactly what they were - gags. There’s three primary instances:

- June calling the owner of the Water Tribe necklace (whom we know is Katara) Zuko’s girlfriend in Book 1. This moment is mainly hilarious because Zuko promptly redirects the conversation to Aang, lmao, but thinking about the context of A:TLA itself? The assumption of the Fire Nation crown prince being in a relationship with someone from the Water Tribe is honestly pretty concerning given how the Fire Nation is an imperialist conqueror and has all but destroyed the Water Tribes (and has certainly worked to sever the connection between the North and South). So, not exactly a great conclusion on June’s part.

- The EIP gag. I ALWAYS laugh at this one because their reactions are so funny? I love the little disgusted nose wrinkles and scooting away. That’s hysterical to me. But again, thinking about the show itself, EIP is an imperialist play full of Fire Nation propaganda. With that in mind, again, the implication that their crown prince was with someone from the SWT, a nation they brought to its knees by killing all of the waterbenders (but one) and thus eradicating so much of the SWT’s culture? Major red flags! People need to consider the implications of EIP as imperialist propaganda, basically, because that’s what it is. Ignoring that aspect means missing the entire point of the play.

- June part 2. What I said above still applies. Also, they both get embarrassed and hotly deny it, which is kind of the opposite of a ship tease to me? They don’t exchange like an “oh, but what if” glance or anything, lol. And June backs off immediately, so... 🤷

People who interpret that as serious ship teases are, bless their hearts, a little misguided. Those are just funny moments! It’s like Katara and Sokka dressing up as Aang’s parents in “The Headband”. It’s funny! It’s contextual! Sokka and Katara are not romantically interested in each other just because they dressed up as husband and wife (ew), just as Katara and Zuko aren’t romantically interested in each other because there were three jokes about it. I really don’t know what else to say lmao.

Now, I don’t know all about what Bryke did outside of A:TLA in regards to Zuko and Katara’s relationship and fans of it. I wasn’t here for that lol. But I do know that A:TLA built a beautiful, platonic bond akin to surrogate siblings between Zuko and Katara (highlighted by the final Agni Kai with Katara and Azula as foils). Not a love triangle. “The Southern Raiders” was an episode about Katara and Kya, not Zuko and Katara. “The Crossroads of Destiny” paints an aching, gorgeous parallel between Oma and Shu and Katara and Aang, not Katara and Zuko. “The Boiling Rock: Part 2” was an episode involving the loyalty and love of Mai and Zuko, not Katara and Zuko. Katara and Aang had romantic parallels, Mai and Zuko had romantic parallels, while Katara and Zuko - within canon - had strictly platonic development. And honestly, fandom should appreciate that more! How often do we get such an iconic relationship between a guy and a gal that isn’t shadowed by romance? (The answer: not often enough.)

Now, this doesn’t mean don’t ship Katara and Zuko. I don’t care what people ship lmao, and there are some interpretations of Zvtara that I really enjoy (post-canon Zvtara has so much potential,, I die a thousand deaths oml)! But insisting there was some love triangle thrown at the end of the series is a discredit to how well Aang and Katara’s and Zuko and Katara’s relationships were written in A:TLA, and I’m honestly tired of hearing such tomfoolery. A romantic relationship between Zuko and Katara within canon would have completely undermined his entire redemption arc, which further emphasizes that their canon bond was meant to be solely platonic, because why would the writers want to undo what most consider the best redemption arc in animated history? (Simply put, I don’t think they would.)

Also, A:TLA had a very clear history of staying away from love triangles. There’s no Aang x Katara x Jet love triangle. No Yue x Sokka x Suki love triangle. So why would there be an Aang x Katara x Zuko love triangle?

Case in point: there isn’t. Fandom invented it.

So that’s my thoughts, anon! It can be summarized as this: fandom makes up a lot of nonsense that simply rewatching the show can dispute, so maybe we should just start providing episode timestamps to people, lol.

A general note - people are free to disagree with this post, but I ain’t looking to argue, so… make your own post if you want to develop a “counterargument”, I guess? I’m just chillin™ lol I don’t want to fight with people. I can give you my PayPal if you’d really like to engage in a proper academic debate? Anyways. Much love! 💕

[enchantedisabella]

headcanons about atla that should’ve been canon

azula is not straight

like if you tell me she is straight i will proceed to laugh in your face for ten minutes straight

and never take you seriously again

like, ever

okay moving on

ty lee is bisexual

tyzula was a thing

zuko has major daddy issues but azula has both mommy and daddy issues and she is by far one of the most fucked up characters in the series, and did not deserve her fate, and the series instead showed her ‘getting what she deserved’ when in reality she was a teenager following orders from her father who was supposed to guide, protect and love her

but instead of doing any of those things he manipulated her and twisted her into becoming his lackey and his killing machine and that was wrong and she deserved so much more than being thrown in a mental institution and being forgotten about

actually a lot of these are about azula idk why

wait no ik why it’s because i love her with all my heart but anyway

toph and sokka had the strongest bromance to ever exist in the whole avatar universe and for the directors to portray bamf toph as having a crush on sokka was such a cold take and so,,, not it

like isn’t there like a six year age difference for them? or maybe four? but I’m pretty sure it’s six because toph is ten but sokka is sixteen but correct me if I’m wrong whatever

like,,, just let them live you know??? toph and sokka are the two sassiest most sarcastic characters in the entire series and you cannot tell me that their bromance would not rival,,, literally everyone else’s

katara once put makeup on toph. needless to say she absolutely hated it but katara was in a sucky mood so toph wanted to cheer her up. she stepped out for one (1) second, intending to watch her face, and sokka wouldn’t stop laughing for twenty (20) minutes. he still brings it up at campfires now

zuko sometimes tries to incorporate katara’s waterbending moves into his firebending after uncle iroh showed him the lightningbending move. he tried to teach azula how to do it once too but it took three days before she would deign to try and learn a ‘filthy water peasant move’

azula secretly loves how she can exercise her power in completely different moves though and she works in secret on new bending moves, taking inspiration from the other cultures, but she’d rather die than admit zuko helped her

azula, mai and ty lee absolutely called themselves the terrible trio. it started after mai coined it sarcastically after they suffered a bitter defeat at some battle and after that it just stuck. azula hates it, ty lee loves it

ty lee calls mai and azula ‘her girls’. they hated it at first and azula stuck her chin up saying she was not anyone’s girl, but ty lee was unshakeable about the matter. mai almost threw up after azula responded immediately to it after a few weeks despite her protests. then mai responded to it accidentally and spent the rest of the week contemplating suicide attempts

tyzula shared their first kiss after azula brought down ba sing se’s walls. ‘i’m so happy i could kiss you’ were the exact words azula said, and ty lee responded ‘then do it.’ it was the first time azula had ever admitted she was happy. ty lee smiles every time she remembers it

suki doesn’t like azula, but after the war she has a kind of grudging respect for her. i mean this girl conquered a city at fourteen??? and became fire lord, if only briefly??? like??? what a badass bitch? warrior to warrior, suki respects azula. person to person though is a different story.

after people fall in love, their auras have a little of the colour of their s/os. that was how ty lee could tell zuko and mai were really in love, after zuko’s scarlet red developed kind of a grey tinge and mai’s sludge grey had a kind of reddish air to it. she couldn’t believe it at first when azula’s electric blue had a steady pink hue around the borders. she jumped into azula’s arms and kissed her the moment she saw. it was the most emotional azula had gotten after ty lee explained why, with one (1) tear rolling out of her eyes. she evaporated it on her skin but ty lee still remembers

katara and aang are that kind of couple who are close in a way that people always assume they’re best friends instead of, you know, dating. but katara doesn’t care because she’s never given much thought to everyone else’s opinions and she’s more in love with aang every passing day, so. aang takes it as a compliment that people assume they know each other inside out.

sokka and suki, however, are That Couple. kissing everywhere and anywhere. and surprisingly so are zuko and mai. when katara compared them, mai reached for the nearest bucket and wouldn’t let it go for three hours.

ty lee and mai trained alongside azula just so they could hang out with her after ozai announced he thought azula was too old for playdates. they all got special treatment at the fire nation royal academy for girls and that was where ty lee learnt to do acrobatics and chi block, and where mai learnt to throw her knives. it’s also why they work so well as a team together

katara found a way to use her bloodbending to heal people- to clot blood as it’s bleeding out or to stop internal bleeding, for example. it’s lifted a lot of the guilt of bloodbending off of her shoulders, knowing that she’s helping people while she’s doing it. a form of it was even incorporated into the northern water tribe’s healing lessons. katara tries, everyday, to come up with more ways to use her water to heal and help people. she still prefers fighting over healing, but after the war, she knows the power of healing can work wonders now.

azula only underwent a year in the mental institution before being released. it was the one thing she couldn’t handle- not being able to use her bending in such a controlled, sterile environment. zuko quickly realised that the only thing keeping her sane was her bending, and immediately made arrangements for her to go back to the palace. she wouldn’t talk to him for weeks, so he invited ty lee back from the kyoshi warriors to try and get her to open up.

azula had planned to ignore ty lee too, but ty lee straight-up slapped the princess the moment she saw her (‘that was for putting me in prison!’) and then collapsed, sobbing, in azula’s arms, and wouldn’t let go of her for ten whole minutes (‘and this is because I miss you so much, azula!’) and after that things kind of got better, but slowly.

zuko hates sitting in the fire lord’s throne. like, he hates it. it reminds him too much of his father, and so he tries to be out of the throne room as much as possible. this works in his favour- there are always councils and meetings that he needs to oversee.

zuko is so bad at politics. like, he’s so bad that it’s not even funny. it kind of was in the beginning, but then he made a spectacular mess of things and aang was zero help. in fact, despite being the avatar, zuko thinks he might have actually made it worse. and then aang got caught up in the mess too, thanks to his disastrous involvement, and azula and mai wouldn’t stop laughing at their predicament for a week before they deigned to help them.

so now despite zuko being the actual fire lord, azula and mai, being trained for politics their entire lives, are usually the ones to step in when things get a little too much for him to handle. azula is still not satisfied with her role, of course. but then, azula’s never satisfied.

azula and ty lee are the epitome of disaster gays. one time ty lee tried to hold azula’s hand, and azula shook it. ty lee wouldn’t stop laughing, but azula was so embarrassed she accidentally set her clothes on fire. that just made ty lee laugh even more, but azula’s pride was mortally wounded. the first time ty lee told azula she loved her, azula formally thanked her. as if they were at a business meeting. and then asked ty lee what positive assets or advantages their new relationship would bring azula. it’s rumoured that to this day ty lee is still very confused about what went down.

with the intention of teaching azula a humbling lesson and to find ‘peace within herself’, zuko sent her to work at uncle iroh’s tea shop in ba sing se for a month shortly after she came back to the palace. after azula nearly setting fire to the shop, throwing a teapot of scalding hot tea into a customer’s face after they demanded to ‘speak to the manager’, destroying general property and terrifying the other employees to the point where one regularly wet himself every time she walked in, iroh was begging zuko to take azula back before the end of the first week. when she came back, the only thing azula said she’d found was solid proof of why ozai had good reason to burn down the earth kingdom while he was at it. and a new idea of how short her patience was.

you guys are welcome to add more if you think of them

[trouvelle]

Striking Balance (II) // Emogust 14.08 — Character A protects Character B

A/N: I couldn’t hold back from writing more of this, so here’s part II. Please bear with me! I sincerely hope you like it. And I’d like to apologize in advance if there are some parts that are confusing and not canon to Avatar: The Last Airbender / The Legend of Aang, it’s probably because I made some stuff up in this fic. DCMK Emogust 2019—Character A protects Character B, @mintchocolateleaves @sup-poki !!

The sun is infinitely brighter outside, warming their clammy skins as they walk away from the inn and into the heart of the town. It’s barely past sunrise, but time moves quickly during this time of the year, especially when they’re scouting the location for a missing person.

River Village is lovely and peaceful. Everyone greets each other even when they are all the way across the street, children are running around carefreely without a hint of worry on their faces. It seems like everyone here is on first-name basis. 

This section of the market is probably the most crowded part of the town, Shinichi observes. There are merchants everywhere, selling all kinds of things—there are fruit stalls, jewelry stalls, liquor stalls, and one that catches Shinichi’s eyes is the one with stacks of scrolls displayed on the table. Ran herself can’t hold back from walking toward one of the stalls to get a better look at the robes.

Shinichi doesn’t blame her. They’ve been on the move for a while. They do have extra clothes but Ran is unable to wear most of what she brought from home because the climate is very different in this part of the world.

Kaito has also advised them to ditch their distinctive Water Tribe kimono-like tunics because they attract unnecessary attention, and to start wearing outfits with more of Earth Kingdom’s elemental color in them (It’s green, and Shinichi is not a big fan. “It’s not that I like wearing green either,” Kaito retorts). They do have some coins to spare, so he gives her a nod as a green light for her to purchase something for herself. 

Ran makes her choice rather quickly. She has her eyes on a fairly beautiful piece, with a pale green dress as the under layer and a sleeveless outer tunic in a contrasting dark green. The booth owner is quick to give her the price, and it was a ridiculously high number. Ran, being the sweetest soul, is already reaching into her pocket to pay when Kaito pulls her by the arm.

“You’re gonna overpay for that piece of cotton; you don’t look like you’re from this area. He purposely offered you a higher price and squeezed all the profit he can get.” Kaito clicks his tongue in distaste, after watching the way Ran is about to close the deal on what would have been her new tunic.

“Think about it in a positive way, maybe he has a big family to feed.” Ran, although kind of surprised, is unaffected by his remark. 

Kaito only shakes his head and mouths, “Watch me.”

He makes his way down a few stalls and stops by another one that also sells tunics and other apparels. He picks a set of bright green and yellow bundle, smooths his hand over it back and front to get a feel of its texture, and proceeds to drop the stack of garment on the counter. He sees Ran and Shinichi in the corner of his eyes, watching him as he starts talking to the man at the booth, both of whom ended up chattering animatedly. Kaito then hands half a roll of coins (Ran turns to Shinichi, gobsmacked, “That cheap?”) to the man as his payment. 

If Shinichi isn’t paying close attention, he wouldn’t have caught the tiny, but swift movement of Kaito’s fingers. A gust of wind suddenly blows in the stall owner’s face and he reflexively squeezes his eyes shut. Within that second, Kaito has already had an extra scarf snuck into his other pocket. When the owner has both his eyes opened again, Kaito is already waving him a goodbye, to which he cluelessly waves back.

He skips back to Ran and Shinichi, trying to hold back a smirk on his face, to eagerly show them his achievement. 

“Next time, let me handle our shopping necessities,” Kaito now allows the smirk to consume his face, rubbing his victory.

“How’d you only pay such a small amount? What did you even say to him?” Ran asks, genuinely curious as to how the airbender closed the deal. 

“You just have to be extremely charming when swaying a deal your way.” Kaito doesn’t try at all to hide the smugness in his voice, tossing the two-piece garment and with the addition of a stolen scarf over to Ran. “Consider this my thanks for healing me.”

Shinichi stays silent, as if he’s deeply contemplating the logistics of Kaito’s way. Kaito suddenly gets nervous. 

He is so used to manipulating store owners, coercing them to his benefit, and even goes so far as to steal sometimes. His skillset is what Aoko and him rely on the most, to get through their days. It’s either resorting to his tricks or having no food, nor clothes, nor any place to stay. He wonders where Aoko has been taking shelter for the past few nights. Does she need new clothes after the disaster? Should he get something for her so when he finally finds her, she has something to change into? But if he goes around to steal again with Shinichi and Ran watching him...

Kaito knows the two waterbenders probably think what he does is immoral, but he does it without any regret. 

“We could actually save some money.” Shinichi comments. 

Kaito lets out a breath he didn’t realize he was holding. His face breaks out into a large smile. Despite Shinichi’s Mr-Right-attitude, Kaito is starting to respect him. In the past week that they’ve been together, he has learned that Shinichi’s cautiousness has actually done them nothing but good. Kaito has never caught him off-guard, not even once.

So when Shinichi stops in his tracks and doesn’t respond to either Ran or himself, Kaito is sort of amused. They’ve reached the east end of the market. There are no more stalls up ahead, only a marble fountain and what seems like a vast area of woodland behind it. 

“I’ve been here before!” exclaims Shinichi. “It’s been a few years, and I think a huge part of this town has been reconstructed, along with the market. There used to be a dome over there,” He points at the north end of the market, “Maybe it was demolished. But I know that fountain when I see it. And that was an area I frequented as well.” He explains, jerking his chin to the direction of the woods. 

Φ

Young Shinichi loved tagging along with his father. Being one of the Elder Advisors of the Tribal Council meant Yusaku had to do rounds of their whole territory, all the highs and lows of the village. Shinichi made sure he woke up early enough every day to go with his dad on his morning rounds.

His father always had stories to tell him; about why this igloo hut looked different from that one, why the Palace is always glimmering even during cloudy mornings, what the big giant pendants around the necks of some of the older girls are. “They’re betrothal necklaces, Shinichi. It means they’re getting married soon,” explains his father. When he was out to play with Ran later that day, he very enthusiastically told her about the ugly betrothal necklace she eventually had to wear in the future.

It soon became more than just rounds. His father eventually had to sail away twice every month, leaving North Pole for a few days. Shinichi had heard rumors about the possibility of an upcoming war, he should’ve known that his father was one of the few delegates that were tasked to go out there, then come back bearing reports. 

He wanted to go with him, and so he did.

It seemed that the trips his father had gone off to, were to the same town every single time. Shinichi didn’t bother to find out the name of the town, but his father told him that they were in a village in some part of the Earth Kingdom. He was beaming with pride, for certainly no one else around his age had ever been out of the realm of North Pole. He couldn’t wait to go back home to tell all his friends about how he had been to Earth Kingdom. 

When his father was called in for the meeting in the town dome, Shinichi wandered away from center of the town, past the loud voices echoing from the mine, past the small downtown area and shops, past the sporadic houses that dot the outer edges of the town and into the woods.

He ran around and explored as much as he could, anything to make for a great story later back home. He loved the feeling of his feet padding gently on the soft earth floor beneath him. It’s very different from the cold, rock-hard ice that he was used to. There were so so so many trees here in Earth Kingdom, Shinichi thought in glee. 

He came back with his father the following week and then after, and he always made sure that he had enough time to play in the woods. Never had he seen another person in the woods—they were not that deep, but surely confusing, free of trails and pathways that mar their surface (besides the main road going east, but that’s more south than where Shinichi always was), which was why he’s surprised when he chanced upon a monstrous lizard this time.

Shinichi analyzed the creature, a mere few feet away from him. This was a Beaded Basilisk Lizard, if he remembered his father’s words correctly. “Beaded Basilisk Lizards are carnivorous and venomous, and they chew their venom into their prey,” his father told him once.

This lizard stood about four feet taller than him, even if he ran with all his might, it would definitely catch up to him within a few steps. Maybe he could splash some water to the lizard’s eyes and quickly hide from its sight? That will definitely work, he thought, that’s why Dad always makes me carry this water pouch everywhere.

He slowly reached downward to his water pouch, ready to guide the water out... only to find that it’s empty. Dear Holy Spirit of the Ocean and Spirit of the Moon, he grunted inwardly. He totally forgot that he had drunk all his water supply because running around and climbing trees up and down was tiring. Way more tiring than all those waterbending training back home.

A distant sound moving in a pattern toward them caught both his and the lizard’s attention. Shinichi used this chance to hide behind the largest tree within his range. His thoughts raced, but the adrenaline forced to keep him moving. He chanced a peak around the tree. 

Something jumped out of the trees and landed next to the creature. With a loud cry, it—he, Shinichi realized—drew on his sword, slashed the creature on its right leg and quickly ducked to avoid the whipping of its tail. The dark-skinned boy looked no more taller than Shinichi himself, and he was winging a sword half his size. 

Judging by the amount of blood, Shinichi observed that the sword left a fairly light wound on the creature. The other boy took no notice of this and kept jumping here and there, as if encircling the creature to slash its limbs as often as he could. Then Shinichi realized that the boy wasn’t trying to cut off any of part of the creature. He was trying to inflict as much injury as he could on it, possibly to slow down its movements. Or at least he was, until its scaly and beady tail smacked the boy on his knees. He was inevitably flipped over in the air and landed on his back, his sword strayed out of his reach.

A sharp intake of breath almost choked Shinichi, and without even thinking he stood out from the trees and yelled, “Hey!”

The creature turned his attention away from the dark-skinned boy. Shinichi felt like he just swallowed a boulder at the way it’s now staring at him with a deadly intent.

He didn’t wait to see what it would do, just turned and started running as fast as his feet would take him. He ran past thickets of thorns that scratched his pants, and small trickles of blood ran down, but he hadn’t time to think of it, couldn’t even feel the stinging pain as he pounded the earth beneath him. If only he was an earthbender, he thought, he could throw huge chunks of rock at the lizard. Or better yet, dig a hole to hide in.

Just when he felt it was catching up to him, he heard a gurgle, the kind that builds bile up in the back of someone’s throat, followed by the hard thunk of something hitting the ground. Shinichi tried to stop himself, but skidded across the brush and fell to his hands and knees, panting.

He took a moment to catch his breath and pushed himself back up onto his shaky legs, and walked the few paces to where the creature was flailing around, blood pouring from the back of its neck. Not a minute later, it turned to another direction and scurried away, its humongous beady tail whipping weakly behind it.

He watched the other boy, seemingly not much younger or older than him, who had jet black hair with equally thick eyebrows. He had the tip of his sword plunged lightly on the ground he was standing on as he rested his weight on the hilt. The boy turned around, scanning the forest. After making sure that the creature was really gone, he walked towards Shinichi.

“You’re from one of the Water Tribes?” was the first thing the boy said, his mouth curved up into a smirk.

“What’s yer name? Why are ya here?” He continued to press on unabashedly.

Shinichi replied with a scowl, “I’m Kudo Shinichi, from the Northern Water Tribe, the oldest one. And my father is here for the Delegatory Meeting.” He felt no obligation to give an answer, but he wanted the other boy to know that he is not to be underestimated, that his father is of importance. 

“Ah, ya mean that meeting in that giant dome?” asked the boy with his lips stretched in a grin.

“Who are you anyway?” Shinichi asked, brows furrowed. He felt his annoyance slowly melting away at the easygoing behavior the other boy was displaying.

The boy regarded him with something akin to excitement in his eyes (Shinichi was a little confused, how could this boy be this relaxed after having just encountered a monster?), before answering, “Name’s Hattori Heiji.” 

“You’re not an earthbender, are you?” Shinichi voiced his suspicion. This boy, Heiji, was wielding his sword the whole time. What earthbender would do that when they were literally on the ground?

Heiji shook his head. “I’m more of a.. Warrior, I guess.” He said with a twinge of confidence. He started walking back to the direction of the town, dragging his sword beside him, and Shinichi jumped into step with him.

“Heh. Did you know that that creature is a—”

“Beaded Basilisk Lizard.” Shinichi finished Heiji’s sentence. He turned to look at Heiji with a smug smile. “Just because I’m from the Northern Realms doesn’t mean I don’t know anything about the variation of creatures here, you know.”

Heiji pondered about it for a second. "I’m not saying that you don’t know anything. But I certainly think that I know more than you do."

Shinichi snickered. “I know waterbending. All you can do is wield a sword.” Seriously, he was suppressing the urge to stick his tongue out.

“Oh yeah?” Heiji’s voice seemed like it was raised by an octave, followed by a howl of laughter. “Then why didn’t I see you do any of your water magic on that Basilisk Lizard earlier?”

“I was thirsty and ended up drinking my water supply,” admitted Shinichi lamely. He crossed his arms and shot Heiji a look, “I didn’t have that much water on me to begin with. Didn’t think I would have to fight today... but I do can waterbend! I’ll show you when we get to the town fountain.”

But once they got back to the town, he heard their signature Northern Tribe foghorn blow—a sign that their ship is about to leave. His father would be mad at him if he was late, and possibly forbid him from coming along for the meeting next week. But Shinichi wanted to come back, so he did the logical thing and started to make his way down to the pier. 

“I really am a good waterbender. I’ll show you next week!” Shinichi called out. The last thing he saw was the massive grin on Heiji’s face, mirroring his own. Things were going to be so much fun the next time around. 

During his waterbending lessons, he was more determined than ever. He even skipped his daily morning rounds with his father as well as his playtime with Ran, just for extra training. He had to get better in the next few days, preferrable before next week. He was going to show that Hattori boy how powerful his waterbending was. 

Over the next few weeks, he quickly found that he enjoyed spending time with Heiji more than any of his friends. Well, except Ran, but she’s different from the rest. Heiji knew a lot more things than any of the kids back home and they could end up talking about so many things that he couldn’t even bring up to his friends. Most of the things Shinichi knew came from his father, but he wasn’t sure how Heiji knew as much as he did. Sometimes they would bring their heated discussions to some of the town people—awakening laughters and bringing ruffles to their heads—when all they wanted was to know who was on the winning side of the argument.

He was kind of disappointed when Heiji told him that he wouldn’t be able to meet him in the woods every week anymore. He didn’t specify where or why he was leaving, but both of them had parted ways with their heads and noses high. 

They were really young then. Shinichi had no doubt that he would meet Heiji again.

Φ

Many years have passed, Shinichi muses. 

“Say, Shinichi, isn’t this where you said your best friend from the foreign land lives?” Ran’s voice gently pulls him back from his thoughts.

“Ah,” Shinichi nods, scratching the back of his head. Back then, he was always so pumped after their playtimes and whenever he got back home he would always tell his everyone about the cool things he and Heiji did. Shinichi’s mother thought he regarded that boy with such adoration and at one point started referring him “Shinichi’s foreign best friend” although Shinichi himself always denied it outright. “I don’t think he lives here anymore. I don’t even think he ever lived here.”

Kaito’s interest suddenly spikes. He takes a moment to evaluate Shinichi, taking in his face and his seemingly ever bored expression. “You had a best friend?” He chuckles, and Shinichi kind of feels mocked.

“We’re more like... rivals.” Shinichi settles with a shrug, no anger or annoyance in any ounce of his body, the corners of his lips tugged up in a grin, “But I guess you could call us that.”

[onceuponmystory]

I Have Finally Found Peace With The Rise of Skywalker

And it's all thanks to my crazy, wonderful, just-as-obsessed-with-Star-Wars-as-I-am best friends.

But before I tell you how we did it, I have to give you guys two rather important warnings concerning this post. 

First and foremost, please beware that there will be MAJOR SPOILERS for The Rise of Skywalker in this post. If you haven't seen the movie, proceed at your own risk, and don't say I didn't warn you.

Secondly, and perhaps more importantly, this post is quite critical of the movie. I examine in detail everything I thought was bad about The Rise of Skywalker, and give my opinion on how it could have been done better.

But that doesn't mean this is a negative post - in fact, I hope to achieve quite the opposite. With the help of my friends, I realised that the best way to make your peace with The Rise of Skywalker is to talk through it and play Teacher With A Red Pen on the parts you didn't like.

I have to warn you that I tend to get a little carried away playing Teacher With A Red Pen. There's just so much to say about this movie... But if you're up to reading an insanely long post, I really think it'll be worth your while. 

Now, since this is a free era, we are all entitled to our own opinions, and this is mine. You are perfectly welcome to disagree with me, just please do it politely. And with that out of the way, let's jump right in, shall we? 

First Things First: Ben Solo's Death

I think one of the biggest WHY??? moments in the entire movie was Ben Solo's sacrifice and death. I'll say it now - I hated that twist, absolutely hated it. And not just because I'm a huge fan of Reylo, either. 

To start, it's predictable, the exact mirror of the Darth Vader sacrifice/death scene from Return of the Jedi. And while it worked for Darth Vader, doing it again with Ben was not only cliché and repetitive, but also a slap in the face to the character.

Because Ben Solo deserved better. He really, really did.

Kylo Ren/Ben Solo was from the start a very conflicted character - the son of two of the galaxy's greatest heroes, and the nephew of the last Jedi, manipulated from birth by Emperor Palpatine. Yes, he did terrible things, but he also had terrible things done to him. At the very least, he deserved the chance to atone for some of those terrible things.

While we're talking about slaps in the face, Ben dying made the deaths of Han, Luke and Leia mean so much less. All three of those people gave their lives so that their son (nephew, in Luke's case) would turn back to the light. Especially Leia - she literally used the last of her energy to reach out to her son and turn him back. Killing Ben off makes her sacrifice almost meaningless - didn't she die so he would be able to live a better life? 

And my last point about the Massive Unfairness of Ben's Death has to do with Rey. She and Ben love each other, don't they? They are literally described as "two of us who are one" - which is about as close as we're going to get to soulmates in Star Wars. With Ben's death, Rey lost half of who she is - not to mention the man she loved.

George Lucas once said, and I quote, that "I have always hated that in movies, when you go along and one of the main characters gets killed. This is a fairytale. You want everybody to live happily ever after and nothing bad happens to anybody."

So yes, maybe it's not the most perfect of arguments, but this is Star Wars. And after all these years of love and admiration, we all deserve that happy ending. 

And While We're At It: Ben Deserved A Proper Redemption Arc

I know I've just spent a long time ranting about why Ben deserved better, but I'm not quite done yet. Because yes, Ben absolutely deserved better - and most of all, he deserved a proper redemption.

Now, I don't know how many of you have seen Avatar The Last Airbender, but that show contains a prime example of a really good redemption arc. It's not simple, and it's not at all easy, but it's worth it.

In ATLA, Fire Prince Zuko starts off as the villain of the series, but ends up seeing that the way he was raised was wrong. He decides to make amends by joining his former enemy, Avatar Aang, and helping him save the world.

But what makes it really good is that it's not easy for Zuko. He struggles, he genuinely does, and he has to really work to earn the trust of the people who used to be his enemies. And time-consuming and difficult as it was, it ultimately ended up being worth it a thousand times over.

That, my friends, is a redemption arc. It takes time, and work, and real atonement. More than anything, I wanted to see that for Ben. I wanted him to struggle, and be distrusted, and hate himself, because that is the only way he can really redeem himself - by rising above all that and saying, "I was wrong, I'm sorry, and I'll take whatever punishment you want to give me, because I really want to change."

Death is taking the easy way out - in fact, it's lazy writing. Ben didn't have to die - his whole story, which is already so defined by struggle and conflict, would have been far more meaningful if he had had a final struggle, this time to prove that he really had changed. 

Unfortunately, the writers chose to take the cliché easy way out, killing off the character instead of giving him a much deeper, more meaningful ending.

If there was one thing - just one thing - I could change about The Rise of Skywalker, it would be that. I would give Ben the chance to properly redeem himself, because he really, truly deserves it.

Moving On: Rose Tico

With the Ben arc out of the way, I can move on to the next biggest issue I had with The Rise of Skywalker - and that's the horrible sidelining of one of my favourite characters from The Last Jedi, Rose Tico.

Now, I get that not everyone liked Rose's character - and that's fine. But there was no reason - none at all - for basically removing Rose, who played quite a significant role in The Last Jedi, from the new movie. Additionally, given all the racist and sexist harassment that Kelly Marie Tran suffered at the hands of malcontent fans, cutting Rose from the film almost seems like caving to those trolls.

And that is not acceptable. If you let a bully have his way, stopping him becomes near impossible. So even if it was just to show the trolls that bullying will not get you what you want, Rose Tico deserved a bigger role.

What bigger role, you may ask? Many people have said, and I grudgingly agree, that there wasn't really space for Rose to go along on the whole wayfinder quest. All right, fine. But sidelining her completely is not the right course of action. If you can't take her along on the main quest, then give her a significant sub-plot, for example joining Lando to call for aid for the Resistance.

Remember, Rose Tico was the person who turned Finn from an ex-stormtrooper more than ready to desert the Resistance into a loyal fighter for the cause he believes in - to such an extent that he was willing to sacrifice his own life for the survival of the Resistance. If there's anyone who could give the galaxy enough hope again to send help to the Resistance, it's Rose Tico.

Oh, and some more Finnrose would have been nice. You don't have to agree with me - I know many of you don't - but you have to admit that Finn and Rose definitely had some sort of a bond forged in The Last Jedi, even if it was just a platonic one. Basically ignoring that like they did in The Rise of Skywalker is just bad writing.

So I'm not saying that Rose needed to be the main star of the show - that would have been unrealistic, after all. But I do think, and I will stand by this opinion no matter what, that Rose deserved a lot better than what she got.

And On That Track: Jannah Was An Unnecessary Character

Don't get me wrong, I love Naomi Ackie, and I appreciate that Star Wars is trying to incorporate a more diverse cast. But despite it all, I just couldn't bring myself to like Jannah's character, or see why she was actually necessary.

See, if you take out Jannah, nothing much changes. Yes, it was nice for Finn to have someone to talk and relate to, but it wasn't necessary. We already know that Finn was a stormtrooper, just like we already know he left it behind him.

Also, Finn already had a female character he had a significant bond to - none other than Rose Tico from my previous rant. Why force in an all-new potential love interest at the last minute when you already have one with far more development? Not only could Rose have conceivably replaced Jannah in pretty much every scene, she also has a lot more development and history with Finn than Jannah does, which would have made their interactions that much more meaningful. 

And as for the attack on Pryde's Destroyer with the Orbaks (and no, I didn't know that's what those cow things were called, either, until I Googled it a few seconds ago) - that was a nice touch, but there's a simple way it could have been much better. Instead of introducing an all-new character and cow things with a name no-one knew unless they looked it up on Wookieepedia, bring back the fathiers from Canto Bight and that little Force-sensitive kid with the broom from The Last Jedi.

At this point, some of you may be wondering why I'm not attacking Zorii Bliss as well - isn't she also a brand-new character with very little real development? The answer to that is yes, she is, but she gives Poe Dameron some much-needed backstory. If you cut Zorii, Poe has no significant backstory, which means that she was actually important to the plot. (Also, Keri Russell is awesome, and has stunning eyes. Enough said.) 

So I'm sorry, Naomi Ackie, but I really wish that Jannah <i>wasn't</i> in The Rise of Skywalker. She's just there for too short to have any real development, and I'd rather use the time I gain from cutting her to focus on Rose and the actual plot.

While I'm Talking About The Plot: What On Earth Happened? Is Star Wars A Video Game, Now?

Ah, yes. Another big issue with The Rise of Skywalker is its rather disappointing lack of actual plot.

I'm sure some of you are frowning quite heavily at me right now, so let me backtrack a little and explain.

Upon first watching, The Rise of Skywalker seems like quite a good movie, really. (Except the ending, of course - but We Do Not Talk About The Ending.) It's only when you re-watch the movie that you realise that there is, in fact, very little really significant plot there.

To put it simply, a large part of the movie is a group of characters going to a Place to find a Thing that will help them find another Thing that will take them to another Place where they will save the world. Does this sound like a video game to anyone?

The thing with this kind of plot is that it works well the first time, when you don't know what's going to happen, and when the lack of plot can be hidden by dramatic explosions and cool fight scenes. Oh, and flying stormtroopers.

This is Star Wars, so there just has to be some explosions, as well as a quest of some kind. I don't deny that. But when said quest and explosions fill the story to such a degree that they become the plot, you're in cinematic trouble.

This is pretty much proven when you re-watch The Rise of Skywalker. Where the heroic quest and explosions and jetpack-sporting stormtroopers had you at the edge of your seat last time, now that you know what's coming, you start to see that very little actually happens in these scenes. Sure, they look cool, but they don't really affect the overall movement of the story in a significant way.

And that's a problem, given that most of the movie consists of scenes like these, or exposition. There are precious few scenes in which two or more characters have meaningful development in a way that will continue to affect them and the plot. This, unfortunately, means that the movie falls flat a bit when you watch it for the second time.

How would I change this?

Well, for starters, I would focus less on the actual hunt for the dagger and the wayfinder and whatever and more on the characters. How do they feel? Why do they feel it? And most importantly, how does this affect what happens to the rest of the characters and the plot?

Also, like I said before, more attention has to be given to a) Ben's redemption and b) an interesting sub-plot for Rose. And you know what? The lightsaber fight scenes could have been a lot cooler, as well.

Some More Complaining About The Plot: This Time, It's Plot Holes

Where to start, where to start. All movies have a plot hole of some kind, it's only natural, but The Rise of Skywalker is simply riddled with them.

Of course, this can be attributed to the lack of plot as explained in the previous rant. Since there is so little time spent actually developing the plot, it just stands to reason that said plot isn't the most watertight.

It's sort of spectacular, though, how quickly the first plot hole pops up. It must be just five minutes into the script - you guessed it, on Exegol.

Not only was the Emperor's resurrection never properly explained, but we also have about a thousand creepy Sith guys who are just suddenly there when needed for plot purposes. Who are they? Where did they come from? How did we not know about them before?

The Rise of Skywalker doesn't even try to answer any of these questions. It just gets glossed over in a classic example of How To Write A Glaring Plot Hole.

And while we're talking about Palpatine, let's take a look at his lackey-in-chief, Allegiant General Pryde, who oh-so-dramatically declares that he serves Palpatine "as I served you in the old wars."

Wait a minute. The old wars? As in the Return of the Jedi wars? Well then why on earth haven't we heard of Pryde before?

Sure, maybe he wasn't a major enough character to show in the original trilogy. But if he was such a faithful servant of Palpatine's, shouldn't he at least have made some kind of cameo in The Last Jedi or The Force Awakens? That would also have been some nice foreshadowing for the Emperor's return. 

Also, when and how did Rey fix Anakin's lightsaber? As I recall, at the end of The Last Jedi, it snapped in half. But when we skip to Rey in The Rise of Skywalker, it's perfectly whole again, with not a hint of explanation on the horizon.

Yes, maybe this isn't the biggest plot hole, but it's annoying. At least just have someone mention in passing "Oh well done Rey, you finished fixing the lightsaber" so it's not quite so out of the blue. 

And there's more. When Rey and Kylo have their big fight on Kef Bir, Rey quite clearly takes Kylo's TIE fighter. Since the Falcon most definitely did not stop by for him, how did Ben get off Kef Bir? 

This is never explained. He just pitches up on Exegol, and immediately starts fighting the Knights of Ren so you forget about wondering how he got there in the first place.

Can I just say the Knights of Ren were a disappointment? I was hoping for a lot more... anything, actually. They did pretty much nothing except look menacing for the entirety of the movie, unless you count getting thoroughly beaten by Ben on Exegol. 

I've probably missed another plot hole or seven, but I think I've had enough for the moment. You can only pull faces for so long, after all. I'm moving on.

  Last Thing: Too Much Fan Service

Picking up from where I left off - bad plot - I'll start by breaking a few hearts and saying that I thought Chewie should have died.

Wait, wait, don't run away screaming "Traitor!" like that! Dead Chewie would have been absolutely heart-breaking, I know, but it would have made for a really good plot point.

Rey thought she killed Chewie, and that quite understandably broke her heart. But then she finds out, oh no, wait, he's actually alive, there was another transport in the desert, ha ha, don't worry, fans. 

While that satisfies fans, looking at it critically, it would have been better to really kill Chewie. Very sad, yes, but better.

Let me explain. If Rey killed Chewie, really killed him, she would have been devastated. Being Rey, she probably would have isolated herself so she wouldn't accidentally hurt anyone else. She would have grieved, and her friends would have had to really work to comfort her and get her to trust herself again. This experience would have left Rey that much sadder and wiser, but stronger because of it.

This can be summed up quite simply: sad moments make the happy moments mean that much more.

But unfortunately for Rey's character development, Chewie is not really dead. The fans might be happy that they didn't lose a beloved character, but what they don't realise is that they lost a significant character progression instead.

And, sadly, this is not the only spot where the movie indulges its fans rather than a deeper plot.

For example, Rey buries Luke and Leia's lightsabers on Tattooine, and we fans get a warm tingly feeling in our stomachs because yay, we've come full circle.

But have we?

Tattooine holds nothing but bad memories for the Skywalker twins - Luke spent his entire life trying to get off the planet, and that homestead holds only bad memories for him. Easy as it is to forget, the last time Luke saw that homestead was when his aunt and uncle had been brutally murdered there. I somehow can't imagine that's where he would want his lightsaber buried - that's the equivalent of burying Harry Potter's wand at Number Four Privet Drive, for crying out loud. 

The same can be said for Leia. Her one experience of Tattooine was the infamous gold bikini scene with Jabba the Hutt - totally the place where she'd want to have her lightsaber, her legacy, buried, hmm?

My conclusion is that the "hopeful and uplifting" Tattooine ending scene is really only that way if you don't think too hard about it. Pure fan service, in other words.

Which is sad, if you consider the ending we could have had. We could have had Rey burying the lightsabers on Naboo, because that's where her grandfather came from, to symbolise that she really was leaving the past behind.

And if you have to be fan service-y, at least do it in the right way. Give Rey and Ben their happy ending, because as George Lucas puts it, having the boy and the girl walk into the sunset hand-in-hand adds ten million to the box office. (And a sunset across Naboo's seas would look very pretty, wouldn't it?)

In Conclusion: TROS Being So Bad Is Actually A Good Thing, Because Now We Get To Fix It The Way We Want

Take a moment to consider that. If The Rise of Skywalker was so bad that we no longer consider it canon, well, that means we can invent our own canon, doesn't it?

This is how I made my peace with The Rise of Skywalker - by accepting that the movie Disney gave us needed some severe changes, and applying them in my head. You won't believe how much better I feel now that I have "my" version of The Rise of Skywalker accepted as canon in my head.

That's my message to you all: if TROS has upset you as much as it did me, don't try to deny it to yourself. Gather a group of good friends around you and have a The Rise of Skywalker fix-it session, and talk it out until you've made the movie into what you want to see.

We are the fans, my friends, and we deserve the movie that we want to see. So get out there and make it for yourselves!

[zwei-the-penguin-with-a-pen]

‘Stars’

So, this one isn't going to be much of a narrative story, really, just an account of my experiences meeting the cast of RWBY at NebKon. I'll try and make an actual story out of it, but no promises. You guys know, ZweI is a bit of a spazz when it comes to stuff like this.

ANYWAY, two days before the Kon our saga begins!

"ZWEI!" I hear after roaming the bus station for more than a few minutes. I look across the street and lay my eyes on Regular-Sized Jimmy. I say 'regular-sized' because in some circles I'm known as Little Jimmy. This Jimmy doesn't actually know me by either of those names and calls me my real one, but that isn't really anyone's business but mine.

So I grab my bag and haul across the street once the crosswalk lights permit me, and before I can even get in the car Jimmy begins to complain. This, that or the other, just general Kon stuff and things. This wouldn't be a problem if we hadn't had to drive all around Omaha during high-ish traffic and do fifty thousand errands even though one of us just got off a damned day-long bus ride.

RSJ's errands include picking up the Bobb, one of the housemates, bringing her to Omaha Oriental THE COOLEST SHOP KNOWN TO MAN BY THE WAY IF YOU EVER FIND YOURSELF IN OMAHA YOU SHOULD MAKE THE SCENE so she can acquire Kon supplies, a phrase which here means 'all manner of Asian junk food', and stopping at Lowe's for something or other for RSJ to finish his cosplay.

Finally, we make it to their house. My bestie is still at work, most unfortunately, but the wonderful Mick is home. She'd stayed home sick from work, which is never a good thing to have to do, but she felt better by the Kon. Good times to be had by all. After a hug and a few words, I go straight to 'my room' which is in disarray because it's only a storage area.

Mick apologizes for not having the room cleaned and ready for me, and I tell her to do no such thing. Also, I have just realized, as in just now at the time of this writing, that I'm writing in present tense. It fits well, even though I don't like the style, so I guess I'll keep it just this time.

Around 11, my bestie texts me that his occupational imprisonment has ended. I'm so glad he'll be home soon. Once he makes the scene he knocks on my door and proceeds to crash into my bed. Hang time ensues, as it's easier to stay awake with him talking to me. The rest of the roomies are quieter than I'm used to, so I had been dozing off here and there.

DAY BEFORE CON! RSJ works frantically to finish his cosplay, enlisting much help from Mick and at one point trying to recruit me. I inform him that I'm terrible with a paintbrush and would do more harm than good. Ooh, did I mention the Bobb bought takoyaki and shared with us? Good stuff, as far as fried balls of cabbage and octopus go. That was the night before. Anywho...

I try and get a jump on my writing challenge, knowing full well the Kon will swallow all my time the next three days. Bestie has work again because EFF BUCKY AND HIS CONVENIENCE STORE I mean what? I said no such thing! How dare you incinerate that I can't use big words!!

Sorry... not sorry at all. WAHAHAHAHA

FRIDAY, FIRST DAY OF CON!!!

Get packed, stop for breakfast at two in the afternoon, and suddenly we're at the Kon.

And I see cosplay before we ever even park the car. A Garnet from Steven Universe walks by us and we cheer for them. A Doctor Mercy, like from Overwatch but not in her battle gear, parks next to us.

We finally make it into the hotel and I'm completely mystified. There's cosplay everywhere. Did I mention this was my first nerd convention? I go to the check-in area and show my three-day pass to acquire my t-shirt. Then, whatever my bestie and I try to do after that repeatedly becomes entirely derailed as I become enamored with every other cosplayer that walked by me.

RWBY cosplayers seem to be the order of the weekend. I see more Noras and Yangs and Rubys than anything, but there are Torchwicks and Neos and even the occasional Adam. As the Kon goes on I see more Blakes, which is never a bad thing as she's my fave, and Jaunes and Rens and PYRRHAS. I miss my waifu. It's a shame she was murdered, but it was destiny or something.

She was based on Achilles...

Bestie and I make a couple of panels, including 'Walking in Godzilla's Footsteps' which is basically constructing a city out of cardboard boxes and destroying it over an over again. We meet Avatar Aang and Toph Beifong as well as Lord Raiden and even the real Nora Valkyrie. She worked on the Kon staff and was ALWAYS in character. Someone even asked me if she was Samantha Ireland because she had the voice down so well

She wasn't. I tell you, SHE WAS THE REAL NORA! She escaped into our world and wreaked havoc upon us. Unfortunately, she didn't break my legs. Oh well, maybe next time.

Next panel we make is Voice Acting 101, featuring Erica Lindbeck and Arryn Zech. MY BAE IS IN THE SAME ROOM AS ME YOU GUYS! And she's talking to Barbie, apparently. Yep, Erica Lindbeck is the voice actor for Barbie. Every time you see those Target holiday commercials, THAT'S MY GIRL! Also, we find out that Arryn is a massive Digimon fan. Ah, can I count the reasons I love this woman?

The first RWBY signing is right after this panel. We make the scene to find that the line has wrapped around two hallways. After nearly two hours of waiting they close the door on us. We never even got close. Good thing they were signing all three days.

Bestie and I make a short trip to Runza. Good eats, by the way. 12/10 would recommend. When we get back, we finally go to the hotel room and release most of the stuff we've been carrying and decide what we're to do next. I decide to take a rest before whatever the next panel I'm interested in, and I ended up crashing until after midnight and missing it. I catch up with bestie around 1:30, and we make the IT'S 2 AM AND WE'RE STILL GOING panel.

We roam around a bit longer after that before retiring to the room for all of two to three hours of sleep.

SATURDAY! The RWBY signing for this day is stupid early, so we leave the room by 8 and make the scene, and there's already a bit of a line. We end up in line behind a Penny, a Nora and a Ruby that are all friends. This Nora becomes known as 'Nora with the Hammer' because she had a Magnhild prop that was twice her height. Also, I need a title to differentiate from Duct Tape Nora who I met the day before and had an incredible cosplay.

Behind us are a couple fellow muggle folks, and Bestie gets to talking with them about My Little Pony: Friendship is Magic. I pop in and out until they start talking about RWBY, at which point I spazz. Naturally. Oh yeah, the line finally starts moving, and before long we can see the doors of the room. Omaha D was the room in question.

Sometime during this wait, I see two professional cosplayers dressed as Ren and Pyrrha and beg for their picture. This happens a lot with different cosplays. Before much longer we're in the room and I can hardly contain myself.

Lindsay Jones notices my bestie's Rainbow Dash shirt and proclaims for the whole room to hear that RAINBOW DASH IS BEST PONY! Bestie warns her that she's in a gigantic den of nerds and that saying such things could start a rumble. She's Lindsay, though, so she should be fine.

I come next, and she thanks me for supporting the show. I tell her it's shaping up to be my favorite anime but that it will be tough to top Yu Yu Hakusho. "Excellent choice! I love Kuwabara!"

"HE'S ON YOUR SHOW NOW! OF COURSE, YOU LOVE HIM!!" I shriek as she signs my sketchbook and the poster for my niblings.

Kara comes next, and I mispronounce her name. She says nothing about it, instead lightly complaining about how the staff wants the signees to cut conversations with the guests short and that her favorite part of signings is the talking.

I'm swiftly approaching my bae, you guys. I'm shook that I'm this close to her. I'm clutching my drawing of her for dear life. Bestie mentions that we went to the VA 101 panel, and she apologizes. He goes on to mention the Digimon thing, saying that he's also a superfan.

"Ooh, Bob's Burgers!" Is the first thing Arryn says to me, noticing my favorite shirt. She asks where I got it after she signs my things, and even asks for a picture of it. THERE'S A PICTURE OF ME ON ARRYN ZECH'S PHONE YOU GUYS!! I'm still shook.

She mentions her boyfriend, as his name is Bob, and I say that I used to watch his show, The 100, but I lost track of it because I'm terrible at watching shows. "So, I made you something..." I say, passing her the picture.

SHE WIGS OUT THAT I DREW HER! "WHOA! SHUT UP! THAT'S SO SWEET OF YOU!"

"I'm sorry I made your eyelash game so strong, but I'm glad you like it!" And then I ask her for a picture. And my soul leaves my body as I snap the photograph.

On to Barbara, still buzzing hard from Arryn. Barb makes puns at my bestie, as he made a joke about the Yang cosplayer a few people in front of us. "DUDE, YANG'S ABOUT TO MEET YANG! tHE UNIVERSE WILL IMPLODE!"

"Yeah, especially if they start cracking jokes..." I mention. Barb signs us and makes puns at us. Lovely times.

And finally, we reach Elizabeth Maxwell. In addition to Winter Schnee, we find out that she voiced Lady Urbosa from Breath of the Wild. Bestie tells her that she's her favorite Gerudo. I get an Urbosa poster for her to sign, planning to give it to Bestie. She notices my shirt and we talk Bob's for a minute.

And our mission is complete, so we make our way to the nearest eats we can find. After filling our faces we find our way to the vendors' block and proceed to spend more money than is humanly necessary. Soon we catch up with RSJ and Mick at a panel on cosplay fabrics. Later we catch the RWBY Q&A, and times are great until that business with that one guy that is not our friend.

We also see Her Majesty the King leaving the bar as we're heading into the jam with Bard and friends. THE BARD LET ME PLAY HIS GUITAR! WE JAMMED SO HARD YOU GUYS! So did everyone in the place. It was a beautiful time, it really was.

On Sunday, Bestie got signed by Todd Haberkorn for a friend of ours, and as he waited he found a Weird Al cosplayer WITH AN ACCORDION! Dance party shenanigans ensue, naturally.

We catch up again later and make the 'How'd We Do' review panel and Closing Ceremonies. We're super bummed that the Kon has just ended. We eventually make it back home, and I crash on his floor before I realize what's going on. The next afternoon I catch a bus back to Louisiana, still spinning from everything.

So yeah, that's how Remnant was made... or something.

I CAN'T BELIEVE I MET MY BAE!!!

*makes heart eyes for forever and a week*

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Day 18: A VA dressed as their character

For once, I have more than a rant for this day. XD

But yeah, meeting them all was glorious.

Oh yeah, i’m finally caught up. Well, i will be when I finished the next fic. Formal wear. Hmm...