#also i think i reblogged this already

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[mo-mode]

Chiron: Welcome to Camp Half-Blood! Home to demigods of—

Me: Yeah yeah, which demigods can see the shrimp colors?

Chiron: Excuse me?

Me: You heard me. Who’s got the shrimp colors?

Chiron: Well, ah…Iris is the goddess of the rainbow, and Poseidon is god of the sea, but I don’t think—

Me: Give me the shrimp colors, horse man.

[riverroan]

inside out 2 if it was filmed inside my head

[ravene]

Part 1 Chapter 2 be like

[sun-marie]

LRB but I'm replaying BG3 and Gale being on the knife's edge of Wholesome/"Dirty" is what makes him soo interesting to me. Like this is a man who, in two different versions of the same scene, can either sweetly and gently make love to your tav in a typical setting which transitions to a tasteful fade-to-black, or brings your tav's spirit along for a transcendent experience where he literally duplicates part of himself so he can have more parts to touch their parts in some crazy astral-soup sky world. And both are treated like valid expressions of his love!! Like the range they allowed him to express, he's not one or the other, he's both

[banditblvd]

Uhhlittle bitty ethubs warmup I did a minute ago

An offering to the ethubsers

[fumifooms]

Dungeon lord Chilchuck

What would his wish as a dungeon lord be? What would he be like? Headcanons & speculation post for fun. But I’ll start with analytic lead up because that’s always fun for me, though feel free to skip and skim.

When it comes to what Chilchuck’s dungeon lord desires could/would be like we have mainly 3 hints: His nightmare, his succubus and what the winged lion says to him.

Why: — From what we see nightmares are based on the person’s worst fears and insecurities, both Laios’ and Marcille’s nightmare were closely tied to their dungeon lord wishes (Laios’ dream monster being summoned to crush the ghosts of relationships that represented the pressure to fit in and belong, Marcille seeking control over death and aging through magic to avoid loss), the fuel behind their desire/goal if you will. Fear and deep-seated desires are seemingly closely tied, something also supported by Thistle and Mithrun’s reigns as dungeon lords (Thistle proving his worth through fulfilling his given duty + protecting his loved ones, being listened to instead of having to listen, Mithrun escaping rigid two-faced elven society and living in a wonderland where he has no enemies and he’s loved, free from everyone he knew yet propped up by the person symbolizing his brother being chosen over him, the bastard child).

— I’ve talked about the significance I assign to the succubi often by now, but rundown: What we see of each character is all very telling if you care to listen, it shows not only someone’s "ideal form" but what they want from it. Izutsumi’s is familial, offering a hug and comfort, Marcille’s is romantic with a character she knows and loves, offering a kiss on a hand and a connection regardless of how distant it actually is, and Laios’ is platonic, arguable at first but then Laios’ fear of judgement is placated and he is offered the picture perfect friend group that accepts his interest (if you want my full look at Laios’ succubus go here). They take on the most alluring form, most ideal person of their victim, even uncovering deep subconscious desires, so precisely and effectively to the point it leaves victims physically frozen before the object of their desire. Succubi and the demon are themselves tied in lore and it’s easy to see how similar their core skill are. Succubi don’t give a good idea of what a character would wish for on their own but they certainly give hints on what they crave, regardless of how you want to read it.

— Last bit is self-explanatory. To placate Chilchuck and win his compliance over, the monster that reads your soul like an open book offers to give him something specific. But! It’s also important to remember that the lion isn’t offering to fulfill Chilchuck’s dream world wish here, it’s a second prize, because his goal with what he promised Laios is that they’d stay in this world, away from everyone and everything else. Chilchuck wants to get away but is kept back, and it’s here the lion placates him with "hey it’s okay! You can’t do that but I can still give you this! This is enough right? It’ll make everything easier on you".

What each bit says: — Long version in another post. Tldlr: His daughters and family are obviously important to him, and this reinforces that he takes on the role of protector a lot, he’s constantly worried for his party members’ lives and implicitly his family’s. Safety and stability, both economical and otherwise, are his core values and goals, and he berates both others and himself if someone fails on those fronts. Here, there’s the fear of not being enough, of not having been able to protect, and of course of loss.

— Chil’s succubi are obviously sexual, and not only that but agressively and straightforwardly so. It’s not like Marcille’s where there’s personality involved, all they do is give him sultry looks and pretty smiles before jumping on him. His succubi aren’t like Izutsumi’s, always the same exact person and appearance, so it’s not someone but an appealing general idea. The idea of a sexual being he can regard as simply a gorgeous piece of meat and a good time no strings attached. In my interpretation, especially with my reading of Laios’ succubus where even with deep-seated desires negative emotions can be too intense to effectively freeze a victim, I think this doesn’t contradict his character. Relationships have been painful to him in the past, in the succubus scene when his wife gets mentioned his immediate reaction is to yell "Don’t bring her up now!", like with his habit of drinking and as a tallman liking his senses feeling dulled, it’s about not having to feel emotions with how difficult they are to deal with sometimes and just feeling good, or at least not having to think, for a while. If a succubus showcases someone’s ideal connection with an ideal person, then Chilchuck’s is with a pretty person that doesn’t stir any negative memory or drama, someone low stakes and low maintenance that doesn’t require him to manage or talk out feelings because there’s none involved in the first place.

— Once more, wife and family are important! He does long for his family, not only his wife but his daughters, and vice versa. This suggests not only that he wants good relationships with them but that he wants them to be with him, a family life. Far from the cut communication they all more of less have during canon, and perhaps far from their life pre-canon when he worked away from home a significant amount of time. We’ve seen recreations of people by the winged lion before with doppelgangers and monsters (naga), and though he claims he can make satisfying imitations, what we’ve seen is that they base themselves on the best memories of that person, like with Marcille’s dad, or twist behavior to be more pleasant, like Mithrun’s lover (and possibly twist appearances depending on the person’s view of them, but that’s Mithrun analysis). The line does suggest Chilchuck would want his family members as they are in reality and not idealized versions, but the circumstances are chaotic and urgent enough in the scene (and again the lion isn’t fulfilling Chilchuck’s wish but trying to make him content for Laios’) that it could just be the winged lion saying what he needs to to convince him the fastest possible, and like we see with Laios that can crumble to give way to deeper or more complex desires.

On top of that we just have general info on Chil. How does Chilchuck deal w his issues? What does he like to do? He likes alcohol and ignoring his problems. We have to remember there is a split between what someone would consciously wish for and what their soul uncontrollably irrationally craves. As always with Dunmeshi, there’s a narrative of irrational deep-seated desires vs active wants, what you crave vs what you strive for, what you dream of vs what’s actually good for you, the animal vs the human inside you, heart vs mind. Chilchuck craving a harem of hot babes in his fantasies but wanting his family life & wife back again is not mutually exclusive. You may crave becoming a monster and tasting what humans are like a little but still want to save the world & your friends more.

Btw can we adress the irony of him terrified of being the last one alive, of being left by his daughters and wife, of having left and coming back home one day to see everything gone or rampaged, yet not caring about dying of liver failure himself, knowing every time that he enters a dungeon there’s a real risk he may not come out. Die somewhere I can’t see you. I prefer leaving you than being left behind. He’s selfish and shortsighted like that… Chilchuck is selfless in many ways of course, but perhaps also due to his own relationship with his parents, he often undermines the effects he has on others in his relationships, both the good and the bad (he talks himself down about being cowardly and greedy yes, but never hints at his bad health habits, alcoholism and starving himself, may have affected his loved ones, doesn’t question his wife falling into a bad mood the night before she left, and talks about the possibility of dying here and there very casually, though obviously he tries his best to stay alive when it doesn’t concern his health).

Chilchuck king of "Let me just avoid and ignore my problems surely they’ll go away, things might work out and if they don’t well tough luck I’ll survive and I probably deserve it anyways". If I don’t look at it it will dissapear <3 Why care when you can simply not think about it.

You might not understand Mister "my love will stay strong through months of work travel and also 4 years of separation" and Mister "well idk my siblings and me are kinda strangers and my dad is dead but that’s kinda whatever", but typically relationships need some form of maintenance and emotional availability…

The actual headcanons finally

I kinda have 2 routes in mind for dunlord Chil and both of them are centered on "I care too much, i wish things were easy", so first is a lot like his succubi, it’s full on indulging in his guilty pleasures like alcohol and bodies and it’s to keep him in a constant state of thrill and euphoria and distracted, unfeeling about stuff that really matters. "Nothing matters except that I’m enjoying the moment!" vibe. He gets to live a life worthy of Dionysus, with alcohol and women and debauchery and like— never having to think again, never having to feel anything but pleasure again, never have to feel guilty or shitty or angry or sad. He has a harem and gets everything on a silver platter.

Breaking news demon magic-induced rush of euphoria and power still not enough to cure this man of his self-hatred nor his capacity for thought!! But in his case a state of euphoria is what he seeks I think, to kinda mask or replace the Everything Else.

The other is what I think closer to what canon suggests, with what WL implied too with "I’ll make you a new wife and kids like the originals!! 😊", it’s a (spoilers) Wandavision type thing where it’s a slice of life where he’s never at work and always at home and the family eats lunches at the dinner table together and everything and everyone at any moment is just. Happy. No issues. It was all a dream, this is real and everything is fine and your family is perfect and happy. I like to think the timeline would be wonky, his daughters would fluctuate in age, but he’d want to be there for what he missed, would want them to still rely on him and look up to him like when they were young, would like to forget that they’re now independent adults and the distance that grew between Chilchuck and his siblings is happening between them as well. Chil would want doppelgangers of his family imo, at its core just a general wish for a peaceful happy family life with no drama, no need to compromise, a little paradise of unconditional love and no consequences. It’s for sure straightforward, but Chilchuck is a man with straightforward desires…

But see Chilchuck is a greedy man, and he wants it both ways without having to sacrifice anything or expanding any efforts himself. He wants to have his cake and eat it too. I think playing with these two opposite directions and mixing and matching is most fun. Him leading a life where he indulges in all his worst habits while still having everything he wants… Him getting to have BOTH his wife and any woman he can imagine up, his life like two sides of a coin he can flip at any moment where he’s partying then he’s at home enjoying the quiet and his toddler daughters playing with toys on the carpet. Christ when you remember it’s all an illusion that’s terrifying, the doppelgangers and succubi from the winged lion playing chilchuck ping pong.

A safe little haven both security-stability wise and emotionally. Gets to have both the relaxing and the thrilling in any dose he wants, mixed or separatedly. What I’d argue he had pre-canon too: Can live it up in taverns away from home, stays away from home for long periods of time, and can come back to home aka the symbol of relaxation and safety whenever he decides to. Something he can leave and come back to at will, an anchor he can trust in (until it’s taken from him and his wife leaves. Or in his worse nightmare people rush in and kill his daughters). The ideal of a house and family to a working man, perhaps…

I think it’s fun to think on wether or not these desires would be interesting at all to the winged lion… In canon he seeks out "rare/complex desires", common simple things like I imagine riches, sex, substances and pleasure would be are boring to him, he’s eaten those so many times already. So perhaps he wouldn’t last long as a dunlord, the WL would want to eat him fully quick, can’t keep him interested or waiting long for a meager meal, too much effort raising the cattle and too low quality meat. By making it more twisted or layered Chil’s desire would become more desirable to the demon, it’s part of what’s fun with the third option to me. But whatever. Has he ever eaten a guy with this much repression and self-sabotage... Like trying to get the meat out of a walnut, enrichment…

Other dunlord Chil takes I’ve seen that are fun and good:

@feelo-fick and @pluvio-floret have a dunlord Chilchuck AU project dubbed "tragedy AU" where Chilchuck is said to be "on vacation", in a weird delirious state, only half-there half of the time… From which he doesn’t want to wake up </3 Quoting Feelo, this is why the vacation thing is only a half-joke cause he is 1) letting all his responsibilities go 2) indulging in himself and 3) "spending time with his family" <- lie but you get what i mean. Additional comments that have me vigorously nodding: because changing is hard why cant things just be okay right now without the effort !!! Life is hard he’s so so tired he just wants to feel good… he just wants life to feel nice and easy for a sec while he can learn to breathe again and lose the stress and trauma he’s accumulated…….. spoiler alert yes !!! in fact a depressed person can suck themselves into their job and lock out the world who wouldve thought !!!

And then Cabinette I know posted about his dunlord take once but I don’t have the link, in which Chil has a lot of nosebleeds because of mana overload which is fun and interesting to think about imo~

In dunmeshi, where characters get underground pockets of the world as their playground disconnected from everything outside and the rest of the world, it’s important to remember to face reality even if it has conflict and people with different views and stances from you, it’s something Chilchuck and Marcille and everyone needed to learn, and the thing with a dungeon lord AU is that you imagine a timeline where he fails to <3

A timeline where his dungeon lord wish is to desire nothing bc hope and want has only ever hurt him would also go so hard. Very universal thing though I suppose.

… And this is why a Chilchuck-centric Coraline AU is really really interesting and fitting and topical— Ok that’ll go in a separate reblog/post at @Fumiku I need to let this end

[humanmorph]

I step all around the pieces on the floor / Wires and cords, and records, and tapes

[anglerflsh]

day and night / the creation of adam

[cranberryculprit]

Do you think a man like him has any remorse for what he's done behind those eyes? Let alone what he thinks is what should be done?

A man with those eyes like his? Tch, I don't think so.

INVERTED VERSION (⬇️)

Beep boop

Bap

[blue-thief]

reblogs are strongly encouraged!

*division rap battle

answer added in the reblogs

[queerdiazs]

some of you forget that it was originally going to be eddie and tommy but that storyline fell through so for all you bitching about how we’re never going to have a canon queer eddie… baby he already is. we’re just waiting for his turn.

[can-of-slorgs]

I'm personally blaming @starbiology and everyone who has reblogged or commented the other piece for this.

Bonus comic featuring my grundo:

[mintjeru]

hypothetically speaking, these would be cute sticker designs ^^

open for better quality | no reposts

[r0semultiverse]

Digital Circus AMA Notes

Digital Circus is getting a season 1 at some point!!!!

#webcore aesthetic board for the series design

Pomni was going to be a frog originally. 🐸

90s toys Zooble inspo

Caine is an antagonist, but not by active choice, he doesn't know he's not helping. He doesn't feel a whole spectrum of human emotions (he's an AI).

"Caine canonically just lets things happen if he thinks it's funny."

Characters eat like Chao in Chao garden in Sonic. The characters can eat the food, but they can't digest it.

Jax's favorite food is spaghetti.

Pomni likes salmon.

Q "Was the ending a 'Last Supper' reference?" A "in a very superficial kinda way yeah." Religious stuff is sometimes just used for the funny.

Gooseworx tumblr sketches MAY or MAY NOT be canon to the series, so it's up in the air for every single one.

People can abstract from feeling too much pain if it breaks their mind from it being too much. Characters feel pain from things, but not as intensely as they would in real life.

Zooble is gonna swap parts every episode (implying they have spare parts) except their body & head.

Jax chose his own name & gooseworx likes to think he chose Gangle's name.

Ragatha was named "Emmy" originally.

They (the cast of characters trapped in the circus) can't change their clothes but Caine can. It's part of their skin sorta kinda.

There's empty space under Pomni's hat because video game model physics.

Spamton was partially inspo for Caine, Caine's VA did Spamton dubs.

Gangle only has 2 masks. Why's it (her hapiness mask) break all the time? Mental state, but the "real her" is "harder to break."

Kaumfo was gonna be part of the main cast originally before Jax.

Kaufmo's model has nothing below the waist at this time, but was made for that promotional image on twitter.

Q "What kinda person was Kaufmo?" A "He was the same as Ragatha in a sense, goofy & cheery, sometimes toxic levels of positivity."

I'm paraphrasing for the sake of note taking in real time, go watch the stream playback for more context & details if you want.

[ahollowgrave]

-- Odette Hollows [B A S I C S]

B A S I C S

Name: Odette Hollows Nicknames: None commonly used. Yein calls her their ‘Moonlit Friend’ and Marlow refers to her by title; Sister. I don’t know if any of these are ‘nicknames.’ Age: Early Twenties Nameday: 9th Sun of the Fifth Umbral Moon Race: Mostly Hyur; technically Ashkin. Gender: CIS Female Orientation: Demi Lesbian Profession: Nun Errant, Psychopomp, Shepherd

P H Y S I C A L     A S P E C T S

Hair: Strands of spun moonlight are cropped just past her jawline; styled with a few braids with occasional charms or ribbons woven throughout. Likely her most recognizable feature. In dark enough settings, it can shed low light.   Eyes: Like frozen pools; her right eye is a sharp blue, and her left is a clear lavender.  Skin: Ghostly pale, dotted with occasional beauty marks.  Tattoos/scars: Graced with stretch marks but beyond that no notable scars. 

F A M I L Y

Parents: Unknown to her, deceased. Perfectly nice people who, through no fault of their own, died. Siblings: N/A Grandparents: Unknown to her, deceased. Also perfectly nice people.  In-laws and Other: A great-many-times-over Aunt named Odile. A not-so-nice person.  Pets: Rou, a large Karakul who often travels with Odette. Three ewes: Pomme, Poire, and Peche.

S K I L L S

Abilities: - Odette is a beacon to lost souls, ghosts, and spirits. They flock to her and under the umbrella of her influence their forms are altered into that of moths. They cling to her, calling for aid which she lends as best she can. Odette is a psychopomp, she guides the dead without judgment. She can see, hear, and otherwise interact with these lost and stuck souls. She has a custom job fusion of WHM (Conjury)/PLD.

- A strong defensive fighter, Odette prefers her shield and conjurer’s cane to the sword that hangs at her side. She wields her shield well, trusting in it fully to keep herself and her loved ones safe. When she plants her cane, the river rises. 

- Kulning is an ancient form of herding calls used over long distances. Odette learned the skill in her youth and uses it still, calling in her small flock of Karakul at her home. Is this important enough to put here? Probably not, it’s just an additional fun fact! For you!

Hobbies: Reading, gardening, knitting (badly), and exploration. She also plays piano and harp.

T R A I T S

Most Positive Trait: The warmth of her personality, her willingness to meet and love people as they are and as they change. Her curiosity about the people around her.  Most Negative Trait: Her inability to trust herself, her eagerness to trust others above herself. People don’t care for the stealing, either.

L I K E S

Colors: Blues, Purples, Silver, and a pop of red.  Smells: Rich, damp soil; Cedar; sun-ripened peaches; sweet, warm vanilla. Textures: The warmth of hand-spun wool, wood worn smooth with use, the delicate touch of petals against skin. Drinks: Hot chocolate with marshmallows and butterscotch, lemonade infused with different fruits and flowers. 

O T H E R    D E T A I L S

Smokes: Not cigarettes. Drinks: No.  Drugs: Yes, pretty heavily. She cannot sleep so she takes drugs to sort of  ‘float’ in a resting state. It doesn’t work but it is better than nothing.  Mount Issuance: Odette is not insured to ride anything. She walks most places, or takes ferries and airships where she can. She owns a Chocobo, named Beauty, who was gifted to her by her friend None. Most of the time if she is riding, she rides Rou, her most loyal Karakul.  Been Arrested: No, but she should have been.

][ Tagged by: ][ @myreia @sealrock @thefreelanceangel @cindernet-explorer @paintedscales @hazelkjt ][ AHH! Thank you all SO much, I appreciate it! ] ][ Tagging: ][ @snotsloth @but-first--tea @the-sycophant @eorzeanflowers @abyssalmermaiden @tallbluelady @viiioca @the-white-snake @claire-ashe & You! ]