#also this professor was awesome

[mycological-mariner]

blood corn king?

Blood corn king.

For context, this all took place when I was 17. Our big project in first year botany class was to do a vegetable garden. Each group got assigned a veg. Mine got corn. As a part of this project, we also had to make the soil and fertiliser that would be most beneficial for our respective veg (this process included standing around a barrel and pouring and mixing cow manure for 3 hours in the sun everyday but besides the point). And I was very protective and such of my little harvest patch. And I don’t really know how it began. I know I was the one who brought it up — I think I’d cut myself and said something about the blood getting into the soil and feeding our corn.

From there, it spiralled a little. I started joking that I would feed my corn patch human blood and create an army of bloodthirsty corn that would take over the world and I would be their leader and king, and then seriously ruminating about the affect blood would have on a harvest. I was really into it, absolutely fascinated by it (which is actually what kickstarted my mild obsession with mycology but that a different matter). So this one guy who drew comics sketched this out. It was iconic. The first panel is me cutting my palm and feeding the soil the blood, then it’s the stages of growth. The final panel was amazing. The corn had teeth and were chomping on human remains while the world was on fire and I was stood above them all declaring “I AM THE BLOOD CORN KING” — I kept that little comic for ages, I’d post it if I could find it. In the end, the corn was perfectly normal and edible. Bit of an upset, but it was delicious.

(To be fair this was the same botany class where, for extra credits, we could come in dressed as a plant of our choice so long as we brought in 5 facts about it (as long as it wasn’t a rose - the prof hated roses) and I came in wearing a Victorian undertakers suit and hat with ghostly white and black face paint - my flower was a white lily, popular funerary flower. I really went off on the most dramatic delivery of plant facts. I got 10 points.)

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[lunarharp]

shirahama-sensei reminded me she has a thing for the teacher from pokemon s/v so i randomly went off on an au where qifrey is the professor. etc

[sixty-silver-wishes]

people you meet in russian class

kid who knows a ton of molchat doma and kino songs, but keeps forgetting how to say "hello"

heritage speaker who knows vocab but not grammar rules, who's besties with the language fiend who knows grammar but not vocab (this was my friend and I)

kid with scary politics

bored tech genius who speaks russian with the thickest american accent you've ever heard

the alt/goth kid. there's always one.

the one who always shows up late and gets called out by the professor every time

the one who dropped out as soon as they heard about genitive case

retired old guy who was in the military and is awkwardly singing cheburashka songs in the back of the classroom with the rest of the students

humanities student intimidated by all their stem and polsci classmates (this was also me)

"cyka blyat lol edgy communism memes" kid who really wants to commit to the bit

quiet slavic kid who never talks but is somehow tight with the professor

the one a little too into soviet history

the one who never tried to learn to read cyrillic

the one who insists on writing in russian cursive, despite the fact that none of the other students can read it and the professor keeps correcting it (this was also me. we didn't even have to learn cursive. I just wanted to learn it for historical research purposes)

the one romanov apologist (may also believe they're a reincarnation of anastasia romanova)

[transannabeth]

🍵 store open!!

bigcartel 🌸 etsy

my store is officially back open!! i have merch for ace attorney, professor layton, ghost trick, spy x family, miraculous ladybug, and more~

i'm also having a spring sale through april 15th! spend at least $15 to get 10% off—and then the discounts only go up!

[hi-im-just-a-fan-here]

Fucking finally I made another one of the art Nouveau inspired pieces. It's not the best as I had a long break but I tried.

[lwh-writing]

Okay, so my college classes started again today and I ended the day with the first lecture of my military history class. Now, I don't usually like military history because it very much is the Dude Bro type of history that I don't jive with. However, I am taking this class because:

Even if it is Dude Bro History, I love history in all forms and want to learn more about it

I'm an engineering student with too many fucking calculus, physics, and electronic classes and my mind needs to think about something other than STEM before it breaks

I fucking LOVE my professor. I had him last semester for a European history class and he was the best. He was very much against what he calls "asshole history." Aka, the type of history that focuses on one, usually white, Christian man who "shaped the course of history" until it shuffled onto the next one. He never mentioned Henry VII or Shakespeare except in passing, but he was the first person to teach me about Alessandra Strozzi, Baruch Spinoza, and Olaudah Equiano. So once I saw he was teaching another class this semester, I was like "Okay, but only because it's you, Awesome Professor."

Anyway, today was the first lecture of Military History taught by Awesome Professor. As should have probably been expected, the class makeup was 80% Dude Bros who need to cover their liberal studies credit. We get in, go over the syllabus, do an icebreaker, and Awesome Professor pulls up a PowerPoint slide with the Battle of Thermopylae and the Battle of Gettysburg side by side.

Awesome Professor: "Can anyone tell me the connection between these two battles?"

Some answers are offered. One Dude Bro goes on a soliloquy about war tactics and drools over the 500 Spartans. Awesome Professor corrects him and says that there were way more Greek factions there than Sparta. More answers are offered. A different Dude Bro does a different soliloquy about Robert E. Lee and the Confederate Army. Awesome Professor shoots back about Meade having the superior defensive position. More answers come in. I offer that both the Greeks and the Union soldiers were vastly outnumbered. A few more answers.

Awesome Professor: "Those were all wonderful answers, but unfortunately, you're all wrong. The major connection between these two battles is.... they're the only battles we will ever discuss in this class."

This wonderful, wonderful man then goes on to say that we will NOT be getting into war tactics. We will NOT learn about weaponry. We will NOT be reading quotes from famous generals. We will instead be learning about the cultural impact of war, all sides of every conflict, how militaries and wars affect technology that isn't weapons (preserved foods, medical innovations, etc.), how to recognize war-time, pre-war, and post-war propaganda, and female and nonbinary individuals' experiences during war.

The hundreds of Dude Bros start gaping like fish and sputter about "How can you teach WAR if you don't talk about WAR?". I'm holding back cackles as they slowly realize that they will not be getting spoon-fed the classic Dude Broe history. I genuinely cannot wait to go to my next lecture and count how many people drop the class.

In conclusion: definitely give college history classes a try, even if they aren't your usual first pick. Especially if you know the professor is amazing and knows how to teach about the scope of history rather than shuffling from one asshole to the next.

[pansyfemme]

I love love watching you post about your boyfriend because I also recently asked someone out I liked for a really long time and they said yes:) I’ve also never had much. Experience and much like you it was probably obvious in retrospect, they always were hyping me up and calling me attractive and handsome. Idk I get to be someone’s butch boyfriend it’s so awesome.. we are just mutuals but I just wanted to say it’s really cool watching someone have a similar experience to me:D wishing u two the best

yeah it’s kind of. wonderful right? being someone with little to no experience with romance can be. daunting. and like. he and i are in a similar stage with all that stuff, i dated someone before briefly but it was. not really anything profound and it’s. nice to be at the same pace with someone else and go through it together. he’s not exactly shy i’d say, but like. nervous and timid and so. i kind of realized that it was going to be me who would say something and i am proud to take that role. it’s. wonderful to be his boyfriend and to know that i play that role in his life. it’s silly how these things work out. i do think that.. yeah, in retrospect. we should have sort of.. known. and maybe i could have said something sooner. but it was an. extremely rough semester for both of us. and texting him and seeing him around campus and later. hanging out with him at his job with our mutual friend (who. get this. she gave him my number and set up several oppritunities for us to hang out with her mutually and kept asking me to come hang out with her where he works while she knew he was on shift. because he kept telling her he wanted to hang out with me more. and she had . im not kidding. no fucking idea what she was doing the entire time. set us up. and had no clue.) became these really nice moments in a really shitty semester and then like. we went home and i had a moment to rest and think when i wasnt stressed out of my mind and i couldn’t get him off my mind and . stuff happened. but it’s pretty crazy how shit just. works out. im really happy for you as well. that’s really incredible and im glad that things worked out, this world is so beautiful.

[fullbattleregalia]

Well, I finished Pokémon Scarlet today, and it’s official - Professor Sada is in the running for the title of “Worst Parent of All Time” along with Horward Stark, Darth Vader, and Firelord Ozai.

[mangoisms]

i did plan to add to my queue then dip but i will leave with one thing. a couple things. um. Yes i know chapter 8 is late. it will be late until next week friday i am VERY sorry but this week, while unexpectedly great, was also super busy and i had no time to myself At All during the week and i’d like to do that this weekend.

also yesterday. i saw blue beetle. GREAT movie excellent movie everyone go see it immediately. i will talk about it more next week when i come back. so yes. i love you all. thank you

[shackleton2]

YALL

I was editing and looking at this sentence in my past-tense draft: "This would be so much easier to get a grip on if only she was here with him." and going like ??? why does 'was' feel like it's supposed to be 'were' here? It's not plural, am I a dingus or just tripping myself out? And I had to google it, got the result I thought, except!!!! that last part!

wtf is the subjunctive mood, I asked

from this page: "The subjunctive mood expresses wishes, suggestions, demands, or desires"

Desires!! Like the "if only" in my sentence!!

Oh English, you absolute rascal. Ever since I embraced the notion that grammar is largely vibes it's actually gotten hella fun to learn about.

[cola-vampire]

so I found a copy of curious village today for 15$

[17yearcicada]

basically my room is a mess and i'm behind on so much work and i can feel my grades slipping as we speak and it's around the time where i get ready for bed but i genuinely cannot build up any momentum to get up and i kind of just want to sit on my laptop for the rest of time even though nothing all that interesting is happening. but it's fine i've felt worse

[broke-on-books]

DAMN WHAT THE HELL BARIQHRIQRHAUSHASHW !?!?!?!!?!?!!!!!!!!!!!!

[enbyeddiediaz]

I love organic chemistry bc sometimes you hear the phrase "sigma bonding system" in an academic setting and it throws you for an incredible loop