#am I just not good enough ?

[potatoeofwisdom]

has someone done this already?

[poorly-drawn-mdzs]

Happy Valentine's Day! (and this blog's first post anniversary!)

[dangoulains-devotion]

[saphushia]

surprise!! i can do non-angst comics!! @shepscapades 's dbhc au again, set soon after bdubs learns that etho's deviant and is working on comprehending that etho's a whole ass person.

technicallyyy in shep's art etho's wearing his trademark outfit from the start, but like. ignore that. that's not a big deal. unimportant. what if he wasn't and bdubs gave him that outfit because the default android uniform just looked way too formal and wierd. what if.

[ssomepersonn]

bug game..............good

[introspectivememories]

been watching mashle and oh my god, the eugenics???? the way lance's parents were so ready to give up their daughter??? no second thought???? just "why did this child have to be born to us?"???? um everyone talking in mash's face about how non-magic people are inherently worthless???? the triple line dude fucking making dolls out of people and somehow no one??? is??? checking him???? and then when questioned immediately jumping into "well humans are little more than mindless beasts and i will become a creator deity and reshape the world in my liking!"????? the, um, corruption in the government??? the way this story is so clearly "h*rry p*tter if it was actually funny"??? the slytherin coded characters are blood purists???? they took out hufflepuff??? one of the magia lupus' mage's powerset was just big shuriken???? another one is rip off kisame???? lance is a siscon and the first thing mash says is "that doesn't make it better"???? lemon is genuinely so fuckin funny??? dot is incel-coded but like in a funny way??? dot says that lance is playing life on "easy mode" cause lance has a good face??? dot likes tea??? dot has good manners??? everybody only has one spell they can use??? finn ames is like if you transported is regular human into this stupid ass world??? i think the old man and the cop have explored each others bodies.

[outkast777]

Big sigh

[splickedylit]

You can't fight the role the Mother had in store for you

[fossilizedhysterics]

sanders sides beach episode when

[harbingersglory]

hii could i req an soft dom arlecchino x sub/fem reader?? something w a really needy whiny reader n maybe like a mommy kink or thigh riding IDK tysm for ur time !

{☆} characters arlecchino {☆} notes drabble, fem reader, sub reader {☆} warnings 18+ content

"Slowly, doll. We're not in a rush." Arlecchino reprimands lightly, squeezing your hips with just enough force to keep you unmoving on her thigh– she was still being gentle, but the subtle warning in her tone spoke to how easily she could push you against the desk and turn you into such a mess that you couldn't even remember your own name..just that you were hers.

But the barest hint of stimulation from her slacks pressed against your throbbing cunt had you twitching, barely able to form words. All you could think about was the scorching, twisting need building in your stomach, desperation for relief slowly climbing until you'd think she was doing this on purpose to drive you mad.

"Please– 'm a good girl, right? I've been good.." You choked out, only to be met with the rough, husky laugh echoing in your ear that made you feel dizzy with a rush of need, her nails gliding along the skin of your hips as she pressed you down even more firmly– you couldn't see her face but it was easy to imagine the crooked smile twisting her lips at the way you inhaled sharply and tried to buck against her thigh.

"Shh. I know, doll. I've got you, just relax." She murmured in that sickly sweet tone that always had your knees buckling, the raspiness of her voice sending shivers down your spine. It was almost impossible to relax with her so close, the notes of metal lingering on her skin despite how well she presents herself– but you trusted her, despite how you know you shouldn't.

"There we go. Good girl." Arlecchino's grip on your hips loosened just enough for you to move if you so wished, and oh did it take every ounce of restraint to not do just that..she hadn't said you were allowed to, and you weren't about to spoil her good mood by being a brat. Not tonight, anyway. "Do you want to cum, doll?"

The fervent nod you offer in place of words draws a laugh from her lips, one that is almost mocking, making your face flush in embarrassment– but the sudden tap against your hip makes your mind go blank to the point you forget it all together, focused only on the feeling of her thigh rubbing against your cunt as you bucked against her thigh, the fabric slick and wet against your inner thighs. You'd have half the heart to be embarrassed about that, too, if not for the sudden brush of her thumb against your aching, neglected clit. Just that small touch has you speeding up your movements, practically drooling as you whimpered like a dog in heat.

"That's more like it, doll. Such a pretty girl." Arlecchino hummed, her other hand trailing up your stomach, between the valley of your breasts and ghosting across your throat before settling on grabbing your jaw in a firm, yet almost tender touch as she tilted your head to the side just enough for her to pull you into a burning kiss. It left you lightheaded, grinding down against her thigh as she claimed your mouth as her own, her thumb still ghosting over your clit sporadically.

She'd spent so long teasing you, constantly touching you but never where you needed her, that you already felt like you were going to snap like a wire. She must've been in a really good mood, then, when she pulled away from the kiss with an almost predatory lick of her lips, yet she settled on pressing kisses to your skin rather then the usual sharp bite of her teeth as they sunk into the curve of your shoulder.

"Are you close? Go on. I want to see your face when you cum– you look the prettiest when you finally break apart, doll." Arlecchino mused idly– as if she wasn't talking to you while you continued to rub your aching cunt against her thigh, chasing your own release through shaky, strained breaths. Her thumb swiped over your lips, brushing strands of hair stuck to your skin from your face– at the same time as she swiped her thumb more firmly against your clit, creating a vicious contrast that had you both melting at the barest hint of almost softness from her and the touch of her hand between your legs, dragging you into an orgasm that leaves you trembling and, had she not shoved her fingers into your mouth, screaming, tears pooling in the corners of your eyes.

"All done, little doll. Take it easy." She murmured, voice so quiet you almost didn't hear it, thumb swiping across your cheek to wipe away the stray tear, her hands pulling away to settle on your sides. "You did well– good girl. Let me take it from here."

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[poorly-drawn-mdzs]

Welcome to the Dungeons of Fear and Hunger.

[iamnmbr3]

So you know the scene at the end of The Taming of The Shrew where they have that stupid competition to see whose wife is most obedient? Can you imagine if other Shakespeare characters were there?

Ophelia: You called, My Lord?

Hamlet: No I didn’t. Why are you here when nobody likes you? Go away!

Petruchio: Even I think that’s mean.

Romeo: Go find Juliet and ask her if she would come here and tell her she has the most beautiful eyes, that make the very sun seem dull, and the loveliest hair and a face that puts to shame Aphrodite herself...oh and bring her this sonnet I wrote her...and actually I’ll go find her myself for I can’t bear to be apart from her another moment!

Petruchio: …

Petruchio: … Yeah he’s not coming back. Next!

Coriolanus: Go find my wife and ask her to come here and also ask her if she's seen Aufidius. Actually, have you seen Aufidius...or heard any news of him?

Servant: No I haven't… Is there a name or a description I could use to find your wife?

Coriolanus: Hold on. I know this one.

Petruchio: Wow... We’ll come back to you. Next!

Orlando: I refuse to participate in this farce. It’s demeaning to women.

“Ganymede”: Nonsense! Any real man (which I totally am) wants women to obey him without question!

Orlando: That’s wrong! That’s not being a “real man”; that’s just being a bully. I would never treat Rosalind that way and I hope no one else would either!

“Ganymede”: … You pass the test.

Orlando: What?

"Ganymede": What?

Benedick: HEY BEATRICE!

Beatrice from 3 rooms away: WHAT?

Benedick: CAN YOU COME HERE A SECOND?

Beatrice: WHY?

Benedick: SOME MAN HERE WANTS TO SEE IF YOU’RE OBEDIENT.

Beatrice: WHY ARE YOU PERPETUATING THE OBJECTIFICATION OF WOMEN INSTEAD OF PUNCHING HIM IN THE FACE?

Benedick: YOU MEAN YOU DON’T WANT TO COME HERE AND SHOW OFF YOUR OBEDIENCE? I AM SHOCKED AND HEARTBROKEN!

Beatrice: HA. HA. SO HILARIOUS.

Beatrice: … HE STILL DOESN’T SOUND VERY PUNCHED IN THE FACE. I SUGGEST YOU FIX THAT UNLESS YOU WANT TO SLEEP ON THE COUCH FOREVER!

Benedick: ON IT!

Benedick *rolling up his sleeves*: Isn’t she great?

[ipushedthewrongbutton]

i’ve been scratching my head over the whole watcher situation. I’m not a fan myself but got dragged into it cus of the people I follow, i only watched their puppet history series and the buzzfeed unsolved series from way back- honestly, i couldn’t care less if they locked all their stuff behind a paywall. I’m so neutral on this whole thing, i might as well be swiss.

but i’m not neutral? In fact, the whole thing really bothers me and i couldn’t figure out why.

cus i get it, yanno. As a company that thrives on creativity, i understand you’d wanna cut yourself off the mega-capatalist-giant that is youtube to get rid of annoying restrictions, and asking monetary support from your audience so you can really stretch the limit of your creativity. I GET IT.

And it STILL bothers me!

And then I figured it out:

the whole “any future videos they’ll be making will EXCLUSIVELY be available through a streaming service you have to pay a monthly subscription for” comes less across as “please support us monetarily so we can grow as creators”, and comes more across as “if you want to continue being a fan, or even being a part of the audience, you’re gonna have to pay up. You have no choice in the matter. It’s either pay, or you’re not a ‘real’ fan or a ‘real’ part of our audience.”

THAT’S what’s bothering me about it. It feels like they’re gatekeeping who gets to be part of their community with money (that not everyone might have). And knowing where they come from and how they started…. That’s… extremely tone deaf. To put it gently.

[demadogs]

There are things out there that our little minds will never comprehend.

DARK (2017-2020)

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.