#analysis dossier | Explore Tumblr Posts and Blogs

empty-movement · 5 months

Text

Empty Movement's 2023 Revolutionary Girl Utena UPDATE

Fashionably late? As always. 2023 was a HUGE year for Empty Movement, so much so that to confess, we did a big fail in actually keeping up with sharing the stuff we did! OOPS. So finally, we proudly bring you: all the Revolutionary Girl Utena content we dropped in 2023. Essays, artbooks, CD information, you name it. Click below for the entire site update, or get it at the source, as always, at ohtori.nu.

In Analysis (Fan Essays): • seebee's essay The Power of Living an Embodying Narrative is about more than Utena, it's about the fandom--including us. We were both interviewed for this piece, and the result is an absolutely beautiful essay that has helped inform how we do Utena stuff going forward. Thank you so much for letting us be part of this! • seebee's VIDEO essay FILM CUTS BACK | transfeminism in utena absolutely blew our minds and it's so good we're listing it. Look at the title. Just go watch it, it rules. • Nicole Winchester's essay No Choice But To Become Witches: The Bishōjo-Demonic Phallic Mother Dichotomy in Revolutionary Girl Utena catches you up to speed on the academic discussion around what might best be described as the shoujo manga iteration of the Madonna-Whore complex. Then, naturally, it finds plenty to say about Utena. Great work that was well worth the coding!

------------

In From the Mouths of Babes (Translated Meta/Creator Content): • Cross X Talk, A Round Table Discussion Commemorating the Second Musical Utena GOGAI FUCKIN' GOGAI. Nagumo and friends bring us the final untranslated part of the 2019 Black Rose Musical's program guide: the monster interview with Ikuhara and the director of the musicals, Yoshitani. INCREDIBLE content here that 100% lives up to the first musical's similar encounter! A must read!! • The Rose Apocalypse's Ei Takatori Interview The director of the mysterious 1999 musical (yes the machine gun one, and YES WE HAVE MORE INFORMATION ABOUT IT COMING) interviewed in The Rose Apocalypse book. This...is that. Thank you so much to iris hahn for translating, and I can't wait to bring you more of this mythology!!! • The Utena Dossier Animage Magazine's June 1997 supplemental, this 36-page Utena tome has ben translated by Nagumo with editing by Ayu Ohseki. Because so much of the content is in its visual presentation, I worked the translation into the original scans! Check it out! (PS. Yes that is an entirely different gallery on the emptymovement.com domain, no this won't stay there, yes it has been a weird couple years.) The Dossier includes two long interviews that are also worked into html pages for easy viewing! The Auspicious Joining of Manga and Anime: Saito and Hasegawa For Whom the Director Smiles: Ikuhara and Kitakubo

-------------

In Historia Arcana & The Bibliothèque (Untranslated Resources): • There are a lot of changes happening in this arena!!! How and where to place different materials has been a moving target, so I'll do my best! The sites don't quite reflect this yet, but Historia Arcana will be for cover to cover Utena media, including special magazine publications. Something Eternal's gallery, the Bibliothèque, will be for magazine articles, clippings, and other things. Major artbooks will likely be in both places, cross referenced. New books in Historia Arcana: • The Rose Spiral: Reflections on the Mythology of Utena While not strictly official, this is a fan published book of in depth analysis of Utena, circa 1998! Yep, cover to cover. • Revolution Dictionary (OST 1 First Press Bonus) Cross-referenced from Audiology, this is the bonus dictionary you only got if you grabbed it early! Cool! • Revolutionary Girl Utena Making of Visuals Book Art of UTENA I am mentioning this for completions sake and because I already uploaded it, but this is a cover to cover high resolution, uncleaned scan of the 1999 Art of Utena artbook. I am going to clean the scans, and ultimately be posting the official artbooks elsewhere. • Revolutionary Girl Utena Photobook: Rose Memories This special Animage bonus could be purchased for 700 yen, and back then, was probably a great way to keep the anime in your pocket! It's entirely shots from the TV series, though, so there's nothing specifically new. But I scan it all, baby. New books in the Bibliothèque: • Chiho Saito's 1999 Revolutionary Girl Utena Original Illustration Collection HI THIS IS A VERY BIG DEAL. Read more about why when you visit! TLDR? Here's some of the best artwork of Utena, rescanned and remastered by yours truly to be the best big big scans of big big beautiful Chiho Saito Art. This is a feast. I even made myself a calendar! (Note that the price is such that I don't make a profit on these, so if you're looking to donate, definitely go by other routes, haha.) You will find multiple ways to obtain the scans, and in more than one size. Either way you soak up the rays, enjoy 'em! New articles and clips in the Bibliothèque: • H! Rockin' on Japan Magazine Saito X Oikawa This fashion music magazine's July 1999 article has ALREADY BEEN TRANSLATED? Like, I am going to add the translation officially to the site of course, but holy hell Nagumo is amazing!! This article is actually the origin of a Saito art piece that uh, well. Now we know she went to a love hotel with movie Akio's VA. Cool! Anyway check it out! • Comickers Magazine, August 1997 This absolute monster find is an industry-focused magazine with this gorgeous spread and interview with Chiho Saito. It gets into how she does things. The making of Utena. All kinds of stuff. I'd LOVE to know more about this one!! • Comickers Magazine, June 1998 Again, an industry-focused publication, this time it's exploring the manga and the anime and how they compare. Again looks like a tasty meal!! • Volks Magazine, Spring 2022 YEP SCANS OF THE BOOK OF THE DOLLFIES. For a lot of us, this is at close as we get to these ludicrously gorgeous dolls. I included a few extra pages because they were just fuckin' cool and felt relevant. • Sega Saturn Magazine, December 1997 One of two grabs I got recently on Yahoo! Japan! This appears to be the first look announcement of the 1998 Utena video game! (Yes we have more on it, yes we will eventually post links.) • Sega Saturn Magazine, April 1998 This feature brings attention to the voice actors, who are all returning for the game! • Dengeki G's Magazine, January 1998 Another gaming focused magazine, with frankly a more adult edge, cheaply lets the readers know about Utena. These three game magazine moments are just a bizarre reminder of how we did things before the internet, LMAO

---------------

In Audiology (Music and CD Information): • Complete information about the STAR CHILD - Girls Character Song Best album! You also definitely can't grab the two new remix tracks there. • Did you know there was a first press bonus dictionary for the first OST? I DIDN'T UNTIL RECENTLY. Now I know all about it, and so can you. Check it out! Obviously, scans available, both here and in Historia Arcana. • I FINALLY acquired a complete set of the Utena CD singles!! Check out complete track lists, scans, and information for ALL FIVE Utena singles. Yes. Including the movie Akio guy's one.

----------------

In The Doujinshi Gallery: • Several dozen dounjinshi were uploaded earlier in the year, and can be found listed on the Site Update archive here.

---------------

That's all for now, folks! There's so so so much coming. I have the episode 18 and 20 (!!!!) storyboards to scan, as well as a fully translated scanlation of The Duelist Bible. We're planning to do something for Anthy's rare LEAP YEAR birthday coming up, probably a musical stream or something! Love!

#revolutionary girl utena #rgu #empty movement #empty movement update #utena meta #chiho saito #shoujo kakumei utena #utena movie #utena merch #utena

553 notes · View notes

spookyrea · 3 months

Text

Love at First Sight (or should I walk by again?)

Everyone keeps pointing out the fact that Loki can't keep his hands off of you - but that's just the kind of guy he is, right? Right...? (Or: the one where Loki keeps giving you mixed signals and you decide to take matters into your own hands. To mixed results.) Chapter 1 / 2 to read on AO3, click here

The office was empty and drearily dark; the sun had only barely crossed the horizon, bathing the 27th floor of the Avengers Tower in a deep purple haze. The early morning silence was tempered only by the sound of rain pattering against the window and the occasional rumble of the metro a couple blocks away. It was the kind of morning best enjoyed in bed under a mountain of blankets - not filling out cost-analysis reports.

Fury had had you out in the field for three weeks straight on consecutive missions, meaning you had returned home - bruised, exhausted, dreaming of clean sheets and hours of mindless television - to a veritable mountain of paperwork. Paperwork that you probably could have finished by now - or, at least, made way more progress on - if it weren’t for your resident distraction-on-legs.

Loki rearranged himself in the seat across from you; the toe of one of his meticulously polished shoes bumped against your sneaker, bullying its way between your feet to hook around your ankle. Your desk lamp cast a warm golden glow across his cheeks, accentuating the long line of his nose and the narrow cut of his jaw. His hair, usually so meticulously styled, was loose and curling wildly.

You signed off on the file in front of you, pointedly ignoring the warm flush that crept along the back of your neck, and added it to the mounting pile to your left.

Not twenty minutes after you’d settled in at your desk, Loki had strolled out of the elevators into the office. With all the magnificent theatrics he could muster, he’d thrown himself into the chair opposite yours - his chair - and plucked up the paperback he’d left dogeared a fortnight ago.

(Loki had a desk, kitty-corner to yours in the Avengers semi-circle. He seemed to prefer to sit at yours and complain about the lack of space.)

Not that it mattered where he sat. Your eyes seemed intrinsically magnetized to him; to the dark curls that brushed his jaw; to the way his eyes crinkled when he laughed. You could spend hours watching the meticulous flick of his wrist when he crossed his t’ s, or the way his fingers deftly rolled his cufflinks free to turn his sleeves up.

Or, like you were doing right now; your pen hovered lamely over your paper while you admired him through the fan of your eyelashes, fixated on the way his index finger and thumb rolled the corner of one page as he read.

“Particularly interested in fourteenth-century extraterrestrial poetry, are we?” Loki intoned. Your eyes darted up to find that his were already on you, watching with a peculiar expression. It was easy to forget, sometimes, that he wasn’t human, but up this close there was a preternatural edge in his eyes that pinned you in place.

“No,” You replied quickly. Flustered, you flipped a random dossier open and scanned it over, adding the appropriate signature on every other page. Loki’s eyes burned a hole in the side of your face - you could practically feel the patronizing arch of his brow. “Just tired. Zoning out. You know. What was the name of the knife you let me borrow?”

“Earthbreaker.”

“Right, thank you.” You jotted the name down under Resources Returned With. It was the only weapon you’d not lost in Shanghai; all your other daggers and close-combat tools had been dissolved by an alien gunk that ate through Earthly metals like sugar in water. Loki had sliced the offending creature’s head clean off its shoulders before flipping the knife around to you, hilt-first.

You did not, however, mention the pocketful of extra-terrestrial stones Loki had shared with you after the fact - but you knew from experience that Finance didn’t care about Loki’s magpie-like tendencies.

( These were very rare on Asgard. Courtiers sometimes sewed them into their sleeves as symbols of status.

They’re beautiful.

Yes, he’d agreed. But I think they’d look better against your arm, no?)

You finished off a comment on page seven and tucked your report into the Shanghai, Domestic (Earth) Threat folder. Despite Tony’s seemingly endless pockets, the Avengers finance department was meticulous about tracking your spending, which required an extreme detail when justifying any and all decisions made out in the field.

(It probably had something to do with the Berlin Incident, where a stray explosive arrow and a couple hundred tons of Hulk had cost Stark Enterprises a few hundred million dollars. Which, you would like to remind everyone, was not your fault. You were off a few blocks away wrestling mutant bat-dog-horses away from some celestial object intent on challenging Thor for his hammer.)

Loki materialized something out of thin air and slipped it between the pages of his book. “I think a break is in order, pet.”

“It’s only been forty-five minutes.”

He flicked an errant curl out of his eyes while leveling you with a truly magnificent pout. “Forty-five agonizing minutes.”

“You haven’t even done anything today.”

“I’ve been keeping you company. It’s exhausting work. Really - I have a sudden appreciation for the court jesters back home.”

“Well your jester routine could use some work.”

Loki gasped. “I’ll have you know I am a wonderful jester.”

With a syrupy petulance, Loki plucked the folder from your hands and handed it off to the little robot Tony had assigned to the bullpen - the Paperwork Assistant Lite, or PAL for short. PAL shot off with a chirp, zipping on his tiny treads, the security badge on his chassis swinging merrily behind him.

You tried to tug your foot away in retaliation but Loki was faster. His other foot slid along the side of your shoe until your ankle was trapped between both of his. You twisted in his grip but with a quick yank Loki had you teetering on the edge of your seat. He leaned across the desk and bracketed your forearms with his. “Yield.”

You blew out a breath and screwed your face up in mock defiance. “No.”

“Do not force my hand, mortal.” His eyes shone a brilliant green and a crackling bolt of seidr whispered across your wrists warningly. He plucked your pen from your hand and tossed it aside carelessly. “Yield.”

“You’ll run out of things to throw eventually.” You swatted ineffectually at his calf with your other foot.

“And when that happens, it will be you I put over my shoulder.”

He caught your chin between his thumb and forefinger. You could hear the storm outside swelling; the rain was deafening, the wind rattling the glass in its frame. The desk groaned under his weight as he leaned in just a hair closer. Your breath caught in your chest as his mouth parted, lips shiny where he’d chewed them in contemplation. “You’ll yield one day, pet.”

The train rumbled along in the distance.

Twenty-seven stories below, a car horn blared.

Your pinky brushed the inside seam of Loki’s sleeve, and the whisper of skin on wool seemed deafening.

Loki fell back in his seat with a shove and loosened his grip. He slipped his hands in his pockets and shrugged. “What if I promise to leave you alone. On the condition that you let me buy you breakfast.”

You blinked at him. “Alone-alone? Or ‘alone for ten minutes before you blow up the coffee machine’ alone?”

He nodded grimly. “Alone-alone.”

You sank back in your chair. There was a mischievous glint in his eyes that the smarter, more sensible part of your brain cautioned you about. When you didn’t immediately respond, he offered his hand and wiggled his fingers enticingly.

“Fine.” As soon as you acquiesced, Loki unfolded from his chair and rounded the desk. He had already pulled your jacket off the back of your chair in the time it took you to locate your security badge and was holding it out for you. He helped you slip your arms in and straightened the collar so it lay flat across your shoulders. “But I fully intend on eating you out of house and home.”

He grinned. “Only the best for my little mortal.”

Loki stood at mock attention, his body ramrod straight but eyes slitted rebelliously, and offered you his arm. You rolled your eyes but did not deny yourself the luxury of folding your hands over his bicep.

Sleepy beams of sunlight filtered through the gaps between high-rises, drowned out by sheets of rain. The first few commuters were filtering along the sidewalk, heads bowed and shoulders up to block out the chill. Loki magiced an umbrella from nowhere and drew you in tightly. The cover it provided was cramped, giving you an excuse to tuck into his side.

The two of you made the three-block journey to your usual coffee shop in companionable silence. It wasn’t until he had deposited you safely under the store’s awning that he dropped your arm, only to usher you inside with a hand on your back.

The shop was a hole-in-the wall, the kind of place without any seating except for a few mismatched tables in the back. Narrow enough that you could almost touch either wall if you stretched hard enough. But the coffee was good and the food even better, and on freezing mornings like this it was a welcome distraction from the sharp cold outside.

Your usual barista, Yvonne, barely glanced up when you entered. Her dark eyes flickered knowingly between the two of you, lingering on the casual way Loki thumbed the seam of your coat sleeve.

“Morning,” She pulled open the pastry display and piled an assortment into a paper bag for you. “Coffee will be just a second. You want to try something new today?”

Loki was already nodding, sliding a stack of bills across the laminated countertop. To you, he said: “pick whatever you want, pet,” and then slipped to the end of the bar to wait for your drinks.

Yvonne dipped into the kitchen before returning with a little plastic container. “It’s a new recipe but we’re not sure if we’re going to sell it yet. Let me know what you think.”

You smiled and accepted the box, along with a paper bag containing your usual orders - a bagel for you and a couple of honeyed pastries for Loki. You and Loki were the only patrons in the shop, so you didn’t feel too bad lingering at the register. Yvonne leaned her forearms on the counter and poked your forearm. “So how’s it going with… you know.”

You took a forlorn bite of your bagel and cast your eyes to the end of the bar. Loki was chatting with the other barista, leaning over the counter to whisper something conspiratorially to her. She hung off of every word which, how could you blame her. He was, after all, charming and handsome and princely and a notorious flirt.

It was no secret that Loki thrived off of attention. When he had first arrived in his brother’s tow he’d been nothing but easy grins, sandwiched between Thor and Banner. It only took a week before Loki was grudgingly accepted after helping to stop the Bad Guy of the Week in a fishing town in New Brunswick, Canada and saving Natasha’s life, and it only took a year and another brush with near-death - which involved Loki using his seidr to literally hold Steve’s insides inside - for him to gain some leeway among the team.

Which he abused immediately.

He was a terror. He was unpredictable, constantly underfoot, and he and Thor spent just as much time brothers-in-arms as they did at eachothers’ throats. He flirted his way out of most scrapes and connived his way out of the rest. Meaning - he absolutely thrived.

You had all come to rely on having him in your back pocket for missions. He was a great strategist and an even better fighter - even if he gave Tony a run for his money in the obnoxiousness department.

And you liked him. You really liked him - liked his company, liked his dry sense of humor. You liked the way your stomach swooped every time you heard his voice from around the corner, and how your heart clenched whenever he shot you a private smile during briefings. He was a great sparring partner and he seemed to have a sixth sense for when you needed a pep talk. But his attention never settled on you the way it did on marks or pretty secretaries or baristas.

A larger-than-insignificant part of you understood that what Loki liked about you was how your focus never waned. He liked the attention - for his little mortal to fawn over him.

You’d thought he’d been interested at first, in the week after he’d saved Natasha.

The touching.

The pet names.

And then months went by and you watched him flirt with anything that breathed. And, on one occasion, something that didn’t.

“I still think he likes you,” Yvonne said. “He practically hangs off of you. Like one of those little baby sloths in a Dodo video.”

“That’s just Loki,” you said around a mouthful of bread. You’d confided in her a few weeks prior about your little crush in a moment of weakness and she, like Natasha, had taken to the cause like a dog to a bone. “He’s like that with everyone. I mean - look at him. He doesn’t really like me like that.”

The doorbell chimed, and Yvonne pushed away with a dramatic sigh. “He’s an ass then. Not worth it.”

“Who’s not worth what?” Loki sidled up beside you, coffee cups balanced in either hand. Yvonne shot you a look and waved the question away. You said a hurried goodbye and let Loki corral you into the deluge outside.

Heavy droplets of rain battered the pavement. Cars trudged along through broad trenches of water. Sliding his arm around your waist, Loki steered the two of you back the way you came. He held you tightly against his side to keep you both under the umbrella, so that your hips bumped with every other step and you could feel the heat coming off his coffee cup at your elbow. You took a sip of your own drink to distract yourself.

“Oh, I think you gave me your drink by mistake.” You pulled the cup away to check the label. Instead of an order, you found a ten-digit phone number scrawled in thick black marker.

“Terribly sorry, pet.” You didn’t miss how Loki’s grip tightened on your forearm when you strayed a little too far from the umbrella. He swapped your drinks, then made a disinterested noise. “I have to admire her bravery. I mean, it was clearly a stupid decision, but brave none the less.”

“Oh, be nice. The poor girl can’t help being charmed by your wiles.”

“I am devilishly charming, aren’t I?” Loki jostled you with his shoulder. You swallowed a sigh when he turned his nose into your cheek, his hot breath fanning over your jaw. “But I’m clearly not interested.”

“Loki,” you chided. “Your idea of clearly not interested is most peoples’ ‘oh god take me now’.”

“Preposterous. On Asgard we took courtship incredibly seriously. There were steps involved. A whole process. That,” he waved his hand, “was merely my enchanting nature.”

You rolled your eyes. “Jane told me that Thor offered her the head of a robot overlord he took down in Brazil.”

Loki pulled you to a stop to wait for the crosswalk sign to turn. “It likely would have been a stag on Asgard. Thor made do with what he could. Though I always imagined myself offering up a manticore, personally. Maybe a giant serpent.”

You hummed. “What a romantic.”

Loki shot you a curious look. “I spent much of my boyhood imagining how I might court my future mate. The gifts. The parties. I always imagined a woman at the edge of a dancefloor, how I might ask her to dance. She’d be dressed in my colours in a public declaration. Covered in gold. My sword at her hip…”

The crosswalk chirped. Loki drew you along, finishing lamely: “So no. That’s not ‘interested’.”

The rain was coming down harder, whipped up by the wind so it blew directly in your faces. A bead of water slid down your cheek; the umbrella only covered so much, and dark splotches were beginning to pepper the shoulders of your jackets and creep up the hem of your pants. A chill had settled over your skin unpleasantly… yet you couldn’t help but groan as you rounded the corner and the crisp steel contours of the Avengers tower melted into view.

Loki glanced over his shoulder, a boyish grin tilting his lips upwards. A few damp curls clung to the column of his throat. “Tell you what, pet. Why don’t I practice my court jester routine a little longer?”

Loki crowded you against the side of the Avengers tower, shielding you from the worst of the storm. He launched into regaling you about the book he was reading - a collection of alien poetry from sometime around Earth’s 14th century, found in one of Tony’s art collections gathering dust. ( We called them engagements on Asgard. Because suitors would often ‘forget’ them in their intendeds’ parlors as an excuse to return later. ) All the while, he drew the plastic container Yvonne had given you from your paper bag and pried the lid off. Inside was a collection of small pastries with cracked sugar shells on top - profiteroles, you thought. Loki plucked one and gestured with it wildly to emphasize his point, nearly upturning the entire box in his enthusiasm.

“Okay, that’s enough.” You took the container from him and held it securely in your free hand. “What were you saying?”

“I was quoting. I said ‘ If love was like an ocean, then mine was like a well.’”

“Deep and drinkable?”

“Hand-dug.” Loki popped the sweet in his mouth. His eyebrows rose comically. “That’s good. That’s very good,” he said around a mouthful.

You hummed and held out your coffee so you could try. Instead, Loki took another one out and held it up to your mouth.

You sputtered out a nervous laugh. “What? No, take my coffee.”

Loki tsked and prodded your lips with the dessert. He fixed you with a strange look, something coy but serious at the edges. A warm flush rose along the back of your neck under his scrutiny, growing so unbearable by the second that eventually you opened your mouth and let him place the treat between your teeth. Sweet cream burst out of crisp, flaky pastry and chips of hard sugar - he was right, it was delicious.

His narrowed eyes shone with mirth. “Good?”

Your breath stuttered when Loki pressed his lips to the pad of his thumb, licking away some sticky residue. His mouth pulled away with a wet peach sort of sound.

Your knuckles brushed the fabric of his shirt, warmed by his skin - a pleasant contrast to the cold, wet city air. You felt his muscles twitch under the barest touch.

His mouth tipped upwards; the back of your hand slid against his abdomen when he leaned his hand against the wall next to your head, dominating your personal space.

In a panic, you blurted out the first thing that came to mind. “Do you have a date for the party tonight?”

“Oh sweetling,” he purred. “I thought you would never ask.”

You grimaced. “Very funny. I thought you would have already asked Emily from Accounting.”

Loki blinked down at you. “What?”

“Emily? Tall, big hair, legs for days?”

“Why would I ever ask her?”

You picked at the label printed on your coffee cup. “I don’t know. I just figured someone like you would…”

“Would…?”

You huffed out a sharp breath and glanced at him from the corner of your eye. A strange expression had crossed his face. You regretted asking at all; it wasn’t like you wanted to know the answer to that question anyway.

“Nevermind. It doesn’t matter. I’m sure you’ll be fending people off left and right anyway.”

Silence settled over the two of you, decidedly less comfortable this time. His hand slipped from the brick wall and into his coat pocket roughly.

“Do you… Do you have a date tonight?”

“No! No, I…” You laughed uncomfortably. “No. No dates right now.”

Loki hummed. The furrow between his brows lessened but only slightly.

You pushed away from the wall a little awkwardly, still balancing the box of profiteroles in your hand. Loki followed a step behind, pulling the door open for you mechanically.

You rode the elevator up in silence.

When you reached the floor for the common office, you found PAL waiting dutifully outside the elevator. His little paper tray bobbed as he spun circles around your feet.

“You are entirely too kind to him,” Loki chided while you cooed down at his adorably square face.

“Maybe he’ll be my date tonight. What do you say, PAL? Want to dance the night away?”

PAL lead the two of you to your desk, where he waited for you to assign him another file. The city was shrouded in a thick grey haze behind the floor-to-ceiling windows and bright, early morning light had flooded the room - a far cry from the intimate room you’d left. You sighed and slunk heavily into your seat.

Loki loitered. He drew the tip of one long finger down the cover of one of your folders, flipping through a quilt of post-it notes. “Ok. I’ll keep my promise and let you work now.”

“Thank you.” Before he could leave you reached out and grabbed his sleeve. He startled, glancing down at your hand before his eyes flickered back up to yours. You rolled the seam of his coat sleeve between your thumb and forefinger, dropping his gaze when it grew too hot. “I’ll see you tonight, yeah?”

Loki hummed. “I’ll be the one in black.”

You couldn’t help but feel like you’d said something wrong. His hand slipped from yours and into his pocket, his little book of poetry tucked under one arm. Your eyes lingered on the elevator doors long after he’d left.

—

You were in the process of deciding between two pairs of shoes when your front door slipped open. Never one for boisterous entrances, Natasha sashayed down your front hall into your living area, shoes and makeup bag clutched in one hand, and made a bee-line for your bathroom. You padded after her, adjusting your glittery skirt as you went.

It had become customary for you and Natasha to get ready together in your apartment, even outside of Official Team Events, so you didn’t bat an eye when she leant her hip against your counter and started pinning her hair out of her face. You hoisted yourself up onto the bathroom counter while she unpacked her tools, idly playing with a tube of toothpaste in companionable silence.

“On a scale of one to ten, how bad is the crisis you’re having?”

“How can you tell I’m having a crisis?”

Natasha waved her hand, as if to say international super spy, duh.

“Like a twelve,” you moaned. “I can’t do this anymore. I just get so… so awkward around him. And he gets off on it, I know he does. He amps it up to a hundred because he knows it makes me uncomfortable.”

Natasha leveled a look at you through the mirror.

“He called Lydia in the mail room ‘Enchantress’ for a week. He calls me his pet. ”

“Some guys are into that.”

You made a face. “He’s not a guy though. He’s a god. How could I ever live up to that.”

You heard the front door open. Wanda had promised to come by once she’d gotten dressed. You called out her name, then returned to your moping.

“He just- ugh - he makes me crazy, you know? I like him so much. I swear if he touches me one more time I’m going to burst into flames. Or cry. Or worse, say something embarrassing. Something needy like ‘I love you please oh please let me have your babies’.” You wailed and buried your face in your hands. “I just need to find a guy to fuck it out of me.”

“If you’re looking for sex, Loki would be more than happy to help you,” Natasha grumbled. “Even if he wasn’t doing the roll-over-and-show-my-belly routine for you - which he absolutely is - he’d jump at the chance to ‘fuck it out of you’ .”

“You are not being helpful at all.” You hopped off the counter and adjusted your skirt. You were beginning to regret your decision, but the dress was a beautiful shade of green that both Wanda and Natasha had cooed at over Facetime a week ago. “I’m serious. I just need some random guy to blow off some steam. Get my mind off of him.”

Natasha tossed her eyeliner pencil in her makeup bag and zipped it shut. “Maybe you’re selling yourself short. Maybe you’re way more of a catch than you think you are.”

“And maybe sleeping with someone who actually wants me will fix my ego problem. Maybe my problem is that I’ve been spending way too much time around super soldiers and GQ models. Someone in my league. Someone totally normal who won’t laugh in my face and pat my head like I’m a horny lap dog.”

Natasha tsked. “It sounds like you’ve already made up your mind. So, what’s the plan? You find some guy, take him home, ride him into the sunset and then… Go on pretending you’re not totally in love with-?”

“Don’t say his name! I’m serious, you’re going to jinx it or something.” You glared at her reflection. “The guy doesn’t matter. In fact, he shouldn’t matter. Someone I have absolutely no interest in, who I can spend one fun night with and then move on from. I just need to regain control over the situation.”

“Mhmm. I just don’t see why Loki’s not an option here. Plug this in for me.” You squawked indignantly while she handed over her curling iron. “Worst case scenario, he’s only ok and you never have to talk about it again. Maybe he has a tail or something. Horns.”

You tried to imagine her head exploding. Or stubbing her toe really hard. Tripping up the stairs. “It’s more complicated than that.”

Natasha hummed. She sorted through the belongings strewn across your bathroom counter mindlessly, straightening out your array of weapons leftover from when you stumbled home in the early morning. One of her manicured fingers traced the edge of an ornate gold knife. Earthbreaker . “Interesting choice for a telekinetic super spy. Abandoning quiet and calculated for something a bit more ostentatious, are we?”

“I’ve been meaning to return that.”

“Return what?” Wanda rounded the corner, a tote bag in one hand and a bottle of wine in another. “Cute dress.”

You smiled. “Thank you. What took you so long?”

“Oh,” Wanda sidled up next to Natasha and began pilfering through her makeup bag. “Nothing, really. I couldn’t decide between this dress or an old red one I found in the back of my closet. I came as fast as I could.”

“No, I mean, I heard the door-”

“She’s going to hook up with a stranger tonight,” Natasha interrupted.

“What? Shit-” Wanda dropped the kohl pencil she was using and licked her thumb, scrubbing at her eyelid. “Wait, why not Loki?”

“I never said I was certain,” you interjected.

“She’s worried he doesn’t feel the same way she does.”

Wanda pouted at her reflection, assessing the symmetry of her eyeliner. “Not to be dramatic but… does it matter? He’d say yes.”

“You don’t know that. Just this morning he turned down a barista when she gave him her phone number.”

“But with a little wine? A little dancing? He looks amazing, by the way, I passed him on my way here.” Wanda turned to face you, leaning her elbows on the counter. “He’ll say yes.”

“Speaking of wine, why don’t I-”

“Worst case scenario he’s only an okay lay. Loki will leap at the chance for a one-night stand. Why would you-”

“I don’t want to just fuck him, okay?” You cried. “I know he’d fuck me. But I want more. ”

You turned on your heel and fled to the kitchen. You had never gotten around to buying wine glasses - something Natasha loved to make fun of you for - so you pulled mugs down at random.

It was only your familiarity with Natasha that tipped you off to the fact that she’d joined you. You avoided her eyes while digging through your cutlery drawer for a corkscrew.

“Babe.” Natasha took you by the shoulders and tipped her head so you were eye level. “Hey. Tell me what the worst-case scenario is.”

You shrugged, a little pathetically. “I don’t know. He’s uncomfortable. Or- or he makes fun of me.”

“He already does that.”

“But not- not like this.” You scrubbed the heel of your palm over your eyes. “I really like him. And I don’t want to lose him as a friend.”

“I think you’re gonna lose him as a friend no matter what if this continues. And I think he likes you a lot more than you think. I- and you can never, ever repeat this - I think he’s a lot more empathetic than he lets on. Hell, his brother has tried to kill him multiple times and they live on the same floor.”

Her thumbs worked in small, soothing circles over your shoulders. You leaned forward to rest your forehead against her chest and sighed. “What if he says no?”

“Just ask him to dance tonight. If he says no then no harm, no foul.” She pushed you back by the shoulders and leveled you a look. “We’re master tacticians. We can seduce that stupid peacock. Now come on, come help me do Wanda’s hair. I curl, you pin.”

You took a deep breath in and held it. On the exhale, you pulled away. “Okay.”

“Okay?”

You gathered up your glasses. Wine bottle in hand, you started to formulate a plan. A strategy. Something Peter might call Operation Get Laid if he didn’t blush every time a kissing scene came on TV.

You nodded. “Okay.”

part two!

#loki x reader #loki fanfic #loki x you #loki x y/n #loki x female reader #I will literally never get over the unbearable agony of tagging things #but 2024 is the year of cringe baby. the year of being free. the year of using a damn hashtag.

169 notes · View notes

callester · 4 months

Text

An interpretation on Spy×Family's Volume 13 special illustration in the context of its content arc. 🔍

Twilight (Loid Forger)

Standing nearest to the edge of the wall symbolises his almost exposed identity.

Eyes casted towards his right side out of observation on the East.

Nightfall (Fiona Frost)

Standing out of the frame due to her identity being barely known even from the SSS.

Expression is unseen under the same impression of her yet to be known identity.

Yuri Briar

Standing close to the edge (opposing WISE agents' side) due to his close encounter with Twilight.

Breaking the fourth wall (looking forward) due to being able to see through Twilight's panic escape (noticing his footstep) and bear a constant yet pointed suspicion on Loid (bullet wound).

Chloe

Eyes casted towards her left to observe the movements on the West.

SSS' First Lieutenant

Stood on the same side as the rest of SSS agents.

Eyes focused on his own side (the East) to portray SSS' nature of overlooking the safety of within Ostania.

WISE Agent (unnamed, Red 2)

Stood on the watchtower overlooking the left opposing side to observe the East's movements.

Positions' Significance

Agents that are actively assigned to site surveillances / spying tasks are all positioned on the ground (standing / crouching).

Agents that are less active are positioned on higher levels (atop of wall / watchtower).

Breaking the fourth wall

As based on an extended view of the same illustration shared by @wondrousmay here.

Nightfall breaking the fourth wall may refer to her ability of pinpointing Wheeler (from his disguise among the crowd) that thus began the intense chase.

Sharing the same sight direction (forward) from opposing sides, Yuri and Nightfall's intentions are in a direct clash, where one attempted to uncover Twilight's identity while the other fought hard to maintain it.

Feel free to add in your interpretations!

#spy x family #スパイファミリー #twilight #loid forger #nightfall #fiona frost #yuri briar #chloe #analysis dossier

64 notes · View notes

idolpyre · 1 year

Text

⠀ ★⠀ MINJUN (민준 ) - 'VIRTUAL INSANITY' OFFICIAL MV ⠀ ⠀⠀ ⠀↳⠀ NO ONE CAN BE LIKE ME, 전투력 올리지 난 더 , PEOPLE SAY WHO IS THAT GUY ? MJ !!

#* / 𝐓𝐈𝐓𝐋𝐄 𝐓𝐑𝐀𝐂𝐊 𝟎𝟎𝟏 : 𝖽𝖾𝖺𝗋 𝒍𝒆𝒂𝒅𝒆𝒓 — analysis #* / 𝐓𝐈𝐓𝐋𝐄 𝐓𝐑𝐀𝐂𝐊 𝟎𝟎𝟏 : 𝖽𝖾𝖺𝗋 𝒍𝒆𝒂𝒅𝒆𝒓 — dossier #* / 𝐓𝐈𝐓𝐋𝐄 𝐓𝐑𝐀𝐂𝐊 𝟎𝟎𝟏 : 𝖽𝖾𝖺𝗋 𝒍𝒆𝒂𝒅𝒆𝒓 — character study #I CAN'T BELEIVEE THISSS #HE LOOSK SO GOODDD #NA MINJUN IS REAL.

8 notes · View notes

oliveroctavius · 9 months

Note

Doesn't the decision to get involved with Sam Bullit prove Gwen was a bad person?

Hey, I've been looking for an excuse to post about this. The Sam Bullit arc isn't really about Gwen (though it certainly reveals some things about her character). The Sam Bullit arc is about racist dogwhistles and why they work.

ASM #92 pg 19: "I will bring law and order to the people of this great city! I will show no mercy to the anarchists and all others who would destroy our way of life!"

Bullit's platform is not openly white supremacist in the sense that it doesn't overtly mention race. He talks about laws and safety in a way meant to appeal to rich white voters. The true meaning should be clear to anyone with any political awareness (who are those others and what is our way of life?), so why does this rhetoric attract "otherwise rational" people?

ASM #91 pg 6: "I want to volunteer to help you--in your campaign for DA. Because--I want you to bring Spider-Man to justice!" "We need strength--strength to punish those who mock the law! I will use such strength to bring Spider-Man and others like him to justice! I will not betray your trust."

Gwen makes her decision to back Bullit on the way home from her father's funeral. There's a very real phenomenon of tough-on-crime bills named after (white) murder victims. The grief of families who feel like justice hasn't been served is a powerful tool to push harsh laws while smothering any criticism as "disrespectful" to the victims. What’s in a Name? An Empirical Analysis of Apostrophe Laws, 2020.

Bullit showed up at George Stacy's funeral with this exact goal in mind, and when Spider-Man "kidnaps" Gwen later, he leverages the media obsession with white girls in danger for his cause. Gwen is a pawn, but she did offer her help first. Her desire for closure is very human and her short-sighted reactionary faith in "the law" is very white.

Oddly absent from your "proven bad person" takeaway is J. Jonah Jameson. The Bugle lends Bullit a platform to make Gwen's personal tragedy a political talking point. JJJ has the ~Black best friend~ excuse and everything, and he still blows past red flags like crazy.

ASM #91 pg 7: "Maybe they were better days than now! At least we had law and order then." "Yeah--and lynch mobs, and bread lines, and Uncle Toms..." "Come off it, Robbie! What's wrong with a man standing for law and order, anyway?" "Maybe it just depends on whose law--and what kind of order you're talkin' about, man!"

(Another point of this arc: marginalized groups learn to recognize dogwhistles pretty quickly for survival reasons. If they tell you something is a dogwhistle and you don't see it yet, look closer.)

ASM #92 pg 9: "Parker's story just served to open Jameson's eyes--but I've kept a dossier on you. I haven't been city editor all these years for nothing! I know where your support comes from. I know about the lunatic hate groups who are backing you. I know what you really mean by law and order!"

Late in the campaign, the Bugle switches sides. This scene tends to be described as JJJ giving the racists what-for, but the moment is truly Robbie's. (Note that it took Peter getting roughed up for Jameson to take this seriously!) JJJ can yell at Bullit all he likes without consequences, but Robbie is kidnapped and threatened by white supremacists in retaliation. It's Robbie's determination to speak up that eventually puts Bullit out of the running for good.

The Bullit arc isn't there to sort characters by Bad Person and Good Person. Neither Gwen nor JJJ have to personally hate black people for their self-centered sense of safety to be weaponized by a racist agenda. This is a Stan Lee PSA about masked bigotry and how it might appeal to you even if you consider yourself a Good Person.

But for some ~mysterious~ reason, Gwen's brief agreement and Jameson's brief rejection are the only parts of these two issues I ever see brought up, with Robbie's major role not mentioned at all. Some ideas fit more neatly than others into smug ship-war quote tweets and anon asks, it seems.

#olivertxt #comics #reductionist takes from people who clearly do not care about this arc have been getting under my skin for ages #gwen stacy #robbie robertson #jjj #/ racism

212 notes · View notes

thestalwartheart · 3 days

Text

007 Fest 2024: Intro Post

Dossiers, mission reports, political briefings, staff reports, intelligence analysis...if it can be printed on paper, I'm in charge of it. Do you know how many filing cabinets MI6 has? The answer isn't worth thinking about. No, really. Please don't think about it. It's classified.

Hello. I'm The Archivist. I don't have a name, and if I do, people don't remember it. I'm responsible for the arduous task of deciding which files the Service digitises, which ones get redacted, which ones are published as history and which ones get shredded to live a new life as a recycled paper cup or - god forbid! - a roll of toilet paper. Some of the agents write so terribly you'd think they purposefully intend their mission reports for the latter.

I'm running on fumes, and when I say fumes, I mean caffeine and a harmless but life-giving daily game of flirtation with the postman. His name is actually Pat, if you can believe it. I've no dignity left at all, but then I never had any in the first place.

Lovely to meet you!

---

Hello! I'm Mac (she/her). I'm delighted to be a part of Station Pacific during this years Fest. I'm primarily a fic writer, but sometimes I branch out to moodboards and gifsets. I'm excited to see what sparks my creativity during this year's Fest (I see a prompt table in my future!) and to enjoy other people's works and company.

@mi6-cafe

#007 fest 2024 #007 fest #station pacific #intro post

38 notes · View notes

stormdragon23 · 4 months

Text

The Other S-Ranks who were in the Fiend Guild

So there are a total of ten Korean S-Ranks, but Cha Hae-In and Sung Jin-Woo weren't S-Ranks yet. Lim Tae-Gyu was the guild master, with Baek Yoon-Ho being one of the three S-Ranks, so the two other S-Ranks had to have come from the six remaining hunters

Go Gun-Hee helped established the ranking system and Association, which was after realizing he was too old to fight, so he wouldn't have helped create a guild

Choi Jong-In awakened six years after the gates appeared according to his dossier, which is three years after the guild was founded, so he couldn't have been one of the S-Ranks in the Fiend Guild

Hwang Dong-Soo is said to be the eighth S-Rank (so after Jong-In) and awakened long after his brother did, so he couldn't have been there in the beginning either

Not much is known about Ma Dong-Wook, but if he did the same thing as Baek Yoon-Ho, something would have been said about that as well

So that means that Eun-Seok and Min Byung-Gyu must have been the remaining two S-Ranks, which would explain why Tae-Gyu's the only S-Rank in Fiend now, despite them not saying what happened to the other S-Ranks because Yoon-Ho left, Eun-Seok's gone, and Byung-Gyu retired

And all four of them actually seem pretty close, but I'll get to that later in Lim Tae-Gyu's analysis

Just wanted to clear things up for myself. Picture is from Baek Yoon-Ho's dossier

#solo leveling #don’t mind me just making sure my headcanons work out #was going to put this in lim taegyu's analysis but it's not really specifically about him so here you go

25 notes · View notes

maggiec70 · 2 months

Text

Maréchaux d'Empire: La gloire pour destin

Quelle horreur!

On the other hand, this book will keep me alternating between guffaws and serious eye-rolls for days.

The "replacement" for David Chandler's anthology, Napoleon's Marshals, published in 1987 with each of the 26 mini-bios written by for-real scholars [and not just Americans, either] is this November 2023 anthology edited by Francois Houdecek, who holds forth at the Sorbonne, claims to be a "disciple" of Jean Tulard [I believe M. Tulard has thousands of those!], and is involved in all sorts of activities and scribblings involving Naps. He is also responsible for gathering and organizing vast quantities of Napoleon's correspondence, so kudos for that.

However--and oh, my! what a huge "however" this is!--the 26 contributors range from the marginally average Pierre Branda to the apparent dregs of French scholarship whose names have never resonated outside the borders of Gallica. Each of these articles is depressingly cardboard, flimsy with details, utterly bereft of any attempt at analysis or understanding of the individual's character, talents--or lack thereof--and other useful and expected details, even in an anthology. These contributors apparently competed to see who could write the most drivel using the fewest sources. Naturally, I went straight to the entry about Lannes, and by the time I reached the end, I had permanently dislocated my eyebrows. The "author" of this travesty is Jacques-Olivier Boudon, whose credentials, on paper, are impressive but whose knowledge of Jean-Boy is worse than passing; it is non-existent. The reason for that is based on M. Boudon's sources:

He cites Lannes’ “official dossier” in the SHD, which I copied before I left, so I know every page and every sentence in it, and I know you won’t find squat that is useful unless, of course, you care how much putting on Mozart’s Requiem cost, and who sang the tenor solo.

High on the hit parade list is Regis de Crepy’s smarmy bio of the Lovely Louise, another book I can quote endlessly. Boudon used one letter from that.

Boudon also took bits and pieces from the three more recent French biographies by Dammame, Zins, and Willette—although the latest was published in 1994—and explained what I thought about them in a previous blog.

The absolutely most hysterical “source” is the 2002 historical fiction by a lovely 93-year-old woman, Penelope Le Fers-Dupac, who lives in Lectoure and who I know [I also know the biographer Jean-Claude Dammame, but that’s another story]. This novel is called “Le Mousquetaire de Napoleon: L’autre vie du marechal Lannes.” Make of this what you will, but it is the wonderfully entertaining, hilarious, and fictional tale of Jean-Boy’s first marriage.

I am appalled that this person didn’t do justice to Jean-Boy in an anthology where he would have shone at the top in capable hands. I know who's the real expert here, and I certainly don’t mind if someone also chooses to write about My Guy. But he or she had damn well better get it right, and this French morceau de merde massacred his subject.

BTW, joachimnapoleon, have you encountered Vincent Haegele? He did Murat no favors here, either. Thanks for reading the rant. I feel better.

#jean lannes #don't bother #napoleon's marshals #truly terrible french writng #non-history #who are these idiots?

15 notes · View notes

greyias · 1 year

Text

SWTOR Short Stories (and In-Universe Documents)

I know someone else has already done this work elsewhere, but for the life of me I couldn't find it. So, I've put together a comprehensive list of all of the devblog short stories and in-universe epistolary-type documents (documents, journals, dossiers, missives, personnel files, communications, etc). Short stories are bolded and marked, in case you're only looking for those.

2.0 - 7.2

SIS Intel Report: Key locations overview of the planet Makeb

Imperial Intelligence Report: Persons of Interest on Makeb

Facilities: Take a Virtual Tour

A Letter from Special Executive Rasmus Blys

WORK WITH PRIDE. WORK WITH CZERKA.

CZ-198 and the State of Czerka Corporation

CZ-198 – Meet the Staff

HoloNet News Exclusive Interview: Baron Deathmark

HoloNet News Exclusive Interview: Baron Deathmark, Part 2

A Record of the Dread Masters

The Search for Oricon

HoloNet News Exclusive Interview: Baron Deathmark

IMPERIAL EDICT GR-1NC4

Additional Personnel Files

Four More Picks for You

RE: Kuat Drive Yards

EMERGENCY ALERT: Rakghoul Plague Outbreak on Alderaan – AVOID ALDERAAN!

State of the Galaxy

Since KOTOR: Manaan

Lana Beniko’s Journal: Darth Arkous

"Surface Details" (short story)

"WANTED: DEAD AND DISMANTLED" (short story)

"Remnants" (short story)

The Revanites’ Ascendance

"Bedtime on Concordia" (short story)

Rishi: Places of Interest

Raider’s Cove: Persons of Interest

"The Price of Power" (short story)

"One Night in the Dealer’s Den" (short story)

"The Final Trial" (short story)

Go Big, Go Small, Go Nowhere

"Regrets" (short story)

"The Sixth Line: Part One" (short story)

"The Sixth Line: Part Two" (short story)

"Vacation" (short story)

"Brothers" (short story)

"A Mother's Hope" (short story)

"Trading Scars" – A Short Story on Umbara (short story)

"Copero Short Story Blog" (short story)

Jedi Under Siege: State of the Galaxy

Dantooine Tactical Report

"Quite A Story To Tell" (short story)

"Seeing Red" (short story)

Intelligence Report: Historical Analysis of Manaan

Mission Abstract: Investigate link between Darth Malgus and the planet Elom

"All That’s Left" (short story)

"Bottled Fury" (short story)

"Snare" (short story)

#swtor reference #developer blogs #devblogs #i will probably make some cleaner document later #once i've actually read all of these (because there's quite a few i missed originally)#(after i finish combining the nearly 50 epub documents together so i can just have it on my kindle for easy reading)#i feel like i want to have easy reference later of which document relates to which story nugget in game (and what characters are involved)#just because i like that kind of thing #but later #i did this instead of making lunch oops

129 notes · View notes

republicsecurity · 2 months

Text

Starter Kit

As the hum of the truck's engine reverberates through the metal frame, the seasoned tactical paramedic turns to the recruit, a glint of experience in his eyes. The visor, that ever-present companion, becomes the topic of their conversation in the confined space of the vehicle hurtling through the controlled expanse of the dystopian city.

"You see, kid," the seasoned paramedic begins, his voice carrying the weight of years spent navigating the intricacies of the paramedic force. "The visor is more than just a tool. It's a leash, a leash that keeps you tethered to the directives of the Corps. But don't mistake it for mere restraint; it's your shield against the unwanted distractions of the world."

He gestures toward the window, where the cityscape unfolds.

"Look outside, and you'll see the chaos—the billboards screaming for attention, the faces of the populace, each one a potential source of distraction. Now, activate your visor."

The recruit complies, and as the visor descends, the world outside undergoes a transformation. The billboards, once glaring symbols of consumerism, dim into obscurity. Passersby are marked with health information, subtle markers of their well-being. A guide to their destination materializes in front of them, an augmented reality overlaying the tangible world.

"There you go," the seasoned paramedic continues, his tone filled with a blend of pride and caution. "The visor doesn't just keep out the noise; it shapes your perception of reality. It filters out the unnecessary, leaving only what's crucial for your mission."

In this controlled reality, the visor doesn't just obscure; it reveals. It transforms the mundane into the essential, sculpting a world where the paramedic's expertise is heightened, and distractions are filtered out like irrelevant static.

Activating the visor's analysis mode, the recruit directs their attention toward the paramedic. Digital overlays materialize, offering insights that transcend the exterior facade. Vital signs pulse subtly above the paramedic's head, a rhythmic dance of biometric data. Medical history unfolds in a cascade of digital glyphs, outlining past injuries, vaccinations, and augmentations.

The seasoned paramedic's dossier takes form, revealing a tapestry of experiences etched into the fabric of their existence. Training records, mission logs, and commendations flicker before the recruit's eyes, a testament to a journey marked by discipline and dedication.

In response to the recruit's exploration, the seasoned paramedic, without uttering a word, activates their own visor's analysis mode. Digital overlays unfold, mirroring the recruit's vital signs, training records, and mission logs. The visor becomes a conduit for the seasoned paramedic to glean insights into the recruit's journey within the paramedic force.

Yet, as the seasoned paramedic delves into the recruit's data, a seasoned wisdom guides their perception.

"Kid," the seasoned paramedic begins, their voice carrying the weight of experience, "what you just did, it goes both ways. In this Corps, we have access to each other's data—part of maintaining a cohesive and efficient force. It's a tool for understanding, for collaboration, and for ensuring everyone's on the same page."

Leaning in, the seasoned paramedic's tone takes on a more serious note. "The Corps controls this flow of information. It's a two-way street, and the AI, the same entity that shapes our training, also oversees this network. It's a balance, you see. We access each other, but we're also under the watchful eye of the system."

The seasoned paramedic gazes out at the cityscape beyond the truck's window, the controlled expanse that echoes the structure of their own existence. "The AI, it shapes us, guides us. It ensures conformity, adherence to the Corps' principles."

The seasoned paramedic's words echo in the augmented reality space—the interconnectedness, the balance of power, and the role of the AI as both guardian and manipulator within the paramedic corps.

"Getting inked with an alphanumeric serial on the chest," the seasoned paramedic's voice echoes, carrying a tinge of wry amusement, "is a conscript's equivalent of a birthday party. Except the cake is a chastity cage, and the presents come in the form of VR-based neuro conditioning."

The recruits, each adorned with their own unique alphanumeric markers on their chests, listen to the seasoned paramedic's commentary, their expressions hidden behind the opaque visors of their helmets. The dark humor permeates the atmosphere, a coping mechanism in a world where the unconventional has become the norm.

The reference to a birthday party, typically a celebration of life and individuality, takes a dystopian twist as it intertwines with the conscripts' initiation into the paramedic corps. The symbolism of the chastity cage, a stark reminder of control and conformity, adds a layer of irony to the metaphorical "cake" of conscript life.

"And here you are, conscripts," the seasoned paramedic continues, their tone a blend of camaraderie and somber reality. "Marked, conditioned, and ready to serve. The alphanumeric ink on your chest, a badge of initiation into a world where the boundaries between celebration and indoctrination blur."

The seasoned paramedic's voice carries through the encrypted audio link, unveiling the origins of the alphanumeric serial that now adorns the chests of conscripts.

"You know how the alphanumeric serial came about?" the seasoned paramedic begins, the tone reflective. "It used to be that paramedics used their names. Simple, right? But then the Trade Union and the Conscripts Rights Organization had their say. 'Security purposes,' they argued. 'We need designators, not names.'"

The narrative unfolds, revealing the bureaucratic dance that led to the transformation of personal identity into a string of letters and numbers. The recruits, perhaps contemplating their own alphanumeric markings, absorb the historical shift from individual names to standardized designators.

"The Corps," the seasoned paramedic continues, a hint of irony in their voice, "turned 'allowed' into 'have to.' Security, they said. Uniformity, control. Your name, your individuality, stripped away for the sake of the collective. Now, each of you bears a code—a designation, not a name."

The demand for security, the erosion of personal identity, and the relentless pursuit of uniformity become threads woven into the fabric of conscript life.

9 notes · View notes