#anarchy raccoons

[happyfoxx-art]

become ungovernable :)

[sockraccoon]

Self portrait

[probablyferal]

Eat bread do crime

[starfalltanuki]

Thinking about how important it is that, when a particular song or melody is central to and important to the story of your game/show/what-have-you, how important it is for that song to be Actually Really Good to have the best effect possible and how easily Splatoon pulls that off consistently.

Like a massive chunk of Splatoon's plot (in all 3 games and and like The Entirety of Octo Expansion) hinges on the fact that Calamari Inkantation is such a absolutely transcendental banger of a song that it can break someone out of brainwashing in both the literal and indoctrination sense and give people strength from its sheer bangerosity and also maybe possibly magic but mainly the former.

And then the actual song REALLY IS THAT GOOD AND IS, IN FACT, A BANGER. 10/10 Assignment Understood Completely.

[chimera-the-golden]

Lesbian Monster raccoon @baerryjj

[johnmarstonskittenwiggle]

Judd Birch— my style 🖤

Any Big Mouth fans out there?

[g4zdtechtv]

THE PILE PRESENTS: X-Play - I Think Blair Is Funny | 4/4/12

The secret to a Jedi's success.

(4GTV - 24/7. LIVE. NOW.)

[isai-64v16]

"The embodiment of anarchism"

I saw a raccoon eating French fries and it reminded me of a video I saw about them

[oni4219]

Vinyl decal and t-shirt of completely legitimate, not at all illegal, raccoon activities.

[humanityinahandbag]

took an edible, got high (still high), and decided to try and find roller coaster tycoon on steam and ended up in the reviews section and yippee ki-gay i hit the fucking jackpot

Like this very honest (and earnestly sweet at first) self critique:

Or what about this wonderful pro/con list of more expensive game options:

This person right here is a master of sound and acoustics, an appreciator of auditory Borgia.

There were some reviews from tech people as well who gave super helpful advice. I just thought that this dude had the best description I've ever heard for annoying little bugs on the computer. I want this person to write newspaper headlines.

And this one?

Shakespeare.

And here's even more brutal honesty from people who understand just how feral we were as kids and probably continue to be as adults. Every one of us was apparently living childhood with the gumption and drive of a pack of raccoons stuck in a dumpster. Our only goals were anarchy and OSHA violations.

And when they quote the game, it reads like an ominous short sci-fi apocalyptic horror story.

But my favorite probably would be this incredible set of reviews that Steam dropped right beside one another that absolutely describe the game in what I can only describe as a visual masterpiece.

10/10 ⭐️ Guest 203 Has Drowned :D

want to blaze this post because you get it

[benk625-blog]

The New Gods

“I vote against Contact.” Nordrix said with a heavy sigh.

“This is unprecedented.” Andrynn sputtered. “In all my years of surveying unaligned civilizations. I’ve never heard a concern from Cultural Studies. Economics and Warfare tend to quash admittance to the Interstellar Union.”

“I am aware.” Nordrix replied. “I did not come to this conclusion easily or lightly. My full and thorough report will be available soon.”

“Can you summarize for the committee?” Asked Gr’chykk of Warfare. “These deathworlders would formidable foes to the IU. If First Contact is handled properly, they could instead become our allies.”

“First Contact is inevitable.” Hypool of Science added. “They are on the verge of developing FTL transport and communication.”

“In my full report I strongly argue for Interdiction.” Nordrix answered. He wished they would just read the report. Confrontation made him uncomfortable.

“Unacceptable!” Screeched Smathley of Economics “I have never seen such a potential for mutually beneficial trade. I demand a preliminary summary this instant.”

It was unavoidable now. Nordrix was prepared for this demand. He stood up and prepared his files and notes to be displayed to the Contact committee. It would have to be a convincing argument and be made succinctly.

“My area of expertise is comparative religion. Specifically, I analyze cultures through the lens of what abstract concepts they deify. Certain motifs are repeated in each and every member culture in the IU. Gods of warfare, natural cycles and bountiful harvest are universal. This is apparent to most people without the academic knowledge I hold. May I assume that as given?” His colleagues agreed.

“Humans have an archetype previously unknown in the IU. They call this god-type ‘The Trickster.’ It occurs through out the cultures of this planet. The Trickster is hall marked by cleverness, deception and transgression of the taboo. So far, I have not discovered a major religion that centralizes this figure. Despite that, I have found that Trickster behavior is endemic to human society.

“If humans were to enter the Interstellar Union, they would unleash chaos and anarchy on our society. The number of words and phrases they have dedicated to untruths are staggering. It is routinely accepted that contracts will be voided, treaties broken and objective facts can be ignored.

“Culturally normative behavior is a paradox to them. It is expected that during their maturity that youths will violate customs, taboos and laws. As human adults attain maturity, they will begin to enforce the social values they ignored only a few years previous. When they become elders, they will mourn a false past that exists only in their imagination.

“Worst of all, they constantly improve on these techniques. If a human practices deception with innovation and novelty, they will usually do not face consequences. Legal systems seem designed to malfunction in this exact way. Social approval is similarly fickle. There is absolutely no standard for when a behavior is praised, normalized, politely ignored, forbidden or condemned.

“Here are some specific exam-“ Nordrix stopped talking as the audio-visual broadcast system seemed to go haywire. A rapid series of painted images flickered, creating the illusion of movement. He knew these were called cartoons. Loud, instrumental, march music assailed the sound wave receptors of the committee. A man in a green out fit wearing a horned crown laughed. A robed woman threw a golden apple. A monkey rampaged across a banquet table eating everything in sight. Spiders, crows, raccoons and coyotes in a parade.

The last image was a grey rabbit, standing on its hind legs holding carrot in a gloved hand.

“Nyaaaaaaa, What’s up doc?”

Humans had made First Contact.

[unpretty]

hello, i may have an interest in drawing ghost devlin. (this is probably not going to happen anytime soon, but the desire is there.) i think i've got a handle on his vibes, but i'm not as solid on coatimundi, and any references for either that you would like to share would be most welcome. (i enjoyed the first part so much, i'm a sucker for identity porn bullshit but especially when it's you.)

i was going to do a whole thing with gifs and whatnot but i got six gifs in and thought about having to write alt text and gave up

anyway for ghost devlin just stick errol flynn, douglas fairbanks, elliot gould, and jason isaacs as captain hook in a blender and then leave his naturally pasty ass in the sun too long and give him fucked up filed down sharp teeth.

in the andi bravo blender you stick rita hayworth and ana tijoux, but then she does a magical girl transformation into the catgirl version of that fanart that gives stocking anarchy thick thighs. iykyk. and also instead of a cat... coatimundi

(she gets dark marks on her face similar to a mask and technically speaking she's closer to a raccoon but try saying that to her fangy face, which definitely does not lowkey have some tusks going on)

[anarchywoofwoof]

ID:

An old-style poster inspired by Victorian advertising posters.

The scene shows a group of animals supporting a wooden shield to protect themselves from a rain of arrows symbolizing various oppressions. It takes place in a simple setting: a path that cuts through two beds of grass in which thistles are also growing. The view is from one of the beds and the shield is almost facing us. Finally, the scene is lit by a natural light coming from the left of the image and leaving shadows directed to the right.

In the foreground, arrows come from outside the image, from the left. Some are already frozen on the shield, others are still air. One is on the ground. The tips are made of grey metal, the shafts are also grey. The finial is long and white, inscriptions are written on it (in black, in a hand-drawn sans serif font) :

"sanism / sexism / queerphobia / racism / capitalism / ableism / imperialism"

The shield takes up almost half of the image. Shaped like a shield, it is made of light orange wood (from which one can guess the grooves and the boards) with a silver metal ring attached by a few nails. Its point is planted in the ground, at the level of the path, and it is maintained at the back by two pieces of dark brown wood with square section.

On the wooden part a text is painted in sans serif writing and drawn by hand, one can read: "mutual" (in light red with a black border) "aid" (in black) The whole reads "Mutual Aid". An anarcho-communist star (red and black 5-pointed star) is under the text. 2 small ornamental waves are on each side of the word "Aid".

Four animals can be seen stuck to the shield or extremely close:

• ⁠a puffin on the left side of the shield (you can only see a wing folded over the iron band and its head with its orange, yellow and black beak, pointing to the left of the image)

• ⁠a raccoon at the top of the shield (only its paws are seen resting on the iron ring and its black and white face is looking towards the viewer with an almost blasé look)

• ⁠a coypu on the right side of the shield, very slightly behind (its hair is light brown with white streaks, it looks in the direction of the spectator)

• ⁠a green and yellow frog towards the bottom of the shield, which seems to be running.

These animals form a kind of defense line (they support the shield which blocks the path) which is completed by large gray and rectangular blocks of stone, placed in the grassy areas.

Behind these animals, in the prolongation of the image (right side of the image) we can see a whole crowd of other animals whose features become confused the further we go from the shield. In the middle of the horns, ears, wings and other limbs, one can see banners, signs, torches or pitchforks brandished by the crowd. Among the animals that can be distinguished are:

• ⁠a deer hidden by the shield (whose antlers, one ear, chest and front legs can be guessed)

• ⁠a cow

• ⁠a grayish-yellow dog with a spot on its eye and holding a lever-action rifle on its shoulder

• ⁠a cat (of which only the upper left half of the body is visible, the rest being hidden by a bush and the frame of the image)

• ⁠a rabbit with a rifle

• a heron

The scene is completed by 2 large flags whose poles start behind the shield (at the level of the crowd) and whose fabrics float above the shield (on each side of the raccoon's head). The flag on the left is red, despite its folds we can read a text written in sans serif font drawn by hand: "commu...me" which corresponds to the word "Communisme" (Communism in French). The flag on the right is black, we can read the text "ANARCHIE" ("Anarchy" in French) written in black with a white outline.

Finally, the image ends with a block of text decorated with curves and fine linear patterns, located at the very top of the image. We can read the sentence "Solidarity is a Fight". The words "Solidarity" and "Fight" are written in a very large display font with pointed or fully curved serifs. The letters are two-colored red and black (horizontal cutting) and present a shading effect (offset on the right) represented by lines with hatchings. "Solidarity" is written in a wave shape while "Fight" is slightly tilted upwards.

The part of the sentence "is a" is written in a smaller font, in red with an internal shadow effect represented by black hatching and a darker area to the right of each letter.

[ credit: Loki Gwynbleidd - art and ID ]

[camelspit]

genetic experiment + raccoon tails = moonlark

@skylilac @callas-pancake-tree @arson-anarchy-death @neverseen-nevermore @steal-nightmares-leave-dreams @abubble125 @purplesoup-lad-le @gay-otlc @the-one-and-only-aroace @thefoxysnake @shake-the-demons-away @ravs6709 @kamikothe1and0lny @you-have-been-frizzled @presidentroarie @cowboypossume @even-if-in-another-time @that-glasses-dog @katniss-elizabeth-chase @nyxpixels @slozhnos @sofia-not-sophie

[polyamorouspunk]

any tattoo ideas?

Knife

Band logo

Slashers

Burning church

Baphomet

Ouija board/planchette

Death-Head’s Moth

Shark

Spooky cat/dog

Anarchy logo

Skull/skeleton/bone

Bird

Tree

Plant

Mushroom

Frog

Raccoon

Possum

Jar

Skateboard

[leaderintitleonly]

which tragic death would you suffer

the betrayal

you die at the hands of the person you love most. maybe there are tears in their eyes as they drive the sword into your chest, maybe there is none. there are certainly tears in yours. your mouth will open to ask 'why' only to spit blood instead. you will die never knowing if they loved you at all, wondering if you could've done something to prevent this, or if it was always going to end this way.

stolen from like the oppossum I am: @sleepytime-muses (hi we've never talked but hi I'm stealing this and boom you're tagged so boom now all China Tumblr knows you're here.)

tagging: you know the drill. anarchy baby. take it and tag me to let me know you stole it. be free, my raccoon army!