Amenhotep II
New Kingdom, 18th Dynasty, reign of Amenhotep II
Ny Carlsberg Glyptotek, Copenhagen, Denmark
Who was the Pharaoh of the Exodus? There are various theories. However, by examining the evidence found in ancient recorded history, it is surprisingly clear to establish just who the Exodus Pharaoh was. In "The Exodus Pharaoh EXPLAINED," Archeologist and Professor Joel Kramer shows us that Amenhotep II was indeed the Pharaoh of the Exodus.
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Wolfstar Micro Fic - @wolfstarmicrofic prompt: Ancient Greece - 363 words
“Are you just going to sit here reading?”
Remus glances up, face scrunching against the sun in a way that’s so endearing Sirius wants to smoosh his face in his hands.
“Yes?” Remus blinks like it’s obvious and - to be fair - it's a silly question because of course Remus would be content to spend his holiday with his nose in a book.
Sirius flops down next to him, sprawling out on the soft sand. The sea is calling Sirius’ name, crystal-clear waves lapping invitingly at the shore. And as much as he wants to jump into the warm Ionian waters, he is also not about to pass up an opportunity to appreciate Remus in this element - long limbs stretching out, sun-kissed skin contrasting beautifully against the white sands and the blue of the sky and sea.
“What are you reading?”
“The Iliad,” Remus says simply, attention flickering back to the book.
Sirius sits up, shuffles closer to peer over Remus’ shoulder. “Didn’t you read that in Uni?”
“Yes but this is a new translation,” Remus explains with an air of excitement. “And it’s fitting, we’re going to the Palace of Nestor tomorrow.”
Sirius nips at Remus’ bare shoulder, just as quickly presses a light kiss in the same spot. “You’re such a nerd.”
“It’s the best preserved Mycenaean Greek palace, of course I’m going to brush up a bit.”
“Nerd,” Sirius mutters again, not hiding the playful tone in his voice because as much as he teases, there is nothing Sirius loves more than listening to Remus’ passionate rambling about history (even if he can’t always follow them.)
Like he reads Sirius as well as the book in front of him, Remus says “Once I finish this chapter I’ll come swimming with you.”
Sirius hums with content, wraps his arms loosely around Remus’ waist and murmurs into his skin, “Thank you for letting me drag you to the beach when you’d rather be poking old ruins.”
Remus rests his head against Sirius’. He can hear his soft smile in his voice, “And thank you in advance for letting me drag you to all my old ruins when you’d rather be at the beach.”
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Exploring the Legacy and Influence of Cheikh Anta Diop: A Pivotal Figure in Academia
Cheikh Anta Diop was a multifaceted Senegalese scholar whose far-reaching work spanned the realms of history, anthropology, physics, and politics. He emerged as a prominent figure in the study of the origins of human civilization and pre-colonial African culture, asking pivotal questions about cultural bias in scientific research. His profound insights significantly contributed to the…
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Can we just appreciate that, despite living in the dark ages, Homer dropped two *HUGE* epics that explored extremely complex relationships, the tragedies of war and human mortality, and Grecian gods that weren’t at all perfect?? This man literally took ancient Grecian history, theology, politics, and science and gave us this godsend.
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Ancient Greek and Roman music Masterpost
As our national epic, the Odyssey, did I'll start from the middle. Please listen to the sound of medieval Greek music and then come back. It's an exercise, I command you!
Middle Ages Greek music is speculated to be "slowed down ancient Greek music"! 😁 So, take notes on that!
Christodoulos Halaris - Anthology of Byzantine Secular Music
(Christodoulos Halaris was a prominent Greek composer, researcher, and musicologist. He focused on secular Byzantine and traditional music, incorporating his extensive research into a solid and singular musical language.)
After your warm-up (and perhaps some confusion) let's get into what you came here to see.
What Ancient Greek and Roman Music Sounded Like - A Beginner's Introduction
Α fantastic introduction by a composer, musician, and researcher who calls himself:
OKAY, OKAY, HE IS FARYA FARAJI, YOU GOT ME.
So, this is going to be another excellent video where he spits facts. He gives a great impression of how ancient Greek and Roman music sounded like.
And no, they didn't sound like the watered-down (north)-eurocentric "ancient Greek music" on youtube videos you find. (who's surprised at this point, after all this Northwestern appropriation) Unless they are made by Farya Faraji because… the man knows his shit (and our shit 😂)
By the way, I called it "watered down", not because I believe western music is lame, but because the performers apply western rules to ancient Greek music, stripping it of all the Heterophonic complexity.
In the video above, you'll learn how the lyre should actually be played!!! And what instruments have been in continuous use in Greece for more than 2.000 years! And see all the ways our ancient and traditional music is more complex than Western music - such as Western music can be more complex than ours in other ways! (as also stated in the video)
And before you ask: Why does ancient Greek and Byzantine/traditional Greek music sound Oriental? Well, that's just your ear and biases and Hollywood stereotypes, my dear friend. See, these sounds are not (just) Oriental! They are originally Greek, too!
Many tunes and the way of singing the West associates today with the Middle East came from the Greek world (where these tunes are still in use, mind you) or other Mediterranean countries. That's not to say that Middle Eastern nations didn't have these scales and twirls for a long time - because they did. That's their ancient music, too.
Please see the video below to make more sense of my ramblings:
The Greco-Roman Influence on Middle-Eastern Music
All of Farya's videos have their sources in the description so make sure to check them out!
Now you can better enjoy the Epitaph of Sekeilos you heard in the first Middle Ages video! You can also listen to another great version by Farya, where he uses the above ancient Greek principles he mentioned in his video. That's why his version actually feels fun to listen to, thank god! (Of course Chalaris also orchestrates the Epitaoh in an excellent way)
Personal commentary: I am happy to share Farya's work online because he put into words why reconstructions of ancient Greek music online don't sound Greek at all. Greeks have a hard time relating to it because... that's not our folk music. They sound boring like Chopin playing piano when he was 3 years old. (But by now you know why! 😉)
Of course, ancient and traditional Greek music are not identical and no one expects them to be. But given our history, our music history, and cultural evolution, we know the sounds of our music - as all people can identify the music of their land and area. I am glad my gut feeling was right and the music wasn't actually that simple. With the complexity of our ancient chants and the plethora of instruments we had in antiquity, there was no excuse for our ancient melodies to be that simple.
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