#ancientworld

[tylermileslockett]

“Hades”, digital, (#4 in my Olympians series)

OK, no 4, mr underworld..HADES! super fun piece to do. I didnt want him to feel evil, but the underworld is described as murky and deep, so it wasn’t going to be full of sunshine and rainbows. I love the idea of a silver and gold mine, as he is the god of wealth and precious minerals/metals. (hence the jewels in the bottom foreground) 

Its apt that this piece is done now, as Persephone, his wife, has joined him (forcing Demeter to bring forth winter). Hades holds his bird tipped scepter, and his helmet (or cap) of invisibility (the same one he gave to Perseus as one of his magical items to go and slapy Medusa) .

Sitting Beside the throne is the three headed guard hound; CERBERUS, and in the deep, cavernous background we can the furies, those older, primordial creatures sent forth to punish bloodshed and murder with a family. (and who i cant wait to design and illustrate when i get back to the Oresteia’s second play “Euminides” (i.e. “furies”) 

Next will be DEMETER, and I’m super excited about her piece, because i will bring in the Eleusinian mysteries/cult of Demeter into the portrayal somehow. Stay tuned folks! Thanks for looking! xoxo. 

Want to own my Illustrated Greek myth book jam packed with over 130 illustrations like this? Support my book kickstarter "Lockett Illustrated: Greek Gods and Heroes" coming in early 2024.

[forestduck]

blue forest girl 💙

[michael-svetbird]

LADY Sarcasm ?.. - some skeptical expression: Roman Floor Mosaic w| Tiles Depicting "Seasons" From the Capannelle [area] on Via Appia Nuova [?], Rome 4-5 AD.

Sun 18 June 2023: Palazzo Massimo, Museo Nazionale Romano | MNR PM [2nd Floor] • Web : https://museonazionaleromano.beniculturali.it/en/palazzo-massimo • FB : https://www.facebook.com/MNRomano • IG : @museonazionaleromano • TW : @MNR_museo

MNR PM | @michael-svetbird Michael Svetbird phs©msp | 18|06|23 4960X4100 600 [I., II.] The photographed object is the collection item of MNR PM and subject to copyrights. [non commercial use | sorry for the watermarks]

What season is this, I'm wondering - 'Winter' I suspect ?..

[yourantiquarian]

Bronze Age sarcophagus lid

ITEM Sarcophagus lid MATERIAL Pottery CULTURE Bronze Age, Canaanite PERIOD 1400 - 1200 B.C DIMENSIONS 270 mm x 157 mm x 35 mm CONDITION Good condition PROVENANCE Ex Museum Exhibiton of the Arbeitsgruppe für Biblische Archäologie, Germany (Deaccession) The Canaanite sarcophagus lid is an extraordinary artifact that sheds light on the burial practices and artistic traditions of the ancient Canaanite civilization, which flourished in the Levant region from the Bronze Age to the Iron Age. These lids, typically crafted from stone such as limestone, were designed to cover sarcophagi, or stone coffins, that housed the deceased. The lids often featured intricate carvings and reliefs, reflecting both the artistic abilities of the Canaanites and their beliefs about the afterlife. Many Canaanite sarcophagi, particularly from the Late Bronze Age, show a fusion of Egyptian and local Canaanite influences, indicating the strong cultural exchange between these civilizations. One notable characteristic of Canaanite sarcophagus lids is the stylized human face or mask often carved into the stone. This representation of the deceased, though somewhat abstract, was believed to honor and preserve the identity of the individual in the afterlife. The facial features, typically simple and symmetrical, were not highly personalized but followed conventional designs, which might have reflected the Canaanite belief in the continuity of the soul beyond physical death. Read the full article

[asiamarianelli]

Sun Warrior.

Inspired by Italian iron age artifacts.

You can find all my useful links and contacts HERE.

[planet-gay-comic]

🪓 🛡️ German Barbarians Meet Roman Pleasures 🍇 💖

Watch the 16:9 HD Music Video on Youtube: youtu.be/NO_Me5jcnM0

✨ Last Lights of the Ancient World – Between Ruins and Splendor in 5th Century Rome

🌍 The 5th century was a time of profound transformation. Rome, once the heart of a vast world empire, had largely lost its political power – yet its cultural legacy was still palpable. Emperors came and went – often little more than shadows of former greatness – while in the provinces and even around the capital, people continued to live among the remnants of Roman civilization.

🏛️ This shift was especially visible in the Roman villas. Many had long been abandoned: overgrown gardens, shattered mosaics, dried-out thermal baths. Especially in the outer districts surrounding Rome, decay was hard to miss – as if nature and time had slowly begun to reclaim the Roman world. And yet, there were still exceptions: splendidly preserved estates where wealthy senatorial families maintained their traditions and lifestyle. These villas were rare – but striking. Banquets were still held, conversations echoed through marble-clad halls, and exotic plants from the former provinces still bloomed in carefully tended gardens.

🤝 In this contradictory world, cultures began to meet. Germanic warriors – once feared as “barbarians” – now arrived as mercenaries, settlers, or even as guests. They brought their own customs but were also fascinated by the brilliance of Roman culture. Slowly, a cultural exchange began: Romans adapted to new realities, while Germanic groups adopted Roman ways. Not every encounter was peaceful – but many were marked by curiosity, respect, and a sense of wonder for the unfamiliar.

Text supported by GPT4o Images: SD1.5, SDXL, FLUX1.1 Image to Video: Kling 1.6, Hailuo AI Sound: Suno v4

[historybell]

A Historic Defining Moment

The Treaty of Nanjing, signed on August 29, 1842, was a significant turning point in the relationship between China and Western powers. This treaty, concluding the First Opium War, marked the beginning of a series of "Unequal Treaties" that dramatically altered China's sovereignty and its role in international affairs.

[rami1987]

Asking AI to Show Me the Ancient Etruscans, 900 BC #history #shorts

I asked AI to visualize the Ancient Etruscans from 900 BC. Watch how history comes to life! 🏺✨ Don't forget to like and subscribe for more historical content.

[joelekm]

Ancient Mysteries: 5 Lost Civilizations That Defy Explanation | Untold Mysteries

Discover the secrets of history’s most fascinating lost civilizations! From the highly advanced Indus Valley Civilization to the legendary city of Atlantis, these ancient societies thrived and mysteriously vanished, leaving behind only ruins and unanswered questions. How did the Nasca people create their massive geoglyphs in the Peruvian desert? Why did the Ancestral Puebloans abandon their cliff dwellings? And what hidden knowledge is locked within the colossal stone heads of the Olmec civilization? Join us on this thrilling journey as we uncover the rise, achievements, and mysterious disappearances of five extraordinary lost civilizations.

[tylermileslockett]

I'll be posting some of these illustrations I did for a cool short story project about the power of seeking value outside of material desires. And it has an Asian feels, which was a nice contrast to so much of the Greek design works. 🤘😁🤘

[egyptonlinetours]

The Architectural Achievements of Ancient Egypt: A Testament to Timeless Brilliance

Ancient Egypt stands as a beacon of architectural ingenuity, leaving behind a legacy of monumental achievements that continue to captivate the world. From the grandeur of the Pyramids to the intricate temples, the architectural feats of this ancient civilization are a reflection of its advanced engineering, rich culture, and spiritual devotion.

The Great Pyramids of Giza

No discussion about Egyptian architecture is complete without mentioning the iconic Pyramids of Giza. These colossal structures, built as tombs for pharaohs, showcase unparalleled precision and innovative techniques, making them one of the Seven Wonders of the Ancient World.

Temples of Luxor and Karnak

In Luxor, the grandeur of the Karnak Temple Complex and the Temple of Luxor illustrate the Egyptians’ architectural brilliance. With towering columns, intricate carvings, and alignment with celestial bodies, these temples reflect both artistic beauty and engineering mastery.

Valley of the Kings and Mortuary Temples

The Valley of the Kings is a hidden treasure trove of tombs, while mortuary temples like the one dedicated to Queen Hatshepsut are remarkable for their unique design, seamlessly blending into the surrounding cliffs.

The Sphinx and Colossi of Memnon

The enigmatic Great Sphinx and the Colossi of Memnon are enduring symbols of Ancient Egypt's ability to create awe-inspiring monuments that honor their gods and rulers.

Dive Deeper into Ancient Egypt’s Architectural Wonders

To learn more about the incredible architectural achievements of Ancient Egypt, read the full article here.

Explore Egypt with Our Exclusive Tour Packages

Immerse yourself in the wonders of Ancient Egypt by experiencing its iconic landmarks firsthand. At Egypt Online Tour, we offer a variety of expertly curated packages to help you explore Egypt’s timeless beauty:

8 Days Pyramids & The Nile by Air: A luxurious journey through Egypt’s top historical sites and a scenic Nile cruise.

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5 Days Cairo to Luxor Tour Packages: A quick yet enriching trip through Egypt’s most famous sites.

For more options, explore our full range of Egypt tour packages and our specialized Egypt Classic Tours to find the perfect itinerary for your adventure.

Let us guide you through Egypt’s fascinating history and breathtaking architecture, creating memories that will last a lifetime. 🌟

[michael-svetbird]

ARTEMIS Type Naples: "The Goddess of the hunt is shown advancing rapidly, her quiver slung around her body. With her left hand she lifted an edge of her dress, whilst in her right she held a bow and arrows. Statue in the archaizing style of the early Imperial period, also known from other examples. Augustan Period [early 1st cent. AD]." [txt ©MNR Palazzo Massimo]

White fine-grained greek marble with traces of red paint on the robe, inserted eyeballs were made of different material. Probable provenance - residential building [Caserta, Campania ?], was stolen [1994] from the area of Caserta, recovered [2001] in Switzerland. 1 AD.

Palazzo Massimo, Museo Nazionale Romano | MNR PM [2nd Floor, Sala VIII.] • Web : https://museonazionaleromano.beniculturali.it/en/palazzo-massimo • FB : https://www.facebook.com/MNRomano • IG : @museonazionaleromano • TW : @MNR_museo

MNR PM | Michael Svetbird phs©msp | 06|23 6000X4100 600 [Set of 3] The photographed object is the collection item of MNR PM and subject to copyrights. [non commercial use | sorry for the watermarks]

📸 Part of the "Small Format Sculpture and Miniature Artefacts" MSP Online Photo-gallery:

👉 D-ART: https://www.deviantart.com/svetbird1234/gallery/69450077/small-format-sculpture-and-miniature-artifacts

👉 FB Album: https://www.facebook.com/media/set/?set=a.859777984390780&type=3

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[yourantiquarian]

Roman head of a Satyr

ITEM Head of a Satyr MATERIAL Marble CULTURE Roman PERIOD 1st - 2nd Century A.D DIMENSIONS 152 mm x 110 mm x 103 mm (without stand), 195 mm x 118 mm x 111 (with stand) CONDITION Good condition. Includes stand PROVENANCE Ex American private collection, New York, acquired before 1980s Roman satyrs were mythological creatures derived from Greek mythology but adapted to fit Roman artistic and literary traditions. Originally, satyrs were depicted as wild, half-human, half-goat beings associated with the god Dionysus (Bacchus in Roman culture), revelry, and untamed nature. In Roman art, they were often shown with human upper bodies, goat-like legs, and small horns on their heads, embodying both the pleasures and excesses of Bacchic festivities. These figures appeared frequently in Roman frescoes, mosaics, and sculptures, often engaged in music, dance, or pursuit of nymphs, reflecting their role as symbols of indulgence and hedonism. In literature and drama, satyrs were linked to comedic and theatrical traditions, particularly in satyr plays, which were a mix of tragedy and farcical humor. Though these plays originated in Greece, the Romans incorporated satyrs into their own theatrical performances and poetry, where they served as mischievous, often lustful figures mocking human folly. Roman poets such as Horace and Ovid referenced satyrs in their works, sometimes using them to explore themes of desire, nature, and the contrast between civilization and the wild. Read the full article

[miyasanchez7]

Discover how Christianity shaped the ancient world in 3 Solid Reasons Why Christianity is Part of Roman History by Rev. Michael Lavery. This powerful read unveils Christianity’s role in transforming Rome, from its impact on culture and laws to the lives of emperors. Gain a fresh perspective on faith’s influence over one of history’s greatest empires. Whether you're a history buff or seeking spiritual insight, this book is your guide…

[planet-gay-comic]

The Sensual Soirees of Ancient Roman Merchants

In the heart of ancient Rome, particularly before the establishment of the Empire, social and cultural dynamics unfolded that were distinctly different from those of later epochs. One facet of this era, often mentioned in literary and historical works, is the sensual feasts of the merchants, serving as a reflection of a more open attitude towards sensual and homoromantic relationships within certain social strata. These feasts offered not just a setting for culinary enjoyment but were also centers of cultural, business, and personal exchange.

At lavishly laden tables, adorned with exquisite dishes and exotic fruits, merchants displayed not only their wealth but also their far-reaching trade relationships. Music, poetry, and dance were integral parts of these gatherings, creating an atmosphere of freedom and openness, and thus fostering a culture of tolerance and acceptance.

These feasts were also a breeding ground for free and unbound conversations, often giving rise to deeper, personal relationships. In a world where personal connections and networks were of crucial importance, such events played a significant role both in private and in social life.

A vivid picture of this era is drawn in the literary works of the time, particularly in Petronius' "Satyricon," as well as in the poems of Catullus and Horace. Another example is found in the works of the poet Catullus. In his poems, he openly speaks about his feelings for a young man named Juventius. These poems are characterized by their emotional openness and direct description of his affection and longing.

Horace, a contemporary of Catullus, offers a somewhat different perspective in his poems. His works often reflect philosophical and ethical themes and show how culture and personalities influenced social life. Horace's poems, known for their elegance and subtle observations, convey an image of the social strata and the role that cultural events such as the merchants' feasts played in this context.

The "Satyricon," written by Petronius in the first century AD, is a key work that provides insight into the daily life and society of ancient Rome. This novel, often regarded as one of the first novels in world literature, illustrates the extravagant life of the Roman upper class. Particularly relevant are the descriptions of Trimalchio's feast, which reflect the decadence and excess of the time. The detailed accounts of the banquets and entertainments offer valuable insights into the cultural practices and social interactions typical of the merchants' feasts.

Catullus, a poet of the first century BC, is known for his passionate and often personal poems. His works illuminate the emotional depth and complexity of interpersonal relationships in Rome. Catullus' lyricism, ranging from passionate love to biting satire, illustrates the diversity of emotional expressions present in Roman society and reflects the atmosphere of openness found at the merchants' feasts.

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