#archaeology art

[michael-svetbird]

ANTIQVVS Magazine Passion for Past Civilizations

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[theancientwayoflife]

~ Crab Vessel with Double Spout.

Place of origin: Colombia, Calima Region

Period: Ilama Period

Date: 1500 B.C.-A.D. 100

Medium: Ceramics

[tlatollotl]

textile

Cultures/periods: Chimu (?) Chancay (?)

Production date: 900-1430

Made in: Peru

Provenience unknown, possibly looted

Textile fragment; cotton plain weave ground with paired warps; camelid supplementary weft patterning; feline figure; cream and black.

British Museum

[sixteenseveredhands]

2,300-Year-Old Plush Bird from the Altai Mountains of Siberia (c.400-300 BCE): crafted with a felt body and reindeer-fur stuffing, all of which remains intact

This artifact was sealed within the frozen barrows of Pazyryk, Siberia, for more than two millennia, where a unique microclimate enabled it to be preserved. The permafrost ice lense formation that runs below the barrows provided an insulating layer, preventing the soil from heating during the summer and allowing it to quickly freeze during the winter; these conditions produced a separate microclimate within the stone walls of the barrows themselves, thereby aiding in the preservation of the artifacts inside.

This is just one of the many well-preserved artifacts that have been found at Pazyryk. These artifacts are attributed to the Scythian/Altaic cultures.

Currently housed at the Hermitage Museum.

[fullslack]

Peruvian whistling vessels simulating animal calls (some of the oldest found date to c. 500–300 BCE)

[ancienthistoryart]

The ancient theatre of Epidavros, Peloponnese, Greece. 4th c.BC.

[dyke-delphinia]

3D Reconstruction of Tenochtitlán by Thomas Kole

[holycosmolo9y]

A kooky fly-shaped clay vessel (15th Dynasty)

With its realistic representation of a fly, it includes large eyes, wings, and legs that resemble hands

[ancientcharm]

MEMENTO MORI

Roman glazed ceramic cup, 1st century AD.

Larvae Conviviales, a miniature skeleton made of bronze, with articulated limbs, Roman work 2nd century AD.

Science Museum, London.

[thesilicontribesman]

The Pictish Wolf Stone, Stittenham, Ardross, Inverness Museum and Gallery, Scotland

[caemidraws]

[The Endless March]

Undead patron, Tome of Pacts zine by @/SleepyWyrm_Ed

[sweaterface]

same but different

[theancientwayoflife]

~ Piscina Mirabilis.

Date: Second half of 1st century B.C.

Place of origin: Naples, Piscina Mirabilis

(Napoli, Piscina Mirabilis)

[antiquitiesandlabyrinths]

Ceiling and imagery of the Tomb of the Vineyards, burial of Sennefer, Mayor of the Southern City, Thebes, during the 18th dynasty of Egypt.

Photos taken by me, August 2023

It’s hard to tell which way is up and down when walking through the tunnel leading from the surface into the tomb. Before entering the main chamber there is a small antechamber whose ceiling is quite low, and then a shallow arch which leads to the main room depicted in the above photographs. Both chambers contain a good deal of paintings, however the main chamber holds the most numerous and well preserved paintings, of course. Besides the ceiling, everything is encased in glass.

[sixteenseveredhands]

Emerald Spectacles from India, c. 1620-1660 CE: the lenses of these spectacles were cut from a single 300-carat emerald, and it was believed that they possessed mystical properties

These eyeglasses are also known by the name "Astaneh-e ferdaws," meaning "Gate of Paradise," based on the perception of the color green as a symbol for spiritual salvation/Paradise. This was a common belief in Mughal-era India, where the spectacles were made.

The lenses were crafted from two thin slices of the same emerald. Together, the lenses have a combined weight of about 27 carats, but given the precision, size, and shape of each lens, experts believe that the original emerald likely weighed in excess of 300 carats (more than sixty grams) before it was cleaved down in order to produce the lenses. The emerald was sourced from a mine in Muzo, Colombia, and it was then transported across the Atlantic by Spanish or Portuguese merchants.

Each lens is encircled by a series of rose-cut diamonds, which run along an ornate frame made of gold and silver. The diamond-studded frame was added in the 1890s, when the original prince-nez design was fitted with more modern frames.

The emerald eyeglasses have long been paired with a second set of spectacles, and they were almost certainly commissioned by the same patron. This second pair is known as Halqeh-e nur, or the "Halo of Light."

The Halo of Light features lenses that were made from slices of diamond. The diamond lenses were cleaved from a single stone, just like the emerald lenses, with the diamond itself being sourced from a mine in Southern India. It's estimated that the original, uncut diamond would have weighed about 200-300 carats, which would make it one of the largest uncut diamonds ever found.

These lenses are so clear and so smoothly cut that it sometimes looks like they're not even there

Both sets of spectacles date back to the mid-1600s, and it's generally believed that they were commissioned by a Mughal emperor or prince. The identity of that person is still a bit of a mystery, but it has been widely speculated that the patron was Shah Jahan -- the Mughal ruler who famously commissioned the Taj Mahal after the death of his wife, Mumtaz Mahal. Shah Jahan did rule as the Mughal emperor from about 1628 to 1658.

The emerald and diamond lenses may have been chosen for symbolic/cultural reasons, or they may have been chosen simply because they're pretty and extravagant; their meaning/purpose is unclear. Experts do believe that the eyeglasses were designed to be worn by someone, though.

It was believed that the spectacles had spiritual properties, like the ability to promote healing, ward off evil, impart wisdom, and bring the wearer closer to enlightenment. Those beliefs are often related to Indic and Islamic traditions, some of which ascribe spiritual and/or symbolic traits to emeralds and diamonds. Emeralds can be viewed as an emblem of Paradise, divine salvation, healing, cleansing, and eternal life; diamonds are similarly associated with enlightenment, wisdom, celestial light, and mysticism.

The Gate of Paradise and the Halo of Light were both kept in the collections of a wealthy Indian family until 1980, when they were sold to private collectors, before going on auction once again back in 2021. They were valued at about $2 million to $3.4 million per pair.

Sources & More Info:

Sotheby's: Mughal Spectacles

Architectural Digest of India: At Sotheby's auction, Mughal-era eyeglasses made of diamond and emerald create a stir

Only Natural Diamonds: Auspicious Sight & the Halqeh-e Nur Spectacles

The Royal Society Publishing: Cleaving the Halqeh-Ye Nur Diamonds

Gemological Institution of America: Two Antique Mughal Spectacles with Gemstone Lenses

Manuscript: From Satan's Crown to the Holy Grail: emeralds in myth, magic, and history

CNN: The $3.5 million Spectacles Said to Ward off Evil

BBC: Rare Mughal Era Spectacles to be Auctioned by Sotheby's

[illustratus]

Roman period Head of Apollo