#and I really appreciate that <3

[madameocotillo]

I am VERY late, But Happy Birthday!

Thank you!! It was a particularly good one :)

[kimdokjas]

though the movie might be cancelled, yuri on ice will live forever in our hearts. thank you yoi fandom, it's been real ♡

[artilite]

chúc mừng năm mới !!! happy new year !!!

[idolomantises]

It's kind of a shame that the "anti-filler" mentality has reached a point where a lot of writers (and fans) assume that if a show isnt constantly moving the plot forward and establishing lore, its basically filler and wasting space. Personally I think its good, if not necessary for a show to slow down and just have characters hang out, or deal with smaller conflicts.

It feels like a lot of stories just want to rush to the emotional scenes with barely any build up to really make it feel earned and satisfying. I've seen fans pester creators to rush the story along and reach the next big set piece rather than take the time to really know and appreciate the characters.

Why should I care about the emotional stakes in episode 2 when I barely know a character's likes and dislikes? how they handle conflict, their approach to relationships both platonic and romantic. etc,

[scalierpepper]

Canaan crew appreciation post ^

(All scenes from Reinaeiry's Take Me to Church but it's EPIC video.)

Also, there was a lot of thought put into the details and compositions for this video, and it was like 4 months of my life so I want to talk abt it ! For lack of better place to do so I've dumped everything under the cut again:

Some details/process I personally enjoy:

I used images of pluto as my color scheme for the ninth house:

And last but not least, perhaps one of my favorite details of the whole project...we took inspo from religious and classical imagery for a big handful of the compositions or poses. The art I chose to pair with each scene was very intentional:

[delicourse]

been watching dungeon meshi...🌱

[coffeecatcraze]

The fact that Vaggie knew it was a HORRIBLE idea for her to go to Heaven because there were so many things that could go wrong and so many bad memories there, but her girlfriend needed her and she couldn't say no to her cute face; the fact that the headstrong, optimistic, determined, powerful Princess of Hell knew she couldn't handle taking this huge step alone and the only one person she could imagine being by her side in that critical moment was Vaggie.

The fact that even when she felt so hurt, heartbroken, and betrayed and tried for a second to deny it, Charlie never stopped loving Vaggie, still referred to her as her girlfriend, and had full faith that she was completely succeeding in her task (getting detailed sensitive information from a weapons-dealing Overlord) while Charlie herself was struggling and failing with her own.

The fact that even with Charlie so upset that she intentionally threw a painful commentbat her (a comment with a subtle double meaning, though Charlie herself was definitely NOT thinking clearly enough to realize that implication and only meant to make a jab at the secret-keeping), Vaggie still wanted so desperately to protect Charlie out of love that she regrew angelic wings despite having been in Hell for years.

The fact that one gesture from Charlie told Vaggie everything she wanted to say to her, and that mutual understanding was so complete that she didn't hesitate to run to her knowing she would be accepted because her girlfriend still loved her and forgave her.

The support, love, and intimate understanding these two share even when things are hard and painful is so beautiful. They've been together for years; they've been through so much; and it's wonderful to have that respected and portrayed canonically instead of dipping into that easy, fan-craved trope of dramatically heavy relationship angst. I'm glad they left that angst itch to be scratched by fanworks instead, because these ladies aren't that type.

They are powerful; they are determined; they balance and complete each other; and most importantly, they are so head-over-heels and experienced in their love for each other that it took one day for Charlie to deeply consider everything and fully reconcile with Vaggie, who never doubted her even for a second. Their relationship isn't just established; it's stable, and I love to see that for a wlw couple. <3

[chiscribbs]

Grown Apart AU - Musical Style ✨

What is This Feeling from Wicked pretty perfectly encapsulates GA Donnie and Leo's first impressions of each other, so the musical nerd within me couldn't resist doing this (lol).

Context within the plot: After saving Mikey's life (by total coincidence), Donnie manages to infiltrate the Hamato residence as a spy, planning to capture the oozesquitos and hand them over to Big Mama, thus gaining her favor. Leo, however, sees through his act easily and has been keeping an eye on him since he arrived. Due to circumstances outside of their control - i.e. Splinter's decision - the two of them are forced to share a room with each other, which neither party is particularly thrilled about.

----------------

I just found out that, apparently, Grown Apart has made into the @tmntaucompetition preliminaries!!!! ASDFGHJKJH;!! Thank you to anyone who sent in a nomination! I guess we can officially call this "propaganda" now, so look forward to seeing much more in the very near future!

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[whoism0]

Side Order Typeface: Complete!

HEY. do you remember when Nintendo made a typeface for Splatoon 3's Side Order and never elaborated? It looks a little bit like this:

Well I went over to the lovely @splatoongamefiles and asked for the font file. They gave me the file, all nice and simple, BUT it was completely unfinished... I really liked it, so I finished it myself!!!

This is what it looked like when I started:

and this is what it looks like now!!!!!!!

It took me 6 months because I apparently started working on this in february, but it only took that long because of my laziness! I did, however, know nothing about this kind of thing before except for my vague interest in typography and fonts. I used a free font-making software called FontForge and I had to learn it from scratch and with no help. So I think all in all, it turned out pretty good!!

I also decided to name the typeface since when I downloaded it, it was called something silly and just for the files so I named it Spire after the Spire of Order which I think works very nicely!!

Now I'll talk about what's changed because I did upload beta version 0.2 of this recently!

added uppercases A, D, G, H, I, K, M, V, W, X

added symbols " # $ % & ' ( ) * + - / < = > [ ] ^ _ ` { | } ¡ £ ¿ × ÷

added all the accents you can see above, but not ALL of them because im lazy

fixed lowercase k so now it looks like a normal letter

B - adjusted sizes of the upper and lower sections as well as sharpened corners of the lower section

K - slightly lowered the crossbar

L - curves of the corners are now slightly smoother

z - raised the top right corner by 1 pixel so its no longer 1 pixel wonky...

@ - increased the gap on the left side

deleted all the original file's kerning and did it myself >:)

and lastly! here's the link to download the typeface!!!!!! if you do use it somewhere credit is always appreciated :))))

p.s. if there are any specific characters/glyphs that I haven't added but u really need please dont hesitate to let me know!!!!

[wombrion]

1) your art is phenomenal and marshmallowy it makes my day when you post!

2) I’m unsure if you are still taking request but if you are in a dilly dallying mood I would <3 to see some of the Chainsaw man characters in your style? I feel like your shape language would translate onto their design really well🤎🤎

you fool............i drew em a zillion years ago

[daily-odile]

AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O

ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go

act 3:

act 5:

[lesbianelsas]

[On the industry] "I think I feel so relieved, because I was thinking yesterday… I guess House of the Dragon was the first time I had been sort of out as a non-binary person at work. Until then I had sort of split my personal life and my working life. And I was just thinking how annoying it would be, to be down the line this far [in their career], and if I hadn't done that, actually just how tiring I think it would be. I suppose I didn't necessarily know what the ramifications- what all of the consequences of that choice would be at the time. I feel broadly really grateful, it just seems to be fine (laughs), it's just fine." "I feel hopeful; you see and hear about more and more gender non-conforming, trans, and non-binary people in the industry. You know, I guess I didn't know back in the day, that there was space for that. I don't even mean anything by that, I just maybe assumed on some level that they'd always remain separate parts. But yeah, it feels like such a relief. And it's good, I feel like the industry is changing, slowly. So that feels very hopeful to me."

Emma D'Arcy on the entertainment industry & their feelings on being seen as a queer role model (video)

[falmerbrook]

(Mild flashing/eyestrain warning for the second half! I'll post a slower version below that's less flashy and let's you see the details)

A short Morrowind animation for a MAP (Multi-Animator Project).

It was fun trying different methods of animation (no reference for Nerevar, rotoscoping a 3D model for the ring, and a video reference for the hand) and letting myself use a loose sketchy style!

YouTube Link

Version with the second half slowed down (link because Tumblr is dumb about having more than one video in a post):

[gotchibam]

Raboot ko-fi doodle for @lakefoundtheirexit!

I’m accepting pokemon ko-fi doodle requests here! ✨

[gothoffspring]

Hey y'all! I've really felt like making more cc lately, but I'm determined to upload some more of my completed recolors before I hop into any new projects. Here we have two summer themed recolors, a dress and a jumpsuit! Details, credits and download links below the cut.

DETAILS:

These are recolors of @joliebean's jungle dress and @akalukery's plunge halter jumpsuit. Mesh is included thanks to the original creators generous tou's, but I recommend you check out and download the originals as well.

the dress has 15 swatches and the jumpsuit has 12, various summer themed patterns for both.

Both have custom thumbnails for the first swatch.

You can see an unedited in-game photo of some more swatches right here.

these definitely aren't perfect recolors, but honestly I think they work just fine and I liked how they ended up so I figured I'd share.

P.S sorry that i'm never going to use any other preview style for CAS cc, it's just too easy to use this template and I do not have the energy to do proper previews anymore especially if i'm going to be uploading a bunch of stuff, which i plan to!

CREDIT:

thank you to joliebean and akalukery for their generous tou's and for the original meshes.

Patterns found via freepik, vecteezy, spoonflower, maybe a few from colourlovers/google. All credit goes to the original creators for their lovely patterns!

DL: MF / SFS

@mmfinds @alwaysfreecc