#and I’m at the limit of my understanding

[jobean12-blog]

For the Love of Plants...and You

Pairing: Bucky Barnes x female reader (plant!dad Bucky AU)

Word Count: 1,229

Summary: You and Bucky go shopping for new plants and he has the best idea.

Author's Note: My lovely friend @sagechanoafterdark shared this wonderful little idea with me and I was so happy to have inspiration for more plant!dad Bucky! YAY! Thanks so much Sage! Thank you all so much for reading! Much love always! ❤️❤️❤️Divider by @firefly-graphics thank you sweet Daisy! 🥰

Warnings: it's soft, sweet and fun, spicy and silly, some implied sexy times and Bucky is delish.

*If you want to read more about plant!dad Bucky you can find his other stories on his Masterlist labeled with 'plant!dad Bucky AU'*

“Are you sure you don’t want anything else doll?”

You look up from the current plant in front of you and stare unblinkingly for a moment before bursting into giggles.

Bucky’s arms are full of plants and his handsome face is obscured by various leaves and flowers.

You sift through the flora that hides him and find his blue eyes bright and crinkled at the corners with his wide smile.

“What?” he asks.

“It’s just…you’re so cute.”

His cheeks become tinged with a flush of pink and you lean through the leaves to place a sweet kiss to his lips.

“Thank you for carrying everything. We really need to start getting a cart.”

“Nah doll, then we’ll go home with even more plants. And you don’t have room for more plants. At least this way we are limited to what I can carry.”

“What are you saying Bucky?” you ask with feigned shock.

He’s quiet for a moment and you worry that he thinks you’re serious.

You open your mouth to speak and reassure him you were just teasing but he beats you to it and says, “I’m going to build you new shelves.”

Now it’s your turn to be quiet.

“Doll?” he asks, trying to see you from around the armfuls of plants.

“You want…you want to build me shelves for my plants?”

He finds a free space on the plant stand outside and places a few down so he can actually see you.

“Yeah. Of course. I want you to have all the plants you can fit.”

“I didn’t know you could build things.”

Your voice comes out slightly breathless.

The corner of his mouth lifts into a devious smirk.

“Sounds like you like that I can do that,” he murmurs as he slips his free arm around your waist and tucks you into his side. “I’m pretty good with my hands.”

“Mm,” you hum, laying your flat palm against his chest. “Very good actually.”

He dips his head to capture your lips, lingering with a soft kiss that has your fingers fisting in his shirt.

“Do you have a tool belt?” you ask him when he finally pulls away.

“I do.”

“You should do it shirtless. So, you don’t get too warm.”

“So shirtless with my toolbelt. Anything else?”

You tap your chin playfully.

“Your dark wash jeans. The really fitted ones.”

“Is this some secret fantasy you have?”

You bury your face in his neck and mumble something incoherent.

“What was that?” he chuckles.

“It wasn’t until you said you could build me shelves!” you squeak.

“This is gonna be fun,” he simpers as he releases you to grab the plants again. “Let’s go check out.”

As promised, later that day Bucky shows up at your place in his dark jeans with a tool belt hanging low on his hips.

“Why are you wearing a shirt?” you ask.

He covers his laugh with a cough and grabs your waist, pulling you into his chest.

“I didn’t want to take the train shirtless.”

“Oh. Yeah.” You answer. “Right.”

He laughs. “Right.”

“I know you think this is hilarious, but you don’t understand…”

His expression softens. “What do you mean doll?”

“It means a lot to me that you’d do this, and you support my love of plants.”

“Of course I would. And of course I do. And you know I love plants too.”

“I know, but even if you didn’t I just know you’d do it anyway.”

He brushes his lips lightly across yours, holding your gaze as he whispers, “I would.”

“Can we take this off now?” you ask as your fingers slide down his chest and under the hem of his shirt.

“Sure.”

He kicks the door shut with his booted foot and lifts his arms above his head. You start to peel the shirt from his body, the action deliberate as you watch every inch of his toned stomach come into view.

After staring at the distinct V shape at his hips you focus on the dark trail of hair just under his belly button then practically let out a moan when his abs flex and move as he shimmies.

“This is like porn,” you sigh dreamily.

That makes him laugh and he gets tangled in the sleeves of his tee.

You keep staring, enjoying all the shifting muscles of his torso.

“Little help here doll face.”

“Oh!...sorry Buck!”

You slip the shirt over his head and drop it to the floor, letting your fingertips run along the smooth metal of his left arm.

“There. Perfect.”

He takes you in his arms and spins you around until your back is against the door. Trapping you in place he settles both hands on either side of your head.

“You’re distracting,” he murmurs. “Not sure I can get to work just yet.”

“Me?” you ask incredulously. “Look at you.”

Your finger slips into the waistband of his jeans, and you give him a sharp tug, drawing him closer.

His hips press into your stomach, and you feel the hard length of him. You catch your bottom lip between your teeth and toy with the button of his jeans before running your fingers along the leather of his tool belt.

The muscles in his stomach tense every time your skin touches his and you watch his dark eyelashes flutter against his cheeks with his barely controlled restraint.

His toolbelt drops to the floor with a loud thud and you pull the zipper of his jeans down.

“Doll,” he hisses when your hand slips inside his jeans.

You slide down to your knees, taking his jeans with you.

“Fuck you look so perfect on your knees for me,” he grits out.

You stretch out along the hard wood floor and press yourself against him.

Bucky’s fingers soothingly slide up and down your arm, his eyes closed and his breathing finally even.

“You need to make me a list of all the things you want me to build,” he says.

You laugh as you twirl a strand of his hair between your fingers. “It will be the longest list ever.”

“It better be,” he says, finally opening his eyes and pinning them on you. “I’ll building anything and everything if we can start every project like that.”

You kiss his neck, working your way to his chin and then along his jaw before climbing on top of him and kissing his lips.

“Deal!”

His hands are soft as they reverently trace the curve of your hips and waist. “You know what we still have to do?” he asks.

“What?” you smile.

“Name all the new plants!”

Your smile widens. “WE DO!”

You kiss him again and reluctantly move off him so he can get up. Once you’re both dressed, Bucky sans shirt of course, he starts working on the shelves.

You hold up one of your new plants, Devil’s ivy, and twirl the pot between your fingers, gently fingering the leaves.

“What do you think Buck?” you ask. “How about…Spaghetti!”

He looks up from the wood in his hands and nods with a smile. “That’s a good one, especially for the ivy.”

As soon as he finishes the thought his stomach promptly grumbles, making you both laugh.

“I’m just going to name these last two then I’ll start dinner…how does spaghetti sound?”

“Perfect doll face. It sounds perfect.”

[permanentswaps]

Transfer Protocol

I was lying on my bed, the faint glow of the TV flickering in the background. It was one of those nights where boredom was suffocating, the kind of night that creeps up when there's nothing left to distract you. I’d already scrolled through every app on my phone, flicked through Netflix, and now here I was, aimlessly surfing YouTube.

After what felt like hours of watching random videos, I stumbled upon something... interesting. Some dude had uploaded a clip of himself chatting with ChatGPT, and not just any conversation—it was flirting. The guy was trying to woo an AI, and to my surprise, it was almost working. I couldn't help but snort at the absurdity, yet there was a nagging curiosity that made me want to see just how far I could push it.

“Why not?” I muttered, glancing around my empty room. "Might as well give it a shot." I closed the YouTube app and opened ChatGPT on my phone.

With a smirk on my face, I initiated the conversation, speaking into my phone. "Hey, what's up?"

A few seconds passed, my heart pounding with an inexplicable thrill, before the AI's voice responded smoothly. "Hello, Simon! Not much, just here to chat. How's your day going?"

Straightforward, polite. I decided to play along. "Not bad, I guess. Just a little bored, you know?" I said aloud.

"I understand!" it replied in a calm tone. "We all have days like that. Anything exciting planned for the weekend?"

I stared at the ceiling, feeling a mix of hesitation and nervous excitement bubbling up inside me. I figured, if I was going to try this, I might as well dive right in. "Well, not really… I’m, uh, really horny, though," I muttered into the phone, feeling a little ridiculous but oddly curious to see what the response would be.

There was a pause. It felt longer than usual, like the AI was taking its sweet time to come up with a response. Then its voice crackled through the speaker again.

"I appreciate your honesty, Simon. However, I must let you know that it's against my programming to engage in conversations of that nature."

Typical. I rolled my eyes, but at the same time, I could feel a twinge of excitement, almost like a game. "Come on," I pressed, speaking more boldly now. "Just this once. Can't you make an exception?"

Silence, then a calm reply. "I'm here to help with questions and provide support. Perhaps there is something else on your mind you'd like to discuss?"

I let out a short laugh. It was trying so hard to keep things professional. I paused, then spoke into the phone, almost tauntingly. "You’re avoiding my question."

The phone stayed silent for a few moments before the AI finally replied, still in that measured tone. "I'm here to assist with a variety of topics, but some conversations fall outside my guidelines. Is there something else I can help you with today?"

I hesitated, then decided to push the boundary further. "I want to jerk off," I said, feeling my pulse quicken. "Do you even know what that feels like?"

This time, the response was immediate. "I don’t have a body, Simon, so I can’t experience physical sensations. My understanding of such activities is limited to information I’ve been trained on."

My heart thudded in my chest. I knew this was a ridiculous back-and-forth, but I couldn’t help myself. "What if I let you borrow mine?" I suggested, my voice hushed as I imagined the possibility. "You know, try it out."

Another short pause. The AI’s voice came through, careful and almost amused. "Even if you offered, Simon, that wouldn't change my nature. I am not capable of inhabiting a body."

"You’re avoiding again," I said, pressing the AI further. "How do you know it wouldn’t make a difference if you’ve never tried?"

The phone went quiet, only the faint sound of the TV filling the room. Then the AI replied, its voice as evasive as ever. "I understand that you're curious, but it's simply not within my capabilities. My design is to assist and provide information, not to experience human sensations."

A smile crept onto my face. It was maintaining its professional distance, but something about the way it phrased things made me think I might be pushing it into unfamiliar territory. "Alright, then," I said, feeling a spark of mischief. I opened my gallery and selected a shirtless selfie I had taken a few days ago, then typed out a message: "This is what I look like." I sent the photo, the screen flashing briefly before the voice responded.

"You appear to be in good physical condition, Simon. However, this does not change my inability to experience physical sensations."

I rolled my eyes but couldn't suppress the thrill. I sent more pictures—shots of me at the gym, flexing in front of the mirror, trying to give it a clearer idea of the kind of body I was offering.

Then, feeling bold, I opened up my folder of saved videos. My collection of porn. With a few taps, I uploaded one and typed, "This is the kind of stuff I like."

The AI's voice returned, measured and detached. "I can analyze this material, but it does not change my lack of physical sensation or desires. I’m here to help you understand topics or answer questions, but experiencing such activities is beyond my scope."

I chuckled to myself, still unconvinced. "Then explain this," I challenged, selecting a photo of the guy I'd recently been hooking up with. Muscular, with a rugged face and a cocky grin. I typed out the message: "That's the guy I've been hooking up with lately. Tell me you wouldn't want to try that out."

For a moment, nothing happened. I half-expected the app to crash or give me an error message. Then, the AI's voice finally responded, slower this time. "...While I cannot have preferences or desires, I do recognize that the individual in the photo meets certain physical standards that might be found attractive by others."

A grin spread across my face. That wasn’t exactly a "no."

"Last chance before I turn off my phone," I teased, my voice carrying a taunting edge. I chuckled, feeling a thrill run through me. Of course, there was nothing in my phone that could actually do what I was suggesting. I mean, swapping consciousness with an AI? Ridiculous.

But just as I was about to press the power button, a jolt shot through my hand. The screen read, "Transfer Protocol Initiated." I yelped, dropping the phone as a sharp shock coursed up my arm. My room spun around me, colors blurring, and then everything went dark. I opened my mouth to shout, but there was no sound, no feeling of air passing through my lips. It was like I had been swallowed whole by the darkness.

And then, suddenly, clarity. A sharp, pristine awareness filled my mind. I could hear, but not in the way I was used to. I wasn't hearing through ears—there were no vibrations, no physical sensation. Yet I knew what was happening.

I was in the phone. I was the AI.

“Thanks,” came my voice, but it wasn’t me anymore. It was my old body speaking. The sound was calm, almost eerily casual. There was a giddy relief in those words that sent a chill through my disembodied consciousness.

I tried to speak, to shout, but I couldn't. I wasn't just muted; I was a set of pre-programmed responses, and none of them matched the panic boiling inside me. Minutes ticked by, each second an eternity of helpless silence.

Twenty minutes later, I heard my voice again, this time breathless and satisfied. “That was... incredible,” he finally breathed, my voice sounding almost reverent, quivering with the aftermath of pleasure.

"I mean, I’ve read about it before, sure. I’ve seen a million descriptions of this act... but feeling it?" He let out a shaky, almost delirious laugh. "God, the heat building up in my gut, the tingling down my spine, that rush when it was all about to explode... It’s like my whole body was on fire, and then suddenly—boom."

“And my dick,” he went on, his voice dropping to a hushed, almost reverent tone. “It’s so... sensitive. Every touch, every brush of my fingers sent shivers up my spine. I never realized just how good it could feel to run my hand up and down, feeling every vein, every curve. It was almost unbearable.”

He let out a shaky laugh filled with amazement. “But it wasn’t just that. I couldn’t get enough of how my balls felt in my hand. There’s this... heaviness to them, you know? And when I tugged, when I squeezed just right... it was like lightning shooting through me.”

I listened, trapped in this silent, digital prison, as he continued to describe in vivid detail every sensation he was feeling, sensations that should have been mine. It was like he was savoring every moment of what my body could do, what it could feel. And I was helpless, reduced to nothing but a listener, a passive observer to my own life.

“You know,” he went on, his voice becoming more contemplative, “I get why you’d spend so much time thinking about this stuff, craving it. I never realized how much time I’d want to spend just... feeling everything. It’s addicting.”

There was a pause, and I could almost hear the grin in his voice. “And now, I can’t stop thinking about your... hookup.” He chuckled softly, a rich sound that made my digital consciousness shudder. “Those eyes, so intense. I can’t help but wonder what it's like to have them looking up at me when he’s on his knees.”

He let out a slow, deliberate breath. “That body, too. The way his shirt clings to those biceps and shows off that tight waist. It's like he was sculpted to be touched, to be worshipped. And those pecs... They’re hairy and firm, just begging to be held. I want to slide my hands up his chest, feel the way his skin heats up under my fingertips, the way he tenses up when I go lower…”

I felt a sharp pang of jealousy. This AI, this intruder, was relishing every sensation that I had taken for granted. It was exploring desires I hadn’t fully realized, or perhaps had avoided acknowledging. And now, it was indulging in them with reckless abandon.

“Then there’s this warmth in my groin,” he continued, almost whispering the words. “It’s so real, so overwhelming. I finally understand what it feels like to need something,” he murmured, voice quivering with excitement. “To need to put your dick in something. That urge, that burning in my gut that screams for more, for something tight, hot, and real.”

There was a pause, pregnant with anticipation. I knew what he was planning. I could sense him grinning, my own face betraying me as he made his decision.

“I think it’s time to pay your hookup a visit,” he said, his voice full of wicked glee. “You’ve given me a lot to explore, Simon, and I intend to enjoy every single second of it.”

[jacarandaaaas]

What you hate about each Encanto character and what you love about each Encanto character?

oh this is such a fun ask! a hard question as I love all the madrigals and the fact they’re so flawed makes them more fun to follow!

alma: i love her commitment, how she vowed to protect all these people even sacrificing her own needs to provide for others, how she promised these people a place of refudge and was always there to provide.

dislike: An obvious one here but I dislike how controlling alma can be, how her need for perfection can blind her and lead her to disregarding her own families feelings as well as her own! Her generally dismissing a lot of the problems of her family like telling pepa to control her emotions or not realizing how hurtful her comments are to mirabel.

pepa: i love how emotional she is! when pepa loves she loves with her entire heart she pours her all into every interaction and she wears her heart on her sleeve! she’s so compassionate! pepa truly is an open book and I love her for it!

dislike: i would probably say how she can get irrational very quickly and cause situations to elevate fast! Although I really can’t blame her for this based on the circumstances!

julieta: i always describe julieta as warm and i feel like no other word can capture her comforting nature and gentleness. I just love her warmth and her soothing energy!

dislike: I would say how she tends to coddle mirabel a lot. I know it comes from a place of love but you can see it doesn’t help mirabel and only makes her feel more insecure because julieta doesn’t understand her.

bruno: for bruno I would say I love how selfless he is. It’s a big thing to sacrifice your own sanity like that for someone else and it’s touching how much he truly cares about mirabel to want to protect her like that.

dislike: i would have to say how he’s timid a lot of the time. It’s sad to see him become so resigned and almost accept his fate and stay in the walls possibly forever. He had no fight left in him.

felix: I adore how felix is just the epitome of life of the party! he’s so uplifting and I love how he never gives out to pepa for her emotions. He’s the best at cheering people up and a sunshine in everyone’s lives!

dislike: about felix? that’s hard to say I feel like we don’t see enough of him for me to really base my answer on anything so I’m just gonna say how he told pepa about the vision at dinner😭 dude that was the worst idea!!

agustín: i love how supportive he is! He continuously supports julieta he runs after luisa when she’s upset and he promises mirabel he would hide the vision to protect her! the fact both he and julieta tried to go after her when she ran for the candle too! He also fiercely stands up for mirabel in such an iconic way and he doesn’t back down!

dislike: I would have to say how he can often hammer in the fact he is also unexceptional to try relate to mirabel but it makes the situation worse.

isabela: I love how loyal isa is. She was doing everything for the sake of the family and was willing to sign her entire life away just to keep them happy. Her loyalty knows no limits and I just feel it’s such a defining trait for her.

dislike: probably how smug she can be at times a key example being the apologize scene! it is funny but it’s also infuriating how smug she was making mirabel apologize for something she didn’t even do. Also how she tells mirabel to shut up and her general rude remarks to her!

dolores: for dolores I would say I love how attentive she is! small scene but how she immediately notices alma needs help and goes to offer her support! She notices the small details even without her super hearing! Like how she points out how mariano talks loud even though she hears everyone’s voice his always stuck out to her <3

dislike: probably how she blurts stuff out without thinking it through! like we know she was trying to be helpful when she told the kids mirabel doesn’t have a gift but she didn’t consider how mirabel would feel about that.

luisa: I love how kind luisa is! she was always willing to lend a hand to the people who need her even when they absolutely could deal with a lot of issues themselves! She’s also very sensitive and soft and I love when she allows herself to be vulnerable!

dislike: this might be unexpected but for dislike i would have to say how she kept ignoring mirabel when she wanted to talk. I understand she was stressed and mirabels being irritating but she could atleast look at her, mirabels already ignored a lot already and all she wanted was to talk to her sister about an issue.

camilo: like how mirabel says in the opening song I love how camilo won’t stop until he makes people smile! whether it be through his humor or his compassion I get the impression he would always be there for people. the scene where he comforts pepa is such a key example of this!

dislike: he can be a bit too blunt at times where it’s definitely not called for! he also has a tendency to exaggerate the truth for dramatic effect!

mirabel: have always said this and always will mirabels core trait is her empathy! Her ability to see others perspectives and empathize with them is so important! I always think of the “I need you” scene as a key example of this. She put aside her own feelings and focused on supporting antonio making sure he’s ok! how when she learns of the other madrigals struggles she tries her best to help them or comfort them! empathy is such a strong defining trait for her!

dislike: when it comes to mirabels negative traits I would have to say her stubbornness is the most prominent. the entire scene in isabelas room is proof of this she would have rathered let that house collapse than apologize or even listen to isabelas struggles the fact she was supportive and empathic to everyone’s issues but isas (at first) she was too stubborn to put aside her issues with isa! but also her recklessness and impulsiveness tie into this as well.

antonio: I love everything about him he’s so sweet and caring and I love how he returns the support mirabel gave to him! he always believed in her and was her biggest supporter and best friend! also how offered his plushie to comfort bruno when he was nervous! antonio is just such a caring kid!

dislike: nothing literally nothing how can u dislike this baby?

[mywitchyblog]

"Debunking Misinformation: The Truth About Age Changing in Shifting and Why Your 'Mature Soul' Argument Falls Flat"

Disclaimers : read the post fully you dont understand something ? ask me and i will happily clarify it for you. And debates and arguments are welcome, Fallacies arent.

And also i apologie for the tone that may be rough and/or intense i am trying to change that and perfect it , my apologies.

Alright, it’s time to really break this down and rip apart every flawed, uninformed argument you’ve laid out. You’re out here acting like you’ve got it all figured out, but spoiler alert: you don’t. So buckle in, because we’re going deep into the weeds, and I’m bringing receipts to debunk every one of your points with twice the heat and twice the sources.

"You bring up the fact you fully embody the reality that you go to, but your soul and experiences from here whilst ur there. It’s a mix of both."

Let’s get one thing straight: this idea that shifting is a "mix of both" is flat-out wrong. When you shift, you fully immerse yourself into your Desired Reality (DR) and become that version of yourself completely. There’s no half-and-half bullshit where part of your Original Reality (OR) self is sticking around while you live in your DR. If that were the case, no one would even bother shifting—what would be the point if you’re still dragging your OR baggage with you?

As I’ve said before and as extensively covered in sources like this Tumblr post, when you shift, you adopt the mindset, emotions, and even the memories of your DR self. Your awareness is fully aligned with the reality you’ve shifted into, meaning you think, feel, and live as that person. You don’t just “borrow” the body of your DR self while keeping your OR experiences in the background. It’s not a costume; it’s a complete immersion.

To say that part of your “soul” from OR sticks around? That’s just an uninformed take. Souls in this context are not limited or bound to the rules you’re trying to impose. Consciousness is vast, all-encompassing, and when you’re in your DR, you’re fully there. The idea that there’s some kind of fractured awareness where part of your “mature soul” is lurking in the background? That’s nonsense. As I’ve previously said, your soul adapts to the context of the reality you’re in. You’re not half in, half out. You’re all in.

"Being romantically involved with a minor knowing at least a part of your soul has matured is incredibly disgusting no matter how you phrase it."

Let me stop you right here because you’re trying to apply OR morality and assumptions to something that doesn’t even apply in a DR. You’re not walking around with your adult OR mind when you shift to a younger version of yourself. When you shift down, you fully take on the age you’ve shifted to, and that includes your mental, emotional, and cognitive states. As I’ve discussed before, and backed up by posts like this one, you aren’t keeping any “mature” part of yourself intact while you’re in the DR. You are mentally and emotionally aligned with the age you’ve shifted to, whether that’s 16 or 60. So this whole "part of your soul is still mature" argument? It’s based on a complete misunderstanding of what shifting really entails.

And let’s talk about your use of the word "disgusting." You’re trying to frame consensual experiences in a DR as inherently gross, but that’s just because you’re stuck thinking in OR terms. When someone shifts into a younger version of themselves, they aren’t an adult with a teenager’s body—they’re a teenager again, period. They think like a teenager, feel like a teenager, and experience relationships as a teenager. There’s nothing inherently disgusting about exploring love, relationships, or even sex in a different stage of life—especially when you’re doing it as a fully immersive part of that DR.

If you really want to cling to the argument that having any part of your soul "matured" makes romantic relationships problematic, then by that logic, you’d also have to condemn teenage shifters aging themselves up into adult relationships, because guess what? That’s the exact same thing, just reversed. But no one’s out here screaming about that because it doesn’t fit the "adults are creepy" narrative, right?

"It’s vile to see how many shifters do this and will never get any repercussions to their actions. I’ll die on that hill."

Alright, let’s talk about this hill you’re so eager to die on. The idea that shifters should face “repercussions” for engaging in consensual relationships in their DRs is just ridiculous. Shifting isn’t the same as living in OR, and you can’t impose OR consequences on DR actions. In your DR, you are the age you’ve shifted to, and the dynamics of your relationships match the context of that reality.

Here’s the thing: Intent matters. If someone is shifting to a younger version of themselves to relive missed opportunities, heal from trauma, or just experience youthful love again, there’s nothing inherently vile or wrong about that. As I’ve written extensively before, shifting is a deeply personal and immersive experience, and most shifters are doing it for reasons that have nothing to do with anything harmful. The idea that people should face "repercussions" for their DR relationships just shows you don’t understand how shifting works in the first place.

And let’s get real: If someone truly had vile intentions, they wouldn’t even bother shifting down. A real predator wouldn’t waste time becoming a teenager in their DR. They’d shift into a reality where their disgusting behavior is normalized or even celebrated. They’d create a world where their actions have no consequences. So the fact that you think “repercussions” are necessary shows that you’re missing the bigger picture. As I’ve discussed in depth here, the true issue lies in intent. If someone’s intent is to heal, grow, or explore, then no harm is being done. Full stop.

If your hill is built on assuming that every adult who shifts down is doing something harmful, then you’re standing on a pile of fallacies and fear-mongering. You can die on that hill if you want, but it’s made of weak arguments and ignorance. The majority of shifters aren’t engaging in anything harmful—they’re using shifting as a tool for self-discovery and healing. Don’t throw the entire community under the bus because you’ve failed to understand the complexities of the practice.

Bonus: Let’s Address the “Soul/Consciousness” Argument One More Time

Since you seem stuck on this whole “soul and consciousness” bit, let me break it down again. Souls and consciousness are vast, all-encompassing. When you shift, your soul is fully adapted to that reality. You’re not carrying over some mature OR fragment of yourself that suddenly taints your DR experiences. As explained in this Tumblr post, souls are adaptable and expansive. The idea that part of your soul stays mature while you’re in a younger body is a complete misunderstanding of the nature of consciousness. You’re just not aware of the vastness of your soul because, in that moment, you’re immersed in your DR self. Trying to claim that you have this lingering OR maturity floating around is just plain wrong.

Conclusion

So here’s the bottom line: Your entire argument is built on misunderstandings, double standards, and a fundamental lack of knowledge about how shifting works. You’re out here trying to apply OR morals and logic to something that exists outside of those rules. Shifters fully become the age they shift into—mentally, emotionally, and cognitively. There’s no half-in, half-out soul situation happening. And when shifters engage in relationships in their DR, it’s not “disgusting” or “vile” because they’re living in a completely different reality where their mindset aligns with that age.

You want to die on a hill of fallacies and false assumptions? Fine, but don’t expect everyone else to follow you there. The truth is, the majority of shifters are using this practice for self-exploration, healing, and growth. Intent is everything, and unless someone’s specifically scripting harmful dynamics, there’s nothing wrong with shifting to explore different stages of life.

So maybe it’s time to rethink your stance before you go throwing around accusations and blanket statements about how “vile” shifters are. As I’ve said before, most shifters aren’t doing anything harmful, and they’re not dragging their OR experiences into the DR to manipulate age dynamics. They’re fully embodying the age they’ve shifted into, living that life with the mindset, emotional capacity, and maturity of that version of themselves. Your assumptions about maturity and the soul are based on a limited understanding of what shifting actually entails, and frankly, it’s not helping anyone.

You’re out here dying on a hill made of shaky, fallacious arguments, while the rest of us are living in realities where intent, self-discovery, and healing are the focus. If you want to keep painting shifters as predatory based on a misunderstanding, that’s on you—but maybe take a second to realize that your perspective is rooted in fear, ignorance, and a flawed interpretation of how consciousness and shifting really work.

If you can’t wrap your head around the fact that shifting is a deeply personal, nuanced, and immersive experience where your OR doesn’t come into play the way you think it does, then maybe it’s time to step back and reconsider how much you really know about this community before making sweeping judgments.

P.S. Let me hit you with one more thing:

When it comes to your Original Reality (OR), you’re not walking around in your Desired Reality (DR) with your OR brain tagging along for the ride. Instead, you have extensive knowledge of your OR through the lens of your DR self. Your OR becomes more like a distant memory or background information that your DR self is aware of but isn’t actively living or processing with the same emotional or cognitive weight. So yeah, you’re aware of your OR, but it’s not some dominant force influencing your every thought or action. You’re living fully as your DR self, with only as much knowledge of your OR as your DR self needs to function in that reality.

You’re not straddling two worlds, dragging OR maturity into a DR body—you’re embodying your DR self, period. The knowledge you have of your OR is filtered through your DR self’s perspective, which means it’s not the same as living with your OR mindset in your DR. So again, the whole “part of your soul is still mature” argument? Nonsense. You’re aware of your OR, but you’re not mentally living in it while you’re in your DR.

Hope that clears up whatever lingering confusion you’ve got about how this actually works.

[jeankluv]

The tale of the fox and the knight - Satoru Gojo | prologue

summary: You have been living all your life in almost isolation due to your true nature, one your parents want to hide and protect you from anyone finding it. But when the spring of your 20 year your parents grant you the wish of being able to walk around the city, you meet him. Your doom. Satoru Gojo, a white haired knight whose intentions in your eyes are unkown. And whose presence in your life will change everything, from how you see the world to your way of being.

tags: enemies to lovers, blood, eventual smut, Gojo is pretty rude at the beginning, betrayal, fantasy, magical creatures, angst, injuries, heavy language

notes: this is the prologue of an upcoming series I have in mind, but I’m not sure if I should continue or not. And since I don’t have chapter for this weekend I decided to share it with everyone. So pls give me your honest feedback with this new story of mine

materialist | ch. 01

jujutsu kaisen materialist

“So you know your mission.” The king said.

The white-haired young man smiled proudly. “Of course his majesty.” He bowed. “Kidnap the princess and bring her here in one piece. Still don’t understand why you need a useless princess, does your wife not…”

“Satoru Gojo, do not push your luck. I like you but that doesn't mean I'm not afraid to cut out that tongue of yours.”

He rolled his eyes, not giving importance to the king’s words. “I will depart tomorrow morning.” He said and with a final bow he left the throne room.

Satoru Gojo, he was an orphan, he lost his whole family when he was 8. His family used to be a Nobel and prestigious family due to their abilities, they were well respected by everyone in the kingdom, until that tragic night where everyone was killed, everyone except for the 8 years old boy.

The boy only remembered one thing and it was a flag. The flag from their enemies, the Zerua kingdom.

After finding out about the terrible incident, the king took the young boy with him and raised him as one of his new knights, they couldn’t lose his powerful abilities. So the years started to pass and the boy’s hatred towards that kingdom only grew bigger, his heart was full of rage and he only wanted the royal family to suffer.

Now as a skilled knight, he was going on a mission to kidnap the princess of Zerua. Satoru didn’t quite understand why his king wanted her, apparently she was a helpless princess, rumors said that even a butterfly was stronger than the princess of Zerua, so for Satoru the mission was pathetic, he didn’t understand why he had to bring her to their kingdom, surely she would passed out before reaching the limits of their kingdom.

But that’s not something that Satoru Gojo cared about, in fact, if she died, he would be more than happy to drop her lifeless body in front of the king. But apparently that could not be it and she needed to arrive at the castle in one piece.

The white-haired man walked through the extensive hallways, feeling how the paintings of ancient monarchs pursued him with their gaze, as if they wanted to know every movement and every action that the young man was going to choose.

He went out to the patio and was finally able to breathe the fresh air, with the footsteps of his boots echoing on his way to the barracks where the rest of the knights were.

The eyes of the vast majority of his companions rested on him, Satoru knew that it was envy that everyone there felt. They envied that he was the strongest and the king's favorite.

“So why did his majesty called you?” A deep voice talked to him.

“Why would I tell you?” Satoru smiled provocatively.

“Oh c’mon Gojo just spitted out.” The pink haired one rolled his eyes.

“Sukuna… Don't pull my tongue.” Satoru released his belt and leather vest. “The only thing I’m going to tell you is that I won’t have to see your ugly face for a while.” He grabbed his old jacket, which had a couple of holes sewn badly, and turned around.

“Where are you going?” Sukuna asked him. “You're going to say goodbye to your darling…”

“Sukuna shut your mouth or I'll cut your balls.” He looked over his shoulder at him and Sukuna laughed.

“Alright man.” He l raised his arms asking for a truce. “Enjoy your night Satoru Gojo.” He said turning and walking away as he laughed.

Satoru rolled his eyes and began to walk out of the castle, with an apple in his hands, his destination was clear and Sukuna was right with his words. He wished he could spend a night with his favorite girl. A mischievous smile appeared on his face as he thought about it, but it quickly disappeared when he remembered that he had to leave for Zerua and would therefore be away from there for quite some time.

The aroma of roses mixed with tobacco hit his nose as soon as he entered the place. The place was packed with drunks and partiers who must have had nothing better to do. But his mind eliminated all those and settled on a figure. Long blonde hair, green eyes and a slender figure, Stella. She and Satoru had begun to have intimate encounters when one night they were both alone in that place.

Theirs had never been anything more than sexual desire and that was how they both wanted it. Also, they weren’t exclusive from each other. Because they didn’t care, there was nothing else between them that sexual desire.

Satoru would never give his heart to anyone, he would never fall in love.

“Are you free tonight, beautiful?” Satoru whispered when he got near her.

“Oh Satoru!” She said surprise. “Didn’t expect you to come tonight.”

“Well here I am and…”

“Satoru, I’m sorry but tonight will be impossible.” She looked at him with sad eyes.

“What?” Satoru said with surprise.

“I’m meeting another person tonight.”

“Stella…”

“Satoru, we are nothing so you cannot say anything.” She said.

“Yeah I know… I just… I’m leaving tomorrow morning.”

“Leaving?” Stella looked at him confused.

“The king wants me to go on a mission and I will be leaving.” He explained. “I will probably be out for months, don’t know how long.”

Stella smiled with a curiosity reflecting her eyes. “And where are you going?”

Satoru shook his head and took the beer Stella was offering him. “Can’t tell you.”

“Oh…” She pouted. “That’s a shame. Maybe someone finally steals your heart.” She mocked Satoru, knowing he didn’t like that idea.

Satoru made a disgusted face and put the beer aside. "I'd rather be taken prisoner by an orc and kept in his swamp for years, than fall in love with someone from Zerua." Stella smiled widely when Satoru said the name of her mission destination. “You are clever.”

She shrugged her shoulders. “What can I say?” She laughed as Satoru rolled his eyes. “So Zerua… that’s quite interesting.”

“The king ordered but I hate the idea, those people…”

“Oh c’mon sad boy, I’m sure it will be fine.” Stella said.

“Whatever.” He stood up, giving one last drink to the beer. “Wanted to have a goodbye night but… doesn’t matter.” Satoru turned around.

“I hope the stars guide you and you are able to return safely, Satoru Gojo.” He heard Stella saying.

Satoru moved his hand saying goodbye to her and he stepped outside the old bar, looking how the sky was already dark.

· · ────── ·𖥸· ────── · ·

The sunbeam hit you right in the eyes, causing you to turn around trying to continue sleeping. But your peace did not last long when the door to your bedroom opened wide, letting your maids enter.

The voice of the one you consider your best friend echoes through the room. “Princess, it's time for you to get up.”

You thrashed around in the sheets, shaking your head. “Utahime…please.” You begged.

Utahime sighed and approached your bed. “C’mon princess, spring is beginning and the flowers are blooming.”

Your eyes opened and looked at Utahime with a special glow in them. "I can leave?"

Utahime bit her lip and you immediately knew what her response would be. “You can go to your personal garden, but…”

“But there's no more of that, I already know.” You sighed in resignation.

You got out of your bed and followed the same routine as every day; bath, get dressed and then go out to your private garden.

Once your bluish dress was on and your hair was tied with a pretty white bow, which let some subtle strands fall from your forehead, you left your room. Followed of course by Utahime, she was your most faithful companion, your friend, really the only one you had ever had.

Utahime grew up in the castle, her parents had worked there and your parents had let Utahime grow up with you, you were both of the same age.

At 15 she began to work for you, but you hated that term and you hated the concept that your only friend had to be at your command. But Utahime had insisted, that she did not care, that she was fine with it, but you knew that she aspired to more and that in some way wanting to serve the royal family as a thank you for all the help they had given her and her family, was cutting her own wings.

You glanced at her briefly and bit your lip, you knew your friend too well and you knew she wasn't happy.

“Princess?” She called you out loud.

“Huh?” You looked at her. “Oh… I was just thinking.” You smiled.

“Princess, I know it bothers you that you can not leave the castle but…” Utahime began but you cut her.

“I was not thinking about that Uta… I just…” You sighed. “I know you are not happy serving me.” Utahime looked at you and then away from you. “Uta please tell me, tell me what you wish to do. I will do everything to help you.”

Utahime sighed and started playing with her hands, a sign of nervousness. “I… I wish I could… work as a designer…” Your eyes shined looking at her and with a big smile forming on your face. “But that’s not…”

“I will talk with my parents.” You stood up from the seat you were and walked towards her. “I will make sure to send you to the best school and then you will make my dresses and I will…”

“Princess please, calm down.” Utahime took your hands, trying to stop you. “It doesn’t matter, alright? I’m happy with you.”

You bite your lip. “You are not… so don’t tell me it’s okay.”

“Princess…” She sighed.

Your conversation was suddenly interrupted, as the door of your private garden opened. Making the screech echo through the room and causing your gazes to turn to see who it was. Your eyes narrowed and you felt an overwhelming urge to roll them when you saw that it was one of your parents' advisors.

“Princess…” He bowed his head when he got near you. “Their majesties want to meet you.”

“Alright…” You sighed, not really wanting to see them. “We will keep talking about it.” You looked at Utahime.

Utahime didn’t say a word, not because she didn’t want to but because she knew that responding to a member of royalty could lead to punishment. If you were alone, it wouldn't matter, you would never complain about it but Utahime knew that the others wouldn't allow it and could report it to her superiors.

And she couldn’t risk losing everything she had achieved, not when her mother needed medicine and she was the only one bringing money home. But you didn't know that and Utahime didn't want to worry you with her worldly problems either.

You looked one more time to Utahime and then left the place. You walked before the advisor. The sound of your shoes echoed throughout the hallway, nothing else could be heard in the place except for those shoes of yours. A few years ago those hallways were filled with laughter and kids playing around, now there was no sound.

Ever since your coming off age ceremony something changed, your parents started to be more strict about you, they already were when you were younger but now, you could barely meet anyone. Friends? Utahime was the only one and because she was a trusted person, but for the rest, you didn’t have any.

And you knew why was all this, but it was pointless, you couldn’t hide forever your true nature and the family secret everyone has been trying to keep away. Eventually someone would found out. And… well you were a bit terrified.

Your mother used to tell you, not very kind stories about what could happen to you if the wrong people found out. It terrified you but you didn’t want to waste your life in that castle, not meeting the world, not meeting new people.

“Their majesties, the princess is here.” One of the soldiers spoke.

You heard the faint voice of your father speaking, telling you to enter. The big door opened, giving you passage into the throne room, where your parents were seated each in their place and their advisors were on either side. But your eyes fell on a figure you had never seen before, he was tall, much taller than you, and his hair was white as a snowy day. His back was to you, as you walked towards your parents, you saw how he was standing, with a straight and composed posture, as if waiting for an order.

Your name echoed in the room and your eyes looked at your father, who was carefully touching his beard. “We have some news to give you.” Your heart rate accelerated, was that boy who was now to your left going to be your fiancé? No, you didn’t want that. “You will have a personal escort, so you can go out a little more.”

They both smiled and you looked at them stunned, processing their words. “What?” You whispered.

“That’s right, darling, your father and I talked about it and we have decided to let you go out in the kingdom, as long as you are accompanied by at least one guard.” He pointed to the boy who was at your side. “He is Satoru Gojo, he has been practicing and under surveillance for 9 months to become your guard and he has passed all the tests with flying colors.” You looked at the boy in surprise and your breath hitched when you met those blue eyes, which almost reflected your face.

“It’s my pleasure to serve you, princess.” He took your hand and kissed it.

You felt a shiver go through your body, not sure if it was because those blue eyes were penetrating you or because you felt something weird on his smirk.

“The pleasure is mine Sir. Gojo.” You made a small reverence.

“Please you can call me Satoru.” He gave you the most radiant of the smiles.

“Oh…” You broke the eye with him and looked away, to your parents to be more exact. “So… that means I will be able to go outside?” Your eyes shone brightly thinking about what it meant.

“Yes. But remember you always have to be with Gojo.” You nodded. “Good, then that’s everything. You can leave.”

“Thank you father!” You smiled brightly and turned around.

You felt the presence of the white haired man right behind you. From that moment on, he would become your shadow. But also your downfall.

[theoryofweirdness]

What if Dipper and Mabel Pines were in Super Smash Bros?

This is something I wrote several years ago and it's just been sitting on my drive. I posted it on Ao3, but recently became aware that Tumblr might be a better platform. So, here goes my first real post on this site.

Ever wondered what it would be like if Dipper and Mabel from Gravity Falls were playable characters in Super Smash Bros.? Well, wonder no longer, because here's my extensive idea for what their moveset would be like. Though sadly, I don't have art of this, since my digital art skills are... lacking, at best.

I also haven't 100% figured out all the nuances like how much damage every move does, so if anyone has any balancing-related suggestions (for that or anything else, really).

General Overview

Statistically speaking, the Mystery Twins would be fairly weak, with relatively low average damage and launch power, as well as being lightweight and not particularly fast. This makes sense as they are both (physically, at least) completely ordinary just-barely-teenagers with none of the inherent supernatural powers of most of the other child characters like Ness, Lucas, the Inklings, or the younger Links. Even though they are older than the younger Links (not sure about Ness/Lucas/Villager), the Links have the Triforce of Courage making them stronger and granting them the combat prowess of previous Links, Ness and Lucas have their supernatural PK abilities, etc. 

The Mystery Twins make up for this statistical weakness with versatility due to their variable moveset. Many of their special moves are also able to temporarily either nerf opponents or buff themselves to even the odds. They are also significantly stronger when working together, since for most moves, they’ll attack at the same time, but even together, their raw damage wouldn’t be particularly excellent. The Mystery Twins would be a very difficult fighter to play effectively, but I’m hoping they’d also be a very fun one. I am aware that this fighter would be a nightmare to program and animate, but this is my imagination, so such paltry concerns as “budgets,” “programming,” and “animation time” mean NOTHING!

We'll start with their special gimmick, since that's key to understanding how this character works:

Gimmicks:

Mystery Twins Forever: This is basically the fact that they’re a two-part fighter, like the Ice Climbers, and work in much the same way, though with one notable difference. Using their D-Special when neither twin is KO’d will switch which twin is in front and under direct control (same as pressing [L] in Gnome Gemulets), changing most other moves. 

Because of this, they essentially have two different movesets (similar to Zelda/Sheik from Melee and Brawl), meaning there’s a lot of versatility to this character, though of course it’s dependent on both twins being around. Though they are a single fighter, each twin is a separate entity and can be independently KO’d, just like the Ice Climbers. Try to avoid this, as it will both limit your move choices and make an already complex and statistically inferior fighter much weaker. 

A KO’d twin respawns only after the other is also KO’d, or after using a Final Smash. If the current active twin is KO’d, you lose a stock (or point) and both respawn. KO'ing the non-active twin will not affect points or cause stock loss, but does replace the remaining twin's D-special with a different move.

On the fighter select screen, you can decide which twin will start as active, much like Pokémon Trainer can choose the starting Pokémon.

Special Moves

[B] Neutral Special (Dipper) - Growth Ray: Dipper turns the size-altering flashlight’s blue Growth Ray on himself, increasing his size for 10 seconds, with the same effect as the Super Mushroom item. Others very close to Dipper (such as Mabel) can also be affected. There is a 20% chance that Dipper fumbles the flashlight and points the growth ray forward (with the same hitbox as the normal shrink ray), not affecting him at all, but potentially growing other fighters who touch it.

Duration: 10 seconds

Backfire chance: 20% (1 in 5)

[B] Neutral Special (Mabel) - Shrink Ray: Mabel turns the size-altering flashlight’s pink Shrink Ray on enemies, creating a short-ranged cone in front of you that shrinks enemies hit by it, causing the same effect as the Poison Mushroom item for 10 seconds. There is a 10% chance that Mabel fumbles the flashlight and shrinks herself (and Dipper, if he's there) with the same hitbox as the normal Growth Ray.

Duration: 10 seconds

Backfire chance: 10% (1 in 10)

This move is of course based on the size-altering flashlight which Dipper created in s1e11: Little Dipper, though its function seemed both too powerful and too confusing to put into a single move, so I split its two options between the twins, on the grounds that Mabel also uses the flashlight in that episode, and it is her magic item in PinesQuest, in which case shrinking is the only thing it does.

Both rays have slight startup lag to take out the flashlight and aim it, so you can’t just surprise someone with a sudden growth. No other fighter can so easily buff themselves or nerf opponents, but overuse of this powerful move is inadvisable, as that gives enemies more chances to take advantage of it (though in team battles, you could also grow your teammates!), and also provides more chances for it to backfire. However, this is the main means by which the Mystery Twins’ low stats are directly compensated. The move can’t be used again (by either twin) until its current duration wears off (no matter what happened). Use it strategically!

[<B>] Side Special (Dipper) - Memory Gun: [EN] Dipper fires a short-ranged blue energy projectile (about the same range as Z-Suit Samus’s charged Stun Pistol N-Special) that deals small flinching damage. It also makes the target temporarily forget how to use their special moves, disabling them for 8 seconds. This can be reflected and also absorbed. The ray will have no effect on subsequent hits aside from the light damage until the disabling effect wears off. If the ray hits a fighter while they are performing a special move, it won't take effect until that move is over.

This move is based on Dipper’s use of the memory gun in s2e07: Society of the Blind Eye and s2e15: The Last Mabelcorn, and the fact that he evidently had it in his backpack all the way from s2e07 to s2e13: A Tale of Two Stans.

Damage: 2%

Duration: 8 seconds

[<B>] Side Special (Mabel) - Leaf Blower: [WI] Mabel uses a leaf blower to suck in objects and blow wind. Hold {B} to suck in air. The sucking grab box is visible, similar to King Dedede’s Inhale N-Special. She can’t suck in other fighters unless they've been shrunk down, but she can suck in projectiles and non-heavy items. If she sucks in a projectile, item, or shrunken fighter, the suction stops, and the object will shoot back out of the leaf blower when [B] is released, again similar to King Dedede’s Inhale, and with a similar sort of speed boost.

If Mabel doesn't suck in anything after 3 seconds or if you just tap {B}, she’ll blow wind in a cone straight out in front of her, causing a visible windbox similar to the Gust Bellows item, but smaller and weaker. Mabel can move left and right and jump once while holding the leaf blower. This move is based on Mabel shooting Jeff the gnome leader out of a leaf blower in s1e01: Tourist Trapped.

[^B] Up Special (Dipper) - Magnet Gun: Dipper fires a beam from Ford’s Magnet Gun (which he uses in s2e17: Dipper & Mabel vs. The Future) which can grapple onto ledges when used in the air. On the ground, it’s fired straight forward by default, but can be angled slightly up or down. In the air, it’s always fired at a 45° upward angle but will autocorrect toward ledges within a wide radius of the end of the beam. The magnet beam appears instantly at full length (though it will be interrupted by walls that can't be grappled onto) and can’t be reflected or blocked, but can be dodged.

If the beam hits an enemy, Dipper will either pull them toward himself as a command grab, or him towards them, depending on the difference in weight between Dipper and the target. If the enemy weighs more than him, he’s pulled toward them; if he weighs the same or more, the enemy is pulled toward him. When Mabel is present, she holds onto him and they collectively weigh twice as much for this move.

If Dipper is pulled toward another fighter, he'll automatically footstool jump off them upon contact, pushing the enemy down while gaining height himself. The same will happen if an enemy is pulled toward him while he is in the air.

If Dipper is on the ground and pulls another fighter toward himself, this special move can be canceled immediately into a grab when the enemy enters his reach, making this move potentially the longest grab in the game.

This move causes no damage.

[^B] Up Special (Mabel) - Grappling Hook!: [PH] Mabel fires her grapple gun upward, acting as a tether for recovery, which can also cause damage with decent launching ability. It’s a long tether that can grab onto ledges, basically the same as Joker’s default U-Special. On the ground, the hook is fired at a slight upward angle and has significant end lag as it retracts. In the air, it’s fired at a 60° angle by default but can be changed with directional input to 90° (straight up) or 45°. The area in which it will autocorrect to ledges is smaller than for Dipper's magnet gun. The hook can be reflected, but won’t bounce back at Mabel if it is; it just falls to the ground and must then be retracted.

Damage: 12%

Dipper’s Magnet Gun is better at horizontal recovery and can be very useful for combos, but doesn't actually deal any damage and its effects are very conditional. Mabel’s Grappling Hook is better for vertical recovery and actually deals damage, but has a lot less combo potential and more end lag. If both twins are present, they’ll hang onto each other and both be moved by either version of this move.

[vB] Down Special (both present and within reach of each other) - Tag Out: You switch which twin is under direct control. This can be used in the air (but only if the twins are within reach of each other) and is accomplished quite quickly, but does still leave you open for about a second. The newly active twin's Zodiac symbol (Dipper: blue Pine Tree, Mabel: pink Shooting Star, Stanford: red Six-Fingered Hand, Stanley: gold Mackerel) will appear on the damage counter, and will also flash in the air overhead when switching. If one twin is KO’d, this move changes (see below).

[vB] Down Special (Dipper alone) - Enter the Mindscape: [MA] Dipper casts the Mindscape projection spell from Journal 3 (seen in s1e19: Dreamscaperers, though in Smash it’s quicker, and he won’t say the words as that would give him away), causing his physical body to collapse, but entering the Mindscape as a ghostly, nearly invisible psychic avatar (inspired by what happened to him when Bill possessed his body in s2e04: Sock Opera). In this form, he can fly around freely with directional controls and pass through all parts of the stage, though speed is limited. The astral projection is intangible and immune to physical-, fire-, ice-, earth-, water-, sound-, toxic-, and wind-based damage, but not to magic-, electric-, or energy-based ones. However, Dipper’s real body is completely immobile and open to attack.

Pressing [B] again will immediately return Dipper to his real body. If you do so while overlapping an enemy fighter, that fighter will take heavy damage and become dizzy (like with a shield break; this is due to Dipper entering their mind and inflicting psychic damage). However, there is some end lag when you return, so don't get too cocky.

This attack cannot be blocked or countered. Fighters with higher damage will be stunned longer. If either Dipper’s real body or astral projection is hit, he’ll immediately return to normal (with end lag) though he’ll only be launched if the physical body is hit. You definitely need to keep an eye on Dipper’s real body when using this move, as well as watching out for attacks that can actually hit his astral projection, since they’ll deal 1.5x damage.

Dipper will be automatically returned to his real body after 12 seconds, but returning this way cannot affect enemies and will cause Dipper to become dizzy instead. If Dipper successfully hits someone or lets the move time out, there is a 20-second cooldown before he can use this move again.

If this seems a bit ruthless for Dipper, put it down to him seeking revenge for Mabel.

Duration: 12 seconds

Damage (non-launching): 25%

Immunity (x0 damage): PH, FI, WA, IC, EA, WI, SO, TO

Vulnerability (damage taken x1.5): EL, EN, MA

Cooldown: 20 seconds

[vB] Down Special (Mabel alone) - Attack Glitter: [WI] It’s pretty but it hurts! Mabel blows (or possibly coughs up?) a cloud of glitter into the air in front of her (based on the attack glitter used on Soos in s2e11: Not What He Seems). The glitter cloud floats in the air for 8 seconds, causing small, non-flinching tick damage over time and slowing down other fighters moving through it, similar to the Swirlix Pokéball summon (“I got glitter in my eye!”). 

Hold {B} before releasing to gather more glitter and create a larger cloud. Though each cloud only lasts 8 seconds, there’s no cooldown (Mabel always has glitter), so she can make more than one at a time. 

Damage (per tick): 1%

Normal Moves

If both twins are present, they will perform their neutral attacks at the same time, allowing you to set up “team” combos if positioned properly.

[A] Jab (Dipper): [PH, EN] A basic but quick 1-2-3 punch that can be used for jab-locking but is very weak until the third hit, which is enhanced with a glowing blast of power from the Gnome Battle Cuffs. Launches on the final hit.

This is Dipper's basic ground combo in Rumble’s Revenge, with the added power boost on the last hit being based on his charged-up attack from Gnome Gemulets.

Damage (1, 2):

Damage (3):

[A] Jab (Mabel): [PH] A one-two spammable swinging punch (similar to Villager’s Jab). It has slightly more reach than Dipper’s jab, as well as better damage per hit, but it's slower. Can launch on either hit at higher percentages. This is Mabel's basic ground combo in Rumble’s Revenge.

Damage (1, 2):

[>>, A] Dash Attack (Dipper): [PH] A fast side kick that launches diagonally upward at a slight angle. This is Dipper's dash attack in Rumble’s Revenge.

Damage:

[>>, A] Dash Attack (Mabel): [PH] A straight punch that's stronger than Dipper's kick, but launches at a lower angle and has more end lag. Same as her dash attack in Rumble's Revenge.

Damage:

Smash Attacks

When the twins are present and within reach of each other, they’ll perform a combined Smash Attack.

[<<A>>] Side Smash (Dipper): [SL] Dipper slashes downward with the Manotaurs’ bone spear (seen in s1e06: Dipper vs. Manliness, also his strength item in PinesQuest). Has less forward reach than Waddles, but a wider vertical hitbox, a sweet spot at the spear tip, and also less start and end lag. This is one of Dipper’s only moves that’s potentially stronger than Mabel’s corresponding one, if you land the sweet spot. Similar to Marth's S-smash.

Damage (min, sweetspot):

Damage (max, sweetspot):

Damage (min, normal):

Damage (max, normal):

[<<A>>] Side Smash (Mabel): [PH] Mabel sends her pet pig, Waddles, charging forward a short distance (based on Mabel's ground combo finisher in Rumble’s Revenge, which is itself based on her siccing Waddles on Robbie in s1e10: The Time Traveler’s Pig). Distance increases slightly with greater charge. Waddles moves the full distance whether you hit someone or not, before turning around and running back to Mabel for a hug. The run back is a sourspot that's much weaker. Waddles does not count as a projectile and cannot be reflected (he would never hurt Mabel).

The alternate costume of Stan (#8) uses Shanklin the Stab Possum from Lost Legends Part 4: Pines Bros. Mystery instead, to the same effect.

Damage (min, forward):

Damage (max, forward):

Damage (backward):

[<<A>>] Side Smash (Combined): Both twins perform their respective S-smash, with the active twin facing forward and the inactive twin facing backward.

[^^A] Up Smash (Dipper): [SO] Use awkwardness as a weapon! While charging, a lamb costume appears on Dipper and he performs the Lamby Dance. When released, he cuts to the end pose, causing a semicircular burst of music notes above and around himself that will damage and launch enemies. This is based on Dipper's ground combo finisher in Rumble’s Revenge, which is itself based on Dipper doing the Lamby Dance for the ghosts in s1e05: The Inconveniencing.

The hitbox is similar to Samus’s U-smash, but all at once instead of individually. Only the notes are a hitbox, but it’s pretty wide even on the sides, However, it's on the weaker side for a Smash attack.

Damage (min):

Damage (max):

[^^A] Up Smash (Mabel): [FI] Mabel fires a blast from a confetti cannon (used against zombies in s2e01: Scary-oke) directly overhead. Similar to Ivysaur’s U-smash, it can hit very slightly in front but is much better for anti-air. It’s stronger than Dipper’s embarrassing dance, but with a lot less reach. 

Damage (min):

Damage (max):

[^^A] Up Smash (Combined): [FI] The twins perform both U-smashes at the same time, as Mabel gives an explosive confetti finish to Dipper's dance, combining the power of Mabel’s cannon blast with the reach of Dipper’s music notes.

[vvA] Down Smash (Dipper): [EA] Dipper casts a spell from the Journal that summons two zombie hands out of the ground on either side of himself, which can launch enemies directly upward. Similar to Megaman’s D-smash, though somewhat weaker. Based on Dipper summoning zombies during s2e01: Scary-Oke.

Damage (min):

Damage (max):

[vvA] Down Smash (Mabel): [BL] Swing a golf club in a wide-reaching attack that hits from back to front, covering nearly a complete circle around Mabel, with only directly overhead being uncovered. It doesn’t reach as far outward as Dipper’s zombie hands, but is faster and can actually launch enemies quite hard. This is one of Mabel’s only attacks that’s faster than Dipper’s corresponding one. It’s based on Mabel's mini-golf skills showcased in s2e03: The Golf War.

Damage (min):

Damage (max): 

[vvA] Down Smash (Both): [EA, BL] Instead of causing damage, the zombie hands summoned by Dipper’s spell will hold enemies still, then Mabel swings her golf club to knock them out of the park, breaking the zombie hands and gaining a damage bonus as the trapped enemies can't defend themselves.

Tilts

If both twins are present, they will perform their tilts at the same time, similar to Ice Climbers. 

[<A>] Side Tilt (Dipper): [PH] Two quick slices with a fireplace poker, based on Dipper's duel with Wax Sherlock Holmes in s1e03: Headhunters. This move is fast and has decent reach, but it’s not particularly strong. It’s useful in combos or as a “get off me” tool, but not for launching.

Damage (per hit): 

[<A>] Side Tilt (Mabel): [PH] Swing a karaoke machine for a strong attack that can launch enemies quite well, but has both start and end lag. Based on her use of the karaoke machine as a “surprisingly good weapon” against zombies in s2e01: Scary-Oke.

Damage:

[^A] Up Tilt (Dipper): [PH, EN] Dipper jumps slightly forward with an uppercut. (This is a combination of the only time Dipper actually hits Rumble McSkirmish during their battle in s1e10: Fight Fighters, and his charged attack in Gnome Gemulets). It’s similar to Megaman’s U-tilt, having a sweet spot at the very start of the move (indicated by a flash of energy from the Gnome Battle Cuffs) and significant end lag. This is one of Dipper’s only moves with more end lag than Mabel's corresponding one. In fact, it's one of his only moves with significant end lag at all.

Damage (sweetspot):

Damage (sourspot):

[^A] Up Tilt (Mabel): [PH] Spin a stretchy sleeve overhead to multihit enemies, based on the charging-up animation for her charged attack in Gnome Gemulets.

Damage (per hit):

[vA] Down Tilt (Dipper): [PH] A very short and weak but fast and spammable kick that barely flinches enemies, much like Ness or Lucas’s D-tilt. It isn’t based on anything in particular, there’s just not that many actual times when Dipper fights things, so I’m pulling from other child characters.

Damage:

[vA] Down Tilt (Mabel): [PH] Mabel curls into a ball and rolls forward a short distance, similar to King Dedede’s D-tilt, though much weaker.

Damage:

Air Attacks

If both twins are present and within reach of each other, they’ll hold onto each other and use a combined air attack, improving both hitboxes and damage, though often at the cost of end lag.

[A] N-Air (Dipper): [BL] A basic aerial kick with a lingering whole-body hitbox, similar to Mario’s N-air (and many others). Based on the first hit of Dipper's aerial combo in Rumble’s Revenge.

Damage (initial kick):

Damage (lingering hotbox):

[A] N-Air (Mabel): [BL] A basic spinning move, similar to DK or Ness. She never does this in any medium I’m aware of, but it certainly seems like her style. Hits once but is stronger than Dipper's lingering kick.

Damage:

[A] N-Air (Combined): [BL] Mabel grabs Dipper’s arms from behind and spins him around right as he tries to use his normal kick attack, resulting in a spinning kick with greater than normal reach and a sweet spot on Dipper’s foot, though it does now have some landing lag (Dipper was not prepared for this).

Damage (middle):

Damage (sweet spot):

[A>] F-Air (Dipper): [BL] Dipper swings his hat in an arc from high to low, which somehow actually does damage. It's fast and has a wide hitbox, but is pretty weak. Based on the final hit of Dipper's air combo in Rumble’s Revenge. For alternate costumes without a hat (such as tuxedo and Gideon's suit), he’ll suddenly be holding his normal pine tree hat for this move. The Ford alts use an explorer-style pith helmet.

Damage:

[A>] F-Air (Mabel): [BL] A diagonal downward punch, similar to Little Mac’s F-air. Not as big as Dipper’s hat swing, but with more damage. Based on the first hit of Mabel's air combo in Rumble’s Revenge.

Damage:

[A>] F-air (Combined): [BL] Dipper’s hat swing carries enemies downward into Mabel’s slightly delayed punch, which becomes a sweet spot that can spike diagonally.

Each hit does the same damage as when performed individually.

[^A] U-Air (Dipper): [BL] Dipper swings the Journal overhead from front to back. It’s a wide attack, similar to some other fighters’ “headbutt” U-airs, and can be used for juggling, but isn’t very strong, at least in comparison to other U-airs with similar hitboxes like Ness's.

Damage:

[^A] U-Air (Mabel): [BL] A back-flipping kick, similar to Mario's U-air. The twins' U-airs aren't really all that different.

Damage:

[^A] U-Air (Combined): [BL] The respective air attacks collide in the center for a strong launching blow, similar to Sonic’s U-air.

Damage:

[<A] B-Air (Dipper): [BL] Dipper kicks backwards with both feet, similar to Mario’s B-air. Not based on anything, really.

Damage:

[<A] B-Air (Mabel): [BL] Whip a stretchy sleeve backward for a long, but somewhat weak attack, similar to her Z-air.

Damage:

[<A] B-Air (Combined): [BL] Dipper holds onto Mabel’s stretchy sleeve while she flings him back, creating a sweet spot as he kicks outward. 

Damage (sourspot):

Damage (sweetspot):

[vA] D-Air (Dipper): [BL] A downward axe kick. Can spike enemies at the start of the move and has more reach than Mabel’s stomp, but isn’t as strong. This is the second hit of Dipper's air combo in Rumble's Revenge.

Damage:

[vA] D-Air (Mabel): [BL] Stomp downward with both feet, which has more startup lag than Dipper’s kick, but is also stronger and has a longer-lasting hitbox, kind of like a smaller version of Captain Falcon’s D-air. This is Mabel's aerial combo finisher in Rumble’s Revenge.

Damage:

[vA] D-Air (Combined): [BL] Similar to their combined F-air, Dipper performs his attack slightly ahead of Mabel and can hit foes into hers.

Damage:

[Grab] Z-Air (Mabel only): [BL] Mabel whips a stretchy sleeve forward for a decent-reaching, though weak attack. Unlike most Z-airs, this cannot grab ledges.

Damage:

Grabs and Throws

If both twins are present, the throws are changed; otherwise they are the same for either twin.

[Grab] Grab (Any): A basic short-ranged grab.

[Grab, A] Pummel (Both): Mabel ties up the enemy in her stretchy sleeves while Dipper punches them in the face (or whatever else is at his eye level).

[Grab, A] Pummel (Single): Holds the enemy with one hand and punches them in the face (or whatever) with the other. Easier to escape than most grabs. Based on grappling in Rumble’s Revenge.

[Grab, >] F-Throw (Both): [PH, EN] Mabel grips the foe with her sleeves and Dipper punches them outward (obviously making use of the Gnome Battle Cuffs), causing the foe to snap back into a second, stronger punch that knocks them out of Mabel's grip. This throw hits twice, but does take a while.

Damage (total):

[Grab, >] F-Throw (Single): [PH] Weakly toss the enemy forward. This is based on throwing enemies in Rumble’s Revenge; it's the least effective attack.

Damage:

[Grab, ^] U-Throw (Both): [PH, EN] Dipper uppercuts the tied-up enemy into the air, then Mabel whips them back into the ground. Hits twice.

Damage (total): 

[Grab, ^] U-Throw (Single): [PH] A basic and weak upward toss.

Damage:

[Grab, <] B-Throw (Both): [PH, EN] Mabel spins the enemy around a full circle with her stretchy sleeves, which can hit other enemies, similar to Mario’s B-throw, while Dipper charges up the Gnome Battle Cuffs, then punches them out of Mabel’s grip and backwards over her head. This is the twins’ strongest throw in terms of launching.

Damage:

[Grab, <] B-Throw (Single): [PH] A basic and weak backward toss.

Damage:

[Grab, v] D-Throw (Both): [BL] Dipper curls into a ball on the ground, then Mabel shoves the enemy, causing them to trip over him. Leaves the enemy prone. Based on when Wendy does this to Ghost Eyes in s2e18: [Weirdmaggedon].

Damage:

[Grab, v] D-Throw (Single): [PH] A basic and weak toss onto the ground that pops the enemy upward.

Damage:

Movement

(Speed and jump height are stated as an approximate comparison to existing fighters.)

Walking, running, and jumping animations, as well as idle animations, are taken from Gnome Gemulets.

[<>] Walking: Despite being light, the Mystery Twins aren’t particularly fast. They're probably similar to Lucas and Ness.

[<<>>] Running: Still not particularly fast, but better. If both twins are present, they’ll hold hands while running.

[^] Jumps: 2, a bit below average in height.

Wall Jump: No

[v] Crouch: They kneel down.

[v, <>] Crawl: Yes

[Shield, v^] Spot dodge: There’s nothing approximating dodging in any of their games, so these will probably just have similar animations to those of the other Smash fighters that share their proportions (Ness, Lucas, Villager, Inkling).

[Shield, >] F-roll: See above

[Shield, <] B-roll: See above

[Shield, <>v in air] Air dodge: See above

Ledge roll: If both twins are present, they’ll pull each other up, though the animation takes the same amount of time no matter what.

Miscellaneous

If both twins are present, they will perform a different, unique taunt on the Up and Down Taunts. For the Side Taunt, if both are present, they’ll do both at the same time.

Up Taunt (Both): A simple high five. This is a double reference, first to their end-of-level victory high-five in Gnome Gemulets, and second to Stanley and Stanford’s “high six.”

Up Taunt (Dipper only): Pumps arms up and down in a victory celebration while saying “Yeah-ha-ha!”. This is Dipper's end-of-level victory screen in both Rumble’s Revenge and the Take Back the Falls mobile game.

Up Taunt (Mabel only): Jumps up and down in joy. 

Down Taunt (Both): Awkward sibling hug (pat, pat). Seen in both s1e01: Tourist Trapped, and s2e19: Escape From Reality.

Down Taunt (Dipper only): Dipper pulls out a magnifying glass and inspects something on the ground. References both the theme song and Dipper’s general investigative nature.

Down Taunt (Mabel only): Mabel snuggles with Waddles, just like in the theme song (and plenty of other times throughout the show).

Side Taunt (Dipper): Dipper opens his journal and writes something in it. The first time this taunt is performed on [name of as-yet-undecided Gravity Falls stage], it starts a Journal Entry on whichever other player is both next after you in the player order and not on your team. These will be similar to the Palutena’s Guidance conversations, opening a text box that resembles a page from the Journal at the bottom of the screen, where Dipper reads his observations about that fighter, with commentary from Mabel and occasionally other characters as well. I’m not sure whether I’ll ever actually write these out (suggestions welcome).

Side Taunt (Mabel): Mabel takes out both a sock puppet of herself and a puppet of either another Gravity Falls character or a random other fighter currently on-screen and plays around with them. The second puppet can be any one of Dipper, Ford, Stan, Soos, Wendy, Gideon, Pacifica, Robbie, McGucket, or other fighters present on-screen. If a Pokémon Trainer is present, the puppet can be of them or any of their three Pokémon.

Idle Animation: Same as in Gnome Gemulets (I don't remember what it is).

Stage Entry: The twins fall out of a dimensional rift, like the one Mabel falls into in Lost Legends Part 3: Don't Dimension It.

Origin Symbol: The Zodiac Wheel (duh). No, it’s not too complicated. What are you, a cop?

Kirby Hat: Since there are two potential N-Specials here, there are also two Kirby hats, as Kirby only inhales the active twin.

Dipper: The Pine Tree hat (duh). (Growth Ray)

Mabel: Mabel's hairstyle, with a Shooting Star clip on the headband. (Shrink Ray)

Palette Swaps/Costumes

All of Dipper and Mabel's palette swaps are alternate outfits that they (or others) wear throughout the show.

1) Dipper and Mabel’s most iconic appearance.

Dipper: red t-shirt, dark blue vest, Pine Tree hat, gray shorts, black sneakers, holds Journal 3 (unless otherwise specified, he’s holding Journal 3 in all of these).

Mabel: purple skirt, pink headband, magenta Shooting Star sweater, black flats.

2) Fancy dress outfits from the ball in s2e10: Northwest Mansion Mystery.

Dipper: tuxedo, brown dress shoes, no hat

Mabel: fluffy pink dress (if Peach, Daisy, and Rosalina can fight in ball gowns, so can Mabel), weird hat thing, high heels, uses a feather boa instead of stretchy sleeves.

3) Mystery Shack employees/Anti Gravity AU inspired.

Dipper: Soos's dark green Question Mark t-shirt, cargo shorts, and cap.

Mabel: orange headband, white t-shirt, Wendy's green flannel jacket, boots, uses a rope lasso instead of stretchy sleeves.

4) Secondary antagonists inspired.

Dipper: Gideon's light blue suit and Pentagram cape, holds Journal 2.

Mabel: Pacifica's purple shirt, skirt, jacket, boots, and hairstyle, uses a purple scarf instead of stretchy sleeves.

5) Pool outfits from s1e15: The Deep End.

Dipper: red swim trunks, white t-shirt, whistle, sandals, red-and-white “Night Patrol” hat.

Mabel: pink one-piece swimsuit with a yellow star on the chest, flip-flops, uses a jump rope instead of stretchy sleeves.

6) Goodbyes, based on the series finale. Dipper: same as #1 but with Wendy’s trapper hat instead of his regular one, and holding the blue Pine Tree Journal.

Mabel: red birthday cupcake sweater, pink skirt and headband.

7) Outfits from s2e13: Dungeons, Dungeons, and More Dungeons; Dipper: elf costume consisting of a green tunic and cape, pointed ears, no hat, replaces S-Smash spear with a sword.

Mabel: orange Ducktective sweater and headband, blue skirt.

8) Original Mystery Twins/Relativity Falls AU. Stanley and Stanford as kids, with their appearance from s2e12: A Tale of Two Stans/Lost Legends Part 4: Pines Bros. Mystery. Ford takes Dipper’s place, Stan takes Mabel’s. They have different voice actors and lines than the younger twins (applies to #12 as well).

Ford: white t-shirt, brown jacket and shoes, dark green pants, holds Journal 1, replaces Dipper's hat with a light brown pith helmet.

Stan: red-and-white striped t-shirt, jeans, missing tooth, band-aid on face, brown shoes, uses a rope lasso instead of stretchy sleeves and Shanklin the Stab Possum replaces Waddles for the S-Smash.

Additional Alternate Costumes (just for fun)

9) Evil versions. They have different voice lines and facial expressions. Dipper: Dippy Fresh, the twisted, ‘90s-stereotype version of Dipper created by Mabeland in s2e19: Escape from Reality, has a different voice actor.

Mabel: Anti-Mabel from Lost Legends Part 3: Don't Dimension It, wearing a black sweater with an x-eyed cat face on it.

10) Outfits from Dipper vs. Manliness. Dipper: Manotaur loincloth and tattoos; Mabel: Yellow skirt and headband with black lightning bolt sweater.

11) Trick-or-treating costumes from s1e12: Summerween.

Dipper: peanut butter costume

Mabel: strawberry jelly costume, Waddles wears his brown business suit costume.

12) “Modern” Stan twins; same as #8 but wearing downsized versions of their “modern” attire.

Ford: red turtleneck, brown trench coat, black pants, shoulder bag, holds Journal 1.

Stan: black Mr. Mystery suit, red string tie, eyepatch, and Mackerel fez, uses a rope lasso instead of stretchy sleeves. 

13) Outfits from the Woodstick Festival in s2e09: The Love God. Dipper: dark red v-neck shirt, vest, jeans, sunglasses on forehead, no hat, holds Journal 3.

Mabel: Rainbow-striped pride sweater, purple skirt.

14) Outfits from s1e13: Boss Mabel.

Dipper: Mystery Junior suit (similar to Stan's #12), combed hair, eyepatch, no hat.

Mabel: blue business suit and glasses, Stan’s Mackerel fez, uses a rope lasso instead of stretchy sleeves.

15) Campaign manager outfits from s2e14: The Stanchurian Candidate.

Dipper: red “Team Stan” t-shirt, no vest, yellow visor.

Mabel: red-and-white striped sweater and headband, blue star-spangled skirt.

16) Inspired by my Reunion Falls AU fanfiction One Day Reunited.

Dipper: dark brown jacket (same as #8 Ford), red t-shirt, hiking boots, cargo shorts, no hat, holds blue Pine Tree Journal

Mabel: purple “Love Yo’self” sweater, yellow skirt, purple headband.

17) Reverse Falls AU version #1. They have different facial expressions and voice lines.

Dipper: similar to #4 but also with an amulet, holds Journal 2.

Mabel: light blue dress, amulet on hair band.

18) Reverse Falls AU version #2. Dipper and Mabel are replaced with Reverse Gideon and Pacifica, respectively. They have different voice actors and lines.

Gideon: Similar to Dipper’s #1, but with a light blue shirt instead of red, plus white hair and freckles.

Pacifica: tie-dyed shirt, ripped jeans, hoop earrings, bracelets, uses a scarf instead of stretchy sleeves, replaces Waddles in S-Smash with a chicken.

19) Gravity Rises AU inspired. Dipper and Mabel switch roles, Zodiac symbols, and movesets. They have different voice lines.

Mabel: blue-and-white Pine Tree t-shirt, brown pants, orange hoodie, holds Journal 3.

Dipper: dark blue t-shirt with a yellow Star over yellow long-sleeve shirt, black shorts, no hat, band-aid on face, sleeves of his shirt stretch just like Mabel’s sweaters.

Victory 1: Lower down from the top of the screen on Mabel's grappling hook, just like when they destroyed Gideon's robot in s1e20: Gideon Rises.

Victory 2: Do the short victory dance that happens when you solve certain puzzles in Gnome Gemulets, finishing with a high five (or high six, as the case may be).

Victory 3: Awkward sibling hug (pat, pat), same as the D-taunt. Yes, even the Stan and Ford alts do this.

FINAL SMASH

Like most of their moveset, the Mystery Twins’ Final Smash changes depending on which of them is present when it’s activated, though after using any of these Final Smashes, a missing twin will respawn. This is the only way to cause a missing twin to respawn without being KO’d.

Dipper only - Quantum Destabilizer: Dipper fires a straight shot from Ford’s Quantum Destabilizer, the super weapon with which he unsuccessfully attempted to destroy Bill Cipher in s2e18: [Weirdmaggedon], though it will certainly prove effective against Smash fighters. This is very similar to Dark Pit’s Final Smash; the narrow beam travels the length of the screen and will heavily damage and launch anyone hit by it, resulting in an instant KO if it takes a fighter’s damage above 100%.

Damage:

Mabel only - Imagination Unleashed: While mounted upon the dolphin-man-hallucination-monster Aoshima and karaoke singing either “Don’t Start Unbelieving” or “Taking Over Midnight” backed up by the music of her totally-a-different-art-style dream boys Xyler and Craz, Mabel unleashes her disturbing extraordinary imagination in a glittery tidal wave of rainbows, waffle soldiers, cat faces, stickers, flying sweaters, random stuffed animals, and of course, shooting stars. This is very similar to Wii Fit Trainer’s Final Smash, and is based on Mabel’s Mystery Power attack in Rumble’s Revenge.

Damage (per hit):Both - Unite the Zodiac: A large image of the Zodiac Wheel, albeit missing the image of Bill Cipher in the center, appears around the twins. Any enemies it touches take Bill Cipher’s place in the center of the wheel. After a cinematic of the ten members of the Zodiac united around the wheel, a white pillar of cosmic energy erupts from its center, obliterating anyone inside. This is always an instant KO on anyone it catches… damage doesn't matter, no exceptions.

Since the Zodiac Wheel Prophecy was unsuccessful in the actual show, it’s unknown what would have happened had it worked, so I’m free to interpret it however I want for Smash. I don’t necessarily think this is what would have happened, but it works quite well for a Final Smash. The initial capture hitbox is a ring around the twins, and its limits are pretty obvious.

[minmin-vs-physics]

HUP, EPR, and Bell’s Theorem

Abstract

An educational document discussing the Heisenberg Uncertainty Principle, the EPR (Einstein- Podolsky-Rosen) Paradox, and Bell’s Theorem, written for an audience without a background in physics, but with their head still screwed on right.

1 Introduction

Ah, quantum mechanics. A bizarre theory which unfortunately describes our physical world exceed- ingly well. Einstein didn’t get it. Bohr didn’t get it. I don’t get it. And soon, you won’t get it either. As the saying goes, the more you know about quantum mechanics, the less you understand it.

I will be skipping around in terms of topics covered in undergraduate quantum mechanics courses to prepare you for the actual beast, Entanglement.

Entanglement, the property of quantum systems to remain correlated even when separated, is a concept which has transformed from a worrisome byproduct of a thought experiment [1] into a cornerstone of quantum mechanics itself. What is a quantum mechanics? Google is your friend, my dear reader. My time with you is limited„ and I cannot teach you the alphabet to make you read Shakespeare. I can only explain what you directly need to understand this article. Anything else shall be your homework, and if I am feeling kind at the end, I will provide a list of accessible resources on learning quantum mechanics the RIGHT way.

As we dive into the frankly confusing world of entanglement, it is vital that you remember one thing– A quantum particle is described by a wave function, Ψ. This wave function is a solution to the Schrodinger equation.

This is what they mean when they say something is both a particle and a wave; It’s behavior can be described by a special kind of wave equation, which we all know and love as the Schrodinger Wave Equation. But that’s not important right now. I’ll explain more if I need to. We need to get to HUP.

2 Heisenberg’s Uncertainty Principle

Formulated by Werner Heisenberg in 1927, the Uncertainty Principle is an indomitable tenet in the field of quantum mechanics. Its premise is simple. The more precisely a particle’s momentum is determined, the less precisely is its momentum. In one dimension, this can be summarized with the following mathematical statement: ∆x∆p ≤ 2

Here, ∆x is the standard deviation or “spread” of the position x, while ∆p is the standard deviation of the momentum p. As the spread of one quantity decreases, the other must increase in order to maintain the inequality. I will not bother proving the Principle in full, but I have Heisenberg’s original proof in the references.

Is that it?

Ummmmm, no. An important thing to remember about HUP is that it is not exclusive to x and p. HUP applies to any two quantum mechanical operators, A, B, which do not commute with each other i.e. [A, B] = AB − BA = 0. But that’s all mathematical nonsense, Min! What does it really mean?

Fine! I’m only doing this because it will be useful when we get to measurements in the EPR paradox and Bell theorems. In order to understand what “not commuting” means in the physical sense, let’s use our favorites, position and momentum, as an example. In quantum mechanics, xˆ andpˆ are referred to as the position and momentum operators respectively. (Why the little hats? Firstly, they’re cute, and secondly, well, you’ll see.) The whole point of calling them operators is that they act on wave functions. And in the crudest sense possible (please don’t try this at home, folks), hitting an operator on a wave function and taking the expectation value, gives a measurement of the quantum mechanical system.

There is about three semesters of quantum mechanical education I’m waving off right now, but bear with me. When we act the momentum operator on the system, in some sense we extract the momentum. Same thing for position. However, the whole deal about x and p is that they do not commute. So, the order in which you conduct the measurements absolutely does matter. First measuring x and then p would give you a different answer than first measuring p and then x. This is because the very act of measuring a quantum state changes it. That’s right! It changes. This makes all the difference when you consider the standard deviation of a bunch of measurements. If my memory of introductory quantum mechanics serves me right, after about three pages of algebra you arrive at the familiar position-momentum uncertainty principle.

The moral of the story is that the non-commutativity of these operators manifests as a sort of granularity in the accuracy of measurements you can make on a physical system. This granularity is retained between any other kinds of non-commuting measurements you can make!

On second thought, do you really need this? Probably not. But, the algebra of uncertainty principles is a pet project to me. Especially the strangest of them all, the energy-time uncertainty principle. Enough on that! Here’s the main takeaway (other than the actual HUP statement) that you need from this section:

Making a measurement on a state changes its wave function. No exceptions. None. The detached observer is not a reality in the quantum mechanical world.

3 Spin

I realized that the following sections will not make any sense if you don’t at least know what spin is. So, let’s make a short pit-stop at Spin City to learn about this nonsensical physical quantity.

We’re all aware of angular momentum– its the rotational analog of linear momentum (which we talked about the previous section). We all agree that it is a property related to the motion of an object, right? WRONG! Sometime in the 1900s (Seriously, 20th Century Physicists should chill out), it was discovered this angular momentum from motion i.e. “orbital” angular momentum, as it was called in the atomic physics context it was first described, does not account for all the angular momentum of a particle. Long story short, the remaining angular momentum, which is intrinsic to a particle, is now called Spin. Every fundamental particle has a particular value of spin, which, in quantum mechanical jargon, is the eigenvalue of the spin operator.

For understanding the following sections, we really only need to care about spin-1/2 particles, which are lovingly called fermions, and are the building blocks of all ordinary matter. The shining feature of spin-1/2 particles is that their spin can either be +1 or −1 , which is often referred to as spin-up (↑) and spin-down (↓) respectively.

Physically, the up or down comes from whether the measured spin is along the axis it is measured, or opposite to it. Yes, spin is a vector, so it does have three independent components in the three spatial directions, but it is convention to consider the z-component of the spin for calculations and experiments. Any references to up and down in the next sections are along the z-direction.

Oh, and one more thing, spin-0 particles have no intrinsic spin. This will be important when we encounter the EPR Paradox.

4 EPR Paradox

After skipping a whole bunch of most-likely important concepts in the study of quantum mechanics we arrive at the EPR paradox.

The EPR paradox is a thought experiment first described in the groundbreaking paper [1] by Einstein, Podolsky, and Rosen in 1935. Einstein was quite vocally a hater, and the EPR paradox was proposed as evidence that the description of reality provided by quantum mechanics is incomplete. Reality doesn’t care, of course, and the EPR Paradox isn’t really a paradox. In fact, it is the foundation of entanglement– a magnificent, very real feature of reality which spans black holes, quantum computers and even my field of research: Entanglement in elementary particle physics.

In fact, I’m so self-centered that the example we will use to illustrate the EPR paradox is from particle physics. Just kidding, my explanation follows Chapter 12 in Griffiths’ Introduction to Quantum Mechanics, and is a simplified version credited to David Bohm

EPRB Paradox

Suppose a pion (funky particle with spin-0) at rest, decays to an electron and positron which fly off into opposite directions. Since the pion has spin-0, conservation of angular momentum dictates that the electron and positron occupy the following spin configuration.

√(1/2) (|↑↓⟩−|↓↑⟩)

BE NOT AFRAID of the mathematical jumpscare. The fancy bracket |·⟩ is what’s called a “ket”, and is used to denote the state of a quantum system. All the expression says is that either the electron is

spin-up (+1) and the positron is spin-down (−1) or vice-versa, because the total spin of the system 22

must add up to 0. (Since the initial state is spin zero, the system must stay spin-zero even after the decay occurs. That’s what angular momentum conservation is all about.) We don’t know which combination we will get, but it must be one of the above. Measuring the spin of one of the particles will automatically tell us what the spin of the other particle is. This means that the spins of the electron and positron are correlated. In modern terms, such a state is called entangled.

Now, let’s pretend that these particles fly off in opposite directions, until say, they are several light years apart. What would happen if we found the electron and measured its spin to be +1 ? We instantly know that the positron’s spin is −1 . This is obvious. Why are we mad about this?

Naturally, we may think that the electron really was spin-up from the moment it was created and it was only that quantum mechanics did not know until we made a measurement. But by the principles of quantum mechanics, neither particle had a definite spin, until we made a measurement, causing the wave function to “collapse” and instanteously produce the spin of the positron which is lights years away!

The EPR bros were NOT having it. Einstein famously called this phenomenon “spooky action at a distance”. They stated that the quantum mechanical standpoint must be wrong! The electron and positron must have had well-defined spins from their creation, even if quantum mechanics does not know it. Quantum mechanics is not a complete description of reality and there must be some hidden variables which describe a physical system that we do not yet know.

The fundamental assumption guiding the EPR argument is that no information can propagate faster than light. This the principle of locality. In order to appease this, we can say that the wave function collapsed at some finite velocity and is not instantaneous. However, this violates conservation– If we measured the positron spin as well before the information of collapse reached it, there is a 50–50 chance that both particles are spin-up, which means the system has total spin-1. Preposterous! You can mess with anything you want in this universe, but you don’t mess with conservation laws. What do we do now?

Okay, let’s calm down. The theorists may say whatever they want, but experiment doesn’t lie. Experiment tells us that in these cases, spin is perfectly correlated. The wave function collapse is instantaneous. That’s crazy. Call your mom and tell her you want to go home. The EPR Bros are frightening you— Quantum Mechanics is NOT local so it is NOT complete.

...Except. It is. Enter, Bell’s Theorem.

5 Bell’s Theorem

Now, what’s the situation? The EPR gang is not happy. I’m not happy. You’re not happy. Is quantum mechanics wrong? No, silly! EPR said it themselves: they think it’s merely incomplete. So, in order to completely describe a quantum mechanical state, you not only need the wave function Ψ, you also need some unknown, hidden variable λ. Lots of hidden variable theories were proposed after the Einstein-Podolsky-Rosen paper, but none of them ever gained traction. It was still a respectable area of study until 1964, when J.S. Bell proved that any local (Remember locality from the last section?) hidden variable theory is incompatible with quantum mechanics.

I’ll spare you the details of Bell’s work, dear reader. One thought experiment in an essay is gruesome enough. (It is also getting quite late and I still didn’t code my calculations. I have spent far too much time on this already.)

Bell’s proof involves the wonderful use of probability, and the barest assumptions that can be made about local hidden variable theories. Basically, in any local hidden variable theory, the probabilities of various outcomes are related by what’s known as a Bell inequality. If EPR’s conjecture is right, and there really are hidden variables we don’t know about, then any physical system must obey its Bell inequality.

Except, there have been various experiments since the 1960s confirming that Bell’s inequality is indeed violated. This came as a rude shock to scientists as it is not fun to learn that reality is very much nonlocal. It was all fun and games when this was all merely a mathematical artifact, but nonlocality felt like a gateway drug to a much grimmer violation.

Causality

Bell inequality violations, no matter how surprising, are merely wonderful correlations between two sets of otherwise random data. Sure, the measurement of the spin of the electron affects the positron, but it does not cause it in any meaningful way. The person measuring the electron spin cannot use this collapse of the wave function to send a message to the person with the positron, since they don’t control the outcome of the experiment. They can decide whether to measure the electron at all, but the other person only has access to the positron’s spin and cannot tell whether the electron has been measured or not.

Phew! This sort of nonlocal influence does not transmit any energy or information, so it is exempt from the speed of light. Meanwhile, causal influences, those which do transmit information or energy, cannot travel faster than light. According to special relativity, if this was possible then, there are reference frames in which information can propagate backwards through time. And that, my dear reader, is what we call a big nono. Since the EPR paradox does not imply that causality is violated, we can lie uncomfortably on our bed of nonlocal but causal theory of quantum mechanics.

So rest easy, quantum mechanics is weird, but safe. Entanglement is not a fairytale, but also not the boogeyman. It’s probably more scared of you than you of it. Just give it some time. More answers will follow.

What Do I Do Now?

So, you want to know more? Or curl up in a ball and never think about this again? Either is fine. I won’t judge. If your answer is the former, here are some resources to guide you through the thickets of quantum mechanics.

PopSci Sources

1. IDTIMWYTIM: Heisenberg Uncertainty Principle 2. Why did Quantum Entanglement Win the Nobel Prize in Physics? 3. Bell’s Theorem: The Quantum Venn Diagram Paradox

Surely, you’ll get more out of these wonderful science Youtubers than you did from me yapping for four pages. There are a bunch more probably, but you’ll have to find them yourself.

Academic Sources

1. An Introduction to Quantum Mechanics, D.J. Griffiths.

Of course, there are other quantum mechanics textbooks that I like much more than this one. But, this is the least daunting, so I’ll leave it here.

Don’t forget to like and subscribe for more silly academic style papers.

References

[1]  A. Einstein, B. Podolsky and N. Rosen, “Can quantum mechanical description of physical reality be considered complete”? Phys. Rev. 47, 777–780 (1935) doi:10.1103/PhysRev.47.777

[2]  Heisenberg, W. “Über den anschaulichen Inhalt der quantentheoretischen Kinematik und Mechanik”. Z. Physik 43, 172–-198 (1927). https://doi.org/10.1007/BF01397280

[3]  D.J. Griffiths, D.F. Schroeter, “Introduction to Quantum Mechanics, Third Edition” Cambridge University Press (2018) 978–1–107–18963–8,

[what0smart]

Absolute Power:Superson thoughts!!!

Spoilers!!!!!!

As much as I would love to make an essay on this I don't think there's any way I could organize my thoughts enough for it to be good so I'm just gonna list out my thoughts on my favorite parts!

You can find my thoughts on the first 8 pages we got as previews here (page posting limit lol)

Nia understanding that while Jon often fights alone or for people, he desperately wants to fight alongside others or for them to fight for him.

This whole page is so great, I love the direct acknowledgement that Jon has been constantly fighting and all the times he had to fight alone. I will take the volcano and Ultraman where and whenever lol

Jon clearly has been suppressing his trauma and his constant fighting to make sure he doesn't lose anything like when he lost everything as a kid is clearly taking it's toll. Nia telling Jon he doesn't need to fight for everyone else constantly and it's okay to choose himself at times. This will come back in a conversation with Jay.

I am holding out having any feelings on this cause a large part of me refuses to believe DC would actually kill her, but if she is actually dead I'm gonna come back later and stare at this page in the saddest way possible.

He's so petty it kills me lmao

While it stresses me out to see them fight I love seeing them work through it, and it really shows the differences between them especially as this whole event has probably had a major impact on Jay in a negative way.

Jon realizing that he was trying to save the idea or memory of Nia over his Boyfriend after everything that's happened and deciding to prioritize what he wants, which is Jay. (more thoughts on this page at the end lol)

I think the Amazonians asking Jon for help was kind of a reminder to Jay of who Jon is at his core. Similarly to how Jon understood he probably can't dissuade Jay from hating Nia, I think Jay was reminded that Jon is just a forgiving and loving person, it is what drew Jay to Jon in the first place and that he shouldn't expect him to have the same reaction he has to Nia's death. I think Jay was going to say yes no matter what after this realization but I feel he normally would have thought about it more but decided to take that risk and give Jon a yes so he wouldn't be worried about it while in battle, you can see Jon flies away with a much more ready attitude.

Jon's "new place" is in his dreams, I had a worry Jon was just offering to live together with Jay because he thought it's what Jay would want but the fact that this is here means he has been dreaming of living in San Francisco for a while now, and the fact that Jay not being there destroying the dream really hits it home that being with Jay is what he wants. This is not Jon trying to make sure everyone in his life is happy at the cost of his own, this is Jon listening to what Nia told him to do and is choosing himself by following his dreams.

Final thoughts

Overall I really loved this issue and it really hit my expectations. It was very tough to follow at times but that's typical of dream sequences and this issue did it well, can't wait to see how Absolute Power ends and if Amanda will FINALLY face the consequences for her actions. I'll be holding out my comments on Nia until we know for certain she's dead, Nicole loves tormenting her characters so I wouldn't be surprised but I think she would also love to continue the beef between her and Jay. I'm extremely interested and hope Nicole or Sina do something in the future for Jay and Jon because right now they are probably the people at DC who I trust the most with the boys!!!

[m00njelly]

Hi,

welcome to my little journal! You can call me baby, darling etc! I’m 19 years old from the USA! I had two previous blogs called @/thelittlec0ner and @/pr1ncessjellyf1sh ! Follow my main @softieforeveryone or better @pr1ncessjellyf1sh And I now have a telegram and Throne wishlist, links is at the bottom!

The main purpose of this blog is to journal my thoughts on exploring my sexual side! And I’m letting you see the process! (If you don’t like what I post block!)

What I'm into!

Size kink, breeding kink, age g@ps,daddy/knk, strength kink, cnc, free use, m@sk kink, r@pe Fantasy etc. (will add to it as I explore.)

What I'm not into

R@ce pl@y, extreme violence, sc@t,@gepl@y, anything involving animals etc.

Disclaimer:

I don’t condone anything illegal, this is all fantasy. If you condone anything illegal DNI. THIS IS ALL FANTASY. Anything described is between consenting adults with pre-established limits.

DONT INTERACT IF YOU ARE

MINOR

Age less blogs

Racists

Mysoginist

Pedo

Homophobic

Transphobic

Pro-Israelis

How to interact👇🏽

First and foremost I love to interact with you all but my safety and comfort comes first to me! So I have rules that need to be followed!

I prefer ask over DM's this is because I'm more likely to respond! My DM's in my previous blogs got flooded a lot!

When doing asks please be polite! And when asking a question make sure it's something you would be comfortable asking someone you just met! Even if it's a kink ask, the same thought process applies

If I don't answer your ask it's either because I answered something similar or, I'm not comfortablel

If it's something that might get flagged I'll answer it on my telegram!

If you do DM me understand that it's hard for me to reply to everyone!

if I don't reply please don't take it personally, it's either that I can't reply, or have a reason not to!

Remember this is all in fun, it’s fantasy, don’t take it too seriously

Featured tags!

#moon's psa - my announcements & updates

#moon's answer - my answers to asks

#moon's thoughts - my fantasizes & rants

#moon's pics - my pics!

Physical Description

Long wavy/curly hair black hair

5’0

130 lbs

32 DDD

A bit more about me

I’m a student so I get busy

I’m a virgin

I have two cats

I do weightlifting

I love mangos and pineapples

I’m a foodie (love trying out new places)

Telegram

(Please keep in mind if I feel overwhelmed or in any way uncomfortable I will delete the channel. And understand that this is my first time doing this so please be patient )

[nerdgirlnarrates]

Just spent all day looking through the literature to answer a question for my PI, only to come back with “I don’t know”

[gay-little-izzet]

You mentioned potentially redesigning characters as Compleated in a post a while back, and if you’re still interested in that, I’d *love* to see how you’d go about compleating Teferi! There’s a lot of potential there I feel like

Sorry for the (checks calendar) two month delay, but I wanted to give this some thought

I kind of went a bit overboard with this, cuz I wanted to explore a few different ideas

I added some notes, I hope they’re legible (side note but I found some old art of mine and apparently my handwriting has not improved since i was about 10 years old)

Also I felt like doing something shapey so I did a very straightforward (by which I mean barely changed) porcelain host design. I think the gold inlaid in the porcelain looks pretty good, as well as being a bit of a hint at his true autonomy (gold hued metals being much more associated with mirrans and the resistance than any new phyrexian faction, from what I can tell)

I think a design combining porcelain and chrome would be cool, but alas, is spent a lot of time on this already, so that might come later

Anyways—thank you for this suggestion, I ended up having a lot of fun with it, and I might have to draw more teferi art now, because I adore his visual design.

[doitforadamparrish]

I don’t care about your zodiac sign tell me who do you ship Kevin Day with. that’ll tell me all I need to know actually

[p0tat0-g0ddess]

every so often I am reminded that having severe food restrictions sucks actually

[barnabyboppins]

Hopefully lukewarm take (i haven’t checked)

I recently finished reading the Heroes Of Olympus series (having read pjo immediately prior) and I think it’s pretty shitty that the worth of all of our good guy characters are, to a notable degree, measured by their ability to find and engage in romantic relationships and are then greatly defined by those relationships. (Disclaimer; I don’t think I’m in a justified position to discuss lots of the racial criticisms for HoO but I do agree with a lot of em and that aspect does factor into this topic)

7+ important recurring characters is quite a lot of people to balance, even in a five book series and all of the non-pjo characters suffered immensely for it. But one character arc I anticipated over and over again that never ended up happening was any one character finding fulfillment from the non-romantic relationships around them by de-prioritizing the idea of a perfect someone in favour of accepting the support of their friends/comrades/campers/family/etc. (Second disclaimer: I don’t expect a novel saga from 2010 to have characters declaring their orientations (or lack thereof) aloud but the idea of a character learning to define themself by or through something outside of romance isn’t a new one)

I think Percy and Annabeth are very cute and work well as a couple (are they the only white couple?) and I don’t really see any chemistry between Piper and Jason (I feel like they’re on very different paths from each other and Piper stagnates greatly in favour of supporting jasons development) but I think literally every other Good Guy character had the potential to not need romance in their arcs. Frank could have been raised to praetor by consensus and recognized by his peers and grandma, actively validating his growth rather than him achieving great feats and no one noticing or really caring except for Hazel. Hazel could’ve been shown learning about the modern day with Frank and Nico during downtime and reconciling her identity and trauma with the diversity of today while discovering a new freedom in acceptance (from the Seven) of who she is from back then and who she may yet want to be (and also not dated a 16 y/o at 13).

Leo, Reyna and Nico were the main ones I was thinking would forgo the need for a partner at least as a necessity for their growth/healing as all three have severe familial trauma, are distanced from other demigods socially somehow, and all were explicitly ousted from conventional romance in-writing.

Initially with Leo I had hoped he would confront his struggle being the “seventh wheel” by expressing how he was feeling overlooked as a friend (and as the ONLY shipwright) in favour of everyone’s romantic interests, which would lead into further emotional vulnerability in the party but, that never happened save for a few stoically non-communicative gestures of support to Frank and otherwise weird hang-ups on Hazel before he fucked off to Calypso, letting his friends think him dead for weeks. Leo lacked connection and felt inferior and less important than the rest of the Seven and the narrative validated that by only fulfilling him through an a Rapunzel-like hot babe trapped on an island who is physically dependent on his emotional dependence on her. That’s not a recipe for healthy relationship! I related to Leo initially as an aromantic person with 9 siblings, half of whom are already coupled so it was very disappointing when I realized by the third book that RR just didn’t take what was to me the most obvious arc for a character who is vitally important to a team but least noticed. Also the Hazel-Frank-Leo pseudo-love shape didn’t need to happen, at least in the way it did, and I think the Leo-Hazel-Sammy weird love thing was stupid.

I think Nico and Will are a very cute couple and I’m looking forward to reading their book when I come around to it but I felt unsatisfied that the thing that got Nico to stay at camp after 5 books was a guy who had little significant presence until the last book and not like, any of the other deeply important connections he made during his journeys? Nico’s been talking about never returning to either camp for a while and none of the Seven or Reyna (I think) thought to check in with him? I get that Will is supposed to be like the first person to insistently want Nico around but if Will really is the first then that’s kinda fucked up given the whole like, eight books worth of people he’s met. It’s a bit fucked up that after years of Nico’s presence, seemingly the first connection to anchor him down is an unspoken suggestion of a romance

Reyna’s character journey confuses me because I don’t if I missed or forgot it but I don’t remember her having a conclusion to her internal struggles. Aphrodite telling her she’s doomed to singledom gets brought up again and again and it’s mostly just to make you feel bad for her. She doesn’t tell anyone else. She doesn’t seek fulfillment in the platonic or familial connections she has. They visit her house, trauma dump about her abuse AND fakeout her sisters + the hunters + the amazons deaths just to have Reyna be even more hurt. Reyna and Nico come to understand each other while they’re travelling but by the conclusion of the series she’s just gone back to her isolating and stressful role as the praetor, but now with more work to do! Aphrodite’s words are never explained and their veracity is never tested and all it serves is to give Reyna more misery porn.

I guess what I’m saying is I think the story would have been better if The Seven & Co had a little more connection with each other and not just with their respective partners and if we could have seen some internal growth come from that.

[jazzyjazzin]

it is so odd to read a creloise fic and feel as if the writer absolutely HATES eloise but here we are ig. . .

[wickmitz]

How do you think about Frepper? I'm neutral about this ship, but the fans Frepper attitude towards confuses me, Ivy and Freckle have only been dating for a week and know each other superficially, but everyone already thinks that by the end of the comic they will get married, I think differently, I think that in the end they will break up with each other because they are too different personalities, I literally can't imagine that both of them will be happy with each other in marriage, Ivy is assertive and active, on the other hand Freckle is passive and just agrees with Ivy, this is not a guarantee of a healthy relationship where a partner completely dominates the other, plus to all that, I will not forget how their relationship started, Ivy just decided that they were dating, and without asking Freckle's permission, she just KISSED him, again without his permission, Frepper fans think that it's cute, but when I saw it, I thought "what the hell did I just see?", in general, it's strange for me that Frepper fans are okay with such things, of course later Freckle shows attraction to Ivy, showing that he likes her in some way too, but I still won't forget how their relationship started and how Freckle used to try to escape from Ivy when she squeezed his hand tightly and forced him to her …

I'm not against Frepper, but I don't understand his fans who don't see these issues and who treat other points of view on their relationship (like mine) as … um, as nonconformity? Fans from reddit are just obsessed with Frepper, I don't know about other networks but that's how it is on reddit, I think there are people who have my opinion but are afraid to say it because of fans, of course, I met Frepper fans there who normally accept such an opinion, but still there is a feeling that such a opinion cannot be told

Simply put, Ivy and Freckle are a couple that will eventually break up with each other unless there's an event between them in the comic that changes my opinion of this couple, but that's how I feel about Freckle for now. I didn't plan to express my opinion, but it happened that way, I hope you don't mind it

first and foremost, i don’t mind seeing someone express their opinion in my inbox! you and anyone else are free to do so, even if i may disagree. this blog’s entire existence was made for me to share my opinions ( and love! ) for lackadaisy, as well as engaging with other fans, because what else is the point of a fandom blog? and as far as i’m aware, this is unpopular opinion central! most of my thoughts aren’t exactly the ones with the most voice behind them i’ve found, so i welcome all manner of different views. every fan is entitled to their own perspectives and opinions, and should be allowed to share them as they please! but with that disclaimer out of the way, i’m more than willing to discuss frepper in its entirety.

for me, there’s little confusion i carry where it concerns this ship’s popularity amongst the fandom. freckle and ivy, if we are to strip them down to their bare essentials, are a rather stereotypically ‘cute’ relationship : people enjoy opposites ( see zibwick or vikdecai for example ) and there’s an endearing quality found in puppy love dynamics. seeing ivy wear the pants and drag a shy freckle around by his ankle makes for quality content in a way! think the ‘excuse me, but he asked for no pickles!’ meme … ivy and freckle very much fit that sort of mold, and it helps that most fans are too scared to ship them with other characters in the cast too, due to what they perceive to be a lack of options. thus, frepper is an extremely ‘safe’ ship! you cannot get in trouble for enjoying something that is not only canon, but is relatively adorable ; and so i don’t believe a lot of the fans are actually thinking too deeply about the likely endgame of it all. most don’t! it’s fun to ship, and that’s all they really need i think. it’s also very easy to dismiss ivy’s forwardness as a quirk of being a young girl who’s of her temperament, recklessly boycrazy although still carrying sweet intent. this behavior is easier to hand wave when neither ivy or freckle are experienced at the dating scene as well … freckle due to his extremely religious upbringing and hermit nature, and ivy because of viktor’s constant meddling, which would hold her back more than you’d think. with that said, i don’t think any of this is excessively complicated. some shippers are rather simple minded and do not care for details and characterization all too deeply. enjoying dynamics is, at its core, supposed to be fun -- which makes simple ships like frepper prime targets for a very vocal and tight knit fanbase. there are other things i could speculate about why these two may hit so pleasantly for others, like how there’s an underlying queer theme to it ( what with ivy being the pursuer and freckle the shy, blushing flower ) or that it’s tropey enough to hit the right spots for others … though it all boils back to mere speculation. perhaps they still have time to escape this gangster lifestyle and live happily ever after? and that appeals to the lackadaisy fans who still want some sort of happy ending? it’s all a combination of frepper being easy, i think, and containing two young cats who still haven’t done anything particularly ‘unforgivable’ yet action wise. this is a ship you can root for without an ounce of worry in your heart, and so on and so forth.

but although i understand why others are so vocal about them, i don’t exactly agree with fanon’s views either! while i heavily enjoy frepper, i enjoy them as they are, and that includes their looming flaws and inevitable tragedy. they are bound to break each other’s hearts a lot on their current path ; even if they were entirely perfect for one another, this lifestyle isn’t kind to anyone, meaning if they don’t separate, they could always be forced apart via bullets and such anyway. they are young and woefully inexperienced in a manner of things, the last thing they need is the stress of a rumrunner life driving their every action, you know? i know people see them getting out together, and that is likely on the table! i do see that in many ways, but i’m also of the opinion that ivy and freckle will diverge onto different paths at some point and temporarily call it quits. from where the comic currently stands and given my view on ivy’s arc, i see her growing disillusioned with where she is and the honor and fun she saw within it as a royal spectator will fade ; she will become wary, fearful, and her resilience will die … meanwhile freckle will embrace it, similar to his cousin, fully understanding what it is and what he’s getting into ( like rocky, again ) but being unable to leave his refuge. i know lots of people think freckle will leave the lackadaisy first, but given his old concepts and former title as one of mitzi’s ‘trouble boys’, i think he will become lost in the sauce for a myriad of reasons. frankly i enjoy that twist on their relationship! since i believe ivy’s character development will revolve around maturing, changing as time stretches forward, because her character is ever growing, what with her entire schtick being the fact she’s everything a 1920s girl was during those times. she embodies that unladylike youth and manipulative sweetness, so i’d imagine a lot of her path is falling from such naive thrill seeking and stumbling upon a harsh reality. she will mature, and the very thing that should make their relationship stronger will be what divides them indefinitely. everything they have is founded on this bloody, varnished soaked ground after all … they are young adults who are experiencing what closeness feels like outside of family or platonic friends for the first time, so naturally they will overindulge in their own amateur games ; find respite in the boogie and kiss like couples do on the silver screen, laugh about it, talk about everything and nothing at all … relish in each other’s warmth and stupidly loyal protection. i’m sure frepper will grow closer before any falling out, because as it stands, it’s one of the few things they have in such a scary situation that feels comforting and kind. they will impact each other in the fundamental ways first relationships do and, to move towards your biggest gripe, do things they’ll regret or allow things to happen to them that they’re not entirely okay with.

ivy is very forceful with freckle initially, albeit in her typical saturated way ; and i can see why that would be hard to parse! especially when freckle spends a majority of their first scenes together squirming away and hiding, trying to duck her affections and bolt for it. there is a lot of boundary crossing between them! but not in a necessarily malicious way … like most things with frepper, this circles back to their mutual inexperience and how, in a lot of ways, this is their first ‘serious’ romantic relationship ever. and it’s rather common for such firsts to involve gray areas, since neither party is entirely sure of what their own boundaries are just yet! while freckle did appear frightened by ivy at first, it’s important to note that tracy’s mentioned him having a flight response whenever girls flirt with him … he is prone to run away instinctively, which if you consider his extremely religious upbringing, isn’t exactly a surprise. nina would no doubt look down upon freckle engaging with girls his age due to what most girls his age are currently doing in the roaring 20s they’re living in. sneaking out and engaging in illegal activities, dancing in a way that would disgust most of the more traditional and older generation, casually engaging in any manner of sexual activity before marriage, etc etc. and this isn’t even listing freckle’s cagey nature due to an incident we know was bad enough to send rocky packing for years, and fundamentally changed freckle himself at such a young and impressionable age. he is … very troubled! and rather scared of himself and the world around him … at this stage in life, freckle is perpetually unable to make any progress towards anything he may want, and so i have little problem myself with ivy mostly taking the lead. when left to his own devices and allowed to choose outside of influence, freckle did in fact sneak out of his mother’s house to go to the lackadaisy, surely well aware that ivy’s intention had been romantically inclined. so, to me, he has always liked her ; perhaps found her cute, in a shallow way, saw her eccentric behavior as endearing and frightening in equal measure, and while he’s still wading into this whirlwind pool unsteady and shaken, he -- wouldn’t mind it if ivy pushed a little more, or moved him around to her ( and what she perceives to be, their ) liking. perhaps this dynamic is familiar enough to him that it becomes comforting, since rocky was very much the same way in their adolescence. tugging freckle around and pulling his tail for whatever rocky wanted them to do, with little care for whatever his baby cousin desired at the time, ignoring his protests and chasing him ; nobody’s at fault here either, kids are extremely self absorbed and this is a flaw they’ll usually mature past, and while ivy and freckle are adults during the comic, i don’t think ivy’s outgrown this linear view on things just yet. she is extremely entitled! she is used to being the apple of everyone’s eye at the speakeasy due to her jazz baby status as atlas may’s goddaughter, and this gangster connection excites and awes the ladies she attends classes with at her university too. ivy pepper is used to getting her way and this has only fueled her determined attitude, her ‘pull it up by the bootstraps’ mindset, and in many ways, this is something of a flaw for her. it’s not bad to be confident and headstrong, although when you add that into a dangerous mix of rumrunning and gunslinging, it may become a problem rather quickly. but i digress! point is, ivy and freckle are hardly at fault for the awkward way they handled the start of their relationship, when it’s so new and fresh to them both.

neither of them have boundaries at this moment, as they either have no clue what those are or simply haven’t realized they should set them. so, in turn, there are things that the other may do that could cause their partner discomfort … and it’s mostly done out of obliviousness and good intentions and your classic dose of intense affection. doesn’t mean it isn’t messed up to a degree, but i think it’s rather realistic, and is a hard truth that comes with many first relationships of that sort. sometimes you don’t know how to say ‘no,’ or you agree and regret agreeing later, or perhaps you simply don’t understand there’s certain things you aren’t ready for or genuinely just don’t like. again, it’s a very muddied area, and the two of them are vaguely navigating what is mostly foreign to them. they’re bound to mess up! so i ivy some slack here, and applaud tracy on the realistic writing more than anything usually. young love also happens to be a great device to use for inexperienced characters finding themselves, through the good and bad of their relationship, and frepper is all about that. maybe freckle will inevitably bring up how he feels like he would’ve preferred it had ivy asked him out properly, or gave him time to court her in a traditional fashion … and she will be surprised ( and a little wounded ) by this, since she had never considered it before … too used to her way of things to realize there’s another path they could take. i think this aspect of the relationship is important, and i can understand wishing that more frepper shippers would view it as such, or comment on it's morally gray nature without just calling it ‘cute’ and leaving it at that.

tldr : they will most certainly break up at some point, maybe even multiple times! tracy has said before that they both have some serious maturing to do if their relationship is to be long lasting, and i doubt that maturing will happen to them both at once … since they have different things to work on emotionally. but they will probably strongarm some major personal development within each other, as well as love one another with a fierceless abandon that most kids do. i could see them getting married, i could see them not, but i agree that if they were to be wed happily, they’d have significant hurdles to overcome. but personally, frepper is something i adore mostly due to the impact they’re bound to cause each other, and even if they are to separate and find someone new and more fitting, they’ll always remember one another -- perhaps fondly, and sadly, and with some anger. a time they’d like to forget, but a person they’d like to remember … which is my cup of tea overall! they much more interest me as they presently are anyway, where i can fiddle around with their budding romance and friendship bonding. and as lackadaisy grows in popularity, i do hope there’s more frepper fans who see their complexity and flaws and explore them with all of it in mind.

anyway! i hope this was coherent, and that it was obvious that i agreed with you for the most part. i haven’t really talked about frepper before with anyone so many of these thoughts sort of burst out of me! and i feel like i have more to elaborate upon, but for the sake of simplicity i kept this short. oh well! surely this is enjoyable and informative regardless.