#and a lot of times what happens in fandom is that a character is mildly unlikeable

[theshadowrealmitself]

I’m glad that Henry turned the job offer down, he doesn’t even actually help them that much, he’ll usually just go “Shawn I’m not a part of this >:(“ then bring up hats or maybe something mildly useful and that’s it!

Which is fine since it’s not his job, it’s Shawn’s, but oh my god I did not like Chief Vick thinking he helps way more than he actually does

[bunnyluvx]

the arcana characters and their favorite ways to spend time with you! ♡

featuring: the romanceable cast of the arcana minus lucio x gn!reader.

summary: the cast and their favorite ways to spend time with you!! <3

warnings: brief death mention in portia's part. nothing else! <3

a/n: WOWIEEE HAIII EVERYONE!! i just wanted to say thank you again to everyone who loved on my last post. it was really scary for me to make that, but i did it and all of the interaction means the complete world!!!! i know that this is a very different fandom than the last post so i don't know how many people will see this but to any readers, i hope that you enjoy this!!! i worked super hard and got a bit tired towards the end so i hope you can forgive me if it isn't as detailed eyfvibu i wanted to do more but mannnn i am so tired. i didn't write lucio, as i will not be writing any lucio content on my page at all. mentions of him for story reasons and maybe if i ever write a fanfic, he'll probably show up but other than that, i will not be making any content of him at all. i am a proud lucio hater so if you want lucio content please go somewhere else. i just finished asra's route today, i got the upright ending and AAAAAAAAAA?????? I LOVE THEM SMMM SYFVIUBIOE!!!! asra is literally such a cutie patootie and i am so in love with him. i cannot deal with it. i have done muriel and julian's routes too, both with the result of the upright ending, and i plan to do nadia's next!!!! very excited and nervous to see what happens. nadia and portia may be a bit ooc, so apologies for that. i have yet to do their routes so i have yet to see their characters in action. very mildly proofread, so please forgive any errors. character banners were edited together by me! any and all requests/ideas for my next post are appreciated! i don't think i have anything else to mention so enjoy!!!!!!

divider credit: @isisjupiter

date started: 7:46PM, april 11th, 2024. date finished: 2:07AM, april 22nd, 2024.

wc: 3.9k

asra ♡ traveling.

i really struggled to find something for asra that suited, because they would honestly enjoy doing anything with you. it doesn't matter where you are or what time of day it is, as long as he has you by his side, then he's happy. and that is super evident in their route. and having just finished asra's route, i have been thinking; we all know that asra does a lot of traveling. and we all know that during those times, asra misses you terribly. they don't like being away from you for a long time, and as we go through asra's route, having all of these adventures and seeing so many new and cool places, we can see just how happy asra is to have you at their side. the joy shines through the screen, and i can feel just how happy he is to have you with him wherever you are. ergo, their favorite thing to do with you is to travel.

when the two of you started to travel together, asra was a bit nervous. he didn't know what to expect when you agreed to travel together without a destination in mind, and he was worried that somehow, some way, something would happen to you. what if you got kidnapped? what if you got hurt? what if you got sick? all sorts of thoughts were running through asra's head, but the more that they watched you grow and allowed you to take chances, the more that they realized that you would be okay. yes, any of those things could happen, but he is right there if you need him. they know that they will always be by your side to help you through any challenge, and care for you however you need it.

however, as the travels go on, he is reminded everyday that you are a strong, capable individual. they knew that before, of course, but seeing you solve all of the riddles and puzzles put in front of you, helping so many people and growing so much made it hit them like a truck. he was always too afraid to allow you to take chances before, in fear that you would get hurt. but they learned that if you didn't take chances, that you wouldn't grow. and the last thing that he wants is to stop you from being the best version of you that you can be.

so, they let you off of the leash. and just like a bird taking flight, you soared and took everything that came at you by storm. he watched you as you became braver, smarter, kinder and stronger. they always expected for you to be great, and they always had faith in you. he just needed to learn that in order to achieve that greatness, that he needed to let you do some things on your own. they needed to let you make your own mistakes and win your own battles, so that you could learn. and it was one of the best decisions that he's ever made. watching you become more independent and confident within yourself is one of the best feelings that they could ever be blessed to have. he feels so grateful that he is the person that you choose every single day, and no matter what, he will always choose you.

julian ♡ dancing.

at heart, julian is a romantic. almost every cliche romantic thing that you can think of, you have done with julian. picnics. karaoke, aquariums, painting classes, shopping, craft nights, not to mention all of the crazy adventures that you guys would get into together. every day, he wants to remind you why you fell for him, and in his opinion, keeping things lively is the best way to do that! above all, though, julian's favorite thing to do with you is to dance. he knew that you were a prodigy at dancing after the masquerade, but one night changes everything.

the two of you had actually taken dancing classes before this. you were actually the one who suggested it, and after teasingly accusing you of thinking that the two of you are horrible dancers, he agreed. he honestly didn't think that he could be more in love with you after that. you two went to the class, and julian could hardly ever tear his eyes off of you. the way that you moved was so naturally graceful, as if you had been a dancer your whole life. he most definitely showered you in attention and love after the class was over, and he knew that he had to arrange for the two of you to dance together more often.

oh but that night was not the night that he realized that this was his favorite thing to do with you, no no no no no. the night that he realized that dancing was his favorite activity to do with you was a night like many others; dinner at portia's. it was you, julian, portia and nadia, and you all decided to eat outside so that you could watch the stars. portia went into the cottage to check on the food, with nadia following close behind her, and julian figured that it was the perfect time to steal a sweet moment with you. so, he stood from his seat and knelt to one knee before you. with one hand on his chest and the other extended to you, he asked, "will you have this dance with me, my dear?"

you giggled and told him that there wasn't any music playing. what could you possibly dance to? oh how sweet you are. a chuckle symphonized from his chest, and he responded with, "oh my dear, we do have music." a gloved hand took yours and placed it over his heart, "right here." oh my gods, this absolute cheeseball. you playfully shoved his chest, moving backwards under the force but not falling onto his butt. he swiftly leans forward and takes the hand that shoved him, pulling you to your feet as he stood. one pair of hands intertwined while the others lay on your waist on his shoulder. you two started to sway together, as if you were in the masquerade. yes, you did technically dance at the masquerade, but julian wanted a more intimate experience. you didn't get to have a romantic ballroom dance thanks to the one we do not speak, and julian finds that absolutely outrageous!

your bodies glide beautifully amongst the grass and bushes, you take turns spinning each other around and laughing throughout. fireflies spring from the greenery wherever you set your feet, giving your figures a tender glow that julian found absolutely enchanting on you. after spinning through almost all of portia's front lawn, you find yourselves right back at group sitting spot. his arms have encircled your waist, keeping you close to him as your arms encircle his neck carefully. there are no long strides in this dance, no dramatic flair; just you and him rocking back and forth. his eyes stare into yours and his lips are curved into an adoring smile, as if by looking into your eyes, he could pour all of his love from him to you just through eye contact.

you mutter his name, he mutters yours, you lean in, and..portia pipes up. both her and nadia hold two bowls of soup, hot and ready. portia is mischievously smirking at the two of you while nadia admires your connection. julian tries to usher them away so that he can have more alone time with you, but you're quick to shut him down. begrudgingly, julian did, but all he could think about for the rest of the night was how beautiful you were dancing with him. your laughter singing into the air, the smile on your face, your gaze carving through the very core of his being. somehow, he was able to stay focused on the conversations that occurred that evening, but everyone, including you, could tell that he was going to be hung up on tonight for the next several weeks. when you got home, he was sure to steal a kiss from you later, and another dance.

nadia ♡ fashion shows.

ah, our beloved countess. at first, i planned on giving her shopping, seeing as her love language is gift giving, she would love to spoil the crap out of you with anything that you even glanced out. however, i wasn't happy with that idea. my boyfriend was actually the one who came up with the idea of fashion shows (hi vinny honey, i love you <3). he is such a freaking genius for this one bc OH MY GOSH YES. nadia has such beautiful taste in clothing, so she would absolutely love to host little fashion shows with you. she does like to share her clothes with her friends, but with you, it's special.

the original thought was you trying on nadia's clothes, and nadia trying on your clothes. nadia would feel like she is falling in love with you all over again if you tried on her clothes. all of the fabric would embrace you in such a perfect way, accentuating all of the things that she loves the most about you. gosh she would just be so head over heels,, she would clap every time you would walk out to show her what you chose, or what she selected for you because she just wanted to see you in it so bad. this woman is literally your number one supporter, she thinks that you are absolutely drop-dead gorgeous in everything that you choose to try on and cannot get enough of you in her clothes. she will shower you in compliments and praise of just how celestial you look, and it makes you super duper flustered because she just flatters you so much.

she also gets really shy when she tries on your clothes. all of her life, she has had the most expensive, well-made, stunning clothes that anyone could ever dream of. so, trying on clothes that do not fit under those categories is new to her. while she isn't used to not wearing the most lavish clothes to be found, she likes your sense of style and is always excited when you ask her to try on an ensemble of yours. what she worries about is what you think. she frets that you think it won't look good on her, if that isn't the farthest thing from the truth. when she walks out to you, you are in absolute awe of how beautiful she is. you already think that she can't get any prettier when she wears other outfits, but now this???? her in your clothes???? oh lord almighty you must be SAVED bc this woman has swept you off of your feet. she asks you what you think, and all you can do is walk up to her and smooch the ever-loving life out of her. you just love each other so much!!!!!

BUT WAIT, I'M NOT DONE. I HAVE MORE THOUGHTS.

when your group of friends have sleepovers at the palace, or when you all go out shopping together, it is unavoidable that you all will be having a fashion show where you all show off the clothes that you bought. nadia loves these so much because she gets to watch her friends all enjoy themselves and feel confident in their clothes, especially if she was the one who bought them. but with you, they just feel so different. to her, it is an intimate experience of being able to share your joy with one another. something that you value in your relationship with nadia is self-esteem, both yours and hers. not only do you both want to make each other feel good. but you also want to feel good within yourself. and nadia thinks that fashion shows are an important part of that. clothes are part of how one may express themselves and their identity, and that is something that nadia treasures. so, if showing off the clothes that you got is going to make you feel good about yourself, then she wants to be there to watch you. there is nothing more important to her than your happiness, and if going through outfit by outfit is what will make you happy, then so be it.

admittedly, she..also really likes to show you the new clothes she gets. when you first started dating, she was a bit nervous about it. she knew that you knew of her riches and lifestyle; it was lavish, and she only got the best of the best. she's the countess for crying out loud, so of course you knew that she was going to have everything that she wanted at her feet, even if it meant something that took literal years to find. but there was part of her that worried that you would see her money and think differently of her. she feared that you would judge her person based on her money, instead of the woman you fell in love with. when she told you this, you automatically reassured her that you wouldn't think differently of her at all. you would love her regardless of the amount of money she has, you told her. and this put her heart at ease, so she progressively became more comfortable showing off her wardrobe when you hosted your shows to each other. now, she doesn't hesitate to declare a fashion show after a shopping spree so that she can show you the lovely things that she got for herself. and every single time that you have one, you cannot believe that that is your girlfriend. you are just the luckiest person in the whole world to have someone like her, and she feels infinitely more lucky to have you.

portia ♡ watching the sunset.

this kind of feels like a given to me. portia is always talking about how she wants to sail the world and explore, both in the actual routes and in heart hunter. so sitting on the docks with you, watching the sun disappear behind the sea and talking about your dreams??? oh heck yes, count her in. she is really tired when she isn't working, so usually she spends her time trying to rest up and take care of things around her cottage. however, she wants to spend all of the time that she can with you. so, the two of you go on all sorts of lovely dates! shopping in the marketplace, teaching her about new herbs in the shop, seeing the new shows in the theater and heckling julian, all sorts of stuff!!!!! but portia's all time favorite part of your days together is when you go to the docks, take off your shoes, sit on the edge and talk while watching the sunset together.

portia has so many dreams, and so many things that she wants to do in her life. and she loves to tell you about all of them. she spends hours just ranting to you about all of the things that she wants to do, the places that she wants to see, the types of adventures that she wants to go on, and of course they all include you being there with her. oh gods you love listening to her,, every single word that she speaks are words that you carve into the stones of your memories. listening to her talk about her dreams is like watching the sun shine. greenery smiles under the glorious warmth and embraces her glimmer gratefully, her passion burns brightly and she is the most beautiful being in any realm to ever exist. she has no time to wonder if she's talking too much because she is far too focused on being with you, and loving every single moment of it. you truly hope that you are able to go on all of the adventures that she wants, so that you can experience every ounce of the world with her, until it all falls apart.

of course, she loves to listen to you. the time that you two spend at the docks is time to talk about anything that comes to mind, and she cannot help but adore you as you pour your heart out to her. when you speak of all of the things that you want to do before your time in this realm comes to a close, she watches and listens very intently. your voice to her is like a river, running smoothly through the canals of her mind and soothing the battering howl of her heart. her eyes twinkle with adoration as her elbow rests on her knee, her face leaning against her hand as she stares at you. everything that you tell her only makes her more excited for your future, because in your future, you include her. and that is all that she could ever truly want. you both truly love to listen to each other talk, not even just about your dreams, but about anything. even if it's something as small as dinner options or something that you saw at the market that you liked, you both love to hear anything and everything from each other. can you tell that the two of you are head over heels in love??

the first time that you sat at the docks together was a magical moment that portia will never forget. you two had just spent an amazing day together, and you wanted to rest by somewhere pretty before heading back home. so, portia suggested the docks to watch the sunset. you agreed, then took your shoes off and sat down. you conversed for hours, laughing and teasing each other. it is so obvious that you both are the other's favorite person to be around to everyone around you, you are both so comfortable with each other in the purest, most loving way. portia had taken her hair down, long curly locks of red flowing carefully down her back. as the sun caressed the ocean for a farewell kiss, the light made her look like she was a celestial being. freckled, pale skin bathes in orange, your own skin making you look just as radiant as she. you locked eyes with her, and all you could think about is just how much you love her. and her you, for she thought in that moment, that you were the most gorgeous person she had ever seen. she thinks that all of the time, but everything about that time was too perfect. your hands cupped her cheek, and her hands held your arms as you exchanged a beautifully passionate kiss. all of her love dumped into it as did yours, and it is something that portia will always remember. you two go to the docks a lot more to watch the sunset, and exchange plenty more kisses worth treasuring for the rest of your lives.

muriel ♡ nature walks.

OHHHHHH MURIEL!!! MY SHMOOPY POOPY DOOPY BEAR!! i love this man with all of my heart,, no one understands my love for him syufigubine. i didn't even have to think about this one, because i KNEW for a fact this our sweet boy would absolutely LOVE to go on nature walks with you. he isn't much of a people-person, so he doesn't really like going anywhere that crowds gather. which, in vesuvia, is a pretty hard thing to do, considering the fact that people are almost always out, doing something. so muriel doesn't like going anywhere where people are. the time that he spends with you is meant for you and you alone, not to be spent around a crap ton of strangers that push and shove and cram him into tight spaces. so anytime alone with you is time that he greatly cherishes. you had been wanting to find an activity that both you and muriel love doing that wouldn't make muriel anxious or uncomfortable, so you came up with the idea of nature walks.

when you brought it up to muriel, he accepted it right away. he would get to be around nature and spend time with you? that's all he ever really needs, honestly. he has been through the forest time and time again, he knows every crevice of it like the lines on his palms, yet when you went on your first nature walk together, everything about the forest seemed to change. the colors were brighter, the plants smelt richer, heck even the animals were out and about more when you two went out together. he didn't understand why, but it felt so much better being in the forest with you. you walked along and let the path take you wherever fate demanded. the sun peered through the leaves of the trees to allow life to breathe underneath it, the warmth of the day wrapping around you both like a blanket. he's gotten used to this forest after living in it for so many years, but with you, it felt like the most fascinating place to be.

he was a little worried because he figured that you would want to go out. not just to the forest, but to somewhere like the marketplace, the town square or even the rowdy raven. when he expressed his concerns, you reassured him that you didn't need to go out and do something. all you need is to be with him, and if this is the way that he is most comfortable spending time together, then so be it. you could walk all day, all night, for the rest of your lives in this forest together, as long as it meant that he was comfortable and happy. he smiled and thanked you for your reassurance, giving you a little kiss on the cheek before taking your hand and continuing your journey.

from that point forward, nature walks became a very regular part of your routine with muriel. it always starts with "wanna go on a walk?", and from that point forward, who knows what could happen. you two have found a lot of new things in that forest together. you've found lots of pretty flowers, greenery, rocks and animals that you didn't see before, new spots to relax in and even found little burrows and nests a couple of times!!! it's like a little adventure that isn't too far away from home, and muriel is more than happy to go on a walk at any time. it's almost always something new when the two of you go out together, and he thinks that that's what makes you so lovely. on most days, on his own, he wouldn't think twice about any of the things that you do. so, when you stop him to look at a pattern on a rock, or to admire a dandelion that you call a flower even though it's a weed, he takes his time to admire it with you, and he can't stop that sweet smile from curling onto his lips. seeing you in his favorite place is the most wonderful experience that he could ever ask for. he didn't believe that he was deserving of wonderful experiences before, but now that he has you, he wants to think differently.

@BUNNYLUVX ,, all rights reserved. do not copy/plagiarize any of my works or submit it into ai. any and all support is so very appreciated! <3

[sleepingdeath-light]

relationship hcs ; lucifer morningstar

requested by ; mod / self indulgent

fandom(s) ; hazbin hotel

fandom masterlist(s) ; here

character(s) ; lucifer morningstar

outline ; “dating headcanons for lucifer”

note ; this may be a touch out of character as i’ve never written for him before, but hopefully you’re all able to enjoy this piece either way ^^

warning(s) ; brief mentions to canon angst and one mildly suggestive bit, but mostly fluff!

after having a several thousand year long marriage fall apart on him and experiencing a strained relationship with his only child for a good number of years after that, it’s only natural that lucifer would struggle with letting himself fall in love and move on — both because he doesn’t want to risk pushing charlie away and because, well, despite being the prince of pride he has a lot of issues relating to his past and he’s worried about messing things up and losing someone else he loves

that’s not to say that courting the king of hell is impossible, far from it in fact, but that you just need to be patient with him — let him move at his own pace, he’s been out of the dating game for a while after all (if you could ever even consider him as being ‘in it’ at all given the unique circumstances under which he met his first wife)

despite being the embodiment of ‘pride’, he does deal with a great deal of insecurity and anxiety — about everything from his parenting to his creations to his relationship with you and even far beyond that — so any kind of verbal reassurance or praise will go a long way with him and will always be received with a great deal of warmth and gratitude

whisper about how much you love him as you hold him in your arms late in the evenings or early in the mornings, when you’re laying in bed and half asleep — making sure that you’re starting and ending each day on a positive, private, warm note no matter what happens between the ‘now’ and ‘then’

gush about his latest invention as you visit him in his workshop, commenting excitedly at each new feature and animatedly gesturing towards his whole collection of creations with nothing but genuine enthusiasm and awe written across your features — make sure he knows that his craftsmanship and efforts will never go unnoticed or unappreciated by you so long as he wants you by his side

encourage him to take those leaps of faith that he’d otherwise be too jaded or anxious to take on his own: hold his hand and help him find the strength to call up his daughter just to chat and give them their privacy once he’s back in his element and fully engaged with the conversation, give him a pep-talk before his latest meeting with heaven and their new emissary and promise that you’re only a text or call away if it gets too much for him (he’s never taken up your offer, but the promise always helps to calm his nerves), and just be there to push him forwards as his partner and be there to catch him if things don’t go his way

praise him for all of the features you love until his face is tinged a beautiful shade of red, his wings are all fluffed up, and he’s too flustered to even look you in the eye — compliment the angelic and the demonic, the human and inhuman, make sure there’s no doubt left in his mind that you’re completely and utterly infatuated with him in body, mind, and soul

oh and make no mistake this gentleman gives as good as he gets and he could easily spend days at a time talking about every little thing about you that he adores, every minor habit or quirk that most people wouldn’t even notice that makes his whole day that much brighter — there’s no room for any self doubt or self hatred when you’re in a relationship with this fallen angel because he loves you so deeply, so wholly, that you’ll inevitably start to love yourself that bit more through him

it’s extremely important to him that you get to know charlie and that she approves of your relationship — his daughter is his world, his everything, and as much as he adores you, he will not risk pushing her away again for any reason (as much as it would kill him inside to have to walk away from you)

that being said, charlie will inevitably end up really liking you and making an effort to get to know this person who her dad talks about all the time, making it abundantly clear that she approves of you and would be happy to have you in her life as her dad’s partner — and maybe another parental figure in her life depending on how things go, how your relationship with her evolves, and whether you prefer to be her ‘step parent’ or just her friend who happens to be dating her dad (she doesn’t mind either way, she just wants him to be happy)

between his angelic powers, extreme wealth, and prominent status in hell, lucifer is more than capable of spoiling you completely rotten — like as long as you’re with him, you’ll never want or need for anything as long as it’s within his abilities to get for you (whether that’s something more traditional like jewellery, clothes, books, or food, or something more niche and related to something you’re interested in, like a tool to help you engage in a hobby or a specific item you’ve been looking for to add to your collection)

he’s also not above just outright making you things as gifts — of course there are his ducks which he’s more than happy to share with you, but he’s also a pretty good cook and will make you breakfast in bed as a treat or as a way to cheer you up if you’ve been having a rough time

on a related note, this man goes all out for your anniversaries and on your birthday — he just… really loves being able to take care of you, that’s all

and despite all of that he still keeps each and every gift and card you give him — has a whole drawer dedicated to your letters and your gifts are scattered around the palace, with particularly sentimental items being kept in his bedroom and workshop

there are two pictures that he keeps on him at all times: one of him and charlie taken shortly after he helped rebuild the hotel and settled into his personal room there, and another of the two of you taken on your first anniversary of a couple — he regularly takes them out to help keep him motivated throughout the day, especially if his day has been rather draining for one reason or another

he’s extremely physically affectionate and gives the most amazing hugs — he uses his arms and his wings to hold you close and keep you warm and when you’re laying down it’s extremely easy for you to just fall asleep in his arms if you don’t make a conscious effort to stay awake and in the moment with him

his kisses can go a couple of different ways depending on his mood and the setting you’re in:

he can be gentlemanly and chaste if you’re in a formal setting or otherwise somewhere that requires him to uphold a certain image — limiting himself to brief pecks on the back of your hand, your cheeks, or your knuckles if he’s feeling especially bold (doing enough to show that you’re his partner but not enough that his ‘kingly’ persona is threatened)

he can also be very sweet and playful if you’re at home or around close friends and family — peppering kisses along your neck and jawline, kissing your lips and cheeks whilst brushing his fingers along your ticklish spots, nuzzling his ‘nose’ against yours before kissing you, etc. (showing affection in ways that are enough to make you laugh and lean into him, but not enough that he’d be making your loved ones uncomfortable by being a bit too intimate)

last but not least, he can also be passionate and intense when the two of you are alone and he’s practically aching to feel your lips on his — wet, open mouthed kisses against your lips, trailing slow kisses from the inside of your wrists up your arm whilst looking you in the eye, trailing his lips down your throat and alternating between kissing and playfully biting at your skin (nipping and marking at your pulse point every time without fail), trailing his mouth lower and lower until you’re so frustrated all you can do is pull him up by his collar and crash your lips against his own (making sure that you know that you’re desired as well as loved whilst also being a bit playful about getting what he wants from you)

he always makes sure that he’s able to spend some quality time with you each day beyond just your sleeping hours — whether that means planning a proper date, meeting up for lunch between meetings, or stopping by wherever you are at the time via teleportation just to check in and make sure everything’s okay

lucifer has a wide variety of pet names that he uses with you — this includes the classics like ‘sweetheart’, ‘angel’, and ‘love’, as well as some more personalised ones like ‘duckie’, and more humorous ones that he comes up with on the spot to make you laugh and smile — and he loves any nickname that you ascribe to him no matter how ridiculous other people may find them

more than happy to show you off to all of hell as his beloved partner and their future monarch that will be reigning by his side one day — he’s more than capable of defending you from any threats himself and the palace is well protected so he has absolutely no reservations about making it known to every demon and sinner that you belong to him, and that he belongs to you

[scarrletmoon]

About Powder Blue

This is going to be long. There are going to be discussions of suicide and trauma. This is going to be a bit of a jumbled mess because I can't tell a linear story to save my life. Don't feel like you need to read this, now or ever.

If you're wondering what the issues with PB were, and looking for what's next, read the indented text and skip the rest if you want!

I've had a bit of a...tumultuous relationship with the OFMD fandom. I've made close friends and lost them, made even closer friends who've very patiently reminded me of my worth when I needed that. I'm at a point where I'm still struggling, but I'm getting better. I'm still working on not being afraid. It's a bit of an uphill battle, but I'm still pushing my little boulder. I'm not alone this time, which is nice.

I entered the fandom as a nobody. I had almost 50 fics on AO3 and two had mildly popped off while I wasn't looking, but I wasn't really known for anything. I was a fandom ghost, posting my little fanfics and sharing them with the world because I just enjoyed the characters so much. Like a lot of people, I dreamed of being known for something. I thought that'd be neat.

I'm still in a state of shock and confusion that I've written anything in the past 2 years that people remember and even love. It's weird to be in a place where I never imagined myself to be. I can't stress enough how much I did not write explicit fic before this fandom; in high school, I would've welcomed a porn ban. I was afraid of my own sexuality, convinced it was some sort of monster I had to control. Convinced I was dirty. To other people my age, I was a prude, naive and childish for not being comfortable with it. So I feel for people who lash out now, who insist that attraction is actually fetishization, that if we set enough rules, maybe if we resist temptation, we'll be saved. I see you, and I feel for you. I personally don't think that's a healthy way to live, but if you'd told me that 2 years ago, I would've cussed you out. It's really a realization you have to come to (or not) on your own terms.

Anyway.

I know it's tacky to talk about your own success but it doesn't feel real. I go back and forth, reading other people's work -- and my god, there's some unbelievable talent in this fandom -- and thinking "shit, why would anyone read anything I've written? My stories are kindergarten finger paintings next to museum masterpieces". I am learning, slowly -- very slowly -- that I can't bully myself into a shape I like better. I'll never abuse myself into the kind of writer I think I want to be.

The first chapter of Powder Blue was written on a random day of the week after work. I was in a server -- the first fandom server I'd properly joined and talked in, watching a convo about how funnyt it would be for Ed to be a middle aged sugar baby -- when I pulled out my laptop and wrote for an hour and then posted that chapter to the server. I hadn't written for five years before OFMD. I had never finished a multi chapter fic. I posted that chapter and went to make dinner, and assumed the Google Docs link would get lost in that channel after a few likes.

That's not what happened.

The next few months were...a lot. My 7 year old Twitter account blew up from about 200 followers to 1000 in a matter of months. I was misinterpreted half a dozen times. Suddenly, people knew who I was and had Opinions. Some of those Opinions were Not Nice. I was told to grow a thick skin and get over it. So I figured my extreme reactions -- physical shaking, intense fear, a spiking heart rate, like I was being chased -- were just me being weak. I thought if I just sucked it up and laughed it off, it'd stop affecting me.

Turns out RSD is real and not an excuse I was using to be a baby, and it literally didn't get better until I was medicated! Wild

(This -- "I'm just overreacting and everyone else is secretly handling it better" -- has been a pretty consistent pattern my entire life, so figuring out I'm actually AuDHD has been mindblowing. If you've been wondering why you're so weak your whole life, I've got some screening tests you might be interested in).

Anyway my point is, a few things happened over the course of 2023 that brought me to a level of emotional pain I've never experienced.

At the start of the year, I was taking a self imposed internet break, after being forced to apologize for a tweet thread about Izzy, where I'd made the mistake of suggesting that fans of his should consider thinking about why they enjoy his character, but to only do this if they wanted to and ignore me if they didn't. This was taken as me being a hypocrite, and accusing Izzy fans of being terrible people. I apologized, vowed to never mention him again, and left Twitter for a month. Around the same time, a few things in a very close friend group went very wrong. I assumed it was entirely my fault for misbehaving, picked myself up, and tried to punish myself into a shape that would be acceptable for other people.

It didn't work.

Since I was now marked as an anti-Izzy bully, I couldn't say anything -- either on Twitter or in private -- that wouldn't be interpreted as me trying to start fights, as me being passive aggressive, as me trying to send covert messages for others to decipher so they could come and grovel for my forgiveness. Some of this is my fault -- it took a long time to learn than my private locked Twitter account isn't a diary. it took even longer for me to learn that maybe the people I was hanging out with weren't my people.

During all of this, I was posting Powder Blue after months of tears, pain, heartbreak, frustration and stress. I still don't understand why people write books for work or FUN. It was the most horrific experience of my life. It was valuable and so rewarding but jesus christ did writing PB take a lot out of me.

So as I felt less connected to my friends, as I was trying to hide how I felt because I thought I didn't deserve to be upset about anything (everything is always my fault, you see, and if I just behaved better, these things wouldn't happen to me), someone came to me and said they'd noticed some issues with Powder Blue. I'll refer to this person as the reader.

I was more than happy to hear them out. And it's true that I made some mistakes. The environment that I published PB in was not the one that I wrote it in. I didn't read any other sugar daddy/sex work fics as I was working on PB. PB was never a reaction to those fics. But because of those stories, which had handled things is harmful ways, there was suddenly a responsibility I'd never expected to have. I've never done sex work, I've just spent a lot of time listening to sex workers and trying to understand the legislation and environment as much as I can as a lay person. And since I don't have a personal experience with sex work, I shared my finished but rough draft with the reader, who did.

The problem, ultimately, is not something I could ever have fixed to their satisfaction. The fic doesn't involve dubious consent on a level that I think warrants an archive warning tag -- I tried to make it explicitly clear that Ed never does anything he doesn't want to, and that he's never coerced. The issue is that the nature of Ed and Stede's relationship is inherently uneven -- Stede is rich, and although he gives Ed money that's his to keep, Ed still isn't as obscenely wealthy as Stede is. Ed is poor and has been for a while. He's good at whatever he chooses to do, but he's struggling. That's a very uncomfortable spot to put Ed in. I also put Ed through some things that I've personally been through, as a way to work through my feelings and to try and better understand myself. If I was acting like Ed in real life, the reader is right that it would be concerning. But, importantly, Ed's not real. Nothing in this story is happening to a real person. Nothing in this story is an endorsement of any of his behaviours or unhealthy coping mechanisms.

I still believe the reader had good intentions -- the amount of effort they put into coming to me would be utterly bizarre for someone who was just looking to be cruel for no reason. But that also doesn't change the fact that being told I was having a trauma response and needed to stop working on the fic immediately, pushed me into the most suicidal period I've ever experienced.

That's not their fault. I'm sure that wasn't their intention. I've chosen to not try and find out who they are, or try to contact them again to respect their privacy. Some of the things people said to me, publicly dismissing the reader's pain, were so harrowing to read that it made me feel worse for ever writing PB in the first place. They were right to stay anonymous.

I'm sure the reader never meant for me to have such a massive breakdown that I took down the entire fic and left Twitter (and a few friend groups). It's been difficult to understand that just because someone didn't mean to hurt me, doesn't change the fact that I was hurt.

One silver lining is that I did go and find a new therapist. She's great! And she also thinks that how the reader tried to bring things up to me was wrong. As the reader obviously saw, I have a lot of Trauma, so I'm still not entirely convinced that I didn't deserve what happened to me. I'm not angry at them. I appreciate their concern. I just can't do what they asked of me. In the end, Powder Blue was not a story that was right for them. And that's okay.

My point in detailing all of this, is that I stayed quiet for a long time because I didn't think I deserved to tell my part of the story. I was scared that when people said they respected my choice to take down the fic, that they agreed I'd some something impossibly harmful. People trusted my judgement but I didn't trust myself. But people didn't know that I didn't trust myself.

Additionally, reader can't speak on this without revealing themself in some way. I'm terrified that they might read this and say something anyway. My biggest fear is becoming the kind of writer who sees negative criticism and pushes on anyway, or even blocks people who disagree with me. I don't want to hurt anyone the way I've been hurt.

BUT I've been holding onto this for months. I cannot write a perfect fic that will never trigger anyone. I will never write a meaningful story that won't hurt someone, no matter my intentions. There IS a way to admit you fucked up, or a way to listen and disagree, without turning into a raging asshole. I'm struggling to find that line. I'm hoping I'm making the right choice here.

And honestly, I'm just soft. I am so fucking soft. I talk a big game but I am so soft that a single person poking at my trauma caused me to break down so severely that my partner was legitimately afraid for me. I am learning that this softness doesn't mean I should become a crueler person to cope. But it's hard. There are going to be people who see this post and think I'm being a whiny crybaby looking for attention and pity. And I just have to deal with that.

Anyway. All previous chapters of PB will be up soon. Read them or don't. I will do my best to add more detailed trigger warnings. And I would personally suggest that if you're worried about any of the content in the fic, to run these worries past a friend who's read the fic, because they'll know you better than I ever will. Please don't read Powder Blue if you think it'll harm you. I would rather have fewer readers than triggered ones.

If there's anything I've missed that you think I need to address, know that my inbox is open, that anon is on, and that I'm not in the business of retaliating against people who come to me with an issue, even if they're a dick to me while they're doing it. I'm not going to dismiss someone because they weren't nice to me while they were upset. I'm a bitch but I'm not that kind of bitch.

So. Thank you for waiting for this fic. Thank you for waiting for me. We've got something like 16 chapters to go, and I can't tell you when they'll be up, or if they'll be up soon. But thank you for loving this story. I can't tell you how much that means to me, especially now.

Love,

Scarr

[oreo-oro-orero]

I thought I would talk more about how I feel Ekko is often mistreated or ignored by the Arcane fandom and why I think that is and spoiler alert I Anti-Blackness is at least a part of it.

Ekko is subjected to what a lot of black boys are too in real life which is  adultification. Ekko just like a lot of black boys was essentially forced to grow up and due to this I think a lot of the Arcane Fandom treat him as an adult and thus judge him more harshly just like how in real life black boys are often treated as older then they actually are and thus are subjected to more scruinty and Ekko is sadly constantly subjected to this by the fans. This is in direct contrast with Jinx who seems to be given a lot more leeway which to a certain extent is understandable because it is her story essentially but I still find it odd how she is given the "oh poor baby pushed around by the big bad world must protect" but Ekko is just given a side glance and a "he's doing fine" when both Ekko and Jinx deserve that "need to protect" additude but yet it feels like Jinx is given the most of the protection and Ekko is just left to fend for himself.

Honestly I don't think a lot of the Arcane Fandom looks at Ekko as a victim and that is genuinely upsetting. They look at his situation as more of a success story but even then his "success" is is very sad when you think about it.  Yes he built a community and yes I guess he did "turn out okay" despite his situation but he shouldn't have had build that community in the first place and just because he did doesn't mean he's healed, trauma doesn't just go away because your relatively okay compared to everyone else. I also think his hurt isn't taken as seriously as the other characters because he doesn't actively display it as much, in total his hurt is displayed in two main instances and that's it mostly, the other times he's on screen he's either angry or at the very least mildly annoyed or somber which is interesting because this is most likely a mask he wears and this mask is a direct result of the adultification I talked about earlier. 

Ekko suffers from what a lot of black characters do which is that despite them going through the same or sometimes even more trauma then non black characters, their trauma is often overlooked or downplayed to be less then it is which is something that happens in IRL to black people all the time. Also this mischaracterization of Ekko extended to Shipping as well to where some people label him as an abuser towards Jinx which is ironic because he is one out of like 2 other characters that doesn't actively kill anyone and if anything he tries to avoid that as much as possible so I genuinely don't understand where this abuser assumption came from, is it because they genuinely Believe it or is it because they saw a black man being aggressive an automatically assumed he was the one in the wrong in the situation.

I got a little bit ranty there and I apologize but Ekko is my favorite character from the show and just fiction in general and I feel like he has so much to offer but he is seemingly being mistreated by other fans of the show and that just doesn't sit right with me. I just hope next season really gives him his time in the spotlight.

[pharawee]

Thank you so much for your thorough response. I'm not always good at following production companies. Please ignore this if I'm overstepping, I've already asked for a lot of your time and research, but other than 9naa are there other companies you boycott because of how they treat actors? I know there were some issues with 2moons and I know there were some issues for Saint, though those were long before my time in the fandom.

That's completely understandable. There's so many companies now that do BL - some of them aren't even primarily into entertainment (a skincare company did The Promise, and I think there's at least one car dealership delving into BL things now too, while other companies are purely for investment and why would you even follow those if they're only about money?).

I'm trying to stay up-to-date because I'm interested in the industry side of things but I probably missed a lot of stuff as well.

Here's what I know for sure:

Motive Village

Motive Village did 2Moons. Then they did 2Moons2 with the same characters (and story!) but all different actors. THEN they did 2Moons: The Ambassador with (some of) the same characters (and story) and different actors again.

Why did they do that? Probably because they're so bad at managing their actors that they're all collectively running away as soon as possible. But that's not even the worst part. One of the actors from 2Moons2, Din Teerapat (then known as Earth Teerapat), was actively excluded and blocked from all promotion while being completely trapped in his contract. Other actors weren't paid and were badly mismanaged. Then there's very serious allegations that Din might have been (I'm phrasing this as carefully as possible) harrassed by one of MV's higher-ups. Din never spoke about it and has since decided to move on.

Aam Anusorn, who directed 2Moons2 (and isn't related to MV in any way) has spoken up about this, and his series Call It What You Want is supposedly based on some of what happened.

Other actors who "escaped" MV include Bas Suradej, Copter Panuwat, Kimmon Warudom (who went on to sign with Star Hunter for a while and did the very delightful Gen Y which is basically 2Moons fanfiction), Tae Darvid & Tee Thanapon (who did Triage), Boun Noppanut (who was never with MV but wasn't paid for his guest role in 2Moons), Joong Archen, Pavel Naret, Benjamin Brasier & Dome Woranart. The latest escapee seems to be Park Anandatej who will be in Monster next Door.

Benjamin Brasier and Dome Woranart seem to be back to working with Motive Village recently and I'm honestly a bit ?? ??? about it.

Y.Entertainment

Y.Ent did Unforgotten Night and For Him the Series. Recently, the leads of For Him, Tor Atagorn and Dew Nitikorn (along with Yoon Phusanu who starred in Unforgotten Night and had a cut guest role in For Him), have come forward saying that they were never paid for their work in For Him. Additionally, Tor has opened up about being continuously harrassed and stalked by someone on and off set during filming. It affected him so badly that he is now in therapy and on medication for depression and anxiety.

Just yesterday Yoon Phusanu held a press conference because he still hasn't been paid. He's one of the few actors who actually have the means to hire lawyers and go against his company. His lawyer has stated that not many young actors in Thai BL can afford to do the same.

9NAA

9NAA did Check Out, Venus in the Sky and, most recently, Kiseki Chapter 2. You know about 9NAA already but for everyone else reading this and wanting to know what's going on with them, here's a short summary.

Here's some other companies involved in Thai BL who have done some mildly questionable things:

Maximon who have since rebranded as Harikarn (with another company now named Maximon that might also have been emerged from the original Maximon... it's complicated) might have not paid their actors for Chains of Heart until the series had long finished airing. Haii Sarunsathorn and Boom Raweewit, the leads, made some very carefully worded joke tweets about it - which kind of makes you go hmmmm. There was also a freelancer who spoke up about not getting paid for his art, but nothing more ever came of it. Both Maximon and Harikarn have since ramped up production again - with some of the same actors - so I'm not especially concerned for the moment.

Well.Thailand recently annouced a bunch of new BLs and then promptly went bancrupt. One of their former producers immediately picked up the slack and founded EntSync in order to take over all projects and talent. They've already held the blessing ceremony for Black Forest and everything seems to be back to normal for the moment except for Born to be Y the series which should have aired this month but has since been indefinitely postponed.

Fix Entertainment is behind The Whisperer and is holding the series' final episode hostage because apparently a planned fanmeeting didn't sell enough tickets so they seem to have run out of funds. This is very ?? ???

Studio on Fire recently announced that one of the leads of their upcoming series Live in Love will be replaced, citing creative differences and "different work attitudes" (hate that phrase yet?) as the reason. Weirdly enough, said lead (Non Ratchanon) is from another company and was part of an acting pair with their own actor Hearth Chindanai. Hmmmmmm.*

*This kind of reminds me of what happened with Saint Suppapong during and after Love By Chance when he was basically almost bullied out of the industry because he wasn't with the same company as all of the other actors.

As I said, there's probably more but I didn't include actor scandals, unfounded rumours or stuff that has already been resolved.

[tea-earl-grey]

you know it might be unpopular but i kind of disagree with the fandom opinion that Voyager mishandled the Borg. tng's portrayal of the Borg as a mass unknowable and undefeatable entity – a Collective that assimilates by force and eliminates individuality as a natural and perfect opposition to the Federation that expands through peace and is endlessly multicultural (at least allegedly) – is very good. there's a reason that Best of Both Worlds is still regarded as one of the best tng episodes. but the thing about villains that function through fear and the unknowability is that every time you meet them they become less scary and less interesting. (see what happened with the Weeping Angels in Doctor Who as an example.)

if the shows continued with the same portrayal of the Borg then it would have gotten very old very very quickly with a limited number of possible stories. but then if Star Trek ignored the Borg entirely after their few tng episodes it would have felt unrealistic – there's this all powerful alien race that's invaded half the galaxy and can easily overpower the Federation and we're just... never gonna bring them up again? that's not really gonna fly.

i actually think that Voyager's approach to the Borg is refreshing. we're not going to focus on them as the terrifying unknown entity, we're going to focus on their personal effects mostly through Seven. i don't think Voyager ever really treated the Borg as the generic villain because the Borg were presented on an interpersonal level and opened up the box for more stories instead of just constantly rehashing Q Who and Best of Both Worlds. Voyager followed up on tng's question (introduced in I, Borg) of "what if a Borg was separated from the Collective?" and continued to ask things like: "is it ethical to forcibly remove someone from the Collective against their will?" "how is a collective of humans better than the Collective of Borg?" "can a person ever fully lose their humanity?" "if humanity is lost then can it ever be regained?" "can an individual be responsible for deaths dealt by a collective group?" "if they are responsible then how do they live with themselves? how do they atone for atrocities they never chose to commit?" "is prejudice against the Borg just a reflection of our fear of loss of control and humanity?" "what even is humanity?"

i'm not saying voyager's (and other post tng shows) portrayal of the Borg was great in every way. it definitely wasn't. (i'm still like. mildly baffled by the idea of the Borg Queen and how she's written. there are definitely episodes that veer too much into the action flick genre. and even as much as i love Seven there's definitely an oversaturation of her episodes compared to the rest of the cast in later seasons.) but idk i've heard a lot of people say that Voyager ruined the Borg but from my perspective they just took a character based approach to exploring them rather than a science fiction based approach. some people might prefer one to the other but i think a lot of people missed that Voyager was never trying to replicate the Borg we see in early tng. yes they make them a bit toothless in comparison but that's because we're exploring them through the lens of personhood. it's a feature not a bug imo.

[lemon-dokuro]

Yesterday, I watched Sound Holic's 2007 Touhou fan film, Touhou Project Side Story ~ Memory of Stars.

The plot is about Kaguya's father, the Moon's ruler, coming to take her and Eirin back. Makes heavy use of sci-fi aesthetics and is mostly set in space. Naturally, because it was released before Bogetsusho/Silent Sinner in Blue, all it had to go off of for the state of the Moon civilization and Kaguya's relationship to it were the 8th Touhou game and maybe Reisen's route/interactions in the 9th. It's a little interesting to see the creators' interpretation because of that, but... It was recieved very poorly by the japanese Touhou fandom in 2007 when it came out, you can even find comparisons to the infamous Cookie series. The reception is understandable — it really isn't good. I actually wouldn't call the story or the premise bad, they're just kitschy in a way characteristic of the otaku culture of its time, but they are ruined completely by the wonky presentation and especially the incomprehensible pacing. I don't want to recap it here because the anime isn't even that long or hard to find, but if I did, I'd have a fair bit of trouble. It feels like one of those 90s OVAs that tries to cram 4-6 volumes of a manga in about 40 minutes, so most things happen too fast to have an impact. There's a whole character that makes absolutely no sense because she has too little screen time and too little actually explained about her (Sphere Sieben, the redheaded space commander lady). Sakuya is there for a barely explained reason. Mokou comes out of nowhere in the middle (well, at least that had a point, ridiculous as it was). And considering this, bizzarely, the movie also has a lot of pointlessly drawn-out scenes where not much happens, like they were trying to pad out the runtime, even though there's a lot of substance they could have added. I have no idea what kind of constrains they were working with, but it's not like they couldn't have just written it more tightly. If not better, then, you know, at least. Even though I don't think the general premise and the story are bad per se, they are very unfitting for Touhou. The creators are obviously going for space opera aesthetics, which is a really weird fit for Touhou. They don't even really try to make it fit. Egregiously, Kaguya's presumably biological father, Luna Marius, has a sci-fi-ish western-style name for absolutely unexplained reasons. Of course, that kind of naming difference is not implausible at all, but it's a really weird creative choice, especially considering it's never adressed, not even in a throwaway line or anything. One could say it's emblematic of the work not compromising the conflicting aesthetics in any way. The visuals are often criticized for obvious reasons. They are great to me because I'm an oldschool doujin fetishist, but it's clearly all very stiff, mildly inconsistent, generally amareurish and feverishly oversaturated with bright flashing effects half the time. The backgrounds mostly consist of said effects. A lot of the animations are obviously reused. That being said, the original character designs are pretty well done. The bunny girl looks especially good, the artist absolutely nailed the early windows Touhou design style. Also, naturally, because Sound Holic is mainly a music circle, the soundtrack is decent. It's not remarkable, but there's nothing wrong with it, it's standard for 2007 Touhou arrange tracks. There's not much to say about the voice acting either — standard for doujin anime. The voice actors are inexplicably pretty well-known, but it's not that uncommon to see big names on the most random 2000s doujin projects. That's probably how these people become popular in the first place.

Well, what can I say overall. It's a weird little movie. I can't recommend it, but maybe you'll get a laugh out of it, or maybe you'll like the visuals as much as I did.

Also, that rabbit's names are both mochi types...

[brynnmclean]

saw a post questioning shipping Senua and Thórgestr and started to reblog it with a tag novel-- felt weird about doing that since this is lengthy and potentially derailing, so making my own post instead. Spitballing under the cut:

First off, any time someone is like, "the real reason people ship this is because they find the dude attractive," this is SO funny to me as someone who doesn't find men attractive IRL and has fiercely loved Senua since I played the first game, like-- actually I find the dynamic between those two characters to be compelling and interesting precisely because of all the baggage between them re: their backgrounds, the rough (put mildly!) beginning of their relationship, all the things they don't talk about, and them finding a common enemy/common ground to work with. The explicit parallels between them stated in-game scratched an itch in my brain. The minute they pointed out the dark rot on his arm, it was like, "oh! hello there! NOW I'm interested in whatever your whole deal is" for me. Also, idk man, I too would follow Senua around after she knocked me into the dirt and then showed me a way to fight the giants that I very much wanted to fight instead of appease.

The idea that Thórgestr was part of the Orkney Raid that killed and mutilated Dillion is VERY interesting food for thought, even if I don't personally have that headcanon (surely there are more viking raiding groups than just the Bjorg). I think the Furies or the Shadow said something similar about Fargrimr (his kin murdered yours, you shouldn't save him, etc.) so I completely get that line of thought, but I think the game left it ambiguous enough that it's up for interpretation. Would I read fic with that premise? Yeah, I'd check that out. Could Senua forgive Thorgestr if his people were involved? Sounds fun to explore.

If (ha, when?) I write fic, I'd have to think more about it especially wrt timelines, like when did the Bjorg start specifically raiding for slaves for giant food sacrifices vs. killing people for resources and wealth? How far off are we from the old gods "dying" and the volcano erupting? Was it indeed a different group of raiders who made a deal with Zynbel, attacked Senua's home, and made the sacrifice at that time to Hela?

At the very least, I think there's a time jump between the end of Hellblade I and the beginning of Hellblade II since Senua wasn't alone on that slave ship and at least one of the (brief) survivors knew her by name. I wouldn't mind exploring that gap of time, too.

In any case I do agree that it would take a VERY long time for Senua to consciously catch feelings for anyone let alone Thorgestr with all their collective baggage. The idea of them having a relationship beyond friendship in the far off future of an AU where he survives is the only one that can make sense in my brain, personally. It would take time! Time they didn't get in the game! But I think there are a lot of different roads that could take, and some of them might be healthier than others. Shipping them certainly isn't forgetting or excusing what happened to Dillion-- or even mutually exclusive from still shipping Senua and Dillion. Or, frankly, also shipping Senua and Astridr, because I can see that ship too.

One of the nice things about all the details Ninja Theory didn't expand upon and that they left that ending so open is that the sky's the limit. I'm VERY interested in seeing fandom tackle this game as we get farther from the initial release.

[batsplat]

if you were to direct a motogp movie (or make a one season of television) what season or rivalry would you make it about? and more interesting what artistic liberties would you take? it doesn’t have to be a straight up biopic bc imo those are often boring, instead it could be something like velvet goldmine (1998) aka fictional characters whose real life counterparts are pretty obvious, veering in like rpf territory. anyways👀

did you know. one time this guy put a curse on this other guy. and he never won a race again

anyway, look, I do feel like by this point that's the BORING answer from me, but obviously it's where my mind first went. I'm not sure I'd actually want it out there in film form because by now it's badly enough remembered that it's like, my cute little niche story, and I think there's something fun about the Wider World even within the motogp fandom not exactly getting how bonkers the whole thing was. (I know other humans have canonically watched motogp 2004 but I swear even journalists have forgotten some key key details and it's kinda annoying but also fun.) bold words from someone who's been blogging about it!! weird gatekeep-y instinct. but basically my job here is done as far as outreach is concerned - I wrote a very long post, now I get asks about it twice a week that allow me to think about it some more with the four other people who care, perfect balance. that rivalry doesn't need to go mainstream!! the whole point of it is that it's kinda cruel but narratively pleasing that it's gone under the radar, because it's another sign valentino won. but obviously, I cannot literally make a film about this, so the hypothetical repercussions I think maybe we can put aside for a moment here

okay I came back to this bit of the post after I increasingly got into of the spirit of coming up with dumb ideas, but it did make me flesh out what I'd even WANT from something like that. I'm with you anon, a lot of biopics are boring!! if you want to just know what happened, please just literally go and 'watch the races' and 'read books' like what are we actually getting here. you kinda want to give it a purpose for existing, right, a way of portraying real/mildly fictionalised events in a manner that is also taking some kind of stance on the material AND is doing stuff you can't do 'in real life'. thing is, look, you could make 2006 into a film, and I'm sure it'd be perfectly nice because it's fundamentally a solid underdog story (well, inherently winning a title with repsol honda is NOT being an underdog but you can write it that way), but also what are you doing beyond just telling people what happened? I feel like that generally about single seasons, they're not really doing anything for me. I was also turning around the biaggi/valentino rivalry in my head in part because that's the one valentino gave as his answer for 'rivalry he would turn into a film' (marc big wet eyes sitting right next to him), but like. a film about that rivalry from valentino's pov is fundamentally not something I'm interested in. you have all these isolated very memorable moments that make it work as a rivalry, like you can absolutely spin them into a dramatic yarn that goes through the genesis of their conflict to middle finger gate to punching gate to assen + donington + sachsenring + phillip island 2001 and it's basically *insert rousing music* successful coming of age. at most you can lean into the fact valentino became successful at being a dick. like idk it's fine but also what's the point? valentino is challenged in a sports context by biaggi, he's challenged because he realises his words have consequence and the press actually reports the words he says to journalists (the horror), but he is fundamentally not challenged on a personal level. that's the entire point, right? it's the ultimate comfort zone rivalry - biaggi is a dick who it is quite easy to hate and also reacts poorly to valentino's initial provocation. the animosity escalates and it is inherently fun to beat him. valentino is mean to him, but it's not like he even really crosses any lines to beat him. like you can make it into a film, and if you twisted the material a little bit you could make it satisfying, but I don't want to!

now the way the writing process of this post worked was that I was going to breeze through a bunch of non-sete/valentino rivalries and explain why I think some of them don't work for our purposes here, but then I ended up writing myself into changing my mind. so my take on the biaggi rivalry is that actually, you CAN make it work but it has to be from biaggi's perspective. basically, I think you've got to amadeus it (a web weave I have been thinking of making at some point btw). so,,, it's a meditation on talent and how unfair it all is, maybe minus the bit where salieri poisons amadeus (I know that doesn't happen in the film) or dresses up as amadeus' father to, y'know, make him write a requiem on his death bed. and it's not amadeus in that HERE, the clown prince gets a happy ending! but it's more like, in thematic terms, I think you have to zero in on this bit. biaggi didn't have parents who shoved him on a bike when he was three years old, he didn't have parents who were invested in his motorcycling career (or even necessarily particularly invested in him), he started the sport late and discovered that, yes, he did have a prodigious amount of skill in it - but one that he started honing far later than valentino did. he approached his career with a sort of grim resolve, surly and irascible and not interested in making friends with any of his competitors but very, very good. he goes away from the race track and dates all these models, he irritates fellow riders, he's not part of the gang and he's happy about it. he's very successful! four 250cc titles, wins his first ever race in 500cc at a time when doohan was very much winning everything. he's also just like,,,, an interesting and spiky enough character it's not hard to make him come alive

but then of course you have this gradual emergence of the amadeus character, the one who challenges his established position in the court of,, well... motorcycle racing, and also as the guy italians rooted for! and valentino's obviously, y'know, in so many ways the exact opposite from biaggi, and he's super young and cheerful and lively and is doing all his silly celebrations and is being a bit camp and goofy and treats motorcycle racing as a party (you really want to lean into the culture clash here, like in amadeus it's because you have stuffy austrian court vibes but here it's because everyone is having their bones broken every two minutes and just how... kinda grim a lot of motorcycle racing was). and he's also this innocent! yes, he insults biaggi, and yes, in retrospect we know valentino is kinda evil, but at the time he was a kid with a big mouth who was a little taken aback by how that biaggi feud sort of escalated beyond what he'd actually intended it to do! and biaggi just, hates him. and I think, sorry to the real man max biaggi here, but you've got to play with how once they're actually competing with each other, it's miserable how there's just this unbreachable gulf in talent. like, whatever biaggi does he cannot win! he isn't going to defeat valentino over the course of a full season! which is depressing and horrible and CRUEL, because there's this inevitability to the whole thing... and also! because valentino doesn't DESERVE it. and you don't have to go full salieri pleading with god to explain how god could give this CLOWN all this talent, but it's kinda the same vibe! how is it valentino, who is constantly just having a laff and canonically maybe wasn't the biggest gym-goer in the paddock and is just generally seen as, y'know, a bit of a dandy, this foppish clown who everyone loves and who doesn't have to work hard to be good - how is he the one who is winning so much!! it's miserable and unjust... and I think how you portray this is that you really emphasise the kinda, repetitive nature of the defeat. like, I think you probably want to make this into a non-linear narrative where all this biaggi backstory is communicated somehow but you don't just start it when he was born or whatever - you start it in 2001 when they're competing for a title and already hate each other. and then you heavy on the time loop vibes. the whole cinematic language and all that other shit should emphasise how all these weekends are structured in exactly the same way and if you're losing to this one guy, all these different weekends can start feeling the same. it bleeds into each other, it feels inescapable, you're trapped in this narrative you can't change... worst of all, you even return to the same places again and again - like play with that! biaggi keeps coming back to where they had the fist fight, to where valentino first insulted him all those years back. you play up the disorientation and the misery of it all, plus biaggi canonically gives us all this kinda messy freudian shit to play with like how he was dating 'valentina' and his relationship with her was falling apart because of how miserable valentino was making him. it's all there!!

ANYWAYS the way you conclude this story is!! welkom 2004!! so again we can artistic license this a little bit and, uh, ignore sete (though I do also think it's fun if you lean into biaggi being displaced as a rival and staring at them being friendly and happy with each other from the outside) - but the key bit is that valentino is finally making the big error. biaggi wasn't winning titles on a yamaha, since he left yamaha has gotten worse, now valentino is making this big mistake out of his own hubris. language of cinema that shit and make everything brighter and more hopeful.... the time loop is finally over, biaggi has escaped, this year will be different!!!! everyone in his circle agrees, valentino is fucked. step off the plane at welkom (pre season testing didn't happen in this universe) and it's literal dawn of a new day... staring out at the sun and finally, biaggi can move on, can live a new and different life. anyway. obviously we all know what's coming next - you have this big dramatic climactic race where biaggi throws himself at valentino again and again and again and he comes so close to winning it... but he doesn't. and you have valentino living his best life, being delighted, but the film is focusing on how like,,, we're bleaching the joy back out of biaggi's life, how actually he's returning to what he already knew. and it ends on the podium, with the camera focusing on biaggi on that fucking second step or zooming in or whatever (idk how cinema works) and it just finishes on this shot of biaggi dead-eyed in a bleak world, trapped again for eternity aka until the end of the 2005 season. done!! I'm not sure this is quite what valentino had in mind, but. well. that's how I'd do it

this is from the pushkin play from 1832 not the 1984 film but like. low key pushkin already kinda nailed the essence of sports rivalries in the 1830s and we just have to acknowledge that sometimes

right. so the casey rivalry is where I'm going to go completely off the wall. skip this bit to get to the slightly saner stuff. this is also one I fully admit to sometimes playing around with in my mind anyway, but. uh. I'm gonna be taking this one in just. well. places. I do have a vision here but I also don't quite know how to explain it in a way that doesn't make me sound like I've lost my mind, but well if you're still reading this then that's on you. so lemme get this out of the way: the classic sports biopic formula would work well with casey. if I had to point to a single rider I would sports biopic-ify, it's casey. so you have all this kinda,, obvious adversity that's easy to get across, and it's a narrative you can follow chronologically without too much trouble. you've got all the childhood stuff, the australian racing club not letting him join them, the move to britain, the rising through the ranks, it's also this very biopic-friendly 'nobody ever believed in him apart from like three people' stuff. and the premier class is also narratively satisfying, from the rocky rookie season to the kinda shock success to then all the lows of 2008 and 2009 and the physical ailments and the anxiety and then the switch to honda and the title and then him deciding to retire... that's all good stuff! you can absolutely biopic-ify it! gun to my head and sure, I can walk you through exactly what bits of his life I'd focus on and put in what order and so on, and I think ultimately you could make a very good sports biopic from that

[some mild gore to follow in this next section]

but also. thing is. that's fine. it's just not where I want to go here, because again I feel like at that point you can also pick up his autobiography and just read it - because what you're basically doing here is just filming that. and I get how this stuff works, you're bringing the story to a wider audience, you can show stuff in a different way in that medium etc etc, and that's all great but also I don't care about bringing stuff to a wider audience. I care about doing fun stuff in my brain. so what I'd actually do here is just, basically, go in the exact opposite direction and ditch all the realism. genuinely, ditch the live action stuff, we're going animated - what I'm interested in here is stuff where we need to be able to fully suspend our disbelief and lean into some surreal shit. I'm not going to bury the lede here: my idea is that you take that thing where casey said he hated how ducati was ruining the bike by letting valentino's yellow encroach on it and, basically,, just go all in on that bit. like come on, that is so singularly visually evocative, it truly captures a lot of what's going on thematically in that rivalry. (see also x and x for the most relevant casey posts.) casey sees valentino as the malevolent force, this infection! he associates him strongly with a specific colour, one that can be sickly or unnatural or just... evil. malignant, malicious, malevolent, all the m words. to casey, valentino is a personification of everything that is wrong with the sport. valentino is literally the walking manifestation for so many of his issues, from the dangerous riding to the lack of respect to the lying to the cult of personality to the obsession with image and the media to the backroom games to the politics to the injustice of how different riders are treated differently, like!! he's literally all of that! this is a topic for another post, but this plays out in a lot of kinda, weird and funky ways where it's a two way street and sometimes when casey talks about motogp you go 'actually I think that's just valentino?' (btw he also does this about 'europe' right I don't think those are europeans you hate casey that's literally just valentino) and sometimes when he talks about valentino it's kinda? this feels like it's about a little more than the bloke himself? and basically, right, I think you need to take this to its natural conclusion where casey used to admire him and look up to him and want to emulate him on track and then gets disillusioned when valentino's worshippers turn against casey and casey is the one to bring valentino down to earth and... listen, I think you need to play around with valentino being a literal god. and I think you need to have casey stab him to cover up the yellow on the ducati with blood

okay. look. the idea here, right, is that we're basically making the subtext text, and just digging into that process of 'bringing valentino back to earth', of taking on a god and having the audacity to succeed, and also treating valentino as this sort of. infection in his own mind. the bike is literally being infected!! casey may have left the ducati but he STILL has some fidelity and love for this project, those were his people he worked with, and now valentino is coming in and just twisting everything around himself!! but also I think how this functions is that, okay, so you have all this normal stuff that's the actual 'plot' in the 'real world', but the ISSUE with the real world is that there's a lot of stuff that just. isn't possible there. like the thing casey wants in that rivalry but is never going to have is... a captive audience. a big problem casey has in that rivalry is that he doesn't get the chance to actually say a lot of stuff to valentino. he starts using the media more and more and plays the game on valentino's level, but there's still this disconnect where mr straight talking is the valentino rival who valentino never really blanks or freezes out like... there's a disconnect! there's valentino the person, who casey never quite figures out how to just straight up hate, and then there's valentino the character, the racer, the rider, the god who casey DESPISES. but when they're doing small talk at pressers and podiums, casey doesn't get to talk to that version of valentino! he just talks to valentino the person, who obviously isn't literally a different person but is also not going to explain to casey where he's coming from, is he, and also isn't someone who casey can explain to where HE is coming from. and that gulf... it does bother casey. I don't think he can quite verbalise why either, but there's just... this creeping tension. I think it'd be easier for casey if valentino really were more of a caricature, just kinda a dick in all walks of life. and there's just these canonical hints of that... the way casey talks about how he's sure valentino as a guy is fine, but he never knew valentino like that, the whole 'I'd like to go with valentino for dinner to tell him where I was coming from in that rivalry' thing, like!! it's there

so basically EYE think what you should be doing is using the wonders of storytelling to actually. embrace that element. and just leave realism behind now and again. valentino is a god, he is literally worshipped, he's part of this pantheon that casey is trekking to reach. casey is brave enough to take him on in combat, he is the first one who is truly able to draw blood. he sees how valentino isn't just a god of joy or battles or speed or the SUN or any of that other stuff - he's a disease, an illness, a god who is also a false prophet... the worship never quite goes away, because who ever truly gets rid of their valentino rossi complex, but casey eventually is given the chance to face a chained valentino and kinda,,, ritualistically publicly humiliate him using the ducati as both this sick thing that has to be 'cured' and this symbol of valentino's failure. I'm sorry, visual language goes brr here, like chain him up, do weirdly eroticised torture idc!! (psst psst valentino's fucked up shoulder also extremely goes brr here, casey low key a teensy bit weird about valentino's injuries? his thing after the 2010 leg break where he goes 'why's everyone making such a big deal about this other people break their limbs too' and then after 2011 jerez immediately asking whether valentino's shoulder is okay in just a very obviously passive aggressive way. literally he opens with that, valentino isn't using it as an excuse or anything, for some reason it's already on casey's mind and I would politely contest it was out of genuine concern for valentino's wellbeing!! it's just kinda? I'm so compelled by it? I suppose it is kinda about how valentino's suffering gets taken more seriously than his own? how those absences are received differently by the motogp world? idk I find this fun because casey does know this is one thing valentino can't really be blamed for himself, so it just slips out a bit? but yeah, casey + valentino's injuries, nobody's talking about it but I sure will, let casey get weird and mean and a teensy bit sadistic about valentino's injuries in an artistic manner.) crucially I like animation as a medium here because I think it's easier to lean into surrealism when you don't have to hand hold the audience so much through the suspension of realism, also there's just some imagery you can do in cooler ways through animation where in live action it may just look. weird. (I think you can also do one of those things where you have a live action film with only those specific bits animated but also... why? it just feels like in live action you need more 'justifications' for things, like am I saying casey is having some weird hallucinations and is losing his mind? no I just want to have weird vision sequences ffs.) the colour stuff!! valentino/casey is big on the colour coding as a rivalry, to the extent casey is even, y'know, drawing attention to it in the literal text!! yellow and red are banger colours, valentino is big on imagery himself with all his sun + moon motifs, it's kind of all there to make the easy next step to kinda zany surreal imagery. ritualistic stabbing works better in animation, you can kinda get the blood to like. drip down and overwhelm the yellow illness that's slithered out across the bike

and. AND of course what this entire set up allows you to do is.... give them an opportunity to talk. they can't talk in real life! casey CAN'T give him his real thoughts on anything, and fundamentally valentino can't either. they're opponents. they're strangers who chat sometimes. it's not just that they aren't friends, it's that fundamentally they cannot be friends - because their ability to do their actual jobs depends on a certain level of professional distance. valentino of course does have a decent read on casey, and vice versa, because when you're figuring out how to defeat someone then (if you're valentino) you're looking to play the rider too. valentino's entire approach depends on focusing in on his rivals and attempting to throw them off, to make them unravel. he's watching casey closely!! the entire journey of casey's first three seasons in the premier class essentially becomes like, this god of their world focusing in on him. figuring him out. trying to gnaw away at him. obviously, animation also allows you to go big on the panopticon-y imagery which is kinda fundamental to their rivalry, because of their fundamentally oppositional stances to 'performing' for the ever present cameras where there IS a little bit of common ground in they have both struggled with it. but valentino isn't going to ever say that to casey! casey isn't going to open up to valentino! so if you give them,, you know, a different arena to express themselves, where casey actually has this external figure to talk to (as he's like, cutting him open I guess) whereas valentino actually is put in a position where he's allowed to respond, where he can taunt casey a little bit, where he can interrogate casey's approach and also the similarities between the two of them and how casey has been forced to become a little more like valentino to challenge him... because the thing is, right, valentino is so big on message discipline with his rivals and has completely stopped talking about that rivalry post mid 2013 that, first of all, you have this complete imbalance in who's been telling this story for the past decade, but second of all you kinda don't have a sense of what valentino would respond? idk!! I think this is mainly fun as a thought exercise for me specifically but also I do think it's kinda, digging into some of the bits that make this narratively work as a rivalry, how valentino in this rivalry is actually just kinda... removed. like he's not really emotional about it!! at most he's a bit bitchy, but even that just feels about The Game. it's the most extreme in this regard followed by jorge - but with valentino's other feuds you kinda... see a bit more an unguarded moment, see something a little more real there. the casey rivalry feels so uncomfortable precisely because valentino is a little... inhuman in this one. I mean, if you want to have valentino as some kind of cross between a deity and a monster in any of his feuds, this is the one. casey's just an obstacle to him. idk don't you think casey kinda wants to chain valentino down and stab him and make him see casey a little more... well, I think he should want it and I think it'd be fun to see and get them to talk to each other. ugh and also all the implications of making the faith vs non-believer elements more literal... casey the heretic!!!

there's some obvious stuff here you'd have to figure out, like 'how do you make this work as a narrative even to people who aren't familiar with casey stoner at all' and 'who the fuck do you think the target audience is here' and 'you do know this is not the kind of thing that would ever be made, right, go back to the casey stoner sports biopic like a sane person' but!! I do think it's material you can make work if you're just,,, efficient and smart in how you're actually telling the 'real life' version of the rivalry. also in my head this is. idk. an animated limited series not a film, which then brings in other stuff like 'episodic structure' because I'm fundamentally opposed to tv shows that think they're films. and look, I'm not going to write an entire film script treatment here, I just think a good writer can figure this stuff out. blood on the ducati is the framing device for everything else, simple. lots of animated floating eyes I reckon, first casey is watching valentino and then valentino is watching casey and the whole world is watching them... and it does bleed into real life just a little, where you're wondering whether casey is actually imagining/dreaming this stuff or valentino is or if they both know it somehow... you can get away with more ambiguity in animation. anyway, if you do want more thoughts on this one specifically for whatever reason, let me know because this one I do actually have more on

also laguna 2008 is a bit tortoise and the hare coded if you really think about it

[end of gore]

so. on to jorge. hm. the thing about jorge is that he was kinda writing a coming of age film in his own head, so like - yes, that's what you do go for? you can play it straight and follow how jorge has cast his rivals, or you can pin the whole narrative on the fact that jorge has cast them - the kinda artificiality of the narrative, the way jorge is this storyteller who isn't being recognised as much as he thinks he should be, isnt adequately appreciated. the way there's this three way discourse between what jorge thinks the story is and what the public thinks the story is and actual. you know. reality. I think this is a bit more light-hearted, like you know how the best stories about teenagers take their emotions seriously but also let them be kinda silly? because young people are silly! jorge was silly! he's got a lot of CHARM because he's so cocky and naive and full on and intense and awkward and kinda off-putting and tactless and a bit all over the place and so painfully, painfully young, like he's a good protagonist because that's a KID. but also, obviously there's also a lot of extremely not light-hearted bits of his story - everything about his father, his manager... idk this one's another one where, I don't just want to make it a generic sports biopic, and I'm trying to figure out the clear narrative arc here? I mean, you can point to the end of 2010 and really lean into him choosing victory on-track over popularity off it. the problem with 2010 is that it does not work as a dramatic season, yeah sure with the magic of biopics you can hack at it to shit but also. idk. what are we getting out of it. I think for narrative purposes you want to maybe narrow in, and end it at the end of 2008, with the switching of the numbers this kind of moment of emancipation? but also! this feels like we're straying a bit too far away from the fun sports elements and I don't want to REALLY suggest all the ways in which you could mine jorge's personal trauma in a jokey tumblr post, so I'm gonna move on from this one

the problem is 2015 just straight up doesn't work as a jorge-centric narrative, except in a very kinda comic way that leans into how absurd his role in that season was. 2012 as a season is a bit... y'know, it's fine. okay it's mostly terrible, but that's fine too. but it doesn't have a great narrative hook. which kinda leads you to the problem that I do think the valentino rivalry is more... juicy from jorge's pov, because for valentino, jorge is just kinda? an obstacle? idk he's more normal about it, it's just his job to destroy the guy, you know how it is. but also 2009 does work better narratively from valentino's pov, like it's the build up to catalunya specifically you can dramaticise... idk though, I do love catalunya but my heart isn't really in this exercise because I think valentino isn't really being... challenged here? it's a title fight where he's fundamentally using a set of tools he's already perfected, to beat a guy he doesn't really give a shit about. when the italian press is down on him pre catalunya, it doesn't spark any genuine self-doubt - it's just a handy source of extra motivation. there's no epic highs or lows that season, not real ones. and yes I know I was talking about making valentino who gets stabbed repeatedly to cover up an infection a moment ago, but that reflected real EMOTIONAL truths!! I'm committed to thematic fidelity more than I am to literal fidelity

genuinely I think the best way to tackle jorge is with the jorge/dani parallel journeys... what, film? tv show? maybe show actually - you don't have one coherent narrative Statement per se but you're constantly charting those journeys in reference to each other, really rooting it in their respective points of views, no neutral detached cinematic language like I want everything to be very much written to be from their eyes!! going from one to the other and back again. and you're charting these different journeys, right, and how they both captured different flavours of like... emotional successes and failures. I think it's actually about failure, yeah, about having to accept there's something you can't have and might never be able to get - whether that's universal love or a premier class title or whatever - but Actually, that might not be the end of the world. and during this process, they go from being enemies to tentative friends!! guys who realise they can maybe actually understand each other better than they thought!! this real moment of interpersonal connection. you have all these media narratives and the managers and so on and the fact they're competitors as these built in reasons why they've just been pitted against each other from the start... but y'know, again, it is also just a bit about maturing, about being able to set that aside, about making your peace with defeat and failure as an element of growing up. you can't win everything, maybe there's something you really really really want and you're just not going to get it, but at the end of the day it's kinda... yeah. self-acceptance. idk this is the nice one

so with marc you can go several different ways here I guess, and again he's also perfectly decent sports biopic material, probably second to casey in that category like yeah sure do the comeback story. but also, we do already have a very good self-produced documentary about what he thinks the narratives of his career are? idk this is also just a personal taste thing, I'll leave him to doing all the injury stuff himself, I don't have much to add there. we'll get to the obvious one in a second, but I was trying to figure out if there were other places I massively felt like you need the cinematic touch. and, again, the 2013 season is obviously very exciting!! but also, you have it covered in.,,,, multiple documentaries, I don't feel I have a take their either? his rivalries with dani and jorge aren't really substantive enough to sustain a bit of cinema. dovi... I mean, what are you saying there? what's the arc? I feel like if I tackled dovi, I'd go somewhere else and really go all in with the ducati stuff, and make it a bit more... you know, stark, stripped back, basically just the emotional component of how much he gave to that project and how he managed to beat away one rival after the next and how it all ended up falling apart in a kind of anti-climactic way? he's also good sports biopic material, but in a way I think the marc rivalry is the bit of his story I have the least to say on. so eg, 2017 is a dramatic season, but he's also kinda fine after it? he always knew it was a long shot, he tried his best and he got really close and then he lost. you can't amadeus it because dovi isn't (fictional) salieri. basically, I think what I'm saying here is that dovi is too well-adjusted to feature in this post. though I'd totally watch a film about his 250cc seasons, like it's a bit annoying because HE is the underdog who loses both title fights to jorge, but it'd still be kinda fun idk. I wouldn't really know what to do with the material but if someone made the film I'd absolutely watch it

right then. the thing about sepang 2015 is... yeah, sure, of course you can do it, it already exists as a narrative but... yeah, what are you adding!! idk I always think when you're adapting something, you kinda need to have a reason for it? I mean, what are you doing that's not already there in the footage? idk maybe this is just a sign of having been a fan of this sport for one too many years but to me the idea of sepang 2015 can get a bit boring (or maybe just repetitive) where I need a new TAKE on it to really get into the idea of fictionalising it. like where's the auteur's touch y'know, what can I still add to this!! but it also needs to WORK for someone who is new to the story, which kinda just makes you want to tell the story straight.... y'know the story is strong enough and COMPLICATED enough to stand on its own and it IS good but I don't really have anything interesting to say beyond 'yeah sure that'e be neat'. I can't tell you why, but I also don't think the casey approach quite works here? the idea of providing a framing device with which valentino and marc can actually talk to each other... eh. don't like that. hm. okay wait actually I just turned it around in my head for... a while and I think I've got an idea to make the worst motorcycle racing film of all time. so, my central stupid film-making gimmick here is just. centring the fact we're completely reliant on a few guys and what they're telling us in making up our minds, and our removal from that story and the imperfection of their perceptions and so on. so I think you kinda make a point of... not actually showing the motorcycle racing? like, you always show it by showing other people watching it, you're showing the tv screen rather than the actual racing. even in the cinematic medium, you're centring the theatrical aspects, where you drill it down to just a few characters. valentino. marc. uccio. marc's fuck ass manager. maybe a crew chief or two. keep it limited though, all the others are kept at a distance - you're constantly focusing in on the same few characters. and very early on you basically just like... get them to fourth wall break by telling you, the viewer, with their actual words how racing works for them, what meaning they take out of it - and again it's this remove because we're never allowed to actually feel the racing for ourselves (no helmet cams), and it sets up that as the tragedy unfolds, again and again we're just hearing from them what happened. it's all zoomed in on how claustrophobic the entire situation is, like doing the race direction room after the sepang 2015 is perfect for that kind of thing, and crucially they're only ever addressing the audience because they can't address each other. but fourth wall breaks also obviously draw attention to artificiality! I realise they are very much like, lame gimmick central, but also are these men not inherently about lame gimmicks... idk it's basically the same story but at least it feels like a kinda interesting way of telling it. kinda trite, but cinema allows you to get to the point and let valentino actually play with the camera... so literally take it into his own hands and lead it around and tell the story from his point of view. and you can play with how they do both change in what stories they think they're telling, how they're constantly revising their own stories, how their stories completely clash with each other... like. make them literal narrators. that's my pitch

so. one interesting pattern that has come up with my approaches to these rivalries is that with the exception maybe of the 2015 stuff, I feel like I'm more naturally inclined to treat valentino as a narrative device and centre his rivals. a big part of this is that valentino is a fantastic narrative device. he's kinda. this looming presence in every narrative in this sport where you can just sort of use him as a sort of way to poke away at all these other riders. the monster everyone loves who you are trapped with. BOO!! he's gonna eat you! which is fun! but ALSO, crucially, several of these rivalries aren't that emotionally challenging for him!! again, with casey right, he wants to beat him, but he's not having a crisis of faith over losing to casey. he thinks casey is annoying, he wants to beat him because he wants to win. valentino is casey's foil, but casey is not valentino's. valentino makes for an excellent personal antagonist to casey, but the reverse just isn't true. casey isn't forcing valentino to reexamine his approach except 'ramping up the levels of being a dick on-track' - like, yes, that's a serious competitive challenge, but also valentino is very comfortable in his own skin in that rivalry. sure, you could have valentino have some kind of massive revelation about the casey rivalry, but like. he doesn't in canon. he changes his behaviour towards casey in pretty predictable ways depending on what the relationship demands from his perspective at any given time. there's nothing more there

now, obviously you know where I'm going here. there IS a rivalry where you can make the argument he changes as a result of it, there IS a rivalry that tips him over the line and makes him to do stuff he hadn't done before that, there IS a rivalry that happens to coincide with a period of his competitive life that challenges him both personally and professionally. now, look, I have already talked about the sete rivalry. you know what I think about this rivalry - and if you don't, I really already have told the story here and here and here and here and also here. I think this works perfectly well as a narrative in its own right, and it's one you can tell from either perspective... but you kinda need both. I think again you probably naturally lean towards starting it from sete's perspective and that first proper meeting (I mean, idk if it is their first actual meeting, but it's the logical obvious place you start this story) with sete giving valentino advice during his first 500cc test and valentino just, y'know, ignoring him and being a cocky shit and then crashing. so you get to see sete being kinda exasperated by the whole thing. also, obviously ibiza is like, a key framing device here, like it's the most obvious in-your-face way of tracking their relationship with each other. I don't actually know how often they partied there together, but it must have been at least twice and if the commentators are to be believed it must have included 2003. artistic license and you can add one or two more times, but mainly you want to focus in on 2003 onwards right. so you've got this 2002 one where it's, y'know, high point of their friendship and in the name of narrative efficiency, you establish here that sete is looking to make the honda switch. the emphasis is on how valentino has been winning everything but on the flip side you're getting the first insight into his discontent. and there's a bit of a vibe of, what could you possibly have to complain about? like you are winning so much? so it's late one night where they've had this slightly unguarded alcohol-fuelled moment of genuine vulnerability but in the end it's actually characterised by how... unsubstantial the link between them is, because they wouldn't talk about this kind of thing with each other and they might both be similar in some ways but also don't gettttttt each other. it means you can return there as a location in 2003, where you've just had sachsenring and valentino's dramatic loss but they're still partying together and it's like. obviously In The Air that not everything is quite right... their relationship is already gradually altered and twisted because you're introducing this element of actual stakes and competition (obviously in 2004 they do NOT spend that time together, as far as we know anyway, and you can show them being very much not together at ibiza as a very obvious Oooh Things Will Fall Apart and maybe already haveeee)

and I do think basically I've already said what I think the themes here are,,,, several times by this point, so I'm not going to belabour the point. I think all of this fundamentally works as a narrative with like, minimal massaging and rearranging of the elements for dramatic effect. it's all there already, everything from sete's arc with the [insert non-tasteless way of covering a real life tragedy that fundamentally alters the course of sete's career] and how that leads to sete becoming the challenger and how he does want to win and his eventual downfall. with valentino, you have the element of liberation and self-discovery and... well, growing into your own but also kinda having the narrative drawing attention to how 'growing into your own' can involve becoming a fully realised character who is essentially quite cruel? you have this kind of... build up, right, towards this moment of revelation, where you lay bare who these two people actually ARE at sepang 2004, and then again at jerez 2005. valentino has gone his own way, he has freed himself from the chains of honda, he has embraced individualism and the chance to define himself and his own legacy and stand on his own two feet and not rely on the strongest bike or all this stuff within honda where they chose him as their flag bearer, for better or for worse... like he comes to his own here! he takes the step from 'great rider' to 'legend' because he gets to this dramatic moment of stepping into the unknown, he takes this massive risk that could have cost him so much, and it ends up elevating him. but it also puts him under duress, and in that moment he reveals himself - whatever sete did or did not do at qatar 2004, EVEN IF sete did all that shit, what you are left with is valentino vowing to ruin this man. valentino uses sete to make himself 'better', to fuel himself as a competitor. valentino turns sete into a tool in his own story. and again, thematically you've got all this stuff about how sete was managing the image of the rivalry and how valentino took advantage of that - how sete needed it to remain respectful and valentino was completely willing to abandon that. like, you have two protagonists who really are similar in quite a few ways, who think they have this shared understanding with each other, but when it comes down to it? they end up being super painfully different

now I can go on about this and how to play it straight, basically, you can just do that rivalry and I think it'd be cool and fun and very easy to arrange in a good narrative way. BUT I've kind of already. done that. like I don't want to suggest a film that is basically a nicer version of my tumblr posts. so I want to take this in a slightly different direction, and I think what we need to consider with this rivalry is this: what if you made the curse literal? basically, what's always kinda charmed me about this rivalry is that the curse should not work and all the misfortune that befalls sete after that is so comical that it's kinda... what do you do with that? and the answer is you just lean all the way in. my pitch is this: what if valentino sells his soul to the devil?

so, you know faust, right, and you know the bit at the start of goethe's faust where god and mephistopheles are basically making a wager over how corruptible this one human is. and faust is like... he's kinda disillusioned, he feels that everything he's dedicated his life to in academia is fundamentally hollow, gets very close to committing suicide. and faust has gone a bit new age-y, gotten into all this mystical shit and he's got this pentagram that ends up preventing mephistopheles from leaving his presence in their first meeting... and basically what the devil can give him is like, the chance to attain some true pleasure, and for that faust is willing to bet everything - so if faust can just have that, then maybe eternal damnation is worth it. and look, I'm not going to summarise the entire plot of faust here and it does go off the wall a bit with all the gretchen stuff, but the point is you have this version of the devil who is fundamentally a cynic and is attempting to win an argument with god by making this human succumb to his own nihilism. and what faust basically does is like, abandon his normal life where he's trying to live by normal virtues and goes off on this journey with the devil. and there's this little moment where mephistopheles,,, pretends to be faust and takes on the role of an academic adviser (you know how it is) and seduces this random student away from the word of god and sends him down a wretched path, which ends with this bit:

like, a big part of faust's tragedy is supposed to be about... well, hubris, of the relationship of god to man, of no longer being afraid of the devil... and obviously, this is all framed very much in terms of religion, but at the end of the day it's also about, you know, having purpose - faust is living a life that no longer has any meaning to him, all of his knowledge and studies now no longer fill the void inside himself. his nihilism opens the door for mephistopheles, and is what makes him willing to accept the devil's terms. now, and I am so very sorry to goethe here, I think we have some material we can use here to explore the valentino/sete rivalry. obviously, you can't do a one-to-one, you need to get rid of some of like, the depression and all that - there were times when valentino was feeling 'a bit low' in 2003, but not 'faust thinking everything he'd done in his entire life was pointless' low, yeah? also, unless you want to do a real long view here and even then it can't really be justified, there obviously isn't really a 'tragedy' here from valentino's perspective. like, he wins! this isn't valentino's tragedy, it's sete's! I was being a bit facetious when I said he was 'selling his soul to the devil', and you can kinda parse mephistopheles' motivations in different ways depending on what flavour and what interpretation of him you're dealing with here. you don't 'damn' valentino, you essentially just turn him into a tool of the devil!

so, this is how this works out in my head: the devil works more broadly as the manifestation of competitive impulses, the kind of 'how far would you go to win' question as a bloke who shows up and literally talks to the characters about it (magic of cinema). he's also engaging with valentino feeling like his victories no longer having meaning, with being disconnected from honda and from the entire culture there and just feeling like he's going through the motions. there's this element of like... opening the door to what is essentially a journey of self-actualisation, bringing him closer to being a 'god' but also allowing him to fully come into his own and become himself. to win on his own terms. I reckon ibiza is my preferred narrative device where the devil talks both to sete and valentino there (separately), first literally as a mysterious stranger and then... maybe not? he's talking to them at times of their lives when they're not at ibiza and it's not happening there in the physical world and they both end up kinda having to confront they're dealing with some potentially malevolent supernatural entity. but the important elements of the devil is that a) he's not going to do anything the humans don't actually ask for themselves, and b) everyone knows he's following his own agenda and you should be careful of the requests you make of him. so it's kinda like... essentially, the backdrop of this rivalry unfolding is they're constantly being challenged to decide what lines they're willing to cross. which culminates at qatar... and maybe you do have sete making like. a teensy mistake. a teensy error in judgement, one that is both real and deliberate but he could not have known would get that reaction and instantly regrets. and valentino, who is I think inherently sceptical of the devil coming to offer to help him and maybe does crank out the pentagrams (remember, the whole point of faust is that he was too arrogant to be scared of the devil, or one of the points anyway), in a moment of fury does decide - no, actually. I will take that step. I will curse sete. now the thing is, dramatically this is a teensy bit tricky because when you're talking about being damned by the devil, usually the consequences are a bit more severe than 'not winning a motorcycle race again' (yes, you can get into how sete did also seem genuinely cursed after that, cf his ambulance/bus crash situation, but again we are flirting with being in poor taste in this tumblr post). but the thing is, right, you have to lean into the silliness here! qatar 2004 is inherently silly, a CURSE is inherently silly, like real life is already silly here! you have to engage with the people where they are, and for these athletes all this shit is so heightened that the emotions are full on. like, valentino would've sold that guy to the devil! and to him not winning another race is basically the worst thing that can happen

so, obviously, you get to do the actual curse stuff. curses are inherently campy fun, the devil doing curses is campy fun, getting valentino rossi to crank out the pentagrams is inherently campy fun. you get to play around with this, right, like you know that bit in the brno 2005 race commentary where the commentators are talking about how valentino might as well have a little radio to talk into sete's helmet to remind him of how sete had fucked up at the sachsenring. OBVIOUSLY obviously obviously it is just so... idk scrunchy and fun to have this idea of valentino becoming a malevolent enough force to literally do that.... like damn the commentators did kinda eat with that?? ughhhhhh do you ever think about sete leading the qatar 2005 race for most of the way???? like that's SO fucked up because you literally have articles from about the race going 'hey maybe sete can break his curse' and then the commentators are talking about curses having one year expiration dates but obviously they!! do not!!!!! there's one race where sete goes off track and the commentators are talking about how valentino will surely have smiled into his helmet like that's so fucked!! it's so fucked!! but idk I think basically you have all this creeping curse-y stuff and devil stuff and then you get this twist and then it just becomes misery zone for sete until you sort of. compress the timeline and have him retire without getting into what happened at the end of 2006. and valentino just relishing in all his very worst emotions. and you've got sete who was the better man after jerez 2005, who took the high ground again and again and again and it did NOTHING for him.... and then he's cursed and his career is finished and the devil has had his fun getting mixed in with mid noughties motogp. and now obviously this is inherently kinda dumb and corny and silly but it's the devil!! mephistopheles to me is allowed to get up to dumb shit sometimes, let him have some fun!! idk I like curses being literal idc

I think the obvious critique here is 'this doesn't really feel like it gets the message of faust'. which, yes, is true - and obviously the way narratives are structured, a satisfying resolution isn't 'well selling your soul kinda slaps, actually'. and my statement to respond to this argument is as follows:

this is essentially canonically what happened. valentino DID do something kinda evil and it DID work out 100% for him and it DID kinda slap. at least when you add in the devil, you're making explicit the bit where it is a little bit bad. also, is sports not inherently about selling your soul for success... the story of valentino and sete is essentially about how we are twisted by competition, how pretending that we don't wish ill to our opponents is inherently dishonest. it is about lifting a facade for something that is already inherently there in the souls of men. this is obviously inherently a deeply cynical stance, but this is also a deeply cynical story beyond all the fun battles and camp dramatics. the devil is a cynic and he is basically the point of view character of goethe's faust - he's the one who is positioned closest to the audience. sports is all about living out some of humanity's worst instincts in a relatively low stakes setting, which means we get a free pass to have fun with a deeply cynical story that goes 'maybe selling your soul to the devil is fine, actually'

do I stand by this stance? not really, but the whole fun of storytelling is that sometimes you can just be kinda mean. I think goethe would get it... you can tell which character he enjoyed writing the most

the OTHER way you can do this is centre everything around qatar 2004 as like,,, the mystery box element...... okay look I have now made two posts that go WAY too deep on the 'what really happened' element but I do loveeeeee the whole thing like I would just make a film about that very end of the season and we show it from all these different angles as different characters narrate what happened... like fuck all the riders I want to hear from whichever mechanic used the scooter... the gresini mechanic who gave evidence to race direction.... various honda higher ups the crew chiefs like this is jb vs juan martinez it's war!!! obviously you still have the same emotional/thematic hooks as the general rivalry does but idk I would have a LOT of fun figuring out how to structure that, I loveeee mysteries... maybe I'd write it as a mockumentary yeah..... this one's just fun

anyway. a lot of stuff going on in this post, huh! you can probably tell I didn't edit this much. my classic tell when I edit my tumblr posts is I remember how 'paragraphs' work. unfortunately all I have energy for are like. a bunch of rants about things in my brain. I think when tumblr tells you that you've reached the maximum number of characters per paragraph and you need to figure out where to put a break, it's probably a bad thing? on the whole, my stance is I don't have anything AGAINST mildly fictionalised versions, but for me I'm always more of a.... well I want to take advantage of the full specificity of the events as they happened or just come up with a completely original story. kind of person. I know this ask probably wasn't looking for my 'what if you bled out valentino as he's strung up above a red motorcycle' vision but yeah. with a lot of biopics I'm always a bit 'well you could just read about this couldn't you' like I need stuff to take some kind of a stance on the material it's using... all my stuff takes a stance. that's all I've got. obviously all these stances mean that basically none of these things could ever be made. and I know what I said above but if they called me up to write the casey stoner biopic script treatment, I would also do that. if you've actually read to this point, give me a shout - you're a real one and I love you

[kroosluvr]

hi!! as a fellow royal trio-truther ive been ADORING and loving your posts so much <3 you mentioned that you've like mentally re-wired shusumi so i was curious if you had a list of head-canons for how they develop in the game/post-game!! Im super curious to hear (: also any head-canons for the akesumi dynamic would be great bc I hate how little the game developed them together !!!

OMGGGGGGGGG HAYYYYYYYYYY ok so. first. look at this (idr if i posted this here already but if i did look again heh..)

ok now ill actually talk under the cut

note that some of this is headcanon territory bc i just be frolicking at this point

some backstory i fell in love w sumi as soon as her art was revealed i was like omfg peak design PEAKKKKKK i love her so much so i was really excited abt her but i feel like there were so many loose ends w her confidant and namely her crush on protag sometimes doing her a disservice (it turned ppl off from her (understandable bc i also dislike when writers make a female character out to be dependent on a male character) but also made other ppl weird abt her in the same breath....... shivers. people who overly-romanticize/sexualize mentally ill characters (especially girls/women) freak me out sorry

anyway that put me off frm p5 fandom for a hot minute. BUT regardless. i think people often focus on like "shy cute sadgirl kouhai crush-on-protag" for her which on top of atlus's.......mediocre handling of her also does her character a disservice... shes so multilayered!! she houses such insane convoluted levels of distress and fear and anger and reluctance and most of all STUBBORNNESS. i think her headstrong personality is not really emphasized in fandom but i can totally see it (maybe its just me but).

ok moving on to my shsm delusions i think to turn sumire's canon crush on its head i want to make them doomed to never get together. i think 3rd semester is so tense and high-emotion that royal trio are so deeply intertwined w each other:

like they all are mildly-to-a-lot suicidal so they hold onto each other so tightly to make sure none of them spirals and does anything bad. i think in the end they just want the other two to be Okay, even if they themself doesn't. if the other two are ok, then it's all good.

ok back to shsm LMAO i think seeing their relationship as like an odd high-emotion situation makes sense. they love each other, obviously, and provide each other comfort, but the idea of a relationship slips thru their fingers like water. is that right...? is that how it is? like i said up there they just crumble under the weight of their own love. tldr theyre in no place to "date" each other........ but they have their "almost." they're inseparable, they love spending time with each other, but knowing in the back of their heads that it won't last, and they'll have to leave it be one day. "sometimes when i really love someone i leave them alone forever." peak shsm to me. "let's run away together - but what if it's not enough? what if all of this fear and sadness still stays? i take a man down to the river and he throws away his sadness but hes still left with his hands, he's still left with the river (paraphrased richard siken). peak shsm to me. i think they try to treat eachother so softly and gently that it fucks it all up, actually. peak shsm to me. it's not codependency in the sense that theyre not trying to save each other - they're just trying to salvage out some love from it all. all of these terrible things that happened: there's still love, right? there's still love. but the pain can't all be sifted out, and everything still hurts. but they still love. (they just don't date or even talk to each other much after graduating and i think they talk to akechi but to each other its suddenly COMPLICATED. i hate these guys)

ironically i think if you throw akechi in the mix it stabilizes out and i think shuakesumi could totally have a happy married ending. but shsm as a pair i dont see endgame for them. peak for me is that theyre in love and then they spend the rest of their lives trying to forget each other (they don't)

(If this sounds ridiculous and stupid im sorry. i just like shoving too-many-emotions onto my favs sometimes (a lot of the time))

IN REGARDS TO AKESUMI i think my latest 2 comics describe how i feel abt them pretty well!!! link 1 and link 2. actually i think akesumi's friendship is a great way for me to explore how i see/portray/feel about sumire, because i see them as way more similar than the game pays attention to. they're both stuck in their ways: sumire in her cowardice, hiding from the incident and refusing to move on, and akechi entrenched in his own traumas and feeling like he doesn't deserve more than that. their self-hatred manifests in two opposite ways but its very similar at the core. they both like. have no fucking clue what they're doing in terms of handling their pasts so that's why i think them working together to get around their own respective traumas is so fascinating: akechi is terrible at it, pushing sumire too far, but at the same time that perspective is something that she needs. meanwhile, her sensitive and observant personality shows akechi that like, you can have This too: a soft, good love. to have someone care about you unconditionally, so gently. you deserve that, too. yeah i can explode my head off now

i did not proofread this.

[thecarnivorousmuffinmeta]

What are your thoughts on all the Stark children in ASOIAF ? What do you think their dynamics were really like ? Who do you think the fandom is the most delusional about ?

Sorry anon, I have 0 familiarity with the ASOIAF/GoT fandom. I have no idea what they are and aren't on about so I responded to this initially with a "that's a lot of characters" and "???".

I also only read the books so that probably also makes me mildly spicy as things happened there that didn't happen in the show and vice versa. Sansa, for example, does not have a girl boss arc in the books (or whatever it was the show did with her), and just has a shitty time followed by a shitty time as she becomes the hostage wife and then the hostage wife.

As for their dynamics, we see so much of them there's not much to guess. The Starks are some of the main characters throughout the series and we have a large exploration of their relationships to each other. There's not much for me to guess.

(Could be I read it different than everyone else, could be I'm on the same page, who knows.)

[ceasarslegion]

wait, now im really interested in the silica gel drama. how did hlrp sex ed lead to eating a gel packet?

This is going to require a novel's length of context.

To begin, I want to underline that this is not meant to be a callout post, and I will not be providing any identifying traits that could be used to single this person out. The most you will get out of that are she/her pronouns, and her age at the time this happened, which was years ago, and I will not specify what year. I genuinely do hope she got the help she needed after this, because LORD knows she needs it and didn't find it at home. This is also not meant to be a character assassination, nor should anybody who reads this post consider it to be a takedown of any sort, and if you try to find this person through me or any of our mutual friends, you will not be met with kind words. The only thing this is meant to be is a wild-ass story of some of the most off the wall experiences I personally had with this person from my specific side of the story, with a few no-username screenshots attached to prove I am not bullshitting you.

With that in mind, let's get started. This is going to be very long, so I'm throwing in a read more

Back when I was in uni, I joined a growing group of Half Life roleplay blogs. The whole idea of our group was that we each chose a character, canon or OC, and we would blog as if the pre-Black Mesa incident moment in the timeline was a workplace comedy a la The Office or Superstore. I played Barney, because I was already working night shift security at this point and thought it would be funny. Plus, it gave me something to do that wasn't staring at CCTV feeds all night tossing a ball against the wall. We played off of each other very well, yes-anding our way through funny little situations and plotlines we put together. At one point we had roleplayed enough that one of the scientist rpers created a discord server for us to talk as the actual people we are instead of through characters.

Great idea at the time. None of us saw the "Pandora's box" label on the tin before we opened it. Would I still join it if I knew what was about to transpire? Yes, because I met my boyfriend and many genuinely lovely friends through it. Would I hesitate for a second first, though, as the events that are about to transpire flashed before my eyes? Oh, abso-fucking-lutely.

We started off as many fandom servers do: chill for the most part, very loud minority of a few assholes who ruined it for the rest of us, but unlike most fandom servers, we actually won and it ended in them getting banned and the server itself surviving to this day. But the other two lunatics are not who you came here for. You want the christian lunatic.

Let's give her a nickname to make this easier. I have the Sylveon build a bear on my PC desk. Let's call her Syl.

Syl was not there for Half Life, she was there for Portal. She LOVED Portal, Half Life was just part of the same universe for her. Portal wasn't just a game for her, it was her entire personality. Which I didn't see much of an issue with at the time, because she said she was 15. Whatever, I thought; she'll learn to control her emotional attachment to things as she gets older. Syl also said that she was christian. I am a flaming atheist who doesn't even believe in the concept of a soul in comparison and I am NOT the biggest fan of christianity as an institution to put it mildly, but I'm not gonna like, be a dick to you for your personal religion if you are not a dick about my beliefs, so I didn't think much of it at the time.

It quickly became apparent that Syl looked up to me more than any of the other adults in the group the more I would talk about my life growing up as a third culture kid and moving out on my own at 19, working 2 jobs and going to a good university. She would ask me a lot about growing up and uni and moving out and yes, sex ed, and it became even more apparent that she didn't get any actual guidance from her parents or pastors or ANYBODY beyond bible studies and homeschooling, so I kinda stumbled into a mentorship role in her life. I wasn't cold, but I was aware of the age and maturity difference between us and established the appropriate boundaries with her and made it very clear that I am an internet friend, not an irl friend or an educator, but if no one else was going to give her information that wasn't actively harmful then fuck, I guess SOMEONE had to do it. I could not in good conscience watch some kid go through life with harmful inaccuracies about the world and basic human biology when I could have done something about it, y'know?

And the more things I taught her about the real world and how things actually work rather than how her republican bible-thumping rural town said they did, the more I realized she was born into a full-blown cult under the guise of a christian congregation. Oh goody, I had my work cut out for me. I will not get into the details of how messed up this group was because it will be a dead giveaway of where she lives and potentially who she is, but let's just say that one time I said that I appreciated the gesture of praying for me during a stressful week I was having but it didn't really do anything for my mental health because I was an atheist, and she sent me a bunch of bible verses begging me to start believing and said "I just don't want you to go to hell because you're so nice :((" EXCUSE ME??? Another time she said that death was only sad for non-christians because their loved ones were in hell and that proper christians deaths were a good thing because they were in heaven now. Hi, that's the most insensitive death cult shit I've ever heard in my goddamn life.

Okay, set up is done. All of these details will tie in like the world's worst reboot of Pulp Fiction, I prommy.

After a good long while learning about the world from me (which like... a uni kid working night shift security is not exactly an academic source but we take what we can get) and exposure to viewpoints outside of her in-group, Syl began that very painful journey of realizing that what the cult taught you was a lie. Except that she just wasn't grasping that unlearning things was an active process. She started to flip to the opposite side very quickly, but kept all the fundamental brainwashing of the cult that raised her. The concepts were all the same, just slapped a different label on them. This created a noticeable pull between two sides of the same personality: the cult personality, and the person beyond the cult who wanted to break free. Mix that with how fucking 15 years old every 15 year old is, and you have a LETHAL concoction just waiting to blow up at the first sign of a spark.

Remember how I said that Portal was her whole personality? Syl decided that she wanted to be a scientist, and go into an ivy league program like I was in (I was in a SOCIAL science, but sure). Problem was, she didn't have the grades or the ambition, really. I had told her that I still got into an ivy league when I failed math in high school, and she seemed to completely miss the part where I said that I also joined every extra-curricular, then worked for 2 gap years for recognized institutions, and wrote an essay about why my math grade is not relevant to my program. I did it with one bad grade, so she was justified in basically just slacking off and then excusing it with "but its haaarrrdd" when we'd tell her she needs to put the fucking work in NOW if that's what she wants to do.

It quickly derailed from here. Not only was she going to be a scientist, she was going to be like Cave Johnson. And she was going to... replace her body with robot parts so she could be like glados. I don't... think she actually knew what science is, because she would just publically fantasize about running unethical experiments on people in the name of "science," and talk about how one day she wants to basically establish aperture labs for real. All of us who were there kind of agree that we don't think she was joking based on what we knew about her and the cadence of her tone. Here's something she said at the time to give you an idea of what direction she was nosediving in:

This was after a session with her therapist where said therapist said that she definitely has some kind of personality disorder, after which she was weirdly proud of having one and treated it like a badge of honour.

Syl then made a separate group chat for all the best friends she made on the server. There was her, me, @false-pyre, and @imtheaura. She titled it "My Family," despite the fact that we were all adults and she was 15 and she only knew us over a discord half life server where one person in it stepped up to somewhat equip her for real life outside of a cult. Regardless though that GC was more the vibe of a group of friends sharing memes and chatting about the day than the wider server was at the time. The others began to also take on a sort of mentorship role towards her as well, because that's kind of inevitable when you get someone talking about teenager problems in a room full of adults who all made the same mistakes before in their own lives. Well, minus the cult.

And remember how I said that she didn't unlearn any of the cult shit? Well, there was a lot of proselytizing. She decided she wasn't christian for a spell, but still wanted us and everyone to know that jesus was the lord and savior and we had to accept him or we'd burn in hell. Usually said after we'd make some joke about satan being daddy or declaring ourselves god instead, because that is just the type of humor the others and i have with each other. She took it so personally whenever one of us would go "oh my god" "you called?" it was fucking annoying. I lost count of the amount of lectures she gave us, all of which I'd shut down and tell her to get a grip about because I have a big stupid mouth.

The others and I also like to talk about evolution, and speculate about where we're going from here. My fucking god, did she not like that. She bit our heads off about how evolution isn't real and god made everyone as we are and there's no scientific evidence or whatever the hell. Like yeah good luck getting into STEM with that mindset. Whenever we pointed out that she was objectively wrong about that, she'd have a big stupid meltdown about how much we're slandering god and how jesus died for us and we're spitting in his face or whatever. He should spit in MY face inste-*GUNSHOT*

Eventually, we were making some actual progress with her. She was still one fry short of a happy meal and going off about how much she wanted to put living subjects in test tubes in between knocking on our doors and reciting Hello from the Book of Mormon musical, but we were getting somewhere. And then she went back to in person school, and her favourite teacher got fired.

The schoolboard did not say why she got fired, but we all had our suspicions that it was because she openly supported queer rights in a cult town. She was coincidentally retired shortly after making a declaration that queer people are still welcome in god's kingdom. This teacher was the first in person adult Syl had for guidance, so that incident shook her to her core, and she fell right back into the extremism. Hook, line, and sinker, even more extreme than before.

She was WEIRD that week, man. Suddenly everything was about how great god was, how amazing jesus was. Suddenly she understood why her cult member parents "just wanted to protect her" from gay characters on disney+ originals. Suddenly no one could say "jesus christ lol" around her or she'd have a fit. I said "I hate cycle counts lmao i wanna kms" because my then-job (I had graduated at this point) made me do inventory management spontaneously and wouldn't let me go home until I had counted every product in the store, and she bit my head off accusing me of turning suicide into a joke.

It was that incident that made us tell her to knock it off already, that we understood it was a hard week for her and she was in a period of grief, but that is no excuse for how she had been acting towards everyone around her that wasnt christian, and that she was actively relapsing. I'll let the exchange speak for itself:

So uh. After years of helping Syl through this she goes and pulls this bullshit. And then has the fucking AUDACITY to act like nothing ever happened in the wider server. I am genuinely gobsmacked by the balls on her to act like it was all sunshine and rainbows in the wider server after sending this and immediately leaving the same GC SHE made and titled "My Family" just because we told her to stop acting like a goddamn Jonestown citizen after all the work we'd put in to get her out of that mentality at this point.

So I dragged her up in front of everyone and essentially said "no, nuh uh, you don't get to say that shit to the people who have lost sleep and asked for nothing in return trying to help you escape a cult over the last 2 years and then act like we're all buddy buddy to everybody else. You don't get to be that arrogant and self-righteous without any consequences. I don't give a fuck how young you are, you DON'T treat the people who have helped you this much like that, you selfish little shit. How dare you treat us like this after all we've done for you over the years."

Unfortunately, no one involved had surviving screenshots of this, but they can back me up on it if they so choose. And oh boy, DID she face the consequences of her own actions. The whole server basically turned their heads and went "what the FUCK is wrong with you, Syl??" and asked her to at least like, apologize. She proceeded to double down with the added audacity of "you guys taught me how to establish healthy boundaries, that's all I'm doing right now :(( oh woe is me :(((" like WOW, okay. Someone's really going for the persecution complex.

Here's her last goodbye to us all before the mass block fest occured:

Oh, boohoo. You're so hard done by. You spat in the faces of everyone who stayed up all night multiple times helping you through crises and spent the last 2 years teaching you about how the world really worked and then they asked you to apologize after you tried to escape accountability. You truly are god's strongest soldier, the most persecuted minority in the world. Let me play you an ode to how righteous and holy you are and how this was the most important hill to sacrifice all your outsider friendships on on the world's smallest violin.

Syl then went on to post on her roleplay blog that she "was banned because I spoke up for what was right, and they didn't like that" before deleting it. Truly no one has suffered as much as you.

Anyway, the day after that went down, I called in from work, bought this book, and read the whole thing purely out of spite:

It was greatly therapeutic. After that incident, I vowed to never sanitize my own atheistic beliefs for the benefit of others again. If they don't like them, they don't have to talk to me. But I am not changing them for other people or keeping them quiet just to spare your feelings anymore, I have as much a right to my beliefs as anyone else does, including the world's most persecuted minority here.

And well, the silica gel incident?

There was one incident, during the height of Syl's "I am the irl cave johnson and only want to get into STEM to conduct unethical experiments on people. follow jesus" era, the rest of us were joking about how silica gel packets are the ultimate forbidden snack, and said "haha would eating it make you see shrimp colours" knowing full well it can kill you.

Syl proceeded to actually eat a silica gel packet and then send in "it has a sandy texture and tastes bad" prompting the rest of us to go "WE WERE FUCKING JOKING FIND YOUR POISON CONTROL HOTLINE RIGHT NOW"

And because i didnt get this done until now, I'll tag everyone who said they wanted to read this or expressed interest: @captainjonnitkessler @formydarlingtoread @cra-zwizard @chasingnightrainbows

[eelfuneral]

Some of the discussion that happens within the Star Wars fandom, particularly discussion of the Jedi, can be really upsetting to observe if you have certain disabilities. In fact, I’m having a hard time even liking the Jedi right now because I can’t help but associate them with some really ableist takes that I’ve seen in their defense.

Let me explain: a lot of people with certain disabilities (such as autism, ADHD, bipolar disorder, and C-PTSD) deal with something called emotion dysregulation, which means that you feel emotions more intensely than the average person and that this strong emotional state sticks around for far longer than it should. When you have emotional regulation issues, an event that might make somebody else a bit sad or mildly frustrated has the ability to put you out of commission for hours or even an entire day. Emotion dysregulation is very stigmatized, even in people who go out of their way to avoid harming people or lashing out while dealing with an episode. People with this specific issue are often told that they are “dramatic”, “attention seeking”, or “future abusers” for what amounts to an automatic emotional response that a person cannot control. This constant pushback forms a metaphorical blister that can easily be popped back open when you see anything that reminds you of what caused it in the first place.

Now, let’s move on to the Jedi. While it can be argued that their teachings were intended to instruct people to reign in their BEHAVIOR as a result of their emotions, several lines in the fist six movies sound an awful lot like they are condemning having negative emotions at all. Yoda literally tells both Luke and Anakin that emotions like fear and anger BY THEMSELVES are of the Dark Side, and these lines were very difficult for a lot of people who have dealt with trauma, neurodivergence, or other issues that cause “big emotions”. These lines, intentionally or not, mirror a lot of the things that real people have said to those of us dealing with emotion dysregulation, and people have every right to talk about this in their own spaces unmolested.

Some of the defenses of the Jedi in the context of how they are instructed to deal with their emotions come off as dismissive at best and ableist at worst. Yes, if you dig through Star Wars canon enough, you can find portrayals of the Jedi and emotions that point to a more nuanced view where choices and actions are the source of evil rather than the emotions, but this does not change the fact that the Yoda lines and other emotionally repressive applications of the Jedi Code very much exist in parts of canon. A person who found the emotionally repressive variant of Jedi teachings to be upsetting due to a disability will likely feel as though you are trying to dismiss their feelings and belittle them if you “correct” them for “misinterpretation of the Jedi”. I get that it sucks to see people bash your blorbos, but if someone is doing it because they are dealing with something IRL like trauma or ableism, then it’s best not to engage and just let that person work through it.

I have also seen people who are defending the Jedi make statements that outright attack people for having intense emotions. I remember a take that basically said that you were a baby or a psychopath if you found the Jedi code regarding emotions to be “too hard”. I’ve seen people dismiss the trauma that Anakin went through and its possible effect on how he reacted to some aspects of the Jedi order in a way that mirrors the invalidation that those of us with emotional regulation issues have experienced for being “too much” for all of our lives. Yes, it is important to avoid harming others when you are in a bad place, and no Anakin was not a great person, but so many of these takes are devoid enough of nuance that they read as if they are just trashing people who have “too many”emotions.

Feel free to defend your favorite characters all that you would like, but please spare a thought for those of us who might not dig everything about them for reasons connected to disability and trauma. The Jedi aren’t real, but we very much are.

[mdhwrites]

so I've seen it in your fics so I just wanted to ask: what was the appeal of Clarvee?

There's not really a nice way to put this: It's Lumity 5178 for the TOH fandom. It's a weird, quirky-ish girl with a bully. For the brief moment it caught the fascination of the fandom, that was essentially the pitch but with one big addition and one big drawback: It had a fuckton more angst... But now you had to write an OC.

Part of what was compelling to me as a writer was this fact that it's kind of an original form of Lumity because we know very little about Vee and we knew fucking nothing about Clara besides her having been around for many of Luz's shenanigans. We didn't even know if she was actually a bully, just that she looks like a human Amity. Meanwhile, one of the big things we know about Vee is she wasn't maybe bullied like Luz... She was tortured. Literally. She grew up in agony and managed to escape. She has baggage, to put it mildly.

But also to be blunt, the TOH fandom doesn't actually like extreme angst. No one I ever followed seemed to actually do anything with Vee. I mean, more people did comics about Amity losing it at Hunter over Eclipse Lake than ANYONE ever did about the fact that Hunter probably was involved in Vee's torture as the emperor's right hand. Bare minimum, A Golden Guard had probably participated in it. The fandom likes the angst they put on the characters that reflects their own traumas and problems but engaging with actual fantasy issues and the like never really seemed to be as big of a part of it, bare minimum by the point of S2B. And that is important because you honestly already by then saw a lot less comics, WAY less animatics and just less more extreme output from most creatives in regards to TOH.

The other half of the problem is that the fandom had done so much Lumity already, including Boschlow which was already a Lumity clone, that even before it was canonical, a lot more people gravitated towards Veesha. After all, Masha is a goth, spunky, weird but also genuinely feminine and a teen and just overall a nice character that is already close to Vee. There's also more of an overt betrayal angle from confessing what Vee is that can mirror allegories to the LGBTQIA+ experience... With the plus side that Masha would be more likely to go "Would" to it than Clara would.

It was a blip of a trend for the fandom and if you actually read that work, you can tell that a lot of the inspiration came from being able to do whatever the fuck I wanted with Clara. That is was, even accidentally, a bit of me flexing my original writing skills as I did a lot of interesting stuff with how she views the world. I don't think Vee ever got a solo chapter, and probably stopped around the time it might have happened, because I just didn't find, nor even now, find Vee all that compelling.

But also Clarvee was also me coping for the fact that the end of Yesterday's Lie left a godawful taste in my mouth from its no win cliffhanger, which I fucking called wouldn't be actually followed up on or enforced by Camila. It was me trying to still love this and have the same passion I did... And well, a year later I'd be essentially done writing for TOH.

So much for that. See you next tale.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[rosenotactuallyquartz]

What do you feel about the official Rebecca Sugar pearlgreg art going around?

i said: “okay, but where’s pearlrose?”

i’m half-joking. i’ve gotten a few asks about this, and i only vaguely posted about it on sunday. so, i’ll talk more about it since you guys are interested in hearing my opinion! i am also typing this all out while i’m extremely sick, so i apologize if i ramble (even) more than usual.

a lot of my closest mutuals were very happy about this, because they already liked the pearl + greg ship or, more so, the gregrosepearl poly ship. which is something i understand, because a few years ago sugar sketched pearl + rose kissing and it’s really awesome to have a sketch of the ship you love by the creators of the characters.

i’m someone who doesn’t like drama, so i didn’t get involved and i don’t quite understand what people were arguing about because i didn’t look into it at all. some of my closest friends have different opinions about ships, and that’s okay! the only time i get mildly annoyed is when people try to put down my favourite ships to bring up their favourite ships. especially when they really misunderstand the ship they’re putting down. for that reason, i try not to do the same when i write about the ships i like, and i try to be fair & unbiased when i’m writing comparative stuff.

where was i going with this?

right, so i was happy for my mutuals who already liked gregpearl & i didn’t want to (nor did i feel the need to) get involved in The Drama™️

that being said, i mentioned that i only get irritated when things impact how the fandom acts about my favourite ships, and i think that’s why i felt a little bit concerned. pearlrose is misunderstood enough. some fans act like pearl never truly loved rose, or rose never truly loved pearl. even if their love is validated, the ship & the shippers get hate on a lot of other platforms and a lot of the time, fans hate either pearl or rose, anyway. i felt so alone until one of my (now mutuals) gave me the idea to be more active on tumblr than the subreddit.

so, a few sugar sketches that we’ve never seen before have been shown to us this year and my only concern would be that the fandom would become even more… misunderstanding & possibly even more hateful towards pearlrose, as well as the people who ship them and are simply just trying to live their lives. there was a sketch that i don’t like to talk about, but it was one of the early sketches posted in may and it made people hate pearl & pearlrose. recently, i had someone tell me they hated pearl because she “did this *shows me early sketch* to rose” i had to remind them that early sketches (especially ones that aren’t in any books and weren’t released as the show was released) are far from canon. & this sketch in particular contradicted canon (i.e., communication issues resulting in a severe lack of closure that would not have been the case if this happened, or pearl canonically never doing *something* until she opens up about repressed trauma). anyway, it was bad, and it fed into all these misunderstandings that people have about pearl’s character.

so, that’s another opinion i have. i think it’s just important to remember that sketches like these are not canon. especially because they include such important details that would have altered the plot. i haven’t touched the subreddit in days because i’ve been afraid of hearing the, “well, knowing what we know now, pearl was probably afraid of greg being rose’s favourite because she already liked greg, too!” these sketches are likely scrapped ideas or things that sugar is exploring with their characters. unless they tell us this happened & it’s canon. basically, i was a little apprehensive knowing how steven universe fans have acted in the past about sketches like these.

that being said, does it bother me if people are enjoying these sketches & choosing to use them to support their personal headcanons, without using the sketches as reasons to hate on characters or ships? of course not! these are fictional characters and it’s totally okay.

if you’re wondering what i think of GregPearl the Ship™️, i always preferred pearlrose over gregpearl and gregrose, but as a poly girl myself i do enjoy AUs where greg, pearl, and rose are together and they all really like each other and communicate. it’s comforting for me, personally! the situation in canon ended without closure with a major lack of communication & some mental health issues so i love looking at what-ifs, even though i do really like that pearl ultimately comes to terms with things, talks to greg, and begins to find closure & understand that rose did love her. it’s a really meaningful theme about how important it is to be vulnerable and have difficult conversations, even if you’re insecure & hesitant.

pearl + greg being intimate any time after rose’s death, would absolutely be complicated and… yeah. in my opinion, pearl does seem a little out of character, just like she did in some other early sketches. & something really important is that sugar didn’t mean to share this with anyone but some crewmates / friends (but don’t quote me on this, i literally just read that in a comment and i don’t even remember if it was here. it does make sense though). i have no idea how we’re all seeing it now, and i don’t have twitter where i’ve heard there’s more information.

regardless, i don’t think it’s a reason for drama, you know? whether these arguments are about headcanons, beliefs, shipping, characters, canon, etc. the people who like the sketch… like it, and the people who don’t… don’t, but it doesn’t change anything in canon, really. people can enjoy this sketch if they enjoy the pearl + greg ship, and people who prefer other ships can just… enjoy their other ships and go about their day.

🩷