#and characterizations like fma

[adrift-in-thyme]

They should’ve gone the anime route

[capripian]

god ling accepting greed is really fucking funny actually. literally everybody else in the scene is like "what the fuck" and "why aren't you fighting it" and "it'll kill you" but ling is a particular kind of freak and he's just like ">:) everything is going according to plan"

[frogs-in3-hills]

rewatching hxh is crazy like the foreshadowing is so good. i’m just as emotionally engaged as i was the first time watching but in a COMPLETELY different way bc it’s almost hard to watch through the sheer sense of foreboding you feel as gon learns more and gains more power. his recklessness was always taken quite seriously by the narrative and that’s clear on a first watch, but knowing exactly what happens and where that self-abandoning recklessness, that thrill-seeking, that bullheaded perfectionism (not to do everything perfectly but to do everything with perfect accordance to his own terms), and that childish willingness to disregard everyone else in pursuit of his own impulsive goals (thereby reinforcing his own worldview for better or worse) goes… the show is SCREAMING at you that this is all going to go horribly wrong and it’s so sinister in this weird offhanded way, like it’s sticking to shounen tropes just close enough that you definitely notice something off but don’t suspect it’ll snowball the way it does.

[salvidida]

Funny how people will be so weird about fma 03's Scar design, citing him being younger/'bishie' compared to the manga and Brotherhood versions as a negative against the first anime adaptation because, let's be real here, a lot of people see this design decision as "feminizing", making him weaker or more palatable at the expense of the role he's meant to play.

Meanwhile 03 Scar, unlike the manga and Broho counterparts, not only is more staunchly anti-military and consistently uses violence and strategies against the system throughout his entire arc, he straight up has a kill count so massive it would make manga + Broho Scars blush (and manga + Broho Elrics have a full existential crisis).

My man never once becomes an Amestrian reformist, never once celebrates the militia (he would have laughed Miles right out of the room if he tried to guilt him for not licking military boots for a scrap of acceptance; in canon he fully declares he has zero pity for soldiers PERIOD) and goes down killing well over 7000+ soldiers and state alchemists in his entire run.

Need I remind everyone that he draws a city-spanning alchemic rune, by himself, with a boulder and a chain to drag it? And lures in the Amestrian invaders by dropping Kimbly's freshly murdered carcass (his doing of course) that he carried with his teeth to the top of a building, while armless and bleeding out? Drawing them further in while dodging gunfire on foot. Iconic. Awe-inspiring. Pure 100% platinum-grade badass.

03 Scar never loses sleep about killing the pigs of a fascist nation, never cedes any ideological or material ground to them, and he could never be shamed out of actively fighting back. Unfortunately we can't say the same for the defanged mangahood Scars. Because despite their more overtly gruff and 'tough' character designs, they're so thoroughly cowed by a small mob of Amestrians who use basic shaming tactics to stop them dead in their tracks and join their side, never to kill another jackbooted hog.

03 Scar clears manga and Brotherhood Scars, easy

[fma03envy]

Edward: I hate my shitty father Hohenheim so much it's unreal; I don't want to think about him don't bring him up to me

Envy: I hate my shitty father Hohenheim so much it's unreal; I think about him constantly and can't stop myself from bringing him up at random times

[lesbiansanemi]

Day 847337382 of seeing a bad faith “hot take” about Fullmetal alchemist and having to physically restrain myself from starting shit

[cutesilyo]

my opinion is that if you havent gone through manga -> anime adaptations or anything -> musical adaptations, you arent equipped to deal with pjo books -> pjo series adaptation discussion lol

[olvitier]

Sorry its so late buf i am in an Edling mood tonight and I will never stop thinking about the idea of how theyre the epitome of right person wrong time.

(obviously in a context of like fandom shenannigans where canon events arent 100% set in stone like edling arent canon but also idc !! they are to me! im ignoring it let me be insane) ANYWAY

Even if they wanted to be together post promised day Ling has all the responsibilities of Xing and his clan and Edward would never hold him back from that for a second. Im of the opinion that brotherhood Edward feels a lot of guilt for wanting love from the people around him particularly those he sees as good (winry, alphonse, etc) especially if hes done things hes perceived as hurting them (maes’ death, the transmutation, etc etc). Which is why I think Edward connects with Ling so well cayse he doesnt carry the weight of a lot if his past mistakes, and then when the stone happens its like goddamn it i roped this guy into my shit again. Like i dont know Edward doesnt really dedicate himself so fully to people outside of winry and ed a lot so its interesting like!!

He cares about a lot of people like the majority of the allied cast and we see him be openly affectionate towards Nina and Hughes pre their deaths but I think Ling is the only person hes ever decided to stick with WITHOUT alphonse? I may be wrong but the whole sure Ill stay with you and trust my brother and Winry to stay safe and follow you around the outskirts of the east for a week till the promised day to protect my new friend is so??? what?? huh???

But anyone my point is post promised day Edward cant really ever see a future with Ling because of all the responsibility Ling holds outside of him and its veyr tragic imo like especially because in a different scenario if Ling didnt have those responsibilities and Edward wasn’t so dedicated to the people around him to a fault of never thinking about his own desires I think they could have the possibility of a future.

Like I have read a lot of fanfiction abiut Ed traveling to Xing and living with him there but?? I realistically cant see him ever doing that just solely because Edward is not the type of person to settle down! like its my one and only criticism of the fma manga is that I cannot see Edward ever being satisfied with a simple life? Like even in Fma 03 which is my favourite interpretation of Edwards character once he gets stranded in our world he learns?? Rocket Science?? For the chance to get back to Amestris but he doesnt really seem to take that goal all that seriously especially considered Alfons ends up getting involved in a lot more aircraft projects than Edward like Edwsrd genuinely enjoys learning!!

Im pretty sure he was the one who dragged Alphonse into Hoenhiems office when they were kids after he left, probably to Al’s reluctance of if they were allowed in there, and started ripping through all of his old books just to learn. Edward never stops and it gets so bad that he never stops to even consider himself constantly worrying about getting his brother back or improving the states of others lives especially when! ya know! the whole country is at stake!!

So in a circumstance post promised day where Ed decides what he wants to do (my personal favourite interpretation is either an alchemical researcher outside of directly performing alchemy, ie revolutionizing the circle matrixes and discovering nee combinations or becoming a professor of some kind) I dont think he would give that up to settle again. And obviously Ling cant exactly up and leave being Emperor unless he decides he doesnt want to, im not the most knowledgable on Lings characterization so I wont speak there but!

They have so much fun together and compliment each other and genuinely care about each other so much but their happiness and fulfillment as people to themselves and others make it so its nearly impossible they would ever realistically end up together and its really doomed and tragic!! idk i think about it a lot.

[the-blue-eyed-firebender]

Just a lil Royai fic rec.

I'm new to the FMA fandom, but these two now live in my head rent-free. And so do these fics. Enjoy!

Catharsis by kekkubean

Rating: M

Word count: 5K

Summary: She knew better. And now a little girl was dead because she wanted to believe that her father’s behavior existed in a vacuum.

Or,

When Riza learns of the Tucker incident, she doesn't handle it well.

Excerpt: At her feet, Hayate whined, she imagined disapprovingly. It was definitely too early to be drinking, although thankfully she skipped training him on understanding the appropriate hours for alcohol consumption. Riza met his gaze and they regarded each other for a moment as the burning subsided slowly. Hayate cocked his head to the side, curious, and whined again softly, as if he could read her wretched mind.

She briefly, morbidly wondered if Alexander and Nina shared thoughts, or if one of their minds dominated the other in that body, or if it were an entirely new—

Riza slammed her palms on the table, instantly suppressing the thought, and abruptly pushed herself up to standing. Hayate jumped and slinked off into her bedroom. She stood swaying for a moment, trying to gain her balance and some semblance of her sanity.

My thoughts: This one is canon to me. I can offer no higher praise for a fic. Before reading this, I never considered how Nina's fate might affect Riza, but it just makes so much damn sense. The way kekkubean writes trauma is blade-sharp. And the pacing, the dialogue, the characterization - exquisite.

Anytime by myrhymesarepurer

Rating: G

Word count: 838

Summary: It was not his Captain standing there in front of him. It was his master's daughter, so brutally burdened with ink, secrets so cruelly exposed to the world by one blasted broken zipper. 

Excerpt: She lifted her head and blinked, feeling a great bit foolish that she stood in front of her superior, tortured over an issue  he managed to solve in,  oh,  less than one second.

How very Roy Mustang.

My thoughts: I've read this so many times. It's one of the first I read in this fandom, and I keep coming back to it. It's short, poetically formatted, and utterly perfect in it's simplicity.

Beautiful People by That Hoopy Frood

Rating: T

Word count: 6.4K

Summary: Soon after the conclusion of the Ishvalan Civil War, Captain Maes Hughes receives a phone call in the middle of the night. The message is short, concise... and perhaps the most terrifying thing Hughes has ever heard.

Hawkeye's apartment. Now. Come alone. Someone has been hurt.

A promise was once made amidst the sands of a distant desert land: oaths will be upheld, and secrets will be scorched away. The sinful had waited too long; Roy Mustang was indebted to his promise, and Riza Hawkeye had come to collect.

Shut the door; it's starting to rain.

Excerpt: "You asked her to follow you… she would have walked over burning coals for you…" Hughes felt hot, angry tears running down his face. His glasses fogged. His voice cracked. "You were supposed to fall in love with her, Roy! You were supposed to marry her and have kids and be just be happy for once in your goddamned miserable life… now look what you've done. Look at what you've done."

My thoughts: Riza's back-burning is one of the most starkly absent scenes from the FMA canon. The scene has been written and rewritten in fanfiction many times, but this particular fic fills the gap in a way that is just perfectly brutal and raw. The addition of Hughes' presence makes the whole thing cut like a knife. Like Catharsis, this one is canon in my mind.

And now, a shameless plug:

The Counteroffer by theblueeyedfirebender

Rating: T

Word count: 2.6K

Summary: On the eve of Mustang’s inauguration as Fuhrer, Riza Hawkeye submits her resignation.

Excerpt: He pulls a manila envelope from the drawer and stands, sliding it across the surface of the desk in her direction. Her gaze falls to the hand he’s extended, long fingers and pale skin, the lingering scar of a transmutation circle still faintly visible, crosswise marred by another, thicker scar, twin to one on his other hand.  

Something snags in her throat, but she swallows it down and picks up the envelope. It’s thin, like it contains nothing at all. “What is this, sir?” 

For a moment, he doesn’t answer, as if the routine honorific has stuck him somewhere unexpected. When he speaks again, his voice is thick. “A counteroffer.” 

My thoughts: My first-ever FMA fic, complete with an ACOMAF Chapter 54-inspired confession (iykyk).

[themlemever]

I'm sorry, but I have to yap about this Sam & Max Fullmetal Alchemist AU (Freelance Alchemists I guess) or I'll die <3

WE'RE ANGSTING THE SHIT OUT OF THE GAYS WITH THIS ONE.

Essentially it's Sam & Max characters in the FMA universe, so everything takes place in Amestris.

Instead of them being brothers who fucked up because they wanted their mother back (they have to be gay married in every universe I don't make the rules.) they're in their twenties and depressed as fuck. Basically, they were raising their daughter, Darla, (She probably wouldn't go by the Geek in this au but maybe I'll change my mind later.) but eventually she became ill like Ed and Al's mother.

Then she died. Sorry Geek fans but it's for character development.

Sam and Max are obviously grief-stricken and turn to Alchemy. Human transmutation happens and badabing badaboom Max is left with two missing limbs and a dead husband bound to a suit of armor with his blood. Romantic? Now they get to travel to find a Philosopher's Stone because they can't live without each other.

Girl Stinky and Grandpa Stinky take the place of Winry and Granny, I enjoy the concept of Sam having to watch his husband argue with his automail engineer because he fights like a feral animal.

Sybil would take Izumi's place, I think her learning/teaching alchemy with them would be cute. Until it's not and she dabbles in human transmutation to bring her kid back too. (Have you learned nothing?) Idk about Abe though, I might replace him with Superball because no one likes Abe.

Flint Paper could take Maes Hughes' place, two silly guys that get along with the main characters. I'm sure nothing bad will happen to him :)

The Commissioner would be Roy Mustang, it just feels right. That would also mean he'd be the Flame Alchemist and I don't know how to feel about that.

The short Ed jokes becoming short Max jokes and Sam being mistaken for the state alchemist between the too, it makes too much sense.

Some of the FMA cast would still stick around, they'd just be a bit more unhinged. (Not too much tho.)

I think they would both feel guilty about what happened but Max more so. He'd end up trying to cover that up by acting more cynical/sassy, (think of his Hit the Road characterization) and he'd be a bit smarter than normal due to having to be good enough at alchemy to become state-certified.

Sam would be somewhat the same, mainly to keep Max under control otherwise he'd wreak havoc with the ability to transmute without a circle. I say only somewhat because he'd be more protective of Max after the incident, touch the bnnuy and you'll get hell from both of them. He'd also be the one to convince Max to wear clothes, the state wouldn't let him be an official state alchemist if he just paraded around naked. ("Facist oppressors."/ref)

And yes, Sam would take great offense to the term; "Dog of the military."

Thank you for coming to my yapping session, I'll add more if I feel like it.

Give me suggestions too and I'll judge/insult them./j

[nightofnyx8]

I cannot give enough praise to my dear friend @lantur and her debut novel, A Box Full of Darkness. Having read the fic that started this idea and seeing what it has become has made me fall in love with Anushka's writing style all over again. I'm not someone who typically dabbles in political dramas, but this one was so wonderfully heartfelt that I couldn't put it down.

The characterization is so heartfelt, and the amount of research and detail that went into this novel is astounding. It was really fun to see the more intricate workings of American politics and the bond of friendship that knit this little team together so well. (It was also very fun to spot the little FMA references throughout, and so cleverly done).

I cannot give this book enough praise, and I felt like I was able to get to know the author a little bit more, even though we've never actually met in person. Writing does that, in a way. Congratulations, my friend! You truly are a wonder <3 also @chewytran, you're my favorite, forever and always.

[arysthaeniru]

Things I find are handled so interestingly well in the 2003 Fullmetal Alchemist compared to Brotherhood: 

Ishval! The true horror and terror of Ishval is handled so much better: it is the centre of the show’s thesis about the violence done against other people in the name of scientific progress and the empire’s violence

Speaking of: racism is handled better in this show too! The way that Ed and Al are so callous and dismissive about Ishval through most of the show, despite Marcoh’s warnings, and it really doesn’t hit them until they go there in person and realize that Rick and Rio have suffered just like them: in fact, Rick and Rio have suffered even more than them. Ed and Al can always go back to Resembool. Rick and Rio can’t. The casual racism of our main characters is really good! It’s very realistic that Ed and Al believe the racist lies about Ishval for SO LONG, despite rationally understanding the military is bad

Liore! Because Liore gets to have this back-and-forth with Ishval, you get this really strong empathy and solidarity between Rose and Scar, as this representation of Ishval and Liore: religious brown people versus the Empire coming to genocide them out of existence...the solidarity and love between Scar and Rose and the peoples of Ishval and Liore is really good!

Ed and Al really get to be kids and get to be wrong a lot? They get to be such unreliable narrators in a way that is so interesting! When they say something about alchemy or make comments on other characters, they’re often wrong and misguided! Ed’s petulance and anger and stubborn defiance and Al’s naivete and inability to question other people’s lies gets them in trouble way more often than it does in Brotherhood and it really emphasizes just how much he and Al are children out of their depth in a horrible system, in a way that Brotherhood often doesn’t. 

The metaphor of alchemy: Alchemy IS science. For all its goods, it is all the evils and fallouts of unethical science: science that is done at the expense of people, science that is done in the name of greed, science that is done only in the name of violence, and with this strong metaphor, the Philosopher’s Stone as this pinnacle of progress that is built on the blood of common people is just a less complicated metaphor. Because Alchemy is science and FMA 2003 is a commentary on imperialistic, colonial science that is so directly commenting on the Gulf War, it gets to say things much more angrily than I think Brotherhood ever gets to?? You feel the anger about the lies of the Gulf War in FMA 2003 and how it parallels to WW2 better. The animators seem more angry and I enjoy that more!

(More about pacing, characterization and the overall tone of the show under the cut!) 

Although the show ultimately whiffs it, the homunculi being the leftover remnants of human transmutation allows for so many climatic, interesting conflicts between both the homunculi and humans, but also between different humans! Ed and Izumi and their relationship in this show is defined by their fundamental disagreements regarding the role of alchemy and what to do with the homunculi: and it is SO good!

I love that the homunculi are resentful of humans for living and want the philosopher’s stone to be human again! I could do without them all being controlled by a mysterious entity who is so much more boring than all of the other homunculi, but hey. That happened in Brotherhood too, Father’s very boring. 

Speaking of the homunculi: they are so much scarier and intimidating!! When they show up to a fight, pretty much everybody loses! It’s great! It’s not until the last 10-15 episodes of the show that Ed is able to actually put up a fight against them, so you really feel the stakes everytime they show up on screen. They kill Hughes masterfully, they beat the shit out of Scar, they beat the shit out of Ed and Al, they beat the shit out of Izumi--they’re genuinely scary and I love it! In Brotherhood, they are able to evenly fight them SO MUCH MORE QUICKLY and I think it makes them less of a threat than in 2003. 

The main women in Ed and Al’s lives get so much more to do! Maria, Sheska, Izumi and Winry all have a HUGE amount of screentime compared to Brotherhood, where Winry is mostly just running around and has very little initiative to investigate the main plot! Here, she and Sheska investigate homunculi, participate in fights and really are emotionally impacted by events. Izumi barely shows up in Brotherhood ever, and she is a fundamental player in the game in 2003! And Lieutenant Maria Ross gets to really actually play the role of ‘first adult to be like CHILDREN SHOULDN’T BE IN THE ARMY’ which gives her genuine depth and emotionality. 

Oh, Martel’s a real character too! She and Al are fun, I enjoy their banter and I enjoy that she gets to really emphasize to Ed and Al that Ishval was entirely a false-flag operation 

Rose too! I love that Rose comes back as a real character and not cameo! I love that Rose’s rape too, is not just this moment where Ed truly and really realizes that the military does interpersonal violence, but also is something that motviates Rose herself! I love that moment where she screams at Ed to keep walking, just as he shouted at her at the beginning of the show. I love that her continuing on as a character means that Ed’s shitty speech at the beginning of the show gets to be recontextualized as a thing of strength again. I love her resilience, and I love her.

On the villain-side, at the expense of Greed being a character, Lust gets to be a very sympathetic character! I love her contemplations on why she wants to be human, I love her slow realization that she’s tired of the fight, I love her immediate betrayal of Dante once she realizes that Dante is just using her, I adore her and Envy’s petty bickering. She gets so much depth by being formerly human and being linked to Ishval. 

Speaking of Winry: Roy killing Winry’s parents is just. So much better. I love how it immediately breaks Winry’s faith in the government entirely, I love how much it really and truly shows how the Amestrian military is evil. I love how it really creates this moment of weakness and vulnerability in Roy, which he doesn’t get nearly as much in the other show! Roy’s too cool in Brotherhood! I love how young, sad and pathetic he is when he kills the Rockbells, it really sells the horrors of war much better. 

I really like getting to see Ed and El’s counterparts across all of the side characters: the characters that only show up for one or two episodes: everybody is brothers. Everybody is consumed by this burning posessive love. But nobody goes as far as Ed and Al are willing to. I love how they are confronted with their mistakes and failures everywhere they go! It really sets the tone of horror. It really sells Ed and Al as the protagonists of a dramatic tragedy. They made the mistake, and they will make it again, in the name of love! 

A small thing: but I love that Izumi and Ed disagree with what the Gate is? I love that Ed thinks of the Gate as Truth. And Izumi doesn’t! Izumi simply thinks it is a horror. Izumi thinks that what insight the gate gave her was not truth but something else, and I agree with her. I love the idea that Ed’s conception of reality is based on him being Mr. Edgy Angsty Atheist! I love that the gate is silent in 2003, I like that there are very little answers. And I agree with Izumi! The answer to the question: what lies behind the ultimate taboo of science is NOT truth!! It doesn’t quite make sense! 

Relatedly, I love that Ed learns all of his horrible communication skills and bottling everything up coping mechanisms from Izumi. They make all the same mistakes all the time! Izumi always takes everything on her shoulders even though she has help, as does Ed. Izumi never communicates her love and appreciation for the people around her, letting her actions do the speaking, as does Ed. They are terrible mirrors of each other, and I LOVE IT SO MUCH.

I like that Armstrong is not comic relief? He puts on ‘Mr Muscle Man’ as a facade about three times in 2003, and every single time, it’s a distraction, it’s supposed to make people look elsewhere. Most of the time in 2003, he’s incredibly solemn and serious, as he tries to endure doing the wrong thing in the name of duty. I love that he’s still suffering the consequences of being too kind in Ishval. 

I like that Mustang, Hawkeye and all our favourite main characters put Ishvalans in trains and take them off to concentration camps. It’s not very subtle with its metaphor, but it shouldn’t be. If anything, Brotherhood deeply de-emphasizes the horrendous nature of the genocidal play of the army and the constant violence they partake in. Roy and his people are so heroic in Brotherhood, and I really like how much they are complicit. How much they are ultimately soldiers who are ‘just following orders’ in a genocidal regime. 

I like that they don’t turn to act for the side of good until the very end of the show. I think it highlights the stakes a bit more. I like that the show makes us doubt Roy for a lot longer before finally giving Ed hope! It’s far more cathartic!

I like that Paninya ISN’T ACTUALLY A THIEF???? I like that Paninya is just a gal who wants to make her adoptive dad proud and she steals Ed’s pocketwatch not for Winry to teach her a lesson about how ‘stealing is bad’ but that Ed gets the lesson that he’s not the only one that makes automail work for him! I love that Ed loses actually in 2003!

I really enjoy Fletcher and Russell. Fletcher especially is my good boy. He and Al should hang out more :) 

I really like that Kimblee starts out as a fugitive in 2003! There is something so slimey in Brotherhood where the army just immediately takes him out of jail to track the Elric brothers: it definitely shows just how evil the Amestrian army is, but I think I prefer him being a traitor to Greed’s gang! I love how much more personal Martel makes her fury with him! I like how it takes a while for the military to take him back in here, mostly because it allows for Archer to be a character instead. 

I think Archer being a character makes Kimblee more effective: Kimblee is not Ed’s enemy. He’s Scar’s enemy. And I LOVE that in 2003. 

Archer’s initial attempt to do the right thing instantly being overtaken by craven greed is also a really fun arc! I just enjoy more military characters getting to be pieces of shit. 

Scar gets to interact with more Ishvalan characters because he’s not tied down by far too large an entourage cast, and as a result, he is just. SO much better. I love that he and his mentor fight and talk and he ties himself to the refugees of Ishval in a way he doesn’t quite get to in Brotherhood. I LOVE his determination to make a Philosopher’s Stone out of the military’s lives. I love that he has no hesitation about it either. This is praxis!

I love that Ishvalan people’s legacy is alchemy too! I like that alchemy is the lost art, the old art, and not something that missed Ishvalans by entirely! Although I do like that Scar’s brother in Brotherhood is trying to combine alchemy and alkahestry, I LOVE that 2003 is simply him going back to Ishval’s ancient history. It makes the science metaphor more interesting, especially when you see that apparently the ancient Ishavalsn found out how to make a Philosopher’s Stone and then rejected it and alchemy entirely as a result. I think it’s really interesting worldbuilding! 

I love that whole sequence where Ed kind of makes Wrath’s hatred of him worse? I love how mean and obsessive Ed can be in the show sometimes, I love how flawed and interesting he is. He really feels like a teenager lashing out against the cruel world, and it emphasizes the tragedy of it all.

I love that Hohenheim’s immortality is NOT an accident. I like that he actively did evil things to gain immortality and I like that now his is a story of regret! I think it makes Hohenheim so much more compelling when he is a man seeking repetence for an actual sin instead of being tricked? I think it’s more compelling that he has the same sins as his sons. I like that he was the first to do human transmutation and the first to make a Philosopher’s stone, and that these are Ed and Al’s legacy?? It’s so interesting and fun!

The slow pacing really allows for the tragedy to actually build! I love how slow yet purposeful all the episodes are! The only truly filler episodes are the weird episode about the sexy female thief that keeps tricking Al because Al is too horny/naive, and the Mustang Team’s side adventures. Every other filler episode is doing important work for building the themes of the show! And even the two filler episodes are doing importent things re: characterization! 

Shou Tucker is such a CREEPY minor villain that is used to perfection in 2003. I love how he keeps showing up, I love how awful he is, and I love how much more significant he and Nina are to 2003, because Ed and Al spend four episodes with them instead of their story being wham-blam-ka-blam like it is in Brotherhood, where everything with them happens in 1 episode. 

Laboratory Five is SO MUCH MORE DEVASTATING as a dramatic tension point for Ed! I love how much more evil it is! I love how much more hopeless the situation is. I LOVE the dramatic irony of Ed almost killing hundreds of people because he believed Shou Tucker, despite everything. It’s so good. It makes Brotherhood’s Lab Five Arc pale in comparison. 

Hot Take: I kind of love that Ed goes to Nazi Germany by going through the Gate xD They don’t spend nearly enough time on it, but I kind of adore it anyway. FMA 2003 said subtlety is for cowards, and they were CORRECT!

Things I think weren’t as good but still interesting

Brotherhood really went off with making the homunculus the root of the nation-state of Amestris. I love that in Brotherhood, the state was founded for the explicit purpose of genocidal violence, and the homunuculus as simply the underside of the genocidal turn, the secret police that make the state violence seem legitimate. The hazy relationship between the military/state and the homunuculus muddies the otherwise clear message that 2003 is going for re: state violence and the role of science in perpetrating/continuing violence. 

Dante’s bad. Not that Father is GOOD, not in any way, but Dante’s plan is very stupid and is very underexplained. Why do Trisha and Bradley still follow Dante when she clearly reveals she’s just using them  to prolong her own life and has no intention of making them human? Why do they not immediately just turn traitor like Lust does--the show never builds any real loyalty between Dante and the other homunculi, which makes for a rushed climax, alas. (I do LOVE her and Hohenheim’s bodies physically rotting, that’s some really fun body horror! And I can’t help it, I love exes who were evil scientists and one continued to be evil, and one repented. It’s a fun trope and it was DEEPLY underutilized, alas)

I’m sad Scar died! 2003 obviously has an incredibly high body count and I  defend all of them, but Scar dying is just kinda sad! I like that he has to live with himself in Brotherhood and make Ishval again. 

Greed doesn’t get to do much at all, and his weird acceptance of his own death is VERY strange compared to his own acceptance of being a man so greedy that he wants everything. Although I ended up liking his role as Ed’s first murder, I think Greedling is SUCH a highlight of Brotherhood, that its absence felt jarring. 

May Chang and Ling are such good characters, and I miss Xing! I think I really end up liking 2003′s laser focus on Ishval more, in the end, I think it does a better job of focusing on genocide and racial violence as the catalyst for the state’s and science’s expansion. But May and Ling are such lovely characters and I missed them. 

Al’s angst about maybe not being a real person goes on for SO LONG. I forgot it’s like a full four episodes! It’s the one emotional stake that doesn’t quite feel as impactful as the rest of the show. 

Sloth-Trisha had so much potential that was squandered, I loved when she finally became a fighting antagonist, but I wish they’d spent more time on Ed and Al arguing about her and what to do with her/what she means. I mean, it tracks with them both: that Al instantly goes ‘oh, homunculi are remnants of human transormati--OMIGOD MOM’S OUT THERE’ and Ed’s like ‘i refuse to think about this until the last possible minute’ it’s very in character, but it means they never get to really fight about killing Sloth-Trisha, which is a shame! 

[obligitory-fma-blog]

I watched the second fma Netflix adaptation. Here’s the best of my notes:

They had the whole fma original soundtrack to use for this movie and tHEY DIDNT??

Purification arts of Xing?? Just call it Alcehestry like they do in the show?? (No I didn’t spell it right I was noting stuff as I went and didn’t look it up)

Okay the weird pause before Lan Fan pulled out the smoke bomb…

ITS AN ACTUAL BOMB?????

Lots of weird pauses and slow-mo’s to mimic anime fights but it reads weird as live action and I don’t like it

HUGHES THANK FUCK PLEASE MAKE THIS LESS WEIRD

Wtf never mind hi envy with your shit ass wig (I forgot they killed off Hughes in the first one 😭😭)

LAN FAN BODIED HIM LMAO

Ed really be like “you do you ig”

“Yeah people exploding today!” Is my favorite line so far. (English Captions with Japanese audio; this was the train hijacker guy from fma 03)

Ed’s expression when Mustang shows up is the most in character thing I will say that (after train stuff)

I will say they did better on characterization this time around I feel like they’re close to the actual characters

But it’s hard to get close to them since they aren’t, well, animated characters. Trying not to judge too harshly.

Not terrible so far actually

Okay nevermind about the cgi WHAT IS WITH XIAOMEI

“I mean, we’re just some decent human beings.” -Ed who wanted to leave Mei behind

GO OFF MEI YEAHHHH TELL HIM THE BITCH

Okay we’re gonna have a really awkward explosion-over-short moment that just will not work because it isn’t animated

GIRLIE ARE YOU HAVING A SEIZURE

Mei being a bitch back is warranted

They be running

“You’ll never catch me, tiny rice man!” -Mei (rice man?)

The dialogue being altered where Ed says he doesn’t have a god to pray to before scar kills him bothers me

I like Alphonse’s movements on the ground when he’s incapacitated, I think the cgi works well there

Hi Mustang good on you for saving your pseudo sons

Riza with the side eye lmao

The slowmo’s again like hello

ARMSTRONG HIIIII You look really fuckin weird tho But HIIIIII

Okay the flexing I can do without thanks it looks weird

Yes Breda why is he shirtless

The red eyes don’t look good either. (For scar)

N ow see why wouldn’t you put in a leitmotif for the brothers theme in this scene with Ed and Al and instead just put in sad piano that sounds vaguely similar to it

WHERES THE LINE ABOUT THEM BEING BROKEN BUT ALIVE WHY WOULD YOU CHANGE THAT

Riza being the best and putting her coat over Ed >>>>

Mustang go comfort your son’s PLEASE

Okay just ignore that I’m on the found family train

Girlie that looked like a bad PowerPoint presentation WHY WOULD YOU DO IT LIKE THAT?? (The part where the officer shot the ishvallen child)

Gluttony… hi… again…. Can’t wait for your cgi…. (It didn’t look as bad tbh)

Sorry but with the military uniform off and just the white collared shirt he looks LIKE A DAD LIKE CMON (Mustang)

“You’ve grown… at least I think.” -Hoenhiem, observational genius

“I think I like this scene better than canon a bit actually? Cause Ed gets to express his emotions more than just calling him a bastard

Okay Hoenhiem just ignore him??

Uh oh they have to walk back together

“Our hair matches :D” -Hoenhiem

Ed immediately takes his out of the ponytail

Im not gonna lie I chuckled at that

Also I love seeing Ed with his hair down we don’t get enough of that

“stop following me” -Ed

“we’re going to the same place? 😥” -Hoenhiem

Okay we’re talking about Xerxes instead of Ed and Al’s mom or…?

And the bitch is gone

YOURE GOING TO XERXES WITH AUTOMAIL YOU DUMBASS YOURE GONNA OVERHEAT

Ooooo love the look of Xerxes ruins

Awwww Winry’s parents :D we get more of them

They’re gonna die tho and I hate that :(

This is gonna be so hard wrenching actually-

GIRL IM GONNA CRY

5 minutes into Central and you’re already causing trouble, good job Ed

Al I feel like has the weakest characterization so far in this adaptation he’s just reacting to stuff rather than doing stuff as far as I’ve seen

Scar when Winry is having a breakdown🧍

Ruhroh Winry’s got a gun

Okay the slowmo makes more sense here

Ed saves the day :D

Also we finally see scars brother after getting no context on him

Good acting on Lan Fan’s part

Also why is this calling her Ran Fan? Is that a dub thing (they called Ling “Lin” but this was all in the captions so I’m confused)

“King Bradley is a Homonculus” very serious Ling “hUh.” -Ed

Any Mustang and Hughes content is good Mustang and Hughes content I don’t make the rules

Also it’s good they didn’t change the layout of Riza’s explanation montage for Ishval because it works really well in canon and translated pretty well to live action

Riza and Roy’s speeches near the end >>>

Oh great the bros are gonna try and catch scar alone this can only end well

Well they definitely didn’t catch him

WINRY HOW TF ARE YOU HERE??

MUSTANG WHY TF ARE YOU HERE???

Oh hi Riza :D

Mustang’s like “let ur gf speak to him if she wants like damn”

Ed’s like “bb girl if he says anything shitty I’ll fight for you”

WINRY GIRLBOSS LUV HER

“Hell no I don’t forgive you for shit, but I’m gonna patch you up anyway.” -Winry

Okay cool message, someone must endure pain if it means they can prevent further suffering and cycles of violence

Uh oh Gluttony escaped

He be runnin

YEAH ED AND AL SAVE UR DAD

YEAH SCAR SAVE WINRY

YEAHHHHHH

“Wait I won’t leave you behind” MUSTANG BEING A DAD AHEGWIWNWN

“Colonel your fight is elsewhere” SCREAMING

Oh hi envy

ED SAVINF LING

and they got eaten lmao

Yay we’re all trapped in Gluttony’s stomach :D

Envy is so cynical what a bitch lol

“Tf is a portal of truth 🧍” -Ling

Oh great we’re gonna get cgi envy this will go well right?

EW

Could be worse but

EW

Conclusion: it was okay. There were parts I genuinely liked. There are things that also bug me to no end. The soundtrack from the original series would’ve fit way better and a lot of times it sounded like an off brand marvel track. Acting and cgi was a lot better (at times.) An improvement on the first one, and a semi-worthwhile watch if you have nothing else to do and you like fma. Cannot and will never be a substitute for the original obviously. Seems like less of a cash grab and more of a genuine effort this time which I appreciate. Overall? 6.5/10

(Lemme know if y’all want my full notes version because it has way more of me screaming and being goofy)

[veliseraptor]

i have been facedown in fma fic for the past week or so and other than dangerously tempting me toward writing some the main consequence has been that i have a bit of a bone to pick with the widespread characterization of mustang's relationship with ed as "parental" when in fact their vibes are, to me, significantly older sibling/significantly younger sibling. or, like, cousins.

just far enough apart that mustang can act like he's soooo grown up and in some ways he is but close enough that proximity almost immediately sparks regression to their least mature selves. and that's what makes it so much fun as a dynamic.

i swear sometimes people see a pair of characters where one is a substantial number of years older than the other and immediately go "parent!" regardless of the actual substance of the relationship. but that's an unrelated gripe.

also i just think my read on their relationship is much funnier

[otaku553]

How goes the fma x albedo fic? I hope that doesn't sound pushy, I'm genuinely curious. And in that vein, do you have any little drabbles you may have written or want to write? Especially with your recent kny ocs/yourself and your siblings. That'd be super fun to read about! Your art AND your writing is so freaking good, the moment I see you've posted something new on your blog I'm clicking it so fast. Same with your ao3 account ❤️

Thank you for the kind words!!! Currently not working on any fics, since I just came out of 10 weeks of summer research where my days began at 8 am and ended at 9 pm for probably less than minimum wage hahaha (doing research is a Bit Sad but I get a whole month to relax before classes start again so thank goodness for that)

I do however!!! Have a lot of plans!!! If you’re interested you can read more below!

Plans include but are not limited to:

Finally working on Homuncular Nature again!! I definitely do have a lot of plans and cool scenes playing out in my head for the next chapter, it’ll just come down to when I actually put pen to paper (or stylus to iPad) to actually organize and write them all. The road block I think is that I have seen neither Albedo nor fmab very recently and all my concrete ideas are for around the 30 episode mark for fmab, the turning point with the first actual confrontation against father and the subsequent Briggs arc.

Rewriting Ten Thousand Maple Leaves! A lot of people have been very kind but I think I missed the mark with my first chapter to be honest. My writing has gotten a lot wordier and less succinct, which feels like I’m filling a chapter more with fluff and unnecessary description than actual content. I think I also dislike how I characterized Sanemi and how quickly Kazuha was willing to agree with things. Writing both of them is kind of a difficult challenge tbh! I think in rewriting it I want to give back to Kazuha more of his vagrant role in the games, where he is avoiding the law for reasons somewhat out of his control.

Ebisu siblings content! I think it might be fun to try having them interact with more of the canon characters in kny but I also think there’s some value in a complete sort of outsider point of view when inserting characters into a piece of media. I feel like whenever I see self inserts I see a lot of ocs making themselves indispensable and making meaningful relationships with existing characters that way and that’s totally valid! That’s a lot of what I do for crossovers as well. I think when it comes to my own ocs though, I want them to feel grounded in some form and the reality of it is that none of the characters I make based on myself or real people are that impressive or remarkable. But I also think there’s a lot of value in showing smaller scale things outside of the main interactions and plot to show that even though we aren’t remarkable, we still have our own meaningful connections and ideologies and stories :) in the end the Ebisu siblings are a lot more visual though so I may just continue making doodles and art without writing anything haha

Kirby & Meta Knight ageswap AU: I was mostly doing this on my ask-gikabi sideblog in short form comics, but I lost sight of what I wanted to do after making the discord and starting to interact with some of the people who followed it. I think a lot of people are inspired and have their own very cool ideas that I wanted to take into account but then eventually it was no longer my story or the story I wanted to tell, which is why I’m thinking of restarting it as a fic. This one is still in very rough idea stage though, I have honestly no clue how I’m even going to begin organizing it

Yanfei ace attorney crossover: this one’s just pure crack lmao I would definitely write it as crack taken seriously but I think this is fun to explore just for small ideas that pop up every now and then, i.e. yanfei is semi-immortal because she’s half adeptus so it would be Really Funny to me if she showed up in dgs era, got her attorney’s license, went into hiding after it became obvious that she wasn’t aging, and then re-emerged after rebranding herself as her own daughter or granddaughter. That, and I have a lot of fun imagining someone as pragmatic as yanfei trying to get through the sheer chaos of aa despite being otherworldly

Continuing winter weather advisory: I got to a really good point in that fic and was rereading it today like,,, damn I wrote that? And it would be fun to see where I planned on going with it so I do want to also try working on that a bit if I can

Kazuha & Kunikuzushi role swap au: this is something I posted about a Long While ago but it’s an idea I continue to be fascinated with :) I especially enjoy how these two characters could have had completely different roles and personalities depending on how their pasts happened (with wanderer being so nice and turning so bitter and kazuha growing up so spoiled (for lack of a better word) and turning out so weary and yet kind

Link click and mha crossover: this one is honestly just a very recent idea but I think it would be fun to make a drabble on how lightime photo studio would be able to continue operating even in another world and the trouble they might get into for illegal quirk usage and what using cheng xiaoshi’s powers in a world where being able to tell the future is canonically possible would entail

I have!! So many ideas!! And not enough time or motivation to actually write any of them most of the time :’)

But I’m very glad to hear that you enjoy them and look forward to my posts!! :D I really hope I can work on some of these over the last month of summer vacation that I have :)

[fma03envy]

I'm curious. To fma03 fans...