#and doing things with Ty again

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[notdysfunk]

dys do you have any band au refs i can have. 🤲 i want to draw them

HAIII SORRY FOR TAKING FOREVER FOR THIS, HERE YOU GOOO!!!

They're not coloured oopsies, but I hope these are okay for references!!

Tried to leave a few helpful notes, and leave their instruments on display too!!

I'll also add some other pics just for more refs... Not everything is consistent especially their shoes lol

feat. my sona and y/n cuz I'm too lazy to crop these down haehehe

[thoughtfulfelony]

ok I'm just gonna elaborate on my opinion that the remake of "Cloudy…with a chance of murder" is The Most Evil And Fucked Up Thing Psych Creators Could Ever Do Because Of The Bike Scene Removal y'all remember the "I've been thinking about getting a car" speech right. But let's take a step back and talk about the bike.

The bike symbolizes Shawn's freedom, independence, and in the "Cloudy…" it is implicitly taken by his own father ( which I'm letting go. for now), and in the end a bunch of people prepared to get it back for Shawn, but who gets there first? Lassiter. And it would be SO easy to play it off by having Lassie say something like "I got you your bike back so you could drive the fuck away from my police station", or "you helped me out before so I feel obligated to repay you, now we're even", but no. Lassie's reaction is genuine embarrassment when people found out he got the bike, because it was purely a nice gesture. A nice gesture for Shawn, whom he "hates". So what I'm saying is. metaphorically. Lassiter gives Shawn back all the independence and freedom, because despite all Shawn's antics, he sees him and accepts him for who he is, with all his bullshit, doesn't fall for his lies and literally embraces the deception and rolls with it for eight more seasons, with occasional Gotta Call Him On His Bullshit To Keep Him In Shape. This scene encapsulates the progress of the dynamic between Lassie and Shawn and it's the foundation for their future relationship, where they know they can trust and rely on each other, despite everything. So again, removing it in the remake was a literal crime against humanity and me specifically because it basically erases part of Lassie's character

[loverofpiggies]

Something Wonderful Volume 1 is now available on my Etsy shop!

The fixed books have finally arrived, so it is now on sale! Only $20 for the first 3 chapters, 120 pages of the story!

[kyoshi-lesbians]

Ty Lee | all-american bitch

I know my place and this is it

[video description: an amv centered on Ty Lee set to “all-american bitch” by Olivia Rodrigo. The video focuses on Ty Lee's dynamic with Azula throughout the years, and juxtaposes Ty Lee's bubbly flirty persona with her extremely efficient chi-blocking fighting style and shrewd observations. end description.]

cw for flashing. extended video description under the cut

First verse contrasts scenes of Ty Lee, Azula, and Mai as children with scenes of Azula threatening Ty Lee in Return to Omashu, and from then on being a weapon for Azula in her mission. Scenes mainly pull from the trio’s early book 2 action as they chase Aang. 

First chorus: on “Forgive and I forget”: Ty Lee mid-air doing a flip cuts to young Ty Lee landing a flip. young Azula pushes young Ty Lee to the ground and laughs. Ty Lee chi-blocks a kyoshi warrior on "And I act like it. She flirts with Sokka on “Got what you can’t resist” and chi-blocks Katara on “perfect all-american”

Second verse features mainly scenes from the end of book 2 when Ty Lee, Azula, and Mai are in Ba Sing Se disguised as Kyoshi warriors. Many of the scenes show Ty Lee being undignified, contrasting with the lyrics (but fitting the ironic tone of the song). These scenes include Ty Lee jumping into the sludge during The Drill, her covered in mud, and flying through the air with Mai after Appa flaps his tail at them. 

Second chorus: “Forgive and forget”: Ty Lee after her circus performance agreeing to join Azula. Other clips juxtapose Ty Lee during The Beach with Ty Lee fighting during The Boiling Rock. 

“I know my place”: Rapid cuts of Ty Lee and Mai beside Azula, cut to Ty Lee anxiously looking side to side during The Boiling Rock confrontation. On the second “I know my place”: Rapid cuts of Ty Lee hugging Mai, and Mai and Azula preparing to fight. 

“And this is it”: Ty Lee chi-blocks Azula. 

Bridge: Scenes from the fallout of Ty Lee betraying Azula - Mai and Ty Lee being arrested −  cut together with Ty Lee’s emotional outburst during The Beach campfire scenes. During the screaming and fast-paced music, there are rapid cuts of Ty Lee fighting and moments beside Azula, in between cuts shots of Ty Lee crying. 

Outro: Ty Lee bowing to Azula during Return to Omashu. Then Ty Lee crying during The Beach party, and Azula apologizing to her. 

[mcytegg]

lifesteal double life au ^-^ !! basically what it says on the tin:

i put all of the lsers into a randomizer wheel and paired them off. in my mind its kind of just a one off event that takes place during s6, its like its own little arc that goes for at least two weeks, possibly a bit longer tho!!! and i have removed certain players simply bc i cannot realistically imagine them logging in even for day 1 of the event LMFAO.

ls mechanics are the same— you kill you (and ur soulmate) gain a heart, you die and you (and ur soulmate) lose a heart. ADDITIONALLY, i heavily fw the idea that if ur soulmate is banned, you Also get banned ^-^ even if ur on 20, your hearts simply drop on the ground after u die if ur banned bc it makes things ✨️interesting✨️ tho thats all i have so if anyone has any other ideas or disagrees w me then pls feel free to tell me all abt it bc im just saying shit LOL

anyways! soulmates will be under the cut :D

[the people who have been excluded are leo, mrcube, redd, spep, terry, and vortex @_@ im sorry to fans of them i just can nawt imagine them participating for even a day]

and. dear fucking LORD do we have some crazy match ups oh my god?? 😭😭 the balancing is fucking insane bc to me hearts are NOT given or taken away for any sort of balancing purposes, they have what they had before the event started yk? so soulmates taking care of each other and communicating is even MORE important than anything

and like theoretically people are still in the teams they had before the event, theres technically no rules saying u Need to dedicate urself to your soulmate but considering the type of server ls is, keeping ur soulmate close to u is very likely life or death. like esp for a pair like say...planet and minute bc anyone who has a bone to pick w minute could so easily farm a planetlord over it nd ban them both from the server so being able to protect ur soulmate is just as important as staying safe yourself yk?

its crazy bc u have teams that are definitely just fucking cooked like planet & minute (current 7 heart chungus) or like pangi & jepexx, but u also have teams that are hella fucking cracked in Theory like mapicc & subz bc theyre both cracked at pvp but i actually just dont know how well theyd work as a pair or if theyd EVEN work together or if theyd just do their own thing and expect the other to not die LMFAO.

like, its just so interesting to think abt soulmate dynamics and how this event would affect each preexisting teams. how loyal people would feel towards their soulmates & whether this would change things after the event in regards to Team loyalty and who would grow attached to their soulmates after the fact......or who would hate their soulmates, and who would become enemies bc of this event LOL

[phoenix-before-the-flame]

@pencilofawesomeness hey pencil look at all ur sketches that i had hoarded away :]

[felixcosm]

Say whatever you want about Dylan's Russian being rusty but WOE.BEGONE is like one of the only podcasts out there that has slavic characters that aren't the big bad villain.

[sooz-again]

Girl's night! RIP Chan's house

[wiltkingart]

i downloaded the epub of mtmtm but lambskin doesnt seem to be on there? when i get to it it just shows the title and a bunch of empty space then turning the page goes right to sting. not sure if this is just me but thought id let you know

hiii yes please try downloading the 2nd epub option (the last file on the itch page):

i am aware that there's an issue with the format breaking on some devices but i could not for the life of me figure out how to fix it while keeping the same look :( so i added a simplified epub that should work on all devices. lambskin is not the only affected story, so please do give it a try to make sure you get the whole book. very sorry about the inconvenience.

[trashcanwithsprinkles]

This might be a bit random but would you say you have any thoughts on Neurodivergent readings of Zhongli (more specifically autistic)? I was thinking about it in the latest chapter of JG amd even before then too. as an autistic person myself i feel he reads very heavily as such, especially when talking about his human mask and feeling like he doesn't need to force it as much with childe, and his issues with human expression in smiling etc. but I think it's then an interesting debate between that and the fact that, well, he's just not human. that all comes from a place of being an entirely different species, unevolved and unrelated to human brains and how they think and read social patterns, and I feel we don't really have any way of telling if ZL has any divergent tendencies among dragons right? and even then he's half, too, so that affects things.

anyway sorry for the ramble I was mainly wondering if you had any opinions on the matter, or if you intended the parallels I definitely see while reading your Zhongli! love your work as always <3333

i think i might've commented on this at some point but never directly, so here – i do have thoughts on the matter!

as you mentioned, it's difficult to tell with characters that aren't human, because you can't call something 'neurodivergent' if the bases for their neurotypical-ity are not the ones by which we measure this stuff. so, to me, ALL non-human characters are neurodivergent-coded. they may not be neurodivergent, technically speaking (like how you mentioned, maybe all dragons are just like zl), but to us, they read as such. so, coded. ultimately i do think there is merit in labeling them as neurodivergent because, even if they, again, technically aren't; we are going to run into problems if we attempt to treat them as neurotypical, so we might as well say yeah, neurodivergent. it is also kinda correct anyway – they do diverge from us. that's a fact. it's like saying dogs are colorblind. if all dogs see in the same range, then you can't say your dog in specific is colorblind (unless it actually is but that's beside the point); but compared to us, from our perspective, for what it matters to us and how that will translate into how we treat them then yes! dogs are colorblind! i think i mentioned it once in conjunction with characters like alhaitham. to me, zhongli is neurodivergent-coded, while alhaitham is neurodivergent straight-up. because (as far as we know) he's human, so his brain should, in theory, be like ours.

as for which flavor of neurodivergency zl is coded to have in specific i would agree with you on autism! but then again, i'm not an expert on these things, i don't know the exact ins and outs and the specific characteristics that constitute an autistic character – i just write them the way i perceive them, with the quirks i perceive them to have. not to get preachy but i think that's the better way to write characters in general, since that's how real people work, after all. people with autism aren't born fitting some parameters that will make them autistic – they're born with specific quirks that we then interpret as autism, and even then you don't necessarily get two people having the exact same experience with this. most of these terms are umbrella terms regardless as to how well-defined or how big or small the umbrella is.

so yeah!

[aroaceleovaldez]

Part 2 response to this ask / [this post]:

For recent books, I think that it's less of a consideration of the audience and more a reflection of the general state of the publishing world currently. Disney as a company (which owns the publishing house through which Rick's works are published) is also in a weird spot right now and that is probably also lending itself heavily to why recent franchise stuff is the way it is:

A.) The franchise is basically guaranteed free money. Disney does this a lot with their properties. Star Wars and Marvel are great examples. They don't need to make something good, they just need to make literally anything and because it's such a massive franchise it'll sell regardless.

B.) One of their main focuses right now is clearly that JKR is in a bad spot and if they can fully dethrone Harry Potter as The de-facto middle grade fantasy series (cause PJO is fully number 2) that's going to be really good for them. Because it basically guarantees that PJO will be even MORE free money. That's probably part of why we got the show when we did, because HP was trying to move forward with an HP show. (And the HP show was probably announced when it was to directly try to compete with PJO) (Also don't forget, Disney also owns the PJO movies now. They don't need to do better than the movies because they're competing with themselves. In fact, by constantly pitting the show against the movies, they're basically doubling advertising for themselves by drawing attention to both.)

B.5.) Another thing is that if they dethrone HP, that's gonna not only hurt Universal, but SEVERELY hurt Universal PARKS, which is the Disney Parks' number one competitor. And the Disney parks are also in a tight spot right now and they REALLY want breathing room. (You might have heard that the Disney parks are doing a TON of cuts and reshuffling right now.) They don't need to actively put PJO stuff in their parks (yet), because just by taking out HP they'd massively injure what is basically the number one draw to the Universal parks (which is probably also why the Universal parks is expanding right now, particularly in similar avenues to how the Disney parks are expanding, re: more fantasy-focused areas and an emphasis on animated/Dreamworks franchises - Universal needs to be able to continue competing with Disney in the absence of HP, and it seems like they're panicking a little bit - so they're leaning more on their Dreamworks properties as Dreamworks becomes a significant competitor to Disney re: animation and otherwise just copying Disney's homework and also making more fantasy-focused park areas right now) and thus Disney would totally kneecap their primary competitor. That would increase draw to their own parks in the absence of a significant competitor and also then if they add literally any PJO stuff to the parks (which would be INCREDIBLY easy just due to the nature of PJO - especially as they cycle out older and less profitable IPs from the parks) then they'd basically IMMEDIATELY get a massive draw from what used to be the HP crowds - because a lot of those casual crowds do not particularly care about HP itself. It's entirely just that HP is the number one mainstream middle grade fantasy series. If PJO takes that spot then they'll just go to wherever PJO stuff is, because they're a passive audience, not an active audience (though Disney is also VERY much known for it's active audience and being partially responsible for making fandom as a concept mainstream and directly advertising to that market - tying back to the first post, lmao).

C.) Disney is DESPERATELY trying to save their streaming service. That's why it's so emphasized that PJO TV is a Disney+ series. Disney is kind of in hot water with investors because streaming services all across the board are tanking and Disney+ is a big one that's going down. That's why they're pivoting so much towards streaming and throwing literally whatever Marvel and Star Wars at it, because they know those are massive franchises that practically support themselves and any kind of draw to the platform is good. PJO is part of that - it's a massive well-established mainstream franchise with a passionate audience. It's practically a default classroom choice for assigned reading and that's free advertising/publicity. They know they can make a mediocre PJO adaptation and throw it on Disney+ and it will have a draw and that's all they need. They just want more eyes on the platform period to try and prove that it's profitable. Not to mention how we just explicitly know the CoTG trilogy only exists as marketing for the show. The recent books are not meant to be a continuation of the story. The actual content within them is literally irrelevant. CoTG trilogy only needs to exist so that it can bring more attention to the show (which is why it's being grouped in with the first series, because search engine optimization). TSATS only needed to exist to get people to stop being mad at Rick/get distracted from his little PR disaster.

Disney has also been doing a lot of cost cutting with their media recently, particularly also relying on their own brand to make new stuff profitable because they're actively looking for cheap solutions instead of making new things. They don't do 2D animation anymore because 2D animation is more expensive because it's unionized. 3D animation has also since become unionized and yknow what they're doing now? Shifting to live action. Shifting to CGI, which is only starting to become unionized because it's newer. They're making one billion live action remakes of existing properties because those properties are profitable and a live action remake is cheap. They don't need to worry about making it good because press is press and they know it will sell regardless. They can cast some popular actors for some default attention and leave it at that (Hi LMM cameo). Even with their newer animated movies - Wish was entirely reliant on the fact that it was heavily drawn from other Disney properties and they used that as an active selling point. Meanwhile they're intentionally tanking other new projects (see: Strange World) because they want to be able to turn around and say projects like that aren't profitable and aren't worth making. (This isn't a conspiracy theory btw, they do intentionally flop certain movies. This is a regular thing Disney does and they've been doing it for a while.) This type of cost-cutting strategy is very clear with the PJO show - they have this absolutely massive budget that isn't reflected in the end project at all. It's extremely clear to anyone with anyone with eyes that they're majorly cutting corners all the time (blatantly avoiding even slightly more complex CGI cause that'd cost money, CGI that is shown is often extremely cheap looking or rushed, reusing assets for Olympus, speeding through certain scenes, very little done with costuming - ever notice how all the costuming in the show looks way too new? The costuming department is supposed to weather even just basic outfits to make them look worn-in and they don't seem to have done that. - poor lighting to obscure details because actually making it look good costs more, etc etc) and the show is poorly produced. They have the money to do it properly. Someone is pocketing that. Usually it's executives. This is not unusual behavior! I would not be surprised at all to hear if it was the case with PJO TV too!

Tl;dr: I don't think the quality of recent books going down is because they expect the books to have a shorter pop culture lifespan, i think it's just a combo of the current publishing industry overall dropping in quality and Disney being Disney and not caring beyond saving their own butts and making a quick buck.

[chatlote]

I've got my blog back :D

To anyone who followed since: Welcome! Glad you had fun! To everyone who left because the spam was annoying: Sorry 😔

[garvalhaminho]

i unfortunately have to disagree w the "will herondale makes history as first present father figure [relating to the protagonist(s)] in tsc". have we not seen julian blackthorn in action. he was acting like a full-on dad at 12yo

[tojiscrack]

to my all little liars!! (edit: wtf happened to my english? 😭)

we’re at 24.6k words rn 😟 if you plan on reading it next week, i recommend you read it on the weekends when there’s no school or work for you waiting in the morning 😀

calling in the troops rn ‘cause there’s still one final scene i have to write and it’s gonna be LONG (this isn’t including the bonus scene btw) but it’s extremely important for the story to continue, and without it, the rest of the story literally cannot go on 😭

we’re locking in guys. it’s 100% gonna border 30k words for sureee. sm has happened in that ONE chapter and i literally cannot wait to release it for all of you, you have no ideaaa

gonna go to bed and then wake up, study, break, write for the fic, repeat. had to randomly drop an update here cuz i’ve been edging you guys for so long i’m sorryyy, but it really is nearly here <333

edit: fck it guys i’m writing it rn (the immediate comments got me motivated)

[brw]

When you refer to Tyrone as having a learning disability, what specifically are you referring to? I remember at one point it's said he's struggling academically and doesn't "get" certain subjects the way she does, and I think there was at one point a scene in Power Pack where he's having trouble reading and, uh, the youngest Power kid has to help him (though I tried to find that scene later and couldn't, so I may be misremembering or misremembering the book). I fell off reading C & D somewhere in the first few issues of Mutant Misadventures, so there might be more stuff I'm missing.

To be honest though, the way this was written and presented always felt pretty racist to me, because it was /always/ in comparison to a white character and there were /never/ any other Black characters.

Well, his teacher says he has a disability, and specifically says it makes academic achivement difficult. She could easily just be talking about his stutter and does say he's succeeding alright at classes, but her specific description of it making academic achievement difficult does make me think it's more than that.

Later on, Ty is shown as struggling in classes, specifically seeming to struggle with maths and seems to think of himself as stupid and slow, and he ends up lashing out at Tandy because of his frustration with not being as smart as her.

There's less in the modern age but I'll also mention this moment in a dream sequence where the thing that makes Ty realise he's dreaming is that in his fantasy he gets an A, which in his head is so impossible it's the one thing that snapped him back to reality.

These are the more overt descriptions of Ty struggling academically and having some kind of learning disability, but without Cloak it is a heavy subtext to most of his early depictions. Bill Mantlo is also no stranger to writing characters with intellectual disabilities, namely Nuklo from Vision and the Scarlet Witch and Laura Dean from Alpha Flight who are both described as autistic and there are some not dissimilar threads with how he depicts Ty in my opinion. While Ty is never described as autistic on panel, I do think he has some kind of nebulous/unstated learning disability alongside his stutter, because his feelings around his struggling at maths feel less "I'm slow to grasp this subject" and a lot more "I cannot understand this no matter how hard I try and it's causing me distress that I can't understand it".

And yeah, it definitely is racist, but it's weird, because I also do think this depiction was done in an effort to humanise Ty rather than just to make him "worse" than Tandy. Like, it feels very different from say, Lemar Hoskins, who was depicted for a while as illiterate and a guy who barely made it in to high school who couldn't read or write, and that definitely was done in a mean spirited, racist (to be completely fair to Gruenwald, one of the other Bold Urban Commandos, either Hector or Jerome also was depicted as illiterate too, but it's still obviously Deeply Racist) "Look how uneducated this man is", and once Lemar transitioned into a hero that element of his character has just completely disappeared, which I think ultimately is for the best.

By contrast, Ty's disability and speech impediment is used to make him a more sympathetic character? Cloak is depicted as such a non-human, strange and often demonic entity, that Ty having a stutter and a learning disability contrasts him more with Cloak and makes him seem more like Just A Kid In A Bad Situation like Tandy, as opposed to a malevolent figure, which obviously is very racist too. They almost use it as a way to make him seem more innocent or more childlike, I think, which goes hand in hand with just how different Ty is drawn vs when he's Cloak. And this depiction has it's own very obvious problems but I DO think it is a complex choice that I have kind of mixed feelings about, because the depiction and the way it is another layer to his dynamic with Tandy is Odd at the best of times and deeply racist most others, but equally, it makes him feel very real and much more layered as a character and as a person, and I think it DOES make for some very interesting storytelling decisions, that Tandy being privileged is happy to be free of being Dagger, but Ty who is black and disabled and grew up in poverty does feel a certain amount of power and self-determination with being Cloak and misses it when it's gone.

It's complicated. I don't disagree, but as with all things disability in comic books I really wish the answer to this flawed depiction had been to try and treat it more sensitively by listening to more black disabled people in how they choose to depict this character rather than just removing any vestiges of him having a speech impediment and learning disability from most modern comics.

Also re: the Katie teaching Ty to read thing WAS really odd, but it happened very shortly after Terry Austin took over writing duties and I do think he genuinely just mistook Ty's stutter for being like, unable to read or something, because he clearly reads in various previous issues so?? I dunno, it was an incredibly weird moment that didn't really get brought up again so I'm grateful for that, but again, that moment was also clearly meant to make him seem less scary and threatening, and again try to humanise him a little. Wherever or not they succeeded is a difficult question, but I do think that's a very major element of the writer's decisions to show Ty as having a learning disability.