#and expecting people to just not interact with their stuff

[arceespinkgun]

I think I've reached my last nerve with how TF fans treat Jazz on here and on AO3, and I feel the need to rant about it. Obligatory "not all Jazz fans" and "not all JazzProwl fans" disclaimer here... if this doesn't sound like it's describing the content you make or enjoy, then it's not. Honestly, I don't think this angry rant is going to convince anybody of anything, but I'm posting it because I want to make it clear that people see this and are aware it's racist.

Never let it be said that racism isn't thriving in the TF fandom on Tumblr and AO3, because so much Jazz fan content is the most blatantly racist shit. And it's nowhere near as bad on other sites that people here usually claim are more racist—I've never seen what I'm about to describe on r/transformers, for example. TF fans on here often claim to love Jazz so much and say he's one of the best, most unhateable TF characters along with Soundwave, but do they ACTUALLY love Jazz?

Tumblr and AO3 users when they see this great, heavily Black-coded hero: We love Jazz! Ooh, what if he was a slave? What if he was hyper-violent? What if he was a disruptive chaos gremlin? What if he was hypersexual? What if he was lazy and never did his work? What if he was a drug addict? What if he was a prostitute? What if he had an evil alter? What if he used to be/was secretly a Decepticon? What if he was a notorious criminal? What if he was literally some kind of bestial monster?

I've actually seen people on Tumblr asking if Jazz being a Decepticon or having an evil alter was ever canon. Well, let this be a PSA: none of this shit is fucking real! I've seen almost all the media Jazz is in, and none of this reflects how he's been portrayed, ever! Apparently people posting links and screenshots and GIFs showing what Jazz has actually been like in canon hasn't caused people to self-reflect, because this shit is still somehow super popular and even filtering doesn't screen even close to all of it! And I've seen in real-time people who are newer to the fandom getting tricked by all this racist fanon and then being drawn into it, thinking it reflects something when it doesn't! That's one of the things that bothers me most!

And then there's the other half of this, which is the immense popularity of JazzProwl. Putting aside how ridiculous it is that a ship between characters who haven't had a positive interaction in fifteen years is somehow the most popular ship in this fandom, half of all the Jazz content I see on sites like Tumblr also stars Prowl, as if Jazz isn't an arguably more prominent character with tons of unexplored stuff of his own going on. But that's the least of it. How the hell do I constantly see people uncritically post shit with this ship like Prowl trying to arrest or pull over a chaotic criminal Jazz? Or shooting at him? Or white savior, copaganda, anti-sex work garbage like Prowl as a cop rescuing prostitute/stripper Jazz from exploitative working conditions (I'm not making this shit up)? (Also, @ people who make content in which Prowl is Jazz's slave—I see you too, and you're not woke. You are still linking Black people to slavery as your first thought and then assuming it's subversive to flip the dynamic you'd expect to see. You're getting off on slavery and still including a Black-coded hero in your shit.)

Even the majority of the much milder content I see is still ridiculously OOC and plays into racist tropes in its own ways. Like how 90% of JazzProwl content shows a lazy, distractible Jazz endlessly trying to get Prowl to relax by disrupting his work or playing pranks or some shit. What media does that come from? Oh yeah, it comes from nowhere, because it's just old fanon that's been endlessly regurgitated by people who aren't realizing how making this up plays into offensive stereotypes about Black men and boys. Hey, if you people love this boring dynamic so much, maybe look at the canon relationships that are similar to it instead of forcing characters who don't fit it whatsoever into these roles without thinking about the implications!

And guess what? I've repeatedly seen literal proof that basically everyone who thinks they like this ship hasn't ever seen the characters interact in canon, too—every so often somebody on here will ask why JazzProwl is popular and ask for fans to share the canon media that made them ship it... and inevitably nobody can share anything, which is hilarious every time. Sometimes people will admit it's all fanon. In fact, the other day I saw a link to a fic from the very early 2000s that claims to be the super-influential, first JazzProwl fic ever making the rounds on Tumblr, and guess what? I looked at it and it was already super fucking racist, with Jazz being described as chaotic and not a hard worker and it had Prowl angrily shooting at him!!!

Jazz is one of my favorite characters and I'm so sick of this shit! Normally I love transformative works and new interpretations of characters, but in this case the fanon is so horrid and has always been horrid, so either try to examine Jazz in canon and portray him based on it, or be a fan of a different character! And fucking REMEMBER that this is a Black-coded hero, damn it! I saw a fic the other day that made me literally choke on my drink because it had Blaster (also a Black-coded hero) describing Jazz as a "spook!" THAT DOES NOT JUST MEAN SPY, THAT'S A RACIST, ANTI-BLACK SLUR!!! And this isn't even getting into how people in fic have Jazz talk! Jazz in all the media I've seen speaks very clearly and rarely has any kind of accent, but I constantly see white people attempting to write his dialogue phonetically in a way that feels straight out of Uncle Tom's Cabin. What the fuck is this?!

Also, petty, but the fans who make and consume this kind of content in my opinion don't then get to relentlessly criticize something like Earthspark, which has a cast and crew of people of color, by claiming it undermined its themes and is racist!

[nipuni]

Hello! Time for another blog post! I think my last one was two months ago and a lot has happened since 😊

We have been attending a ton of historical recreation events so I still have many photos to share, hope you don't hate those! It's been really fun! We are exhausted and all out of social battery however so we are taking it easy this month. Another thing that's been happening a lot is that even when we are not dressed in historical clothing we keep getting stopped by strangers on the street because of our everyday outfits, it's been like that for a couple of years now so we are no longer startled or nervous about it but it's happening more and more often now and it's so nice! we always end up chatting about the events we go to and our jobs and hobbies and exchanging contacts or they ask for photos and stuff! people are really kind and excited about it and I still find it so surprising in the best way. We grew up in a very hostile city and environment and that makes you paranoid and cynical so these interactions and response has been healing really. I know their words will stick with us for years to come 😭 Sadly the unbearable heat is starting though so that means our outings for the next three months will be limited to the crack of dawn and after sunset 😞 but at least the summer brings a lot of fruit with it so we can sit at home and eat pineapples and strawberries while we wait for autumn.

My family came to visit a few months ago too and we made them watch most of Doctor Who's season one to four and some of our favourite episodes from all the other seasons lmao. And much to our delight they really enjoyed it!! They both loved Ten the most and my step dad is now in love with Martha 🥰

We have also been watching the current season and it's been so fun keeping up with fandom theories in real time and talking about it and speculating with friends in person, it's the first time we get a chance to do it since we got into the series and we are enjoying it a lot!

We also watched season one of Jessica Jones and we loved David's performance as Kilgrave!! He stole the show for real. Kilgrave is such an incredible villain, one of the best I've seen and DT does such an amazing job portraying every aspect of him. He's detestable and volatile and frighteningly powerful and has such an intimidating terrifying presence in the narrative while also being pathetic and vulnerable and ridiculous and childish and so human with all it's worrying implications. It was just so gripping and I wish he had stayed for the rest of the show honestly!! Now we have to pick our next David Tennant series to watch! 😊

Also!! Dragon Age is back!! AHHH I wanted to thank everyone that commented on my last DA pieces, it has made my month to read the comments, I didn't expect so many people to remember my art or my character after so many years and it's so touching and flattering you have no idea 😭💘 I look forward to making more and sharing them with you all, I'm truly grateful for the kindness you've shown me both back then and now I hope you know.

I feel so spoiled lately with all these franchises that I love releasing new content!! I've never been in these many fandoms at once!! I have so many ideas to draw and keep jumping back and forth between drawings from different shows and games AAAAA it's a good and welcome change honestly, keeps me busy and inspired!

Anyway that's all for now I think! I hope you are doing well and this summer/winter is kind to you all ❤️

[bunnivez]

hiii!!! is it okay if i request angell nsfw or sfw head canons if thats okay with you!!

The Housewife Way

જ⁀➴ Hello Nonnie! Seems like people really took a liking to Angell after the event happened lmao (๑>؂•̀๑) I had fun writing this, especially because I finally get an excuse to make a housewife reader its so cute AAAA. Enjoy! ⟢

જ⁀➴ Warning ! … This contains both NSFW and SFW content.

It took some time for her to fully open up to you, not necessarily because she didn’t trust you but more because she wasn’t sure how to be open. She is used to being alone, interacting isn’t something she is used to, especially when expressing her emotions or sometimes thoughts.

As months passed, she felt different around you. She was more comfortable around you and every day she would try her best to come back home as soon as possible just to see you again.

Her dreams have now become just about you. In every dream, her most peaceful ones, you are always there.

If she manages to find something she thinks you’ll like during her mission; she will definitely bring it home and gift it to you, just to see your eyes light up and lips curl into a smile.

Slowly things change in the relationship. She becomes more affectionate and a bit more talkative.

However it will also take time for Angell to understand her own feelings. She has never felt such emotions, at first she thought she was sick until she came to a conclusion that what she was feeling was love. Her confession was awkward, she didn’t exactly know what to say so she just told you how she has been feeling the past few weeks.

Oh the face she made when you told her you feel the same way, her eyes lit up like a kid it was adorable.

She loves sneaking hugs behind your back as you cook or wash the dishes, she stays there for a good while just observing you.

Gifts from her are more expected, as well as many calls from her if her mission is a bit long. She wants to make sure you are home safe and that no one is trying to getting inside.

Compliments your food a lot, she loves coming home to the smell of homemade food.

Cuddle with her PLEASE, she enjoys it, it brings comfort to her. Most times she is the big spoon, but on bad days she doesn’t mind being the little spoon.

Talking about bad days, it is easy to catch up when she is upset, sometimes it can be that the missions have tired her; but the best way to make her feel better is by helping her relax first to ease her mind, then ask about her day.

Shares her makeup products with you, she can help you do your makeup and you can help her with hers <3

Angell will definitely let you do her hair, she likes the feeling of you brushing it, occasionally she will let you do a different hairstyle on her (I feel like a ponytail would look great AAA, maybe a messy bun?).

Cuddle with her on the sofa while listening to music as you watch her pet fishes swim.

I feel like stroking her hair will make her sleep faster, sometimes she will stare at you if you automatically stop— as a silent ‘please keep going’.

Usually hides her wounds from you, or just says it’s nothing and it will heal quickly. Yet she cannot deny the way her heart melts when you start to treat her cuts and wounds, it shows how much you truly care and worry about her.

Got you two matching pijamas! She thought the idea was cute and that you would like it, she has seen couples do that after all.

Whenever she can she will bring already made food from a restaurant or something, just so you can relax a bit from cooking.

Takes you to simple dates, she prefers ones at night, if not, movie nights at home it is! You two can bake together too, teach her some skills and all.

That leaded to horrible disasters by the way… she cuts stuff with her dagger, she grabs spoons like a toddler would grab a crayon and drop any mixture everywhere.

Just be patient with her.. please </3

She is into bondage, see those handcuffs? They are for YOU.

She likes using toys, she has bought a few she would like to try on you, but when the moment comes she can’t find them… She knows it’s somewhere in her closet but it is pilled up with clothes and other stuff so good luck searching.

Shower sex. There are times she comes home from a mission covered in blood, so she suggests showering with you.

This leads to.. a heated up make out, she simply can’t resist you. So before you can think, you already find yourself pinned against the tiled wall by Angell.

Like she will literally eat you out in the shower.

She enjoys riding your face, she is gentle though, grinding gently and a bit slow, but she will pick up the pace once she is close to cumming.

Her moans are sweet and a bit quiet, mostly comes out as sighs of pleasure and small noises. She isn’t really the loud type.

With her strap though? OH SHE IS A MONSTER. She will fuck fast and make sure to hit the right spots.

Places a hand on your mouth or gags you, telling you to quiet down but how can you when she literally fucks you so good?

Other times she appreciates more gentle sex. Slow, passionate, and enjoyable. She loves seeing your face turn into one of pure pleasure, and hearing your sweet moans gets her even more heated.

She will also do it on the couch, you sitting on her lap grinding on it while she desperately kisses and marks you as hers. She will whispers ‘I love you’s ’ and ‘ you’re doing so good, keep going ’.

You know what? Why not fuck you from behind while you are washing dishes too. She will bend you over and use her strap on you, her fingers, or will kneel down and eat you out.

There was this one time she ate you out on top of the dining table, saying how you are the dessert.

Aftercare is very important. She makes sure you are okay and if she hurt you in any way. She will help you clean up and brings you water or snakes if you want. Later, she will cuddle with you in bed; quietly telling you praises and giving you kisses until you two fall asleep.

[artist-issues]

Could you rank the album Blurryface and explain your rankings, please? Thanks and have a blessed day!

my brain

yay

Listen readers, if you like my posts about Disney movies & classic books & Old Hollywood or whatever, or if we’ve ever crawled into a story together and deepened our perspective on that story in one of my posts, but you’ve never cared about twenty one pilots, just trust me and read a little bit of this post. I want to show you something so good.

This is my favorite question in a long time. But you have the key to the obsession-corner of my brain, and you let yourself in, so this is a BIG rambling post, and you brought this upon yourself, and I’m very glad

Okay! I’m going to rank it concept-wise. As in, I’m going to rank it based on how in-depth and well-thought-out and excellently-communicated the ideas in the songs’ lyrics are. Because I don’t know anything about music—so any part of the rankings that are affected by something musical are that way because of personal preference, not because I know what I’m talking about. I recommend taking it slow, every one could be its own post because I suck at being succinct. 🙄

14. Lane Boy

I’m not going to defend myself, something had to go last, and everybody knows I’d rather listen to Lane Boy than any non-twenty-one-pilots song, and I think it blows any secular non-twenty-one-pilots song out of the water. So there. But it’s last on the list just because I think the concepts in the song don’t have as much brain-dissecting meat, and eternal value, as the other songs on the album. Other songs are about how we compartmentalize our issues, or they’re about mankind’s messed up state, or they’re about the dichotomy of fear and love.

And then this song is basically just about how twenty one pilots goes where they want to, musically, and doesn’t bow to the music industry or the patterns of what’s popular. But they’re tempted to. And that makes perfect sense, because on an album where he’s fighting his insecurities, being insecure about what “The Audience” thinks of you fits on the list.

I think the best part of the song is the lyric “don’t trust a perfect person and don’t trust a song that’s flawless.” From what I observe about Tyler Joseph, he actually does care whether or not a song, or a performance, is as good as it can possibly be. That’s super clear. But what’s also clear is that he believes in singing about something real, especially real flaws he has, so that other people can relate and use the information. So I don’t think he’s saying “don’t trust a perfect person and don’t trust a song that has no technical issues and couldn’t be any better.” I think he’s saying, “don’t trust a person who claims to be perfect, or their vague meaningless songs that don’t reveal their flaws.” (You know, when we gonna stop with it / lyrics that mean nothing, we were gifted with thought-type stuff.)

Which is still pretty deep, in a song that on the surface is saying “I know the music industry and genre-fans have expectations but I do what I want.”

Side note: I love the aesthetics of the music video and the “tempted by control, controlled by temptation” voiceover they used to do for the concerts with this song. The whole idea that Fame and Success have to be in hazmat suits, with gas masks on, is awesome. I don’t care if the concept is “Fame and Success can’t even deal with us, and all the insecurity we talk about in our songs,” or “Fame and Success are always interacting with songs that are rotting, dead, already on their way out of relevance.” It works either way. It’s cool either way.

But let’s just be real. It stabs me in the heart every time he sings the line, “if it wasn’t for this music I don’t know how I would’ve fought this.”

Like. Really? You don’t? If it wasn’t for music, you don’t know how you would’ve fought the dark thoughts? There’s nothing else you can think of, nothing else that specifically works against dark thoughts, that you might want to clue people in on? In a song that’s about not making decisions motivated by remaining popular, you’re going to point them to your own music as the only weapon you know of which works?

When you set yourself up to tell them that Jesus Christ is the hope that lasts eternally, not just moment-to-moment? When you could’ve said that you know a an everlasting Light in times of darkness? No?

So this one gets skipped more often than the others, and I know for a fact it’s because even subconsciously I don’t want to hear that line. I hope I’m wrong about it. I bet I am. I don’t think he meant all that. I think he was looking for a way to conclude that “I know about pain and darkness and that’s what should be in songs” thought, in a way that rhymed and sounded good. But still.

12. Tear in My Heart

(note: the list got out of order here because tumblr’s post editor is the worst and I couldn’t fix it. but Tear in My heart is ranked one higher than Stressed Out, that’s all you need to know.)

I like it when Tyler Joseph picks a concept that’s simple and then reminds everybody how true it is by talking about it like he does with Tear in My Heart. “Love hurts.” That’s a simple concept. “Yeah okay we know.” But in this song I listen to it and I want to be like “No, do you get it, love, giving all of who you are, even the messed up parts, to somebody and letting them do whatever they want with that, hurts. Not just because you’re afraid they’ll reject you—but because you’re afraid they won’t reject you, you’re afraid they’ll stay, which is harder and demands more of you, and you’re afraid they’ll see you, and change you.” Yes, change. For the better.

That’s the point of the music video. He’s looking around at everybody but he can’t see them clearly, everything warps around when he tries to meet their eyes. But not with his wife (then fiancée, I guess.) They see each other clearly. And then she beats the Blurryface out of him. Because that’s what real love does. It doesn’t ignore your flaws or accept your flaws. It sacrifices to help you grow out of your flaws. And that hurts! That’s uncomfortable! That’s Eustace getting un-dragoned in The Chronicles of Narnia.

But it’s also the best thing for the loved one. And! He introduces the whole idea with “sometimes you gotta bleed to know / that you’re alive and have a soul.” When you’re just in your comfort zone, even if it’s a bad place, you go numb. It’s scary to propose to somebody, or show them who you really are, or tell them how you really feel, but the good that comes with it is exhilarating.

And he uses the words, “she’s the tear in my heart,” which, if you dissect that: the medical term is SCAD, and the result of a tear in the heart are basically anywhere from irregular heartbeat (heart skipping a beat. aww. they’re in love and stuff.) to heart attack, (she has the power to bring him to a jarring halt) to slowed heartbeat. (She can also calm him down.) Even a more zoomed-out idea of the lyric, where you just picture what happens when you cut a tear in a heart, is a great metaphor in this context: blood gets out. It was safe and nobody knew what he was feeling. Now what’s inside his heart is finally visible. Because of her.

One more, one more! “She’s a butcher with a smile.” I love that he said ‘butcher.’ A butcher’s whole job is to follow a plan, and neatly organize, arrange, sort, the meat. From what I understand, a butcher typically follows the muscle routes that are already there. It’s not mad hacking and wanton destruction; it’s thought out. There’s a purpose. There’s even usually a plan, a map they’re following. He could’ve said “she’s a cutthroat,’” or “killer” or even “cutter.” But when there was nothing on the page, he chose to put “butcher, carver.” Purposeful cuts.

And he keeps it on-theme, with the album. Because like I said, the whole album of Blurryface is about insecurity—but it’s about fighting insecurity, and the number-one weapon he uses is putting that insecurity on display. Shining a spotlight on it. Because when you’re insecure about something you try to cover that up. You try to compensate for it, direct attention away from whatever you can;t control. Letting everyone see the thing you’re insecure about is hard and you feel exposed, but that action is actually the reverse of insecurity. Doing so with his wife is the best.

13. Stressed Out

This one is this far down because it’s about wishing for the comfort of simple, nostalgic things when in reality you’re freaked out about the future and the present. And that’s a really relatable concept, for a song, and it’s not super deep. We all do it. But it’s still on-theme, which is what makes the song feel deeper.

I like to get lost in the past because it’s what I know. (And the opposite of shat I know/what I can control is? Insecurity.)

If I have to choose between a difficult adventure in the present, or a painful memory to over-analyze, I’m always going to reach for the painful memory even though it’s a sucky headspace, and nothing new and helpful is likely to come of it. Why? Because I know what happens in that reel in my head. I feel control over it just by knowing what happens. But I don’t feel that control when I spin myself out imaging what could happen, and all the things I can’t control, in the present or the future.

Yeah, I’d rather go back and wax nostalgic for the days I played outside with my siblings, or the houses we used to live in, then think about how rent is due in a couple of weeks or how I might never get to have the career everybody expects me to have. So it’s very relatable.

The thing I don’t like about this one is that it doesn’t have that hopeful note in it that I like in twenty one pilots. It kind of goes, “yeah, wish we could turn back time, but everyone tells us to quit dreaming and make money, and it sucks.” And…that’s it. In the song, itself, there’s no hopeful conclusion. Versus in Tear in My Heart, at least he’s feeling like he has a soul and he’s “higher” than he’s ever been, and the butcher is smiling. At least in Fairly Local, there’s, “I’m not evil to the core / what I shouldn’t do I will fight.” But not in Stressed Out. Stressed Out leaves you dissatisfied, and maybe that’s the point.

11. We Don’t Believe What’s On TV

I love the progression of the ideas in this song (because it does come right after Polarize;) he’s actually taken a hard step. He’s not just standing at a crossroads between decisions, being insecure and never moving. The lyrics are “I need to know that when I fail, you’ll still be here.” He can’t fail if he’s not trying. So I like that the song has such a happy beat, and it’s the first one on the record (unless you count Heavydirtysoul) where he’s not just thinking about being insecure or what to do—he’s committing to doing something.

And then I find the song super relatable. The thing about having a dream is that when you chase it you risk a lot. You risk money, you risk time. You risk your emotions, obviously. So anyone close to you is going to notice you’re chasing after something. It’ll become part of your identity. Like me, proclaiming that I was going to work for Disney for years. If you fail, what do you say to all the people who knew you were shooting for that goal? How will they see you? As a quitter? As a failure? Are they going to feel sorry for you? Maybe it’ll be hard to talk about the things you used to talk about—and then they don’t know what else to make small-talk about. Not only your big direction in life is gone, but now something as comfortable as talking with friends is suddenly affected. And from there it’s easy to go, “wait, who am I without that dream I was going after?”

So the lines “what if my dream does not happen? / would I just change what I’ve told my friends? / don’t wanna know who I would be / when I wake up from a dreamer’s sleep” are spot-on. And they uncover the unattractive side of having a dream: the side where you fail and lose and feel like you don’t know who you are without it, so maybe you cover it up by “changing” the dream, or acting like you never really wanted that anyway, or act like you’ve found something new, to cover the loss.

But I also love the fact that the song is about how superficial things aren’t really what matter—your “dream” isn’t who you are. And the people who really love you and care about you know that, so when the dream goes away, they’ll stick around. Just like how Tyler says he doesn’t care about what’s superficial about them: “I don’t care what’s in your hair, I just want to know what’s on your mind.”

Fun fact: when I bring twenty one pilots up for any reason my father responds with “yeah-yeah-yeah” by default.

10. Ride

Ride is only higher than WDBWOTV because of the rapping verses. And not because it’s the one twenty one pilots song my father allows me to play when I’m in the car with him.

This feels a little repetitive, but I like Ride because it’s what twenty one pilots is about. They’re all about thinking carefully about what’s going on in your head and then making a decision to live for something. (I wish they’d come out and say that “something” is God, but whatever.) Ride is all about that. Living rather than dying is hard, especially when it means living, not coming up with meaningless extreme scenarios where you can imagine dying for someone, or staying happy all the time, or conquering your foes. It just means taking your time, and as life rides along, being careful to live for something day by day. Then again, it is a song that’s still just about thinking about what to do, instead of doing it.

9. The Judge

I think this is one of the clearest allusions to the Gospel Tyler Joseph ever makes, and I love the way he makes it. First off, that by saying he can’t tell if the song is about himself or the devil, he’s acknowledging that he, on a sinful level, is just as worthy of condemnation as the Devil.

That’s why he says, “found my way, right time, wrong place, as I pled my case.” You plead your case, in front of THE Judge, when you’re dead. So it’s the right time—everybody has a date on the calendar when they’re going to die, they just don’t know what it is yet. But it’s the wrong place—he’s in front of God, and he doesn’t deserve to be, any more than the Devil. But that’s why he’s pleading his case by freely admitting his soul matches Hell, not Heaven, so all that’s left is to beg that The Judge be merciful.

I like the mood of the second verse, where it feels like he starts describing what’s going on ‘three lights are lit but the fourth one’s out / I can tell cuz it’s a big darker than the last night’s bout,” etc., but then when he gets to “but I’m not good with directions” he speeds his flow up and sounds like he’s getting panicky. He’s giving excuses for why he’s lost—well why? Because he’s bad at directions. Listening to what he’s told to do, and then following through. And then just admitting that one flaw as an explanation for why he’s lost leads to admitting other flaws, at random, like he can’t stop himself: “I’m a pro at imperfections and I’m best friends with my doubt.”

I personally think, because of the context, that the three lights which are lit, but the fourth one that is out, are representative of Tyler not being clear about his faith. I think it’s an allusion to Peter, denying Christ 3 times (like Tyler already alluded to in Ode to Sleep.) But in Ode to Sleep, Tyler follows up the line about 4-denials with “metaphorically I’m a whore.” My take is, he’s only a whore metaphorically—because in Christ, he’s a new creation. But he keeps talking like he isn’t, worrying over his relationship with God and whether or not he’s really saved. Maybe because he struggles with doubting God keeps His promises, maybe because he struggles with doubting God is real, maybe both.

And after all, what was Peter doing when he denied Christ? He was denying specifically that he knew Christ. That he was in a relationship with Him, that he followed Christ. Peter was basically saying over and over, “I’m not a disciple of Christ. I’m not! I don’t know him!” to the people who ask. But it wasn’t true. Peter was Christ’s disciple; Christ chose him, and that’s what made the denial so hurtful.

So I think the lights going out, one by one, and he can tell that a season of that doubt is coming on, are his cue to leave. Get out of there, that place where darkness is creeping up, and go somewhere sunnier. But he can’t get there, because he’s not good at directions, and then he kind of spirals and goes back into the chorus realizing he never had any right to be “Christ’s disciple” in the first place, that’s true, and his only hope is the mercy of The Judge. Which is great, not something to despair over. Because The Judge is merciful.

But the cool part is there’s still an element of “insecurities” in there, distracting him from what would ultimately be a good place. It’s good to realize you’ve got nothing, and to realize that if you could wriggle out of God’s embrace, you would do it every time. Because then you realize all over again that He is merciful and He loves you, and you’re secure because it’s all based on His strength. So that particular cycle is good—when it ends with that realization. But instead, he’s getting hung up, not on “what will God think of me when He realizes (even though He knew it all along) that I’m unworthy?” but on “what will everyone outside my house think of me when they realize I’m unworthy?”

And when that happens, when you’re focused not on what God thinks of you, but on what others think of you, because of your insecurities, you can satisfy yourself, not with God’s love, but with pulling the wool over other people’s eyes. Maybe the people outside your house see the real, unworthy you—but you can cover that up. You can fool them. You can compensate for those insecurities, front, be fake. God always sees you clearly, but the people around you can be fooled into thinking you’re an okay person, and you have your act together. So his insecurities, Blurryface, is hijacking the cycle that would’ve led him to rely on The Judge and making him chase after the opinion of his peers, instead.

Instead of focusing on who God is, which is the hope in everything, Blurryface gets him to focus on who he is—whether that leads him to a revel or despair, doesn’t matter, as long as he’s not focusing on who God is.

I love this song.

8. Hometown

”My shadow tilts its head at me

Spirits in the dark are waiting

I will let the wind go quietly,

I will let the wind go quietly.” <- Those are some of my favorite lyrics ever. Ever ever. Why would a shadow tilt its head at you? Because it’s creepy interesting imagery, yeah, but also, because it’s puzzled. But it’s your shadow. So you’re looking at it like you’re puzzled, too, because shadows don’t move independently; either the light source is moving, or you are.

So the character Blurryface is puzzled because he’s trying to figure Tyler Joseph out—like Tyler is trying to figure him out—and/or because the light is on the move. What light is mentioned in this song? The sun. Which, in all their other songs, is representative of God or the kingdom of God.

Either way, all the insecurities and flaws and doubt that Blurryface embodies doesn’t understand God, or actions made in faith. So he’s puzzled in this song; because this song is about the songwriter begging God to do for him what he can’t do.

I don’t care. That’s what the song’s about. Tyler Joseph does his clever triple-meaning thing, so you can say that the song is about how people back home in Columbus, Ohio don’t really get twenty one pilots’ deep lore and metaphors, and that’s what the song is about—how people back home still don’t know who they are because they’re least famous among people who know them best—but that doesn’t cover the lyrics about “take me home and show me the sun/Son,” or “bring the fire, my bones will make it grow.” And a faith-based interpretation of the lyrics does.

(I mean, obviously, people can sing the song to themselves and assign whatever meaning they want. That’s fine. That’s how using words works. But I’m saying that what the songwriter meant can be understood by the lyrics he chose in the song—and if it can’t, then he didn’t want to be understood or was bad and making himself clear, and that’s just bad communication/useless artwork. But neither of those explanations are descriptive of Tyler Joseph.)

The first verse is what the songwriter wants to have happen—the place he’s from is dark, it’s without the Sun/Son, he wants to go Home, and he can’t do it without dying to himself, and only God can pull that off.

But the second verse is a call to action, for everyone listening, not just a plea for himself out of what he’s feeling. And that action really does have something to do with the temporal “hometown.” You can grow up hearing about God, one way or another, but eventually, you encounter darkness on your own. You realize you’re messed up, whether anyone else sees it or not. And that’s when you can either be insecure and give up, or you can look for salvation. But at that point, you have to look for salvation in something outside “tradition” and just “what the people around you believe.” You have to find out if any of that is rooted in truth, and then choose to believe it yourself. Whether anyone else, including the people who helped make you who you are, from your hometown, agrees or disagrees.

In Christianese we say “make your faith your own.” Even if you grow up in church there comes a time when you have to decide if that’s what you believe, whether your parents drop the faith or not. But it’s not just a church thing. It’s a universal, worldview thing. Even if you grow up in an atheistic community you have to decide, at some point, if you believe that, as an individual. Be introspective and decide what you believe, what you’re going to live for—the message of the band.

And of course, the language he uses is so overtly Biblical! It’s from Joshua 24. And the context of that passage is, God has finally given the Israelites rest from all their enemies, and Joshua, the faithful one who has led them in their homeland, is telling them that it’s decision time. If they choose to serve God, it’ll cost them everything. They can’t serve God and the pagan, materialistic idols their fathers fell to. It’s one or the other. He knows it’s a huge ask, and an impossible ask, actually, because God is Holy. God has to give you the grace to follow Him (same conclusion Tyler sometimes gets to in The Judge.) Here’s the verse, enough of my yammering:

“If it is evil in your sight to serve Yahweh, choose for yourselves today whom you will serve: whether the gods which your fathers served which were beyond the River or the gods of the Amorites in whose land you are living; but as for me and my house, we will serve Yahweh.”

Then later, after the Israelites say that’s what they want to do, they want to serve Yahweh, he repeats,

“So now, put away the foreign gods which are in your midst, and incline your hearts to Yahweh, the God of Israel.”

And this whole passage is really interesting, because Joshua is telling them to do this in the same place, geographically, that Jacob, their ancestor, hundreds of years before, had commanded his own family to bury false idols in the ground and turn to Yahweh. So when he says “put away,” it’s in reference to that moment; their earliest forefathers had a pattern of chasing after the beliefs and false hopes of the world, and then needing to bury those and follow God instead.

Anyway. This song is awesome because it’s about him coming to, in Christianese: “the end of himself.” The lyrics say that nothing about a human being knows the secret to redeeming souls. Only God knows that; only God can do that. So in an album that’s all about interviewing yourself, fighting the worst parts of you, trying to figure out how to beat Blurryface, Hometown says, “aaaand you can’t. You can’t do it. But God can. You don’t have the secret, you don’t have the playbook. But God does.”

7. Goner

This song is higher than Hometown because I like that when he does something slower and more complex, lyrically, without the same speedy metaphors, it’s just a straight-up war cry.

It is kind of a complicated song, though. I think. Because I can’t decide what exactly he was aiming for. Sometimes I listen to it and I think it’s about the songwriter fighting Blurryface, refusing to give up, and parts of the song could be sung by the hero, while others are answered by the villain, during that fight.

But sometimes I listen to it and I think he’s declaring that the fight is already over, (after all, it’s at the end of the album) but he knows it’s a cycle and he might get dragged back into the doubt that starts it all over again. “I’m a goner.”

Or, sometimes, I listen to it and I think it’s just a recap of everything the album teaches: 1) I’m messed up 2) but I’m not a hopeless case 3) but I’m tempted to hide the messed-up part 4) the only way to fix the messed-up part is to admit it, get it out where everyone can see it 5) but even then I can’t fix it, and they’ll all see I’m unworthy 6) Remembering unconditional love and grace fixes it.

Being “known” is the opposite of what the Blurryface character should want. Because again, insecurity is all about avoiding the things that make you afraid, make you feel out-of-control, and putting up a front like you’re fine. You make decisions based on what you want people to see, out of a desire for control. That’s why he’s called “Blurryface.” You don’t get to see his face. You don’t get to know the real him, because the real him’s messed up, and he can’t let anyone see that.

I think the one interpretation I vaguely settle on when I hear the song is that, if all you ever focus on is how to control everything and pretend you’re not messed-up—if all you ever put on is that “blurry face” mask—pretty soon you convince yourself, along with everybody else, that that’s who you are. You start to forget the real you. You can’t see your own flaws anymore—but hiding them is still puppetting everything you do, so ironically, they’re in control. Luckily, the people you’ve opened up to (if you ever have) and God, remind you of who you really are. So that humbles you, and saves you, from just being totally fake.

One thing about the actual lyrics. The fact that he says “the ghost of you is close to me” supports all of those above interpretations. Could be the Holy Spirit (you know, “Holy Ghost”) being closest to the singer when he’s “inside out,” being vulnerable, seeing himself for what he really is and admitting it. Could be the character, Blurryface, who’s been defeated but maybe Tyler forgets that, and feels “haunted” by insecurities that should already be harmless if he’d just remember what killed them.

I see some people saying that what he means is, Blurryface is so intertwined as a part of himself that he doesn’t know what would be left of him if all his insecurities died. I think that’s super bleak. But I can see why it would be that. If it is, it doesn’t bode well for Tyler or anyone who agrees. If you’re already at the point where your weaknesses and insecurities are something you identify with, something you think belongs in you, instead of a foreign contaminant that your soul’s antibodies need to purge, then…you’re really forgetting the Gospel. That’s not who you are anymore. It’s as much a part of you as a set of dirty clothes that you took off when you were 4; even if you’re cramming them back on, that doesn’t make them part of who you are.

I also frequently see people saying, “he’s not just asking for God’s help, he’s asking for anybody’s help! He says ‘somebody’ catch my breath!” Right. But then he says, “I wanna be known by you.” And in Kitchen Sink, it’s clear Tyler Joseph doesn’t believe anybody can know him, fully. Also, Anathema. Also, on this album, Not Today, and Message Man. There are too many lyrics where he explains that he doesn’t think anybody can know him—except God, who, in The Judge, and in other twenty one pilots songs, is depicted as the only one who can see all the way down to the bedrock of who Tyler Joseph is. And who all of us are. Hidden insecurities pulling the strings and all. So when he calls for help, he might be willing to accept anybody, but only God is going to be able to deliver, in the very end. (Friends and his wife can help, but in the end.)

Personally I believe the songwriter knows that. Based on the evidence in everything he writes. I don’t know for sure, though.

Anyway. I love that he ended the album with this song. Specifically, it’s not until the very last note that everything is resolved, and sounds like there’s some kind of peace, some kind of vanquishing of Blurryface. Like the fight is definitely taking everything to win. But Blurryface does lose; there is hope; that’s what I like about twenty one pilots.

It’s that Halloween-style “using darkness to show how weak darkness can be.”

6. Not Today

The concepts I’m talking about liking are getting repetitive, but that’s because he comes at the same topic (battling insecurities) from different angles, dropping into the same cycle at different points. But it’s still the same topic, same cycle.

Anyway! I love Not Today because of how awesome the lyrics are in the chorus, in response to the lyrics in the verses.

He keeps the metaphor of a house in there, but those first lyrics: “I just feel I’m better off, staying in the same room I was born in,” have this lie. The room you’re born in could mean you’ve never grown, never taken any chance, you’ve literally never moved from where you started. Especially because he gives a reason for it; he’s seen the world outside, and he doesn’t see what he can do to impact it for the better. <- That part is why I don’t think those lyrics mean “it would be better if I were never born.” Even though the same basic idea, that he thinks he has nothing to offer, is in both interpretations.

But because of that melodic (is that the right word) pause between “I don’t know why” and “I just feel I,” in the opening line, I think you can miss the meaning of the full thought. He’s admitting he feels this way, but he’s not accepting it, necessarily. Because the whole song is a strike back at “Blurryface.” He admits how he feels, but the fact that he starts with “I don’t know why I feel this way” is a clue that he’s examining the feeling, instead of trusting and accepting it as fact. It’s true that he feels that way. But he’s not making it his home. He didn’t even pick the words, “staying in the same home I was born in.” Or unlike in The Judge, he doesn’t use a possessive objective. He doesn’t say “my room I was born in,” not just because it would sound weird, but also because he’s in a headspace where he’s not accepting these feelings at “face” value.

So I love that opening.

Then, in the first chorus, he’s basically talking about how those dark thoughts, those insecurities, aren’t just in his head anymore. They’re out in the open. Where everyone else can see them—yikes, maybe—but he’s focusing on the fact that they’re out where he can see them. Insecurity wants to hide and fake. Getting it out in the open is step 1 in the right direction. Now the lies, the insecurity, can’t get to him the way it used to when he kept it in his mind as if it were something worth entertaining or identifying with.

Then I like that he takes a break in the second chorus to be like, “pay attention to what I’m doing, the sound of the music is happy but the words are not.”

Because he’s feeling like there’s no use in trying—bad thing. But he’s not giving in to that feeling, he’s examining it for weaknesses—good thing. Happening at the same time. Like the happy sounds, but down words, of the song.

Which just makes you feel like you’re watching a battle. Which one is going to win? The good or the bad? Right now they’re both in the picture—what’s going to be the killing blow that knocks one out of the picture?

Then he goes back into the chorus, but this time I think the words have a different meaning, even though they’re the same: he took that aside to address the audience and explain what’s going on. So the lines in the second chorus, “you aren’t seeing my side,” seem like he’s still talking to us, telling the listeners that they haven’t been understanding what’s going on in his head as he fights his insecurities, but now he’s showing them, which is what they needed to wait for: you can’t know what someone’s going through or how they need help till they choose to let you see.

Then there’s the bridge about him fighting someone for testing him. Which I think people mostly take to mean “I’LL KILL YOU BLURRYFACE.” But I don’t think that’s what he’s saying.

I mean it’s fine. That could be why. But I think it kind of misses the fact that a dude who insists, “just because I play the piano doesn’t mean I am not willing to take you down,” is insecure. That’s an insecure thing to say. He thinks people are going to see him as weak. And he just throws out “because I play the piano” as like, an example of what he thinks people are judging him about. And he’ll fight them. But then immediately he’s like “I’m sorry.” And it’s funny, I love that whole lyric, my family always joins in on that part because it’s fun to sing.

But the point, I think, is so smart—he’s back to saying something insecure. He has an outburst about how others see him. Then he says “sorry.” But it’s even an insecure, embarrassed-sounding apology. So this verse transitions out of talking to the listener about what he’s insecure about, into, while he’s at it, worrying about what they think of him—and whoops, that was a Blurryface moment, wasn’t it? He was supposed to be fighting that. He was supposed to be examining it. He just slipped into it again, suddenly, and the mood of the song is an involuntary explosion, like he couldn’t help it. So then the next chorus, the changed one, is more of a confession of being messed-up, all over again. “I’m, I’m out of my mind / I’m not seeing things right / I waste all this time trying to run from you, but I’m, I’m out of my mind.” It’s “I’m out of my mind” in the traditional sense—he’s crazy, as in, he doesn’t see reality, even when he’s looking at himself. And you could take that “I waste all this time trying to run from you” as him trying to run and hide his messed-up self from others—which is a waste, because it’s born of insecurity—or you could take it as him running from God. Of course. Both work, for this moment in the song.

But. I think the chorus is the best part. It sounds like two recordings of Tyler Joseph’s voice is singing this part, so I can see why people think it’s a duel between him and the character Blurryface: he’s singing, “not today, let me rip open the windows—now I dare you to make yourself heard.” If he voices his insecurity, the people who love him will come help. But maybe the character Blurryface is singing that right back to him; “not today, let me rip open the windows—now I dare you to make yourself heard.” As if taunting him with the idea that people who hear the real Tyler Joseph may not accept him; if he’s exposed, he shouldn’t draw any attention to himself.

But for all that effort I put into verbalizing how I’ve seen the take that the chorus is Tyler Joseph and Blurryface fighting each other, I don’t 100% agree with it. Because it doesn’t make sense, based on the well-established idea that Blurryface is insecurity—and insecurity would never do this: “tore the curtains down, windows open now make a sound.”

The whole rest of the album takes the tack that turning yourself inside-out, showing people the real, messed-up you, being open, is exactly what the character Blurryface wouldn’t want. He’d never be saying anything so clear as what’s in the chorus.

I mean. Time out. Not to get too geeky in this already-absurdly-long post. But everything about the character was against that. He’s blurry. You can’t see the real him, his face. He doesn’t even like that he has a name, or has been distinguished from Tyler Joseph in any way. In all those cryptic videos from what I can remember of social media before the album came out, you never saw him, even though he was the one supposedly recording. And the videos made no clear sense, I feel like I remember one being just, like, a dark shot of the woods at night and like breathing or something. In the in-character Twitter posts, he can’t spell—he can’t even type anything that he has to say clearly, because clarity itself is a kind of commitment in communication, it tells people something about you one way or another, and Blurryface doesn’t want anyone to be able to hold him to anything he says.

So no, I don’t think he’s got any part in the chorus. I could be wrong. But I don’t think I am. I think it’s someone from the outside, who knows the fight going on inside Tyler Joseph with Blurryface, breaking in. Ripping the curtains off the rod. Kicking the windows open, letting the light in. Telling him to get it out there in the open. Or, daring the Blurryface character to say his lies out in the open. And I think it’s God. Because again, we already established, nobody else can see inside of Tyler Joseph, in his entirety, except God. But if it is, then Tyler isn’t just getting scooped out of the fight by God’s rescuing hand. He’s joined in the fight, and then told to keep fighting—and tell other people about it. “Heard your voice, ‘there’s no choice’ / tore the curtains down, windows open, now make a noise.”

This song would be higher up if it hit me in the emotions as much as Doubt does. That’s how good it is. It’s the big fight scene, but the character Blurryface loses once the house is torn open.

5. Polarize

GGGGR this is taking too long. But I love all of these songs so much, even if Blurryface isn’t my favorite album, I can’t just say succinct things about it.

There’s this interview I watched with Tyler Joseph way back when I was fresh into high school. I don’t remember the exact timeline, or whether or not this album was out already. But he basically talks through Romans 9 without saying so. He tries to explain to the interviewer that he shouldn’t be “messed up.” That that’s not just him being hard on himself, and oh, we’re all imperfect people. He tries to explain that there’s something broken in everyone, that we want to be better than we’re actually capable of being, and that points to the fact that we were designed to be different, and something went wrong. He tries to really organically explain that, but if I remember correctly the interviewer comes back with like another platitude, and I think the subject gets changed. (If I can find it again in the bowels of the Internet from 2013 or whatever it was I’ll post it. It’s what gripped my teenage brain about this band. And about trying to phrase the Gospel that I’d always heard in a way that made sense to people who have never heard.)

But this song is that. It’s him, trying to explain that he’s noticed the polar opposites of his nature. And he’s trying to decide which parts are which, and why, and where the division starts and ends. The problem is, the only One who can help him divide those clearly is God—and surprise surprise, Tyler Joseph’s trust in God is split, too.

This one is ranked so highly because of that. Because instead of just stopping at “I want to do the right thing, but I can’t, so let’s sort that out, and You help me,” he goes even deeper. “Wait, how do I even depend on You to help me when I can’t even decide if you’re there or not?” It’s Semi-Automatic all over again. It takes a different kind of deep thinking to admit that you can’t even ask for help with absolute certainty.

Polarize might get its own separate post.

4. Fairly Local

Fairly Local is this high on the list partly because of the music video and I’m not ashamed.

It’s the introduction to the character of Blurryface, and look at how he can’t make sustained eye contact. I love that.

I also love that the microphone in the music video is a light bulb. Because it’s the words of the song that are illuminating what’s going on in the songwriter’s head.

The duality is just a preview of Polarize, in the lyrics, but I love his vocalizations. Maybe you expected me to say more higher up on the list, but this is too long already, and the more I like it the more I want to make a separate post, if I ever let my obsession out of the locked-door part of my brain on tumblr again. (look now I’m using twenty one pilots imagery, what have you done?)

3. Doubt

This one is this high because he says “even when I doubt you, I’m no good without You.” And he’s talking about God. I might elaborate on that in a different post. I know how this song feels. Getting lost in trying to trace the paths you’ve already gone down in your brain, until even thinking about God isn’t a lifeline as much as it is a maze, because you’re thinking too much about your part in it, and you’re just left reaching out for Him blindly because you can’t see which direction He’s in anymore, in your own brain. And you need something from the outside to reach in and dig you out of yourself, because there’s nothing trustworthy in here anymore. I know how that feels. This song is Addict With a Pen’s sister.

2. Message Man

This one gets its own post for sure. But the lyrics are better than any other song aside from Heavydirtysoul on this album, I think.

1. Heavydirtysoul

This one is top of the list because 1) I don’t think it can take second place to any song musically on this album, and 2) the lyrics sum up the band. I’ll make a post of its own about this one, too.

Is that disappointing? That I went all the way to the top and didn’t give you a thought-out reason for the number one? Well, now you feel some of the insanity I experience when I listen to this band. “What do you mean, you’re stopping there? You took my hand and led me this far and now I have to stumble around in the dark and figure out the rest myself?”

😈

I really may come back and edit it. I’ll tag you if I do. Or just follow the “my favorite band” tag. Hey, thank you so much for this ask! I know I look way too hyper-fixated, but truthfully, they just came out with the new album. And you have to understand, the people around me can’t stand me saying two words about them, because I’ve talked too much about them. So you’ve become my outlet.

If you made it this far I want to hear your opinions, too! I’d do this for every album, but hopefully you learned not to open this can of worms 😂 because then I never stop talking

[silver-heller]

Tumblr newbies, I love you but I'm also losing my goddamned patience lol. The amount of times I see new users complaining when they get caught with their pants down because people, on the sharing site, interacted with or reblogged their seemingly normal posts is an annoying amount. And don't get me started on newbies then coming into people's inbox or messages about it.

On your post, go to the dots or the cog. See that "who can reblog? anyone" thing? Yeah, set that to no one. If you really do not want people reblogging your post, please set it that way rather than just expecting people to magically know not to use one of the site's features. It won't stop people from being able to like it though or leave comments.

And if you want less people seeing your post, use personalized tags, not popular ones tons of people will browse like the art or writing tag, and put things like dashes in the names of fandoms or characters. (Ex: Mord/ecai or lack-a-daisy).

All that said, this does not change the main issue. For the love of all that is holy STOP USING TUMBLR, THE SITE THAT RUNS ON INTERACTION, FOR NO INTERACTION BLOGS! That's like trying to use a strainer to try to keep the water in, it probably won't work as well as just getting a private website or Discord server or something. Especially if you do not know how to use Tumblr yet. I can't stop anyone from doing anything, of course, but a social media site is just not a good place for "I only want offsite people to see this, and I'd hate if anyone so much as interacted with it".

Clicking the arrow next to post now and selecting post privately makes it so only you can see your posts but, again, that won't work if you want just one specific person to see it:

[patpran]

full fade fancam from today!!!! a treat for tumblr <333

[sonknuxadow]

please tell me people are joking when they say sonic prime is queerbaiting with sonic and shadow. that is not whats going on here please be serious you guys just see sonic and shadow interact in any way and become unable to turn your shipping brains off

[icewindandboringhorror]

a quite simple outfit, trying to use the little blue and white apron thing (which is actually a dress I think, that I just leave un-buttoned in the back and added an apron-like tie to lol)

[mokutone]

hi what do you think abt t4t kakayama (it's canon to me tbh)

:) hi ty for the question. i will do two sweet pictures of them being intimate and then under the cut there's going to be a longer very unsweet and more technical response

so i'm usually not a very shippy person! but that said i am also on the record as an occasional kakayama + kakayamagai enjoyer

i do hc them both as trans and in different ways w/ different experiences of transition and identity! i have no interest in proving my view as canon, but i do regard my reading of the text (text here including the anime) as a valid interpretation of yamato's experience of identity

yamato, for example, imo, doesnt have any real lived experience of being raised as a child of any gender. he was an experimental subject, and then he was Danzō's weapon/vessel for the mokuton, and then he was in anbu.

in a fun little word game which should not be taken seriously: it'd almost be more fitting to describe him as "adgender" rather than "transgender" since the prefix "trans" implies moving across where the prefix "cis" means to stand still, but the prefix "ad" means "to move towards" and i headcanon him as somebody who was degendered as a child, not in a cool nonbinary way, but instead in a dehumanizing, objectifying way, so his experience of creating his identity and his gender along with it is one of moving toward the concept of gender this word doesn't and wont exist, but bc of the way english works it would probably be simplified to be spelled precisely the same as "agender" in the same way that "aggression" came from latin "aggredi" which came from "ad" (meaning to/toward) and and latin "gradus" (meaning step) (essentially the combination means "to step to" [in a threatening manner]) the only diferences is where agender (meaning no gender) is pronounced ay-gender, the agender that comes from adgender would be prounounced more like "uhgender" in the same way that agressive isnt pronounced like "ay-gressive" but instead like "uhgressive"

and then...as for kakashi? i just decided on vibes. i didn't think hard about it.

i guess i should also say that, while i draw kakayama very infrequently, when i do draw it i usually try to be very apparent about the transness in the artwork if i can? especially if i'm drawing anything more intimate than a peck on the cheek. it's no secret that shipping is often times the most energized part of fandom, and i kind of don't want to produce romantic or sexual artwork which will be enjoyed by people who don't think trans people can be attractive? or who find that trans headcanons make a character uninteresting to them? or worse, "ruin" a depiction of a character to them?

often i think about in terms of. IF there are people that follow me that love my work (usually) and think that kakashi or yamato are hot (usually) and love kakayama (usually) but get frustrated or even uncomfortable out when i draw them as explicitly trans? then i'm drawing all intimate artwork of them as explicitly trans.

it's a little like...nobody gets to love my work if transgender characters are a turnoff for them. that's the bar for entry, is the way i think of it, but really its more like putting onions in a dish. if you want to eat the dish you have to eat the onions. if you don't want to eat the onions, don't eat the dish. all the meals i make contain onions. i'll never compromise on my intention to put onions in every dish i make. that's my ninja way, as the kids say.

especially in the climate we're in right now.

i don't know. i have a lot of feelings about how most fandoms tend to view trans men, especially in terms of romantic and sexual relationships. I'm doing a bad job of expressing the depth of how much seeing how fandom treats trans male identity and transmasculine bodies impacts the way that i draw + write kakayama, but genuinely it's something i think about every single time i create content about them.

[buttercupshands]

Spoilers.

I already said what I wanted to say when chapter 423 came out. But, I guess now it's final.

I'm taking a break from mha for now, anything I post is up to me anyway, so posting something if I want to is a thing

And right now? I'm just glad that right now Tomura Shigaraki is dead. Gone. Never to return again.

So... I guess "try your best" is really the best way to end this. I won't re-watch season 1 to confirm to myself that "try your best" literally was what changed Izuku's perception on his nickname Deku.

I just want to sit and look at the wall now. Do some other stuff, watch something else.

After long 4 years of seeing Tomura with AFO in his mind, hate in his heart and that whole backstory. I'm just glad that he's at peace with himself now.

I said that already and I'll say it again. The best ending for the LoV was and still is the one in which they get to do what they want, even die, yes.

It's not the end of manga but for this long arc? It's the end. And I'm glad I followed it.

I posted sketches while joking about fanon, but I hate fanon LoV, preferring canon one still, sadly I can't change something like that in my head. Sorry.

Good luck.

[liquidstar]

a friend who'd wait :)

[anglerfishenthusiast]

i am kind of deeply fucking haunted by the way some autistic people on here seem to think that being autistic means you get to be rude to people and never get taken to task for it

[that-foul-legacy-lover]

Random brain thought

Just ignoring Genshin lore for a moment

So, Moths use the moon as their guide, so, and hear me out, what if the reader was the deity of the moon?

Just imagine, sparkling moth lost in the dark, until he finds a soothing glow, a breathtaking radiance.

You

Now I'm just thinking of Big buff abyss moth being your Bodyguard. Cuddling, surrounded by moonlight

oh my moon and stars YES you being some sort of deity/god is one of my FAVORITE AUs ever!!!!!!

you're one of the gods who's on more neutral terms with the Abyss- you don't exactly trust the beings under Teyvat, but you don't go out of your way to hunt them down. you're more of a nighttime deity anyways, roaming the fields and hills when the rest of the world slumbers, your aura casting a soft glow over the grass. mortals will say you hailed from the moon, but in truth you're more akin to someone created from lunar essence that allowed you to watch over the world at night. you're not sure how useful you truly are, especially when some of your brethren can literally shape the earth and sea with a flick of their hands, but if you could help guide even one being to safety and happiness, it'd be enough for you

you're roaming around one night after dark, moths fluttering around you, resting on your fingers and hair. the little insects are quite fond of you, and you of them- perhaps they could be considered your patron animal- and suddenly you see something twinkle in the distance. immediately you're intrigued- is there a god of starlight who's come to visit Teyvat? is there some shiny stone, or glittering treasure waiting to be picked up? you wander closer, pace only picking up when you see the sparkling thing move

you kneel in the gently waving grass and come face to face with the most beautiful creature you've ever seen

he's from the Abyss, there's no doubt, and yet you can't help but admire the black and violet armor adorning his body, the glittering cape-like wings that flow like waves, the crimson mask with two spiraling horns and one single crystalline eye. the monster growls momentarily but it quickly dies to a hushed, curious coo as he stares at you, seemingly in awe. his claws extend, trying to grasp the gentle glow surrounding you, and instead you reach and carefully clasp your own hands around his larger one, helping him to his feet. the beast stands, unharmed, yet he doesn't pull his hand away, only holding out his talons for your little moths to land on, wings fluttering in delight

a happy trill builds in this strange, beautiful creature's throat, and you too find a smile growing across your face as he delicately curls his claws around your hands, reveling in your soft lunar glow

[jacksprostate]

this will be unpopular probably but idk i've been called slurs a time or two and it's personally uncomfortable to see... obviously do as you please in general but when interacting with me or my posts i'd really prefer if yall didn't casually use fag, etc in place of gay and stuff 👍

[muninnhuginn]

made for a forum life. living in a discord era.

[swiftfootedachilles]

what do i have to do to get people to read my stuff actually like im not about to get in everyones faces begging for attention but i dont understand how im expected to make FREE fandom content without much feedback on my work