that laios/shuro (toshiro?) argument means a lot to me because on one hand i have been laios and i have been excited to be around people who just would. not. say. that they didnt like me around until they did it in a way that was incredibly painful and confusing when that could have been easily avoided by a short conversation at the time of offense.
on the other hand i have been shuro experiencing that naive racism from someone who doesn't know much outside his bubble & its really hard to confront directly because its not coming from a bad place necessarily, but it is truly drenched in the racial biases that a culture has baked in. and that can be very exhausting to try and explain to someone after being bombarded by such, especially if they seem completely unaware of it being a problem.
its a situation where both characters are sympathetic to me, at least a little.
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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ohhh my god i just realised why i love narumitsu so much, despite the obvious (mutual pining, slow burn, one-sided enemies, to friends, to distant friends, to close friends, to lovers all that good stuff)
its BECAUSE they have a shared emotional journey that is so narratively satisfying to me that as im typing this im barely able to contain my stimming
phoenix defends miles, so convinced he can save him and is almost blinded by that fact because he knows edgeworth as so good and so pure and he totally definitely absolutely would never willingly hurt anybody and then he ghosts him for a year which phoenix obviously interprets as yet another person abandoning him, leaving phoenix to pick up the pieces, and that whole time phoenix is beating himself up because wow this is just like when he put all his love on the line for dahlia and it turns out she was just using him this whole time and the absolute mess of emotions that arises when edgeworth comes back, alive, with no apology whatsoever.
and then two years later phoenix loses his job and edegworth is trying so hard to help and be there for him while also juggling his prosecutor job and the challenges that arise from adjusting to a new justice-driven mindset, but phoenix is already closing himself off and refusing to talk about it because hes stingy and secretive and edgeworth has seen the stingy in passing but never to this extent, where he can tell that phoenix NEEDS someone but apparently that someone isnt going to be him. and he's on call with him one night and he hears trucy for the first time and hes mortified because so many complicated emotions and questions arise from that alone: "wright are you sane" "wright are you seeing someone" "wright why didnt you tell me about this so i could help you" and i do think edgeworth gets overwhelmed by all this at once, the secrecy, the daughter, the friend who visits phoenix every now and again, the lack of healthy communication. and suddenly everything that he thought theyve worked so hard to build together has come crashing down and theres nothing phoenix will let him do to help
and its the shared parallel of the initial proposal to help "let me defend you"/"let me be there for you" being completely rejected and the repeated efforts to do so being met with a sudden shift (prosecutor miles edgeworth chooses death/i have a daughter and a new friend who helps me now) and how its so difficult for the both of them to realise at the time that its for their sake that they're doing it, that neither of them are doing this to hurt the other intentionally (although for phoenix i definitely think theres spite involved, but not to the degree to which edgeworth ends up experiencing what he does emotionally), and the idealisation that gets completely shattered by reality
just. UGH. the full circle that is them, after everything is said and done, finding closure in each other again, however non-linear that journey is, and, this is important, CHOOSING to still stay with the other through anything and everything that comes to pass, and truly SEEING the other behind their professional masks. Seeing them entirely and not just the attractive parts. im rabid.
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I'm not a big fan of the interpretation that hinako had no idea about what was going on behind the scenes of kazui's stage, or atleast the feeling I get from how some people talk about her like she was completely naive or in the dark
I mean, half shows their relationship straining quite clearly. they're shown on opposite sides of the room, not even facing each other. I feel like any partner would start to wonder and have doubts about why things aren't the same as they used to be, why their love isn't spending as much time with them anymore and starting to pick up habits associated with Drowning One's Sorrows in (drinking and smoking)
No, I think she most definitely had her doubts. I think she brushed these aside, justifying them with the whole "he would never" shebang, I mean kazui was the one who asked her out in the first place so surely not? Right?
I think it makes her reaction contextualised a lot more, and it makes more sense to me.
This isn't the face of just someone realising their partner has never romantically loved them, it's also the face of someone whose deepest worries, that they brushed away because they trusted their partner, being proven right.
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