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#and it goes without saying but since people lack critical thinking skills here
t00fumaple · 9 months
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The State of Paimon
The Fontaine AC, Furina SQ, and Roses and Muskets event spoilers possibly, rant, so not really cohesive
Sorry for all the people who expected Paimon slander, that isn’t happening here. I am Paimon’s strongest defender, she is my daughter I would never say anything mean to her!
That said, I just want to kind of defend Paimon but also rant about how the writing team has wrote her recently, or perhaps that could be localization’s team fault. I would like whoever can understand what the original text was trying to get that out there.
If you guys have done Furina’s story quest, you would know how insensitive they wrote Paimon there for no reason.
(Screenshots courtesy of Streetwise Rhapsody on YT, thank you.)
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Like this is really insensitive to Furina, but I can literally excuse it by the fact Paimon is like 4, she doesn’t fully understand the situation. Paimon never found out what Furina had to go through, also Paimon legit lacks the critical thinking skills to realize “ oh wow I should lay off “ without being told to do so.
In my opinion, Traveler is even worse. Even though they don’t comment on it as frequently as Paimon. They know, they’ve seen it. All the times Furina had to suffer for those hellish 500 years just to play a part. In some capacity they understood what happened to her, Paimon hasn’t. And yet, they still force her to try and act in a play when she would never feel comfortable with the fact.
Paimon was insensitive throughout the whole quest but it’s kind of weird for most of the fandom to only point fingers at her when Traveler does the exact same thing lol
Hell, Paimon even comments on it
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Like I will admit, I don’t like how they portrayed her in this quest, nor the Traveler. Especially since Furina shot up to one of my favorite characters since 4.2 dropped.
I think this quest is kind of held back by the fact they had to force Furina to be put into the position of a director, which would explain why the Traveler and Paimon are so mean to her, why they wrote them like that? Who actually knows.
Though recently in the new event, Furina has bit back now and you can see that Paimon is starting to become a little kinder to her than before. Hell they even pose together. Which hopefully means that we won’t get anymore Paimon insensitive moments.
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Another character I want to mention that Paimon is especially disrespectful for, and gets mentioned a lot in how Paimon is the worst and she should be banned from this character.
Wanderer, Scaramouche, Kabukimono, bro has like 20 names and yet still goes by none of them.
To be honest, I really don’t get why people bring this guy up on how Paimon shouldn’t be as rude to him as others. Which like, it makes sense
Even after he erased himself, I’m like 99% sure Paimon is still aware that he’s tried killing the Traveler multiple times.
Paimon has every right to be mean to this guy since the Traveler are the only constant in Paimon’s life. They are her whole world, they are practically her parent at this point.
I genuinely can see from Paimon’s POV that she has no reason to feel bad for Wanderer. Even in the scene where she tells him to hurry up on his remembering shit.
To be honest, hella based Paimon at that moment. Like it’s one of the worst things to do, really insensitive but I can forgive it because the Traveler was about to die protecting his ass, also mind you, she is a toddler. My only problem is that like, it feels really out of place.
Don’t get me wrong, Wanderer is great, I love him, he’s actually amazing. But it’s good to understand that Paimon has every right to be disrespectful to him, and to be honest, he would do the exact same thing to Paimon if that happened to her.
Now I will admit, these two instances of her being disrespectful is really terrible by her, and I really blame that mostly on the writing team.
I feel like it’s just weird that they seem to write her however they like? Her character hasn’t been that consistent, she can show a lot of empathy for some characters but absolutely shred other characters for no reason?
It’s sad to see since I adore Paimon, she’s amazing but it’s really tiring to see that they’ve kind of made her really annoying, when they could’ve kept her character consistent.
It’s really sad to see, and I really hope in the future they are able to just, write her better hopefully.
That’s really just all, Paimon is my beloved and its hard being a Paimon fan in this fandom since so many people dislike her 😔
I wanted to put my thoughts out there too, it’s okay if you hate Paimon!!! I can 100% understand but it’s really sad to see because most of that is because the writing is doing a terrible job at writing her.
Justice for Paimon
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rainofaugustsith · 2 years
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Sooooo...apparently some people are saying "ack! You can't blame the Jedi or say they were wrong because of the old Extended Universe! That doesn't count now!"
I already responded to this in the OP, but since that is getting very long I'll post something new too. Dude, nobody is citing the EU as a reason the Jedi were wrong. Not overall. While I did give the examples of Jaesa and Ashara, everything else is current canon. It's generally really helpful to know the source material before commenting that something isn't source material or canon.
I'll cite the works below, but just saying:
If we want to talk Extended Universe and Legends, both are actually a hell of a lot kinder to Jedi characters than either the original films/media or Disney canon. In the EU of novels and such that were discarded, the Jedi Order is under the control of Luke Skywalker, who very clearly says "this thing about estranging families is sick and wrong" and cites it as a reason the old Jedi Order was flawed.
Luke in the Extended Universe is the antithesis of what we see in The Mandalorian. Because EU Luke would never make a baby choose between his parent and the Jedi. If anything, current Disney canon is doubling down on the cruelty of the Jedi in pulling children away from their parents and erasing their family ties and emotional attachments.
In Legends, specifically SWTOR, we still have the Jedi being Jedi, but we also have people like Satele Shan and Kira Carsen, who eventually form alliances with Sith, as well as entire factions of grey Force users who are neither Jedi and Sith. Again, that's a hell of a lot kinder overall than the current canon or Lucasfilm.
Works cited in my other post:
1. Ahsoka being thrown under the bus by the Jedi Order is the 5th season of Clone Wars.
2. Book of the Jedi is put out by Disney and is thus their canon.
4. Yoda telling Anakin to drop his attachments is in Revenge of the Sith. You know, the canon prequel film.
5. Baby Ludi's story is shown in a Clone Wars episode and is mentioned in some of the advertising for Attack of the Clones, the second prequel film.
6. "In the original trilogy" suggests I'm discussing the original film trilogy which is canon, not EU. And, um, if you have seen the films, I've described the plot of ESB and RotJ.
7. I've already 'works cited' Ludi. Deepa Bilaba is in The Phantom Menace, the canon prequel, and some related media for it. Sar Labooda is in the canon prequel Attack of the Clones.
8. I've described what happens in the canon prequel The Phantom Menace.
9. What happens to Ahsoka after being thrown under the bus by the Jedi Order is depicted in the Clone Wars, described in the 2016 novel Ahsoka which is Disney canon.
Again - if you think the Jedi taking babies from their parents, stripping them of their family ties, telling them "there is no emotion" and conscripting them into military and religious service for the rest of their lives is cool, hey, you enjoy the fandom as you wish. That's the source material, after all. You can certainly keep pretending the source material doesn't say that, but it still does. Some of us may take the opinion of old EU Luke Skywalker, though, and think that the Jedi were very wrong to do this.
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ashesandhackles · 4 years
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The Hogwarts Express scene in Prince's Tale: A Sirius and Snape analysis
I really, really enjoy Sirius and Snape as characters and their respective narrative functions in story. But what gets me most about them is how much Rowling hints about their backgrounds and so much of it makes sense with regard to who they are as adults. So I am going to be breaking down a very small scene from Prince Tale and getting into long winded hypothesis about their respective childhoods.
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So, let's start with Snape. The scene begins with Snape rushing to find Lily, already in his Hogwarts clothes. Harry notes he must have been eager to get out of his clothes - ones that look like he borrowed from his mother, as Petunia spitefully pointed out. This has always been a very interesting detail to me - first off, it indicates how poor Snape's family is. Second, this indicates his tiny rebellion from his father - he refuses to wear clothes of the abusive man, and prefers his mother's. I admit, I am partial to the reading that Snape refuses to associate with his father in tiny ways, rather than Tobias refusing to hand his son clothes.
(I have seen readings which say that it is also a sign of neglect - perhaps his parents bought clothes that simply don't fit him, but I am more inclined to think it's a hand me down, simply because Harry identifies so strongly with it. Because Harry knows what it is like to wear a hand me down that don't quite fit, that are too big for you, or the ones that make you look ridiculous.)
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Lily and Petunia's relationship is fraught with Petunia's jealousy. And young Lily is upset over it when Snape meets her. "I am not talking to you. Tuney hates me" she tells him. "Because we saw the letter from Dumbledore". Young Lily shows signs of being extremely emotionally reactive and this scene is one of them. It's easier for her to deal with Petunia's rejection of her by telling Snape she doesn't want to talk to him. It's a childish displacement of her hurt over her sister's rejection. (I am genuinely baffled by interpretations that Lily and Hermione are similar. Hermione is very cognitive person, Lily, as we have been shown repeatedly in memories, is not).
Snape, however, with his bad history with Petunia and his inability/ poor social skills to understand why this matters to her, goes: "So what?"
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Lily, who throws him a look of deep dislike, says "So she's my sister". This seed is important because this is what develops into "he doesn't get me" feeling she later displays in her teenage scenes with him. Interestingly, most of Lily's personal relationships have deeply interwined love and dislike - Petunia (whose rejection bothers her but she cheerfully informs Sirius that Harry nearly broke a vase her sister sent - which means there is resentment on her end too), James - who she was attracted to even before 7th year but also disliked at one point, and Snape - again, a contentious friendship filled with love and distance.
"She's only a -" we dont get to hear what Snape intended to say. And given his own acrimony with Petunia, it could be anything. However, I read it as "She's only a Muggle" because it ties into his feelings about his father. Snape, who is proud of being half a Prince, emphasizing his magical lineage from his mother's side, his refuge in a violent, neglectful home. (Barty Crouch Jr and Snape with their disappointing fathers - I imagine Voldemort is supremely attractive leader to people with broken homes like this)
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Snape, by all accounts, shows a disorganised attachment style. His caregiver, his mother - and perhaps the only parent he seems to have regard for, is too preoccupied by her own abuse to be there for her son - we see this in glimpses Harry sees in OOTP: " woman cowering" where a man shouts at her, and a young, neglected Snape cries in the corner. Children born in homes like this have trouble regulating their emotions, simultaneously displaying tendencies to aggressively lash out or show disassociative symptoms. Both of which Snape displays. Statistically, this is also seen more in low income households where economic instability and resulting domestic instability creates an unsafe environment for the kids to safely form ideas of their identity, or express emotions in healthy ways, modelling instead out of behaviour seen at home.
Then, Snape reminds her that they are going to Hogwarts. He is already in his Hogwarts clothes - now, Snape gets to be the impressive figure. The one who told her about magic, who theorised about how Muggles get letters from magical people, the one who told her about Dementors and Azkaban. He has already left behind the Spinner's End version of him, he wants to bigger than that, and is keen to be in place of magical learning and to join Slytherin. Essentially, he shows signs of unstable identity, insecurity - all prime for grooming into a cult.
And here comes along James Potter, who looks around at the mention of Slytherin. James's comment uses Snape's line and directs it to Sirius instead and it becomes a conversation between them, as a way to bond more with a fellow "rowdy boy" Sirius. Effectively ignoring the other two.
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Sirius as we see here, "does not smile" when James talks about Slytherin. He essentially says something that can be construed as a way to nip that conversation in bud: "My whole family has been in. Slytherin". This suggests to me that there is some loyalty to his family there and his disillusionment with them isn't entirely fixed yet. After all, Sirius's intense loyalty to his friends, more specifically James, did not come out of thin air. It is reasonable to suggest that he felt some loyalty to his family at some point and the intensity with which he regards his friends is a reaction to burned off and being a "displaced person without a family" as Rowling put it.
Interestingly, while his reaction to his mother and Bellatrix are obviously sore spots, his response to Regulus is comparatively quite soft. ("Stupid, idiot" - something he calls James later on in the same book, OOTP). I imagine Sirius has quite complicated feelings about his brother and he is capable of nuance (when the person isn't Snape, where his dislike seems to be borne of an intense projection): "The world isn't split into good people and Death Eaters". As someone who is grown up among them, Sirius would understand that.
His framing of Regulus's need to please his parents also further highlights what exactly is the source of disillusionment. He calls Regulus "soft enough to believe them" - which means he is crediting his own intelligence to see through his parents bigoted world view. Clearly, bigotry is not something the Blacks explained in a way that Sirius, eldest of their male line and their heir, bought it. It also probably didn't help the Blacks case that Grimmauld Place is in a Muggle neighborhood and that their eldest son is a bit of a wild boy with interest in pushing boundaries. His intellectual disconnect leads to the righteous rage he later feels but it began there. (Boy, it must suck to discover that everything you have been taught to value in the world and in yourself as the heir is essentially rubbish). Since his differences with his family began with seeds of intellectual disconnect rather than on intense empathy with downtrodden, it makes him, as a pureblooded privileged boy, unable to truly understand Lupin's fears regarding his lycanthropy. Hence, the Werewolf prank (I am not getting to the Snape bit, just the Lupin bit). To James' credit, he does understand what that means for Lupin and saves all three of them from different set of consequences.
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Anyway, back to the scene. James, who has made an ass of himself in front of his new friend, who he was getting along with fine until now, then goes "Blimey, I thought you seemed alright". (Btw, I find James wildly large ego kind of hilarious here, especially in light of Snape's comment about him to Sirius in OOTP: "You will know he is so arrogant that criticism simply bounces off him"). Sirius, who I believe has been raised like "royalty" as Blacks would, has good enough social skills to defuse a situation. He grins and says: "Maybe I will break the tradition".
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This line is an indication of Sirius's desire for independence, an identity seperate from his family. The use of the word "tradition" is interesting. It sounds like Sirius is expected to behave in a certain way, the heir of Black family whose parents thought being a Black "made you practically royal". Adult Sirius is contemptuous of this, or their "valuable contribution to Ministry" which means they just gave gold - it tells me that any and all conditions put on him by his family were to fulfill tradition that is either worthless or holds no meaning in his eyes. The root of the emotional abuse Sirius suffers from his family is this - realising his parents love for him is conditional on him being a certain way. (In fact, you can read Regulus desire to emphasise his connection to the family as a reaction to what he sees with Sirius - Sirius does not behave, Mum and Dad don't love him). As a child with unconscious knowledge of lack of love, Sirius then acts out, they react, rinse and repeat "until he has had enough". Sirius chafes against boundaries well into adulthood and doesn't react well to people enforcing it on him, even if it is out of love for him. Cue the fire scene with Harry where he behaves as if Harry is rejecting him instead of protecting him.
Sirius asks James about where he wants to go, and Snape, who is incensed about James being insulting about a House he put stock in, which he made part of new identity (so that he is no longer that Snape boy from Spinner's End) and was in general trying to be impressive about in front of Lily, "makes a disparaging noise" once James talks of Gryffindor. Snape's response to James' : "Got a problem with that?" is interesting. He says: "If you'd rather be brawny, rather than brainy-"
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This is an important value for Snape. He knows he is clever and values it. He spends his spare time inventing hexes, making great shortcuts to Potions. He has genuine thirst for learning and he hones it. In SWM, we see that he has written far more longer answers than anyone else, he is poring over his paper after exams. He even mocks Hermione's lack of inventive answers: "Answer copied word to word from the textbook, but correct in essentials". He values originality. It may be me stretching this, but I am partial to the reading: this is his way of rejecting his father once again, who is implied to be a violent man. (in other words, someone who is hypermasculine - "brawny". In fact, Snape's rejection of hypermasculinity is a huge post on it's own - Potions (brewing, cauldrons - coded as feminine arts), the doe Patronus, his proficiency in Occlumency and Legliemency (intuitive mind arts, again seen archetypically feminine) etc).
"Where are you hoping to go, seeing as you are neither?" - Sirius is quick with emotionally cutting insults. Snape hasn't even finished his sentence, but Sirius is already on his case. Which suggests growing up in a household with sharp tongues. It's a fair assumption, given Mrs Black's half mad portrait. It also tallies with Sirius's talking about his mother: "My mother didn't have a heart Kreacher, she kept herself alive out of pure spite" . The wounds are fresh enough on this. (Another interesting way Snape and Sirius act as inverse mirrors - Snape rejects his father, Sirius rejects his mother. Sirius acts as proxy for James for Harry while Snape takes on Lily's role of protecting him). However, you know who else is spiteful? Sirius.
While James is the physical bully (the tripping Snape, doing most of the bullying in SWM), Sirius attacks emotionally. ( Sample the one about Snape's appearance - "I was watching him, his nose was touching the parchment, there will be great grease marks all over it, they won't be able to read a word" or even the carelessly vicious- "Put that away, before Wormtail wets himself in excitement"). Curiously, with all that talk of how his mother being spiteful, it's her room he spends time in when he is depressed. (Again, in inverse mirror way, we can talk of how Snape looks for a father figure in Dumbledore - craves his validation and is proud of Dumbledore's trust in him). We could argue it's also because Buckbeak is there, and perhaps it's the largest room in the house, but it's very telling that's where Sirius spends time when he is "in a fit of sullens". Sirius's sense of abandonment from his family, makes him look for family connections with friends - a trait he shares with Harry. Interestingly, the first time he glimpses Harry in Privet Drive, Harry is also running away from home - just like he did. Anyway, I could go on.
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forevercloudnine · 4 years
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new 52 riddler origin/timeline
I noticed an older 2017 post by @batriddler​ about Edward’s possible New 52 origin story was going around again, so I thought I��d make a timeline adding what we’ve learned about his origins since then through The Riddler: Year of the Villain (2019).
Childhood
So Year of the Villain brings back several elements of Edward’s original backstory. The first was that, as a child, he won a puzzle contest and became fixated on that moment of victory for the rest of his life.
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Unlike previous iterations of the character, however, there’s no obvious indication that Edward cheated in order to win it (other than the looming shadow of his future careers). Whether he won it fairly or not, winning the trophy was a turning point for him because it was the first time he was given undiluted positive attention, something he wasn’t getting at home.
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Edward’s mother is heavily, HEAVILY implied to be an alcoholic (like there are even more bottles lying around in this panel, I cut them out for the screenshot), and he himself implies in the narration that she was neglectful to the point that he pretty much had to raise himself. Interestingly, there’s no mention of an abusive father, which is the bog standard for Riddler backstories in previous continuities. There’s nothing contradicting the existence of an abusive father in addition, so obviously there’s room for headcanons here (though I’m enjoying that Jonathan’s New 52 daddy issues replacing his retconned Post-Crisis mommy issues was finally mirrored by Edward’s Post-Crisis daddy issues being retconned and replaced with New 52 mommy issues. It’s equality).
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[Side note: apparently his actual birth name in the New 52 IS Edward “Nygma,” which is also a return to form to his first origin. Personally I’m much fonder of him being born “Nashton” and changing his name as an adult, but that’s just me.]
He says that winning the trophy was the first time he “felt like [he] meant something,” which would seem to indicate that before this he’d internalized his mother’s neglect into a low sense of self worth. Unfortunately, it doesn’t seem like the high of winning it lasted very long, since his classmates weren’t very appreciative of his victory (which is also very in line with Edward’s previous origins, especially Chuck Dixon’s take in Questions Multiple the Mystery).
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There’s not much other information about his childhood available, though Batman Annual #4 does seem to indicate that unlike many of Batman’s other villains, he did grow up in Gotham.
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This is just based on him telling Bruce that “all of Gotham City” watched him grow up, and that Edward in particular read and watched a lot of tabloid news about Bruce when they were adolescents (is this a Batman Forever reference??? It’s probably not a Batman Forever reference).
Teenage Years
Assuming we’re supposed to take Bruce’s heat-of-the-moment psychoanalysis in Zero Year seriously (Edward is clearly irritated by it, so... confirmation?), Edward’s desire for attention in childhood results in him breaking into corporate data banks and government safe-blocks as a teenager.
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Given what Edward is capable of in Zero Year, this definitely doesn’t seem out of the realm of possibility, but it’s deeply hilarious in the context of what Year of the Villain confirmed he was (also?) doing as a teenager, which is working as a carnie.
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I cannot tell you how hilarious I would find it if THIS is the “questionable past” that Bruce’s Uncle Phillip was talking about during Zero Year, but presumably he’s referring to the same kind of high profile crimes that Bruce was.
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But seriously, how funny would it be if he was just talking about how Edward literally ran away from home to join the circus as a teenager...
Adulthood
The 2017 post theorizes that Edward started working for Phillip at Wayne Enterprises in his early twenties, and started earning the various degrees you can see stacked up in a corner in the image above during his employment there. That would seem to fit with this timeline, since I’m not willing to add “earned six different university degrees” to teenage years that are apparently already packed full of ripping off carnival goers AND corporate espionage.
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In Batman Annual #4 there is the BAREST indication that Edward might have started working at Wayne Enterprises early into Bruce’s sabbatical abroad, since he talked about how “for months” there were nightly vigils at Wayne Tower where there were so many flowers people would have to cross the street not to step on them. Presumably this would have only been in the first year of Bruce’s disappearance, when Bruce was 18; at the very least this indicates that Edward still lived in Gotham when Bruce left, though it would make more sense for him to be visiting Wayne Tower as Phillip’s strategist than as a hacker/carnie.
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In general though, Edward’s Zero Year plan is so ridiculously complex that I think it’s reasonable to assume that he took as long to prepare for his debut as Riddler as it took Bruce to train to be Batman.
[Another side note: Not to accuse Edward of projecting or anything (God forbid), but I think it’s interesting that Edward puts so much emphasis on criticizing Bruce for “disappearing for years” and “making everyone think he’s dead” in combination with the COMPLETE absence of his father from his origin story as presented in Year of the Villain.]
I do think it’s fascinating that Edward’s New 52 origin veers away from the whole “cheating” thing that’s so central to his character in previous continuities - not that he DOESN’T cheat when he feels like it (the whole carnie thing), but it’s not presented as an insecurity of his, and here he’s genuinely intelligent enough to mastermind crimes without needing to move the goalposts at the last second (cough Arkhamverse Riddler COUGH).
One final thing from Edward’s adult life that I think could relate back to his origin comes from Batman #23.2, “Solitaire.”
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The issue starts with a flashback of Edward having a deck of playing cards confiscated from him in Arkham because he was playing Solitaire (like, genuinely playing Solitaire; he actually wasn’t plotting anything, it was just for stress relief). The comic is his quest for violent revenge against the Arkham guard who took his cards, which initially seems like a pretty average example of Riddler Brand Pettiness, but the story goes out of its way to highlight how much this really bothered him.
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The Arkham Guard has moved on to become the head of security at Wayne Enterprises, so to get revenge Edward has to break into his old place of employment. An unexpected altercation with one of the executives leads Edward to totally freak out over her “touching” him, and afterwards he goes to meditate in her old office in order to calm down. His attempt to relax is interrupted by his old Arkham tormentor, who gets in a couple shots at him before Edward takes his revenge...
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...which is BLOWING UP THE ARM that the guard used to take away the “small comfort” Edward had in Arkham. Afterwards, he goes up to the roof to play Solitaire, seeming to finally relax from his agitation earlier.
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Given Edward’s isolation and neglect in childhood, it would make sense for him to have ended up playing Solitaire a lot: it’s a game that doesn’t require involvement from friends or family, but still requires a player to use strategy and skill despite the lack of an opponent.
[Yet another side note related to the previous side note: Batman is ACTUALLY dead during Solitaire, which takes place after Joker’s Endgame arc. Bruce and Joker are of course later resurrected through shenanigans, so Edward is right to think he’ll be seeing Batman again. But Riddler sitting on the Wayne Enterprises rooftop, indulging in a self-described “small comfort,” waiting for a man who’s disappeared to miraculously show up again is really interesting. Again, not to accuse him of projecting or anything, but... where’s your dad, Edward...]
His affection for Solitaire is also interesting, in the sense that one could argue that’s what he’s doing in Zero Year: playing a game with himself. He’s challenging other people to play with him through his “riddle” game, and he’s clearly prepared for the possibility of having an opponent (given that he has a whole rainbow disco death trap room set up at the end of Zero Year, which he seems DELIGHTED to have a chance to use), but he’s not expecting to have one. Whether this is a perspective rooted in his childhood or not, it seems to have changed after Zero Year, based on his riddle for Batman in “Alone.”
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thefangirl-16-blog · 2 years
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More vampire au
There aren't many planned out moments in the vampire au. However there are a few most of which are mostly plot and angst based
For example the common trope in these types of au and vampire romance in general where the vampire feeds off of the romantic interest because something something trust something something somepeole think its hot.
It's probably the angstyist thing I've been bothered to actually think about happening in the au and is going to take way too long to explain it so most of it's under the cut also trigger warning for blood because I mean it's a vampire au bloods a pretty common thing
So after the races, as meantioned before, everyone is on high alert for any crime related activity this means that people are keeping a closer eye on BV.
Obviously the whole being a vampire thing is significantly harder when suspicion is high and people are aware that you're a criminal so naturally stockpiling stolen blood became basically impossible without potentially exposing himself.
After not being able to bring himself to feed off an animal (since they're so small it would be incredibly hard to not end up just killing it) and having zero critical thinking skills, he decides to just lock himself away in his house(?) until he can come up with an alternative solution so as to not just snap and bite someone - he probably pulls a sicky to get out of work as well.
It does not take a genius to work out that this is not a good course of action.
Important side note that I'm just gonna put here: in this au if a vampire goes too long without drinking blood they become more vampire-y for lack of a better term and considering that blood consumption is going by the same rules as vampire bats, it doesn't take long for this too happen and after rough 2ish day they just straight up die for real this time.
At this point Elektra realises that they havent seen their boyfriend in a while and does some looking around and ultimately ends up at Bee's house.
It goes without saying that this a bad situation.
Initially BV freaks the fuck out since he was hiding to avoid situations like this, he  attempts to get as far away from Lektra as posible and (maybe even throws a few things at them) as while yelling at them to get out and leave him alone.
This ends up having the opposite effect though, Elektra obviously immediately clocks that BV is acting incredibly out of sorts and his eyes are glowing brighter than ever and comes the obvious conclusion that something is seriously up and that something is probably vampire related, since no one else knows about Bee being a vampire and just steps inside anyway, silently also freaking out whole time beause o fuck whats going on with my bf
Elektra ends up just standing by the door until BV starts to run out of things to yell/throw at them before approaching but still keeping a distance.
Queue angsty Bee monologue explaining stuff and how he feels about it all, both of them are still kinds freaking out about this since they're basically looking at BV dying or giving in and potentially killing someone else.
Using the net zero braincells the couple have, Elektra says that Bee should just feed of them while he's still acting (mostly) like himself.
This is a pretty dumb decision since Elektra literally has a repair truck and just ask Wrench to sneek some blood asap it's not like Bee is gonna drop dead in the next five minutes
Bee immediately refuses but Elektra tells him that they trust him and it'll be fine, after some more back and forth BV hesitantly agrees.
It doesnt go the best though, BV is super hungry so its hard to actually control himself and Elektra doesnt want to push BV off before he's had all he needs so it does end up going a bit too far, though nothing that life threatening.
Elektra almost passes out and as soon Bee notices this he stops and all but flings himself as a far as possible just in case.
Luckly there's no serious lasting damage and Bee eventually crawls back to Elektra's side to give them a proper once over, shortly followed by fluff and working out what they're gonna do to prevent this happening again
This is probably about as far on the angst train I can currently manage lol
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pfreadsandwrites · 4 years
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Kakashi NSFW Alphabet
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18+ CONTENT AHEAD - NO MINORS - ANY MINORS CAUGHT INTERACTING WITH THIS POST WILL BE BLOCKED
Okay, attempt 2 - That’ll teach me to try ever posting from the mobile app. This is a rewrite from scratch and I’m way too tired to reread and see if it makes sense or if there are typos, it’s probably not a good thing this is longer than the original though.
No one asked for this, no one at all, and I know everyone’s done these but hey, it’s Kinktober, and you can never have too many Kakashi headcanons, right? Right? Right. I hope you enjoy these!! Goes without saying that these’ll be smutty. It’s also about 6.4k words. There is some real filth ahead, very nsfw, seriously, the thirst is so real. (I hate myself), so, this is 18+ only!
Also, I'm tagging @allthingskakashi​ because she asked me to (i really hope these aren’t disappointing)
Side note: This is all written from the view of an established relationship. I can kinda remember most of what I said, so these will be still be very long despite being a rewrite from scratch. Apologies for any rambles and tangents I might go on, since I was rewriting this, my brain got weird and tired, but I wanna take you through my thoughts. I’m also very concerned about keeping things in character and not self-indulgent/self-projecting of what the writer’s personally into so I won’t be doing that here... You’ll see what I mean as I go on. But I still wanna make it hot so i’ll try lol. I’m new to writing but I’m even newer to writing dirty stuff so i’ll try my best. And with this post goes my dignity
A = Aftercare (what they’re like after sex)
Straight after sex is one of the rare times where Kakashi feels completely at ease and relaxed. He’s pensive, often quietly mulling over what you two have just been doing and trying to come to grips with it, his hands gently running through your hair or along your back. He’s probably at his most affectionate here too. Expect gentle, lazy caresses, little kisses here and there, soft, easy conversation. He might not always be the most talkative, but post-coitus is where you’ll most likely hear him say something earnest and romantic compared to other times. You’ve gotta understand, you’re a miracle, and you being in his arms is like heaven, but he can’t really believe it? But he’s also overwhelmed and tired to let it bother him too much, so he’s able to let his doubt and restraints go a little easier and just breathe. He feels safe, he feels at home and that’s a rare thing, so he’s really just happy to bask in the afterglow and the quietude of it all. It’s the safest, easiest thing in the world for the both of you.
If he’s been on the rougher side, he’ll definitely make sure you’re alright and be more gentle in comparison. and he’s generally more attentive than usual. He’s usually nice about cleaning you up, too, a gentleman lmao.
B = Body part (their favorite body part of theirs and also their partner’s)
Kakashi quite likes his upper body, or his torso more generally. He’s lean and broad, but not in an overbearing or obvious way, and he really likes the reaction he gets when you actually do get to see him shirtless. He’s also a little sensitive on his back (and he doesn’t mind if you end up scratching it). But if you rub his shoulders or massage his back or chest, he’s putty in your hands.
When it comes to a partner? So the fandom seems to be consistent in thinking of Kakashi as an ass man, and I’m inclined to agree. He just loves to grab it, slap it, just look at it tbh or whatever, but even if you don’t think your ass is that great, there’s very high probability that he does anyway. But honestly I think he’d have a hard time picking a favourite part of your body.
Some other body parts he definitely loves that don’t get mentioned though: he just loves your waist and how it curves in and out into your hips. He’s mesmerised by it.
plz imagine Kakashi’s nice big hands running gently running along your waist while he thrusts into you deep and slow, your back arching and then they settle on your hips?
Also, he loooooves legs, how they feel wrapped around him, the soft thighs omg. When you wear stockings or heels or other things that accentuate them, ahajhfkaj have mercy on him. Also, wrists and ankles? They’re so pretty and delicate he’ll just grab them where he can. If you both are in some kinda position where he can, he’ll definitely give you lil ankle kisses. also wear an anklet to see him blush
C = Cum (anything to do with cum, basically)
So uh, I’m really doing this, huh?
Soooo hear me out. Kakashi’s diet is impeccable. I don’t take criticism here lmao, it’s been mentioned multiple times how much he hates deep fried stuff and sweets (yeah yeah he’s one of those weirdoes that enjoys healthy food most, Kakashi we get it) and he’s always feeding Naruto veggies (or trying to). My point? His cum would taste good, okay? Or at least, not strong or bad at all, very neutral if not good. (You have zero problems swallowing)
Also, he cums a pretty good amount. He tends to try and hold back his orgasm so when he does come it does build up. Coming inside you is his favourite, just the intimacy of it, of filling you like that.
But…. he’s pretty ashamed of it at first, but he does love coming on his partner. Whether it’s on your face (ughhhh when you lick up some of his cum around your mouth after a blowjob), or your breasts, or your back, or wherever tbh. He doesn’t know whether it’s the visuals, the eroticism of it or even a territorial aspect? He doesn’t wanna ponder it too much it’s just hot okay.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
So this one was hard… because, unpopular opinion, I don't see him as into anything too crazy or depraved?
But here’s what I came up with: he’s totally fucked in the Hokage’s office. It’s only a dirty secret because of how improper that is, how inappropriate it is that the man in charge of the whole village is having sex in the very epicentre of where he’s supposed to be doing that, when other Hokage have been in that room before him… but it’s also why he’s into it.
Also, he’ll die before he ever admits to you exactly how many times he’s jerked off to the thought of you. And after you got together into a pair of your panties when you were away and he missed you too much
E = Experience (how experienced are they? do they know what they’re doing?)
Short version: Kakashi’s not as experienced as you might think, but this doesn’t translate into lack of skill in any way.
The long version: Ahhh so I go back on forth on this but I’ma attempt to think this through here. Okay, so, fandom has generally two sides when it comes to Kakashi and this topic. He’s either the completely suave, smooth ladies’ man who has all the one night stands or on account of his issues he’s a passive, stuttering virgin who’s constantly flustered.
Neither of these are that accurate. So I do get ladies man Kakashi to a point. It comes from the fact that he is quite smooth? And women do seem to like him quite easily in the series. And Kakashi definitely has the capacity to be a charmer, and is quite good at flirting when his job requires it or it’s a stranger etc. He’s good at reading people and winning them over. This is more complicated when he’s faced with someone he’s attracted to, or that has the potential to mean something to him. He still might be charming, but he’s very good at using this to keep you further from him, so you can’t really get to know him or get close to him so it’s not quite the same. It’s his way of controlling the distance between you.
Now, when it comes to experience, I don’t think Kakashi’s incapable of using casual sex as some kind of a coping mechanism (it’s not the healthiest), but if he was going to do this, it’d be during the latter part of his ANBU years. I can see him having sex as just a means to forget and remember he’s alive, and quell an urge, with basically faceless partners, or maybe complete strangers on missions. This does make him feel even lonelier after a while though, and it’s not really what he wants. Eventually having sex with women he’ll never see again serves to make him more miserable, and I think by the time we see him at the beginning of the series he doesn’t really do this anymore. So I wouldn’t say he’s completely inexperienced sexually at least, though he definitely is romantically.
Generally after that, Kakashi’s gonna reserve sex for someone who he has a deep emotional and physical connection with, but God forbid he ever calls it what it is - a relationship. Basically, if he’s sleeping with you, he pretty much loves you whether he knows it or not. And if he’s comparing that to his past experiences, he really feels the difference and cherishes it all the more (but it still scares him and he won’t admit it to himself.
So here’s how I see it. There’s always been a sexual chemistry between him and you, and a physical and romantic attraction. But of course Kakashi is Kakashi so he does absolutely nothing about it and doesn’t want to let you do anything about it. Still, you’re surprisingly persistent, and you do become close to each other in a friendly capacity, in whatever way Kakashi’s able to participate in that. Eventually, ( I haven’t thought this through quite yet) you do end up fucking and Kakashi tries to convince himself that he can just do that, that he can keep up having great sex with a great friend and that you don’t mean the world to him. You try to do the same, for his benefit, but you’re in deep and neither of you can’t deny there’s a bond and your connection is so strong that you’re basically in a relationship - and you kinda are by the time you start having sex - but he doesn’t really have the balls to actually call it that till after the 4th shinobi war. (I have some thoughts about how the war impacted Kakashi’s psychology but it’s generally then when he’ll genuinely feel comfortable enough to fully commit himself to you and see a future for himself, which he’s never really had before, and a future with you to boot).
To bring it back to this (I’m sorry what a fucking tangent), Kakashi’s maybe not had sex with a large amount of women, but he’s a quick learner and has natural skill. He also learns your body and what you like quickly. So whilst he’s not as experienced as he seems, he’s definitely more skilled than he has any right to be.
F = Favorite position (this goes without saying)
When it comes to positions there’s very little he wouldn’t enjoy tbh. He does have an affinity for positions like doggy style, just the visuals and the power it gives him. It’s easy for him to get a bit carried away though, but that’s his go to when he’s feeling rougher.
When it’s more romantic and slow and sensual, he also loves variations of missionary, because he loves the intimacy of the eye contact, and how your body is so close he can hear your heartbeat but his absolute favourite positions are missionary variations where your legs are on his shoulders, or where he’s spreading your thighs as perpendicular as possible and really testing your flexibility are probably his favourite cuz legs, and he can go even deeper and get an amazing angle.
But he definitely likes it when you ride him too, whether you’re facing him or away, it just feels too good when you’re bouncing on him like that. Also it’s nice to relax a bit and not have to do more of the work… plz take care of him from time to time…
G = Goofy (are they more serious in the moment? are they humorous? etc.)
He definitely has the capacity to be a fucking dork, as we know, and this has the potential to translate to his sex life. It’s a sign of complete ease if he can laugh and joke with you during, and he loves to have fun and play around with you, but at the same time, he does prefer to be serious most of the time. This means a lot to him and he’ll make sure you know that. He’s also gonna get a bit exasperated if you don’t seem to be taking it as seriously as him, or if you’re too into jokes and giggles for his liking that day. Probably will try and shut you up one way or another.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
(Ughh okay so the idea of Kakashi with a silver happy trail leading to a messy shockwave of hair down there really does things to me okay, I’m sorry, I’ll see myself out)
Okay so… Have you seen how Kakashi manages his hair? Spoiler alert: he doesn’t. I don’t even know if this man owns a hairbrush. So I can definitely see him not being assed about shaving his bush. It’s probably kind of wild, or at the very least more on the unkempt side.
But then again he’s assed enough to keep his face clean shaven so he can wear his mask, so maybe he does, like I do head canon that he’s a very clean person and he probably feels like it is a *bit* cleaner that way but I’m leaning towards nah he just leaves it alone, but will trim it from time to time when it gets too wild or if it bothers you. I do think he probably has slightly more body hair than you’d expect tbh, but his hair is so light especially against his complexion so it’s not really noticeable. Oh and obviously, the carpet matches the drapes. (Idk why this made me imagine Kakashi with a ginger bush..  LMAO there’s a thought)
I = Intimacy (how are they during the moment? the romantic aspect)
It does depend on the mood between you, what kinda day he’s had, what position you’re in etc but he places a lot of value on sex in your relationship, for the intimacy and emotional bonding, not just the physical pleasure. So there are a lot of times where he’d be super intimate. Kakashi’s a man who chooses his words and actions very carefully in normal life and during sex he allows himself to let all that go. His actions really convey the depth of what you mean to him, what being with you like this means to him. He’ll hold you close to him, running his hands all over your body just to feel you everywhere, kiss you everywhere you can whilst he moves, bury his face into your neck, breathe you in - he just is very overwhelmed by this and there are times during your most intimate moments where he’s so in awe and so happy that he could die right there.
That being said, if he’s fucking you over his desk in the hokage’s office and it’s rough and fast, it’s a little harder to feel the intimacy and the romantic connection. Still, it is underlying every moment between you too. You’re the only ones that see these sides of each other, and make each other feel that way, and he really values that. He’ll still make it feel tender somehow and not just mindless fucking (no matter how blank he makes your head feel)
J = Jack off (masturbation headcanon)
I don’t see him as being a particularly frequent masturbator tbh. He strikes me as disciplined and he can probably go a while without it, especially if he’s busy, but more than just that, he kinda sees it as an inconvenience he just has to do sometimes? To blow off some steam, or when he’s not had sex in a while or something got his mind racing and it’s a distraction because he literally can’t think about anything else. He’ll probably use his books, but he prefers to use his imagination tbh, though the books can start as a seed for that.
He also doesn’t like having to put too much effort into jerking himself off? He doesn’t like to overcomplicate things when it comes to his sex life, and especially when it’s just jacking off.
He just kinda wants to get it done so he can move on to something more productive or fall asleep or something. So he’s just happy to pump himself off until he gets there.
K = Kink (one or more of their kinks)
Okay here’s where I’m gonna lose some of you.
Kakashi’s just not that kinky. Or maybe not kinky by tumblr/fic standards. Like I said in the previous head canon, he just does not see the appeal of making his sex life more complicated than it needs to be and his kinks aren’t gonna be too crazy. He just wants to feel good with you and he’s not that difficult to get going. With that in mind, here are some things he likes:
Spanking ;)
Teasing
Face-fucking
Dirty Talk (to a point, anything too stupid sounding or too dirty might make him laugh or take him out of it…)
clothed sex (where you are so horny for each other you can’t even wait to get undressed properly)
semi-public sex (he would hate the idea of actually being seen but the idea of *almost* being caught is kinda hot to him, not that he’ll ever let that happen if he can help it),
body worship (is that a kink)
LIGHT dom (I’ll mention it more later but he’s not too extreme into this stuff, but if you call him Hokage-sama or captain he might get a little too into it… not that that’s bad) I heard someone call him general during the war arc and that shit SENT me
he maaaay do a a threesome with shadow clones (either two of his if you want that, but two of you seem kinda hot… that being said, this might delve into that ‘making things too complicated’ so Idk, this might just be hot to me cuz I would like two Kakashis to rail me and I do think he’d enjoy it if two of you focused on him),
L = Location (favorite places to do the do)
The bed is fine but that’s really what he associates with either morning sex, or romantic, intimate lovemaking type stuff. When it’s more raunchy and playful, he really likes bending you over stuff tbh, his desk, kitchen counter etc most surfaces work well. He likes the shower too. Also, one time you both were just so hot for each other and didn’t make it to the bed and went at it on the hard floor and it was so wild and rough.
But he really loves fucking you up against walls, doors, mirrors, etc, Wall is his favourite, it’s just so intense and he gets animalistic and yeah it’s so good.
WAIT, how did I forget, sex in front of the mirror?! This is something he enjoys more with a more flustered or shy s/o who’s not used to looking at themselves. I have been thinking about writing something for this
M = Motivation (what turns them on, gets them going)
Kakashi’s more on the traditional side in terms of what he likes but it’s really not that hard to turn him on. He loooooveeees when you wear lingerie for him, anything pretty and lacy but also stockings and all that. But then there’s something about when it’s simplistic too, like when you’re just wearing his shirt and nothing else? That’ll get him going too. But yeah, plz surprise him with a sexy outfit when he comes home from a long day of work and he’ll love you 5ever.
I dunno why I’ve always thought this, but I also think he’s turned on by subtle, understated signs of femininity? It’s just such a contrast to what he’s used to and he really appreciates it and is just mesmerised by you tbh. It’s things that are natural, the way when you sit down your hips get that crease where they meet your thighs, you might sometimes look down when you smile softly, the way you walk, pretty hair. If you have a really classical, elegant/sophisticated kind of style he loves that. Kinda hard to explain what I mean with that but like, say a dress or skirt that shows off your curves but isn’t too revealing? It really gets his mind racing. That make sense? (No worries if that’s not your style either, like I say, it’s not that hard to turn him on) But I also think he kinda likes when you wear jewellery? Like nothing too ostentatious but if you’re naked beneath him and the only thing you’re wearing is a necklace or some fancy earrings he just thinks you look so beautiful.
He also likes the comfortable, gentle teasing and flirting in the conversations you have, the jovial aspect to them, the connotations they carry. You could say one comment and not mean a whole lot by it and it might get his mind racing. He’ll think about you all day.
I mentioned before but offering to massage his back/chest/shoulders is his favourite, and if you kiss his jawline or neck even innocently it might not be innocent for very long ;) just when you’re generally affectionate and gentle with him.
He’d definitely enjoy it if you were confident, but I also feel like he’d like a shyer s/o too? If you were a little easier to fluster than he is, he finds it much easier to be confident and make you feel that much better ;) he likes making you blush.
N = No (something they wouldn’t do, turn offs)
Okay, here’s where I’m definitely gonna lose some of you. But hang with me.
Short version: He doesn’t really like BDSM, be nice to him and let him be
Long version (I’m sorry guys):
By the time Kakashi’s in a loving relationship with you, he’s shown you his vulnerability and he trusts you, and he’s happy to try things within reason, but he has boundaries. And he expects you to respect them, just like he respects yours. You’re gonna frustrate him and make him close off if you’re wanting to push him to try new stuff or go out of his comfort zone. He can be set in his ways. If he doesn’t want to, he doesn’t want to. So if that’s not cool for you, that’s a turn-off.
He’s not into role-reversal. This is a tricky one to explain (and I’d explained it better in my first version of this that got lost to the void but alas this is where my memory is getting hazy), but though he’s a man with a lot of power and responsibility and control, these things aren’t necessarily things he’s insecure about or that come unnaturally to him. They’re not a persona or things he’s necessarily putting a lot of effort into being. He just is. He’s self-aware of his own abilities and strengths and he’s very a-matter-of-fact about them. I guess what I’m saying is, the more masculine attributes of his personality and demeanour that make some people say he’s DaddyAF and others say he’s probably not like that sexually, are just who he is naturally. He’s not putting effort into being these things and does not see the appeal of working to reverse this in the bedroom, or better yet, doesn’t really understand it. It’s way more effort for him to do that than it is for him to just be who he is. I could go way more into the psychology of this but this thing is long enough already but part of that accepting him for who he is is just letting him be. I’m saying he’s in no way a sub, basically.
But he’s not a huge dom, either. He’s actually really not into anything hardcore when it comes to dom/sub or bdsm stuff like at all. Like he’s not gonna be your daddy or your master or anything like that. He really values ease above all else and is happy to just enjoy the two of you and your body without adding extra layers of extreme power dynamics and kinks on top of it. He’s happy to be more on the authoritative side, which is why I say light dom, and it’s more natural for him to take the lead, but he’s not thinking about it too hard. I also don’t think he’d be averse to some mild power play - in that mean he likes it when you get a little cheeky, tease him, you can make fun of him, there’s a bit of cat and mouse between you, but if you’re too much into control or power that actually might bring out his rougher dominant side a bit more than normal. Don’t get me wrong, he’s not incapable of lying back and letting you do your thing.
…But he is still a bit of a control freak at heart and he doesn’t want to feel like something could go wrong, so if you make him feel like he can’t do anything about the situation or having no control at all is likely gonna be a bad experience for him.The other thing is that Kakashi doesn’t feel like he’s had control over his life where it counts, and he still feels pretty shitty about himself a lot. He’s not gonna wanna relinquish all control during his sex life, no matter how much he trusts you. He’d hate feeling completely passive, and if you humiliate him you’re just gonna make him feel shitty. He doesn’t wanna humiliate you either. So what I’m saying is, he’s just not into femdom or extreme male sub stuff or anything like that, sorry not sorry. He’s felt shitty enough in his life for you to turn it into a kink. He’s a pretty chill guy, but he still has his comfort zone, and he trusts you enough to be vulnerable, don’t take advantage of that. Be kind to Kakashi Hatake 2020.
With everything I’ve said so far, he’s never gonna let you peg him. It’s not something that really appeals to him visually or psychologically, plus any kind of receiving anal stimulation is just not really his thing. Leave Kakashi Hatake’s asshole alone 2020. Also, he doesn’t like the plastic/artificialness of toys in general, he’d much rather genuine skin on skin contact and feeling your body and you his, and just yeah you having to use toys on him will turn him off or seeing you in a way, that’s you know, not you, with an artificial appendage is just, a big no for him. Probably has the exact opposite effect you’d want. 
He’d also never wanna hurt you, or be into you hurting him. If it doesn’t trigger his PTSD or his tendency to self-loathe like all the other things I mentioned, he’s been getting hurt his whole life so he’s likely not gonna enjoy this in the bedroom, it’s either banal to him or a complete turn-off at the least. He’s self-aware enough to know it’s not gonna be the healthiest thing for him to sexualise it. He’s also hurt too many people to do something that could potentially hurt you, so no weapons, ninja techniques, things like that. I don’t think he’d even be into choking you. He just wants to relax, and enjoy himself and being with you in a way where he can feel safe, but not passive, and he loves having a partner that can allow him to do that.
So a partner being too dominant to the point of making him feel shitty and weak would be a turn-off, or just generally one that’s impatient or unkind. You’ll need to be empathetic and warm to get anywhere with him anyway, or at least you’ll struggle otherwise. Also, he wouldn’t ever want a threesome. It’s taken so much out of him to build up trust and intimacy between you, he’s sure that introducing another person, even if it’s only a one time thing, would ruin it. He also doesn’t want anyone other than you to see him in that way, or vice versa.
O = Oral (preference in giving or receiving, skill, etc.)
So I don’t know why but I feel like Kakashi sees eating you out as such a special, intimate act? It’s a big deal, and this is something he probably wouldn’t do with someone he doesn’t have a strong connection to, or not as much. But when he does love you, your responses and the whole act are just mesmerising to him. Maybe it’s how vulnerable delicate you seem, how your moans are more gentle and delicate compared to when he’s fucking you, how he’s up and close against your most private parts, how he’s the only one that sees you like this… It really gets him going tbh, but it also takes a lot out of him? It just ends up meaning more to him than a blowjob might mean to you. So he might actually end up receiving more than he gives, despite the fact that he enjoys it and is very good at it. I don’t mind I’ll suck his dick 25/8
Like most men, he’ll be putty in your hands if you give him a good blowjob. It’s one of those things that never cease to amaze him or drive him crazy, no matter how many times you’ve done it, the sight of you on your knees, sucking him down. He’ll feel guilty but he face-fucks you sometimes, and it feels amazing, but he honestly might let himself get carried away. So he’ll sometimes grab your hair or clench his fist instead, otherwise he’ll just try to gently guide your ahead along sometimes. His moans during blowjobs are also damn hot as well. Like guttural groans and moans, he’s louder than normal.
P = Pace (are they fast and rough? slow and sensual? etc.)
Depends with Kakashi! Whether it’s a quickie, the position, where you’re doing it. He has a penchant for slow and sensual though. He wants to savour you, the sensation, the moment, the sights, everything. He really wants to bask in the intimacy of what’s going on and go as deep as he can and take his time. He likes taking it easy.
But there’s always gonna be moments where he can be pretty damn animalistic and rough and he’s pretty good with that too. Though, where he has the time to do so, he likes to build up to it? Occasionally he’ll be too pent up/frustrated or too short on time to really do it but like if time and space allows he doesn’t wanna start ramming into you like right away, he wants you to adjust, and will slowly fuck you until you’re really want it as crazily as he does.
Q = Quickie (their opinions on quickies, how often, etc.)
He likes a good quickie, or rather, they’re his only option sometimes. He’s a busy guy who can’t always plan his schedule, and this goes tenfold when he becomes Hokage. So whilst his favourite will also be something longer where he can take his time and enjoy your body, you’re gonna have to accept that there will be periods where all you’ll get is quickies in his office, or in the morning before he has to leave.
R = Risk (are they game to experiment? do they take risks? etc.)
So despite all that stuff I listed about all the things he won’t do, he’s willing to try a lot of stuff with you. He does enjoy experimenting and he thinks it’s fun and brings you guys closer together, but within reason. He doesn’t wanna do anything too complicated or too strange by his standards, but he’ll be up for new locations, new positions, and he is risky in the sense that he won’t mind doing some stuff in public, or semi-public at least.
S = Stamina (how many rounds can they go for? how long do they last?)
So it’s definitely better when he doesn’t have his sharingan constantly sapping his energy anymore, but not to the point that you really noticed there being a problem before. He just puts a lot of effort and concentration into not cumming before you, and he’s pretty good at that. Depending on how pent up he is, he can last a decent amount of time. But if he has lasted quite a long time, when he finally does cum, he might not be in the mood to go again.
I see him going for like, one short round and one long one. Or if it’s shorter his recovery time’s pretty decent. But if you get ever happen to get three or more rounds of him in one go you should definitely praise him or take care of him cuz that’s pretty difficult and his dick might be broken for the next few days.
The only time his ability to hold back his orgasm goes to shit is when you’re having his way with him by riding him or sucking him off. You’re just too good have mercy on him But he’s better able to control that stuff and slow down and take breaks when he needs to when he’s the one leading things.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
Nah, this harkens back to the whole thing about him not wanting to overcomplicate things and just have fun without thinking too much. He can’t be assed with toys and won’t use them on himself. I also mentioned earlier that he doesn’t like the fakeness/artificiality of toys, just the gimmicky-ness of it, the plastics... Nah. He wants to feel something real. Besides it’s canon how crazy this man’s physical skill is, his hands, his fingers… He’s completely satisfied with just his hands. And you are too
If it means a lot to you, he can use toys on you. But let’s be honest I really don’t think you’ll feel the need.
U = Unfair (how much they like to tease)
Kakashi is a little shit, we all know this. He loves to tease and edge, and he just loves seeing how frustrated you get, your scolding, knowing that you still can’t make him do anything he doesn’t want to do, your annoyed little whines and huffs… But he always more than makes up for it later.
He is so bad at receiving teasing though, he cannot withstand as much as you can, which is lame, considering how much he can put you through.
V = Volume (how loud they are, what sounds they make, etc.)
He’s not that loud, though there are times he can be. When he’s getting close to cumming, when he finally does are probably his loudest. But generally, his noises are so so nice. He makes soft little grunts and pants mostly, but he’ll growl and groan, whisper your name.. But sometimes you can get a semi-loud moan out of hiim and omg it’s so so hot.
He’s a little louder when he’s tired, or first thing in the morning? He’s more sensitive. When he’s not having to concentrate so much or think too much about what’s going on, he’ll get a little louder. He’s also louder when you’re riding him than in other positions.
W = Wild card (a random headcanon for the character)
You know what I’ve gone in so deep with this head canons that I can’t think of a random one and I can’t remember what I wrote yesterday.
So Kakashi really appreciates just physical contact with you, wherever it might be. It doesn’t necessarily need to be sexual either but it makes him feel at ease. I said this already too, but Kakashi loves the comfort of just being vanilla. Nothing special, nothing elaborate, no gimmicks, just him on top of you, with your legs around his hips, as he drives into you. It’s literally just you and him in the world and that’s all there needs to be and nothing’s ever felt more right than that.  
X = X-ray (let’s see what’s going on under those clothes)
It’s canon Kakashi is big need I say more. Okay I’ll say more. So it’s pretty long and thick. It’s not like monster huge but he’ll definitely take some adjusting. Probs uncut, and the same girth all the way down. Also kinda veiny, there’s some big ones on the underside. You’ll definitely feel him throb inside you.  But his body is nice too, but we been knowing that. He’s lean, and muscular, but in an understated way. He also has really nice legs? Like his thighs are good. The only time I saw his legs was in ep 101 of og Naruto but I was very pleased tbh. Like they’re well-trained but not crazy muscular like those men who work out a lot get… do you know what I mean? The round calves and stuff? He doesn’t have that. He also has a very nice ass. Gets flustered if you stare at it or slap it. Please do though his reaction is so cute.
Anyways, back to his dick, the colour is slightly darker than the rest of his body and the tip a tad darker than that. I remember seeing a picture on twitter and omg I couldn’t like it cuz I need some semblance of keeping my twitter professional but omg I saved the link, this is it though, the artist gets him perfectly.
Y = Yearning (how high is their sex drive?)
It’s high but nothing ridiculous. He’s controlled enough where he can go a while without it, but this is harder once he has a partner.
Once you guys have settled into each other and grown comfortable, he’s probably up for it 3-4 times a week, but depends on you and both of your schedules too. Sometimes it’s more, sometimes less.  But he’s a busy guy and has tons of things going on so as much as he’d like to, he can’t think about having sex extremely frequently. He’s also gonna have periods where he physically can’t see you that much, so the times you do see each other might be spent having sex so it might feel like it’s crazy high, but it’s more that he’s making up for lost time.
As he gets older his sex drive does decrease slightly, but not by much tbh. He’s very adaptable to your needs too. If you wanna fuck a lot that’s all great but if it’s like twice a day every day then calm down dang you might need to satisfy yourself. But if yours is a lot lower than is, he might struggle, but eh, he can manage.
Z = Zzz (how quickly they fall asleep afterwards)
Sex definitely depletes him and makes it easy to sleep, but he’ll normally wait for you to fall asleep. It’s a control thing and a protective thing, but he just feels a lot better about sleeping once you’re already there dozing off in his arms, and after sex is one of the rare times where he feels relaxed enough and his mind is empty enough where he can get a good night’s rest without any issues.  
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grandinventor · 4 years
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At the risk of sounding like a Jindosh apologist here (I am.) I will preface that Jindosh is a bad guy, he has either killed people personally or got them killed for experiment purposes by his Clockworks and has dissected the dead so he is not good, he is a villain, I acknowledge that.
Now with that out of the way I wanna criticize the narrative surrounding him and his mansion and how it sometimes falls flat on it’s face trying to demonize them thanks to a lot of points my friend @divaythfyr​ brought up. I’ll put all of that below the cut:
Yesterday I was told this line and I won’t lie it is...bad. Line in question: 
Billie: "His home is supposed to be full of marvels. Locals go in as a test of courage, or because they're desperate for a meal. Kids, even. People say you can hear them at night, pounding on the windows, calling for help."
But because I couldn’t live with the idea that he kills children you know the simplest villain demonization tactic in writing history (kick the puppy, kick the child whatever) and I think it’s pretty cheap to try and make him worse than Sokolov, I talked to the Jindosh apologist committee and thot about it so I’ll go over this line by line. 
1. "His home is supposed to be full of marvels.“ - Okay but isn’t his home also supposed to be scary? Isn’t the whole “Why would anyone build a scary mansion like this?” line from Emily/Corvo as they enter supposed to tell us that this is a scary place? Which is funny because in reality the mansion itself isn’t scary at all, in fact it’s extremely logical in the way it unfolds and exposes the rooms. It’s perfectly functional and as someone with a major in architecture, I can say it’s the best designed house in terms of organization in the game. There is no way to die in the mansion unless the Clockwork Soldiers and the guards get you - which goes for literally any important/rich person’s house? You walk in someone’s house uninvited and their guards get you. You can die if you get behind the walls but it’s extremely difficult to do so especially in the places where you can get squished. The house itself is completely harmless. So the whole idea from Jindosh’s end that it’s a maze is stupid on it’s own too, the house is perfectly logical and Stilton’s manor is an actual maze because I got lost 10 times in there. 
2. “Locals go in as a test of courage, or because they're desperate for a meal.“ - okay first part is correct people go in his house to either steal, test their skills or kill him. He says as much himself. He says fabled thieves and assassins died there. Again probably from his guards and Clockworks since you can’t die from the house in any rational way. And then he dragged them half dead or dead in his lab to dissect them. He has a fascination with watching people die because he is like evil and a villain like that. Which brings me to the next point which is:
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There are only two ways to get in his mansion without powers. There is the bridge below which is broken and the railway which is guarded and has a Wall of Light on the other end. So how will anyone that is not prepared with a grappling hook or some kind of way to close this gap gonna get in? How is your random average person gonna go in? And most importantly why? Do people just walk in aristocrat’s houses and expect not to get out in a body bag or? 
Besides he has a) a lot of free food and drinks in the lobby which is his threshold as to how far you are allowed to go so if someone wanted food they can just walk in and take it and leave (after you know, scaling a mountain for whatever reason because there aren’t easier houses to steal from) and b) he has an audiograph, because I am sure he assumes people can’t read, which tells you “Do not enter or you will die and I will dissect your remains and this is a promise.” Like why add a warning if you wanna lure people in? Unless those people think they can outsmart him so they come with intent and not just because they need food/shelter. Also he has food right next to that audio. 
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3. “Kids, even.“ - okay this one, the scary line. I won’t lie this made me uncomfortable. So like if we assume that normal people can enter by normal means (which in point 2 is clear they can’t unless further elaborated by the game on How? and Why?), a child going in as a dare and dying is possible. Billie after this line goes on to say that she saw a child dare his brother to touch the wall of light which vaporized the child, so the implication is possible. It’s possible a child went in his mansion as a dare and bad things unfolded. It’s also equally possible that it didn’t. We know of adult men dying because we see the bodies. For this one is just a rumor. You can take it either way depending on how you feel about Jindosh. It’s very unlikely a child would get this far though, unless this was some kind of Disney movie. Also Jindosh wouldn’t personally have a reason to kill a child you know, like I know it’s the easiest “this villain is super evil!!!!” writing tactic, but he had a pretty shitty childhood, he felt hated by his mother and probably wasn’t treated so nicely by his (bastard) brother. He likes to exercise his lack of control during his younger years by having control over other people through his house and toying with them. He is very childish in a sense too (with his toy house and toy soldiers), and because of all of this I truly don’t think he would kill a child. He wants a real challenge and to test out his machines and his house against the best and smartest Karnaca can offer, not children. Though my opinion here can be highly biased. 
Also many children can casually pull 6ft tall levers I’m sure--
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4.  “People say you can hear them at night, pounding on the windows, calling for help." - we know people have died in the mansion and they have been crying for release, as he says so himself. But again the above points kind of challenge as to who these people that died inside were. However because you know I’ve been playing with his mansion for four years cause I am a dumb hoe, I can say that there are very little windows. In fact the majority of windows that aren’t blocked off by the cliff or the mechanisms are around his laboratory.
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 Now yes people could go there and bang on them sure. But they literally...face the lab and chances are no one is gonna hear you bang on that side. The other windows not facing the lab are in the foyer where...you are allowed to be and nothing is gonna happen to you. 
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And the windows that actually face a side where let’s say someone could hear if someone was banging are the windows on the front of the house. Only the thing is, there are no windows on the front of the house except in the foyer. 
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Here are the buildings from across his mansion which I guess can maybe hear if someone was banging on the windows. But again no windows on the front of the house. 
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The fake windows is where the mechanism for the ceiling over the gallery in the upper hall is. The one that kinda extends and unfolds from there. So isn’t entirely possible that the banging and screaming or whatever people heard is just...the mechanisms of his house? The scary evil child killing house? Which is actually moving and making a lot of noise at all times?
So in conclusion? Yes, Jindosh is bad, he has no regard to human life, he divides society as innocent bystanders and criminals. He does dream of an army of Clockwork Soldiers to eradicate all crime. Be, he isn’t a senseless killer, it’s his neutrality and fascination with death as well as his black and white thinking that makes him dangerous. He doesn’t see people as human. In the majority of cases we know of (except one for some reason? That cursed baker who got his brain fried why did you have to do that Jindosh!?) he experiments on people who he deems criminals without sympathy. Also in situations where he thinks it’s justified - breaking in to steal from him or hurt him, the Blade Verbena, prisoners that can actually provide a learning experience for his Clockworks and Sokolov. He doesn’t go kidnapping people off the streets to experiment on them. 
And despite his evilness being completely logical, the whole game tries to paint his mansion as this big puzzle and trap when in reality it’s...really just a house. The level design is beautiful and amazing but I think it doesn’t really carry the point as strongly simply because it’s not any more dangerous than any other mission and it’s just more fun when it comes to gameplay. The design is great but it never gave me the feeling of it being a horror house. So I think that demonizing Jindosh through hearsay instead of through his actual mission is a bit of a weird choice. A lot of things don’t reflect how evil he is, but not in the good way of “The Grand Inventor doesn’t seem evil but he is.” and instead you get it hammered how evil he is from the start without actually ever experiencing a climax of his evilness you wouldn’t expect. It’s not that every story should have a twist, but usually when you say someone is evil, you either make them good at the end or even more evil. Jindosh never has that climax, he is the same start to finish and that is... mildly annoying and slightly threatening. Like his level is pretty but not scary and they keep trying to convince you it’s scary which makes it weird which I guess is because if you listen to a lot of his unused lines and old concept art, he was supposed to be this stereotypical mad scientist but in the end they changed his visual design and lines so much he comes off as lukewarm. I understand what they tried to do with Jindosh but I feel like they failed to do it and had to rely on everyone saying he is super irredeemably evil to justify lobotomizing him.
Anyway this post is too long, sorry if the read more doesn’t go through somewhere and please feel free to counter my points I am open to different and non biased views (or even information I might not know because I haven’t read the books or found everything). 
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iheartbookbran · 4 years
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1/ Okay, this is going to be a bit of a long reply, but do you honestly think Jaime is comparable to Cersei? Cersei has never done a single good thing in her life, has been murdering kids since childhood, and hardly regrets a thing. But Jaime? Like, pre-AGOT, what great crimes has Jaime committed with Cersei, besides incest? It’s pretty clear from Cersei’s POV that she’s been acting autonomously on everything besides conceiving Joffrey. Jaime hasn’t been involved.
2/ Getting into ASOIAF, Bran: yes, totally unforgivable, but a classic trolley situation in which GRRM states most people would do the same. And Jaime has said he’s ashamed in-text, more on that later I presume. Arya: his absolute lowest point, and he acknowledges it as such. It comes at a time when he’s practically out of his mind following Bran, and disturbs the hell out of him later. But hold him to account for sure, this is the closest he ever gets to being like C.
3/ Baby Tully: personally, I think it’s pretty clear in-text that Jaime isn't going to do this. If you look harder at Jaime’s whole relationship with bluffing, the way bluffing is being discussed in these chapters, and Genna, an insightful character, saying Jaime is NOT like his father, it becomes obvious that this is just an ugly attempt at imitating Tywin, complete with trebuchet. It’s dark to threaten this at all, sure, but Edmure is expecting dark so Jaime serves it.
4/ Slut-shaming Cersei - I mean, his thoughts are pretty fucking unpleasant, but… he’s human? This woman has cheated on him, multiple times (and not just as a means to an end, see Taena) whilst asking him to throw away his entire life since he was 15 to remain loyal to her. But sure, let’s just call it slut-shaming lol, Jaime should obviously be proud of Cersei and support her in fucking whoever she likes?
5/ Jaime and consent: GRRM is appalling at writing consent, I totally agree (look at Asha and Qarl)… but he has outright said that the twins’ sex is consensual, whether it looks it or not. You are going to have to use death of the author here if you want to argue that it’s anything otherwise, but by all means call GRRM out for his bad portrayal of it. Tysha: Jaime already knows he was wrong, and it’s plagued him his entire life. But let's not hold him accountable for his dad's extremes.
Oh boy, ok, let’s unpack all this, shall we? Honestly if someone had told me even yesterday that I’d be reciveing Jaime anons out of all the characters, I wouldn’t believe them. Because, again, I’m no renowned Jaime expert and my investment in him extends to... he’s interesting alright, I hope he stays alive long enough so that Bran gets to fling some shit at his face at some point or another in the next two books, but that’s really it.
1. So on the “Cersei has never done a single good thing in her life, has been murdering kids since childhood, and hardly regrets a thing. But Jaime?” part of your ask. I don’t believe there’s much difference on when someone starts committing crimes and it makes it somehow less bad of you don’t begin in your childhood, Jaime could have been attempting to kill/maim children at 13 or at 33 and guess what I would still believe he’s an asshole for it. He’s made choices that involve harming others in the name of maintaining his precious affair with his sister and upholding his family’s crimes, and it doesn’t matter to me when he started on it. This is not a fucking “evilness” point accumulation and Jaime doesn’t get a pass just because Cersei got a head start.
2. “Bran: yes, totally unforgivable, but a classic trolley situation” Sorry, nonny, but did you just compared Jaime pushing Bran from a window so he could continue with his toxic relationship... to the fucking trolley problem? WTF? Jaime, a goddamn adult with critical thinking skills, chose to continue that affair for years and years while having full knowledge of what the consequences of being discovered could be. He chose to be reckless and take his chances anyways. He was between the sharp object and the hard place because he chose to put himself there, and he doesn’t get to say “well I had no other choice” now because he fucking did, for years, he had a choice, and he went ahead with the most selfish one and when the consequences of his actions almost caught up with him, he again choose to be a selfish jerk and harm an innocent bystander, a child, that had no part in any of it. And you could argue that he did it to protect his own children but lmao, Jaime really doesn’t care that much about his children, lbr; just remember how he thinks of Joffrey. Cersei never gave him the opportunity to connect with them that’s true, and he only starts to bond a little with Tommen during aFoC, but I just think that if Jaime truly, sincerely, cared that much about his children’s well-being he could’ve oh idk stopped having sex with his sister??? Instead of being in a position in which he has to ruin a little boy’s life so that he can go on his merry way, even if he feels bad about it, that will never be good enough for me. Jaime had a choice, Bran didn’t.
3. “Baby Tully: personally, I think it’s pretty clear in-text that Jaime isn't going to do this.” I mean, given Jaime’s track record of shoving children from windows so that he can cover his and his own family’s ass, I’m not so sure about that, but fine, that still doesn’t mean that threatening someone with killing their baby so that they will submit to your will any less of a jerk move. I also think you’re kind of missing the point: Jaime here wants to have his cake an eat it too. He tells himself he’s upholding his oath to Catelyn (he really isn’t) while at the same time siding with the fucking Freys and aiding them, he’s basically giving legitimacy to the Red Wedding, the one thing most people agree was a hideous unforgivable act. I just think that if I make the active choice to defend and side with criminals, then I’m not less of a criminal myself.
4. Lol, I made that slut-shaming comment with a clear tongue-in-cheek intent, I obviously know their relationship at present is far more complicated than that, and I do think Jaime has the right to feel betrayed, I just also think that Jaime has this tendency of glorifying Cersei without actually truly seeing her for what she is. At times I almost feel like he considers her the fair innocent maiden to his noble knight, and that’s a big farce to both of them. When Cersei inevitably fails to live up to his expectations he’s shocked, as if he hasn’t known her all their lives.
5. “GRRM is appalling at writing consent, I totally agree” yes of course, he’s the same guy who considers Dany/Drogo consensual, that doesn’t mean I can’t still call it out and see it as a flaw. But even more than that, as you say next: “Tysha: Jaime already knows he was wrong, and it’s plagued him his entire life. But let's not hold him accountable for his dad's extremes.” like, again Jaime recognizing something is wrong and feeling bad about it doesn’t magically absolves him of it. Of course he’s not responsible for his dad’s fuckery but he’s guilty of withholding the truth from his little brother, whom he claims to love, with the full knowledge that it was an extremely traumatic experience for him, and that it had plagued him all his life, while patting himself on the back thinking that’s the right thing to do, and Jaime rationalizes it believing that of course Tysha couldn’t possibly care for Tyrion, so she was doing it for the money, which makes her no better than a whore (because Jaime, too, can be a misogynist UwU). You know, Tyrion has a lot of bad going on for him, but my god he’s 100% right in being furious with Jaime in this situation.
Like as you said, Cersei’s big problem is her lack of empathy, but Jaime’s is his apathy. With some big exceptions like when he killed Aerys and protected Brienne, Jaime’s apathy towards what he fully well knows is wrong and yet choses not to do anything about it is my biggest qualm with him. It’s something I believe GRRM is working with his development, but so far as the story goes, he hasn’t really made any significant turn, so I’m not giving him a gold star for participation. I mean, I realize that I’m the minority here when it comes to my opinion of Jaime, and maybe, nonny, how you and other fans interpret him is how he’s meant to be interpreted, but I don’t care lol. Writing this made me remember what GRRM said...
“Sometimes he felt like showering after writing a chapter about Cersei, though, as her world-view is quite unsympathetic.”—In this article.
I honestly wonder why he had to take a shower for Cersei torturing people (who yes, is a horrible evil person, I’m not trying to defend her), but not for Tyrion strangling a woman or Jaime crippling a child for life, but oh well ¯\_(ツ)_/¯
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amaya-chwan · 4 years
Text
Takeaways from Therapy Game: Restart Chapter 09
HELLO FRIENDS! And we’re back at it again with chapter 9 featuring our favourite dorks, Shizuma and Minato! ❤️💛🎉
Sensei was kind enough to post the first page of this chapter on her Twitter!  🥰😍😘
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“I thought you understood, but men who fail to keep their promises deserve punishment, okay?!”  --- The text next to Minato.
That’s just 🔥🔥🔥🥰😍🔥🔥🔥
Let’s get right into the takeaways, shall we? It’s a shorter chapter this month, but it is very focused on Shizuma’s residency journey while juggling his house hunting schedule with Minato, and with that, a lot of dialogue. There was also a lot of technical terminology I had to keep looking up ;A;
In this chapter:
Minato is an angry, scowly boy when Shizuma doesn’t keep his promises!😭
Poor Shizuma, he’s torn between keeping his promises and his work. 😭 😭 But I’m proud of you, Shizuma! 👏👏
Minato, my son, I am glad you are getting the simple happiness you deserve! Your patience really is a virtue! 🥰😍❤️
Onodera... really lacks person skills. Is she a recluse? Or someone with poor social skills? I hope we find out?? And she honestly... is so stoic. I cannot read her at all. 😅😅
SHIZUMA, I CAN FEEL YOUR DEDICATION TO AND LOVE FOR ANIMALS THROUGH THE PAGES! You are so very capable of being a vet and I’m glad you are getting the experience you wanted and needed to succeed! ❤️🐶🐱🐹❤️
Also, your k*nky thoughts during work really bit you in the butt, didn’t it, Shizuma? 🤣
Shizuma’s smile makes everyone weak. 🥰
And that’s it for this chapter’s takeaways! For a more detailed breakdown/summary of this chapter, please continue after the cut! As always, I promise there is a surprise (or two) at the end!  😉✨
Our chapter begins with a grumpy Minato sitting in a cafe. The shop attendants peg him as a celebrity of sorts because of his good looks, even though his face is hella scary to them.
We find out that Minato is annoyed and upset because his and Shizuma’s house hunting date (set for Shizuma’s next day off) is cut short since Shizuma is observing an operation in the morning on that day. In a flashback, he tells Minato that he should be able to make it in time for their afternoon appointment.
In that same flashback, Minato recounts his plans to Shizuma of going to a hotel and having a quickie with Shizuma to alleviate his pent up frustrations before heading to their appointment. He then continues to vent his pent-up frustations on Shizuma, saying “Will you take responsibility if my desires reach their limit and explode during our private house tour?”
Shizuma is caught in a bind and really wants his surgery to finish sooner, to which Minato responds by saying Shizuma isn’t the only person who can do this surgery. Nevertheless, Shizuma knows this is an invaluable opportunity for him, and promises Minato that he will make it in time for their 2PM private tour. Minato, still looking a little annoyed, tells Shizuma that he’ll be waiting in the cafe in front of the real estate agency and to meet him there. He warns Shizuma that if he is even a minute late, he’s will go home and never house hunt with him again. Shizuma then promises that he’ll be there!
The flashback ends, and we realise that today is the day of their house tour. Minato is caught up in some “Super Narrow-Minded Time” and worries if he’s going to be all alone with a girl, only then to remember Shizuma openly confessing to his colleagues that he’s dating Minato and that there’s no need to worry.
Minato looks over at the real estate agency and, in deep thought, reflects on how he never thought he’d be living with someone and, despite it being a weird feeling to him, he didn’t think he’d be able to have such an ordinary, simple “happiness”. He smirks to himself and says that he should be nice to Shizuma when he gets to the cafe.*
The scene changes to Shizuma, who will be our main focus for the rest of the chapter. He is observing Onodera in surgery along with her brother. They go through what happened with their patient (i.e. the dog belongs to Onodera’s brother’s daughter. The doggo ingested skewers and it appears to have gotten stuck in the dog’s throat/stomach). While talking about the suggestions from the neighbouring clinics on how to treat the dog--trying to get the dog to vomit and if that doesn’t work, they’ll have to do invasive surgery--Shizuma, having encountered her brother before, didn’t know they were related at all since they have different surnames.
Her brother goes on and vouches for his sister’s amazing skills as a vet, cutely calling her by her name “Akira”, to which she clicks her tongue at him. They have some short sibling bickering afterwards, and Onodera then reveals to Shizuma that he’s mainly there to keep her brother in check (i.e. babysit) and not so much hands-on experience.
With Onodera’s brother being a chatterbox, Shizuma is unable to ask critical questions during the procedure and wonders why he is even there at all.
We then see Onodera extract all the contents stuck in the dog’s throat (?) without having to do invasive surgery. Her brother is overjoyed, but she is appalled that the dog ate so much trash and hair. She then tells her brother that she won’t be helping next time unless they take better care of their dog and their house (so the dog doesn’t eat so much dirt and trash). Onodera then tells Shizuma, who she again calls Iijima-sensei and not Ikushima-sensei, to clean up.
Fast forward a bit and Shizuma is happily looking after the dogs being treated at the hospital/staying overnight. There is a thunderous roar and two dogs approach Shizuma to be hugged, to which he obliges. Knowing he has a lot of time to spare and will make it to the appointment, he thinks back to Minato and wonders if he is afraid of lightning. He then thinks of some naughty NSFW thoughts, imagining an X-rated scene in which Minato is scared of thunder and lightning and that affects their love-making session (in a good way 😉).
Another thunderous roar is heard, much louder than the first, and the dogs are so scared, they wet themselves... and pee on Shizuma’s scrubs and pants. (Also, we find out Minato isn’t afraid of T&L).
Going to the locker room to change, Shizuma is being nuzzled by the dogs, who appear to be very apologetic to him. He awkwardly smiles while thinking that the dogs peeing on him was punishment for his NSFW thoughts at work. While changing into his pants (but not scrubs), Onodera walks in and sees him in his boxers. Very flustered, he tells Onodera she’s walked into the wrong room. She then takes Shizuma to get his clothes washed, all the while the awkwardness in the room continues.
Breaking the silence, Onodera applauds Shizuma for his work in the OR, thinking he’d be more annoyed by her. He then tells her that it’s all thanks to the teachings from Hayami-san and everyone else at the clinic and from Onodera during the operation earlier that day. Onodera comments that he’s getting along with everyone in the clinic, to which Shizuma responds with how things were off to a rocky start at first, the nurses were scary and hostile, but now they can talk and are even going out for flower viewing together.
Onodera reveals she wasn’t invited to that and hasn’t heard of it until now, and Shizuma just sits there feeling bad. He then invites her to join them next time for a drink together. But she just says all his efforts in befriending everyone at the clinic would go to waste if he does that.
Before Shizuma can react, an elderly-ish woman and her daughter hurrily enter the clinic with their sick dog. They are Nakajou-sensei’s patients, but it is her day off today, so Onodera asks what she can do for them while telling Shizuma he can go home. The dog has been in labour for a couple of hours and the last puppy hasn’t come out. Onodera berates them for not bringing their dog in sooner.
The women are taken aback, with the elderly one clapping back at Onodera, expressing her worries and inexperience in a situation like this. Onodera, with her lack of people skills, essentially tells her to be quiet, saying a C-section is the only option for them--a natural birth isn’t possible at this point anymore since the dog has been in prolonged labour and is exhausted.
The elderly woman, angered at Onodera’s stoicism and bluntness, says she will go to another hospital if Nakajou-sensei can’t come in. Before anything escalates any further, Shizuma comes into the room with the patient records and diffuses the situation. With his very personable approach to the women, he speaks to them calmly and introduces himself as he was with Nakajou-sensei during their last consult. He pets their dog, named Hana-chan and praises her efforts**, while also calming down the women, telling them he understands their worries while sharing his own dog’s birthing struggles, trying to build that rapport with them.
He explains that given their dog’s current state, it would be wise for them to reconsider taking her to another hospital and keeping Hana-chan here, vouching for Onodera’s skills and assessment as a well-experienced vet. He asks them to believe in Onodera. The elderly woman thinks about it, and then tells Shizuma she will leave her dog in their hands ONLY if Shizuma stays with Hana-chan the whole time.
Shizuma, knowing that he might miss his private house tour and anger Minato, is resolved to helping his patient and says he will definitely stay to help.
And that’s it for this chapter! It’s a bit of a long read again and we get a slightly suspenseful cliffhanger here... will Shizuma make it or not? Will Hand-chan safely deliver the last puppy in her litter? Will Minato see Shizuma soon? I guess we’ll find out in the next chapter! 🥰
Since Minato and Shizuma don’t really have a lot of panels together, please enjoy two little snippets from this chapter~ ❤️💛
(*) Minato, thinking in the cafe
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(**) Shizuma with his patient, Hana-chan
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THANK YOU AGAIN FOR READING! 💜 📢  As always, please support Hinohara-sensei by purchasing her books and CDs! 📢
The next chapter will appear in next month’s Dear+ (the December issue) out in November and the cover page will feature our adorakble pair! ❤️💛
🎉⚠️🎉 ALSO in next month’s issue, there will be a Therapy Game Mini Drama CD 🎉⚠️🎉 Sensei is treating us a lot this year!
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If you wish to order the magazine, I’ll be more than happy to let you know where I purchase mine, so please feel free to message me/comment here and I’ll let you know! 😁
As always, stay safe during these turbulent times and look out for each other and for your loved ones! 💜
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kendrixtermina · 4 years
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Assorted House of Feanor Thoughts
I wrote this as a reply to someone, but then realized that this should be a post of its own. 
Line between extrapolation, interpretation & headcanon is going to be fluid here
Long post under cut
The seven sons in general:
all moody, fierce, intense and brilliant, each in various different ways
none of them can really stand to be cooped up in one place for long
F R E C K L E S you will not convince me otherwise
Apart from the ones explicitly described as pretty (ie, Maedhros and Celegorm) they’re actually relatively plain by elf standards, or at least sort of rugged-looking, especially compared to their part-Vanyar cousins - I mean, figures that some would turn out more like Miriel or Nerdanel both of which were supposedly more average.
all are very resourceful having spent most of their lives helping out with their parent’s projects, exploring the wilderness, or (save for Celegorm) hanging out in Aule’s halls. Most can probably whip up a steampunk or magitech solution to basic war-related problems
Because of this they’re a very tight-knit group
growing up, they did not know many children their age; Ironically the most contact they had was with their cousins because Feanor paid semi-regular visits to Finwe. Apart from Turgon (and Orodreth if you place him in the second rather than the third post-journey generation) the cousins really dug the adventure stories. (Galadriel pretended not to be interested and offered plenty of critiques, but listened anyways)
more survival skills and just a lot more casual than your average princes
They’d all been adults for a good while by the time of the rebellion; the twins are a tad older than Aredhel, Galadriel and Argon; Caranthir and Angrod are about the same age. Curufin is younger than Aegnor.
They all look back at that trip to the lightless shore of the outer sea as a cherished family memory
Also I don’t think Feanor disciplined his sons very much after all his own father let him get away with everything. In his eyes the brats can do no wrong especially not Curufin and to a lesser extent Amrod Nerdanel tried her best to counterbalance this and it kind of worked on some of them, but the three middle ones were a lost cause
I think a lot of the weight behind the oath comes from how Feanor made them promise him to see it through on his deathbed. It was his literal last wish.
Maedhros:
The Leader™, the most strong-willed and the deadliest fighter by a huge margin. What the orc under your bed has nightmares about.
Obviously a very competent diplomat, strategist, and the sort to put constructive results over personal glory; resilient, formidable, unpretentious and tough as leather
but not at all overconfident, and the type who is not blind to the flaws of the people he loves. He knows very well that Feanor wasn’t perfect and does many things that his father would not have agreed with - at the same time he has a strong sense of obligation, honor and loyalty which turns out to be his fatal flaw in the end when being loyal and keeping his word  increasingly requires him to do dishonorable things
if there was a definite breaking point it was the fiasco with Dior’s sons
Stoic but courteous and eloquent; From Finwe’s death onwards increasingly grim, grizzled and not very hopeful, though he’s the sort to give his all and try to be noble even when there’s no reward or even thanks or respect.
Despite this, he has as a dry sense of humor and at times uses it to defuse tense situations or disarm people he’s negotiating with (see the scene with Thingol’s message) - does have a streak of gallows humor to him especially after the Thangorodrim incident
As the heir Feanor actually let him in on trade secrets and scientific speculation; Their relationship is probably the most equal; I do think Feanor was capable of actually appreciating that Maedhros got a mind of his own and isn’t afraid to stand up for himself. Feanor values independent thought, even if he’s not always good at really living that value with his tendency to take things personally and see others as taking sides for or against him.  
Can’t really craft stuff to the same degree without his right hand. He then focussed on more abstract/mental pursuits which were perhaps his forte, to begin with but it still bothers him more than he lets on, especially since he still retains, or swiftly regained, his skill at making things dead. 
He may or may not qualify as a cinnamon roll but he definitely looks like could kill you
Maglor:
Maedhros might have been the token responsible sibling, but Maglor was the understanding, comforting one and always had a nurturing streak - hence why he was the one to take in the kids.
Sensitive Artistic Type™ - goes from quirky and passionate back in Valinor to melancholy & tormented as the war drags on
one of those people who despair over & get self-critical over their work even when it’s regarded as masterpieces
Like Feanor and Miriel before him, he tends to get super absorbed in his work/art and just plain disappears for days
Now some ppl hold that he didn’t start having second thoughts until near the end, but judging from how he comes along to Fingolfin’s party or to hang out with Finrod, I’d hold that he was always ‘the nice/gentle one’, but not solely in a positive way; Unlike Maedhros he did not stand up to Feanor about the thing with the ships and indeed lets Maedhros talk him out of turning himself in at the very end, so he’s probably somewhat lacking in assertiveness
Even so, he’s probably one of the better fighters, given the difficult territory he gets, that he’s the one to kill Ulfang, and how long he survives. He probably feels ambivalent about this. 
I imagine him having an agility-based fighting style
Probably codified the heroic epos as a specifically Noldorin art form
Celegorm:
A lot of ppl focus on the barbarian aspect, but I’d say he actually has some degree of ‘subverted prince charming’ going on, with how he sweet-talks Luthien at first before throwing her in the dungeon, and how he seems to have been one of the more accomplished ones, joining a respected order and all
He’s actually pretty elegant and perhaps playfully gallant, but it’s a facade; He’s an animal underneath; though his instincts are probably somewhat nobler than what ends up happening when he gets roped into Curufin’s schemes
usually, the first to react and leap into action when something happens.
Herculean strength, daunting presence
also a fairly efficient general, if a bit of a glory hound and pretty fearless in the pursuit of victory
very much has an ego and doesn’t like being humbled at all
Strikes me as the sort of person who would take badly to the realization that they can no longer return to the glory of the past or being judged unworthy, not that he’d respond with anything but defiance
Wrestles giant monsters barehanded
Always low-key wished to fight creatures of darkness before the rebellion to test his might against them; Orome and the Maiar members of the hunt would have told stories of them
though he gets his pretty face from Daddy, his strong build comes from Nerdanel, possibly somewhat accentuated by his being a dude
Caranthir:
grumpy, moody, no filter, likes his alone time, shows his feelings mostly through actions, also somewhat pragmatic
the quartermaster; Actually one of the smarter ones, if not outright the second smartest after Curufin, though he has more a logistic/administrative sort of intelligence
generally one of the more prosaic, practical family members, or maybe he’s just more subtle about his dramatic side or has a harder time expressing it. Definitely has Hidden Dephts™
I mean, putting your hideout on the slope of a mountain near a deep, dark lake circled by mountains? Goth AF. A+ aesthetic there.
Hosts the family get-togethers at his fortress. Has most certainly shoved Celegorm and Curufin in the lake at some point
has a certain respect for strength, valor and skill even in ppl he doesn’t necessarily like; Not at all diplomatic or polite, but also not finicky or fastidious, so actually forged a whole lot of alliances on a “everyone’s money/swords are equally good and we don’t have to set conditions” basis and seems to have been pretty successful at this
started out haughty but definitely learned to be more open-minded/ broaden his horizon over his time in Beleriand - but as no good deed goes unpunished, Ulfang happens
Whereas Curufin and Celegorm can put up a noble veneer but will totally stab you in the back if provoked, Caranthir’s sort of the opposite, in that he’s rude and quarrelsome on first contact but has a good heart deep down (see the Haladin incident) and doesn’t keep grudges long term once he’s done grumbling where Celegorm is sore loser and Curufin a spiteful twerp.
though personally, I don’t see Caranthir as trying to reign himself in. He wouldn’t really be known as “the harshest” in that case. Who was gonna teach him to behave himself, Feanor maybe? kek. 
Curufin:
We have a lot of actual dialogue & description for him - he has this characteristic little defiant smile, is often coldly contemptuous in tone, some level of ruthless pragmatism
has mild/vague foresight - nothing as impressive as what Finrod and Galadriel have, but he has it more or less to the degree that Feanor did.
actually pretty insightful, thought-through and political-minded in some ways, too bad he shares Feanor’s tendency for unwarranted suspicion and factionalism, as well as a tendency to just act on his own without checking with anyone
always either filthy from work or fully blinged-out and impeccably groomed, no in-between
more calculated and subtle than Feanor - not that Feanor ever needed calculation or subtlety since he could get by on sheer awe or intimidation. Celegorm and Maedhros have that same quality in spades and Curufin’s a little bit jealous
Not actually that much older than the twins, but always acted older than his age, especially once he heard that Feanor was the same
collects weapons, loves fancy horses, the most traditionally aristocratic of the seven
Got married relatively young; saw it as a matter of honor to further his family’s line
continued his scholarly pursuits in Beleriand; this is part of why he elected to share a territory with Celegorm
The last Celebrimbor ever heard of him was a magically sealed box filled with research notes he sent out in case he didn’t make it out alive
Did not take his parents’ estrangement well and is stubbornly salty toward Nerdanel (though deep down he misses her as much as his brothers if not more)
Frequently the Bad Influence/ Shoulder Devil to his brothers.
But when he gets excited about his research/craft he’s got this “exited cocky little boy” side to him that’s surprisingly pure. 
Only Nerdanel and possibly Celebrimbor’s mom are allowed to call him ‘Atarinke.’ His brothers might still use it when they’re teasing or scolding him. 
The Twins:
Every time a fic does something else with them than “generic prankster redheads” I cry with joy
We don’t have that many data points on them, but most of them suggest they’re every bit as fierce as their brothers
they’re somewhat aloof & mostly do their own thing;
As kids they’d mostly sit in a corner and play with each other. Possibly deliberately played up their identicalness as a kind of emo fashion statement / to fuck with people (”Should we do this Ambarussa?” - ”I don’t know, what do you think, Ambarussa?”)
never really gave up their semi-nomadic ways
Compared to Celegorm they probably more on stealth and precision than strength and bravado. They suddenly appear in front of you, and bam! You’ve got an arrow poking out of your face. Probably the ones scouting the perimeter of the camp.
Amras is a bit sassier, but it’s actually Amrod who’s a little bit braver.
Hardly ever argued until their parents’ estrangement; That led to quite a few quarrels between them.
For all his faults, Feanor made a point of doing things with each of them individually.
quietly nursing some level of pent-up despair and frustration until they push for the assault on Sirion
In the version where one of them dies, and then no one ever talks about it, - I imagine that the remaining one ended up cynical in a “let’s just get it ever with we’re already doomed after all’ kind of way
Bonus:
Celebrimbor
“Curiosity killed the cat but the second mouse gets the cheese” incarnate. He’s a sweet, excitable,  deeply good guy, but Curiosity is the strongest force within him, besides maybe “think of the potential”
very bold in his thinking, not held back by any conventional boundaries. This is partially why he ended up more independent than his father and uncles but ironically that might in a sense make him more similar to grandpa than any of them
Really looks like Feanor. Like, Arwen and Luthien level of resemblance. It takes ppl a bit to notice because of how different his general demeanor and surface-level personality is. 
Very scattered and absent-minded, prone to sudden flashes of inspiration, often shows up in some form of disarray
spent his adolescence at Formenos. Retained a certain affinity for wintery places ever since
He sensed something fishy about Sauron before long, but between wanting to avoid the family propensity for unwarranted suspicion and being tempted by all the possibilities of what he could do with that power/knowledge even if it did come from a fishy source, he didn’t act before it was too late - he can't have been fully clueless since he hid the three; There was definitely just a bit of actual seduction/forbidden fruit appeal in place there, whether to use the word “hubris” probably depends on your philosophy. 
He drops the ‘th’ once he renounces Curufin, but slips right back into the old habit when excited or exasperating. At some point during his rule of Eregion, he stops bothering to hide it - A similar thing happens when he’s talking Sindarin with his northeast Beleriand accent. 
I know this is a very popular old hat headcanon, but... His other name is also “Curufinwe”. Everyone called him Telperinquar from the start, lest all three come running and grumble about being distracted from work, but after the Nargothrond debacle, he had other reasons for not using it. But really, Telperinquar/Celebrimbor is just another more metaphorical way to say “this baby shall be good at working with his hands” so yeah
My HC for where he was between the Finrod incident and the second age is as follows: He departed for war with Gwindor’s troupe (this is someone who tried to engineer a way around entropy - not a “do nothing” sort of guy) and fled the battlefield with Turgon. (hence some of the passages that place him in Gondolin can still be made to work. He totally made Earendil’s baby-sized mail coat) He fled with Idril’s party. Had she not tipped him off somehow he would probably have died with the rest of the smith’s guild. Or perhaps he grabbed all the valuable records he could find and ran for it because someone needed to preserve them. As living surrounded by the survivors of Doriath would have been awkward to say the least, he went to the isle of Balar to offer his skills and service to Gil-Galad. This is where he befriended/ reconnected with Galadriel and Celeborn. 
Finrod once told him the “faithful stone” legend from Brethil. It would be an inspiration to him much later. Generally credits Finrod with being a good influence on him. 
Judging by the stars on the doors of Durin his stance on his family probably softened over the years. He essentially attained their original new dream of exploring distant lands and building unparalleled new realms, at least for a while - also definitely has a similar “screw destiny!”/ “I defy you stars!” attitude. Perhaps he wanted to see their vision done right. 
But on some level, I think he also wanted to associate himself with their fame eventually especially once his own accomplishments grew. His feelings were probably always very ambiguous because he must have admired and envied their great works but also lived getting weird looks whenever he did what he’s best at and loves doing most in the world because it associates him with these very ambiguous people whom many hated... at one point in the past he must have really admired his father and grandfather, I mean, he came with them across the sea. 
Nerdanel
She got Feanor the apprenticeship / gave him the idea after they met on their travels. 
Were seen as something of an eccentric hippie/ hipster couple in the early days
She’s tough, confident and definitely quipped/ yelled back at times. Definitely described as ‘strong-willed’ and individual. Like this was a ‘kindred spirits’ thing before everything went to hell
it counts for something that even during the ugly bitter parting scene the worst Feanor could say was “someone must’ve turned you against me because you definitely cared once” rather than “you’re a traitor” for all that everything else in that scene made him very punchable
Their relationship dynamic, as I see it, is that she’s the one person who just sees and treats him like a normal dude. No apprehension, no fawning. He’s not “the greatest” or a tainted aberration to her, he’s simply a like-minded friend. So she’s pretty chill about his idiosyncrasies and doesn’t see them as a big deal, but on the other hand, she’s not overawed and will not take bullshit
Since she is good at understanding people she probably usually gets where he’s coming from even when he’s not being reasonable
possibly invented abstract art; was most certainly influential. 
the elves who serve Aule probably have their own little traditions. She might’ve imparted some of those on her descendants
Also ppl tend to forget that she also does metalwork. Again, it’s quite possible that she got him into it and that if they’d never met, he might have landed in a completely different discipline
I think it says a lot about Feanor that he chose her for being smart, creative and independent-minded. It shows that he actually values these things and that it’s not just a rhetorical device;  he’s not a hypocrite, he failed at what he was genuinely trying to aim for. 
She had Finwe won over the moment she mentioned that she likes children. To Feanor’s chagrin, she proclaimed that his then-tiny half-siblings were the cutest thing ever but since he was trying to impress Nerdanel, he actually kept his composure there. 
She was totally buds with Earwen and Anaire. 
I really like those fics where she played some part in the reconstruction efforts. She’s already renowned for her wisdom and has some familiarity with the court, so why wouldn’t Finarfin make her an advisor? 
Miriel
She was described as having “silver” hair like what the teleri sometimes have, but that was for lack of a better world. It’s actually pretty close to pure white. It was an unprecedented anomaly. Celegorm got it. Though overall Maglor might be the one who most looks like her. Or maybe Caranthir. 
Well, her tendency to refuse to eat her words no matter what has certainly proven highly heritable
Canonically one of those ppl who talks very fast 
Feanor doesn’t look very much like her at all, but he talks like her and is similar in his body language etc. The shape of her hands, however, has made it all the way to Celebrimbor in an unbroken line. Maglor’s got em too. 
She was the only one of her family to make the great journey. That’s why “the names of her kin are not recorded”. You see, they tried to convince her not to go, and that only made her more determined. 
Miriel and Indis used to have this thing where Miriel would sing while Indis plays the instrument. First time Indis caught Maedhros and Fingon doing something similar she got very emotional about it. She told them how she and Miriel also used to have a sort of odd friendship despite their opposite looks and personalities. Maedhros had at this point never even heard that they used to be friends. She proceeded to tell him some fun stories from Miriel’s youth and encouraged the two to spend time together. 
We’re told that Miriel and Finwe only got together in Valinor; Since Indis had a thing for him since before the Vanyar moved out of Tirion it’s fully possible that Indis actually liked him first. Maybe she actually introduced them to each other, like she wasn't confident enough to ask him on a date so she brought her friend, only for the two to be immediately smitten with each other. Poor Indis decided that she had no chance and moved out of town when Ingwe did. 
Miriel definitely expresses her love/admiration in the way of “You! You’re perf! I must make art of you!”
Since his arrival in the halls of Mandos, Feanor has made several of Vaire’s Maiar cry with his critique of their tapestries, but he holds that his mom’s are best. 
Feanor himself
In general, I hold that while he said many things that were not right, there’s a lot of what he prophecied that was not quite wrong and does come true in a kind of way, even if not necessarily for himself and his family. They sort of pave the way as Promethean figures. The second mouse gets the cheese (it’s usually some Nolofinwean)
Though he’s also the ultimate example of “you are not immune to propaganda”. Literally the smartest man in the world; Still touchy enough to be an easy mark for emotional manipulation. 
I think a lot of ff undersells what a polymath he must’ve been and that part where he worked on many different topics and was “the most learned”. 
You know the type of author who has a bazillion unfinished wips going and jumps wildly from topic to topic? Feanor’s research notes are exactly like that, especially the tendency to disintegrate into cryptic jottings and notes right before the most interesting part.  Just like the unfinished texts from HoMe Just like Gauss or Euler, having invented everything a hundred years ahead and 40% more discoveries buried that he never felt ready to publish. (I can also definitely see the sons – especially Maedhros and Curufin – spending the better part of the siege of Angband compiling some of it into a presentable format. Celebrimbor would then be the one to stumble upon implications /corollaries that had somehow been missed for thousands of years. 
For all that I enjoy fics where they’re all smoll and adorable as much as the next person, canonically we’re given every indication that he was an adolescent or young adult by the time the remarriage occurred. The published silm has him “well-nigh full-grown” by the time Indis started having kids; In the HoME passage detailing the romantic meeting on the mountain it’s said that he was “wandering in the mountains” (ie, old enough to do so on his own) at the time. He moved out as soon as he could, so he and his half-siblings never actually spent any significant time in the same household
I mean, he reacted like a teenager would, and IMHO neither his character nor Finwe’s make any sense if this wasn’t a single parent situation early on. 
Personally, I really don’t like that headcanon that he was nicer to the sisters for no reason. I don’t think his relationship with Fingolfin was ever much better than the sort of “awkwardly tolerating” we saw at the reconciliation scene; At the same time, I don’t think things would ever have escalated to that degree if Melkor hadn’t gone mucking things up. 
In the same vein, I don’t think he always had beef with the Valar. He used to hang out in Aule’s halls and let Celegorm study with Orome after all and studied their language. - he certainly seems to have had some romanticism for the Hither Lands evident in his speeches, he traveled far past the well-lit areas, made crystals that shine in starlight etc. so he was probably always somewhat independent-minded and he certainly knew, better than anyone, that the Valar are imperfect and can’t fix everything (they couldn’t heal Miriel after all) - but it’s a long way from healthy skepticism and understandable disappointment to asserting bad intentions where there are none. 
There’s a long way between not wanting a relationship with someone, and pointing stabby objects at them. Feanor was always difficult and never the type of person to be easily satisfied but at the same time, he clearly had his “delight” in his work and life as it was pre-Melkor. He could’ve gone on as an inventor and author of strongly worded opinion pieces; perhaps the elves were even “meant” to go back & come into contact with the Edain for a brief while, just without all the murder. 
The thing about Melkor’s lies is that they made a complicated situation conveniently easy in a way that he (and Fingolfin!) would want to believe. It’s not really either of their fault that they both exist, but if your rival is actually out to get you then suddenly all your negative feelings are justified 
Personally, I don’t think it the remarriage made that much of a difference - Miriel would still be dead. What Feanor’s really mad at is the inherent unfairness of the world. But he can’t fix or fight that, so in a misfire of his engineer’s mindset that thinks in terms of simple cause and effect and wants the world to be logical and controllable, he blamed something tangible (Indis.)
I think Melkor hates him so much because he’s kinda what Melkor wishes he was or likes to think he is. They’re both the mightiest of their respective kinds and don’t really fit in, but Feanor’s actually extremely creative. He goes and does his own thing, and maybe errs in overlooking that no man is an island and that all works are built on those of others, but, look at Melkor who wants all the scale of a group project but none of the “cooperation” part and basically can’t make anything of his own. “You’re like me, yet you’re successful? I cannot allow it!” 
In a sense you have classic Satan and Miltonian satan in the same setting, and they can’t stand each other
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lurkingleighbee · 3 years
Text
Thrawn Ascendancy: Greater Good  Chapter 15 - Chapter 18
Chapter 15
Ar’alani gets to “Sunrise” and sees no lights or any signs of life, which scares her
a super circular asteroid just happens to be floating into view... hmmm....
checking all previous records of battles/visits to the planet to see if it was there 
and it appears that it wasn’t
Ar’alani points out Thrawn would have noticed the asteroid, as “even in the middle of a battle, there’s very little that gets past him.”
Wutroow calls it a moon, which I think is a cute little callback to the Obi-Wan Kenobi quote from A New Hope
that’s no moon! 
This exchange is great:
“Captain Lakinda, are you game to try something dangerous?” “As opposed to just being part of the Expansionary Defense Fleet,” Wutroow added. 
Lakinda is a little bit intimidated, I think
I wish Lakinda had her own gal pal with her 
Ar’alani and the enemy get into a back and forth argument about who has been asked by the refugees to help them out
While that is going on, Lakinda planned to decimate the asteroid (which is really a giant bomb with missiles attached) in a careful way
I write planned, because “without warning the entire asteroid exploded, hurling shards of stone outward in all directions
I want to feel excitement, but given that Ar’alani will survive all the way up to Thrawn: Treason and I don’t feel like Lakinda is going to get axed, it is difficult to muster up the feeling 
Chapter 16
the Grayshrike takes some damage, and with “the view port blast shields automatically slammed shut,” so they have to reply on sensor and tactical displays
in the center of the asteroid’s internal framework “was the missile, its nose peeking out of the thick casing through the launcher.”
they are trying to destroy the entire thing before the launcher goes after the Vigilant or the Grayshrike
Thankfully its disabled
However, the Battle Dreadnought and the Vigilant are locked in battle 
even though Ar’alani wanted Lakinda to bring the asteroid/launcher with her, Lakinda opted to go in assisting Ar’alani without it 
Ar’alani gets into another sound of aggressive negotiations, both of them taunting the other 
I know how to destroy you!!!
Nuh uh!
or more flowery: “Your statement lacks accuracy. It is I who knows how to destroy you.”
Just as Lakinda and Ar’alani are about to destroy the Battle Dreadnought when it decides to self-destruct
overall, a success but Lakinda tears herself down for not getting the launcher and thinks Thrawn would have found a way to have done it 
compare yourself to Thrawn and you will always fall short
I feel like Thrawn would tell her to chin up and focus on her own talents and strengths, instead of tearing herself down for her weaknesses
MASSIVE SPOILERS HERE ON OUT
Memories VI
Haplif is still trying to push Yoponek to his intended goals, but he considers the young Chiss spineless
Shimkif decides to take matters into her own hands. AGAIN. 
and employs straight up biological warfare against Yomie and makes her very ill
Shimkif also manages to figure out that Yomie “doesn’t want Yoponek to give up all his hopes and dreams for her. She wants him to be willing to give them up. Once she’s satisfied that he would do that for her, he can go charging on to fame and fortune on Celwis, and she’ll stand by smiling and being all proud of him.”
Having gotten to the end of the book, hell to the end of the chapter - I can ensure you this information means nothing in the long run 
Because Yomie has figured out that Haplif is telepathic
So that leaves Haplif utilizing Option Three - killing her
Her body is left in the vast emptiness of the universe
Call this blaming the victim - but it seems like Yomie had suspicions from the start that Haplif and his crew (of fifty, that we never see btw) were iffy.
So why did you go along with complete strangers and really press on their hospitality as hard as you did?! 
Still does not make her murder okay
And presumably, her boyfriend doesn’t care about her whereabouts (since he buys some cock and bull story right away), her parents do not check on her, and her friends don’t either
COMPLETELY USELESS CHARACTER!
Chapter 17
Lakuviv is just agog over the treasure Lakjiip “confirmed” for him
This trap is so obvious to everyone but to these two numbskulls
And this exchange would probably make Thrawn pull his own hair out:  
“They said the metal has no particular value of its own. It’s the skill with which the artists turn it into jewelry that’s important.” Lakuviv shook his head. “Idiots.” Lakjiip shrugged. “In general, I suppose that’s mostly true of art. Give an artist a hundred Univers to spend on paint and a presentation board, and out pops a picture someone else will spend thousands for. It’s just in this specific case the whole thing is reversed.” “If you ask me, everything about the art world is just barely controlled anarchy.” Lakuviv said.  Thrawn would be like:
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Lakuviv and Lakjiip want to get this up the chain of command
Lakuviv invites the Patriel over for a chit-chat about a nyix mine that practically fell into his lap, with no strings attached, totally above board, no suspicions, nope, no ma’am
Yoponek points out that Lakuviv could pull emergency powers
backed into a corner of your own making? 
emergency powers!
Had to read this a couple of times before I made sense of it, but if I have this summarized correctly:
if you declare a family emergency, you can bring back officers and warriors (I assume that means enlisted soldiers) 
The rules are so convoluted
if you’re one of the Forty Families that used to be one of the Ruling Families AND have an under crewed family fleet, you are allowed (?) to call in the Chiss from that specific family for an “emergency”
This is so ripe for abuse
And this is kind of recent history
But it is so made up and so unnecessarily complicated
These are the chapters when the book really started to lose me 
Yoponek has to be the one that explains this
Lakuviv or Lakjiip could have done this on their own - looked for an excuse to exploit the mines 
Yoponek and Yomie are so useless 
Chapter 18
So, Thrawn’s name is even known among farmers as that art guy 
lol
This is this the convo between Lakphro and his cousin:
“...Senior Captain Thrawn has a reputation for knowing a lot about alien art and artworks.” “I’m happy for him. But I don’t need an art critic. I need a metals specialist.” “I know that’s what you asked for. Here’s the thing. I’m wondering if Thrawn might be able to tell us something else about the brooch, just as it is. Maybe something important.”  “Like what?” “No idea,” Lakbulbup admitted. “But once we take it for testing, even a little bit apart, that chance is gone.” “I don’t know what he could possible see that we can’t,” Lakphro said. “It’s just a bunch of metal threads, and they’re woven together in a pattern. End of story.”  “Like I said, I don’t know, either,” Lakbulbup said. “But I...” ... “Maybe,” Lakphro said. “But what if-” “But nothing,” Lakbulbup said firmly. “Trust me, Lakphro. I’ve heard stories about this Thrawn fellow, and I truly think it’s worth running the brooch past him.”
Lakuviv is irked that Patriel Lakooni points out the obvious - that this is clearly a scam
Yesss!!! Common sense!
Unfortunately, it does not get to prevail 
even Lakuviv has the gut instinct to back down, but he pushes on ahead
He takes her hostage and uses Lakooni’s personal codes to call for an emergency 
Lakinda gets the jewelry piece from Lakwurn (these names are starting to run together) and an hour before she leaves for space, she gets the “family emergency”
Lakinda is torn between family and duty
she decides to stay for the family emergency
she does forward the box to Thrawn 
and she send the Grayshrike on ahead with Mid Captain Apros on it
Thurfian gets to listen to a long-ass presentation about this slightly suspicious “Universal Analysis Group” that I initially thought might be important later
but having read to the end of the book, I can tell you - that it is not 
Thurfian manages to deal with the squabble in such a way that Speaker Thyklo (who are you again?) says he reminds her “a little of Syndic Thrass. He was also good at appearing to give people what they wanted while simultaneously doing what needed to be done.” “Really,” Thurfian said, feeling a stirring inside him. “I assume that’s a compliment. “Very much so,” Thyklo said with a smile. “Thrass wasn’t as skilled at it as you are, but he definitely had the talent. A terrible shame that we lost him.” “Yes. To Thrawn.” “Or to circumstances,” Thyklo said. “It’s easy to place blame, but it’s not always productive. Or always accurate.” 
Also, rumors abound that the Speaker and at least two Patriels are looking to retire
Thurfian is thinking about moving on up
Instead of all this time with Haplif (and Yoponek and Yomie) - why not spend the memories sections on Thurfian and develop his character?!
Give me a good reason for why he hates Thrawn so much!!! 
Like, Zahn is kind of telling me but I need more information as to why Thurfian is this obsessed over this one guy  Me reading this book:
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kinglazrus · 4 years
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The Haunting of Danny Fenton
Phic phight 2020
Submitted by @ave-aria: Valerie Gray is Danny Fenton's Bodyguard AU (*can be Modern AU, Medieval AU, Corporate AU, Full Ghost AU, whatever)
Summary: Valerie knows Danny Fenton, everybody does. Youngest of the family, son and heir, future owner of Fenton Works. Notable for all those reasons and infamous for none of them. Where Maddie and Jack are the local quirks, Danny is the tragedy. And, for the next week, he's the Red Huntress' newest client.
Chapter One: Local Tragedies
Word count: 1988 | [ffn] [ao3] | [next]
Valerie doesn't know what to expect of the Fentons. She knows about them, everyone does, but she's never met them. At least not face to face. The Fentons aren't just citizens of Amity Park, they're a feature of it, like the statue of the city's founder on Main Street, or the novelty billboard that welcomes people into town. Amity Park wouldn’t be the same without them.
They send her a town car. At this point in her career—which admittedly isn't that far—it's standard practice, at least when dealing with richer clients. The aggressively middle class can't afford the car. The lower class can't afford her, which is why she does those jobs for free. No point robbing good people of their money when the Amity elite already pay her extravagantly.
The Fentons aren't exactly the extravagant type, but they're nothing to scoff at, either. On the outside, the car looks fairly normal. Sleek, black, freshly polished and so clean she could probably eat off the hood. It pulls up to her office building, stopping right outside the front doors, snug to the curb.
Valerie doesn't wait for the driver to get out before opening the back door herself. She thinks it's such a ridiculous practice. Are rich people so needy they can't open a door for themselves? With a shake of her head, she picks up her suitcase and slides into the car. She freezes.
Inside, it's nothing like any town car she's been in before. It has the standard four seats, two against the back, two against the front, turned to face each other, but otherwise, it lacks all expected luxuries. Instead of plush leather, the seats are basic vinyl with neoprene covers on top. The carpet is stripped away, replaced with metal panels. Computer screens bearing the Fenton Works logo cover the windows on the left side of the car. The small drink stations Valerie has grown used to over the past couple years are gone. In their place stands a compact computer console on one side of the car and a fully stocked weapons' rack on the other.
Valerie stares at it all, mouth gaping shamelessly, wondering what all of this says about the Fentons themselves. Are they showy? Practical? The number of guns—she counts six—seems unnecessary. But, thinking of her own arsenal compacted into thick bracers on her wrists and cuffs on her ankles, she knows there's no such thing as too many guns when it comes to ghost hunting.
The partition separating the driver from the passengers goes down. The driver turns to face her, and Valerie's mouth falls open even wider. There's no mistaking that red beanie, those bulky half-moon glasses, the impossibly turquoise eyes.
"Tucker Foley?" Valerie exclaims.
"The one and only!" Tucker grins. Turning all the way around, he leans over the partition, elbows braced on the seats facing Valerie. "Haven't seen you since graduation. Feels like yesterday."
"It was two years ago."
Tucker sighs wistfully. "Yesterday."
"You work for the Fentons now? As their driver?" Valerie asks. She always thought Tucker would go big into technology development, coding, something like that. Or become a wanted cybercriminal.
"Me? A driver? And waste all these good looks? Please." Tucker scoffs and waves a hand dismissively. "I run the computer division at Fenton Works. When I heard Mr. and Mrs. F were hiring you, I just had to come get you myself."
"You're twenty," Valerie says.
"Hey, cool, you still know how to count. That's a great skill."
"You're twenty, and you're running a whole division at Fenton Works?"
"You're twenty and you have your own security company," he points out.
"One person company.
"One person division." Tucker grins. "It's really just me and my computer. Cyber security against ghosts isn't a big field yet."
Valerie eyes Tucker, unsure how to respond. Whatever she expected, Tucker wasn't it. Now, she feels off-balance, like she's missing something important, and she hates that feeling. It shouldn't matter that much. Amity Park isn't a huge city; the chances of her running into a former classmate are rather high. But Tucker was prepared for Valerie, and she wasn't prepared for him. Childishly, she feels like she's at a disadvantage. Which is ridiculous because she's here to fight ghosts, not Tucker. But his sudden appearance has disarmed her so completely that, if a ghost were to attack right then, she would be too stunned to react.
"You should see the look on your face," Tucker says.
Valerie purses her lips and scowls, wiping away whatever amusing expression has Tucker giggling under his breath. "You should drive."
Tucker's laugh balloons into gleeful cackles as he turns back around. "Whatever you want, Ms. Grey!"
Valerie, fuming, slams her thumb on the partition button, rolling it back up. To her annoyance, she can still hear Tucker's infuriating laugh through the glass.
When Valerie says the Fentons are a feature of Amity Park, she really means their laboratory, Fenton Works. Don't get her wrong, Maddie and Jack Fenton are a sight all on their own. On any given day, they can be seen tearing down the street in their bulky weaponized RV, guns blazing, wearing their brightly coloured jumpsuits. Seeing them for the first time is quite the experience. You can easily spot nearby tourists by checking people's reactions to the Fentons.
But Fenton Works. Fenton Works is a monolith dedicated to every crackpot idea the Fentons have ever had. When Valerie was in high school, Fenton Works was a single townhouse standing proudly at the corner of Lady and Red, bearing an obnoxiously neon sign. Above it loomed a massive saucer-shaped structure covered in more satellites than the local news station. Back then, Valerie thought the townhouse was a leering giant. Nowadays, it's dwarfed by the massive warehouse that takes up the rest of the block.
"Damn," Valerie whispers, peering out the righthand window as they turns onto Lady Avenue.
Tucker lowers the partition. "Pretty cool, right?"
Valerie eyes the mural of ghosts decorating the side of the building. "It's something."
Rather than stopping in front of the townhouse, Tucker turns onto Red Crescent and loops around to the back of the facility. Along the avenue, the warehouse is built almost right up to the sidewalk. On this side, however, there's a wide parking lot and, oddly enough, a lush garden surrounding a pond.
"I'm not the only one who thinks that looks weird, right?" She points to the pond.
Tucker cranes his neck, following her finger, and chuckles. "Jazz asked her parents to put that in so that employees have somewhere 'calming' to go. There's a greenhouse up on the roof, too,"
Pressing her cheek to the window, Valerie tries to spot the aforementioned greenhouse, but they're too close to the building now for her to see it.
Tucker pulls into a reserved parking spot just across from the homely picket fence that surrounds the townhouse's backyard. Valerie officially has no idea what to think about the Fentons.
"Come on," Tucker says, throwing open his door. "Everyone's waiting for you."
Valerie grabs her suitcase and climbs out of the car, nudging the door shut behind her. "Everyone?" She looks over the car at Tucker.
He twirls the keychain around his finger. "You'll see."
Valerie expects him to head for the townhouse but, to her surprise, he pivots right and starts walking to the warehouse doors.
"Come on," he calls over his shoulder.
Valerie jogs after him, easily hoisting her suitcase in one hand, and ponders on what the inside the facility looks like. Crates of weapons stacked one on top of the other. An arsenal of ghost hunting vehicles, everything from their patented RV design to their one of a kind all-terrain bus. All-terrain meaning it flies in the human realm and the Ghost Zone. The ground can't stop you if you never touch it. She pictures an honest to god warehouse and prepares herself for exactly that sight when they reach the front doors.
The moment they go inside, however, Valerie promptly decides to never assume anything about the Fentons and how they operate ever again.
"Something wrong?" Tucker asks when he sees Valerie stuck in the doorway.
"No," she says honestly. "It's fine." She steps into the foyer, complete with a receptionist's desk, comfortable armchairs for waiting, and a few potted plants. Looking behind her, she sees floor to ceiling windows looking out onto the pond. Valerie could have sworn the walls were solid from the outside.
"Hey, Octavia." Tucker waves to the receptionist. Pulling a lanyard out of his pocket, he shows her an employee ID card. "I've got the nine o'clock."
"It's four in the afternoon," Octavia, a modest middle-aged woman, says without looking up from her computer.
"Time is relative. Val." Valerie stops gawking at the room and looks to Tucker. "You can leave your suitcase here, unless you need anything from it. Octavia can take it to the guest room."
"I can, but I won't," Octavia says. "They're in the Boom Room."
"Love you too, babe." Tucker clicks his tongue, shooting Octavia double finger-guns, and ducks through a doorway at the back of the room.
Valerie stands awkwardly in the middle of the foyer.
Octavia finally raises her head, giving Valerie a critical look. After a moment, she sighs and holds out her hand. "I'll take your bag. Trust me, Tucker'll be halfway across the building if you don't follow him now. That kid never looks back."
"Thank you." Valerie rushes over, passing her bag across the desk, and follows Tucker. On the other side of the door is a long plain hallway. She looks right, then left, but there's no sign of Tucker. She debates her chances of choosing a random direction and finding him by pure luck. Before she can decide, a long ding rings out. The noise draws her attention to a set of elevators down the hall on her left.
The doors open. Tucker pokes his head out. "Hurry up, slowpoke.
Valerie wonders if punching Tucker in the face will affect her paycheque. Just once. Just a small jab. She won't even break his nose. In the end, she decides not to risk it, settling on a fierce glare as she reaches the elevator.
"This is a big place, you don't want to get lost," Tucker says.
"Then don't leave me behind."
"Not my fault you're slow." Tucker hits the button for the third floor—third out of five.
What on Earth the Fentons need all this space for, Valerie has no idea. She tries to picture it, then remembers how her expectations keep getting smashed to pieces and thinks better of it. There will be lots of time to find out.
"Why Fenton Works?" Valerie asks, filling the silence.
Tucker rocks back on his heels and hums. "Ghost stuff is kind of cool. I get to pioneer a whole new area of cyber security that no one even realizes we need, and I'm not even done college yet. Working here helps me pay for my online classes, too, so I don't even have to leave Amity."
"Why? Sounds like you'd still have a job waiting for you when you graduate." She can't imagine Tucker spilling his cyber secrets to someone else before he can cultivate the field himself. Surely, then, the Fentons would need him on board, no matter how long he puts off working for them.
"Yeah," Tucker nods, "I would. But I'm staying for Danny."
The elevator chimes when they reach the third floor, the doors sliding open. Tucker glides through them without looking back, but Valerie hesitates once again. Danny—Daniel Fenton. She knows Daniel Fenton. Youngest of the lot, son and heir, future CEO of Fenton Works. Notable for all those reasons and infamous for none of them. Where Maddie and Jack are the local quirks, Danny is the tragedy.
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relationships-world · 3 years
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Relationship rewrite method
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https://relationship.healthbrzee.com/
read following points:-1)  Unlock His Love with The Power of Conversational Storywhen does he think of you?  When your name pops up on your man's phone, what do you think goes through his head? Is he excited to talk to you? Does he feel compelled to respond right away? Does he read your texts but then leave you waiting for a response until most of the day has passed? Or does he completely ignore the messages? The truth is, A LOT is going on in his mind when it comes to you. Memories, emotions, anticipation of the future (is this going to be a good interaction or a bad one?)... All these things flash through his mind in the blink of an eye. And his response (or lack thereof) is more of a gut feeling than a well thought out decision. The same is true when it comes to how he views your relationship in general. If you're having a hard time getting through to him, chances are he feels bad about the relationship. It probably isn't a conscious thing, but a bunch of factors make him instinctively feel like the relationship is more a source of pain than pleasure. We'll get into this more in a minute, but at the end of the day, "pain VS pleasure" is the ONE factor that determines whether he wants to be with you or not. In other words, if he has a gut feeling that your relationship is a source of pain, then no amount of logic, convincing, or begging will change his mind. His mind is already made up--from the inside out. We need to change that. We need to make him instinctively feel drawn to the pleasure of a relationship with you. If you can accomplish that ONE thing, he will be the one chasing you. So let me show you how I've helped women all over the world pull it off. watchvideo presentation2) The Movie Trailer Method.Your mind is an anticipation machine. The human brain is marvellous and complex, but its most amazing feature is its ability to experience the future before it arrives. In fact, getting what you want in life really comes down to one simple thing: The ability to see the future in your mind's eye before it actually happens. This skill, above all else, separates those who get what they want in life from those who don't. Why is this skill so important? The answer is simple. The more detailed your mental map of the future, the easier it is to see which paths to take to reach the outcomes you desire. The more detailed your mental map, the more powerful you become. Like a master chess player, you can anticipate traps and sidestep them before they fully form. You can also try out dozens of moves in your mind's eye before choosing the best one. But I'm talking about real life, not a game. People who learn to use this skill live charmed lives. Everything just seems to unfold in their favour. Is it luck? Is it magic? No. It's simply an enhanced ability to play out various possibilities in the mind's eye and recognize the choices that will bring the most pleasure and the least pain. But here's the tricky part. Seeing the future is not like skipping ahead to the last page of a book to see how the story ends. Your future is not a single, linear path. Rather, there are a hundred different ways your future could unfold. Changing just one variable in your life can have a cascading effect on every other variable. Things can get confusing fast. It's hard to anticipate how all the different variables will interact. Fortunately, I have a solution. It's like a shortcut that gives you most of the benefits without the headache of trying to anticipate how every little thing will interact. What is this solution? It's knowing which variables to focus on. Knowing where to focus your attention is the key to getting more of what you want in life. When it comes to relationships, there's one variable I want you to focus on. I want you to become an expert at noticing this one variable. And I want you to learn how to manipulate this variable so you can have the relationship you want. Ready? Okay, here it is: I want you to become an expert at triggering the right kind of mental movie trailers other people have playing in their heads. We are all running mini-movies of the future in our mind. People do it automatically all the time. They don't practice the skill intentionally. They even take it for granted. Most never bother to question the super quick movie trailers that pop in and out of their thoughts all day long. That's good news for you! Because it gives you a tremendous advantage when trying to change the way someone feels about you. The fact is, no one's in the director's chair. No one is controlling the mini-movies that blip in and out of your man's mind. Since no one is directing this movie, you can waltz onto the set and change the storyline. And you can do this anytime you want. Why These Mini-Mental Movies Matter So Much Have you ever received a social invitation and immediately decided you have no desire to attend? How does that happen? How is it that you instantly know you don't want to go? Simple. In a fraction of a second, you played a mini-mental movie of the entire experience. Actually, that's not quite right. It wasn't the "entire experience". In reality, it was more like a movie preview. Just little clips showing the highlights. And like a good movie trailer, each clip pulled at your emotions. You saw a super-speed version of what it would be like to accept the invitation. You pictured yourself feeling bored. You picture yourself walking back to your car when it was over, wishing you had spent your free time doing something else. Your mind created a mini-movie to help you make a decision. It happened lightning-fast, and mostly outside your consciousness. But you were left with a distinct FEELING that turned you off to the idea. Your mind is remarkably good at this. It's the process by which we decide what we want. If you are a person who struggles with anxiety, you may not love this feature of your mind. You may prefer to be more like a cat who is blissfully at peace with the present moment, not concerned about things to come next year, next month, or even tomorrow. Neuroscientists who study the concept of memory tell us the marvellous ways our minds encode, store, and retrieve life experiences. As we learn, we generate increasingly complex and accurate models of the future. You could say the purpose of our memory is to allow us to predict the future. If I remember that chocolate cake tastes better when it's moist, my brain anticipates a better experience when I choose to eat it now rather than letting it grow stale. However, if I remember that chocolate cake is my weakness, I may cut the serving in half and put the other half out of sight to remove the temptation, using better judgment for my health. If a large dog chased me on my way home from school as a child, I may still anticipate negative emotions from the idea of approaching a large dog even twenty years later. Here's my point. Memories give us the ability to anticipate what is coming next: pleasure or pain. You may not see where this is going yet but stick with me. These concepts are critical to understanding. They are simple concepts, but things I need to remind you of, to "activate" your mind so they will be fresh concepts as we dive into the foundational methods of this course. 3) Human MotivationHumans are motivated by many things. But almost all motivation comes down to either the pursuit of pleasure or the avoidance of pain. Your ex's decisions are no different. He is motivated the same way. But how does he know which decisions to make to pursue pleasure and avoid pain? Memory. His memory creates the movie trailers he uses to "see" the future. His brain is an anticipation machine. It is automatically making judgments about what he should do next to avoid pain and pursue pleasure. The reality of your current situation is that the movie trailers his mind is playing are showing him potential pain or a lack of pleasure in being with you. We've got to change that! Now for some good news and some bad news. Bad news first: We cannot go back in time and change his memories. But the good news: We can alter his feelings about the future without changing memories from the past. Certain trigger points cause people to re-evaluate old memories in a new light. Basically, we're going to change the theme of the mini-movies in his head that affect his feelings about your relationship. We're going to change the soundtrack. Change the lighting. Selectively choose clips that highlight the fun, the exciting adventure he could have if he chooses to make you the most important person in his future. Allow me to provide a few examples to get us on the same page. We are talking about "aha" moments that change his perspective. The memories have not changed, but the way he SEES them can change dramatically. Here's an example from my own experience: I was once hired as a consultant for a company that provided relationship advice. The owners of the company were highly complimentary of me. During our work together, my self-esteem began to inflate considerably because of their frequent recognition of my "unusual talent." It was nearly six months later when I discovered their long-term plan to sell me their entire business (at a highly inflated price). This dramatically shifted my perspective! Suddenly, I replayed all the discussions about my talents for running such a business. At the time, I had been surprised they would admit I could run the business as well - if not better - than they could. Now, looking back, I see the ego-stroking as false flattery designed to make me want to buy their business. That eye-opening moment changed my view on our relationship and the game I was involved in.4) True Actions and IntentionsI'll offer another example. Jane Austen's novel "Pride and Prejudice," (which has been made into multiple movies over the years) tells the tale of Elizabeth, a young woman who can barely stand the sight of Mr Darcy. Throughout the story, Elizabeth is under the impression that Mr Darcy is proud and selfish. This is based on several reliable things she had seen and heard. However, at the end of the story, Elizabeth discovers she was wrong. She had misunderstood the actions and intentions of Mr Darcy. Suddenly, she recognizes his true valour and goodness. She sees that he is more interested in the well-being of others than his own reputation. In the end, it wasn't Elizabeth's memories that changed. It was her understanding that changed. It shifted in a way that caused her to anticipate great pleasure from being with Mr Darcy in an intimate relationship. And of course, they lived happily ever after as a married couple. 5) Your Mission, Should You Choose To Accept It: Your mission is to tamper with the anticipation machine running in your ex's mind. Specifically, your mission is to change the mini-movies that play in his mind when he thinks about spending time with you. You're going to get those mental trailers to work in your favour. There is no other way. You have no chance of restoring your relationship unless he seeks a relationship with you as a path toward pleasure, absent from any level of pain that would cancel out that pleasure. Fortunately, The Relationship Rewrite Method was designed as an answer to this complicated problem. This system helps you find a way to be the leading lady in your life. To convince your ex - not only to let you play a part but also to make you his star. You see, a memory is just a form of anticipation based on past experience. Most people think of memory in the form of stories to be remembered and shared. That is what psychologists call "declarative memory." But there is another kind of memory called "implicit memory." Implicit memory is the kind you use when you get on a bicycle and instinctively recognize (or remember) how to balance. Implicit memory is not something you can put into words. You just know how to ride a bicycle. Declarative memory can be transferred to another person in the form of a story. But you can't transfer the implicit memory for how to balance on a bike. In other words, your ex can tell his friends, "First she did this, then I said that and then we got into a big fight." That's declarative memory. Implicit memory cannot be transferred using words. He cannot transfer the memory of what it feels like to kiss you. Your job is to change the implicit feel of the mini-mental movies that automatically play when he glances down at his phone and sees your name. We have to start small and gradually rebuild his gut-level emotional reactions to you. It's possible that seeing your number come up on his cell phone causes an instant twinge of anger mixed with fear and regret. Those are implicit memories triggering the wrong kind of response. The fights or strained relationship that led to your breakup may still dominate the mental movie that plays in his mind when he considers picking up the phone to talk with you. We need to change that mental trailer so your name brings the same excited anticipation Hollywood tries to create with a really cool movie preview. We're going to rewire his expectations and help him see a new future with you. By the way, are you enjoying this free report so far? If so, you would love my relationship course. It has laser-targeted advice in a 6-step formula to win back the affections of your ex and make him yours for good.Use the Power of Story to Touch His Emotions"Better to light a candle than to curse the darkness." ~ Chinese proverb 6) The human brain is wired for story. Lisa Cron, a highly-acclaimed writer, wrote an entire book on the subject. Hailed as a "story guru," Cron has explored the brain science behind the power of stories. She teaches other writers how to hook the human mind from the very first sentence. There is something special about how a story causes the human mind to pay attention. Cron proposes that from the earliest times, humans have transferred information primarily through a story. Stories are so memorable they can be used to transfer wisdom and knowledge from one generation to the next. Stories prevent humans from making the same mistakes as those who came before them. Stories also shed light on the way humans persevere and succeed in various circumstances. Perhaps the most powerful way a story can be used is as a tool for changing someone's opinion. Stories don't require effort to pay attention. Our minds are designed for stories. We naturally focus when someone transfers information to us in the narrative form. In Paul Smith's book, "Lead with a Story," he makes the case that business leaders can "captivate, convince, and inspire" using stories in the workplace. Smith relays hundreds of instances about influencing the minds of others by telling a simple story instead of relaying facts and information.7) The Power Of Stories Smith and Croon have recognized the power of stories to transfer knowledge. But here's what I want you to understand. Stories make it easier for you to influence people. They are more effective than trying to convince people with arguments, logic, facts, or begging. I have experienced this firsthand. I once attended a fundraising event for people living in the impoverished nation of Burkina Faso. I was unmoved by the statistics presented on how many children go hungry and how many families lack the basic necessities for good health. Then the presenter told the story of two little girls who had been struggling together to survive the hardship of their lives, I was suddenly hooked. I understood their plight on an emotional level. I immediately cared enough to take out my wallet and sacrifice what I could to help with the relief efforts. Think for a moment about the variables of a court case. Think of all the factors that determine if a defendant will be found guilty or innocent by jurors in a trial. Experts work diligently to narrow down the list of variables to those that will have the most powerful influence on the outcome of the trials. Can you guess the number one factor that influences the jury's final opinion of a defendant? Experts tell us it's not the facts of the case. They say it's not the evidence presented. Rather, it comes down to who tells the most believable story. If jury members can picture themselves in a vivid story and imagine the events unfolding the way the defendant claims they did, they will find the defendant "not guilty." If the prosecuting attorney tells a more convincing story, the defendant will most likely be found "guilty." How can I use this information in my everyday life, you ask? Here's how: we will craft a special kind of story to influence your ex's perspective. Stories evoke emotion and change minds.I want you to tell your ex the story of your relationship in a way that causes him to automatically begin to root for your relationship. Did you ever see The Italian Job, The Saint, or Ocean's Eleven? All these movies are about thieves trying to pull off big-time heists. They are stories about criminals. And yet, as you watch these movies, you begin to root for the criminals to succeed. You want them to get away with the loot and live happily ever after. Doesn't that seem strange to you? Why do we root for thieves to succeed at stealing other people's hard-earned resources? It's because their life experience was presented to us in the form of a story. The protagonist is the hero figure in a plotline - the person about whom the story is written. There can be more than one protagonist in a story, as there is in William Shakespeare's classic story, Romeo and Juliet. In Romeo and Juliet, we root for the relationship of this young couple. Sure, we care about Romeo and we care about Juliet, but the relationship itself becomes as important to us as either character. As you read or watch Romeo and Juliet, do you find yourself wishing they would just forget about each other? Don't you want them to put their own safety first and move on with their lives? After all, if you really cared about Romeo and Juliet, wouldn't you advise them not to put their lives in peril by pursuing the romance further? Of course not. That's not what you root for. (It's not what I root for either!) We want them to be together.9) We root for the relationship! We see the beauty of life unfolding in the way they discover one another, and our hearts want them to be happy. We understand the risks they take to breathe life into the new passion they discovered through love at first sight. Here's the point. By making your relationship itself the hero of the story, you can cause him to root for the relationship. Do you remember Allie and Noah from Nicholas Sparks' novel-turned-movie, The Notebook? The story of their relationship was a powerful tear-jerker. As an 80-year-old man, Noah reads to his wife, Allie. She has developed Alzheimer's and does not remember, yet she roots for the characters in the story of her own life as Noah reads from her journal. The story Noah reads to Allie is powerful. It is so powerful we pay money to participate in this story by going to a heater or purchasing the book. Using the power of story is only one of 6 powerful steps that will help you reconnect with your man, even in the worst situations. Bring him back. Save your relationship. Get the happiness you deserve. Always on your side, James Bauerhttps://relationship.healthbrzee.com/
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bssaz97 · 5 years
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Post RWBY AU: Training Pains Part 1
* I decided to make another post in this AU as I’m captivated by it at the moment. Hope you guys will like more of Rowan.*
There was a time in everyone’s life where all their hard work was rewarded with either victory, accomplishment, or satisfaction.
...Today wasn’t one of those days.
- Signal Academy, Training Room -
Rowan: Aaaahh! Oof!
Rowan was thrown across the stage and landed on the ring’s wall. A buzzer goes off signaling the end of a sparring match. A match Rowan lost.....again. With a grunt the young red head got up off the floor and picked up his practice scythe. The instructor, a older woman in her mid 60s with graying black hair. She walks to the center stage with a clip board and a smile on her face.
Mrs. Hutchison: Very good. Another excellent match for you Peri, you saw your opponent’s openings and you made swift advantage of them.
Peri: Thank you mam.
The young boy named Peri, who welded dual swords sheathed his weapon with a smile. When he looks at Rowan his friendly smile was replaced with a smug grin. This was his third match with Peri and boy did his fellow classmate loved holding that over his head. Like it was an accomplishment for him.
In front of instructors, Peri was an obedient and excelling student, but when they weren’t watching his personality changed and he had the tendency to act like a...what was that word Mr. Whitley would call people who are arrogant and rude...‘duckhead?’ Yeah something like that. Anyway, Peri was one of the top students in the class and had won five fights in the first month of his first year, three of which were against him. Peri made it a point to hold that over his head and call him a ‘second rate’ fighter and a huntsman wannabe. Well he wasn’t wrong about his fighting ability.
Rowan was not a bad student academically or physically during his first month at Signal, but he was ashamed to admit that he was...‘trash’ with a scythe. Rowan only wanted to be like his mom and started to train with a scythe but while training with her was good, it became apparent that he was not as making any progress with her teachings. What made today worse was that his aunt was overseeing the match from the back of the class. Something about being there for moral support but he had the suspicion that she had an alternative motive. Especially since she’s been eyeing Peri after he did a certain maneuver that flips him on his back.
Mrs. Hutchison: Rowan, Mr. Rowan!
Rowan: Huh?
Class:(Starts uproariously laughing)
Mrs. Hutchison: Well Rowan, have you been paying attention to what I was saying you would have heard that while you are an a quick to your feet against your opponent, you are lack skill in landing a hit on your opponent. Also your scythe technique is...less to be desired. I would suggest that you either spend time after school in the training room or change to another weapon choice.
Rowan: Thank you mam.
*Riiiiinnnnggg*
Mrs. Hutchison: Alright children remember that your other classes will begin their first exams in two weeks so it’s advisable to study for them. You’re all dismissed. Well, except you Mr. Rowan I need to have a brief word with you and your aunt in my office, if you would please. Your mother will also be here shortly.
Rowan: ....Yes mam.
- Mrs. Hutchison’s Office -
Ruby walks into the office of the older teacher and sees her sister and son there waiting for her to arrive.
Mrs. Hutchison: Ah Miss Rose thank you for coming it is a pleasure for you to join us today.
Ruby: Thank you Mrs. Hutchison, it’s good to see you too. Wish it was during different circumstances though. You said you had something to speak to me about Rowan’s performance in combat class?
Mrs. Hutchison: Yes, I’m afraid it’s not good news. You see Rowan here has lost three matches in the first month of the class since he started. While he is academically excelling in the lecture side of this class, I’m afraid that if he loses another match, he could be at risk of failing my class.
Ruby/Yang: What?!
Ruby: But I thought the total number of lost matches for a student to fail was five. There must be a mistake.
Mrs. Hutchison: I wish there was, and you are correct that the original number was five while you two were students was five. But the school changed that rule when the council amended new regulations to the combat school curriculum. Unfortunately, the changes that came saw fit to create more effective hunters by lessening the number of loss matches from five to three.
Yang: Create more eff-they want to make better hunters by increasing the chances of failing. That’s stupid!
Mrs. Hutchison: I agree, I tried to have Signal request a appeal for the amendment to be revoked or at least changed but I was out voted. I’ll be honest with you ladies, I don’t want to do this to your son, he is a very sweet boy, very honest and hardworking. However, if Rowan does not improve in his combat class it could cost him his grade for the first year.
Both Ruby and Yang look at each other, showing much concern about the situation. They would have to think of something if they wanted to help Rowan get through the first year.
Yang: When will his next match be?
Mrs. Hutchison: ...two weeks.
Ruby/Yang: *thinking* ‘Shit...’
- Rose Household -
Yang had given her scroll to Ruby to look at the footage she took from the fight and both watched how the fight went down. Ruby wanted to be supportive of her son in all things that he did, but this was particularly difficult to watch. Her maternal instincts were telling her that she should have prepared Rowan better from his training with her and Yang. However, her huntress side was critiquing on how her son had missed many of his attempted strikes and was lugging his practice scythe all over the arena. Eventually she reaches the end of the video, Ruby gives Yang back her scroll and presses her finger tips together to gather her thoughts.
Ruby: ......I didn’t want to believe it but she’s right. Rowan’s fighting skills are not up to par.
Yang: Yeah, I don’t even think you had it this bad when you first started.
Ruby: Yeah....Hey!
Yang: Ruby if anything that was a compliment. I’m looking at this and I can already tell that Rowan’s getting his ass whooped every match. Especially with that Peri kid. He’s not great, but with Rowan’s fighting it makes him look good.
Ruby: Oh my poor baby, he’s probably feels so discouraged right now. But I don’t know how to help him, I’m doing everything that Qrow taught me when I was doing badly but it doesn’t seem the training is transferring as smoothly to him as it did me. What could I be doing wrong?~ (Places head in her arms on the table)
Yang: Look I know this might not be something you want to hear but, maybe we should get an outside opinion.
Ruby: What? What do you mean?
Yang: Well, what I’m saying is that maybe the reason he’s struggling so hard is because ...we’re going soft on him.
Ruby: Wait, are you saying that the reason Rowan is losing his fights is because we’re too soft in training? That’s ridiculous!
Yang: Look Sis, I don’t want to admit it, but I have seen how you’ve been training him. I can assure you that you are not going as tough as you should be.
Ruby: That’s.....ok maybe I have been taking it easy on him but it’s only his first month. I didn’t know I’d be setting him back this much. Oh, maybe you’re right, we should get a outside opinion.
Yang: And I know just who to call!
*3 hours later*
Whitley: ....Yeah the kid sucks. (Gives Yang back her Scroll)
Ruby: You could have sugarcoat it a little.
Whitley: I was sugarcoating it.
Ruby: Oh...
Whitley: Look I’m just going to provide my honest opinion. I think you’re not pushing him as hard as I think you should be. It doesn’t mean that Rowan is a lost cause or that you are entirely at fault. It’s still early in his training so he can get caught up still. Speaking of Rowan where’s he now?
Yang: Oh he’s doing his training exceeises.
Whitley: Show me.
Yang: Ok, follow me Shrimp boy.
Whitley: I’m over 30 and you’re still calling me that.
Yang:(Singsong) And I’m not planning to stop.~
Whitley: Sometimes I think she’s doing that on purpose to rile me up.
Ruby: Why don’t you tell her to stop if it bothers you so much?
Whitley: You and I both know that by doing that it would acknowledge she is winning, I refuse to give her the satisfaction.
Ruby:(Places hand on his shoulder) Truly you are a brave soul.
Whitley: Don’t patronize me. Now come on let’s fix the mess you made.
Ruby: Hey! I’ll have you know that my training is not that bad. It ensures that Rowan gets the training he needs and he’s safe while doing so.
Whitley: Oh this’ll be good to see.
*Five Minutes Later. Outside of Rose House*
Whitley: I was wrong. This is so much worse than I thought.
Yang: It’s not... that bad.
Whitley: Yang please don’t try to sugarcoat this....mess. I mean come on, what is he even wearing?!
Before the three of them was Rowan who was wearing his ‘training armor’. Said training armor consists of a football helmet, a chest protector, shin guards, hockey gloves, and finally multiple pillows for extra protection. His practice scythe being made of wood with styrofoam on the edge. The only way one could tell it was Rowan wearing the gear was the silver eyes peeking out of the protective visor.
Ruby: I personally don’t see what’s wrong with anything here.
Whitley: You-You can’t be serious Ruby. How can you not see what’s wrong here. I can see now why he’s having such a hard time with combat class, it’s because your training the poor kid like this!
Yang: Whitley...
Whitley: Alright look, sorry for the blunt criticism, but there will need to be serious changes to the boy’s training routine. That means no more ‘training armor’.
Ruby: What?! But he’ll be vulnerable without the armor.
Whitley: He’s vulnerable with the armor on! Look, Rowan do a turn around for me.
Rowan: Ok...just give me a minute...eh! (Rowan waddles around but he eventually gets to turning in the span of 20 seconds)
Ruby: ...Ok I think I see what you mean. (Looks down dejected)
Whitley: ‘Sigh’ Look Ruby, you want your son to pass right.
Ruby: Of course I do.
Whitley: Then the first thing you do is to stop treating him as a child and as a young hunter who needs training to survive.
Ruby: Ok, that’s a start. Any other advice.
Whitley: Yeah, maybe change his weapon. I get the feeling a scythe is not the best weapon choice for him.
Ruby:(Dead Stare)...Excuse me.
Whitley: Ok hear me out first, I think some of the problems that we’re having here is not just due to having poor training......What I’m saying is that he sucks at using a scythe in general. I mean.....like a lot.
Ruby: ... I’m giving you a five second head start. (Cocks Crescent Rose)
Whitley: Oh fuck me. (Starts to run like mad)
Rowan: Mr. Whitley where you-?
Whitley: CAN’T TALK GOTTA RUN! (Running past him)
Ruby: RRRAAAAAAHHHHH!!! (Chasing after Whitley)
Rowan: ...Are they gonna be ok?
Yang:(Walks up to her nephew and rubs his helmet) Don’t worry kiddo they’ll be fine. Your mom just needs to let out some steam on Shrimp Boy.
Rowan: Oh... you mean like how you say you’re gonna go let out some steam when you and Mr. Whitley go to town and don’t come back until the next night?
Yang:(Blushes) Um... No that’s, uh, that’s different. What I mean is your Mom and Whitley just need to fight it out.
Rowan: Oh... what’s the diff-?
Yang: When you’re older, Rowan.
Whitley: WHY ARE YOU BITING ME!!!
Ruby: TAKE IT BACK!!!
Whitley: GET OFF ME!!!
Ruby: NOT UNTIL YOU SUFFER!!!
-End of Part 1-
A/N: Made a few edits.
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hellyeahomeland · 4 years
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“In Full Flight”: an HYH recap
The most delightful Homeland episode since “Two Minutes” picks up with Mike, Jenna (in a chambray shirt), and Alan in Kabul station, observing drone footage of Carrie, Yevgeny, and crew. Jenna deduces that they’re probably going to Kohat, and she is correct for the first time all season.
Mike asks about an exfiltration team from Islamabad but they won’t be there until later tonight. Saul interrupts their pow-wow to ask what’s going on:
Saul: What is this about grabbing Carrie Mathison? Mike: Oh, hello, sir. Let’s go into my office. Saul: Fuck your office and fuck you, too. What are y’all talking about? Mike: No problem, sir. A special ops team is planning to grab Carrie. You know, because she’s a defector. Saul: FOR FUCK’S SAKE SHE IS NOT A DEFECTOR. Actually she’d be right here telling you that herself if you hadn’t cornered her like an animal three hours ago without telling me. Mike: Actually actually she was supposed to be back in America like a week ago but then she broke custody and started her adventure with a GRU officer. Now they’re out there doing God knows what. Sir.  Saul: I’ll tell you what they’re doing. They’re finding the flight recorder. Mike: What’s a flight recorder? Saul: I can’t believe I’m still having this conversation with you. Do any of y’all have brains or critical thinking skills? Mike: By the way, sir, you’ve been called back to DC. Saul: Fuck my whole life. Fuck all of you too.
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Carrie and Yevgeny are very much on their way to Kohat. It’s been just a few hours since Carrie turned her back on Saul and her loaded expression as she stares out the window is very much “questioning all my past life decisions.” That could take a while, Carrie!
Carrie and Yevgeny arrive in Kohat and begin driving under a series of … I have no idea what they are, basically overhangs in the street so you can’t tell where their car is. It’s very “From A to B and Back Again” when Quinn lost Haqqani in the classic baseball stadium game “Which hat is the ball under?” trick. The team in Kabul is annoyed and prepares for a grid search.
Carrie & Co. are checking into a hotel for the night. Yevgeny makes a very obvious performance of leading Carrie to her room and what ensues is the most sexually tense scene on this show… ever. First he offers her some Ambien and Carrie cracks a joke for the first time in eight years and says she could open up a pharmacy of her own.
She apologizes for not telling him about the flight recorder sooner. At first it was all personal, she needed to find Max, she couldn’t focus on anything else. Yevgeny asks what she thinks actually happened to the presidents’ helicopter, since she certainly doesn’t believe Jalal was involved. She thinks it was probably just a freak accident: pilot error, mechanical failures, shitty weather, any or all of the above. Then she reveals that detail from the fifth episode, that the Black Hawk fleet has had a series of mechanical issues. Oh, I should add that this conversation all takes place in the doorway of Carrie’s hotel room and every fifteen seconds or so Carrie and/or Yevgeny glance back toward the bed. You can cut the sexual tension with a knife.
Yevgeny asks if there are any more secrets she’s been keeping from him. She smiles, pauses… it’s the most interesting moment. Then she says very quietly, “I think I’m fresh out of secrets.” They stare at each other for a long time, Yevgeny probably wondering if Carrie is going to invite him in and Carrie probably wondering if Yevgeny can take a fucking hint. Finally, I exhale, and Yevgeny says to just “bang on the wall” if Carrie needs anything, which at least elicits a laugh.
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Elsewhere in Pakistan, a Pakistani military officer named Aziz has come to see Bunny to ask just where the fuck Tasneem is. Aziz is pissed because Tasneem was supposed to control the Taliban—first Haissam, then Jalal—and her “incompetence” has led to the Americans threatening to invade. Bunny is the opposite of worried. The Americans are all talk, no bite. They won’t actually invade Pakistan for failing to produce a man they claim they can’t find. I guess he hasn’t met John Zabel. Anyway, he says Tasneem is off to find Jalal somewhere in the mountains.
Instead, she actually meets (Haissam) Haqqani’s right-hand. She is beyond pissed that he just let Jalal control the shura last week. This is all so fucked. He doesn’t have much of a response, beyond, “well, he was the emir’s son, so I guess so?” He offers to take Tasneem to Jalal but only if she puts a hood over her head and lemme tell ya, Tasneem is none too pleased about that either!
It’s the next morning in Kohat and Carrie and Yevgeny really are going shopping, just like the logline said. They’re winding their way through the bazaars on the street but still no luck finding this flight recorder. Enter A Kid. He’s all “pardon me, excuse me,” and Yevgeny puts on his best Dad Hat and tells him to get lost. It’s very touching. Then he says he knows what they’re looking for, which is enough to get their attention.
He takes them to a shop where Mr. Shop Owner #1 is like, “Hi, do you like flight recorders? Because I’ve got lots!” Unfortunately he doesn’t have the one they’re looking for and he also seems pretty skittish because a) what the hell are a Russian and an American doing together? and b) is this official government business or something private or, like… just generally what the hell?
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Saul has arrived back to DC and meets Hayes in the Oval Office with our favorite Odd Couple, Linus and Zabel (this should really be the name of a sitcom). Saul passively aggressively says he knows of Zabel “by reputation.” Aside from that jab, the meeting unfortunately goes from meh to ugh to wtf for Saul. He has to play bad cop and tell Hayes that the video of Jalal is unvetted intelligence, completely lacking in context, and probably just a straight-up lie. Hayes has the expression of someone who’s never followed Thought A to Thought B—which is true, obviously—and Zabel has to jump in to say of course POTUS has already done the Thought A to Thought B exercise, he just arrived at a different conclusion. You know, mine! The best part of all THIS is that as Saul grows increasingly incredulous at the conversation, Linus sits there, silently, looking like he’d like to be swallowed up by an alligator. Afterward:
Saul: Wow a bit of warning would have been helpful. Or maybe just an assist there, Linus. Linus: I didn’t even know you were coming back. I’m outside the ~information flow~ Saul: God, we’re so fucked. Linus: I wish I’d get swallowed by an alligator.
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Back in Kohat, Carrie has entered another shop, this time sans Yevgeny. This one proves a bit more fruitful. She actually finds Max’s rucksack, which means that flight recorder had to have been here recently. Mr. Shop Owner #2 feigns ignorance, but Carrie is relentless.
Yevgeny enters all of a sudden to let her know that that special ops team from Islamabad is here, so they need to get out of there, pronto. He leaves quickly to lose the tail and instructs her to go back to the hotel and wait. His absence gives her the perfect opportunity to keep grilling Mr. Shop Owner #2, whom I actually love and seems really sweet. Poor guy is just no match for Carrie. He finally reveals the flight recorder was there but he sold it to a broker he works with. Carrie offers him a lot of money to find the broker and get the flight recorder back there for a trade at midnight.
Tasneem gets the black hood off her head in exchange for an audience with Jalal, but homie remains pissed. Jalal is sort of confused at her reaction. A few episodes ago she was plotting to put Jalal in the place he’s currently in. What changed? Well, for starters, now the Americans are threatening to invade Pakistan. She says he’s got to go to ground, but he refuses to run.
Jalal: Who do you think I am? Tasneem: You’re the loser whom I picked up on the side of the road. I bandaged your feet and listened to you crying about your daddy issues for hours. Jalal: You think that you control us. Actually it’s the other way around.
He leads her up to a rooftop where hundreds of Taliban fighters have gathered. He says the last time the ISI got in the way, they killed a thousand of their officers on the street. And now they’re twice as strong, so you do the math. Tasneem has a general “oh fuck” expression on her face and… same.
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In Kohat, Yevgeny finally shows back up in Carrie’s hotel room. He reveals that eight men are hunting her and they need to leave, now. She says they can’t, as they haven’t found the flight recorder yet. Of course we know Carrie has found it—and in hindsight, at this point Yevgeny probably does as well—but she needs to stick around a few more hours to make the trade. For a split second you think maybe Carrie is going to preoccupy Yevgeny for a few hours in her bedroom but instead she calls Jenna.
Carrie: Hey, how’s it going? Jenna: OH MY GOD I STILL HATE YOU. Carrie: Chill for a second. Also I know you’re walking toward Mike and do yourself a favor and pause and just listen to me. Jenna: Ugh, fine, I’m listening. Carrie: I need you to give up the location of the exfil team that’s looking for me. Jenna: Are you high? Carrie: I am not, but you are if you think this will end up any other way than me convincing you. Jenna: You’re putting me in an impossible position. Carrie: You must do this. I compel you. Jenna: If I give up their location, you’ll turn yourself in there? Carrie: “Sure.” Jenna: Ok I’ll call you back.
This entire conversation transpires with Yevgeny sitting on the sofa in Carrie’s hotel room, legs crossed. It’s… I’ll be honest, it’s hot. When Carrie hangs up he applauds her performance and says she was clever and convincing. That’s right, Carrie played Jenna… again. Again! Again again again!
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Carrie is kinda down on selling out her own people but Yevgeny says she did it for all the right reasons and in any case, the local police will only hold them for a day (uhhhh yeah right). He starts to compliment her strong instincts. He really respects her for that.
“Why, how do you do it?” Carrie asks.
“Me? I am more of a planner,” Yevgeny answers.
The alarm bells start ringing in her head and Carrie asks him all speaking of which whether he arranged for them to “run into each other” outside G’ulom’s office way back in the season premiere (show time: 10 days???). Before he can answer, Jenna rings back and tells Carrie the safe house location. Carrie says “you did the right thing” and the amount of self-disgust in her expression for this just being too fucking easy is … significant.
A few minutes later, Mike is on the phone with one of the special ops team members in the Kohat safe house. Local police have surrounded the building. Exasperated, Mike tells them to stand down. One by one, they file out and are led into custody. Jenna watches in horror and the amount of self-disgust in her expression for this just being her life is… also significant.
In Rawalpindi, Tasneem is at Bunny’s house and freaking out. Jalal has consolidated power extremely quickly. She’s concerned, but Bunny says they just need to take him out, root and branch. Bunny is offended by the prospect of being ordered around by a smarmy teenager but Tasneem thinks they need to protect him. If Pakistan protects Jalal, they’ll protect themselves too. And they need to respond to the Americans not with concessions but with threats just as strong. Remember when they were three minutes away from a generation-defining peace agreement?
Back in her hotel room, Carrie is growing restless. She decides to get some fresh air and by that I mean she jumps out the window to get the show on the fucking road. On the way she calls Saul, to whom she is apparently still speaking. She asks if their protocols for transferring money over the dark web are still a go and he says yes. She says she’s got a lead on the black box and he promises to arrange the funds ASAP.  
Carrie winds up back at Mr. Shop Owner #2’s shop. Mr. Shop Owner #1 is there, too! Plus the broker. They do a little thing, Carrie says she won’t pay any more than $999,999, she is very In Charge and it’s pretty great to see. Not that we needed any more convincing, but the kind of instincts and improvisation Yevgeny admired just a few hours earlier are on full display here. She knows exactly what to say, when to say it, and how to say it. It’s breathtaking.
What’s also breathtaking is Carrie doing something correctly with a computer. Apparently the black box just hooks up to her Macbook with a USB-C cord… whoulda thunk?! After pulling a gun on Mr. Broker and telling him to beat it, she starts listening to the cockpit recording.
Then Yevgeny arrives! She starts to apologize but he stops her—he just wants to listen. They each share an earbud like goddamn Jim and Pam and continue listening. Turns out, Carrie was right. No one shot down that helicopter. A freak mechanical malfunction, “brace for impact,” etc. “Fucking helicopters,” Yevgeny says.
Carrie attempts a segue and says, “So… what now?” She wants to get this to the embassy in Islamabad. He wants to do the opposite of that. Then Carrie starts on him. Maybe he’s not such a bad guy after all. Maybe he’s actually… good.
Carrie: Plus, I’d owe you a favor. Yevgeny: Carrie, if I drop you off at the embassy I’ll literally never see you again. Carrie: Not true. I won’t betray my country, but I’d still move to Scottsdale with you. Yevgeny: I still don’t believe you. Carrie: Why not? You’ve already helped me a ton, and it’s cost you nothing! There has to be a way where we can make a “mutually beneficial arrangement.” Yevgeny: Is that what they’re calling it these days? Carrie: What? Yevgeny: What? Carrie: …anyhow, aren’t you sick of all this bullshit? Shitty bosses, shitty politicians, clearly the current way of business isn’t working for us. We could do better. You and me. We could chart something new here. You and me. God, we’re already halfway there! Yevgeny: Our own private network, huh? That would be nice, but it’s a pipe dream. Also, I like what you’re saying, but you still lied to me. Carrie: Technically, I just withheld the truth. Which is exactly what you did to me. Yevgeny: Heh? Carrie: The asylum, Yevgeny. What actually happened? We just took long walks in the woods and shared our life stories and you just happened to be the there the day I tried to hang myself? Give me a fucking break.
She moves closer and mentions the whole “picking up where we left off” thing. Well, will he or won’t he? Because she’s already decided.
There is a long pause and then they start making out. It’s exactly what you’d expect it would be, by which I mean it’s really hot! The scene is fraught with the unknown. How much are they playing each other? How much are they being genuine? Like Carrie says, they’re living in the grey areas. And who’s the first to blink?
Evidently it’s Carrie. After a few moments she breaks away and says they need to wait until after Islamabad. “Ok,” he says quietly. She tries to kiss him again, but he pulls ever so slightly away.
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She hops off the table and begins to pack up the flight recorder. At that moment, he stabs her in the neck from behind with a tranquilizer. “Sorry, baby,” he says as she falls unconscious.
In DC, Saul is waiting anxiously by the phone. It rings. It’s not Carrie, but Linus. Everyone’s in the situation room, there’s some sort of activity in one of Pakistan’s nuclear facilities. Saul’s day goes from bad to worse.
In the situation room, resident hottie Scott Ryan is giving a PowerPoint presentation about said activity. Hayes is trying to understand literally anything that’s happening. Zabel explains that Pakistan only has the nukes in the first place to defend against a possible invasion from India. They’ll never actually use them. Saul growls that that’s because India isn’t fucking stupid enough to invade Pakistan. Hayes is beginning to understand the whole concept of “consequences” but before his mind can dwell on that for too long, he decides to just up the ante. More troops, more preparations for war, more of the same.
Saul’s day is not possibly as bad as Carrie’s has wound up. Yevgeny carries her, still unconscious, back into the hotel room. He places her gingerly on the bed and then kisses her forehead. He shuts off the lights as the camera moves in slowly on her her peacefully sleeping face.
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Michael After Midnight: C.H.U.D. & Us
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Do you like horror? Do you feel for the plight of homeless people? Do you despise Ronald Reagan and everything he represents? Well congratulations! You have a functioning heart and mind! But you also might be in to the B-movie cult classic that is C.H.U.D. This is a film that has at least partially wormed its way into the cultural consciousness as the titular monsters have become something of a go-to descriptor for any sort of sewer-dweller as well as an insult used to describe alt-righters and other nasty bastards (it works too since alt-right people do often look like they crawled out of a sewer). Unless you’re a cult film aficionado though, you may not have actually sat down and watched this film, which is a shame, as it definitely has quite a bit to offer.
But you know who almost certainly HAS watched this film? Beloved filmmaker, comedian, and actor Jordan Peele! And I know this because his second feature film Us is pretty much a semi-remake of C.H.U.D. No, I’m not joking. I would never fuck around about something as serious as trashy B-movies and Jordan Peele films. This is serious business right here. These movies are pretty similar thematically and even slightly plot-wise, but at the same time their different approaches really help set them apart and make each film great in their own right.
The big thing with C.H.U.D. is its function as a criticism towards the Reagan-era treatment of the homeless and the mentally ill. Homeless people are portrayed very sympathetically, with them going missing being what really kicks things off… or it would be, if anyone in power gave a damn. No, the people in power only start caring when people they start caring about go missing. Things go from bad to worse when it’s revealed that the C.H.U.D.s are not only mutated homeless people, but that the United States government is complicit in their transformation, having decided to dump toxic waste into the sewers. Aside from giving Jason Takes Manhattan’s ending some level of plausibility, this is a pretty brutal showcase of how society treats the less fortunate, and especially how the government treats them. As far as B-movies go, this one has the most instantly believable problem causing the monsters.
And it is similar with Us. The film has a much broader application than Peele’s previous film Get Out, which is pretty blatantly about left-wing condescending racism. But the way the Tethered function, their nature as failed experiments left behind by the government to rot, and their desire to simply be given all that they had been denied because the powers that be deemed them less worthy is not just stellar thematically, it is the sort of message that in this day and age is needed more than ever. Reagan is long dead and burning in Hell, but the evil he perpetuated still stands.
The big reveal at the end – which I WILL refrain from spoiling – changes the entire perspective of the film and showcases the Tethered as not just victims, but people who if given half a chance could easily excel in the upper world. But they were denied this chance, shunned as mindless monsters, and then are we to vilify them when they rise up to take what they deserve? Both of these films certainly show their “monsters” as vicious and violent, but ultimately they are merely scared, terrified beings lashing out at those who have oppressed and hurt them, intentionally or otherwise.
Both films certainly do show the oppressed commit monstrous actions, but it never really stops sympathizing with them, instead (rightfully) demonizing the government and the people who constantly put them in those positions of oppression. C.H.U.D. certainly is more cathartic, featuring the major government antagonist being not only shot but blown up, but it also tends to feel a tad more exploitative, what with literal homeless people being mutated, though I must stress the movie doesn’t demonize the homeless and paints them as sympathetic victims of a cruel, unfeeling government who just decides to kill ‘em all to cover up their own fuckup. This is one of the single most realistic depictions of government ever put on film, and for that C.H.U.D. deserves some praise. Us certainly paints a more sympathetic picture for its “monsters,” beginning with the story Red tells her captive audience, and while the reveal of their true nature is a bit more sloppily executed than the reveal of C.H.U.D. it still manages to bear down with the full weight of its allegorical impact with late-game revelations.
Another interesting thing with C.H.U.D.: the monsters don’t even appear all that much. When they do, they look absolutely fantastic; the suits are stunning achievements of practical effects, though the scene where one stretches its neck out is a bit dubious. But for the most part, even at the film’s climax, the C.H.U.D.s are mostly absent, with a “less is more” approach being used in regards to them. I don’t recall there ever really being more than four or so onscreen at once, and there’s no massive invasion of monsters. Honestly, it helps keep the film from feeling like a bloated spectacle, and the fact the film slowly builds up to the monsters appearing after a brief appearance in the start really helps them feel more memorable and iconic than other forgotten throwaway monsters of the 80s, while at the same time letting the mystery, atmosphere, and grimy New York backdrop congeal and allowing the message of the film to just ooze over and permeate you.
Us, on the other hand, keeps the Tethered front and center starting at the second act, but in this case this is a good thing; the Tethered have a lot more personality, seeing as they are essentially fully human, where the C.H.U.D.s are mutated humans whose last vestiges of humanity were washed away by the waste the government hid beneath the streets. Lupita Nyong’o in particular is masterful as Red, and is incredibly skilled to be able to pull off playing two roles who frequently share the screen and who are essentially copies of each other while still managing to make them distinct and different. Tim Heidecker and Winston Duke too really do a grand job as their Tethered counterparts, in Heidecker’s case probably more than his regular person character (not to say he’s bad, but seeing Heidecker selling a creepy killer is a lot more impressive than seeing him play a douchebag husband).
Out of the two, I think it goes without saying that Us is the better film. It has all around better acting, it has the most incredible foreshadowing I have ever seen with every little thing foreshadowed getting a satisfying payoff, it has a great soundtrack, it has some moderately enjoyable humor, it’s paced very well… but here’s the thing: C.H.U.D.s big reveal of the true nature of its monsters is a bit better executed. A lot of people get hung up on how Us overexplains the origin of its monsters, and while it certainly doesn’t bother me because the Tethered are still an effective allegorical implement regardless of their in-universe origin, I can’t help but feel the reveal that the government mutating homeless people into cannibalistic sewer monsters and then just… not giving a shit about it was just a bit better executed. However, I feel like watching C.H.U.D. actually helps improve the big reveal at Us by token of being so similar that the latter’s twist becomes far easier to swallow.
Both of these movies are great for what they’re going for. Jordan Peele’s Us is a fantastic horror film that uses the genre as a way to showcase the effect privilege has on those without it, whether you intend it to or not; C.H.U.D. is a classic B-movie that, while perhaps still a bit exploitative, is ultimately incredibly sympathetic to the plight of the homeless as well as extremely critical of the government that would put them in such danger. Both films are fantastic in their own right, and I highly recommend both to any horror fans, especially those who love some sweet, sweet allegory alongside their brutal murders.
Both of these films are some of my favorites for really pushing the boundaries of what a horror film can do, story-wise. I think C.H.U.D. is a bit more ambitious in some ways, being a pretty direct attack on the Reagan-era government, as well as being relatively sympathetic to lower class people in a time when that wasn’t really the norm. For its time, it really is an impressive work, while Us, while certainly delivering a message that has strong impact, is a bit more open to interpretation and honestly lacking a bit of the gut punch that Peele’s Get Out had in terms of conveying and delivering said message. Still, I think Us is just better for refining what C.H.U.D. was trying to do and delivering it in a more polished form with better actors, a better budget, and just overall more intelligence and visual flair… which is not to say C.H.U.D. was lacking either, as it paints an incredibly dark and grimy picture of New York that I absolutely love, it’s just that it’s hard to deny that Peele is just a better filmmaker than the director of C.H.U.D. and really knew what he was doing. But again: both fantastic films in their own right, and both definitely worth watching.
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