#and its going to be loooooong

[awsugar]

i came up with a concept for a frerard fic when i was in highschool back in 2012. i wrote some of it then and posted a chapter or two to mibba 😭 and then later on in college i copy and pasted what i had on mibba into google drive so i would never lose it and anyway the last time i edited the draft was 2017 but this fic has never left my mind!!! and i want to start working on it again. so if anyone is still frerardie rockin in 2024 and wants to be a beta or a cheerleader/someone to bounce ideas off of....hmu

[usertoxicyaoi]

"We were apart for just a short time. People can be so greedy."

TAKARA NO VIDRO (2024). SPINOFF EPISODE.

[avieaerie]

Have some sword dancing 🗡️

Description under the cut:

[ID: Mollymauk Teafleaf from Critical Role. Mollymauk is a purple skinned tiefling, wearing a heavily embroidered red and teal coat around his waist as a skirt, patterned leggings and a long teal scarf around his chest, trailing it's ends over his arms. He is facing away from the viewer, standing in a spotlight up on his toes on one foot, throwing a sword in the air while holding another behind him. End ID]

[twotales]

I'm so freaking tired and crazy busy today but like I had to drop this here before I forget

Chuck/Evan

[front-facing-pokemon]

[stuckatmyhouse12]

I'll be going on a 16 hour plane ride soon 😣

[dandyshucks]

i went to the free lunch at the centre today for the first time (it went well!) and was sooo flexible with the change in plans for the yarn group location and stuck it out even though it was loud and echoey in the backup location and even had some conversations with new people and a random stranger at the bus stop so I think I deserve a gold medal for being a person today LOL

[greetingsfromuranus]

OFFICIAL ed edd n eddy sona he's so swag

[lecliss]

I finished the special story in Connections and it got me to bawl my eyes out so bad. That story was so much more meaningful and emotional and impactful than the entirety of Naruto itself. What the fuck do you mean it was written by Kishimoto????? He did NOT write something for a side story in one of the ultimate ninja storm games and make it better than anything he's ever done before. There's just no fucking way.

[juleswritesthis]

And that's 5 opposed to McCarthy. Looks like round 8 is not the charm. I would say it's groundhog day in the House but the GOP seem to be more divided instead of unified with each round. I feel the worst for the court reader...3 days of reading the same names over and over again and still nothing. Now it's 6 opposed yeah definitely not happening...

[nomairuins]

caught myself being nostalgic for that damn podcast again. we need to kill connor !

[noblehcart]

-rubs hands- so WHO is going to volunteer to scan through a rough draft of a drabble for me?

[the-s1lly-corner]

it’s me again

wow shocker lmao

I have another late night thought (again, shocking) but like imagine Brahms being forced to move. Like say the house gets condemned or just falls apart and you force him to move.

my mans is throwing the biggest tantrum and then proceeding to sulk for the entire car ride

okay that all byee 💙💙💙

Reader forcing Brahms to move w/ them

Short post because UhuhUH!! Tummy hurt :(

Hes sulking the entire time you're driving him to your new place, I know in the other post he'd be more likely to move if his home became totally unlivable and destroyed but that doesn't exactly mean hes going to be happy about it

Ignoring that he hadn't left its walls in decades, hes missed a lot of things in terms of development of the outside world... so everything is going to be overwhelming, so despite being (unfairly) upset towards you and the (fairly) situation hes going to be clinging onto you for security

Not that he doesnt already do that, but...

Chances are wherever you guys end up going it's going to be a huge downgrade from his previous home, hes not used to living in such a small space.. hes going to be moping for a loooooong while

You manage to convince him to help you carry moving boxes and open them up by promising him some loving, he does seem to perk up just a little bit temporarily

I waaaaas gonna say he becomes a house husband since theres no way hes going to be going out and interacting with.. anyone.. let alone get a job.. but let's be real the most hes going to do is pick up a sock or something and that's being generous

Though he does come to associate doing these little chores for you with getting affection/attention as payment so maybe that might be enough to motivate him..

Yeah no he definitely wouldn't get a job, but the thought of him working at some coffee shop or store is a little funny

[fuckyeahisawthat]

Please, talk about the Gom Jobbar scene

Oh hell yes.

So this is one of those posts that really should be a short video essay of me talking over the scene but instead it is gonna be a loooooong wall of text and screenshots. Maybe it will assume its final form some day if I'm ever in possession of the free time and patience to make video essays. I also highly recommend watching Denis Villeneuve's own breakdown of this scene from 2021. I'll try not to duplicate things said there.

We have to start with the setup, which begins with this scene:

We see Jessica on her knees, in the rain, waiting for an arriving ship. These are the first shots in the movie where we see Jessica when no one else is watching her, and this woman who stood calm and composed before representatives of the Emperor of the Known Universe is terrified. Which creates an immediate sense of dread over whoever is coming in that ship.

Whomst in the fuck now?

We also get this shot where we're alone with Jessica. It's a little hard to see in a still frame but there's a moment where she, like, steels herself before she wakes Paul up.

Holy fuck tho, I just noticed the similarities between this shot and the one of the Bene Gesserit arriving, with the almost monochromatic color palette and the shafts of white light.

Once Paul wakes up we shift to his POV. He immediately knows something is off ("What's wrong?" is the first thing he says) but gets no information about what's happening.

Then we get this short scene, where Paul is told he is going to meet the Reverend Mother and but not much else about what's going on. The whole "She wants to know about your dreams." "How does she know about my dreams?" [no answer from Jessica] exchange, I think, implies that she knows because Jessica told her about Paul's dreams, which is this little tiny betrayal of confidence that gives Paul the first inclination that his mother may not be someone he can fully trust in this situation. Which is exactly what Dr. Yueh warns him about immediately after.

We also get two new languages used in this scene. Dr. Yueh speaks to Paul in Mandarin, which he understands and presumably Jessica does not. This gives us a piece of information about Paul's curiosity toward other cultures and his facility with languages. And Jessica uses the Atreides battle sign, which Paul also understands. Outside the library, Jessica pauses to give Paul one more silent warning, although she still hasn't told him what's about to happen.

This is just the setup. So before we've even entered the room, we've created this sense of unsettled foreboding dread (the Denis Signature Vibe) without a clear understanding of why things are happening--which is exactly how Paul feels.

I should also add that in the book, this scene takes place during the day, with the Reverend Mother sitting in front of a window. Shifting it to the middle of the night not only makes it way creepier but also tells us that (1) the Reverend Mother is the kind of person who can command Jessica's attention at any time of day or night and (2) this is all somewhat illicit and possibly is happening without Leto's knowledge.

Whomst in the fuuuuuuck?

We get this sort of weird POV shot of Paul crossing the room when it's not actually happening:

which I think is supposed to suggest some subtler form of control than the Voice, which Paul resists.

Before they've even properly entered the room, Mohiam manages to insult both Paul's parents ("defiance in the eyes, like his father" and dismissing Jessica with a curt "leave us"). And the first thing Paul says is to defend his mother's place in the social hierarchy ("You dismiss my mother in her own house?") with all the haughtiness you would expect.

The power dynamic gets rapidly clarified.

Momentary aside to say that I love the composition of this shot. Neither of them are quite on the third--they're just a bit too close to each other to make the shot look balanced. But neither of them are in center frame either--the box is in the center. They're not exactly aligned to the light gray columns between the bookshelves behind them, either, and the bookshelves are just slightly asymmetrical. It all makes things feel just a little claustrophobic and unsettling. Denis Villeneuve frequently uses this technique of creating unbalanced shots and intentionally leaving too much space in awkward parts of the frame to create a sense of unease.

Paul isn't kneeling in the book either--he's standing beside the chair in a setup that I don't think would actually work given the heights of the actors here, or would look awkward as hell. So they've solved a practical blocking problem and done some storytelling with it as well.

This is where we get our first look at the Voice at full power, and it's one of only two scenes where we get some subjective POV of what it feels like to be Voice-controlled (the other one being Feyd-Rautha and Lady Margot's interaction which deserves its own post). I really like that they didn't go for Voice Slow (zombie shuffling across the room) because Voice Fast is much more disturbing. The subjective experience of it seems closest to like, blacking out and waking up in a place or doing a thing and not knowing how you got there. The camera effect is just a really fast dolly and a slick edit, but Timothée really sells it with his split-second moment of confusion and shock before he realizes what happened and gets angry about it.

So now we're here, with the poison needle and the pain box.

"No need to call the guards. Your mother stands behind that door. No one would get past her."

This is a slick fucking piece of editing. Because just as Paul is learning that his mother has not only trapped him in this situation but is ensuring it continues uninterrupted, we cut to Jessica for the first time since she left the room and we see how absolutely terrified she is.

Also from this point, the sound in the film starts crossing the barrier of the door--we hear some of the dialogue between Paul and Mohiam when we're on shots of Jessica, and when the pain sound effect starts up, we hear it continuously on both sides of the door. So even though Jessica is not literally experiencing the pain, it feels like she is vicariously.

It would be really easy to tip the balance of sympathy in this scene one way or the other--toward Paul who's realizing his mother has handed him over to a painful and potentially lethal test, or toward Jessica who is listening to her child scream in pain and not only cannot stop it but is tasked with making sure it continues. But Denis Villeneuve is an absolute master at controlling and directing your POV in a way that allows you to feel sympathy for multiple characters at once and engage with complicated, contradictory emotional landscapes, and this is a little demonstration of what he's going to do on a much larger scale later in the story.

Timothée's pain acting...is excellent, that's all I'll say about that. Love that he's allowed to get all gross and drippy with it.

Now we get to the litany against fear.

Jessica starts it specifically in response to hearing Paul scream on the other side of the door. So, practically, she is using it to control her own fear. But the way the scene is intercut, it plays as if she is almost coaching or guiding Paul into controlling his own reactions. With every line that she says, we cut back to Paul as he is starting to master the situation.

"I must not fear." Paul is not in control here and seems about at his physical limit for keeping his hand in the box.

"Fear is the mind-killer." This is the one where it really seems like he could be reciting the same litany in his head or under his breath.

"Fear is the little death that brings obliteration." We don't really see Paul's face in the accompanying shot, but the pain sound effect really goes into overdrive, like she is pushing him harder.

"I will face my fear and I will permit it to pass over me and through me." Seems like Paul is getting to some kind of Zen place or whatever where he can withstand the pain.

This is when the first flash of vision pops up and the balance of power starts to shift in Paul's favor. We realize it at the same time both he and the Reverend Mother do.

Then we have this great moment where he looks up at her and we don't quite know what is happening but somehow Paul has started to win this interaction. And we go through a whole Face Journey with him that's intercut increasingly rapidly with Jessica's lines, flashes of the visions, and Mohiam's reaction as she starts to realize she's lost control of the situation.

"And when it has gone past--"

"I will turn the inner eye to see its path--"

"--and where the fear has gone, there will be nothing--"

"Only I will remain."

This part is great because like...nothing is happening. He just looks up at her. But we know that whatever battle is going on between them, Paul is winning now.

(Side note: this is a duel, right? This is his first of three duels, and like the duel with Feyd, he wins it on his knees.)

Then as soon as she says, "Enough," the facade cracks again a little.

And then he does the thing!! That is one of my favorite Paul physicalities!! Where he tilts his chin up so he can look down his nose at someone. Which is particularly audacious when you're on your knees.

It looks arrogant but there's also something a bit...childish? about it. It's something that he does specifically when he feels he does not have control of the situation and he's trying to regain it. He does it to the Emperor at the end of Part Two.

Anyway I LOVE the whole section of intercutting between Jessica and Paul because like. They are physically separated by a door but emotionally they feel connected. She put him in this situation, but then it's almost like she is reminding him that she also gave him the training to survive it. Which like, isn't that a microcosm of their whole fucked-up relationship?

"...You inherit too much power."

"What, because I'm a duke's son?"

"Because you are Jessica's son. You have more than one birthright, boy."

Almost all the dialogue from this scene is taken word for word from the book (although sometimes condensed). This is one of the few lines that got changed. In the book, Jessica is the one who reminds Paul that he is a duke's son--not her son. In general the movie dialogue is more faithful to what's in the book than you might expect. But every once in a while there is a line that feels like it's talking back to the original text like this.

There's another little emotional reversal right at the end of the scene, when Jessica comes in and her face just floods with relief at realizing Paul is still alive. But meanwhile you can see that Paul is really processing how betrayed by her he feels.

And then, after all that, they do talk about his dreams.

Denis has said in interviews that this was one of the very first scenes they filmed. Which is. Insane to me. This is an iconic scene from the book that every fan will come to with expectations and it's a really hard acting job! For everyone involved but especially for Timothée, because so much of the scene turns on him having an intense reaction to something that's not real and generally just...doing stuff with his face, and hoping that the sound design and the score and some scenes that haven't been shot yet will sell what's going on. Usually you would want to work up to an intense emotional scene like this, give the cast and crew a little time to get comfortable with each other. Nope! Anyway Denis has also said that he knew after this scene that he had cast correctly and yeah. I would say so.

[sweeneydino]

I’m new to your little dragons au and I’ve been piecing through to see if I can find the answer (and maybe I can’t find it because you haven’t answered it yet for story reasons :))

When the boys unlock their dragon forms, do they stay in them permenently, or is it like the other 03 boys that they go back after using a substance amount of their chi?

Kind of like the 03 boys :P

it's a sudden burst of their mystic combining with their ninpo, which is why they transform more frequently in their later years when their able to be trained to harness it, and when it cultivates to its highest peak.

Which is why they are always tired when they transform back.

They can be in that form for as long as necessary, but the consequences afterwards get worse as time goes on.

When they get older, they might not ever be able to be out of those forms.

But that's like, not for a LOOOOOONG time, so no worries :))

>:)

Cough

Thank you for this xd love rambling about the dragon boys and their guardians-

[twisted-wonderland-shenanigans]

Hello, I hope you are having a good day or night so far. I just wanted to ask if the monster!au pregnancy fic is still on the table or if it's making your brain unhappy and needs to go on the shelf to think about what it's done?

Either way is fine The most important thing is your mental health. *Finger guns*

Hey! I'm doing okay for the most part. Work and life in general has just been busy as heck, so I've been just working on art and writing for personal enjoyment.

The fic is still coming along well enough! I just wound up having to rewrite from the beginning to get a better flow, and now I'm just dealing with some of the boys being jerks and not cooperating with me 😂 But I am going to be triumphant soon enough! I only have three of the dorm reactions to go before the inevitable chaos. >v>

And just so you guys know, this currently has 9 pages worth of words (size 9 font, by the way), and I'm still not done. This thing is going to be LOOOOOONG compared to some of my other chapters I've posted! 😂

I appreciate the understanding, but not to worry! It's just my perfectionist editing mind that keeps stalling me 😒 But just to show you that progress is being made, I've attached a snippet I've written of a scene that I wanted to add!

Hope you all enjoy, and I'm excited to get closer and closer to finishing it! ÙvÚ

////SNIPPET STARTS BELOW////

It was late at night when Jamil was working in the school cafeteria, requiring the ingredients in the kitchen to make a late night meal for Kalim since the dorm’s kitchen needed a few repairs. The pans sizzled and pots boiled as he stirred and cooked, his hands moving with speed and precision honed by years of cooking. Despite it being late at night, part of him did appreciate the time alone from the dorm to think in private.

Taking a sip of the broth, he hummed in thought before adding some spices to the soup. Just as he was about to sample it again, his ear twitched when he heard movement behind him and turned. “Miss Yuu?” he asked, surprised to see Yuu standing there holding a plate to her chest. By now she was in her eighth month of pregnancy, her stomach swollen to the size of a large watermelon. “What are you still doing up?”

“I couldn’t sleep,” she said sheepishly. “Since the due date is getting closer, the researchers moved me to a new room here in the school just in case. It’s easier for them to get to me here than it is to Ramshackle. So I thought walking around a little would help, but then I smelled something good and…well…”

When she hesitated, he asked, “Pregnancy cravings again?”

She nodded. He hummed in thought. Apparently human cravings during pregnancy was no different than how monsters would instinctively do the same to sustain themselves and their unborn children. “A lack of food sources can have a negative effect the body,” one researcher explained once when he’d been passing by the infirmary during one of Yuu’s exams. “Whether human or monster, if the expecting mother doesn’t eat enough to sustain the pregnancy or produce the milk needed to feed the baby, her body will begin to take its own nutrients. This can be dangerous and increase the risk of her breaking her bones, so that’s why it’s important to ensure Yuu has an ample supply of food at her disposal at such a critical stage.”

Knowing this, Jamil held out his hand and smiled. “The soup isn’t done yet, but you can have some of the main dish in the meantime,” he told her, dishing out the food from the skillet. “It’s a simple meal from the Land of Scalding Sands, but I know Kalim wouldn’t mind sharing it with you.” With a deadpan smile, he said, “In fact, he’d insist on it if he were here.”

“Thank you so much!” she said, accepting the offered plate and pausing to breathe in the aroma. He could practically see her drooling before she dug in, happily humming as she sat in the nearby stool. “Oh my gosh, this is so good…can you teach me how to make this?”

“Sure,” he said with a genuine smile. “I know you can’t control your cravings, so if you ever want more, just let me know.”

“Thank you!”

They spent some time casually chatting as the soup finished cooking, the gorgon feeling at ease around her. By the time the soup was done and he’d put some in a container for her, he handed another plate of the main dish to her and bid her good night. As she waddled away, he couldn’t shake the image of a penguin returning triumphantly from a hunt and stifled a snort of amusement.