#and its like okay but I also have those same exact things and I've been houseless so now whut

[blow-me-a-kis]

I think I could do housemate situation again if I weren't so broke lmao. Then if my roommates aren't cleaning up after themselves, I can just hire a housekeeper. I feel like 86% of housemate issues are due to us all being so fucking broke/stingy, in the case of housemates with access to wealth.

Ive lived in houses where ppl were sooo resistant to bringing in a housekeeper cause they were worried about *exploiting labor*. But those same ppl didn't give a shit about exploiting their housemates' who have to pick up after them.

Like lets just pay the nice ppl a living wage to come and clean so I don't pack my bags and move away in the dead of night because our gross house is driving me to depression and insanity.

I get that cleaning can be so hard when you're checked out mentally/physically disabled, but the cleanest housemate I ever had was a queer elder who was a disabled immigrant recovering from a TBI.

Literally, I had to up my cleaning game because I was fucking up their routine with my little left over messes.

Living with them made me realize 1) Cleaning has little to do with neurodiversity/ability and far more to do with the culture of cleaning you brought up with and 2) cleaning isn't about making messes to deal with later, its something you do as apart of the process of whatever you were doing to make the mess.

You cannot leave a mess to be dealt with later when your later comes after your housemates need to share those spaces.

I'm not done doing my hair if I don't pack up the combs and oils and wipe down the sink. I'm not done cooking if every ingredient I used is still out and the leftovers haven't been sorted and the counter and stove are in chaos. And what I've learned is most of the time these things can easily be done as I go about doing what I'm doing.

I've gotten into the habit of putting things back while I wait for my pot to cook on the stove. I'm even washing every dish I used while cooking, as I cook. Before my plate is even made, the kitchen is ready for my housemates to use.

I don't even leave the bathroom until I put everything back after my little self care routines. I think my housemates can tolerate me hogging the joint for five extra minutes while I make it nice and neat for them.

Cleaning is a mindfulness practice.

A lot of ppl just don't know how to clean, period. Apparently washing dishes properly is a skill on par with knowing Javascript.

Like bruh. Why are dishes with grease and flour on them chilling in the drying rack like you're done?? You know you could use soap, right? And hot water?? There are hundreds of Youtube videos on how to wash dishes. You don't have to just wing it.

But yeah. I do have a lot of sympathy for us broke asses having to live together with our varying degrees of cleanliness and ability to even detect messes.

For me, its very obvious when a space is messy, and its very obvious to me what needs to be done to clean it. I know for some ppl that stuff just fades into the background and they cannot clean what they cannot notice.

So yeah. Gotta go work on this web dev portfolio so I can pay for housekeepers to notice.

[ask-whitepearl-and-steven]

You don't have to answer this if you don't want to, but how has your opinion changed on Steven Universe now than when it first aired? Like I have fond memories of watching the show while it was airing but now I realize that it had a lot of problems that I feel like a lot of fans either flat out ignore or bend over backwards to make sure their rose tinted glasses stay on.

... okay, fair question. Let's talk about this.

I'll try not to wax poetic too long, but there are a lot of things to be said here.

First and foremost - how has my opinion changed since the show has ended?

Simply put - it hasn't.

When I started watching Steven Universe over 7 years ago, I didn't have much knowledge of it. I sat down, saw a few of episodes and went 'well, this is a silly show for kids with a goofy but loveable protagonist... but it seems like it's also incredibly charming with its delivery and has some nice, more complex themes about loss and healing and grief throughout.'

And if you ask me what Steven Universe is now... I would probably say that exact same thing.

Am I wearing rose tinted lenses? Interesting question.

What ARE 'rose tinted lenses' in this context anyway?

What do these lenses represent? What do they obscure?

Since you didn't go into specifics, I can only assume what you're referring to when you say that many fans ignore the show's problems.

There have been many discussions surrounding various aspects of the show and how it might be read as 'problematic' (ahhh how I've come to despise that word.... without context, it has all the descriptive power of the word 'icky' - none of the critical details and all of the emotional punch of scrunching up your face like a cat that just sniffed a lemon...)

Is this about something as simple as the 'SU doesn't have a consistent size for its characters' debate?

Because that has been gone back to, over and over again, and proven to be a point of opinion. SU favored allowing storyboarders to show off their personal flourish, and even though Peridot was 30% hair in that one episode, it did not overall take away from the plotline being told, which was their goal. If you wanted to watch a show with consistent styling throughout, you can always watch a 3D modeled show, but keeping that up was simply never one of SU's main pillars. And I feel like it didn't have to be.

Is this about something more complex such as the way Rose was presented?

...and how her arc was shown backwards instead of forwards - showing first the person she became in the end, and afterwards revealing all the growth she had to have to get there?

That was on purpose! And I don't think this is a problem. It's a feature, not a bug. Rose was never meant to be an ideal character - she was meant to be complicated and messy, and I think the fact that the fandom is so split in their opinions of her shows that the Crewniverse pulled that off really well!

She fucked over Bismuth! She forced Pearl to be silent! Those are both parts of her character arc that were never resolved because she died before she could resolve it - that's BY DESIGN. Sometimes, you just do something absolutely stupid and cruel, and you cannot go back to fix it.

Is this about the Diamonds? The fact that they were not put in space jail, after being put on trial for space crimes, and then publicly executed for space eco-genocide?

Here's the thing - most people I know who watched and loved SU are fully aware of that. But simply put - Steven Universe was not a story about Revenge.

Steven Universe was a story about love. A story about family. A story about truth, and lies, and hurt, and healing. About how sometimes healing doesn't happen. And how sometimes it will, but you won't be around to see it.

But it's not a story that can be all things for all people.

That is the thesis of my reply: It is a story.

It is not a manifesto. It is not a bible. It is not a Complete Truth.

It is a single story. Made by a group of very talented people, who cared about these characters, who did their best. They made a funny, emotional, well-drawn and complex cartoon show about the things THEY personally wanted to tell stories about.

Does it answer all questions the way everyone wants them answered? No. That's impossible.

Everyone wants a different story. Everyone wants a different solution, a different resolution. A different ending.

Steven Universe is one story. It cannot satisfy all people.

So when you ask me 'has your opinion of Steven Universe changed'? The answer is 'no'.

I went in, expecting to see a story. I saw a lot of what I liked! I saw some parts which I thought were interesting. I saw some parts which, yes, I disagreed with a little.

But overall, it's a good story. And that's what I expected, and that's what I got, which means I'm pretty satisfied. I love that story.

I feel like recently, there's this expectation of media, to be Everything For All People. And it's a bit unrealistic. No one call tell the perfect story. We are all simply telling the stories we want to tell. And people will vibe with that, more or less.

A single story, made by a small group of people, will never be that for you. There will never be an Unproblematic Cartoon that you watch that will be devoid of things you disagree with.

Being critical of media doesn't mean 'Criticize the FUCK outta that media, and the one with the least criticisms is the best one'.

Critical thinking is about evaluating things critically - that means being critical of YOURSELF. Being critical of your OWN reactions. Asking 'why did I like this?' and 'why did I dislike this?'. Asking 'this doesn't mesh with me, but who WOULD it mesh with? It isn't for me, but who is it for? Who would it hurt, but also who would it help?'

Some people HATED how SU: Future ended. They beat their fists on the wall and cried about how Steven was leaving his family behind, and how THEY could never imagine doing something like that, and how he was running away from his problems just like Rose had.

Me? I loved it. I think it was the right choice, and I COULD imagine it and thought it was in character. I thought he needed to be his own person, instead of shouldering everyone else's responsibilities for once. Was one of us more right than the other? Maybe not? Maybe that was the whole point?

Loving things is not about putting on rose colored glasses. Sometimes, choosing to love something with flaws is an act of rebellion. It's about knowing you have differences, but understanding that there is value in the things you DO agree on, and knowing you can consume that.

Healthy consumption of media does not mean throwing the whole cartoon away as soon as you notice something is wrong with it, like a bruise on an apple.

Healthy consumption of media involves critical thinking AND feeding yourself. Acknowledging you may disagree with parts of it, but not starving yourself just because your apples all have small imperfections.

Eat, for fuck's sake. Feed yourself. You'll feel better.

Thassit.

[ilys00ga]

hellooo, ur blog is such a comfort for me <3 ! can i request yoongi meeting reader who’s quite literally the same person as him. he could’ve met the reader through one of the members trying to hook them up. “you two are so alike it’s scary, i think you’d be a match made in heaven”. so yoongi agrees..eventually. but when he meets the reader, it’s horrible! their similar personalities clash in the worst way possible. it’s pretty funny to everyone, because they totally thought they were in matchmaker mode?? the two constantly talk about how they couldn’t stand each other, so it surprised everyone when yoongi just admitted that he’d and the reader had been dating for a few months after their first meeting. loll

A MATCH MADE IN HEAVEN.

pairing: yoongi x reader.

genre: fluff, i tried to make it funny loool, best friends to lovers, non idol au (?), non idol!yoongi, non idol!jimin, non idol!namjoon, jimin is the dramatic bestie and namjoon is just the very supportive friend that's happy to be there.

warnings: this is pure fiction and English is not my first language.

A/N: okay so, there was also this one ask I got from @parkjennykim that says: "Hiiii ❤️ hope this finds you well. Could you write a fluffy bsf to lovers with yoongi? Theres hardly any of those out there 😭 i need some fluff ive been too deprived and depressed".

I thought these two were similar so I decided to merge them, I hope that's ok for both of u :). thank u sm for sending these reqs, I really appreciate it and I hope u enjoy this read. do not hesitate to send more if u want to !

ᵎᵎ 𖦹彡⋆｡˚・ ─ ・ ⋯ ・ ─ ⊹ ♡₊˚๑

“I'm sorry, WHAT?!” Jimin, who’d been slouched on the couch with his head leaning against its rolled arm, sat up straight and goggle-eyed as soon as he heard what Yoongi had said.

The latter only rolled his eyes, not surprised one bit at his friend’s dramatic reaction. In fact, he expected it to be so much worse, but he guessed the younger one was just too tired that day for all of that. “don’t be loud.” he hissed and crossed his arms.

“hyung, are you serious?” Namjoon asked from where he was sitting with his chopsticks hanging in the air near his mouth as he too was stunned by the eldest’s statement.

“why the hell would i lie and say that me and __ have been dating for almost two months now?” Yoongi muttered through narrowed his eyes. "TWO MONTHS- woah, this is crazy. I can’t believe you didn’t tell me.” The youngest of the three covered his face with his hands and heaved a big, disappointed sigh.

“Seriously, why is he so annoying today?”

Namjoon chuckled as the older continued side eyeing their dongsaeng, “hyung, he’s just really happy for you. I too am.”

“I’m very happy, yes, but, hyung, how could you hide such a thing from me? I literally helped you grow the balls to ask her out.” Jimin whined and slouched back down on the couch with a growing pout, “I've been waiting for you two to get together for months.”

It's true, Jimin was a man on a mission ever since he’d noticed the insanely similar character traits when you and your (now) boyfriend met for the very first time. two individual human beings but the exact same patterns and edges. on a large scale, talking to you always felt like talking to Yoongi and vice versa.

It was like a game to him. It made him buzz with excitement, reminding himself every now and then to keep a close eye and count all the similarities you two shared. not that it was hard to notice to begin with: having almso the exact same taste (especially in music), always sitting silently when being around other people and speaking little amounts of words when necessary, getting flustered and smiling shyly when being complimented, being chill and too soft to scold or yell at anyone (most of the time), having that same slow tone in your voices whenever you talk, having random bursts of energy or playful teasing despite the cold facade both of you display, getting so talkative when it comes to topics and things you’re so passionate about, being very honest but never too rude or offensive about it, being the most hardworking people jimin has probably ever met in his entire life—something that nevers fails to admire about the two of you.

You and Yoongi were so similar, even your bad habits and red flags matched. When setting your mind on finishing a task—say a project for example—you’d wear your bodies out for the sake of completing it, even if it meant you’d stay up several hours late during the night. and when mad or during intense clashes and arguments, you would put thick walls between you and the other person, ignoring and shutting them out until you're human enough to confront them. sometimes it’s too hard to even apologize, instead, you’d slowly start approaching them as if nothing had happened at all.

“No wonder you two ended up together, you’re basically a match made in heaven.” Namjoon nodded his head as he munched on his food, as if approving of his own statement.

“i know! and the way you wasted your time pinning on each other was killing me.” being the biggest shipper of your pair, Jimin huffed as he spoke with a very serious tone.

“how did you guys even make it?” namjoon asked.

“We hit it off right after the first date.” Yoongi answered with a shrug, acting as nonchalant as ever.

“you mean the date i had set for you?” it was jimin who asked this time, and when Yoongi nodded in confirmation, the younger groaned and buried his face into the couch, “hyung, you are seriously the worst.”

“hyung, you both are coffee addicts, take her to a new café this time!” Jimin suggested with a huge grin on his face. after finding out that you two secretly liked each other, he spent weeks pressuring Yoongi to confess his feelings for you. He couldn’t believe that his hyung finally obliged after many “no”s and “I don’t like __ that way.”s and “we’re just friends.”s. it was getting really annoying.

YG: “Can we hang out tomorrow? as two people wanting to know each other.”

ME: “Are you asking me on a date?”

YG: “yeah?”

ME: “okay :)”

that was the conversation you had with him the day before he took you on a cute café date. The place was impressively good, but the date was the complete opposite of that. Nothing bad happened, yet sitting down with someone you’ve known for a good period of time and have shared good amounts of vulnerability with in that intimate context was too unpleasant. Both of you struggled to find comfort and normality in the heavy awkward silence that fell on the table. and everytime he would try to play it off and throw some joke or normal piece of conversation that he found appropriate for a date, you two ended up laughing int your sweaty palms because of how ridiculous the whole situation was.

“stop laughing!” Yoongi exclaimed while his shoulders shook, giggling.

“I'm sorry, I'm trying!” you wiped at the corners of your eyes.

"Just act like this is a normal hangout.." he had said after a short moment.

"We're literally on a date." you reminded him.

“right..”

The “date” didn’t last long, and the two of you ended up at his house. eating popcorn on his couch and watching your favorite series of movies together.

Later that night, he asked, “so, what are we?”

“whatever you want us to be.” you answered with flushed cheeks.

“I like you..” he whispered, eyes never leaving the TV screen acroos the couch, "more than friends should like one another."

“Great, ‘cause I'd be sad if you didn’t like me back.” you whispered back, never daring to glance his way even for a split of a second.

“Wait, does that mean I won the bet?” Namjoon suddenly spoke, making Jimin kick him lightly on the shoulder from where he was still lying with a sour frown, and toss a few dollars he had grabbed from his wallet at the smiling man's extended palm.

“Did you two seriously make a bet on my relationship?” came a sharp question from Yoongi.

[on-leatheredwings]

i've found your account only a few days ago but ever since then I've been STUCK here rereading your fanfics, especially ones with damian. i wasn't even a dc fan (heard about some stuf, watched some films and cartoons, but that's it) but now im reading comics since im Obsessed and need more batboys in my life (rip my productivity😔)

Anyway, after Sleepover i'm curious what will Bruce (and maybe even Thalia) think of batboys strange behaviour towards reader. He's smart, so he definitely notices it early on, but how he'll react....

I can see him being weirded out (like he was by Jason's anger issues, before his death), but he also can be an enabler, since Robin (literaly any of them) had a hard life, so if those relationships can help him why not pretend that everything is normal? you'll be safer in a Wayne's Manor anyway

All in all, thanks for a new hyperfixation 💞💞

P.s. About games:

1. Boyfriend to death 1&2 - since you're into yanderes you might want to check this game out. I prefer the second game, but the first is also fun. But beware the trigger warnings!!

2. Long live the Queen - more of a raising sim than dating sim but you still can romance some guys and girls.

,3. Hatoful Boyfriend - mostly a comedy, but there is a yandere.

4. The Royal Trap - it's been a long time since i played it, but it used to be one of my favorites so i'll just mention it.

5. Higurashi - once again not really a romance sim, but its an interesting horror mixed with a slice of life

;A; AWWWW THANK YOU IM SO HAPPY YOU LIKE MY STUFF.... THAT MAKES ONE OF US GIJSDOFAFGHFOJDSD

and yes yes get into DC!!! (girl who hasnt even read a full run since like. injustice)

damn now you got me thinking and excited. incoming spiel

i agree entirely about bruce just knowing how Bad things can get, so to make things simpler, he's like "yes, your darling(s) can stay in the manor, boys. 🙄"

mmm yes..... when it comes to bruce noticing the batboys are yandere, i think it's always sinfully delightful to just have him be reluctantly okay with it. 😈 it's also easier narratively ngl but i also like the idea that the batfam is all just corrupted.

bruce's thoughts are that they (his sons) fight for vengeance and justice but this is where they could use some leeway.... we all need our vice... they fight so hard for gotham, they deserve a little treat (getting rid of your human rights)... it's very "Dad who wants his sons to have happiness even if its not healthy" of him. in fics where bruce is a yandere, well, he's the exact same way so he can't judge. although if that's the case, i like the idea of bruce just being like "yes what we do isn't right. let's not talk about it. just don't kill <3"

still wondering what i like more. a yan!bruce who's self aware what he's doing is wrong but he just refuses to think about it. or a yan!bruce that justifies it all because of his paranoia, Tower of Babel style (if you don't know, that's when it's revealed batman has plans to subdue/kill the justice league just in case they go rogue.)

for the batboys depends on their personality... for damian, he's so resolute in things that i prefer when he just believes 100% what he's doing is okay, if not actually righteous. ^_^

hmmm talia.... I'M STILL UNSURE HOW I PREFER THAT AS WELL... i think talia being a you-arent-good-enough-for-my-son mom is a little cliche but also. she kinda would say that. you'd have to prove your worth somehow but idk how tf darling would do that LOL. in the end, i think talia is just relieved/comforted that her son indeed feels desire and wants love and will continue the family legacy (regardless if youre afab/can biologically have children.)

no THANK YOU FOR THE ASK!!! AND THANKS FOR RECS!!!! heheh yeah ive checked out btd and im not averse to the warnings its more like im not that most of into the designs ngl. fox guy seems cute? AND LMAO FUNNY BC IM ON A HIGURASHI REWATCH (never played it tho)

[thecoleopterawithana]

Suicide

If when she tries to run away / And he calls her back, she comes / If there's a next time, he's okay / Cause she's under both his thumbs She'll limp along to his side / Singing a song of ruin, I'd / Bet he says nothin' doin' / I'd, I'd call it suicide

This is likely one of the first songs Paul ever wrote. It predates Rock 'n Roll washing up onto the Mersey shores and the tingles that started going up and down Paul's spine. Not yet acquainted with his "confidante", Paul's earliest compositions were done instead on his home piano.

This particular tune seems to have come about around Paul's fourteenth birthday, in mid-1956. It is not known how this song sounded at its genesis: did it already have the lyrics, or was it like the contemporaneous "When I'm Sixty-Four", for which he originally had only the tune?

We hear "Suicide" for the first time in the Get Back sessions, with complete lyrics and John joining in right from the first verse. From Paul's comments on the song, it does seem like he had the lyrics in mind from the get-go:

That was a song I’d had forever, since I was about 16. I had my Dad’s old piano at home, that I used to tinker about on when there was no-one in the house. And my feelings were, then, that if you were ever going to be a songwriter, the height of it all was Sinatra. That would be the greatest stuff that you could do, really a little bit before rock ‘n’ roll, so you were thinking of standards and things. So around that time I wrote “When I’m 64” and this other thing. I thought it would be a bit of a Rat Pack, smoochy, with words like “When she tries to, run away, uh-huh…” Boom! And stabs from the band, you know.

— Paul McCartney, in the McCartney - Archive Collection (2011) liner notes.

I'm curious about the timing because, in usual McCartney fashion, we have quite dark lyrics being camouflaged by a jaunty little tune (à la "Maxwell Silver Hammer", "Another Day", etc.) And they are made even darker if they were written by a fourteen-year-old boy.

When I first heard of this song, I assumed, based on the title, that it'd been written after Mary's death. So I was quite surprised when I saw its origin dated to potentially even earlier than that (although I don't really know what information these estimations are based on).

Regardless of the exact date of origin, this song had been on my mind since I heard it brought up in @anotherkindofmindpod's Fine Tuning: Ep 2 Shoulder to Shoulder. Together with Ep 4 Shells & Barriers and the wonderful analyses that emerged from it, I've been wondering about what influenced teenage Paul to write a song about a woman trying (and failing) to escape an abusive marriage. From @bidisasterhawkeye's contribution to the aforementioned post:

For those unaware, Paul's mother had a quite tragic background. The second of four children, her younger sister Agnes died at age two (cause unknown) when Mary was around eight years old. When Mary was ten, her mother died giving birth to another baby girl (who also died). At that point, Mary's older brother left their home in Liverpool to join the army and Mary's father took Mary and her toddler brother, Bill, back to his home country of Ireland. In Ireland, they apparently lived in extreme poverty as Mary's father tried and failed to become a farmer. Ten year old Mary was apparently not enrolled in school there because she was given the role of homemaker and mother to her baby brother. When Mary was around 13, her father went to Liverpool and acquired a second wife with children of her own, and this new stepmother was apparently "cruel" enough that Mary ran away at age 14 (as did Bill later).

I might have seen it mentioned somewhere around here recently (please let me know if you know where!), but it's curious that Paul wrote about women running away in "Suicide" and "She's Leaving Home", when his own teenage mother went through the same. The latter song seems to apply better to Mary's situation at fourteen. Whose story is Paul telling in "Suicide"?

Maybe it's not that deep, and "Suicide" is indeed only a joke song. Paul certainly seems to want us to believe that:

It was a real early song of mine, and I used to do it as a joke, really. […] So I never did anything with it but around the time of McCartney, I was just goofing around on piano and at the end of one of the takes there was a little bit of tape left, so I just did it and didn’t think to use it because it was Rat Pack, tongue in cheek. But I used that little fragment at the end of one of the tracks, ‘Glasses’.

Haha, good ol' Paul, goofing around with a meaningless little tune called "Suicide" right around the same time stuff like this was happening:

I was going through a bad time, what I suspect was almost a nervous breakdown. I remember lying awake at night shaking, which has not happened to me since. One night I'd been asleep and awoke and I couldn't lift my head off the pillow. My head was down in the pillow, I thought, Jesus, if I don't do this I'll suffocate. I remember hardly having the energy to pull myself up, but with a great struggle I pulled my head up and lay on my back and thought, That was a bit near! I just couldn't do anything. I had so much in me that I couldn't express and it was just very nervy times, very very difficult.

— Paul McCartney, in Barry Miles' Many Years From Now (1997).

I'll leave further ruminations on the emotional implications of "Suicide" to your discretion. Or we can take a page out of Lewisohn's book and simply conclude:

But though the words wanted work (and didn’t get it), ["Suicide"] was a charming little tune, a dance-band piece with a dash of modernity, light, engaging and original … quite exceptional for a first attempt by a boy on the cusp of 14.

[nescaveckwriter]

Hi there 👋 hope you're doing good? I've been feeling a little down lately. And I were wondering if you could write a one shot or something about Dean/Sam comforting reader, I'd appreciate it so much.💕 Also just want to say I love all your stories. Anyway thanks❤️

💞... Awwww sweetheart, I hope this is what you had in mind, I hope this helps, and also thank you for the beautiful message, 🐞... Just also know, that you can always talk to me, and I sure do hope that this brings a little comfort. Thanks for requesting love...💞

A/N: Thank you all for the love, support and just overly all support 🐞 I love each and every comment and reblog... Also if you want, something written, you can send me requests it's open.

Warnings: None, just super comfort and Fluff 💞

Comforting Arms💞

Trying to hum, to one of your favorite songs, doesn't seem to be working, everyday your the one, who is always positive, always cheerful, always looking forward to a new day, but every now and then, there's this sense of darkness creeping up in your soul, you just can't shake, but of course you always try your best to hide it.  But unfortunately today is one of those days, you just feel down, not really a reason too, but its just the way you feel, yeah of course you have a few problems here and there but who doesn't right?

Sam walks into the kitchen, interrupting your thoughts. ''Hey there, want to go for a jog?'' he smiles

Forcing a giggle, but he doesn't notice ''Uhmm no, not today thanks, its so cold'' you say, while rubbing across your arms.

He just laughs, as he runs out by the door. Since they saved you from Dick Roman, the three of you been friends, it's been five years now, and whenever your close by, you'll pay them a visit, making sure they take care of themselves. You and Sam become like besties, sharing the same interest's in reading and other stuff, as for you and Dean, well things, are good between you two, and your not going to lie, sometimes you can feel your heart flutter, while stealing glances at the older brother, but honestly, you know, he'd probably never feel the same, and even if he did, its a bad idea, too get romantically involved, there work is crazy.

Staring over the warm cup of coffee your holding, thinking about everything, trying to figure out why you feel so sad, but no luck, you can't seem too figure out why you feel this way.

His smoky voice, yanks you away from your deep thoughts, ''Morning Sweetheart'' something he called you from day one. 

''Good Morning Dean'' a half smile forming on your lips.

You catch the way he looks at you, but just acts, like you didn't notice.

''I need some coffee, want some more'' he gestures to your cup

''Oh no, I'm good thanks'' taking a sip, of the coffee, hoping the little doze of caffeine will give you the energy for today, if it were up to you, you'd stay in bed, covers snugly pulled over you, but no! you've got stuff to do, it's Dean's birthday in a few days and you want to make it special.

Dean smiles at you, taking a sip, of his hot coffee, he starts walking back to his room, but suddenly stops in his tracks, glancing over at you, his voice low ''you okay''

Cocking your head towards him, ''yes of course'' you sound extra chipper.

He just nods, as he strides further down the hallway.

Glad you dodged that awkward conversation, you get up, walking over to the kitchen sink, to do some of the dishes. Realizing you've left your empty cup, on the table you head on over to take it, dragging it closer with your fingertips, not feeling like, walking to the other side, wishing now, you did that extra little bit, as the cup falls to the floor, splatting ceramic pieces across the white tiles. 

Its not even that bad, but somehow, it was just enough to sent you over the exact same edge your trying to avoid, tears flooding now, plunging to the ground, cradling your knees, you just sit there, body trembling, the sadness washing over you. All of the sudden you feel muscular arms folding over you, glancing through your wet eyelashes, seeing those beautiful forest green eyes, ''Dean?''

Concern showing on his face ''Sweetheart are you hurt'' you just shake your head ''want to tell me why your crying'' shaking your head once again, a firm ''NO! ''

His voice filled with compassion, ''Everything will be okay, I promise'' he just holds you in his comforting arms.

Your voice brittle ''I'm so stupid..'' before you can let out any words, he gives you a scowled look, placing his finger on your lips, ''don't you ever say that, you hear me, you are perfectly imperfect'' him saying that, makes you cry even more. He thumbs away the tears, giving you a assuring smile ''what's wrong sweetheart?'' 

You sniffle ''I... I don't really know, I've been feeling a little down lately'' embarrassed you look down.

''Its okay, really, we all have days like those, sometimes we need to wash our eyes with tears in order to see, the beautiful things in front of us'' his voice is soft and low.

Surprised you look at him, your voice breaking now ''That's beautiful, but I'm always the strong one, comforting everyone else''

His hands gently resting on your shoulders now, ''I know and I love that about you, but sweetheart, let me be your strength for a while''

Smiling through the tears, you just nod, knowing that it be impossible to hear anything you say, through your shaky, trembling breaths, you just throw your arms around his torso, a sort of a little hug, to say thank you, knowing that maybe you just needed a little comfort after all, you can be strong tomorrow again.

He pulls you closer , to his chest, your head resting, hearing his steady heartbeat, stroking your hair, his smoky voice, filling your ears and heart, with more than just comfort, ''Sweetheart, I'll always be here for you, talk to me okay, I will never leave you, I care about you, deeply'' he stops speaking for a few seconds, his breath sending shivers down your spine, as he whispers ''I love you sweetheart'' and right there, on that cold winter's day, you found yourself in the loving embrace of Dean's comforting arms. The two of you stayed on the kitchen floor, sharing the moment that would change your lives forever.

[katethevampire]

All right so the new episodes just came out like 20 minutes ago for me (oh yeah me from the future here it ended up taking me about 3 hours to finish watching the episodes cuz I kept pausing to write stuff in between so uh yeah lol) so everything under the cut will be my live reaction to everything. I'll add time stamps so you know where I'm at in the episodes. I can guarantee you that I will be sticking to my promise about potentially eating paper if I'm wrong about Sir Pentious not dying. Which honestly now I'm not sure if anyone will die, it was pretty much confirmed in a live stream that angel dust isn't going to be the one to die so my money is on one of the Angels. Also I'm using voice to text and while I'll try and fix any misspellings or wrong words I might miss them.

LOTS OF SWEARING PROBABLY also I very much abuse capslock

EPISODE 7

00:51- I love Sir Pentious looking at Keke I just thought I should mention that

01:03- OH MY GOD NO KEKE MOVED TO HIS LAP AND HE'S PETTING HER I LOVE HIM SM

01:10 aw Alastor was sleepy you guys woke him up!

01:22- I CAN'T EVEN APPRECIATE RAZZLE AND DAZZLE BEING CUTE CHARLIE IS CRYING

01:29- he did the gay little hand thing

01:50- okay so I've already seen this part because of the small leak but I cannot get over the fact that Alastor has his shoes on the bed!! Like man take those off you're getting it dirty!!!!

01:59- mfs kicking his feet on the bed acting like a high school girl about to ask out her crush on the phone at a sleepover like dude you're a serial killer you can't do this to me 😭 also I should probably slow down cuz I'm making an update literally every 2 seconds

02:18 BROS CHECKING HIS NAILS AND DOING THAT POSE WHILE MAKING FUN OF HER ABOUT THE FACT THAT SHE UNINTENTIONALLY MIGHT HAVE CAUSED THE DEATHS OF MILLIONS 💀💀💀 so fruity i love

2:33- Alasto be like "it's called masking deary. Ever heard of it?"

2:44- if he wasn't saying this in such an evil manner right now I'd be saying he's so me frfr

3:07- what do I even say to that line. He popped off but also like respectfully I think I've heard a third grader say the exact same thing

3:53- OKAY SO I WAS GOING TO SAY SOMETHING BUT I'VE COMPLETELY FORGOTTEN LOOK AT THIS FRAME, this could easily be the profile picture for someone's film review channel and I'm not 100% sure that people will understand what I mean by that unless you know a very specific person

04:38- Alastor is in his hat man era

4:33- okay so a few things, thank you subtitles for telling me that the music is edgy I feel like just the word tense would have worked on its own but I appreciate it nonetheless. Number two, I don't like seeing the girlies be mad at each other :(

05:34 I will support my boy Sir Pentious through and through he did nothing wrong!!

06:54- not the voice I was expecting for Rosie but pop up Queen she speaks the truth

07:24- ROSIE KNOWS WHAT YOU ARE ALASTOR. Also his confusion, I love him so much

11:04- she's kind of like that one Pokemon

Ad time!- I DON'T CARE ABOUT VITAMIN PILLS THAT DOUBLE MY LIFESPAN

11:13- catabettes! Cannibals and catabettes!!! This is going into my vocabulary from now on. Also this frame that I paused at I love her face.

11:57- ugh, susan. All my homies hate Susan

12:54- I have a dream, I'm here to cause a scandal in the cannibal square

13:37- :( well it wasn't obvious to me I just thought the x over the eye was to look cool :(

14:35- SONG FUCK YEAH

15:26 If this song came out years ago I know for a fact there would have been an undertale parody version of it. Also I just got a cosmic brownie and some chocolate milk let's go guys we're eating good tonight

16:00 HOLY FUCKING SHIT SHE CAN JUST GROW BACK HER WINGS

16:30- therapist Rosie is not something I thought I'd be seeing today but honestly I love it. Also I don't think I'm going to be able to finish these episodes today because I'm only a little over 15 minutes through and I've been watching for like almost over half an hour and also I just realized that what if Lucifer is the one that dies?

18:12 ALASTOR GAVE HER HIS MICROPHONE I'M GOING TO EXPLODE INTO A BAJILLION CRYING PIECES RAHHHHHH

19:38 I'm going crazy I'm going insane right now bro literally what how I don't know what to say I love this act I don't know, it's just really good I don't know what to say like this is cool I don't I DON'T KNOW! IT'S I I LIKE IT everybody in cannibal town is cool and I like them and it's like 10 seconds later now and they're literally So based like free food like so me I don't know I'm just rambling at this point

20:56 ALASTOR AND ROSIE'S LITTLE DANCE THEIR LITTLE TIPPY TAPS OH MY GOD YES

21:06- alastor, you know it's not right to make someone your political puppet. Your little dances are cute though so I'll allow it for now.

I don't know why it thought I was speaking Spanish for a second but anyways that episode was really cute and good and I liked it but I'm also scared for the next episode cuz like now I'm wondering is someone actually going to die or were people just lying. I feel like either Adam is going to be the one to die or it's going to be Lucifer cuz they mentioned a lot in the previous episode about how Charlie needs to take up the throne and get ready to take her place on the throne like why does she need to take her place on the throne? Isn't that her dad's job??? Please don't kill Lucifer off please please please 🙏 also I'm still not on board and probably will never will be on the whole political puppet thing. Like I just know I just have a feeling in my bones that alastor's favor is going to be something like "Let me be the ruler of hell lololol" or something anyways

EPISODE 8

01:01-Why are you watching other men get fucked?🤨 (/j)

01:19 🥺 I love 🥺 I oove him so 🥺 so much 🥺🥺🥺 does he have a spatula like spongebob

02:02- wait so how is Vox watching them like does he have bug cameras in the air like those little guys in v3 (woah now I have to put a Danganronpa spoiler on this)

03:42 SOFT ALASTOR FANFICTION WRITERS QUICK WRITE THAT DOWN WRITE THAT DOWN!!!

04:18- I'm not even the biggest huskerdust shipper but awwwww also I don't ship him with anyone but I just want to see Sir Pentious happy pleaseeee also the little Melody of loser baby in the background

04:48- ugh I am clutching my heart right now Sir Pentious is my SON and I LOVE HIM

04:58- what the fuck that ao3 tag was canon this WHOLE TIME???? WHEN DID YOU GUYS HEAR ABOUT THIS?????

05:05- I told you angel dust wasn't going to die

05:38- it's like the song but different! Reprise it's called a reprise also is Mimzy gonna come back

07:15- Vox, you know that you guys are going to die if they lose too right?

Okay I can't timestamp this cuz I'll just be pausing every 2 seconds but just know that everything I'm saying after this is from 07:52 to whatever number I put after later right here->09:47

Okay, so this might be a weird comparison but you know like My Little pony Battle scenes? This feels like that in the very best way possible where they have the scenes with all the different characters fighting with the different music.

Oh my God yes Cherry bomb and angel dust I love them also that was a fire transition also I JUST NOTICED THAT SIR PENTIOUS HAT ALSO HAS THE EYE DOES HE JUST HAVE I HATS FOR EVERY OCCASION

Uh oh Adams angry he's going to do a my hero academia

Oh shit it actually worked that's not good.

I TOLD YOU I CALLED IT VOX IS HORNY

Oh my God that is such a cool shot guys someone should make that frame of Alastor their computer background

OH MY GOD WHOEVER ANIMATED THAT SCENE I LOVE YOU I'M LITERALLY GIVING YOU A METAPHORICAL KISS ON THE MOUTH IN THE PLATONIC SENSE ALASTOR LOOKED SO COOL

Guys I think Adam's going to die

😨 okay so Alastor's microphone just broke and I paused it to add that emoji but as I did the people I live with got home so I'm going to have to pause it for there? I'll update if I get prime working on my phone. Also isn't alastor's microphone alive? Maybe that's the character that died.

Update: all right I got it set up on my phone about 30 minutes later now we're resuming

09:47- okay so I think it's interesting that Alastor pretty much lost all his powers as soon as his microphone broke, my guess is probably that whoever has his soul (lilith, eve, or anyone else) gave the mic to him.

09:53- I like the detail that Alastor is still smiling even though he literally just got slammed against the wall, also Vox has the biggest hate boner for Alastor like

10:02- Alastor: "Have to disagree with you there, radio's not dead." Hun you are bleeding out I'm sorry but I don't think you can gaslight girlboss your way out of this one, also I'm sorry to tell you but the only thing they play on my local radio station now besides music is like, a show that's only on at like 7 in the morning where people call to complain about how their husband wraps Christmas presents

10:38- haha silly also EGGS!!

10:43- NO WAIT MY BRAIN DIDN'T REGISTER THAT THAT EGG WAS CRACKED THEY KILLED THE FUCKING EGG!!!!!! Angel, kill them.

11:12- no no no Sir Pentious you better not I don't want to eat paper

11:21- good for him

11:44- NO GOD DAMN IT PLEASE HAVE A REVEAL THAT ALASTOR OR LUCIFER OR SOMEONE ELSE SAVED HIM PLEASE 🙏🙏🙏 I AM BEGGING ON MY HANDS AND KNEES

12:03- okay this is really cool but is he actually dead cuz I'll legitimately be really sad if so

12:50- *that one vine* "*gasp* Adam."

13:23- KILL HIS ASS CHARLIE

14:12 yes Vaggie, queen shit

SIR PENTIOUS ARE YOU DEAD /J OR /SRS?????

14:35 I KNEW IT I KNOW HE WAS GOING TO COME BACK I MEAN I GOT KIND OF SPOILED CUZ I I SAW THE COVER OF THE EPISODE BUT WOAH 10/10 ENTRANCE

14:44- gasp! His face!

15:00- he is, so stupid. I love him.

15:51-okay I went quiet for a minute cuz there were so much happening but oh my God what do I even say this is just so cool also I don't know if this is intentional or not but the blood stain on Charlie's hair is shaped like an apple

16:34- NIFFTY RAHHHHHHH

17:08- wait okay I had a brief thought that maybe lute was actually Eve but I think I'm wrong on that

17:13- Sir Pentious would've liked pancakes :((((((

Ad Time! I don't care about hard Rock Cafe I just want to know whether or not Sir Pentious is actually dead please I'm going through all the stages of grief right now and Brandan Rogers just came on my screen as Katie killjoy please

18:04- Keke :(

Oh my God they're going to find him in the rubble right? ... Right?? Right guys right???????

18:10- fat nuggets survived that's good I see a rock that looks suspiciously shaped like Sir Pentious military hat whoa guys I wonder if that means anything and it looks like it's up like someone is standing? Whoa I wonder if they'll check behind that rock please

18:16- wait is he actually dead I'm genuinely about to cry

19:16- I am not crying about his death until the episode ends I am not crying until it is 100% CONFIRMED that he died

20:50- omg alastor's alive, he's in his Jack's skeleton era that means that maybe Sir Pentious is also-

21:08- friends :) he said friends just saying

22:04- I TOLD YOU I FUCKING TOLD YOU I TOLD YOU THAT BY DYING IT WAS JUST A CHARACTER BEING REDEEMED I TOLD YOU I'M SO SMART I'M NOT EATING PAPER HAHAHAHAHA I'M THE GREATEST MAN ALIVE HE'S NOT DEAD MY SNAKE BOY ISN'T DEAD HOW DID I GET SO ATTACHED TO HIM I DON'T KNOW BUT I LOVE HIM YES I CAN'T EXPRESS MY EMOTIONS RIGHT NOW I'M GENUINELY SO HAPPY THIS IS WHY THIS IS WHY I WAITED UNTIL THE VERY END TO CRY ABOUT HIM I KNEW HE WASN'T GOING TO BE DEAD THEY WOULDN'T KILL HIM OFF THEY WOULDN'T KILL MY SNAKE BOY OFF JUST LIKE THAT

22:34- you're telling me Lilith was just doing hot girl shit on the beach for 7 years.

[chiefbeifongcanrailme]

A Solemn Camper

Here’s my submission for day 1 of Lin Beifong’s Week. You can also find it on AO3.

Pairing: Lin Beifong x Iroh II

Rating: T

Find a surprise at the very end😉

This was not working. Nothing about this made sense. But spirits, if she wanted it to.

Tenzin made it look okay. He made it look decent, like love was the only thing that mattered. That souls were meant to be bound and—ugh, she groaned internally.

This was not working.

The rapid, whirring sound of a zipper separating broke Lin out of her thoughts. She quickly looked to the front. It was Iroh, looking pale as ever. She knew he had been feeling it too.

If it wasn't going to work in Republic City, it sure wasn't going to work in the middle of a forest.

"Hey," he said softly.

"Hi," her reply was softer.

"If you want to sit by the fire, it's warm..."

Lin stood up. The tent wasn't lacking in any amenity. The royals knew how to camp but they were far from roughing it out. The only thing she really needed was some warmth and closure. In retrospect, she had decided that she wouldn't need her space heater since Iroh himself is one but seeing as things were going, she probably should've chosen differently.

His eyes followed her as she walked past the young prince. He had so much to say and not one word to express his thoughts.

"Lin, I want to apologize."

She sighed. She was merely but a step outside the confines of their tent.

"I'm sorry that you feel like this isn't working. I really wanted to do right by you and—"

"Iroh, it's not your fault we’re not compatible,” she said quickly.

He placed his hand on the small of her back, forcing her to turn around him and face him. When she did, he placed his other hand around her waist and took the vision of her in. She was beautiful. A spectacular woman and even better partner. He couldn't piece together what was amiss.

Lin stroked his cheek with her thumb slowly and he melted under her touch.

It all came spilling out right then. "Lin, I've loved you since I barely understood what love was." His words were choking. "I can't let you go."

"Why don’t we talk? We never talk," she whispered hollowly.

“We should talk.”

“By the fire, though." She smiled meekly. "I am freezing."

The crescent moon was enchanting, and the silver light shone with all its might over the mountains. The city lights always hid the beauty of the night sky but in Iroh's eyes, Lin was still the most ethereal being there. He thought about verbalizing this but quickly realized how desperate he'd sound like.

But as if she was reading his mind, she said, "You need to speak your thoughts out to me. I need to hear from you what you're thinking."

She rose the stoned ground and turned it into a makeshift bench in front of the fire. She took her seat and pulled the blanket over her. Iroh took the seat beside her and gave her a look she didn't know the meaning of.

"Really, speak," she almost begged. "I need to know why you think I'm unhappy."

Iroh exhaled. "I often feel like I'm not enough for you. That I'm not the mature but younger man you signed up to be with. It's like you see me as the child you used to babysit all those years ago."

Lin chuckled despite herself. Iroh was the only child she would ever agree to babysit. He was a good kid. Clean and easy to care for.

She cleared her throat before rubbing that smile off her face. "I don't see you that way at all. I feel the same exact way, like I'm too old for you and that you would very much like to be with a woman closer to your age."

Iroh scoffed at that. "In what world would I choose anyone over you?"

"A world where pretty thirty-something year olds are wooing the handsome prince of the fire nation?"

"Of course, I don't care about those phonies! I only talk to them because—"

"I'm not jealous!" Lin said quickly, waving her hands. "Believe me. I've come a long way from feeling like I have to compete with younger women. I love you too, Iroh. I don't know that you love me."

"What? You barely let me kiss you when we’re out and you never have time for me! I would follow you to the moon if you let me and—"

"That is insane! You know I don't care for public displays of affection and why do you think I keep bringing paperwork to bed? It's so can sit with you while I work. You're the one who never voices anything out!"

"I don't always know what to say or how to put words to my feelings!"

"How hard is it to just say what you're thinking?!" she retorted. "It's not like you're speaking a different language, Iroh."

Realization hit the firebender like a satotruck. "Of course, I am," he murmured, meeting her eyes with his. He extended his arm out and gestured for her to sit in his embrace.

"What?" she whispered, moving closer.

"We speak different languages. We're not not compatible. We are just speaking different languages. Different love languages."

Lin tilted her head upwards and gave him a confused look. So, he continued, "You try to spend your time with me even though you have none of it. You need to hear my affirmations for you, but I never say them. Like, I'd never say that I cannot decide if it's the gleam of the fire or the moonlight that's making you glow right now, but it's making me fall even more in love with you."

"So how do we speak the same language?"

"Like this," he whispered and kissed her lips gently. He felt a smile creep against his mouth and despite himself, he pulled away to look at it. He decided that she was radiant beyond the brilliance of the sun and the moon. "Your smile is the most beautiful thing I have ever seen."

She gripped the collar of his shirt and pulled his mouth back onto hers. His arms tightened around her back and she felt him breathe in her mouth. It felt surreal.

"Do you feel loved right now?"

"I do," he whispered against her lips. "Do you?"

"I do."

This art is made by the fantastic JadeLotus. Her AO3 is linked here.

[vanveronicango]

okay yall i'm def going to liveblog my soc/crooked kingdom read WEEEEEE (feel free to blacklist '#andie reads six of crows' and '#andie reads crooked kingdom' if you don't wanna be sick of me or see any spoilers)

let me just get some thoughts out from the almost-130 pages i've read so far because i got em!!:

the kaz/wylan parallels already!! like i've read some opinions that they're two sides of the same coin but the fact there was already something before wylan was even introduced... at the end of his meeting with jan, jan says "i do wonder what a boy of your intelligence might have amounted to under different circumstances." this is literally the exact opposite of how he feels about wylan. from what i've seen other readers say, at least, he sees wylan as inherently stupid in his illiteracy, and it doesn't matter that his circumstances were 'perfect', he absolutely doesn't belong to the van eck empire. it's almost like, in this line alone, jan - somewhere subconsciously, at least - wonders what it would have been like to have someone like kaz as a son instead. leigh the things you've already made me feel

kaz's personality. already i absolutely love his characterization: he's a dick, an asshole to those around him, but he also has this snarky, almost silly side where he doesn't feel above occasionally joining in on his dregs' banter, while simultaneously being secretive and completely rigid in his own arrogance. he's both unlikeable and charming, and already he's feeling so layered and developed and interesting. i'm going to be honest: usually i'm not a huge fan of fan-favorite male characters that are dicks with extensive skills and massive egos hiding insecurities underneath. i think it's overdone and i'm not interested in it. but there is something about kaz that just completely flips the trope on its head for me and i can't quite place my finger on why that is but i'll be sure to bring it up when i finally figure it out lmao

BOOK NINA BOOK NINA BOOK NINA. i already absolutely adored her in the show, but only from the bit i've read, book nina is on another level. her work at the white rose, the way she completely shifts in her personality for that work but is also so so confident in who she is. the FLIRTING. the HEARTBREAK when she finally meets matthias again. she is so wonderfully written and such a joy to read

matthias is absolutely breaking my heart fr like... when he was forced to kill the wolves... the way he went from feral animal in the ring to tears... damn. damn. the way he's written it's like he's literally at war with his own mind, just being ping-ponged between sheer, violent rage towards nina interspersed with flashes of... oh her skin is so soft... the dreams about loving her hurt more than the ones where i kill her... he must be so tired :(

the kaz & wylan relationship. i knowwww that he's fully using him and everything he does is a means to an end like I KNOW THAT but the way he defended wylan when the rest of the crows were calling him stupid and less talented :( "hidden depths" "marketable skills" OH MYYYYYYY gosh :(((((((((( their relationship is so special to me already.. like kaz is extremely upfront (well as much as kaz brekker can be lol) to wylan about why he's there ("why do you think i'm keeping you around" "i'm good at demo" "you're passable at demo. you're excellent at hostage") which i actually do appreciate, but right now he's also objectively the only one on wylan's side rn, even if it's all bc of ulterior motives

wesper. OH. OH BOOK WESPER. my absolute beloved already. the way jesper can't stand him. the way wylan doesn't back down when jesper comes at him. their bickering means literally everything to me. am i absolutely heartbroken that he literally called wylan useless? you're damn right i am :((( but man their growth is gonna HIT i can feel it now. i see how different book & show wesper are now (i've heard but actually reading it is a whole other thing) and both are so special to me... it's like alternate universes bless em. i'm so excited to read more of them (they are my favorite couple and i will be commenting on them a lot okay)

i really wonder how this book would be if i had literally zero spoilers BUT. reading wylan say "i'm not useless" when everyone is attacking him for just being there (jesper calling him useless and nina calling him stupid got me feeling a little feral)... he's so used to being belittled and treated like a fool by everyone around him but he still tries :( he still puts his all into helping. he tries to make everyone understand that he should be there and that he is talented at what he does and that he's not useless. i think he's trying to convince himself, too

i'm so excited for more jesper pov. i absolutely love this man and i wanna get into his head gdi that beautiful insane little sharpshooter brain

inej... so far she's giving the p much the same vibe as the show so i don't yet have much to comment here (i just love her. anyone who feels anything less than unwavering adoration for inej ghafa is not to be trusted) EXCEPT honorable mention for the absolute thirst that comes over her watching kaz get half naked and bathing himself. the way she just gazes at the water running down his body and his HANDDDSSSS miss ghafa has a hand fetish confirmed good for her good for her good for her

okay okay that's enough for now, i'll be more specific as i go further but i had to get my thoughts so far out somewhere lol anyways im about to continue reading so i'll see ya in the next post~

[henrysglock]

Pulling @krokodilsredimudil'stags from this post

OKAY THIS IS SOMETHING IVE BEEN CHEWING ON FOR A LONG TIME!!

Now, I don't have a full "analysis", but I've got a web of things I've noticed.

Let's start by looking at an Observer (September pictured here):

Bald, grey suit, darker tie. They can both see and move within past, present, and future. They exist outside of time, a new branch of humanity from an alternate future. They're guardians of the timeline, making alterations to ensure that specific ends are reached.

Now, there's a certain character this sounds a whole lot like, who we've discussed before in the context of Vecna/001: Dr. Osterman/Dr. Manhattan.

He can also see past, present, and future all at once, and he can manipulate the universe to get his desired ends.

Particularly, though, what connects him to Vecna/001:

Dr. Manhattan's theme, Prophecies by Phillip Glass, which comes from the documentary Koyaanisqatsi, plays over young Henry/Edward's introduction in 4.07.

As Dr. Osterman becomes a blue, super-powered, pseudo-God "Dr. Manhattan"...so, too, does 001 when he becomes Vecna:

The 001 -> Vecna transformation sequence is beat-for-beat the same as Dr. Osterman's transformation into Dr. Manhattan:

So this all already puts Vecna tangentially into the realm of Observers.

But what makes this paralleling interesting is this:

That man is not Jamie Bower. Period. The man we're told becomes Vecna is not Jamie Bower.

For reference...here's Jamie Bower under similar lighting/injury:

Proto-Vecna? Not the same (as I've detailed here and here).

He may not look like Jamie, but he does look like Modine/Brenner:

(as I've detailed here)

Meaning if we hand-wave and mumble a little to tie Brenner and Vecna together, we get a true Dr. Manhattan-type character. A doctor who fucked around and found out and ended up a fucked up blue pseudo-God.

Which becomes even more interesting when we consider that, from a certain point pre-Gate, Brenner does not change outfits. He always wears a dark grey suit and a darker tie...just like an Observer.

(This exact costuming detail has been driving me batty because it makes it impossible to put Brenner's scenes in chronological order. He's always wearing the same thing, meaning I have to rely on the outfits of those around him to try and piece it together, which is...insanity-inducing)

This becomes even more interesting when we consider that William Bell had plans to create a brand new universe out of the decimation of the existing two and act as the God of that universe.

Which, initially that makes you go:

"Okay, that's a 001 thing"

Except...

However, he does so with just a shit ton of chess references, much akin to how Henry describes Brenner in NINA:

While also being heavily Brenner paralleled in shot choices and character design:

And here's Bell's New Universe plus its inhabitants, as compared to demodogs:

However, after having his plans thwarted, Bell then pairs up with the Observers, selling the Fringe team out to them in Season 5, which leads them into the final timeline reset.

We also know, from season 5 of Fringe, that "normal" humans can become observers by co-opting their technology:

(peep the Bowie reference)

And we have a Brenner who is a) in direct connection with William Bell and the cortexiphan trials and b) is not located by the end of Fringe.

So like...I have nothing but questions, honestly! I wonder if Brenner is somehow tied to that Brenner, and if he has Observer-like abilities the way Peter does when he co-opts the Observers' technology. Our Brenner predates cortexiphan, and he predates Walter/Bell's discovery of the alternate timelines...

So who's to say he's not tied to Fringe's Brenner? Our Brenner is known for his LSD trials in pursuit of pushing the limits of human ability.

I mean, the Duffers even go so far as to say that Brenner was looking for Henry to show him "other worlds about how our universe works".

That's textbook Fringe. That's textbook Bell and Bishop. Were Stranger Things to be something of an offshoot, Brenner would be in exactly the same line of work as Bell and Bishop. Hell, Richard Brenner in ST could very well be meant to be tied to Fringe's Brenner. We just don't know, and we won't until Season 5.

I just... [REDACTED] Brenner, William Bell, Walter Bishop, Peter "Test Subject 01" Bishop, Olivia "Subject 13" Dunham, Henry Dunham, Henrietta Bishop, Ella and Eddie Blake (named for his grandfather, Eddie Dunham). Martin Brenner, Richard Brenner, Peter Ballard, Peter Owens, William Byers, William Hargrove, Henry/Edward "001" Creel, El "011" [REDACTED], Eddie Munson...etc., etc. into eternity.

Bell, Bishop, Brenner.

Anyway, I do have a working graphic for this web of connections, though:

[astarab1aze]

rping/rpc petpeeves for munday? 💀

i can think of a couple.

anon hate, as if we're not all adults here, to name one. the complete and utter lack of respect some people show toward other writers is just ??? it's nuts. another thing is activism within the rpc and the advent of twitter-esque dog-piling when someone doesn't get their way - most i've found either have good intentions and just get it wrong (sokay, we all learn) or are sort of using x cause as an excuse to bully and isolate people as if that's ever been okay or appropriate (bad faith; the 'cause' is a smokescreen that makes the person getting harassed look bad for defending themselves, which i don't and never have vibed with; i spent a lot of time in discourse circles and people who do this don't actually have any convictions, they're just being dicks because they know they can be and get asspats after). people who take things too personally too, because at the end of the day, this is a hobby and we're all human. we can't all talk to each other all day every day, it's just not feasible, and if it takes a week or more for someone to get back to you, it's most likely the exact opposite of intentional. i forget everything all the time, my notifications don't always work on tumblr or discord, there isn't enough time in the day in the first place, and like some i have children and am married, i'm severely time blind (i thought it was still februrary until last week) or otherwise have 800 different things to do at any given time. a lack of communication, at least from me, isn't ever personal, and i'd wager it's about the same for other folks too. sometimes i need to be reminded or nudged and i don't mind that as long as its respectful. yaddayadda.

also it's weird to me that just a couple of days or a couple of weeks of not talking or writing is enough for some people to unfollow, break off/drop roleplays, or whathaveyou. it's just...weird, to me. it shows an unwillingness to understand that someone else's life doesn't revolve around roleplay, and also impatience. i would understand maybe a month or so, but not anything before. my rp besties and i regularly take a few days, sometimes a few weeks to respond to each other's messages and there's no bad blood there. on this front, this is exactly why i'm as laid back as i am - take as long as you need to, i'm not going anywhere.

i have some probably unpopular opinions too, not just pet peeves, but i'll save those for another day. like if someone writes, idk, noncon, i'm probably not going to jump down their throat because a) i don't know them, b) i don't know why they're writing it, c) i probably never will, and d) i'm probably not seeing it on dash anyway since i block and filter tags. when i said this is a judgment free zone, i really meant it. it's not my place and i don't care anyway. write whatever you want? be it to cope or explore something difficult so you can understand it or something else so you can have fun. because i will, even if that's really just complicated romance with a fantasy backdrop. write whatever wish fulfillment and escapist nonsense you wanna write too, while we're here, because genuinely i'm tired of that being seen as a bad thing also. we've all written something someone hates for one reason or another, whether it be unrealistic or 'disgusting', so really all you can do is keep truckin' cos you can't please everyone and it's pointless to even try.

[chiveburger]

Hi Candice! I’ve been following you for ages now so it felt like in some way, we were navigating through life side by side but now I’ve gotten to my late twenties and….its not what I really expected. I hope this doesn’t make hard moments you’ve already gone through reopen and if it does I completely understand why you wouldn’t answer this but…how did you go about being unemployed for awhile? I’m starting to struggle mentally and I just need some sort of real guidance or words. My mom isn’t really making it easy either and I don’t expect it from her but it feels like she wants me to feel these negative emotions that are naturally connected to being jobless which kind of adds to my already pent up pressure I put on myself but yeah…Apart from that, I’m glad you still post and your vlogs are so cute. You’re like sunshine!

I'm very honored that you have followed me for so long, and feel open enough to ask me this question. I definitely look back at the time when I was unemployed, and actively avoiding the job market as something that was necessary to me as an individual. I'm sure you already know, but the novelty of not having a structure routine and not getting paid wears off quickly and it's very easy to delve into depression or negative emotions when times goes by. I stopped working for 2 years during covid, and when I started applying and looking again it was a very daunting hill to climb. I would feel dejected if I didn't get a job, but also conflicted when I did get an interview for something I felt overqualified for. I was stuck in this slump where I had things I wanted to do but not enough credentials. at the same time I wasn't putting enough time into my "hobbies" to really make it a career.

the first piece of advice I can give you, albeit tacky, is that you are absolutely not alone. the emotions you're feeling are justified, and it's not an easy place to be without a solid foundation of support both emotionally and financially. two little quotes that continues to help me through difficult periods of time is that "life is fluid" and "nothing you do is ever in vain." we're not always where we want to be, doing what we want to do, but things can change and things will get better. your life is not defined by the time that you're unemployed, and while it's hard to envision your future amidst darkness, the darkest hour is just before dawn. all the steps you're taking and decide to take will lead you to different opportunities and experiences, regardless of them being good or bad I implore you to reach out and try, no matter how scary because you'll never know what road it'll take you.

sometimes you are met with harsh words and critique about your choices but I look back on the ones that came from those who love me and wish better for me, and I thank them for not just consoling me but pulling me out of the hole I was stuck in. my best friend told me that she didn't want me to look back in regret, and to wait for an outcome I wasn't actively putting energy to. she told me to go home and write down what I wanted to do, curate a plan, and to do something everyday even if it was small. ultimately, it took a long time for me to open up to the idea of working again and I made a lot of excuses not to. I took up an offer for my current job close to 2 years ago without any expectations, and I've accomplished much more than I could've imagined. I know what path I want to take and how to get there, and I have a lot of people who believed in me, who praised me, who supported me to thank. In return, I can be the one to believe in you, to praise you, and to support you in your journey too.

I've been in the exact position that you're in and it's very hard, and there are many times where you'll feel very bad but please remember there will always be second chances, third chances, fourth chances. don't be afraid to apply to places outside of your comfort zone, and know that everytime you get rejected it's okay to feel defeated and unhappy. even the bad experiences will potentially lead you to the right people and the right place. so, don't give up because doors will always open for you, even the ones that are locked.

[mooremars]

Camelot 2023 Act 1 ramblings about the music and book and also the visuals again because turns out 3,000 words wasn't enough.

I cannot possibly recommend anyone actually read this because it is so absurdly, comically long but I needed to get some feelings out. Also it's in two parts because apparently Tumblr has a maximum character count and I hit it.

Overture

• Firstly, female conductor, we love to see it

• I love overtures and entr'actes and this show's is so good

• Shoutout to the orchestra

• I have never experienced a bad Broadway orchestra but still doesn't mean they do not deserve serious praise

• Does just the instrumental of Camelot make me very emotional and think about fundamental human goodness?

• Yes, this show did its job

• The end of the If Ever I Should Leave You part is just permanantly in my brain as the part during bows where they point to the orchestra

• Whatever the music that plays as everyone starts walking onstage is epic

• The vibe is set and I'm ready

Act 1 Scene 1: A hilltop near the castle at Camelot

• I've said it once and I'll say it one thousand times, I am obsessed with the way they've used the space in this show

• I love that they can walk up the back of the stage, I love that they have the stairs in front, I love that they've got so many exit and entrance points

• Sorry to the actors who probably had to do a lot of running around but it was fun for me

• As much as I like spectacle, I don't inherently prefer it over this kind of more minimalist thing

• But I do feel like they did a good job at conveying scale and drama even though the set is extremely minimal

• "I have the exact same amount of information that you do" just immediately starts the show off on the right foot

• This is a new take and I was here for it instantly

• And such a funny way to deliver a ton of exposition, this will be the first of what will become the prevailing theme of my rambling which is I adore Sorkin's writing beyond measure

• Merlyn's delivery drenched in sarcasm for every line is perfect and we clearly see where Arthur gets it from

• Specifically "do you know what calamity means?"

• But also "things in England are changing too fast"/"words that have never before been spoken"

• Establishing Sagramore in a funny way that becomes so serious by the end

• We jump right into the Sorkin dialouge rhythm and it feels so right

• There's the perfect amount of everyone overlapping each other and finishing the other characters' thoughts

• And also the jaunty music when most of the guards leave, like I don't exactly know why it sounds like that since it doesn't fit but I love it anyway

• I know it's part of at least the movie's score but like to me it's still strange, I've been calling it clown music in my head

• The difficulty finding the king exchange and also the pheasant hunting exchange are so funny and set the tone so well

• Can you see I'm attempting not the write out every line of dialouge?

• But also I love that we get this little build to Arthur to wonder what the hell is going on with this guy

• Because if you're me, you've come into this show with basically the association with JFK and that's it

• So I had no clue and was curious

• The knights have like mostly terrible points but Sagrimore's delivery of "snear all you like but five minutes ago we were at war with that girl's county and tomorrow I'll be swearing an oath to protect her with my life"

• He's not wrong

• The knights are so good, the actors are perfect

• Every bit of casting is inspired and those three are no exception

• "Arthur get the hell out of the tree"

• Again with no context, the tree really got me

• "Hiding, I'm obviously hiding" - I am instantly in, the delivery on this line is so funny

• Okay fine I was in from the way he said hello, also a hilarious delivery

• My roommate brought up immediately how effective it is not to have him do a British accent and how it again just makes Arthur relatable - genius

• Whatever voice he's doing is a perfect choice

• Also young Arthur is so much the right choice it's staggering to me that they ever did it any other way

• They thread the needle so perfectly of Arthur being young but not in a way where he's like an incompetent child

• Which I feel like is actually how some of the other versions with older actors still managed to come off

• But this Arthur is just young and trying

• "My mouth disconnects from my brain"/"I've witnessed that"

• As like a character note, I love that exchange but I also was worried this was gonna be what it usually is, which is a male character who cannot treat a woman like a human person

• But no, Arthur has absolutely no problem with that, his mouth only disconnects from his brain when he's trying to confess feelings and that is 1000% more endearing

• "Years of tutoring in philosophy and law, why didn't you ever teach me about love and marriage?"/"You're not marrying for love and there's nothing about it that can be taught."

• To which my roommate that I dragged to see this twice and who has just been forced to talk about this show with me, maintains that perhaps you could maybe convey that relationships are about communication

• That lesson might've helped just a bit

• "You're not marrying for love" like Merlyn is trying to warn Arthur and he sure did not listen

• "They should be reading" Arthur babe they literally can't, it's the Middle Ages

• Also the establishment of no magic is so deftly handled

• Arthur complaining that people think that dragons are real and you get exactly what this world is

• I love that I Wonder What the King is Doing tonight becomes his noble king music

• Also I just absolutety love any time anything has a recurring musical theme it just lights up some part of my brain every time

• The yelling of "he's scared" and all of the subsequent lyrics in that spot is again hilarious and just very good characterization

• Also the delivery of the slaying a dragon part whatever that singing accent is I love it

• Actually the way he sings all the parts where he's imagining what other people are saying

• The other characters have a lot of songs that are gorgeous and require some incredible vocals and songs with fun lyrics and fun performances but not at lot of them get to infuse this much personality and character into the songs through just the delivery

• Don't know if that's from the original or not but it's one of my favorite characters introductions I've seen in a bit

• From what I've seen this is definitely an escalation of previous versions and I adore it

• He's so annoyed, he hates this shit so much and he's so funny

• I mean also lots of credit to the lyrics because they are obviously very funny

• I love this song a lot

• Arthur's "shhhhit" when he realizes that he's managed to run into his future wife

• The multi-layered complication line, so quintessential Arthur

• The contrast between the gorgeous Julie Andrews channeling singing and Genny's brashness in her movement and dialouge

• Like obviously that's already in the lyrics but the book and direction just stretches it

• Everyone knew Phillipa Soo was going to be perfect and she is

• A lot of my strongest impressions are about Arthur

• Because I had no idea who the actor was and because in the limited amount of adaptations I'm familiar with of this whole story, Arthur is the bad guy or a good but extremely boring guy

• But I knew going in that I was gonna love Guenevere and Phillipa Soo even if I've never seen her on stage before

• So it was unsurprising

• Like my expectations were sky-high and she's so talented in every way and the writing for Genny is so good that she exceeded them anyway

• And she's so damn funny

• Obviously the whole rescued in the wood bit is already just a good joke and I'm honestly impressed with how funny the original songs are

• I am a sucker for the thing in stories where we know what's going to happen because they've been told so many times

• When they have a character say something the audience knows is foreshadowing

• "Cause a little war" is what I'm thinking of in this moment but there are tons and every time it's a hit with me

• The delivery of the clause one bit is perfect and her backing Arthur into falling on the bench and then just turning around and back to angelic singing

• The turnaround from the aggressiveness to the extremely soft and feminine singing is brilliant

• "The more knights slaughter each other, the fewer there are to slaughter the rest of us"

• The exchange about the dowry still being in the carriage

• Their deliveries are so funny

• They immediately bounce off of each other perfectly

• And Genny not even escaping with the dowry she's supposed to be using to buy her freedom, amazing

• "What is power uuuused for? That is a very interesting question."

• Genny just immediately knocking Arthur's socks off

• Trying to write out some of the word deliveries he does is so hard but there are a few that absolutely kill me

• They've known each other for five minutes and they're already having a debate

• "I've known kings, I'm daughter of a king so marrying a king doesn't have the same allure for me that it apparently has for you"

• She just speeds through those words at the end and it's great

• "They run to here" is another bit of hilarious delivery but I also love the contrast it sets up between Arthur trying to be kingly in a way that doesn't fit versus later when he does it his own way

• I could listen to them go back and forth saying why for ten minutes

• Genny's incredulousness when he says the weather

• I can't remember but I think she's walking away and then just turns to stare at him in absolute confusion

• Like he's so ridiculous that she can't help but engage

• I did a quick bit of intermission math and we know this takes place seven months before the Lusty Month of May which is obviously happening in May

• So Arthur is literally singing to Genny about how there's no winter until December while at best - assuming the one month later and six months later are rounded up - it is snowing at the absolute beginning of November

• More likely October

• No wonder Genny thinks he's full of shit

• His improv did not pan out

• This is a joke for me, thank you Aaron Sorkin

• Do love that canonically, Arthur is in fact singing the song Camelot - that he just made up in a panic - what a dork

• Genny's little interjections of skepticism are all so funny

• Also just instantly establishing her as someone you love

• She's perfect

• But my favorite is "my escape is time sensitive, do you understand that?"/Arthur still singing/"no he does not"

• These actors are both hilarious, the amount of stuff required of musical theater actors continues to blow my mind

• Like not only to do the whole singing, dancing, and acting thing but then you have to convey it to a whole theater but also not overact to the people up close and be able to do comedy and drama how

• I was in practically the back row up top and not a good view but extremely close (like seeing the actors spit close) on the side for the under 35 tickets and then also in very good seats and the performances by literally everyone never felt too much or not enough

• "Are there any other people in these woods you could recommend?"

• Also this moment which is the cutest thing you've ever heard

• Do I remember exactly what happened? No. But do I know it was adorable? Yes.

• "And we have poets in France"/"Oh yes of course... But do you?"/Genny angrily naming French poets/"Understood" and he's already singing again

• The entire performance of this song and especially getting her to sing along, so charming in the most annoying way

• But also she's sort of into it which is cute

• I do see on YouTube that there was a bit more to this French poets discussion which was probably right to cut but I am delighted to find literally anything new

• Sidebar

• I have been known to have issues with staying present when I watch things and not letting my mind start wandering. And one of the reasons I knew Camelot was good the first time was that I was totally engaged the whole show. But the last time, I did have the one moment where a thought popped into my brain during this song that completely threw me out of it

• And that thought was "this Barbie has taken a carriage ride to hell" after Genny says that line and like why brain?

• (For the record Genny and Arthur are both Barbies. They are everything. Lance is just Ken. Perfecting his body and soul is his beach. He is Kenough. Arthur and Genny have a terrible day every day. Lance only has a terrible day if Arthur and/or Genny look at him.)

• (I believe I have come up with a combination of words that have never been spoken before and perhaps a genuinely new opinion on a thousand year old legend)

• (In a bad way)

• Anyway

• The pure chaotic comedy of the knights finding Arthur and Genny freaking out is not something I can articulate but I adored so much

• Phillipa Soo is stealing the whole show in this one

• Does Genny come out of her hiding spot with her mouth wide open before she gets on the ground or am I misremembering?

• "We call that a sin of omission your majesty"

• With no remose "oh we call it that too"

• "Were you never going to tell me?"/"No I was going to get to it"/"When?"/"After I told you about the weather"

• Not a single bit of remose again

• I don't have anything to say, I just think the exchange is very funny

• I love not making Arthur any kind of royalty, he is truly just some guy

• Like I'm reading The Once and Future King and Arthur's lineage is so weirdly complicated and I just don't care, I like him as some guy

• "He discovered he didn't have his sword because I left it at... a house, that doesn't matter, that's my fault"

• Now that's a line that is funny on time one and fills you with dread afterwards

• The most exasperated "I was just going to borrow it for the day"

• Something about the delivery of "when I opened my eyes the square was filled with people shouting god save the king"

• Like Arthur never actually says out loud that he didn't want to be king but Genny gets it right away

• "I see you now, you're just a boy wearing a crown you never wanted sitting atop a throne two sizes too big"

• Just an absolute cutting response but Arthur doesn't take it that way at all, he's so earnest

• She reads him to filth but it doesn't even rattle him, he just takes it because it's true

• Gorgeous writing in what she says and his response

• "But provenance has put us both here, both of us highness and want it or not we are commanded to wear that crown and to grow into that throne"

• Chills, the delivery is outstanding

• We finally get King Arthur

• And Genny being convinced, all it took was one genuine moment and she's ready to engage

• Then Arthur again just taking so passionately about what he wants Camelot to be

• No wink, no sarcasm, no shame

• This show is unabashedly sincere and optimistic and I love it

• Genny falls in love with Arthur, I fall in love with Arthur, Genny falls in love with Camelot the idea, I fall in love with Camelot the show

• Everyone including the audience and Arthur were already in love with Genny for Phillipa Soo reasons so there's no moment for that one

• I feel like the trope-y thing would be to have Genny be a cynic here but no, she's just as much of an idealist as him

• She put up a little front of cynicism at the beginning but as soon as she gets the option of hope, she's choosing it instantly

• "Or you can stay. And together we may discover if power might be harnessed as a force of good"

• Like he's instantly treating her as a partner in this endeavor

• And I Wonder What the King is Doing Tonight playing under it so beautifully and then the seamless musical transition back to Camelot is so perfect

• I am music stupid so I wish I had something to say about it but your songs have got to be tight to flow that way

• "I don't know if I'm worthy" also just a heartbreaker

• We don't really get to hear anything about Genny's life in France but she's clearly very opinionated and competent and I wonder if besides the whole wanting romance and adventure thing

• She also had an idea of what the life of a queen is like

• After all she's the daughter of one

• And she didn't imagine having this kind of role in actual ruling and doesn't know whether she can live up to this ideal that Arthur has set

• Like maybe she thought the only way she'd get to impact the world was knights killing each other over her or being the cause of a war, at least that's something

• But now she has a chance at more and she's grabbing it

• Genny singing the reprise is so beautiful thematically - it makes me a little teary just watching her instantly be like I see your dream and understand it and I want to be part of it but via some of the best singing maybe ever

• Such an amazing recontextualization from the original

• I've seen little clips of this reprise from 1961 and this one just feels warmer and more meaningful because it's about the ideals and not them confessing love at first sight

• And somehow more romantic

• They're instantly established as a team who share intellectual and philosophical similarities

• To so quickly convey that and make it believable

• It not only cements their relationship but makes them characters you root for

• And then the sounds of people coming in as soon as or maybe even before they get to finish singing together, like it's their world and they're falling for each other but there's no time, they're king and queen now and that will always supercede their relationship

• Also something about the moment when Arthur introduces her to the court just also really gets me

• "She's nice... some of the time"

• It's cute how smitten he is with her, all of her, immediately

• "Something about her makes me want to be a better king" (so Arthur is actually capable of expressing a romantic thought, don't get used it it)/"She's very attractive"/"Oh she is but it's not that"/"Arthur"/"Well it's not just that"

• I love the way they flip the speech Arthur gives Genny from the original about not feeling like a king until now meeting her

• But now that they've actually gotten to know each other a bit and it's after she's agreed to stay it actually makes sense here

• I do also love that even though he can't manage it to Genny's face, he does feel completely comfortable expressing his feelings about her to Merlyn

• The "oh she is" is so cute, he's so excited

• The music under his conversation with Merlyn before he starts just monologuing, very ominous

• I'm obsessed with it

• "We finally have peace" is another line delivery that I just need to sit and think about

• The joy of it, the relief

• Again the idea that Arthur has been a king at war this whole time

• Merlyn mentions, as part of a joke but still, almost as soon as we meet Arthur that he's fought armies

• He's not optimistic about the world because he hasn't seen conflict

• He's more determined because he sees what it does

• Channeling best man in all fiction Waymond Wang this is how I fight energy and that's very my shit

• Very much my shit might be a slight understatement

• It might not be surprising to learn that Arthur is my favorite thing about this show, they revamped this character so well

• So much of my life was spent in the media age of male anti-heroes and I love that we've returned to a point of male heroes

• Arthur idealistically talking about how they can finally start making Camelot for everyone and Merlyn walking off stage while the ensemble sings I think the part from the cut song and I assume some new stuff that's very Medieval church music

• So so good

• "What do I do next?" so eager and then just the emotional drop-off to his scared little boy when it becomes clear what's happening "Merlyn?"

• Stunning performance

• I think Arthur falls to his knees at some point but I'm already doubting

• The "what the hell do I do now?"

• Perfect scene ender

Act 1, Scene 2: The King's study - one month later

• The transition music between scenes is always good

• It's gonna be a struggle not to just quote this whole scene

• "Arthur, please call me Arthur" is so desperate like he has no one now, no actual human connections to him as a person instead of a king now that Merlyn is gone

• And then asking what she was called back home, he wants connection so badly

• And probably he still feels guilty for taking her from her home to be his wife

• "I was a royal princess, I didn't have friends"

• Well there is a reason they're both terrible at relationships

• I also love the way Phillipa Soo says Arthur in such a stilted way at the beginning of this scene and it becoming more natural every time she does it

• Genny telling him he's not attending to his duties with enthusiasm like she is not the least bit afraid to challenge the king a month in

• Love to see it

• Arthur's "I beg your pardon" when she asks about cortesans and the look he gives her

• "My father kept his women, his extra women, in their own wing of the palace. Where are yours? Might they cheer you up?"

• Genny the proactive problem solver

• Also something about the way she says extra women makes me laugh

• "I don't have extra women, I'm a married man. You were at my wedding" perhaps one of my favorite deliveries and lines in the whole show

• Genny's point of view in this scene is very interesting

• Like she does bring up that it's his legal right instead of dropping the whole thing and that's a choice

• Does she think he's lying about not having cortesans and reminding him that she is legally obligated to be cool with it so to be honest?

• Or is she just baffled by Arthur and his choices because this is a normal thing for a king to her?

• Or maybe since she already has feelings, she's trying to balance her own expectations to not get hurt?

• Possibilities

• "I'm aware of my legal right in that regard and I assure you I have no intention - oh my god - no intention of exercising it"

• Specifically the delivery of oh my god but the whole thing, he is so offended

• "And making the world into Camelot, are you abstaining from that too or will men at honor continue to plunder villages and take, rape, and kill whatever they please?"

• Genny

• Genny you are a hero

• She's so smart and fierce and unafraid to stand up to Arthur

• "I didn't make the world"/"You make a part of it"

• Arthur being so defensive and Genny calmly holding her ground

• She's taken to her new role so well

• And then Arthur admitting he doesn't know how to proceed without Merlyn, I love the way he builds trust in her in this scene

• "What would he say?"/"He'd say my god you're the slowest student anyone's ever tried to teach"/"Well I can convincingly say that"/"It's good that you mock me, kings should be mocked from time to time, it brings people pleasure. But for the record it's no fun for the king"

• Genny sounding so pleased with herself, Arthur getting out another sarcastic response

• Also what a lie, it is fun for him

• Mocking each other and public policy are their love languages

• "He once explained why but I got distracted because a white tailed eagle flew right by" with the most excitement and boyishness

• And then starting to go off on a tangent about eagles

• Never change Arthur

• I just think it's sweet the way she redirects him because she's fully committed herself to the idea of Camelot and her role in it

• "Pace freely at your own pace"

• Another brilliant line and delivery

• Channeling some Mary Poppins here

• Genny getting Arthur to think is so good

• "You had to pace and comcentrate to arrive at that?"/"It's hard to imagine why your country was willing to part with you"

• The proposition/resolved structure of this scene is very good

• And also that he starts with this pessimistic tantrum about human nature and Genny guides him back on track

• It's a great relationship moment but it also lets Arthur have some struggle and lets Genny be for Arthur what he was for her in the first scene

• Arthur collapsing on the floor and muttering "extra women" like wow he cannot handle being thought of as not a good person

• "That's it?"/"Wait"/"I wasn't going anywhere"

• Her being on the floor with him, gently pushing him

• He can't even maintain cynicism for more than a few minutes

• Them building the idea of the round table together, this is peak romance

• I can't just quote this scene in its entirety but every moment of it is a delight of them passing ideas back and forth

• "Isn't it also about the law?"/"It is"

• A standout delivery

• I love when they're working out the wordings like they make each other better

• "The law will be the stone upon which this rock - the rock upon - wait the church?"/"Have mercy"/"The law will be the rock upon which this church is built"/"Nothing can be more important"/"Nothing can be as important"

• This is what I love about Sorkin's writing

• The way that he has characters discuss ideas

• Like everything is an exciting discovery

• There's no singing in this scene but it has so much rhythm and is so compelling when in another writer's hands it would be boring and forgettable

• I broke out a chunk but it's so dense there are so many words and I love each one

• Genny counting down to his return, she already knows him so well

• Again I am trying not to type out every line

• I think they both yell for the page but I'm actually not sure, either way they are so excited and yelling something

• The new book has done so much to deepen their relationship, I adore these idealistic little nerds

• Arthur cannot contain himself

• His attempt to cool things down for himself by taking his hands off her face and then "you were very helpful, thank you"

• Smooth

• Convincing

• Definitely professional and platonic

• Truly do not know how Genny does not realize he's in love with her at this point but she sure is not gonna get better at that

• "And I suppose France too"/"I know that hurt"/"A little bit" and then he laughs it's adorable

• They're both so giddy here

• "Arthur I did already know that about you, that you were a decent fellow"/"I'm glad"

• They're in love. They are so in love.

• Arthur has taken on Genny's tone for the word inspiration when he talks to the knights

• "You've invited the French" every time Sagramore says it, it's just as funny

• "We may not be born equal"/"We are not sire" (with so much contempt)/"So our laws will make us equal" (with no room for disagreement)

• The immediate conflict

• And we see Arthur being a king and taking a hard line which we don't get to see much in this show and I love it

• "What about God's laws?"/"Not. Our. Jurisdiction" like are we sure this is not actually from the west wing

• I'm internally cheering when I hear it, I love this line far too much

• It's funny but also authoritative and kingly

• I get that some people do not vibe with Sorkin's style and that's fine but I very much do

• This show is so for me it's kind of incredible it was not made with that purpose

• A Sorkin character who would love Sorkin's work, I just adore it

• And according to the funniest line from any review I read, also has Sorkin's haircut

• That just lives in my brain because it's funnier than any piece of media criticism I will ever hear

• The knights already dissenting is very good but also that they don't fully agree yet with each other

• They build it in immediately and that's such a good choice, it makes every escalation feel totally plausible instead of the knights just easily falling for Mordred's bullshit

• Dinadan quoting Plato's ideas and saying how they're the well-educated people who should be in charge is great

• I love that the knights get to be characters and have thoughts

• Their constant vacillating between loyalty to the king and loyalty to the power structure they benefit from

• One of my favorite running tensions

Act 1, Scene 3: The countryside outside of Camelot - six months later

• The performance of C'est Moi is so funny

• Going 100% immediately

• Jordan Donica was just as perfectly cast as everyone else

• The lyrics are so funny and then he is just so loud

• His little whispered "C'est Moi" after the second verse while posing is so much funnier than it is on the cast recording

• "Had I been made the partner of Eve/we'd be in Eden still" is my favorite lyric

• The scream on clean destroys me

• Lance is always at a 10 and he's so delusional, I'm obsessed with him

• There's so much loud breathing in this performance which I love

• And whirling his sword around the stage

• "Beware enemies of Arthur do you hear me beware, from this moment you answer to me" while Arthur is literally unconscious behind him, this is comedy

• "You raised your sword to me"/"Oh I was saying hello"/"I did not know that"

• Lance is not sorry at all and it's hilarious

• He's just on another planet compared to everyone else and I love it

• Also Arthur so pure, just seeing a random person and trying to say hi

• Like you're the king of the country, you do know many people are not exactly going to be friendly, right?

• "I honestly thought I was more recognizable to the French"

• "Have you changed your Francs to English shillings?"/"Why?"/"This man's face is on money"

• Arthur subtly trying to tell Lance what's happening but the word subtle is not in Lance's vocabulary

• "I'm underwhelming in person"

• Says the man that keeps making French people instantly fall in love with him in the woods

• "My security detail... right in the nick of time"

• "I beg your majesty to forgive for me for by forgiving me I'll suffer even more"

• Lance is screaming the whole time

• I don't know how he does it

• "But my strength comes from purity of spirit"/"What was that?"/"Purity of spirit, my personal relationship with the almighty, he favors me"/"I'd keep that to yourself"

• I can't write it out but this

• And this is about to have to switch out for the rest of the show so like even more screaming somehow

• He's so funny, it isn't reasonable

• Also love that his language is the least modern of them

• It fits

• Seems like some of his lines come directly from the original book and it works amazingly

• "Be a faultless example to children" is another iconic delivery

• Also Lance asking for a mission, incredible

• He just plays everything so straight and it's perfect

• Like not a single acknowledgement of the ridiculousness of this character

• Arthur will literally get a concussion to avoid a social function, relatable

• "Until you came along and whacked me in my head"/"AND FOR THAT I BEG YOUR HARSHEST PUNISHMENT"/"Nope, nope, we're not going back to that"

• Yes the all caps is necessary, Lance is always speaking in caps, if he lived in a time a cell phones all of his texts would look like that

• And Arthur's tone when he responds

• When Lance starts singing again and then Arthur just says nope so many times

• This is their whole relationship

Act 1, Scene 4: A park near the castle

• This scene is just a magnificent Phillipa Soo showcase that we have been blessed with

• Like she is just so talented and I am blown away

• There's a reason Lusty Month of May is the song they have the most out there

• "The birds and the bees with all of their vast/amorous past/gaze at the human race aghast" is my favorite and she does it so perfectly

• Also the intro music just exactly captures that buzzy spring feeling

• My roommate and I both had the experience where the first time we saw the show, none of the music stuck with us

• And then the second time, all of the sudden it burrows into your brain

• This burrowed first because of course, it's so vibrant and lovely

• The original music is so good and somehow the transition from the more modern dialouge into the songs is seemless

• Genny has two missions: justice for all and bringing sex to England

• Look there's none in her own marriage and she needs an outlet, make those people kiss, it's all you have

• Genny's so fun and adorable in this song and it's perfect and I have no notes

• I'm just gonna go watch the today show performance and bask in it, this is the most classic Broadway musical sequence in the whole thing

• I love the idea that she's inviting all these normal people in and the beginning of the knights absolutely hating it

• "Be right quieter"

• And when they refer to Genny as a guest in the country

• The original is very and everyone loves her and I love that there's this tension where the people with power don't like her but everyone else does

• They say all the quiet parts out loud in this scene

• The show needs the knights so badly to show the discontent growing over time

• But they still respect tradition enough to enforce respect for the queen on Pellinore

• "I've only lived here a short time"/"Oh and you're already the queen, well done"/"I really had nothing to do with it"

• "Full of youth he was but brooding over problems that would confound Solomon. Ever met him your majesty?"/ "Constantly, he's my husband."

• With such affection ahhhh

• "You must be Morgan Le Fay... oh how he'd go on about the loveliness of Morgan Le Fey, her unsurpassing beautiful"

• Genny getting emotionally slapped in the face, it hurts so much

• The first crack in their relationship because they couldn't talk to each other...

• "I'm glad that nice young man found a nice young lady"

• Why does this make me feel things?

• I love the royal music every time

• "As you were everyone, pick grapes, eat flowers, or uh the other way around"

• Arthur and Genny's little catch up about Pelli is very cute, we don't get to see them be cute for a while after this so I just want to appreciate it

• Lance having no social awareness and continuing to make proclamations while Genny could not care less and is actively trying to speak to someone else, brilliant

• Genny and Arthur just waiting for Lance to stop talking after she keeps being interrupted and then Genny rushing out her lunch invitation and Arthur rushing out his response

• Arthur immediately wanting to run ideas by Genny, she is crucial to the development of Camelot and it's very much not a secret

• Arthur's "uh oh" when Lance is doing some casual misogyny

• "That sounded like a friendly exchange of pleasantries"/"It was not"

• No fucks for Genny today

• I wish I could one day know the translation of Genny and Lance's friendly exchange of pleasantries

• "Who would serve as the standard?"/"Oh certainly not me your majesty"/"See no hubris"/"My standards are much too high"/"Dammit Lance"

• "Have you achieved perfection milord?"/"Please say no"/"Of course I haven't your majesty"/"Good"/"Refining the soul is an endless struggle... but physical perfection"/"No"/"Yes"/"Go back to speaking French"

• "And in your quest for spiritual perfection have you considered the value of humility?"/"Ah something we should all consider. In fact let's take two minutes of silence to consider the value of humility."

• The dialouge between the three of them is so funny in this scene

• The ship is sinking and Arthur is just there with a tiny bucket while Lance and Genny keep creating giant new holes

• Genny calling Lance a jackass is both hilarious and also so valid

• "She already has an affectionate nickname for you"

• We have officially reached the beginning of the end, well we had some nice moments

• Like imagine if Pelli didn't start going on about how in love Arthur was with Morgan and then Arthur didn't show up with his new best friend who immediately implied women were too stupid to engage in government

• Genny was having a no fucks day and was probably ready to do a stupid thing and maybe that stupid thing was her husband

• A true tragedy

• "And with humility I"

• Dinadan's line deliveries are so dry and good

• And Genny's laugh

• "And whom will the three of you want to impress?"/"We want to impress the king too."/"Ah yes English men"

• I love the knights, they've all got their own little comedic touches in this song

• Gaslight, gatekeep, girlboss Genny

• Take Me to the Fair is a masterpiece

• I don't know what constitutes a hot take about this show because there are 5 people talking about it

• But my hot take is that as much as Lusty Month of May is a brilliant and amazing song

• This is actually the Phillipa Soo tour de force

• Her fake crying is so good

• There are so many good flourishes in the singing

• Same thing I feel about I Wonder What the King is Doing Tonight, Phillipa Soo is just enhancing every line with her hilarious delivery

• Also this sound

• Sagramore is always operating at 50% more intensity than the rest of the knights and it's perfect

• Him having to be held back by the other two when Genny sings to him

• It's involuntary at this point that I turn my head back at French during this verse

• His very loud delivery of "I swear to you the challenge will be met"

• "Sirrrr Liiiiionel"/"Ma'am"/"Ugh"

• And when she gives his chest a little slap after "and young du Lac"

• Perfect

• And her laugh-cry at the end of Lionel's part

• Their faces when she touches them are also just very confused and funny, she is not good at this

• I love when the knights are singing together, bringing up Lance really has wrapped them around her finger

Act 1, Scene 5: The King's study - the night before the tournament

• "You know that it's your move right?"/"I did not know that. I'll need to alter my strategy now"

• Honestly so relatable I suck at chess, Pelli is the best

• "If we're to care about justice, we need to care even more about injustice"

• Just a good little Sorkin nugget

• Pelli refusing to understand any of Arthur's ideas, excellent

• "Do I understand that you intend to be history's first king to yield power?"/"Oh now you're catching on"

• I do just love Arthur so much

• And the delivery of "she wrote what you just read"

• He's so pleased to inform Lance that Genny's writing treatises about justice

• Pelli's smug little "it's your move" like that's correct, no one is allowed to not respect women in Arthur's study

• "He's had you in checkmate for an hour and a half"

• Arthur's patience is astounding, Lance should be taking notes while he's perfecting his spirit

• "Would you like to play me or do you ever do anything but perfect your soul?"/"No I also perfect my body"

• Again just perfect deliveries and honestly so much respect to the new book for making Lance even more irritating but eventually more human too

• I am not dragging Lance, this is a compliment

• Just the way Jordan Donica plays it completely straight without being able to detect sarcasm is hilarious

• "The arrangement I'm in is called a marriage, having some fun would be called treason. And finally I hate his breathing guts."

• Setting up the consequences we know are coming with a little joke, I like it

• "Well be sure and give us clear skies tomorrow when you're arranging things with god tonight"

• Savage, I don't like most of the original dialouge but we had a winner with this one

• Her delivery just elevates it

• "No one could refuse your wish"

• The gall of Lance to say that like that in front of Arthur like he is shameless

• "Why do you have to bait the man?"/"I dislike him, I thought I was making that clear"

• Genny is so relatable

• Their first fight and Arthur's already insulting the French, I'm not sure why he thought this was going to go well

• Arthur trying to delicately ask Genny to withdraw her permission from Dinadan

• He's trying to have this conversation as her husband and not her king but Genny is not even having it a little

• Genny explaining that she already gave permission for all the knights is so funny

• I know they're basically the original lines but ya know, sometimes Lerner nailed it

• "It will seem to the entire court as if you are rooting for his downfall and championing his defeat."/"The only reason it will seem that way is because I'm rooting for his downfall and championing his defeat."

• "He's going to embarass those three. These are not men who take well to embarrassment."

• Like Arthur already knows exactly who his knights are

• He knows that they don't exactly match up to his ideals

• The delivery on "will you withdraw your permission" is also spot on like Arthur is ready to exit this conversation right now

• Also on "if I do will you forgive me"

• Like he knows that's not happening

• "Not as long as I live, no"

• Perfect riff on the original book's line

• Arthur doing some investigating on Genny hating Lance like he knows before she even does

• Ouch

• And then him starting to get frustrated when she's not answering like babies' first fight is not going well

• "Because he needs to be brought down to earth... literally not metaphorically"

• Like she has yet to be wrong

• "Merlyn never taught me how to handle a woman"/"You didn't read the book?"/"There's a book? No I can see from your face that there's not a book. Though maybe in France they would have published something, no I can still see on your face"

• We love a Genny dripping with sarcasm moment

• And Arthur being an idiot nerd

• He's so so stupid

• Another one of my truly favorite lines and deliveries, he is so excited that he completely forgets he's mad at her for a second and then pouting when he realizes

• "If the king wishes me to withdraw my permission, let him so command... nope, then I will bid you goodnight"

• The aggressiveness on her daring him to command her is so much

• Perfect

• I love her nope, a little power play

• Because she knows he won't and he knows he won't and she's happy to remind him of that they both know that and then leave

• His silence is doing so much work too

• Damn this scene is good

• "And before I go to bed as a gesture to Lancelot and to you, I'll pray it's over quickly"/It will be"

• They're so mad, I love it

• "There should be a book"

• Grumbling sullen Arthur is very funny even if How to Handle a Woman is lowkey the worst song

• And Arthur's worst impulse, which the narrative knows because it plays under him talking about vengeance and what he's entitled to later

• Like they do a good job recontextualizing it but it's still not the best

• Just hearing him sing the word threaten is kind of jarring, I cannot even slightly imagine this Arthur even thinking it once

• In my opinion they should've just cut it, I'd gladly take more Sorkin dialouge instead

• I do appreciate the way they scaled back this music in the rest of the show

• Because it's all over the second act of the movie, Arthur and Genny's theme if you will

• Like even during their last conversation

• Because they're not the love story so their theme isn't really a love song

• But then here, they play it under Arthur's worst impulses at the end of act 1 and banish it which is so smart

Act 1, Scene 6: A grandstand - the next day

• The music coming into this scene and when Arthur and Genny show up, again fantastic

• The outright hostility between the knights and Lance, they turned it so far up in this version

• Pushing him down and shit

• I love Athur and Genny showing up and getting to see them actually be king and queen and have their over-the-top outfits and crowns in this and the last act 1 scene because it's so removed from who they are the rest of time

• Arthur's speech at the beginning trying to glorify them not having the tournament and how great losing is and having to be stopped by Genny

• He's trying so hard and his speech is not good

• The fact that she basically tells him to stop and his response is fine like I think he forgets that he's actually in charge

• I love a sword fight

• The movement, the drama, the loud clanging...

• I am but a humble girl raised on the Pirates of the Carribean movies

• Dinadan being a dick before the fight with "and now for your lesson sir"

• The way Lance knocks the sword out of Dinadan's grip and makes him pick it up before defeating him, such an asshole move

• I truly can't tell if Lance has just such a superiority complex that he doesn't realize what parts of his own behavior are making people dislike him or he's just so stuck in his toxic little mindset that he doesn't care if people hate him for it

• I kind of feel like Lance is so into his specific notions of the world that even he doesn't really know why he acts the way he does

• "Dinadan seemed very inspired by your kerchief, should we continue?"

• "You know he almost had him, right up until the moment he never stood a chance"

• Their fight being played out by proxy while Arthur makes snide comments and they give each other looks is good shit

• Sagramore's scream, he's always going so hard

• The fact that Arthur fighting instead of Lionel is new for this

• Genius

• So good

• The dialouge around it is good too

• The temptation to just transcribe the whole thing is so strong

• Commanding Lance to pick back up his sword like damn

• I love seeing this new side of Arthur

• He can and will fight and he's good at it

• "I know what a damn baguette is"

• His little bit to Lance about it just being about morale is very good

• But also he can see what's going on even if Genny can't so is it?

• The fact that he may well have won the fight if it wasn't for a cool bird, what a man

• Fun fact about me, I didn't even see the bird or realize that's why he got distracted until the last time

• He and Genny are like very much not in a good place this moment but he will let it slide to point out a bird

• Arthur's fall is very good

• Can you tell I think this scene is also very good, I've only written it like twelve times

• The fact that they're letting people fight with swords and there isn't a doctor for 12 miles, amazing planning by everyone

• The bit of everyone thinking Arthur was dead and him sarcastically correcting them is amazing 100% of the time

• "He put life back into him" is just consistently hilarious

• "I'm not wanted here Arthur"

• With the most heartbreaking delivery

• Aw we finally see Lance have some shred of being an actual person

Act 1, Scene 7: The castle terrace - on the evening of the same day

• I Wonder What the King is Doing Tonight intro-ing into this scene

• "Well you got me there" being screamed is perfect

• Pelli sensing that something is bothering Arthur, their relationship is very sweet

• Pelli describing the way Genny and Lance were looking at each other, what a shit stirer

• "It may be the only way to get him to stay"/"Maybe it's best if you let him go"/"Let him go?"/"Maybe it's best"/"Why is that?"/"Well...You said yourself, morale"

• Like she's trying to protect them but she won't say it

• For obvious reasons

• But it's confirming what Arthur already suspects

• And just drawing them further apart

• Another great her silence is doing so much work moment

• The entire telling Lance he's being invested discussion is so intense

• So much anger simmering in Arthur that can't help but come out in the line deliveries in the beginning

• Genny refusing to engage and turning her back to the whole thing

• "I'm sure he'd like to hear it from another child of France"/"This is my country now"

• Oh boy I love this exchange

• Like she's trying, she's trying so hard

• And I don't know what the fuck Arthur is thinking with that one, in what way could she possibly respond that's not going to be bad for him?

• Arthur leaving them alone like whyyyy

• And then Arthur giving Genny back her bloody kerchief, fuck

• All is very much not forgiven here

• "God dammit Pelli, I wasn't dead"

• Genny making it clear she does not believe Arthur was dead, I appreciate that she's also very clear on the fact that their world is not magical

• I wonder if Lance does think he willed Arthur back to life

• Probably

• "Don't ever say it out loud. Neither of us can ever say it out loud"

• This was another straight up gasping in the theater moment

• The entire conversation between Genny and Lance is so good and tense

• And the delivery on that line just feels like getting punched in the gut

• Phillipa Soo is amazing

• I love that she won't let them say it, that she's fighting it

• And the way she cuts him off, the way she makes him agree to not say it

• This is the intense love she wanted and it doesn't need to be said which is exactly what she needed to feel from Arthur but didn't get

• Also Lance just trying to confess his feelings the first second he can is just such an interesting character choice

• Like the truth is his purity of the soul bluster doesn't hold up to the slightest temptation

• He's ready to betray Arthur the second he leaves the room

• It's all a front

• Not intentionally, like he believes the things he says he believes

• But he can't keep to it

• I think he's so drawn to Arthur because Arthur actually has the qualities he's proclaiming define him

• But I don't even think Lance knows any of this about himself

• At least not until later

• He's just impulsive

• Which is I think what makes him an interesting character to me but also makes his motivations hardest to decipher

• Before I Gaze at You Again is such a stunning song

• And watching Phillipa Soo just emote for the whole time

Act 1, Scene 8: The great hall - on that evening

• All the music that starts this scene is brilliant

• "I'll never disappoint you"/"I know"

• I just...

• Like we the audience know but also the characters sort of all know and they are determined not to let it happen but that only makes it happen anyway

• Ugh those lines are a little nothing but they're everything

• I have the YouTube clips of Richard Burton's version of this and it does just indicate how well they've modernized

• Theater has changed so much so the pacing of 1961 compared to this is kind of fascinating

• This is also actually the writing I think is the best from the original and it is so fascinating to compare the two versions which I'm sure someone has done and I want to read it because there is so much to say

• It's so bold to close act 1 with a speech instead of a song

• I had no context coming in so they had me in the first half, I wasn't sure if this was Arthur's turn into the villain moment

• Once again I'm just like pointing to the whole speech and yelling how good it is

• Whoever decided this belonged on the cast recording is my personal hero

• This is just on my normal spotify playlist and as long as I'm not reading, I will not skip it

• But I love the idea that in the original book Arthur starts out by declaring his love for Genny and Lance and in this version it's like he's actively talking to the audience to defend himself

• To say he's not some stupid optimistic kid, that he sees everything we have

• Comes out swinging

• I can't explain how much "proposition: I am not a befuddled king" shook me, I was ready for shit to go down and I love it as the opener to this

• The pause before "whom they love", the sadness in it

• "And she didn't choose whom she married"

• Like Arthur can never get rid of that guilt

• The push and pull of this entire thing where he will try to make an argument with himself that everything is fine but the bitterness keeps seeping in until there's no rationality left

• Trying not the write out the whole thing but the rhythm of it, the pacing, this performance is spectacular

• The way the audience startles when he starts screaming

• Like he's having his back and forth rational debate with himself and finally we see him lose that control

• And it is the good shit

• I can't explain how much I came in with no context for this show and how much this completely threw me in the best way

• We're finally a glimpse of what's happening inside Arthur's head, to see the way he's been holding so much back from everyone else

• I love that he's still yelling at Merlyn, not exactly sure what I want to read into that, I feel like there are a few lines of thought

• "Am I not entitled to a man's vengence?"

• Perhaps my favorite line in the first half

• Every line is sort of my favorite but I guess let's settle on this one

• Because the original is "I demand a man's vengence"

• And same sentiment but entitled is so much more toxic

• Like the thing about this magic-less universe is that Arthur wasn't destined for some greatness and so he pulled the sword from the stone

• He wasn't owed something, he didn't deserve it, it just happened and he chose to rise to the challenge

• And this is the first moment he's decided he might be entitled to anything

• And then he does a 180 into deserving nothing

• "Proposition: I'm not a man, I'm a king"

• Like wow so much to unpack psychologically there

• I mean he and Lance have very much the same problem of trying to suppress their own humanity but the reasons are so different

• When Arthur switches into his idealistic mode and they start playing I Wonder What the King is Doing Tonight because he's being kingly, literally gets me every time

• The entire thing is so good, I love the second half so much

• "I wasn't trained for this"

• I love the running theme of Merlyn training Arthur in all of these important skills but never teaching him how to handle emotions and relationships and uh maybe he should have

• There were perhaps some limits to Merlyn's wisdom that set Arthur up to fail

• Because he's been king since he was barely out of childhood

• He never got the chance to have normal, equal relationships where he could figure shit out

• So instead he just pushes it all down because he's not wrong in that he doesn't get the luxury of following his emotions

• I love every second of this scene

• I love every line, every delivery, every movement

• Like it is a hard ask to make an actor just walking around the stage monologuing compelling in a musical and this is so so compelling

• Just on the whole of this show, I don't know that I've ever been so blown away by a stage performance as I was watching Andrew Burnap and this scene is just a perfect encapsulation of why

• Whatever he's in next, I will go

• Okay real talk something about this man's face just renders it unrecognizable to my brain so more than likely I'll see something and be like wow that person was amazing, who was that and then it will turn out to be him

• I say specifically because I happened to be watching Under the Banner of Heaven the whole time I've been having a Camelot obsession and how did I find out he was in it? I happened to see his name in the end credits four episodes in...

• But anyway I will at least try to know whatever he's in next so I can go on purpose because this performance is living in my brain and I don't think it's leaving

• I do make fun of previous versions of this show for casting people who are clearly not musical theater actors in this role but actually I do think casting actors who do straight plays does add so much as long as they aren't terrible at singing

• All of which to say again that I do think this was some of the most perfect casting I have ever seen

• Basically the statements you can tell Andrew Burnap is not a musicals person and you can absolutely tell Phillipa Soo and Jordan Donica are absolutely musicals people

• Are both extreme compliments to the people that decided on this casting

[promisinininining]

post project rambling

blood spills over is finished!

The whole thing has been planned from the beginning, but the exact scope of it kept creeping and creeping until it went form something I thought I could finish in around 5k words, to 10k, to 20k, at which point I gave up trying to estimate the length it would end up at. The last part (five of pentacles, reversed) ended up being longer than the previous parts added together, sitting at 26 out of 47k. Oops! That's longer than the previous longest fic I'd written on its own! It was only supposed to be a little thing to tide us over until the final part but ,,. uh, well, I got carried away a little. I had only written parts 1 and 2 before I started posting, and at that point I thought I was mostly done, so I thought it was safe to do so. (As an addendum, I did start posting because of my cute little stalker digging up my old accounts and sending abuse to those inboxes, where I hadn't closed anon off yet, so it was a bit of a spite fuelled adventure at the beginning.) I don't normally like to post things before they're finished because quite frankly I didn't trust myself to actually finish it, but I guess because I had a clear ending in mind, I was able to get there eventually.

I am not used to being in such a big fandom, so the support has been a completely new experience, and it's honestly been a little overwhelming (in the best way possible). I have been on the struggle bus these past few monoths with moving to a new house and a ton of unexpected bills on top of it, and I don't think I would have been able to get to this point without my friends and reviewers. I've met so many wonderful people, and it's been fun being in a fandom that isn't just me and my best buds.

About the story itself, there were a few deleted scenes that I wished I could put in, but ultimately decided against. Goro was initially going to physically meet Rumi, for one, but it didn't quite fit, and it felt like it was distracting from the main story too much, which was ultimately Goro finding something to live for. There was definitely not enough time for him to learn to love himself in just the short space of time where the third semester took place, but he has the rest of his life to learn how to, surrounded by people who are willing to show him by loving him back.

Sumire's relationship with Goro is also one that I really wanted to play with, especially as two extremely cynical people who don't really interact in canon. I feel like it's easy to just see Sumi as someone who's peppy and a little airheaded, but she's also extremely depressed, and put her entire existence on fulfilling her sister's wish, much like Goro's existence is based on killing Shido. I think they would understand each other intrinsically on a level that is very fun to explore, beyond "well we both love pego". Also, Atlus what the heck did you do with her. Give her to me. Let me sort it. I didn't think it helped her character any by being kidnapped for a week then beaten up and suddenly being like "wow you're right I can live as myself now". She needed to find that inner strength herself, with a little nudge from Goro who recognises the same pain. Of course, Goro's solution was "kill the person responsible" and Sumire can't reaaally do that with a hit and run, but she has a better support system than Goro and can learn to channel that more productively. If it's gymnastics, or something else entirely, I don't know.

I don't want to go too deep into the details with futaba and haru because this is already getting QUITE LONG, and I'm certain that there are only going to be a few people who have read this far, and those people already know how I feel about their relationship. I mean I was pretty clear in the fic itself, it's one of the less subtle things, I think; Futaba is the youngest, and she's extremely traumatised, and people have been enabling her bad behaviour by indulging it. It's 'helpful' rather than invasive, and okay, it saved Akira's life... but I do think there was definitely a better way to do it than bugging his phone. (Actually, another thing I didn't get to touch on is how the Thieves blatantly used Goro for their own plan regarding the interrogation room rather than attempting to understand him or his motives, perfectly fine with manipulating him back to thinking he's manipulating them, and how much that would fuck up someone who already has a complex about being used... but that's for another day and another fic, I think).

Finally, Maruki: this man is fucked up. I know it's easy to see him as sympathetic when he has the best intentions, and wants to 'help' people, but intentions don't matter when it comes to hurt and abuse. You can intend to be a perfectly kind person and still abuse your power over them. Don't get me wrong, I love him dearly, he's such a fucked up little skrungley boy, but he's definitely not the wet cat that he looks like at first glance. He's a researcher, forward in his field of cognitive pscience to the point where he awakened his own powers by himself, and has been shamelessly abusing his position as a therapist to get more information for his own gain (which, I emphasise, is to control the lives of everyone ever so that nobody suffers again) from the main cast.

Anyway, before I sign off, I will put out there that I have been thinking about Strikers, But With Baby Rei On Board. It's been spinning in my head since I finished. it's not going to happen (I refuse to do an entire game rewrite--just the third semester was an entire Thing, and I hate rehashing canon scenes), but hopefully you can glean some fun and entertaining thoughts about it. If you do, let me know! or don't.

A'ight, that's it from me. Thank you for reading. It's been... well, not long, but I feel like my writing is a little dense and requires some re-reads to fully experience it, so it FEELS longer than it is. Either way, I am kissing gently every single one of you who have made it this far down my massive ramble. Thank you, truly.

MIS

[cuteboytummies]

(this is the new kink anon) okay so like obviously being involved in kinky stuff online ive come across piss kink stuff which like never spoke to me. So much of it always has the actual piss as the focal point but like the desperation is the best part. In general I’m not into any bodily fluids coming out of people, so I’m not into the actual pee aspect of it you know?

(I think its also bc i have a stuffing kink) but using the same language of desperation and stuff to describe having to piss GODDAMN. Like full bladder=full tummy literally 10/10.

So anyways this is probably the first blog ive come across that does belly kink + omo in a way that I’m actually into so thank you 🙏🙏

ahhhhh I love to hear that! I'm really the exact same. like if I'm reading omo fic, I hit the back button as soon as the character has actually wet themselves because for me at that stage the fun is over. I want them to be full.

so the way I enjoy omo is like. it's basically "stuffing" but on fast and intense mode. plus, if someone is actually drinking a lot in order to have a full bladder, well... it fills up the tummy first, so it's a 2 in 1! and then when the bladder is full? well we get the fun things like discomfort and the swelling......

truly there have been several people I've met in my time online who say they're not into omo, but are actually getting it confused with watersports, and when explained what omo actually is (the desperation and holding vs pee) more often than not a lightbulb goes off in their head and they're like..... huh. I get it.

and for those that are into bdsm, power play, all that stuff. the "hold it for me" "no you can't go yet" stuff ticks all sorts of fun boxes too.

[queenlucythevaliant]

Hello! 🧡 I'm curious how you balance viewing scripture as infallible while also not taking parts of it (Genesis in particular, to reference your recent post) literally. I've heard some people say that Genesis is meant to be a poetic version of creation and therefore not entirely truthful: sort of like a kids' story, how some details could be fudged without losing The Point. I get why God wouldn't give us all the details, and it's not like this is necessarily a core doctrine issue, but I guess what I'm asking is if scripture is infallible, why would it give an incorrect account?

Hey Anna! I'd love to talk about this! It's one of my favorite issues in the world, actually, so please be prepared for a whole lot of passion from me 😆

So the bottom line, like I said in my previous post, is that I believe that all Scripture is true and infallible, but that it ought not be read literalistically. This is not the same as saying that some Scripture is less true by virtue of using poetic language, nor that I believe that details have been fudged. For me (and others who interpret Scripture as I do), it comes down to analysis of Biblical language, style, and genre.

So okay, let me start by defining my terms:

History = A text detailing true events that actually happened. These accounts may use symbolic, metaphorical, or otherwise figurative language in the service of conveying these events. A history is also not necessarily complete in its detail or exact in its chronology unless the text itself makes those claims (ie it's possible for histories to backtrack and tell events again from another point of view; this is pretty common actually.)

Biblical figurative language can take a variety of forms depending on the genre of the text we're discussing, however in general it is used to express truths that cannot be expressed in other ways. I'm gonna quote Lewis again here, as I think his discussion of Biblical symbolism in Mere Christianity is really great and relevant. This is from book three, chapter 10 (Hope):

There is no need to be worried by facetious people who try to make the Christian hope of "Heaven" ridiculous by saying they do not want "to spend eternity playing harps." The answer to such people is that if they cannot understand books written for grown-ups, they should not talk about them. All the scriptural imagery (harps, crowns, gold, etc.) is, of course, a merely symbolical attempt to express the inexpressible. Musical instruments are mentioned because for many people (not all) music is the thing known in the present life which most strongly suggests ecstasy and infinity.

Crowns are mentioned to suggest the fact that those who are united with God in eternity share His splendour and power and joy. Gold is mentioned to suggest the timelessness of Heaven (gold does not rust) and the preciousness of it. People who take these symbols literally might as well think that when Christ told us to be like doves, He meant that we were to lay eggs.

Figurative language is used throughout the entire Bible. It's in discussions of heaven, like Jack illustrates here, but it's also frequently used in the Epistles ("I have been crucified with Christ") and, in the Gospels ("You must be born again.") It's heavily employed in the prophetic books, Psalms, and the wisdom literature (not even gonna pick an example, it's everywhere). It's used frequently throughout the Pentateuch (God "bore [the Israelites] up on eagle's wings"). It is used in Biblical histories ("[Samson's] soul was vexed to death"), though not to the extent that I believe it's used in Genesis 1-11. Sometimes the text telegraphs that figurative language is about to be used, but certainly not always.

None of these things are any less true than the things described in what we might call "plain" language. Rather, imagery is a tool that helps us understand the deeper truth of a thing; it "expresses the inexpressible" without causing us to doubt that the images are about something real. Sometimes, the language even tells us something that occured spiritually/from God's perspective, but which did not literally happen in the physical world (again, "I have been crucified with Christ.") I think it's clearly a mistake to conclude that the presence of figurative language means that the story is merely figurative or that it's incorrect.

So I read the Genesis 1-2 creation account as a largely figurative account of historical events, and I think it's written that way in order to convey God's perspective of creation. Certainly a human perspective on creation would be (a) theologically un-useful and (b) impossible for an ancient person to understand.

To expound on point (b) a little bit: even a modern person, with all the geological, paleontological, chemical, and genetic evidence that we have, simply cannot comprehend the expanse of what we call "deep time." Modern scientists must communicate these things in metaphors: they use 24-hour clocks in which each minute is thirty thousand years and football fields with geological epochs marked off at the various yard lines in order to try to express that which the human mind is fundamentally not equipped to grasp. The Bible should and must tell the story of creation from God's perspective, and to do that it must use figurative language.

Thus, "Days" are figurative days, but as such they convey greater truths about the way that creation appeared to God: it was gradual and periodic and God was patient, yet it did not seem to take eons to him. It was like a week of diligent work that produced good results.

Likewise, when the text says that God speaks light and land and life into existence, we can read that as a statement of God's incredible, beautiful power over creation. The moon likely formed in the "Big Splat," when another planet collided with proto-Earth and flung debris into space (I'm not even gonna touch the formation of the sun-- waaaaaay outside my wheelhouse). To God, these things were as simple as saying, "Let there be lights in the expanse of the heavens to separate the day from the night" and then making them. The complex natural processes involved were simple before the Almighty God.

Likewise, the billions of years that are took for life to evolve, from self-replicating auto-catalytic molecules to microbes to multicellular life that arose from endosymbiosis and horizontal gene transfer, and then all the way down the epochs of history: the beautiful Cambrian Explosion, trilobites and the first chordates, then Tiktaalik propping itself up in shallow water and its tetrapod descendants stepping onto land for the first time; those strange, fascinating club-moss forests of the Carboniferous, dinosaurs and archaeopteryx taking to the skies, the K-T extinction event and then mammals picking up the torch and growing larger, whales returning to the seas and their vestigial legs disappearing, life, life life... All of that, to God, was two days of creation in which he spoke and natural processes produced the glorious array of life that existed when Adam and Eve came to be. He had authority over all of it. He said "Let the earth bring forth living creatures," and it did! God made them as surely as if he had sculpted them from clay with his hands, as miraculously as if He had spoken a word and they had existed in a split-second.

It's all true! All truth is God's truth! Every word of Genesis is God's truth, not despite the fact that it's written using figurative language, but because it is. We can understand truths that science alone can't account for - that in all the vastness of protein sequence space, God formed rubisco and ATP synthase: not by random chance, but through loving providence using randomness as a tool. We can see deep time as God sees it, not as a yawning abyss that we can't begin to properly conceptualize, but as a week in the mind of our great God who transcends time.

(My concluding paragraph is going to be somewhat harsh toward YE Creationists, but it cuts to the core of why I feel so strongly about how we read Genesis. I'm going to put it under the cut so that no one has to read it unless they want to; I'm not trying to attack anyone. I hope you know that I say all these things out of a place of deep, deep love.)

Returning to what Jack said: "If [people] cannot understand books written for grown-ups, they should not talk about them." YE Creationists would have us read Genesis without allowing for any figurative language; they would disregard the scientific method in order to do so. To my thinking, if a creation in seven 24-hour days were the intended meaning of the text- if we were, like children, meant to take everything in it entirely literally- then God would be a liar, because then he would have created a world in which the speed of light and geologic strata and the fossil record and even the evidence of our own DNA and physiology are all lying to us about how we were created. I could not love such a God.

But because I, like Jack, like millions of other Christians, can read the text of Scripture and interpret the figurative language it uses, I can instead marvel at the wonder and glory of our Creator-God, to whom epochs are like days, who can speak natural processes into existence. Scripture is history and it's poetry and it's all true. All truth is God's truth.