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el-im · 3 years

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ok no one cares but i am once again thinking about how andrew j. robinson’s writing in a stitch in time fundamentally changed the the way i’ve come to view garak and how i interpret the “Of all the stories you told me, which ones were true and which ones weren't?” / "My dear Doctor, they're all true." / "Even the lies?" / "Especially the lies.” interaction from the wire (which initially i was very thrown off by). by suggesting that the stories garak fabricates are indicative of how he chooses to define himself, i think the stories from the wire serve specifically to illustrate what garak most covets/coveted in life, and that they contain elements of the circumstances/relationships/motivations/etc. that garak never had, or were beyond his reach. by making up these particular circumstances, garak is juxtaposing his words against the actuality of his life, and by that comparison his lies demonstrate the truth of his relationship with tain, his work in the obsidian order, and his personal convictions...

Story 1: “During the occupation, I was a Gul in the Cardassian Mechanised Infantry. We were stationed just outside the Bajoran Capital. Shortly before the withdrawal, a handful of Bajoran prisoners escaped from my custody. My aide, a man named Elim, tracked them to a Cardassian shuttle about to depart for Terok Nor. Elim got aboard, but the captain refused to let him search the ship, because he claimed he was under strict orders from Gul Dukat to depart immediately. So I had the shuttle destroyed, killing the escapees, Elim, and ninety seven Cardassian civilians... I followed my orders. None of those prisoners escaped off of Bajor alive. Unfortunately as it turned out, one of the passengers on the shuttle was the daughter of a prominent military official. I was stripped of my rank and commission, and exiled from Cardassia.”

-> what i get from this one is that garak wants a) companionship (in this “aide”, elim), b) authority (in my mind, this is more of a past item of desire. in his youth in the obsidian order, he wanted to emulate tain, and was indoctrinated to think that power should be sought after above all else, and not relinquished), and c) ruthlessness. the crowning jewel of tain’s service as the head of the obsidian order, garak grew up with detachment and brutality being demonstrated as the guiding principle of leadership, command, delegation... the funny thing about all these garak episodes, and which I am glad to see that the fandom so readily picked up on (see one of my favorite posts: “i don’t understand why ds9 fandom casts garak as some sort of suave oscar wilde daddy dom when he’s clearly the kind of older man who gets trashed at a casino at 3pm on thursdays and tips dabo boys extra to hold him while he cries”) is that for all his posturing, for all his discussion about the difference between cardassian principles and “federation dogma”, for all we actually, genuinely learn about what garak did during his time in the obsidian order (for all interested in garak’s life pre-terok nor/ds9, please take this free link and read a stitch in time it’s one of like... two trek novels i’d ever recommend and is so good i promise <3), for all we learn about what he did after (the assassination of senator vreenak “in in the pale moonlight”), garak still doesn’t... come off as hardened, or unfeeling. he repeatedly demonstrates a willingness to put himself in harm's way to save the people he cares about (most notably, bashir/martok during their time in the jem hadar prison, but even once going to cardassia to save kira, who detests/detested him (depending on if you believe their relationship changed over the course of the show) and risking arrest/execution by returning to cardassia during his exile). for all his pretending otherwise (from second skin: GARAK: “I have no intention of sacrificing my life to save yours. If it looks like we're in danger of being captured... if there are any signs of trouble at all... you're on your own. SISKO: Mister Garak, I believe that's the first completely honest thing you've ever said to me.”), Garak isn’t selfish, or at the least isn’t constantly, predictably selfish. He’s self-sacrificial more often that he’s given credit for, he’s occasionally kind. I think the first story he tells in the wire is so indicative of the inner conflict he feels. inside him is a child who was brought up to revel in the glory of violence in the middle of a military occupation of another world. there is a part of him that persists in believing strength is only fortification, obfuscation, invulnerability. and yet there is a part of him now wrestling with the belief that he can only be saved through honesty, by telling bashir about the implant and why it’s there and who he is that warrants it. one of the most remarkable things about this wholly incredible episode is this struggle between these two parts of himself.

and really, garak isn’t stubborn, or stupid. he knows if he wants to save his life (and for a moment... for some inexplicable reason, he does), he’ll have to give bashir some tipping hint. he has to tell him enough of the truth to give him a way to help him, and that’s what all these stories come down to. he is hinting as best he can. he is explaining as much as possible, so as not to betray the angry little boy inside him who sees this addiction as a weakness, who sees his attachment to bashir, and to his life on the station as a vulnerability, exploited. then there’s a second layer in which (after discovery that garak is elim) the audience gleans that garak (in his youth) desperately wanted direction, for someone to tell him what do to and how to do it--that he wanted to be excused from his actions on the basis of “following direct orders”... god, but then I think about how garak chooses to kill the figure of elim he paints here. paired with the resignation to his own fate at this point in the episode (garak knows a replacement device can’t be obtained, that his body is too reliant on the implant to function on its own, and that withdrawal without supplement will be deadly... which is to say garak is sure he is going to die), this seems so poignant. does he wish he’d have died years ago? killed in some random shoot out at the orders of someone higher up on the obsidian order’s chain of command? and can you imagine that? tain would bury the report so as to conceal his son’s involvement with the order (sentimentality always coming second to security, of course), letting this “elim garak” be listed as some citizen at the wrong place at the wrong time, a random victim of the violence of the bajoran occupation... garak, in an instant, would be forgotten. brushed aside by his father in favor of obscuring the actual operation undergone.

in the end i think the most i get from this version of the story is that subtle death wish. if he had been a less important operative, or if he had died then, he wouldn’t be enduring this now (return to the conversation about a lifetime serving cardassia re: “the neverending sacrifice” at the opening of the ep....). part of me believes garak wishes he would have died then, before he could have been exiled, before setting up his shop on the station, before meeting bashir...

garashir side note: “At first, he just wanted to have sex with him. That's absolutely clear. That's all he wanted from him. ‘Come to my shop, I got some nice clothes for you... but you'll have to change first.’ But then it really got complicated, especially when Garak's addiction and despair began to surface. He needed someone to share it with.” - Andy Robinson, from “What We Left Behind”. / “What we should've done, after The Wire in season two, the episode where Bashir helps him get over his addiction, we should've had Garak come out to Bashir as a gay Cardassian... Garak comes out as gay in season two, we have five seasons to play that Bashir and Garak relationship. Where that would have gone, who the hell knows, but it could've been so cool.” - Ira Steven Behr, from “What We Left Behind”.

Considering these two quotes from the actor who played Garak and the head writer on DS9, another thing about this episode I’m throwing my two cents in for is the obvious implications for this deepening the relationship between garak and bashir. One of the most frustrating things about this episode is how much it just begs for more, more, more. The casual banter about literature they start up at the beginning of the episode, the refusal on garak’s part of letting bashir take him the the infirmary (hello cardassian stubbornness, the whole scene reeks so much of ‘I do not want you to see me vulnerable, I want you to think me strong and independent and not in danger’. the whole charade reminds me so much of a wounded animal putting on a brave face so as to not be found out. garak does not want bashir (specifically!) to see him sick, to see him needing. he does not want to admit that he needs his help, that he needs him)...

then everything else that follows that, bashir worriedly reaching out to his friends for help and advice: talking to o’brien about his concerns for garak and asking about retrieving the cardassian medical files, then to dax, who tells him flatly “It sounds like you're taking this personally.... It's not like you two are really friends.”. the affront on bashir’s part at hearing that. “It's just that Garak and I have been having lunch together once a week for more than a year now. You'd think he'd come to trust me a little!” he exclaims. then how defeated and angry he is (violently stabbing her plant with mycorrhizae), the strong thread of bitterness humming in his honey-sweet voice, “If he doesn't want my help, that's his prerogative.”

there’s something so magnificent about the timeline here. how long they’ve known each other by now, the fact that bashir is the only person garak really considers his own on the station (“it isn’t bashir who dies, is it? Ira, you’re not going to kill off julian, are you? I mean, where does that leave me? I mean, he’s my only relationship in this show! I don’t have him, I have nothing. I’m hanging out in space with nobody to talk to!” - DS9Doc's Ira Steven Behr pushes for more DS9 in HD!)... it’s so plainly laid out that bashir is the only thing garak has, the only reason he has to be curious about what else life could bring him at this point in his life, so far from home, from his family, from the only job he ever felt he had been suited for.

which is not even to mention julian’s reaction to this first story. “So now you know, Doctor. I hope I haven't shattered too many of your illusions.” garak concludes. There is a pregnant pause of still hesitation (in which i imagine garak is reeling--because, at the same time, i think, despite this relay being an attempt to communicate his own misery, these stories are also made to push something in bashir. Garak is at the end of his rope, drifting (almost) untethered into unknown space and he is reaching out in the hope that julian, (despite, despite, despite...) will take his hand. Garak is trying to see just how far Julian will go to save him, to forgive him. He is trying to discover if there is an exception to his “federation dogma”, if there is really truth to that myth of human kindness he’d heard so much about... in this moment, Garak is playing this horrific, dangerous, loving, desperate game of cat and mouse. “Could you still love me if I...” he seems to say, and believes at some point he’ll be responded to with a “no”, but hopes, against his better judgement, beyond belief, that he wont be. And then Julian looks up at him, faces close enough for Garak to feel his steady breath on his cheeks as he says, calmly, “Listen to me, Garak. Right now I'm not concerned with what you did in the past. I'm simply not going to walk out of here and let you die. We need to turn that implant off and whatever withdrawal symptoms or side effects you may experience, I promise I'll help you through them. I need to know where that triggering device is. Where is it?”

And that line is it for me, beyond so much of the other golden ones in this episode. This is the first time that Garak hears that unequivocal acceptance, and it just sends him staggering. In all his life, he’s never been faced with love like that. His father pushed him away, let him believe for years that he wasn’t his son. Mila didn’t, or couldn’t, or wouldn’t put up a fight for him when Tain exiled him...

this is one moment in ds9 where i am particularly grateful for ds9 being filmed on a 4:3 aspect ratio that forced characters so close together to be in a shot. in this scene, a line from Shauna Barbosa’s “GPS”, Cape Verdean Blues comes back to me, and I look at the pair of them so close on the screen, Julian so open and Garak so agast, and I just think, “You kiss the back of my legs and I want to cry. Only / the sun has come this close, only the sun.”

all is to say: andy robinson himself has said that bashir is the only relationship garak has. assuming garak’s killing of elim in this first story is indicative of his own wish that he might have died during his work with the obsidian order (and thus been spared exile, the torture of life on the station, the gradual dependency he forged on the implant, and the inevitable withdrawal he was going to experience), there necessitates a question of why garak should agree to treatment (thus saving his life) only to continue living on a station he found so hellish in the past*

*oh... the magnificent (perfectly summative) conversation between Tain and Bashir... “BASHIR: He's dying. TAIN: And you're trying to save him. BASHIR: That's right. TAIN: Strange. I thought you were his friend. BASHIR: I suppose I am. TAIN: Then you should let him die. After all, for Garak, a life in exile is no life at all.”

to me, this question has three answers: 1. he is appeasing an insistent julian (though this begets the suggestion that garak doesn’t have much faith in julian’s treating him--in which case, garak decides that one of his last acts in life will be making julian happy) 2. he is choosing to live because he is... intrigued by julian. because he likes his company and the meals they share and the books they trade... and because he is curious to see where this relationship will go. Julian has made his life bearable (dare I say enjoyable? see: “GARAK: [They] left me to live out my days with nothing to look forward to but having lunch with you. BASHIR: I'm sorry you feel that way. I thought you enjoyed my company. GARAK: I did. And that's the worst part. I can't believe that I actually enjoyed eating mediocre food and staring into at your smug, sanctimonious face. ”) and has thus given him some reason to get up in the morning, even if it is for a frivolous little lunch appointment in another few days or 3. he is choosing to live not for julian, but directly because of him. even if this relationship has a platonic reading, it can’t be denied that julian opened up a new world for garak, and if nothing else was able to stay his boredom/disgust with life on the station

Story 2: GARAK: There was a time, Doctor, oh there was a time when I was a power. The protégé of Enabran Tain himself. Do you have any idea what that means?... Tain was the Obsidian Order. Not even the Central Command dared challenge him. And I was his right hand. My future was limitless until I threw it away. BASHIR: You mean when you had that shuttle shot down to stop those prisoners from escaping? GARAK: Stop them? I only wish that I had stopped them. BASHIR: You didn't? GARAK: No, Doctor, my disgrace was worse than that. Unimaginably worse. BASHIR: What could you have possibly done worse than that? GARAK: I let them go. It was the eve of the Cardassian withdrawal. Elim and I were interrogating five Bajorans. They were children, Doctor. None of them were older than fourteen years old. They knew nothing. They lived in bombed-out rooms, scrounged for food on the streets. They were filthy and they stank. The room was freezing cold, the air was like ice, and suddenly the whole exercise seemed utterly meaningless. All I wanted was a hot bath and a good meal. So I let them go. I gave them whatever latinum I had in my pockets, and opened the door, and flung them back into the street. Elim couldn't believe his eyes. He looked at me as if I were insane.”

-> from this version of the story there’s a much clearer division between the elim garak (a young agent of the obsidian order baptized in fire) he was in his youth and the elim garak he is now (a disgraced former agent, exiled, alone save for one ambitious, self assured federation doctor). this, i think, seems to show the separation between what this character “elim” (young garak) wanted: which was uncompromising brutality and dedication to his work, and what present garak wants: peace, a full belly, the ability to be charitable (specifically to young, hungry bajorans)...

this story to me is one that best places this contemporary incarnation of garak relative to his bajoran counterparts on the station. in the beginning of this episode, when telling bashir why he initially chose to activate the implant, he speaks about how he, as the only cardassian living on ds9, is viewed by the bajorans living there. (“Living on this station is torture for me, Doctor. The temperature is always too cold, the lights always too bright. Every Bajoran on the station looks at me with loathing and contempt.”) In this story, by releasing the children and giving them the latinum he had, he’s trying to repent to Julian, asking to be forgiven for the part he played in the occupation of bajor by showing that he was/is (depending on how you view the timeline of the progression of his attitudes) sympathetic to them, and that he regrets the hand he had in bringing war, famine, and subjugation to them.

Story 3: “GARAK: Elim wasn't my aide. He was my friend. We grew up together. We were closer than brothers. For some reason, Enabran Tain took a liking to us. Before long, we were both powerful men in the Obsidian Order. They called us the Sons of Tain. Even the Guls feared us. And then there was a scandal. Someone in the Order was accused of letting some Bajoran prisoners escape. There were constant rumours of who was going to be implicated. Fingers were being pointed at me. By then Tain had retired to the Arawath Colony. He couldn't protect me, so I panicked. I did everything in my power to make sure that Elim was accused instead of me. I altered records, planted evidence, only to discover that he'd beaten me to it. BASHIR: He betrayed you first? GARAK: Elim destroyed me. Before I knew what was going on, I was sentenced to exile. And the irony is, I deserved it. Oh, not for the reasons they claimed, but because of what I had tried to do to Elim, my best friend.”

-> whenever I think back to this, my first impression remains that this is one of the stories where Bashir is considered. At this point, Garak’s been transferred from his room to the infirmary. Despite turning the implant off, toxins are continuing to accumulate in his lymphatic systems. He’s been sad (even woke bashir up with his weeping), he’s been angry (destroyed the vase and flipped the desk in his room, attacked bashir...), and now he’s calm, and tired. He thinks this is the end. He refuses to have the implant turned back on, which nurse jabara estimates might give him another week to live. This is the end of the line for him, and he’s accepting it with dignity and grace. He goes to release Bashir from his obligation to him “you’re done enough, Doctor. More than I deserve...” and goes to tell Bashir “the truth”. To me, this is his goodbye. Even if it isn’t a true story, this is the gift he’s giving Bashir. This is what he (spinner of wonderful lies, obfuscating agent of the despicable obsidian order) can give him as a parting gift--it is what he wants him to have.

in this story, Garak is not friendless, as he is on the station. He has a close relationship with someone (’see, then, doctor?’ he seems to ask playfully, life sputtering out of his eyes. ‘i am capable of it!’)... and yet, there is also betrayal. It reminds me of an assurance, in a way. “Bashir,” he seems to say, the entire weight of all the good doctor’s efforts to save him pressing down on his every word, “look what might have come to you had I allowed you to care for me. There is only danger for you to find in me.” In this, Elim stands in place of Bashir. A steadfast friend who Garak works against for the sake of self preservation. In this moment, Garak is pleading with the man standing above him next to the biobed. He is insisting Bashir be grateful for the shallowness of their relationship (something I Garak ensured deliberately), and telling him that, though he is grateful for him, that if they had been closer, Garak would only have caused him pain.

The heart of this story is Garak’s appraisal of his own self worth. Regardless of how much he’s changed since his time in the order, he persists in thinking he functions in the world to cause harm, much so that it is the only thing he’s able to do. Garak sees himself as the knife in the backs of others, or the hand raised, dagger in clutch.

the second thing i see is contained wholly within the line: “By then Tain had retired to the Arawath Colony. He couldn't protect me, so I panicked.” aside from assurances made to bashir, i think the purpose of this speech is to demonstrate (in the fashion of the lies being true) that garak wanted, and still wants safety. he wanted someone (Tain) to come to his defense then. while this extends to the implication that garak wanted tain, as his father, to stand up for him out of pride, or love, or even a perfunctory sense of parental commitment rather than exile him (a recurring desire illustrates/suggested in the show/books), i also think its perfectly suited to the care julian is exhibiting in tending to him in this episode. for all garak’s refusal to acknowledge his pain (a mere headache, as he claimed when they stood outside the replimat), for all his refusal to go to the infirmary when they meet at quark’s later, the care julian is constantly exhibiting through this episode is what garak is most endeared by. it is the thing he wanted most in his youth, and the thing now (because it was denied to him then) he finds so difficult to accept. there are many (many) instances throughout the show of garak and bashir talking about the extension of federation help/kindness, and this being something bashir embodies, btu this is one of the illustrations that sticks with me because of its particular placement. In the story, Garak wanted protection. He was alone, and afraid, and wanted help. As it now stands, he is not alone, he is calm, and has help. That is perhaps the most startling revelation for him of all.

and last but not least another... intriguing part of all garak’s stories is his repeated separation of himself and elim. the illusion of separation is one of the most intriguing (and heartbreaking) aspects of these story to me. garak has always struck me as the kind of character who sees grief and regret as an impetus for amputation. he believes what is unpleasant or unnecessary about him he can cut off and live through. he believes he can build up a wall between himself and what he doesn’t want to see or experience without repercussion (this being why he activated the implant in the first place). by making elim and himself two separate people he is not only distancing himself from whatever it was he really did, thus taking responsibility for it in part and allowing the other half of himself turn away in disgust and without sympathy, but suggesting that he cannot be culpable entirely for what it was he did. in each of his stories, the blame is to be shared, divided. the hardest part of all of this to swallow is that even after all this time, he’s begging for someone to spare him of the crushing loneliness of disgrace, begging for someone to understand fully what he’s done, accept him, and shoulder a part of his burden, much so that he creates an entirely new incarnation of himself just to sit with him in hell.

anyway ive also been fucking around on memory alpha and this was intriguing to me so im putting it here:

"When I was writing the story," stated Robert Hewitt Wolfe, "the movie Schindler's List had just come out and Ira was saying, 'Maybe he was Schindler; maybe he was the guy who let the prisoners go.' And then it was, 'Maybe he wasn't; maybe he was the Butcher of Budapest.' So we just kept telling all these lies, and I think the truth lies somewhere in there. Maybe he did let people go. Maybe he did shoot down the ship. Who knows?" (Star Trek: Deep Space Nine Companion (p. 141))

#trek #elim garak #sorry for longposting but once again i am thinking about him (garak)#he's just such a fantastic character that i read SO MUCH into #its a shame they didnt do more w him really im upset he wasnt as cherished by fans when the show was in production as he obviously is now #also. reminds me why i have this url #he's deeply fascinating and i love him and hate him and sympathize with him and think hes unforgivable and i ....#ANYWAY i am not even going to talk about the . hand holding 'i forgive you... for whatever it is you did' thing because that opens a BREACH #this is one of the longest posts ive ever written on this god awful site #anyway it is from the heart #i love him so much and i love this episode.

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spencers-renaissance · 3 years

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you know that a boy who likes boys is a dead boy

Summary: Spencer's gay. He joins the BAU and befriends the team, but it is 2003. It's a secret he has to keep. He just didn't expect it to be this hard.

Tags: gay!spencer, coming out, hurt/comfort, insecure!spencer, misunderstandings, angst with a happy ending, dad hotch, protective!hotch, protective!derek, childhood trauma TW: one instance of explicit homophobia, but it is referenced a lot, as is Spencer's internalised homophobia at the start of this fic. A shit ton of heteronormativity but tbh that's just canon lol

Pairing: Spencer Reid/OMC, Spencer Reid & Derek Morgan, Spencer Reid & Aaron Hotchner, The BAU Team & Spencer Reid

Word Count: 6k

Masterlist // Read on AO3

Consider this my contribution to pride month 😌 I've waited so long to post it and I'm so glad I'm finally doing it because it's definitely one of my all time favourites <3 Gideon is here somewhere but just like with all my early season fics he's not really part of the plot I combined my moreid and gen taglists bc it was hard to know the audience for this, but just ignore it if you're not interested!

you know that a boy who likes boys is a dead boy, unless he keeps his mouth shut, which is what you didn’t do, because you are weak and hollow and it doesn’t matter anymore. — richard siken, a primer for the small weird loves

Spencer has only told one person in his whole life.

His mother guessed. For as long as he can remember, she’s used gender neutral pronouns when talking about his future partner, read him all the gay literature she could find, promised him that he’s perfect just the way he is.

The trouble is that Spencer only believes her until the first grade, when Ryan Sampson shoves him over in the playground and calls him gay. His mom had only ever used that term in a sweet, loving way, taking care to associate such words with positivity, as long as his dad wasn’t around to hear. When that word comes out of Ryan Sampson’s mouth, it is not said with sweetness and love; it is said with venom, and Spencer learns quickly that his mom is wrong. He is not perfect just the way he is.

And so, he keeps it a secret. When his mom notices him getting uncomfortable at the mention of future partners, she stops bringing it up, though she refuses to give up the diverse education she provides for him outside of school. His dad tells him that one day he’ll be a strapping young man and marry a nice girl in a church, and Spencer nods along. He ignores the way his stomach turns with anxiety at the thought. Ignores the screaming match his parents have that night. Ignores the fact that it started because Diana chipped in with ‘or boy’.

He’s in high school by the time he’s twelve, and the only part he’s grateful for is the absence of pressure to get a girlfriend. His dad’s out of the picture now, and Spencer tries not to let himself think that maybe if he wasn’t like this he might have stayed. Diana’s so out of it most days that she doesn’t remember what she noticed about him when he was a child, only recalling the last few years of shoving himself so far back in the closet he can hardly see the door anymore.

It feels like he’s lost his last ally.

(He hates that a small part of him feels relieved she doesn’t remember; that he almost feels assured by the fact that the last person to know who he really is has forgotten. There is only this version of Spencer Reid now. No other exists.)

He makes the mistake during his second undergraduate degree. He’s just turned eighteen but he is already a doctor and, fortunately, this alienates him from most of his peers, but someone manages to slide past his defences. Ethan Miller is twenty, in the second year of his (first) undergraduate degree in Chemical Engineering, and he’s nice. Spencer doesn’t have a lot of experience with friendship, but they get on well and Ethan makes him laugh. For the first time, he feels comfortable in the presence of anyone other than his mother.

They slip into an easy friendship: waiting for each other after class — Spencer back in the undergraduate buildings now he has his first PhD under his belt — and going out for ice cream and pizza and Thai food. Ethan goes to parties while Spencer studies, and then they reconvene to watch Doctor Who and play cards.

For almost a year, Spencer keeps his secret carefully locked up, hidden behind the mask he’s perfected after so many years. Even though he’s eighteen, nearly nineteen now, he doesn’t try and explore that side of himself. No, that’s far too risky. He doesn’t try and pretend any other way either, he just stays silent and lets people’s assumptions lie for him, but he can’t help the longing that claws up his throat when he locks eyes with a passing guy on campus. One time, he’d seen two men kiss on a bench in the city, and he’d run back to his dorm and had a panic attack. Why couldn’t he have that?

The feelings don’t stop, and he doesn’t know how to make them. He hates that he isn’t normal, but still longs for the touch of a man, the feeling of being wrapped up in strong arms, of being kissed by dry, chapped lips, and falling asleep to a heartbeat approximately 11% slower than that of a woman’s.

It’s a constant battle inside him, emotions raging, and he struggles to control it, suppress it, tame it.

He pays a sorry price.

Ethan makes him feel comfortable, and that turns out to be a detriment. He relaxes around the other boy: he tells him about growing up as a pre-teen in a high school, about how a child feels living 260 miles away from home, even about his mother’s illness.

And one day, it slips out. They’re on the beach, lying on towels as they look up at the blue sky, talking about what their futures will look like: Ethan will be a successful chemical engineer in Berlin, and Spencer will work for the FBI, profiling serial killers.

“You’ll have to marry a German girl,” he tells Ethan. “It’ll be tough to convince an American girl to move all the way to Germany as soon as you graduate.”

“Yeah, and what about you? You’ll be off fighting crime around the country, not much of a life for a family.”

“Oh, I imagine my husband will be the type to—”

“Husband?”

Spencer freezes. It shocks him as much as it shocks Ethan. He doesn’t even pay much attention to Ethan’s disgusted face and his outraged tirade. He hears slurs and insults, hears him say that he can’t believe Spencer tricked him like this, that he was probably waiting to make a move on him, that he was never to look in Ethan’s direction again, but Spencer is frozen in time.

He’s never allowed him to think much about what his personal life might look like in the future, but he’d said ‘husband’ on instinct, without thinking, and it’s clearly something he actually wants. Ethan’s words sting, but the moment brings about a realisation Spencer is thankful for; it instigates a journey of self-discovery and self-expression, of the joy of living as your true self.

He loses his first and only friend, but he gains something much more valuable. He visits gay bars — nervously sipping a non-alcoholic drink in the corner at first, before soon becoming confident enough to respond to the men who sidle up to him and ask for his name. He lets go and dances the night away, sometimes going home with one of the many dance partners he acquires during the night, sometimes heading back to his own dorm happily alone.

Makeup and dresses and skirts and heels make their way into his wardrobe, and he befriends girls and drag queens and other gay men who encourage him to be exactly the way he is. And the best part is, he never has to come out to any of them. All of them know, and that’s good enough for everyone.

The fun comes to a sad sort of slow, however, when he joins the BAU. Everyone knows law enforcement’s relationship with the LGBT community is less than adequate — Spencer’s seen it with his own eyes: butch lesbians and men in dresses getting roughed up by angry police officers for ‘lewd behaviour’ or ‘drunkenness’ when they’re just being themselves. It’s not safe for him to tell anyone, so he doesn’t.

He still goes out with his friends when he’s in town and wears makeup and dresses and crop tops when he’s at home, but presents as rigidly straight Dr Spencer Reid to his team at the BAU.

The hardest part about it is that he loves his team. He’s known Gideon for years — and he wouldn’t be surprised if he suspects something after coming over to his house unannounced one night, only to have a man other than Spencer open the door — but he settles into a comforting dynamic with Hotch. He can’t help but see him as something of a father figure, and he knows Hotch has a soft spot for him, always looking out for him and taking him under his wing without a moment’s hesitation.

Elle, JJ, and Penelope all take a shine to him, too, teasing him without a hint of malice in their tones, only the kind of playful kindness that reminds him of his mother. He forms a special bond with Penelope and they spend hours watching Doctor Who together and geeking out on all the areas their interests overlap, and the comfort he feels with her matches the comfort he’s found with his new group of queer friends.

(She doesn’t hold a candle to Ethan, he decides one night, after he’d cried at a movie she’d made him watch and she felt so bad she made him hot chocolate and jam toast and cuddled him until he felt better.)

Derek becomes a brother to him. He puts him in a headlock at least once a day — which Spencer has been reliably informed by multiple sources is a very brotherly thing to do — and teases him relentlessly, while simultaneously being fiercely protective of him. Enough so, that Spencer sometimes wonders if he even has Hotch beat in that department.

He loves his team and his team loves him. It should be simple. It is still 2003.

He comes in one morning late for a briefing, his shirt buttoned wrong and his hair is a mess, and he’s fairly sure that his attempt to cover the hickey at the base of his neck with concealer has been ultimately unsuccessful. It’s obvious why he’s late. Gideon is too engrossed in the case file to notice, but Hotch raises an eyebrow, an amused look on his face as everyone else immediately takes to teasing him.

“Who’s the lucky lady, pretty boy?”

Elle raises an eyebrow to match Derek’s shit-eating grin, “Someone definitely got some strange last night.”

“When do we get to meet her, Spence?” JJ asks, smirking as he takes a seat.

He’s bright red — as if he needed to look any more debauched — and Spencer tries to ignore the hurt that seizes his chest at the reminder of his need to stay quiet. This team respects him, and he can’t throw that away just because Spencer gets too comfortable.

God, he wishes Penelope was here.

“None of your business,” he mutters, trying to keep his tone light. He fails.

Naturally, Hotch notices and swiftly moves the briefing on, and Spencer keeps his gaze locked on the case file, not missing the absence of a reprimand from his superior. He’s constantly thankful for the older man, but in this moment, he wishes he could hug him.

(A voice that sounds dangerously close to Ethan’s rises up and taunts him in his ear: he wouldn’t want a dirty homo like you anywhere near him—)

Derek doesn’t let up on the case, continuing to bug him about the special lady in his life. He does concede that it could’ve been a one night stand, which is one front he’s right on, but a couple more concessions are necessary before Derek comes close to the truth of last night.

Eventually, Derek stops, and Spencer notes that the cessation of comments comes suspiciously close to the last time Derek and Hotch were alone together. He doesn’t have it in him to feel angry at Hotch for stepping in when he had it handled; doesn’t have the energy to act as though his pride is wounded, because really, neither of those things are true, and he doesn’t need to add another item to ‘Spencer Reid’s List of Things He Pretends to Be.’

The situation is forgotten, and time moves on.

Things change when he finds his first proper boyfriend. He doesn’t know what he was expecting, but it certainly wasn’t the giddying rush of emotions it turns out to be, and Spencer spends his days smiling as he daydreams his time away.

His name is Oscar Wilkins, a History professor at Georgetown University, and Spencer falls quickly in love with him. Ever since their mutual friend had introduced them at a gay bar one evening, they’d spent all their free time together. He’s kind and gentle and understanding of Spencer’s hectic and unpredictable job, and he finally has the chance to experience everything he quietly and shamefully longed for as a teenager.

The only downside is the silent breaking of Spencer’s heart that the most important people in his life can’t meet his boyfriend. He longs to show Oscar off, to hold hands in front of his team, lean up to press a tender kiss to Oscar’s lips. He wants to put a framed picture of the two of them at the Washington Monument on his desk to remind him of why he needs to get through the hard days; he doesn’t want to have to sneak out of the hotel room he shares with Derek to whisper hushed, loving goodnights over the phone.

But he’s too scared. Too cowardly.

It’s different being who he is with his gay group of friends littered with wlws and drag queens and other gay and bisexual guys. They understand.

But Derek and Hotch are two extremely masculine, alpha men: Derek’s a ladies’ man and Hotch is married to a woman he met in college with a baby on the way and both have a strong and dominant energy that still sometimes manages to intimidate Spencer even after all these years. And Elle and JJ are lovely — some of his closest friends, really — but sometimes they remind him a little too much of the mean girls he went to high school with.

The hardest person to keep his secret from, though, is Penelope. She’s his best friend and he desperately wants to give her all of him, but he’s so scared. He’s lost a best friend to this secret before, and even though he’s certain she’d be fine with it, what if she accidentally let it slip to Derek? What if Hotch found out and didn’t see him in the same light anymore? What if the girls started teasing him? What if Gideon didn’t want to mentor him anymore?

The fear paralyses him. And it’s a cycle he doesn’t know how to break.

Fear, though, doesn't stop everyone from noticing his daydreaming, his dopey smile when he checks his messages, his urgency to get home where he would’ve stayed until the small hours of the morning before. As excellent as he is at hiding his sexuality, he’s fucking terrible at hiding the fact that he’s in love: it was easy enough to pretend he was straight, but hiding something this all-consuming is an impossible ask.

Derek comes over to perch on the edge of his desk one afternoon, sighing as he sits down. “Pretty boy, this is getting ridiculous,” he says, snatching Spencer’s attention away from his phone. “You’ve been grinning like an idiot for the last twenty minutes as you’ve texted Future Mrs Reid. When are we going to meet her?”

(He hates the new nickname the team has given his mystery significant other, although Oscar had found it hilarious. “It’s funny because when we get married, we’ll hardly be able to tell,” he’d argued through his laughter. “Neither of us will change our name because of our academic profiles, and we’ll both still be ‘Dr’. Our wedding rings will be the only indicator.”

Spencer hadn’t argued back, because he’d been too tongue-tied and flushed pink at Oscar’s use of ‘when’ in regards to their hypothetical nuptials. It was only made bearable by Oscar kissing him gently and tucking him under his arm, not embarrassing him any further as Spencer had sort of anticipated, warmth settling over his chest at the thought of their future together.)

“You won’t,” he replies, perhaps a little too curtly.

Derek starts at that, clearly not expecting it. He definitely should’ve tried to play it off as a joke. “What— should I be offended, pretty boy?”

You wouldn’t call me that if you knew who I really am.

“That’s up to you, Derek,” he says calmly, although he still can’t meet his eyes, “but you won’t meet the ‘Future Mrs Reid, so I think it would probably be best if you left it alone.”

“Damn,” Derek mutters under his breath, clearly pissed off and probably more hurt than Spencer ever intended. “Suit yourself.”

And with that, he gets up and leaves his desk. Spencer’s only solace is the text message he sees on his phone when he picks it back up: I love you so much. You know that, right?

The light-hearted ridicule comes to an abrupt halt after the incident with Derek, and it’s clear that he had been the biggest contributor to the teasing. He’s thankful that the jokes have stopped, but he wishes desperately that it didn’t come with the growing distance between him and his team. Loneliness takes the place of his previous irritated anxiety, and he isn’t sure what’s worse.

It all comes to a head at the end of a case in Michigan. They’re stuck in the lounge of the small inn they’d stayed in the last few days, a snowstorm having blocked them in and grounded the jet, although Gideon had long since retreated to his room. The fire’s going and they’re the only guests around, so it’s cosy enough, but Spencer can’t help but feel sick at the idea of another night away from home.

It’s only been two weeks since he’d snapped at Derek, but the chasm between him and the team is only widening with each passing day. He knows it’s not a case of ‘pick a side’, but the team’s morale relies on light-hearted banter and teasing, and him not being a part of that anymore has only brewed awkwardness. Everyone’s trying to give him space when space is the last thing he wants.

Oscar’s keeping him company over the phone at least, but it’s not quite enough to quell the loneliness swimming around his stomach, and the 'discrete' sideways looks he gets from the team only make him feel worse.

“At least it’s nice and toasty in here,” JJ sighs as she takes a sip of the hot chocolate the kindly inn owner had made for them all.

Elle hums in agreement. “There are worse places to be grounded.”

“I dunno, man, I just wanna get home,” Derek says, not taking his eyes off the fire. Spencer can’t help but agree.

“Oh, come on,” Hotch muses, considerably more jovial now the case is over, “we’re here, and that’s not going to change any time soon. We should make the most of it.”

“It’s at least nice to be somewhere sort-of Christmassy now it’s December,” Elle points out. “We could be stuck in a dingy police station like we probably will be next week.”

“Ooh, I noticed that Jemimah and Kiran started planning the Christmas party last week,” JJ says, smiling at them. “I offered my help, but they seem to have it covered.”

Hotch raises an eyebrow“That’s probably a good thing. You don’t need more work on your plate.”

“Not gonna argue with that,” she murmurs, smiling as she brings her mug to her lips again.

Spencer doesn’t miss that Derek is still stewing on the opposite side of the room.

“Are you looking forward to the Christmas party, Spencer? Will you come?” Hotch asks, clearly trying to rope him into the conversation, which he appreciates. He’s been making a lot of effort with him the past few weeks, and it’s just about the only thing that’s getting him through each day.

Before he can reply, though, Derek erupts from the other side of the room; an already pissed-off man being pushed over the edge. “He won’t even let us meet his fucking girlfriend, Hotch, he’s not gonna want to come to the Christmas party!” he yells, throwing his hands in the air as he glares at Spencer with a stormy expression raging across his face.

Suddenly, Spencer can’t stay silent anymore, and his retort shocks himself just as much as it does everyone else. “I don’t have a girlfriend!”

It might be the loudest he’s ever shouted in his whole life. He’s always been quiet and restrained, the type to state his feelings as calmly as possible no matter how he’s feeling on the inside. Even in the biggest fight he’s had with Oscar, his voice was barely loud enough to qualify as a shout.

There’s a brief stunned silence, but Derek quickly slices his way through it, voice raising to meet Spencer’s fiery emotion, fierce and loud. “Oh, don’t even go there, Reid, you’re really gonna try and argue that? You’re gonna lie about her as well as not let us meet her? What a boyfriend you are.”

“I don’t! I don’t have a girlfriend!” he repeats, voice catching this time as tears rise unbidden to the backs of his eyes and all the emotions of the journey he’s taken with his sexuality over the years flood him in a wave of intensity he’s not prepared for.

“You’re fucking lying—!”

“I have a boyfriend!” he yells. “Alright? I have a boyfriend. I’m gay.”

The anger and emotion quickly dissipates, and he’s left standing alone in front of the team he’s put so much effort into hiding this from, watching shock spell out across everyone’s expressions. He’s never felt smaller than he does in that moment, and he quickly grabs his phone before running upstairs to his room, locking the door behind him.

“Oh God, Oscar, I fucked up so bad,” he cries over the phone as soon as his boyfriend picks up.

“Hey, hey, breathe, baby,” Oscar says gently, but Spencer can hear the anxious concern in his voice, “it’s gonna be okay, I promise. I’m here. Do you want to tell me what happened?”

“I just— Oh God, I just told the team.” A new wave of horror rolls over him as he realises what he’s done. Times might be changing, but it’s still only 2006, and he doesn’t know each and every nuance of his team members’ political positions and, fuck, he hates that his existence is a fucking political position.

Oscar’s been so understanding of his reluctance to not tell the team, even though Spencer’s met pretty much everyone in his life. He isn’t sure what he’s done to earn such a gracious and understanding boyfriend, but he’s not about to question it.

“Baby, I know it’s scary, and I know you’re really worked up right now,” he counsels, voice soft and reassuring, using the nickname he knows Spencer loves the most to make him feel as safe as he can from 700 miles away, “but it’s probably not as bad as you think. From what you’ve told me about the team, they love you so much, and even in the case that in the past they've had some issue with gay people, I can't imagine they’d ever actually think of you any differently when it comes down to it, Spencer.”

He’s crying too hard to reply, and Oscar understands immediately, gently transitioning into a story about his day that slowly starts to calm him down, and by the time he’s wrapping it up, his tears are starting to subside.

“Thank you, Ozzy,” he whispers into the phone, lifting himself up off the floor and making his way to sit on the bed instead.

“You know I’d do anything for you, sweetheart,” he murmurs warmly. “Do you want me to stay on the phone for a bit?”

“Yes please,” he whispers again, holding it as close to himself as possible, drawing all the comfort he can from his boyfriend’s voice.

He lies there listening to Oscar’s voice and trying not to think about the disaster downstairs for a good ten minutes before there’s a tap at the door.

“Oz, there’s someone here,” he says, voice panicked.

“I think you should probably speak to them, baby,” he urges. “I’ll stay on the phone with you while you do, if you like?”

“Please.” He gets up from the bed gingerly, keeping his phone tightly gripped in his right hand as he slowly unlocks the door with his left, revealing Hotch on the other side.

“Hey, Spencer. Do you mind if I come in?”

He’s riddled with nerves, but Hotch is smiling warmly, and he’s never said a harsh word to Spencer, so he steps aside and lets him into his room.

Hotch quickly notices the phone in his hand, visibly still on a call. “Is that your boyfriend?”

Spencer nods.

“Do you mind if I talk to him?”

His brows knit in confusion and his lips part slightly in surprise, but it’s all he can do to hand the phone over, watching Hotch carefully.

“Hi, Spencer tells me this is his boyfriend?” Hotch inquires politely into the phone, his tone still warm. “I’m Hotch, Spencer’s boss.”

He can vaguely hear Oscar speaking on the other end of the line, and he worries slightly that Oscar will somehow give away the familial feelings he holds for Hotch, but the conversation doesn’t last long enough for the anxiety to really take over.

“Everything’s fine here, I just want to have a conversation with Spencer, so is it alright if we hang up and I talk to him alone for a minute? He can call you straight back afterwards.” After a brief pause in which Oscar says something, Hotch looks back up at him. “Are you okay with that, Spencer?”

He nods hesitantly, and Hotch says a quick goodbye to Oscar before surging forwards and wrapping Spencer in a hug. It catches him off guard, but he doesn’t waste any time in burying his face into Hotch’s neck and soaking in the comfort and warmth that always radiates from his father figure.

“Come on,” Hotch says softly as they pull away a good minute or so later, “let’s sit down, shall we?”

“You’re not mad?” Spencer can’t help but ask, the question burning his tongue as anxiety — however quietened from Hotch’s hug — still swims around in his stomach.

“There are many things that could make me mad, Spencer,” he says earnestly, “but this is not one of them. I would never be angry at you for being who you are, okay? I might… I might be overstepping here, and if I am, then tell me and I’ll back off, but I’ve always seen you as a mentee, and over the years that’s developed— well, I see you more as a son these days. And part of that is wanting to protect and support you no matter what you do or say or who you are.”

Spencer wastes no time in diving back in for a hug, clinging onto Hotch for dear life as he hugs back, rubbing his back gently.

“I’m so sorry you didn’t feel like you could tell us sooner, Spencer,” he says in a voice soft with affection and regret. “But I’m so glad you’ve told us now.”

He only presses closer at that, tears springing back to his eyes. “I didn’t want to lose you.” He knows what he’s implying, and even in a roundabout way, he’s glad he’s telling Hotch.

“Oh, Spence,” he sighs sadly, “you couldn’t do a single thing to lose me. I’m in it for the long haul.”

“Really?” he asks, hating how insecure he sounds.

“Really,” Hotch promises, pulling away as Spencer does. “Now, you have a whole team of agents downstairs who are feeling very sorry for themselves and really want to see you.”

Nausea rolls in his stomach and panic springs back up as he looks at Hotch, desperate for some sort of grounding. “Are they angry at me? Do they hate me now?”

“No one hates you, Spencer,” he says firmly. “I promise you that. Everyone just wishes that they’d made you feel more welcome and comfortable. We all hate that you felt you had to lock up something so integral to who you are, and we can’t help but feel we played a part in it.”

“No,” he protests — the last thing he wants is family blaming themselves when it has nothing to do with them, “it’s not your fault, it’s just…”

Hotch nods. “I understand, it’s okay. Now, do you want to go down and see them? You don’t have to if you don’t want to, but it might help ease your mind to see that they really don’t hate you.”

Spencer pauses, taking a moment to think. “Can I see Derek first?”

“Of course,” Hotch says understandingly, and the comforting smile that crosses his face makes Spencer feel safe and taken care of. “I’ll send him up?”

Spencer nods and Hotch hugs him once more before leaving the room almost reluctantly. He wastes no time in picking up his phone and sending a text to Oscar. You were right. Hotch is fine. He’s just sending Derek up before I go and see the team but he says that no one’s angry and I think I believe him. Thank you, Oscar. I love you.

Not even half a minute goes past before his phone lights up with a text back. I’m so glad, baby. Call me later, okay? I want to make sure you’re okay before I go to bed. I love you more.

Before Spencer can argue that actually, he is the one more in love with the other, a hesitant knock sounds on his door. Nerves suddenly flip his stomach, and he clenches and unclenches his fists a couple of times before forcing himself to cross the room, revealing a very worried and regretful-looking Derek.

“Oh, pretty boy,” he says sadly, before crushing Spencer in a warm and tender hug. Immediately, he relaxes into the arms of one of his best friends, and relief courses through his blood at Derek’s reaction. “I am so sorry that I ever made you feel like you couldn’t tell me that you were gay or had a boyfriend. That’s completely on me. I don’t care who you love, Spencer, I just want you to be happy, okay? And if this guy makes you happy, then that’s fine by me. But if he ever lays a hand on you or—”

“Derek, Derek,” he laughs, “it’s fine I get it. Thank you, though, I’m… I’m sorry I couldn’t tell you earlier and for snapping at you in the bullpen that time…”

“I understand, Spence,” he promises. “It’s in the past, okay? And I’m sorry for pushing so hard. I mean, I’d love to meet him but if you don’t feel comfortable or you don’t want to, that’s fine, too. It’s your life, man.”

“No, I… I think I want you guys to meet him. It’s been so hard to keep him away from the people I consider my family, you know?”

“Yeah, I know. Maybe after Christmas, we can all have dinner or something.”

Spencer smiles shyly. “Well, Oscar’s a great cook, so I reckon we could work something out.”

Derek grins, throwing an arm around his shoulders as he immediately jumps back into teasing him as they make their way to the door to go downstairs and see the rest of the team. “Ooh, lover boy’s got him a chef, hey? What else does this Oscar have going for him?”

Spencer chatters eagerly about his boyfriend to Derek, barely skipping a beat when he joins everyone downstairs, his friends taking his cues and joining in with the conversation seamlessly. He’s had enough fuss for one night, and the warmth and understanding on everyone’s faces tells him everything he needs to know.

“Do you have any pictures of him?” JJ asks, raising an eyebrow with eager expectancy as they all settle back into their seats by the fire, a warm and unbelievably happy feeling settling in Spencer’s stomach.

He blushes, digging out his phone from his pocket and unlocking it. “More than a few, I think.”

He finds the most recent picture of his boyfriend — a candid shot of him cooking in the kitchen, spatula aloft, and a huge grin on his face — and hands the phone around.

“Oh wow, you like them buff, huh, pretty boy?” Derek teases as soon as he gets his hands on it, and Spencer’s stomach twists in a sudden bout of fear, expecting to see some hesitancy or even disgust on his friend’s face. What if he thinks that Spencer has a crush on him? What if he’s uncomfortable around him now?

But if Derek’s having any of those thoughts, they don’t show on his face. He’s smiling widely and openly, all the pent-up anxiety and frustration borne from hurt gone from his body language, and he looks completely comfortable sat next to Spencer, his arm stretched out behind him on the back of the sofa.

They sit happily around the fire for a couple of hours, settling into a happy, intimate familiarity Spencer hadn’t realised was missing when he was hiding something so integral to his being from his family, and he’s still smiling when they finally part ways to head to bed, the clock ticking closer and closer to 1 am.

He gets ready for bed quickly, brushing his teeth and throwing on the top he’d stolen from Oscar the first time he’d stayed at his place; a welcome change from his worn and wrinkled suit. As soon as his teeth are brushed and the lights are all off except for his bedside lamp, he pulls out his phone, knowing there’s one more thing he has to do before he goes to sleep.

“Spencer?” Penelope’s voice sounds down the line, clearly concerned. “It’s almost 2 am here, are you okay?”

“I’m gay,” he says, getting straight to the point. The main reason he ever kept it from her was because of his fear of it accidentally getting out to the team rather than fear over her reaction. After all, multiple of his drag queen friends are also hers.

“Oh my God,” she says in that small voice she uses when she’s not actually talking to you, before finally actually replying to me. “Spencer, I’m so happy you told me!”

He doesn’t miss her choice of words, or the way she says them and he tilts his head suspiciously. “You already knew, didn’t you?”

She sighs. “Yeah. I’m sorry, a couple of months ago I saw a text from Oscar on your phone when you went to the bathroom during one of our Doctor Who marathons, and it wasn’t hard to figure out the relationship.”

“And… wait, you’re not mad at me for not telling you sooner?”

“Spencer! Of course not. I was waiting for you to be comfortable enough to share it with me. I felt awful that I knew without your consent but I didn’t want to tell you because I didn’t want to catch you off guard or make you feel uncomfortable. It’s fine that you waited, baby genius, I’m just so happy you told me now. What finally gave you the courage?”

“Well, it might have slipped out in front of the team this evening,” he admits sheepishly, “and the only reason I never told you was because I was scared that it would slip out somehow — accidentally, of course, I didn’t think you’d tell anyone on purpose — and now everyone knows. It’s been killing me not to tell you, Penelope, it really has because I love you so much and you’re my best friend and I trust you with my life, it’s just…”

“Whoa, slow down, Spence,” she laughs fondly, “you don’t have to explain yourself to me, I understand. But I’m glad you finally told everyone and you can be yourself completely with us, now. We all love you no matter what, you know that right?”

“I do now.”

“Good. You should get some sleep, baby boy, it’s late and you’ve had an emotional evening.”

Spencer smiles. “Yeah, I know. You should, too, Pen. I’ll see you when we can finally make it home, okay? Love you.”

“Love you, too, 187,” she says softly, and Spencer can hear the smile in her voice. “Goodnight.”

As soon as he hangs up, he settles down into the bed, turning off the light and pulling the duvet up over his shoulders before dialling one more number.

“Hey, baby,” Oscar says, voice as gentle and caring as it always is, although thicker with tiredness now. “I take it everything went okay?”

“Yeah,” Spencer murmurs, already feeling tired as the safety he always feels at the sound of Oscar’s voice settles into the fibres of his being. “It went so well. I can’t wait for you to meet everyone.”

“I can’t wait either, sweetheart. Are you in bed now?”

“Yeah,” he sighs. “Can you talk to me as I fall asleep?”

“Anything for you, Spence,” he says softly, before transitioning seamlessly into a story about the professors on campus, and his gentle comfort and the knowledge of the unconditional love his family has for him finally lulls Spencer into the best sleep he’s had in weeks.

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postmodernmulticoloredcloak · 3 years

Text

I decided to watch the Walker pilot so you don’t have to. #2

Because I don’t love myself enough, I guess. Let’s continue.

Recap in case you missed the first part: it’s boring, Jared acts like he stumbled on the set and never heard about it before, Texan law enforcement must wear very pristine shirts and cowboy hats or they will die, I guess, the cinematography wants to be good but I’m not sure it knows how to do it.

The last thing I mentioned in the first post was Jared doing a thing with his mouth but I think you need to see it. It’s basically the extent of Jared’s acting in this show. I had nothing against you, man, I swear. I even got your autograph once. I’m not a hater. I’m just looking at him...

THE TITLE CARD! I had paused the episode riiight before the title card. You have to witness it in all its embarrassing glory

Whose idea was it??

Some shots of the city of Austin. Walker and Martinez (Mexican Lady Cop) are having lunch. She says she’s heard about him, he asks what she’s learnt, she says, I textuallty quote, “I hear you are the edge of the coin”. Again, we are not allowed to have any kind of slight metaphor without the dialogue slapping us in the face with it.

“Not head or tail, just... your way” Jared didn’t even come up with the metaphor in that interview, it was in the script. Unless he came up with that line, which isn’t even a good line.

She basically tells him not to get in the way of her career. Being a Mexican-American cop is hard! Such deep commentary.

They start discussing the case, which I had already forgotten about. The cop who was slightly assaulted and won’t talk about it. “Maybe whatever was in that truck spooked him enough to abandon his oath” maybe it was a monster. god I wish it was a monster so that’d mean I’m watching Supernatural and Jensen is in it. The “oath” thing is kinda icky, like they want to remind us that being a cop is a noble path. It is in some places under some conditions. But we’re talking about Generic American conditions.

He’s like “let’s use the traffic cams to see if we can see something” and he slips right into his Sam tone. Admittedly that’s a Sam kind of thing to say.

It was day, and now it’s night. Walker house. He arrives when his family have already started dinner. Except the daughter isn’t there, she’s out with a friend. “Isabel, some Mexican girl” Walker’s father calls the friend. “Mexican American, dad” the gay brother corrects him, a deep and interesting commentary on ethnicity in the United States, we’re weeping with emotion.

Walker apparently isn’t happy that his mother has enrolled his daughter in a Catholic school, his father snaps back at him. We don’t care. We’re not emotionally invested in any of this.

There’s some awkward dialogue because he mentions the daughter playing basketball, but she’s switched to soccer. Wow, it’s like she’s become an entirely different person in those eleven months he was undercover! Can you believe? Apparently she used to play soccer before, she’s come back to it. Whoa. She’s an utterly unrecognizable person now, it’s going to be so hard for Walker to get to know her again from scratch. Can you believe?

Then he gets a call. He needs to pick up the daughter from the police station. He does some Jared awkward faces and leaves.

The daughter (Stella) was at a party and was arrested for possession. I miss when possession meant demonic possession. Dramatic music plays. She’s there with the Mexican American friend, whose parents arrive and he starts a speech on how they should get to know each other better. It is so not the right context to start making friends. “Epic first meeting” Isabel says. “I’m so sorry, this is so embarrassing” Stella says. “For who?” Walker quips, like a normal person does.

He’s like, let’s go, and the girls hug, which is the only believable expression of affection I’ve seen so far in the episode. Can’t the story be about Stella and Isabel?

Father-daughter conversation in the truck. Apparently we have emotional moments in cars, which we have never seen on television before.

He asks what she was thinking, she’s like, duh what do people use drugs for. She calls him out for disappearing completely. She mentions how it was bad enough that they didn’t have mom. He says “we both got to stop acting like she’s gonna come back and put us right” which makes absolutely zero sense. It’s like someone wrote it on a note for how to develop the characters and they just decided to slap it into the script of the pilot. Remember these people haven’t seen each other for eleven months, he left shortly after his wife died. They didn’t have the time to process the grief together, why is he even saying that line here?

Meanwhile Martinez get home and we meet her boyfriend, a very cute Black man. They’re cute. Why can’t the story be about them?

He asks her about Walker, she says he’s a mess. Oh god. She says he was a Marine, “signed after 9/11”. Holy shit. He’s a Marine who signed up after asdfghjkl can’t you feel the Manly Trauma here????

He’s a Marine who signed up to fight Muslims after 9/11 and now has a dead wife, he’s exactly the kind of male lead character we need right now.

She says she’s trying to figure him out. Her boyfriend is like “dude stop thinking about that guy, he’s not at home trying to figure you out” and she replies “oh I’m pretty sure he thinks he knows everything about me already”.

This is the first scene that hasn’t felt bad so far.

Meanwhile Jared and his brother go to a bar. It’s very ~Texas Aesthetic~, and they’re wearing cowboy hats, of course. You are not allowed to go to a bar without a cowboy hat in Texas. “The brothers Walker” the flannel-shirt-clad bartender says, coming with drinks. Jensen Ackles makes a face somewhere in the mountains.

The brother goes to call his partner and the bartender starts chatting with Walker. She has a conversation with Jared’s awkward faces and she’s like, I guess you left because I couldn’t answer your questions about what happened yo your wife. This is how people converse in real life.

She asks him if he’s alright and he doesn’t answer, instead is like “let’s have a dance”. He doesn’t say he’s fine, but I think it still counts as a I’m Fine Lie Moment #2 because that’s what it is in spirit.

I know you’re bored, I’m bored.

They dance in the Texan bar, I’m distracted by the pool tables and wish this was Supernatural so we’d see Jensen Ackles play pool.

Obviously the dance is interrupted by work - a text from Ramirez who says she’s got something, “office 8am?” so he leaves because he has to wake up early. I’m not kidding.

I was kind of warmed over by Ramirez and her cute boyfriend and by the bar who was kind of nice as a location, when the next scene at the office immediately starts with Ramirez saying “My mom wouldn’t let me play with dolls when I was a kid, so Iearned about cars instead”. I die a little inside. It’s the second time she’s referred to her mother wanting a son...? So she’s badass because she wasn’t raised to be feminine...? Ew.

So they have this lead thanks to her knowledge of cars. They go investigate. I’m bored.

I shouldn’t have said I was bored, because Walker destroys my boredom by having Jared pick up a cross and start talking to “JC” sarcastically asking him for guidance about his kids going to the Catholic school. “Can you stop” Ramirez says, along with all of us.

By the way they’re in a workshop run by an ex-convict who employs former criminals to make figurines (like that cross). I got a bad feeling about this. Former criminal in cop shows is always code for current criminal.

The investigation leads to two guys who work in the store - “oh I know you,” one immediately says when he spots Walker, “you’re the ranger with the dead wife”. Walker is like, what did you say. And the guy is like oh I heard the story of a ranger’s wife biting a bullet near the border, guess you couldn’t protect her uh~~~

They exchange more provocations - Walker calls him some lowlife something and the guy goes to punch him and Walker beats him up. Violently. I’m uncomfortable. We’re supposed to think he’s exaggerating here but... he does get very violent and should not be a cop. Period.

They go to Ramirez’ house because he cut his hand. Her boyfriend is like “baby there’s a dude bleeding on your couch” I want a season of him, exclusively him.

She scolds Walker. Not because he beat up a guy with more force than needed, but because he acted stupid and that’s bad for her career. I’m uncomfortable.

Also, what’s bad is that they’re supposed to work *together*. He says he has his own way of doing things. Yikes yikes yikes.

She says that her theory is that they put them together because he always break the rules. Apparently she read up his cases and he always break the rules. The main character of the show is a cop who break the rules in half the cases he works. Yikes yikes yikes but also did I mention yikes?

No, wait, he acknowledges that he “bends” the rules, like that’s better! Yikes!

More bad dialogue, then Stella’s school calls him. She hasn’t been at school.

He goes to ask Isabel’s mother, who reveals they haven’t their papers yet, so any criminal activity would mean deportation. He talks about it with Ramirez and mentions that his brother who’s a DA could get in contact with the Feds to speed up the papers. Are we supposed to be like “oh what a good guy”? The thing is just creepy to me.

Well, at least Ramirez says something about it, or actually quotes her mother who used to say that the law doesn’t protect us. That’s why she ~burned bridges~ with her family! Apparently because she became a cop.

Ow. Her mother is not speaking to her because for her, her daughter being a cop is like a betrayal. But for her it’s a way to set things right! We’re supposed to think her mother is exaggerated. #notallcops #individualgoodcopscanchangethesystemfromtheinsideforsuredefinitely

Meanwhile their investigation continues. Remember the cross Walker randomly picked up to mock the concept of Jesus? Ramirez stole it. And now they find out there’s heroin in it. Alright... obviously the business that was supposed to rehabilitate former criminals is a cover for cartel drug dealing. What were we expecting. I’m tired.

Ramirez decides to work the case alone and sends Walker to look for his daughter. “I was that kid once, I always wanted to be found”. The impression you get from the scene is that Walker had forgotten about his daughter missing lol. Ramirez insists he goes. I’m uncomfortable with how many times people put on cowboy hats. Someone should count. We’re only 30 minutes in and it feels like it’s happened 80 times.

Alright, a break now! My laptop’s ventilation is running like crazy, VLC and long tumblr drafts are a bad combination. Or maybe it’s just my laptop being allergic to this show.

#cw's jared: legit texan #marghe watches walker for some darned reason

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noitsbecky127 · 2 years

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rebecca watches tos: amok time

I’ve never seen this ep but ik it’s the fuck or die one

chapel is bringing spock soup, give it up chapel, ily but the man is gay

I bet it’s good soup though

oh ok so pon farr just straight up makes vulcans go feral and throw soup at walls

just let him go to vulcan jimothy

oh this intro is a little different! guess they changed it for season 2

“play servant to a man that is not hers” spock it’s the 23rd century she was just trying to do a nice thing for you

man idk if we’ve ever seen spock showing this much emotion in his voice, save for naked time ofc

spock, what are you holding behind your back

oh here’s chekov! I knew he existed in TOS but I wasn’t sure when he was gonna show up

guess you’re gonna miss the inauguration, bc spock’s choices are fuck or die and I don’t think anyone wants the latter

jim do not make him postpone this

ah ok spock took matters into his own hands

man how badly does pon farr fuck you up that spock could have diverted course and then forgotten about it

spock really just went “I’ve arrived in sickbay and now I will leave sickbay ✌️”

“I think I’m going to get spacesick” ok I’ve decided I like chekov

“he’ll DIE, jim” *dramatic music* *closeup on william shatner’s face* *commercial break*

spock: yes i know why i’m dying, no i won’t tell you, we exist

who tf is spock looking at

“consider that an order” I feel like using your authority to get your best friend to explain something personal to you is an abuse of power but what do I know

man how heavily guarded is this if spock’s willing to disobey a direct order in order to not explain it

oh right, biology. the biology of vulcans. the biology specifically belonging to vulcans. vulcan biology. that biology.

god spock’s so embarrassed I just want to reach through the screen and hug him

“the birds and the bees are not vulcans” yeah, it’s a metaphor, spock

jim you can’t tell me you’ve never wondered how vulcans choose their mates, given that you’re obviously in love with one

chekov and sulu have a wonderful dynamic I can already tell

spock ik the federation is a post-scarcity society and all that but that doesn’t mean you can just destroy your computer

chapel don’t just watch him sleep, that’s weird

oh ok he’s fully awake now

spock don’t come on to her

spock you’re gay

oh ok she has a first name

spock’s taking his emotional support humans down to vulcans huh

spock: she is t’pring…my wife jim, who was like 90% certain they’d been flirting for the past six months: beg pardon

did they beam down at sunset or is the vulcan sky just straight-up red

t’pring is so pretty

alright now spock’s gone full feral

“become the property of the victor” christ this is dated

I knew she was gonna pick jim but why’d she do that anyway, she definitely doesn’t want to marry him so what is it

really t’pau? insulting his heritage? fucking rude

I see jingle bells is a way of life for vulcans

ah so jim wants to make a good impression on his (however spock is related to t’pau)-in-law

spock: (holding a big axe) jim: scared_and_horny.gif

jim did not dodge that swing. spock could have sliced him in half. ripping open his shirt and exposing his titties was a deliberate decision. in this essay i will

it really says a lot about how lost in the sauce spock is that he’s attacking jim so viciously, bc he would never do that under normal circumstances

jim. jim your titties. they are bleeding.

this is the most homoerotic fighting I’ve ever seen

obv jim isn’t dead but he sure does look dead

even though ik jim is fine spock is still breaking my heart rn :(

t’pring’s logic certainly does check out

“live long and prosper, spock” “i shall do neither” :,(

spock smiling gives me so much serotonin

bones is a goddamn treasure i swear, where would the enterprise be without him

so rolling in the sand with jim and choking him broke spock out of the blood fever huh, funny how that works

“in a pig’s eye” I love Bones

good episode, always good to see something that sparked many many fanfics, and if I wasn’t already fully down for spirk this ep would probably change my mind

#rebecca watches star trek #rebecca watches tos #star trek #star trek the original series #star trek tos #amok time #star trek liveblog #tos liveblog #star trek tos liveblog #liveblogging

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youngerdrgrey · 3 years

Text

the only way to get over someone... // a Batwoman fic

About: SPOILERS FOR THE SEASON TWO FINALE / post-2x18 / season two finale — After the s2 finale, Ryan tries to be a good 'friend' to Sophie, but it does not go the way she planned (feat. an extended cut of the similar tastes in conversation).

Notes: Don’t read if you haven’t seen the finale. This picks up at the end of the Kate and Ryan scene, then continues on from there because my WildMoore heart wanted to. Under the cut because spoilers + read on ao3

Kate Kane is leaving, and Ryan might need some time to fully process that. Kate’s opposite her, comfortably seated on the corner of their desk. The beer bottle clinks against the edge of it as Kate covers her bases. The suit’s staying with Ryan.

Kate starts, “As for Mary and Luke….”

Ryan jumps in with a smile. “They are my family, and I am going to take care of them.” No questions asked. Though, with Luke and his new super suit, she will definitely have help in keeping their family safe.

“Thank you.” Kate smiles back at Ryan. “And Sophie?”

Not family. Not in the traditional sense, at least. She’s family-adjacent at best. She’s… she’s Sophie, the same person who ruined Ryan’s life and relationship multiple times, and the same person who helped Ryan build them both back up.

Ryan quirks her head from side to side. “Can I get back to you on that?” The repetition gets another grin out of Kate. Worry still shines in Kate’s eyes though. Ryan admits, “She’s saved me a lot more than she’s hurt me, so, I guess I can look out for her too.”

Kate sighs in relief. “Good. She’ll need it. She’s not invincible, Ryan. Mary told me all about the two of you going back and forth over Cluemaster. She’s tough, but Sophie’s a lot more fragile than she seems.”

Ryan has seen a bit of that. Sophie does her best to hide the cracks in her armor, but Coryana in particular stripped down a layer. Her fear for Jordan took another, even her concern for Ryan in these last few days wore at it. “And you’re about to break her heart.”

Kate nods. She seems so sure that looking for Bruce is the right move. Maybe that’s what a good trip of Snake Bite can offer: clarity. Not that Ryan’s interested in joining Kate on that other side.

“Help her through it?”

Ryan jokes, “I’ll make sure she finds a suitable rebound. There’s a pretty great lesbian bar here.”

Kate’s eyes twinkle. “Keeping it close to home?”

Ryan does not like the implication in that question. She redirects the conversation. “Call us every once in a while. And make sure to tell Mary how much you miss her. She won’t admit it, but she loves to hear it. And maybe text Parker too. That girl is so hungry for gay mentorship. And —”

“I get it. I will keep in contact.”

Ryan aims her beer bottle at Kate like a threat. “You better. Don’t make me come find you. I almost died the last time.”

But Sophie saved her then. Ryan can always do the same.

Sophie does not know what to do with herself now. There’s no guidebook on what to do when the love of your life comes back from the dead, then promptly leaves to search for her cousin. No FAQ with tips on how to handle making out with said love of your life either.

There’s a knock on her door. A hopeful part of her immediately thinks it’s Kate. Sophie will open the door, and Kate will drop down her duffel bag and helmet and say, “I’m not going anywhere.”

Sophie rushes to the door. Throws it open and — oh, of course. Ryan gives her an apologetic smile from the other side of it.

“I know I’m probably not who you want to see right now….” Ryan starts. Her arms shift around two resusable grocery bags with overflowing snacks and wine bottles. A backpack bumps them from her shoulder. She offers another smile. “I brought supplies. And I’m here to keep you company through the heartache and to take you up on your offer.”

That explains the backpack. Sophie checks, “Kate’s leaving tomorrow?”

Ryan nods. “Tonight’s her last night in the loft, and my only night crashing on your couch. If the offer still stands?”

She seems hopeful too, and nervous, like she’s bracing herself for Sophie to close the door in her face.

Sophie hasn’t exactly had any company at her place. Not since Julia. It wouldn’t hurt to have someone here tonight. Make her laugh, make her smile.

Sophie steps back to let Ryan in. Ryan glides forward. Sophie closes the door and leans back against it so she can watch Ryan take in the space.

Ryan does a full turn in the entrance. “Damn, you got it like this?” She whistles low in appreciation. Her platform converse pad along the hardwood flooring between the front door and the living room. It’s spacious with the most comfortable couch Sophie’s ever owned, her favorite coffee table, and a large TV, courtesy of a Black Friday sale two years ago. This place isn’t as nice as her old apartment with Tyler, but it’s still one of the nicer places that Gotham has to offer.

Ryan glances back at Sophie, and she realizes she should probably answer the playful question.

“I barely got it like this. Say what you want about my comphet marriage,” Sophie pushes off the door to approach Ryan in the living room, “the dual incomes made life a lot easier.” She winces. Any income. “I may have to downsize again now that I’m unemployed.”

Ryan sets her bags down on the coffee table. “Just work with Luke.”

Sophie’s eyebrows raise in confusion. “In real estate?”

Ryan gives Sophie an equally confused look. “He still daylights as Head of Wayne Security. If you work there too, it’ll make Bat stuff that much easier.”

Oh. “I… hadn’t thought about that.”

“Bat stuff or what comes next?” Ryan asks.

“Honestly? Any of it.” Sure, Ryan has called Sophie now that Sophie knows the truth. They’ve teamed up, and they really did a great job last night during the blackout. All signs point to Sophie officially being a part of the team. She simply doesn’t want to assume and get hurt in the process.

Ryan reads her silence and rolls her eyes. “Consider this your Bat Team orientation. We mostly work nights, though there are the occasional work trips. We went to a beautiful island this year for a company retreat.”

Sophie can play along. “I think I’ve been there. Shame about the fire.”

Ryan nods with a faux somber expression. “Beautiful sight, even if it did almost kill me. Oh, and we have full medical benefits, so long as you go to Mary and Mary alone. No overtime. No days off. But you get to make Gotham a better place.”

Sophie pretends to think it over. “Is there a uniform?”

“Only for me. The rest of the staff comes as they are.”

“Lucky them.”

Ryan pops the collar on her flannel shirt. “You should see me in my suit.” It fits Ryan in all the right places for being protective wear. Sophie will never say that though. Ryan’s cocky enough without being complimented.

Sophie eyes the bags. “So what’s the plan?”

Ryan perks up, their earlier bit forgotten. “Anything we want. I’ve got face masks —” She tugs them out to show Sophie. “Candy and snacks. Most of it’s vegan, so I can enjoy it too. I brought wine that I took from the bar. We can blast angry, pop music, or do sad girl karaoke. Ooh, you can call Kate a bitch again.”

“I called Circe a bitch,” Sophie clarifies.

Ryan waves that off. “She deserved it.”

“Well, she’s gone so….” Sophie shrugs because that is the point, isn’t it? She glances around her one bedroom apartment — the effects of her last break-up — and logs the empty spots on the walls where old art would’ve gone. There’s space on the bookshelves from the books Tyler took with him. After the divorce, Sophie had to physically sort through her life. What does she do now when there’s nothing to pack up, or send away?

Sophie admits, “I’ve never had another person for this. Though, Kate and I did have a better goodbye than we usually do.” Even saying that puts a little smile in the corner of Sophie’s lips.

Of course Ryan clocks it. “Oh, y’all had a good-bye then.”

Sophie’s smile gets bigger as she licks her lips. A very good bye. As the rest of the conversation filters back in, Sophie’s smile shrinks. “She wants me to go for something easier.”

Ryan hums in understanding. “Long distance isn’t great, especially when you have no idea where she’ll be.”

“Are we still talking about Kate?” Sophie asks. Angelique’s out there somewhere. Ryan spent the majority of their working relationship hating Sophie because of Angelique. If Ryan’s still hung up on her….

Ryan shrugs. “We’re all getting over someone. I am just much further along than you.”

Honestly, direct communication is not something Sophie is interested in right now. She doesn’t want to think about whether Ryan misses Angelique, or how much Sophie will miss Kate when the reality sets in. She doesn’t want to think about Imani, or the fact that Ryan has had a whole mini-relationship in these last few months while Sophie’s been frozen in grief and time.

“You know what they say, the best way to get over someone…” Sophie lets the sentence hang a moment as Ryan’s eyebrows inch higher and higher up her hairline. Sophie laughs before finishing, “is to watch a movie with a friend. You pick.”

The way Ryan’s face lights up with the power is absolutely worth whatever disaster will take up the next two hours of Sophie’s life. “Let me see what you got.”

As Sophie brings two glasses of wine over to the living room, Ryan puts a throw pillow on the ground and tells Sophie to sit on it.

“But the couch—”

“Is for me!” Ryan plops down with her feet on either side of the pillow. She looks like they’ve got church in the morning and the hot comb’s smoking on the tray beside her. “You know the set up,” Ryan says.

“True. Care to tell me why?” Sophie’s hair is fine.

Ryan’s nose quirks up the way it does when she needs to keep her emotions in check. She shrinks into her chest. “When I was sad, my mama used to play with my hair. She’d claim that she was oiling my scalp, but mostly, she ran her fingers through it. Gave me a little massage until I felt better, or went to sleep. I am willing to do that for you, if you want to actually relax.”

Relaxing does sound better than drinking a lot of wine and crying. Besides, Ryan studies Sophie’s face like she wants to find every crack and smooth it over. How could Sophie say no?

She sets the wine down and sits onto the pillow. Instinct takes over as she scoots back until her back’s to the couch and rests her neck against the side of the cushion. Ryan does a little happy dance that shakes the couch. She presses play on the movie, and Sophie watches the credits. She does. She sees that much for sure. But once Ryan slips her fingers into Sophie’s hair, Sophie tunes all the way out.

A light lavender scent hits her nose each time Ryan’s hands shift towards the crown of her head. Did Ryan put on a perfume, or is that an essential oil? Lavender’s meant to be calming. Soothing. Sophie wants to drown in it.

As Ryan massages her way along Sophie’s scalp, the world melts away. No pain, no drama, just a weightlessness that eases down her body and makes her want to cry. Her body sinks into the softness. The peace and stability of knowing hands and the right amount of pressure to send tingles through her skin. Then Ryan’s short nails get involved, lightly scratching, and Sophie barely bites down on a moan.

Ryan must still hear it. A little chuckle shakes the couch. She doesn’t comment thankfully. Sophie doesn’t have the energy to be embarrassed right now. Too lost in the feel of Ryan’s hands on her. If this is what Ryan can do with just Sophie’s head —

Sophie’s eyes fly open. She needs to get a grip.

Ryan’s fingers snake down to Sophie’s shoulders. Again, the only grip Sophie can focus on is Ryan’s. Sophie lasts another few minutes of this high before sighing out, “Marry me.”

She figures Ryan will laugh at that too. They’ve joked enough about dates, both in and out of the cowl. Ryan doesn’t even stop touching her. Ryan leans down rather than keeping the distance. The shift in position tightens her thighs on either side of where Sophie sits. She waits until her breath is a warm whisper against Sophie’s ear to let out the sexiest little laugh. Sophie genuinely stops breathing.

“If you think this is good, you’re not ready.”

In an instant, Sophie would really like to be. Ready, willing, anything and everything if it feels this good and Ryan stays this close to her. Her face is on fire as she turns her head to see Ryan. Fuck, Ryan’s lips are right there. Teasing and parted, and Ryan’s tongue dips out to wet them. Sophie drags her gaze up from Ryan’s lips to meet Ryan’s hooded, sparkling eyes. Oh she knows exactly what she’s doing to Sophie. She’s enjoying this.

Ryan’s voice still sounds teasing. “Watch the movie, Sophie.”

“I’ll watch what I want to watch,” Sophie shoots back.

Ryan takes that as the challenge it is. She holds the stare and kneads her thumbs into the backs of Sophie’s shoulders. Sophie’s eyelids flutter, and she struggles again to keep from audibly moaning. At least this time, she catches the little gulp Ryan does.

Ryan scoots back onto the couch, up to her full — albeit little — seated height. Sophie turns further, and she tries not to think too hard about looking up at Ryan from between Ryan’s legs. It must be on her face though since Ryan actually averts her eyes.

“Soph....” Ryan’s voice strains. “Stop it.”

“Stop what?” Ryan started it with that ‘if you think this is good’ comment. She is not putting this back on Sophie.

Ryan groans, flustered in a way that should not look as cute as it does. “You know what! You — we — just look over there.” She takes a hand off Sophie to point back at the TV. “I am trying to be a good friend right now. To both of you.”

And there goes the fun. Sophie turns back to the TV. She really has no idea what’s happening in this movie. She doesn’t want to ask either. They’re damn near fifteen minutes in. She’s not going back in the movie, or with life. She’s not going to break down over losing Kate again. She has no reason to. She’s spent more time with Ryan this week than she did with Kate. She’s fine.

Ryan clears her throat. “Talking with her today was, like, everything I’d imagined it would be. She’s funny and witty, and she has great taste in everything. Present company included. I can see why you’d love her. And why it would be easier to not try to deal with those feelings of loss all over again.”

Sophie drops her head back against the couch. Her ceiling’s not nearly as interesting to look at as Ryan. Or Kate. “Do we have to do this?”

“We’re not doing anything else so….” Her narrowed eyes say exactly what she means by ‘anything else.’

“There are other things, Ryan.” Besides giving in to the tension that flares between them, besides shifting an already unstable dynamic past its breaking point. Probably many, many times.

Ryan holds her hands together in her lap. “Well, you’re clearly not interested in the movie, so: your call. What does the great Sophie Moore want to do with her break up night?”

Sophie’s eyes dance as she gets up to kneel in front of Ryan. (Yes, Ryan glances at her through what looks like a haze of lust and concern. Yes, she blinks, and all that emotion slips back under the base gleam in Ryan’s eyes. No, Sophie does not want to think about how many times Ryan might’ve looked at her like this without ever noticing.)

“Well, Ryan Wilder, there is one thing that I have been dying to do.”

“You have to— Sophie, please listen before we end up falling.” Ryan glares up at Sophie. They’re standing on a building that Ryan says is the best jumping point to the Bat-roof. It’s lower down, which is probably why Sophie has never seen either of the Batwomen coming.

Ryan’s face is torn between excitement and dread at sharing her red and black baton with Sophie. She repeats for the third time which button to press to shoot the grappling hook, how to angle the body, and how to land so they don’t fall off the roof.

“I’m listening,” Sophie swears. She adjusts her stance so her feet are wide like Ryan instructed. She angles her body towards the other roof — their roof. She takes a steadying breath and gently plucks Ryan’s hand off the other end of the baton.

Ryan steps in to wrap her arms around Sophie’s waist. “You have to brace yourself for landing. And please do not let go of me. I’m holding on, but—”

“I won’t let go,” Sophie assures her. She wraps her left arm around Ryan and holds tight to the baton with her right. Okay, another steadying breath, and she jams her thumb into the button. The wire flies out, and in a breath, they soar up through the air. Wind whips around them, and Ryan squeezes so tight that her face is nearly in Sophie’s chest.

For her assurances, Sophie does not stick the landing. She stumbles the moment the wire ends, and Ryan stumbles with her. Both of them clatter onto the Bat-roof with a groan and a laugh and a tangle of limbs that ends with them side by side on the roof’s floor.

The air around them is quiet and warm and still has a hint of the smoke from all the fires in Gotham yesterday. Sophie has the fleeting thought that it might be easier with Ryan than she ever expected. What ‘it’ is, well, Sophie blinks that away.

She props herself up on her elbows. “Can we go again?”

Ryan laughs. “No recovery period with you.”

Sophie gets up and offers her hand to Ryan, who takes it without hesitation. She tugs harder than she needs to. Ryan pops up with little more than a breath between them. She uses her free hand to tuck Ryan’s hair behind her ear. Lets her finger trail down Ryan’s neck.

Sophie whispers, “Oh, Wilder, you have no idea.” Ryan’s dramatic groan of reply makes Sophie laugh harder than she has all day. "Come on, round two."

Ryan pouts as Sophie heads for the stairs. Ryan points out, "I normally just jump off."

"What's the rush?" Sophie holds the door open for Ryan to come with her. "We've got all the time in the world."

a/n: We made it through season two, and I love these two so much. What about you?

#batwoman #batwoman fic #wildmoore #ryan wilder #sophie moore #ryan x sophie #mine #batwoman: s2 #batwoman: 218 #kate kane #kate x ryan #but not in a ship way just in a tag way

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thetrashsean · 4 years

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“Why wasn’t Life is Strange 2 as popular as the first game?”

A lot of people like myself have wondered what exactly made Life is Strange 2 go so relatively unnoticed compared its predecessor, Life is Strange 1. And when you think about it, you may come up with the few obvious generic answers, such as the lack of Max and Chloe and just the original cast in general. However, I think there was a lot more at play here that prevented Life is Strange 2 from reaching the amount of success/popularity the first game had. So I want to take the time and break down what exactly happened to Life is Strange 2 and the things that hurt the game’s ability to really connect with the audience of LiS1.

Disclaimer: We do NOT know how well Life is Strange 2 was for Dontnod and if it was a success or not. No sales numbers have been given out to the public so there’s no way of knowing for sure how well the game did. What we do know is that LiS2 did not receive the same amount of attention/popularity as the first game. That can’t be denied, it simply didn’t. However, based on the fact that Dontnod have recently announced they are working on six new games at the moment and are now expanding their studio, even if LiS2 was a “flop” it doesn’t seem to have had much of an effect on them (most likely due to the success of Vampyr). Dontnod is going to be fine either way. Another thing I want to mention is that this is not a anti-LiS2 post and that I am a fan of the game. I’d consider myself a pretty big fan actually. I have my problems with the game of course and don’t agree with a lot of the writing decisions but I enjoyed the game very much overall. But for the sake of this post I will try to be as unbiased as possible, giving out only what I’ve observed when it comes to reactions from the fandom on different websites and forums. So with that all being said, let’s dive in to this.

Here I will be listing the many different reasons as to why Life is Strange 2 failed to reach the same amount of popularity as LiS1 or even BtS managed to achieve. This list isn’t in any particular order but some reasons are bigger/more important than others.

For some background, there was a lot of hype going into Life is Strange 2. The teaser trailer for it with the cop car trended at #2 on YouTube, a huge feat for the series. It generated immense amount of views and comments in a short period in time, completely surpassing Before the Storm’s announcement trailer in just a few weeks. So what exactly happened to all that hype? Where did everybody go? Well, let’s break everything down.

1. The lack of Max and Chloe: Yes I said that this list wouldn’t be in any particular order in terms of importance but I think it’s obvious this one is one of, if not the biggest reason as to why LiS2 failed to match LiS1’s popularity. When the protagonists Sean and Daniel were first revealed, the reception was pretty divisive. Specifically, a very vocal part of the community were baffled and disappointed at the lack of Max and Chloe present within the trailer and subsequently the game itself. This instantly turned off a lot of people from the game, as they couldn’t connect with the new characters or simply didn’t want to. At that point in the franchise Max and Chloe as well as the original cast from the first game had been the face of the series for almost three years. It’s understandable why it was hard for people to just…move on. To this day people are still asking for Max and Chloe to return. The Life is Strange subreddit is still dominated with Max and Chloe fanart. Whenever the social media accounts for Life is Strange post anything Max and Chloe related it gets way more attention compared to a post about Sean and Daniel. Whenever a post online goes viral about Life is Strange you can bet it’s most likely about Max and Chloe. Hell the only reason why episode 5 of Life is Strange 2 trended on Tumblr was because of the fucking picture of Max and Chloe. On the releas day of episode 5 of LiS2 the top post on the subreddit was the Max and Chloe picture. It was almost as if that one photo of them completely overshadowed the entire episode. Point is, Life is Strange 2 lost a lot of momentum the moment it was revealed Max and Chloe would not be present. Case closed, let’s move on.

2. The release schedule: Words cannot describe how frustrating the release schedule was for LiS2 when it came to it’s episodes. For those reading this who didn’t follow LiS2 until the game was finished, each episode took around 3-4 months to be released. This was because Dontnod bit off a bit more than they could chew with the road trip story in having to create new locations and character models from scratch. The reason why this wasn’t a problem for LiS1 was because Max was for the most part always in the same locations around the same characters (I’m pretty sure you roam around Chloe’s house like 4 times throughout the season), which made development a lot easier since the devs could just reuse a lot of the assets. Unfortunately, this wasn’t possible for LiS2 due to the nature of it’s story. The wait times between each episode made a lot of people leave the fandom due to loosing interest or simply forgetting about the game altogether. This also impacted youtubers/streamers as many of them either stopped coming back to play the new episodes or they’d not be as connected as they were in the previous episode due to the amount of time that had passed. One of the reasons why LiS1 gained so much popularity was because of youtubers/streamers and how they would bring in their audience and would pretty much make them fans of the series. With quite a handful of youtubers/streamers quitting LiS2, the game was not able to draw in as much of an audience as previous games did. This is how detreminetal the release schedule was for LiS2.

3. The marketing (or lack thereof): Square Enix really fucked up on this aspect. Due to the ridiculous wait times you would think Square Enix would try and advertise the game heavily when a new episode was about to be released, right? Well they didn’t. Not at all actually. Throughout the games release schedule from September 2018 up to December 2019, I had not seen a single ad for the game. Nothing on YouTube, nothing on reddit or any other websites, it was like Square Enix had completely forgotten about the game’s existence. Now don’t get me wrong, SE did do a few things with LiS2 like starting up the community series on their YouTube channel and also the dev updates that came after episode 1 (that stopped after episode 2 for some reason) but these went relatively unnoticed to people outside of the fandom and did pretty much nothing. I believe SE was trying to wait until the game was fully complete with all of it’s episodes released before actually marketing the game (and they DID start advertising the game after episode 5 came out) but that’s just WAAAY too long to go without any type of advertisement. I understand marketing teams have budgets and what not, but you’re telling me there was no way for SE to market each episode in anyway as they were about to be released? Seems a bit ridiculous, don’t you think?

4. The road trip story: I completely understand why Dontnod wanted to branch out and do something different with the story of Life is Strange 2 and I respect them for stepping out of their comfort zones. However, it can’t be denied that the road trip story where characters are cycled in and out as Sean and Daniel make their way to Mexico was a very…questionable decision. Seeing as how LiS1 was loved for it’s world filled with a reoccurring cast of characters that developed as the story went on, it’s really easy to understand why LiS2 was so off-putting for a lot of fans. It was off-putting for me, even. It just…wasn’t fun having to leave these truly interesting characters behind because the plot demanded it. This left a lot of characters feeling underdeveloped to many people and by the time you meet new characters you already know they’re most likely gonna be gone soon anyways, so it made it even harder to connect with them. Couple this with the fact that LiS2 lacked any type of mystery unlike LiS1, speculation and discussion fizzled out a few weeks after each episode was released. LiS1 kept people speculating and wondering about what would happen next, while LiS2 left a lot of people struggling to care.

5. Politics: Yeeeeaaaaah I think I had to put this somewhere on the list. While many of the people who tease and mock how LiS2 handled its political topics were most likely not fans of the series anyway (the type of people who called LiS1 “Life is Tumblr” and hate Chloe), I do think it’s important to realize that some people just don’t want politics in their games, period. I’ve seen people online come out and say that while they agreed with what the writers were saying when it came to the political topics, it overall still came off very forced and one-sided to them, lacking any type of nuance or subtlety. I could write an entire essay discussing if the politics in LiS2 were handled well and whatnot but this is not that post so I’ll just leave it at that.

6: Lack of a prominent female cast/wlw: This is a bit more tricky to talk about (for the record the person writing this is a black gay guy) but I will try and write about this the best way I can. For many women, specifically queer women, Life is Strange was a series they could expect representation from. Max, Chloe, Rachel, and Steph are all popular characters amongst the fandom and even other wlw ships such as Marshfield, Chasefield, Chaseprice, etc are popular. So when LiS2 was revealed to be about two (hispanic) males, the queer women within the community were understandably upset. It felt like DN were simply throwing away the community that for the most part made up the entire fandom. At the time I simply found the situation ridiculous and overblown as many people were dismissing Sean and Daniel as “generic straight males” (even though it turned out Sean was bisexual in the end) before really getting to know them. However, looking back I totally get why people were upset. A lot of the fanart/fanfiction that was made for the LiS series was mostly created by queer women, so when the franchise pretty much stopped giving them representation, they left in search of other media (like She-Ra, which honestly has better wlw rep anyway). LiS2 is also mostly male dominated in terms of its cast, and features no queer women as well, which is really disappointing in my opinion.

7. Price: This one is pretty simple. When Life is Strange 2 was first released the full season costed $40. This was a pretty big jump in comparison to LiS1’s $20 price tag (original price was $25 however) and BtS’s $16. Obviously people would be more skeptical about buying a sequel that is pretty much double the price of its predecessor and has completely new characters. With the pretty mixed reception from gaming communities I wouldn’t be surprised if a lot of people saw the price and decided to either watch a playthrough or simply not check out the game at all. With the first episode now free the base price has been lowered to around $30-32 I believe so yeah.

8. Daniel Diaz: Some people just don’t like kids, and I wouldn’t be surprised if people grew easily frustrated with Daniel early on and once he got more irrational and bratty as the story progressed they just stopped playing altogether. Even if you do like kids, or at least don’t mind them like myself, Daniel can still be quite a pain.

9. Not having control of the powers: This one is honestly really disappointing and I know it was to a lot of other people as well. In LiS1 Max had the ability to rewind time and do certain scenarios and conversations over and that basically acted as the more interesting gameplay segments. In LiS2 Sean doesn’t have the power, his brother Daniel does. This leads to the gameplay feeling much more boring and mundane. There are also no interesting puzzles this time around, most likely because Dontnod didn’t know how to implement them without the rewind power so they just…didn’t even attempt to add any. The power itself, telekinesis, is also much less interesting compared to rewinding time, according to a lot of people.

SO YEAH that’s basically it for me. I know this probably came off a bit rambly/incoherent but I tried my best to be as clear as I possibly could. I don’t doubt there are other reasons at play as to why LiS2 failed to meet LiS1’s success (such as liscensed music not being quite as good as LiS1) but I think I hit the main points I believe were key reasons. And the thing is, there isn’t just one main reason why LiS2 didn’t do as well as LiS1. It’s overall very unfortunate so many things went wrong with it that ended up making people lose interest in it. I think the lack of Max and Chloe hurt the game the most right off the bat, but the other reasons just led it to do even worse. Oh well.

I hope any of the people who read this enjoyed it (it was a BITCH to write). I’ve been wanting to get my thoughts down about this for SO long but just never had the motivation/time but I finally did it!

Again, thanks for reading! If you have any disagreements or just thoughts in general don’t be afraid to reply or dm me about it and I’ll be sure to reply! Now back to reblogging Marco posts….

#lis2 #lis #life is strange #life is strange 2 #max caulfield #chloe price #sean diaz #daniel diaz #lis2 spoilers #pricefield #amberprice

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ramblings-of-a-mad-cat · 3 years

Note

(sees another fandom that I can ask you about and cheers) Orphan Black! Thoughts? I don't know Dr Who but Tatiana is one of my favorite actors period.

Anon you are so sweet! I'm always happy to chat about fandoms and characters and whatnot, and I will never not appreciate the majesty of Tatiana's acting. That is one of the greatest parts of the show hands down.

Orphan Black, to me, is a show that had incredible potential, but didn't really live up to the excitement it created. (Loooong post ahead.)

The thing is, Orphan Black builds a chilling mystery and background, the world it gradually creates as it goes for about the first two seasons, got be very invested and made me wonder a lot about where it was going to go and what the answers were. The setup is brilliant, right from the start with that iconic cold open of Beth's suicide. The unknown is what really helped this show get as thrilling as it was, because the actual answers behind the unknown were kind of hit and miss, and it seemed like far too often, the show just wasn't interested in telling it's story. Hijinks where the clones impersonate each other in slice of life events? That's fun at first and it really works well as they're still getting to know each other. But after a while, it gets tedious, and it seems like the show would rather fuck around and have dance parties (seriously, that scene was such a #BigLippedAlligatorMoment) than focus on the story and the threat that the sisters are facing. Virtually all of Allison's plotlines are like this, they feel like they belong in a different show, and for some reason the writers insisted on giving her one of these storylines like, every season. After Allison passively murders her own friend out of suspecting that she's spying on her, I just don't feel like an arc about her running for some PTA office position even matters. It doesn't feel right.

Speaking of that, here's another example: Donnie. Why did the end of the first season suggest that he was this secret mastermind working for Leekie? The whole idea just deflates in Season 2 and doesn't really go anywhere. He just goes back to being the bumbling sweetheart he was before. Why even have him be the spy? Maybe it should have been Ainsley. Do you want to know the exact moment that I think Orphan Black went wrong? Like, the specific scene? When Leekie was killed off. The character who had thus far been the Big Bad, gets taken out in the stupidest possible way, a literal accident on Donnie's part, and it's even played for laughs. After that point, the show really struggled to regain it's footing, though I don't think it completely went off the rails until about Season 4, and it was still generally hit or miss. Like, some stuff was really good. The introduction of the Castor clones, the development of Rachel's character (I'll get to her, trust me.) and the reveal of Kendall Malone. But it seemed like so much else was just forgotten or otherwise not resolved. Whatever happened to Cal? Sure, the show wanted to focus on the sisters...but Kira deserves to know her father if she wants to. That's just one example. It's a crying shame because this show is sometimes incredible. The metaphor that I always use for situations like this, is a card game. The show has all the right cards in its hand, they're just not being played.

The two strongest characters, at least to me, were Rachel and Helena. One of these characters was superbly written and went through a devastating arc. The other was Helena. We need to talk about her. In Season 1, she really cemented herself as a memorable presence with her trademark accent, her scars, her whole damn personality (again, hats off to Tatiana) and of course, that iconic screechy theme music that accompanied her. Which at first made us jump, but eventually made us cheer. I adored Helena, and I loved the development of her relationship with Sarah. Who went from shooting her in Season 1, to being deadset on rescuring her in Season 3, being furious with Siobhan for betraying her. (This is unrelated but Siobhan has the same " twist villain fakeout" at the end of Season 1 that Donnie does, and it's quite frustrating.) And yet, I swear, the writers just didn't know what to do with Helena half the time. They put her on a bus for long stretches, including one point where she just up and leaves Allison's house in Season 4, for no given reason. And the characters just kind of...don't care. The same thing happens when she gets arrested. No one cares to try and find Helena, even though she's unstable and often a danger to those around her. Even though she's by herself with no real ability to function in society. Even though she's pregnant. There is no excuse for this, and no Sarah, that "I'm sorry, I avoided you" scene in Season 5 is not going to cut it. It's such an afterthought.

I'm being rather critical, but I hope you can tell that this is from a point of passion. I genuinely enjoyed this show and getting to watch it. Just that sometimes it didn't feel like the show cared that I was watching. However, this was not true whenever Rachel was onscreen. Look, I'm a Merula Snyde stan, so you can probably already guess how I feel about Rachel. Despite her crimes, despite her constant slipping back the dark side, I felt so bad for Rachel at the end of it all. That scene with Kira really sums it up. "Who hurt you?" "All of them." And no scene is more intense than when she stabs out the eye cam. Like, I'm sorry, I pitied Rachel pretty much from Season 2 on. Her parents were horrible to her, and I'm supposed to think Ethan is the good guy here? He kills himself in front of his own daughter, telling her that she doesn't deserve him. And then Sarah shoots a pencil through her eye, causing brain damage and requiring a long recovery. I'm not saying that Sarah was wrong to do what she did, just that if I were in her shoes, I'd still feel a degree of guilt for Rachel's condition. In the end, I'm devastated that she was barred from Clone Club, when she made the right decision at the point it mattered. But there's just too much history there, and Sarah won't ever forgive her. (Though again, I do feel as though there's blame to share.) Rachel is my favorite character and I never expected her to be. But she's just so complex. Side note: "Enjoy your oophorectomy" is so damn quotable. I don't know why but I love that line.

So, Rachel's my favorite. Who's my least favorite? It might surprise you. It's Delphine. I'm sorry, but I just...I couldn't get on board with C*phine. Not after Season 3. I was waiting for the point that the show would push to finally redeem Delphine for her turncoat role, for all of the hell that she put Cosima through. By Season 5 though? I realized that as far as the writers were concerned? She already was redeemed. Even though she did nothing to earn it, except be presumed dead by Cosima. The way she treats Cosima in Season 3 is actually disgusting. Her reasoning for breaking up with Cosima is circular. She has to love "all the clones" in order to be with Cosima, and the way to do that is to take over Rachel's job, which means they can't date anymore? I'm not the only one who thought that didn't make sense, right? Oh and let's talk about how she stalks Cosima's date, breaks into her house, and threatens her life. Red. Flags. Cosima even says the line, "If you're not going to be with me, just let me go." I'm sorry, that should not be something she has to beg for. Delphine's behavior made me want her to stay far, far away from Cosima. Who is, incidentally, a sweetie and I absolutely adore her. I legit have trouble remembering that Tatiana's playing her because she just looks and acts so different. That said, even though I immensely disliked Delphine, I am so very glad that they made one of the clones gay. Just like I'm glad that they made one of them trans. (Though...Tony wasn't handled especially well.)

In general, I do think the earlier seasons were stronger. The Brightborn arc, while interesting, didn't really contribute much to the overarching narrative. We got the backstory on Beth's suicide and finally learned the truth about her, I suppose. Still, even though Beth is one of my favorite of the clones, and I never expected her to be either...I feel like the actual reason given for why she took her own life was rather illogical. She apparently did it because the investigation was putting the clones in danger of another Helsinki. Okay, but just because Evie Cho says you should off yourself, doesn't mean you have to. You could just, like...stop investigating. And if you die under mysterious circumstances without explaining anything to the sisters, they're not going to be put off from the investigation. They're going to look into this even more, because they don't know why they're not supposed to. The reveal that she and Art fell in love toward the end adds an extra gut punch, but it also doesn't make sense because wouldn't Art have referenced it during the period that he thought Sarah was Beth? On the other hand, Season 4 also introduced MK. And I have such a soft spot for her. I adore that sheep-masked sweetie. Everyone always asks "Which clone would you date" (because fandoms can think of nothing else I guess) and I never see anyone give any love to MK. Her death absolutely tore me apart. I am glad Siobhan avenged her even if she went down at the same time. Side note, her last word being the affectionate "Chickens..." Broke me.

Season 5 was a strange beast. In general, it seemed like we were finally getting some answers to the questions that were hanging over us. Exploring the deep mythos. But then they kind of turned it around and made it just be a Wizard of Oz style fraud twist. Westmoreland isn't really inhumanly old, he's a charlatan. I don't know why that was necessary in a science fictional show. I've seen the interviews and I get what they were going for, it just feels like it would have been cooler and far creepier if he was actually that old. The puppet master pulling the strings the whole time. We also finally get some answers for Kira's superhuman healing abilities (though we never learn how she's telepathically connected to the clones) and I'm loving it, but the trouble is, it's inconsistent. Ethan "Why is this guy so popular, he's an asshole" Duncan told Rachel specifically that Sarah being able to have children was a fluke, that the clones were "barren by design." I don't know, the whole concept of Revival and of the "magical island" was really foreboding and tied in with the earlier references to The Island of Doctor Moreau. Especially that song about "Revival's Children" just...the shudders, man. But just having it be a regular old scam is...a letdown. I know it may be more realistic, but I don't always need realism in my scifi. The finale is interesting, in that it's mostly an epilogue. I'm glad the clones (sans Rachel) got to live happily ever after, but there are two gut punches right at the end that are total nitpicks but they bother me. Helena naming her kids after Art and Donnie? And writing a memoir that she names "Orphan Black?" Those two tropes can go die in a hole. They can enjoy an oophorectomy, because I'm so sick of them.

The potential of Orphan Black was practically infinite. The results of Orphan Black fell frustratingly short.

#Orphan Black #Alison Hendrix #Rachel Duncan #Helena Orphan Black #Sarah Manning #Cosima Niehaus #Long Post #Beth Childs #Ramblings #Veera Suominen #Donnie Hendrix #Aldous Leekie #Ethan Duncan #Delphine Cormier #Siobhan Sadler #Clone Club #Arthur Bell #Tatiana Maslany

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violetwolfraven · 3 years

Text

Peace and Joy

@spot-king-of-brooklyn I’m your secret Santa! @newsies-secretsanta

You said your favorite ships are sprace and/or javid and you’re good with pretty much anything so I’m gonna write two separate vaguely holiday-related oneshots in the reincarnation AU. Don’t worry though nothing heavy, just fluff. No COVID because I’ve had enough of that dude and I say so. Enjoy! Happy Holidays!

Tw: referenced past period-typical homophobia.

...

Spot couldn’t remember being this happy... ever. Not in the early 1900s or in the early 2000s.

Well, the closest he could think of was 1902, when he and Race moved on from being newsies and from being leaders of their respective boroughs and rented that old apartment in Brooklyn together. But that had been muted by the need to be careful. They couldn’t be normal young people in love because they always had to hide.

And that was fine at the time because it was expected. It was them doing whatever it took to be together not knowing they’d ever get the chance to do it another way.

Now, in the bright, beautiful, forward-thinking 21st century, they could be safe. They could be in love without fear of the consequences. They could go out Christmas shopping together, and Spot didn’t know if that counted as a date, but it kind of felt like one as he watched his boyfriend bop a little to Mariah Carey’s All I Want For Christmas Is You as he looked around.

He ended up having to look away before he started blushing too hard. Even if he wasn’t the King of Brooklyn this time, he still had a bit of a reputation as a stone cold badass. For all he knew, one or more of their more mischievous friends could be spying on them right now. And besides, this thrift store probably had stuff he could get the few Brooklyn kids who’d come back, too.

He was still deciding if Hotshot would think it was funny if he got him a tank top that said ‘hot stuff’ on it. The others would find it funny, but Spot honestly wasn’t sure if it would make his former second uncomfortable.

“Hey, Spottie, ya think my little brother would like this?”

Spot turned back to see Race holding up a bright purple worm on a string, but a giant version of one. One that was big enough to be a scarf.

“Knowin’ your family,” he admitted, “I think any of ‘em would be happy to get one of those.”

It was true. Honestly, the most sensible Larkin brother was the second-oldest, Crutchie, but Spot could still see him proudly wearing a worm-on-a-string-scarf to school after winter break ended.

Besides him, Medda, Race’s mom, tended to embrace whatever unique fashion choice she could find. And Jack, of course, didn’t let being the oldest of four stop him from being a theatrical little shit who liked drawing attention to himself.

And Romeo was somehow even more eccentric than Race, so he would definitely like that thing.

Race grinned, “I’m gonna get Ro a worm scarf for Christmas.”

“Your family is ridiculous.”

“Thank you. So, what’re ya gettin’ for Denton?”

Oh, shit. Spot had completely forgotten about getting anything for Denton.

He really should get something for him. After all, the teacher hadn’t even known Spot when Jack asked if he could stay with him. All he’d needed to know was that Spot needed a place to hide from his terrible parents and couldn’t stay with the Larkins, mostly because Medda had a strict rule about her boys’ partners sleeping over unless it was absolutely necessary. (it was also because Spot couldn’t think of anyone he’d want to live with less than Jack Kelly, but Denton didn’t really need to know that, did he?)

So far, Spot’s parents hadn’t shown any signs of missing him, and Spot couldn’t decide if that hurt or not, but it barely mattered anymore.

Because Denton didn’t really have any rules beyond ‘do your homework’, ‘take a shower occassionally’, and ‘if you leave the house, let me know where you’re going.’ He helped Spot pick out a Halloween costume, let him spend Thanksgiving with Race, and gave him money for Christmas shopping. He was fine with Spot being gay and having a boyfriend, even if there was an added rule with that of ‘you can’t have the door closed if you’re alone in your room with Race.’

He gave Spot space, but also made it clear that he could come to him for anything he needed help with. He never hit him, never pushed when Spot wanted to be alone, never even raised his voice unless they were in an already-loud room and he needed to get his attention.

In short, in only a few months, he’d become the best adult Spot had ever had in his life. He wasn’t his father, but he was closest thing Spot had ever gotten to a dad.

The Denton they’d known in their last life had been kind of like that, too. He’d helped as best he could whenever one of the newsies got into trouble, always being there for anyone who needed him since Kath first introduced her new reporter friend to her newsie friends. Of course, Spot hadn’t been living with Denton then, so he’d never really thought about it.

“What do you even get a middle-aged man for Christmas?”

Race shrugged, “Power tools?”

The idea of getting Denton power tools was so ridiculous that they both laughed.

“Uh... he’s a writer,” Race pointed out, “So... fancy pens?”

“Fancy pens? We’re at a thrift store, Racer.”

“Well we don’t gotta stay here forever. There’s a Barnes and Noble across the street.”

He wasn’t wrong about that, but Spot wasn’t sure about the whole ‘fancy pen’ thing. It seemed a little generic.

“Yooooo! Spot, check this out for Jack!”

He was holding up a bright blue sketchbook that said ‘Sketchy Bitch’ on the cover.

“Oh yeah, ya definitely have to get that for Cowboy.”

Spotting (no pun intended) something else on the shelf behind him, Spot grinned.

He had the perfect thing to get for the man who’d taken him in.

...

“This is gonna be so fuckin’ awesome.”

Davey snorted, “You’re way too excited ‘bout this, Jackie.”

He loved his boyfriend, but he had a tendency to get overenthusiastic about things.

Well, he loved that about Jack, too. And he loved being able to call him his boyfriend, now. That they didn’t need to hide this time.

He and Sarah had both been a little worried about their parents’ reaction, but it had turned out to be for nothing. They’d each gotten a t-shirt with their respective pride flag for the first night of Hanukkah, and Jack and Kath were always welcome to come over as long as at least one parent was home.

Davey loved Jack just as much in this lifetime as he had in his first, but it was different, not having to hide it. It was good different, but definitely different. Being able to be who they were and be in love and knowing that it was generally frowned upon to be homophobic now, at least where they lived.

And being able to do random shit that was romantic and fun as hell, but not something would even occur to most people to do.

After a sleepy conversation once Crutchie, Race, and Romeo had fallen asleep watching White Christmas (which Davey appreciated for the choreography in the dance numbers) one time about how there weren’t really any Hanukkah movies, Jack had collaborated with Kath to write a lesbian Hanukkah musical romcom to post to YouTube.

Objectively, it wasn’t that great. It was good for a movie made by a bunch of high school juniors, but they couldn’t afford good cameras or microphones or anything. Plus, it was appealing to a very niche audience, so Davey doubted this movie would get more than twenty views.

Still, it meant a lot that Jack was so excited about it, that he was working so hard on props and editing in the lighting and music for it so Kath and Saz could play Jewish lesbians fake-dating at a holiday party who fall in love. It was cute.

“It ain’t gonna win any awards,” Jack admitted, “But I think we’s got somethin’ good here!”

“We do,” Davey agreed.

Was he actually talking about the romcom starring his sister and her girlfriend? Partially. It was a pretty good movie for something produced by teenagers.

But they had something good there that wasn’t on the screen of Jack’s laptop, too.

Jack seemed to share those thoughts, with the way he was smiling.

“What’s with the look, mi amor?”

Davey rolled his eyes as the other boy put his arm around his waist.

“Like you don’t know, love,” he chuckled, “Remember the last time we did somethin’ like this? And by ‘we’ I mean ‘you.’”

“Shh,” Jack shook his head, “Nope. We don’t talk about the latkes incident.”

“You mean when you almost burned down our tiny little kitchen trying to—“

“We don’t talk about it!”

Davey laughed. It was funny, how Jack couldn’t, in any lifetime, cook anything more complicated than like... chili or stew. While he could make something edible, he couldn’t make anything that was really considered good.

“Davey, love, luz de mi vida, it was literally over a hundred years ago, so stop. Bringin’. Up. The. Latkes. Incident!”

He punctuated the sentence by hitting Davey with one of his mom’s throw pillows.

“Okay, Jackie, I get it! Stop hitting me!”

“Fine,” Jack grinned, “I ain’t almost burned down a kitchen in over a century, babe. I thinks that’s a good record to have.”

“Most people never almost burn down a kitchen,” Davey pointed out, “I know I—wait, did you just call me ‘babe’?”

Jack was definitely not meeting his eyes to try to hide how he was blushing, “Uh... is that okay?”

Davey smirked. Jack didn’t get flustered that often, but it was adorable when he did.

And even if he had almost burned down their apartment, it had been cute back then, how he’d tried so hard to try to do something nice for Davey for the holiday season. It was cute now, too.

That was one thing that hadn’t changed through the decades, he guessed.

“It’s definitely okay, babe.”

...

“Spot, is this a... ‘Best Dad In The World’ mug?”

“...if you cry, I’m outta here.”

#newsies #newsies secret santa #btw i’m sorry i wrote in a nod to wormsies #i couldn’t help it #sprace #javid #javey #spot conlon #racetrack higgins #jack kelly #davey jacobs #reincarnation au #fluff #violet’s writing

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almaasi · 4 years

Text

reaction post typed while watching SPN 15x18 “Despair”

WOW TODAY SURE IS A DAY, HUH

04:40pm

Y’ALL

I KNOW WHAT HAPPENS

I KNOW WHAT’S COMING

BUT AM I PREPARED?

my post leading up to this: https://almaasi.tumblr.com/post/634003656411381760/i-have-seen-the-spn-spoilers-okay-okay-okay

i found a faster torrent and there are 7 minutes until it’s done I’M GONNA GO WANDER AROUND FOR A BIT BRB

04:51pm

window is blacked out

i am as ready as i can be, i think