okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is
okay so. jack! jack. what a collection of guys. the overlap between jack and the beanstalk and jack the giant killer, though. that sure is something! sometimes king arthur is there, which always takes me by surprise.
this. specifically. is an idea I've been kicking around. jack and the beanstalk is not a story I've ever enjoyed, as a kid it was probably my least favorite to read. as an adult, I was INTENSELY fascinated by reading j.g. ballard's the drowned giant. I think about it frequently, and somewhere during a re read of it, I ended up revisiting jack.
combining different versions of jack into one character is not a new concept, but it IS a fun one! the version I've been assembling together plays less with the fun elements of a jack story (and adjacent folklore stories), and focuses more on the potential for tragic elements with the addition of the usual grim and jagged narrative edges that I personally enjoy.
jack with the backstory of the devil and the three golden hairs, only jack doesn't find love, he's TIRED, all he wants to do is go home, but there isn't a home to go back to. what is the point of being born lucky if this is what it gets you? jack the giant killer, only he doesn't want to kill giants, jack who saw a body of a giant when he was a small child and cannot bring himself to do as a king commands. jack, who climbs up the beanstalk and stops halfway to look down. etc.
to go back to the drowned giant real quick, both to set the tone about jack seeing the body of a giant as a youth, and also because I've been haunted and obsessed with this excerpt of it ever since I read it:
J. G. Ballard, The Drowned Giant
anyway! this was originally like, a two illustration concept to get out of my system. however. I'm halfway through outlining a narrative. so. maybe it will also be several illustrations and also comic.
i think amy is one of the few people shadow would actually tolerate being near him, let alone touching him
[id: digital drawing of shadow the hedgehog and amy rose. shadow is wearing an open leather jacket with a maroon shirt and jeans torn at the knees. he has a square-shaped notch in one ear. amy is wearing a dress with a striped skirt colored cream-white-black-blue-red, a blue shirt, and a striped blue shawl with a red ribbon on it. she also has an eyebrow piercing, a couple earrings, and an industrial piercing.
shadow is sitting cross-legged on the floor, a phone with a red case in his hand. however, even as he's facing forward his attention is on amy, who's sitting on a stool behind him, braiding his quills. he's got an eyebrow raised and is trying really hard to not smile as she animatedly talks, gesticulating with her free hand. text pointing to her reads, "gossiping about Sonic." end id]
sort of but not technically for @terrortracks - here is an untitled ‘survives the expedition’ solving playlist for you all <3 (more commentary in the tags lol)
listen on 8tracks here
1. All These Things That I’ve Done - The Killers
over and in, last call for sin / when everyone’s lost, the battle is won
2. The Only Thing - Sufjan Stevens
faith in reason, i wasted my life playing dumb / signs and wonders, sea lion caves in the dark / blind faith, god's grace, nothing else left to impart
3. Wasteland, Baby! - Hozier
when the stench of the sea and the absence of green / are the death of all things that are seen and unseen / not an end, but the start of all things that are left to do
4. Blue Ridge Mountains - Fleet Foxes
terrible am I, child, even if you don't mind / in the quivering forest where the shivering dog rests…
5. We Both Go Down Together - The Decemberists
i laid you down on the grass of a clearing / you wept, but your soul was willing
6. Olympians - Andrew Bird
you start spitting out anathemas…
7. Love Love Love - The Mountain Goats
love, love is going to lead you by the hand / into a white and soundless place
8. King and Lionheart - Of Monsters and Men
in the winter night sky, ships are sailing … past the wondering eyes of the ones that were left behind / though far away / we're still the same / howling ghosts, they reappear in mountains that are stacked with fear / but you're a king and i’m a lionheart
hey guys whaddya know i drew the silly some more (as mentioned at the end of this long thread as i relisten to the series)
post worms/start of s2 design lets go 🎉
decided its in a small half ponytail now bc i can (buns are hard to draw yall...) but there's a fee more sketches under the cut so :3
shameless link to my jonmartin drawing
i also posted these drawings to twitter yesterday
me? putting an obvious eye detail because i cant help it? nnnooo.... (yes)
also excuse my photo taking skills im still working out the settings on my camera and what cropping is best so erm...
itll probably forever be my curse that i can crunch out traditional drawings but then not be able to photograph them, meanwhile i cant manage to finish up digital stuff that doesnt need photos to be taken 😭 /hj
anyways! he looks so very tired and its extremely fun to draw LOL hes a deranged little wet cat fr <3
i uhhh actually dont have much to say this time around so thats... thats all hshsjsjs bye
[ID: A digital illustration of Hanzawa Masato from Sasaki to Miyano. He is shown from a behind angle from the shoulders up, head hanging down wearily. The back of his neck and his cheeks and ear are angry shades of red and orange, as if badly sunburnt. His eye, barely visible from underneath his bangs, is an image of a photorealistic eye; it looks back towards the viewer. The background is a solid neon cyan. The artist's signature "sunnfish" is written in the corner. /End ID]
official finish-this-sketch-how-you-want post idk what to call thisSAMPLE TEXT
hi! I miss drawing with people in a café and some folks mentioned they'd like to mess with my sketches themselves and that sounds cool so this is now a thing. if u play gartic phone this is basically the complement mode! but without the fucking ring noise that freaks you out right when you're getting into the flow of it
few things are 1/there's no hard deadline! take this at ur own pace if u do, but 2/I'll also be finishing this sketch and I estimate it to take around uhh 3 to 4 days? from the time this is posted. so if that's a structure u like then let's aim for something done in that timespan as well! and 3/if u finish ur piece and post it and want me to see it the best way to do that is to @ this blog! above all we go into this one determined to have fun and enjoy. I already bought u a matcha latte with oat milk sorry if u don't want that
here I got u today a sketch that's supposed to be Riz Gukgak (SY) (grey bg version and transparent version for ur ease of peruse)
remember to have fun & be urself & finish ur drink & see u in 4 or 5
I've known i had a sleep disorder for like 13 years, but didn't get diagnosed with anything til last year, and until LITERALLY THIS WEEK even though it's been hard and even though I've cried over it multiple times, I've been able to be like "hehe haha i have sleepy bitch disease" but i just suddenly realized that i actually have a real, tangible disability. And I KNEW that, and I was never hung up on that word or anything, but I've been fine bc sure it's been impacting my life, but I've always managed to hold down jobs right???
And then I thought about it.
I managed at Trader Joe's bc I was active all the time. So I thought "oh, okay, while i get this disorder under control, I can work retail".
Except I realized that a) this disorder will never be under control, and b)i worked retail before the disorder got WORSE, like it has gotten the last couple years. because when I worked it before, sure i was tired, but because i was always moving I was fine. But NOW I also get these waves of extreme exhaustion that mean i need to take a nap RIGHT THEN, and if I don't, I get really sick.
So. How am I supposed to work a retail job if there's a chance I'll be incapacitated for at least an hour in the middle of my shift?
And when I worked the office job? That was remote. And looking back, I slept half the work day. (I always got my work done anyway, but NO it was not ok to sleep through the work day. I know.)
So now here I am, almost 6 months unemployed, about to run out of unemployment money, JUST NOW realizing that it is not physically possible to work. And meanwhile, everyone around me just acts like either "oh haha isnt everyone tired" or like Im overdramatic and making it up.
So I went on to a facebook group for people like me, and asked for advice.
Every response was "Sorry, no, this never gets better! Also I haven't worked in years! Good luck! <3"
And now I'm looking at the rest of my life and realizing im always going to be this way. Im always going to be living at half speed. I will never actually be able to live up to my full potential.
How am I ever supposed to work? How do I make money?
I've been so hopeful and blase about this whole thing for years and suddenly its not so chill anymore.
I'm SO fucking SCARED and Im looking for literally any answer or any help and there is none. You can try medication, but it doesnt always work (and im doing that. and its not working.) Otherwise, ig you just...pray??????
I literally cannot feel this way forever. I cant. That is just not a life at all. What the FUCK am i supposed to do???
(And now Im freaking out bc when this all started i would fall asleep while driving. That hasnt happened since college but what if it changes? What if I cant drive anymore? So many people with these problems simply are not allowed to drive. What the fuck do I do oh my god)
pulps law is that whenever i get insane enough about something, i will inevitably attempt to make a persona 5 au, regardless of whether or not i am successful at it.
silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww
(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)
i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!
the head circles are there for emotional support
very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.
(i will now comment on my process and it is not brief sorry)
usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.
according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it
the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!
Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.
background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!
for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway
that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it