So I’ve read the entire manga, and then watched like thirteen episodes all in one night (manga reading was not done all in one night). Safe to say that her girlish whimsy and lesbianism has captivated me
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I mostly think this poll is hilarious (and some people are taking it way, way too seriously) but it’s starting to get really weird how often people on the opposite side are dismissing Gundam — a giant of science fiction that remade a genre in its image — and quite literally lying about Suletta and Miorine. I’ve seen people claim they were canonically married to men, people claim the show’s ending was rewritten by interns, claim they never hugged, and other claims regarding them not being canon.
While Bandai and Kadokawa did censor one interview, and Bandai released an “open to interpretation” statement, these no longer hold true. Official material has henceforth referred to them as married. One instance of censorship and a statement they’ve clearly walked back on does not erase the fact that the show itself heavily emphasizes their wedding rings, refers to Miorine as Eri’s sister-in-law, and makes it abundantly clear that they are married.
“I knew I was going to make an epilogue, but it was a while before I decided upon the exact number of years that should pass in-between. The ending itself follows “The Tempest,” and depicts Suletta and Miorine getting married and becoming partners.”
- Hiroshi Kobayashi
They are completely and unambiguously canon, and arguably were never decanonized to begin with given the literal text of the show.
An addendum to this: I’ve also seen a strange dismissal of the history that G-Witch pulls from.
The original Gundam inspired Revolutionary Girl Utena, with Lalah Sune in particular (the creator of an iconic Gundam archetype) serving as the inspiration for Anthy Himemiya. Gundam has had a queer fanbase for decades, and has had gay characters (with Yoshiyuki Tomino himself confirming this) since the 1990s.
G-Witch draws from Gundam’s extensive, genre-shaking history, classics like Utena and Rose of Versailles, and Shakespeare’s The Tempest. It brings Gundam and Utena’s connection full circle, and is in conversation with every Gundam series that came before it.
It’s unfair to dismiss it as just some random show, or — as I’ve seen some do — credit its open queerness to the influence of completely unrelated American media, as if Japan is utterly devoid of gay people.
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“irreplaceable”
the one word where morty figured out this wasn’t really rick.
and no wonder morty believes rick could just up and replace him any day. because there’s infinite versions of him, after all. because there’s infinite other things that are better than him. because, for the longest time, every other day, rick kept on telling him how replaceable he is.
no wonder he was scared that hug wouldn't have been real.
but, truth is, rick would’ve jumped after him (if he had thought morty was in real danger).
truth is, rick would have performed in front of a crowd for him.
truth is, rick would anything, just about anything, for him. he would travel the longest distances just to get him back. he would spoil him with gadgets and gifts. he would forgo the chance to see his wife again just so he could spend the rest of the evening with him.
truth is, morty was wrong.
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genuinely what did he mean by this:
Shawn and Jules: break up
Lassie, completely unprompted: HEY HAVE YOU EVER CONSIDERED DATING MEN IT WOULD BE PRETTY RAD JUST SAYING I THINK KISSING DUDES WOULD BE REALLY COOL NO PARTICULAR REASON THINK ABOUT IT
Shawn, a raging bisexual, who flirted with Lassie for four consecutive years:
@snackhouse @vertigoevolved @pineapple-coffee
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forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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