#and then i get to go on tumblr and see people with nuanced takes on dk and vriska and know that rose and kanaya are distinct characters

[judesmoonbeauty]

SurpriseBag2024: A Happy Switch-Up Between The Cunning Mobster & The Happiness-Obsessed Oddball

This is a repost. Due to the original being deleted by Tumblr, my tags list will not be included nor will CGs be uploaded per my previous announcement. This is a fan translation only, so please expect grammatical errors and lack of nuance. While I appreciate your support and welcome re-blogs, please do not repost my translations elsewhere. Thank you for you support! ☾.

I got involved in Roger's egoistical cursed research.

Ellis: Huh? Why is Jude me?

Jude: That's my line. Why’re ya me?

I was asked to watch over Jude and Ellis, who had switched places.

(As a fairytale keeper, I wanted to watch over them until the end.)

(......But I want to watch over them anymore.)

Jude: ………

(Jude in the form of Ellis is in an even worse mood than usual!)

Child Passing By: Mum, there’s a demon.

Mother Passing By: Hey. It’s dangerous so don’t go near him……

(Ellis' face is so handsome, but when he’s irritated, it's very powerful.)

(Ugh, I miss the usual gentle Ellis.)

Kate: Kate, this gelato I just bought is delicious.

Kate: Ah, yes. It has a rich flavor, yet it's not too sweet.

Jude: Lickin’ ’n lickin’ while workin’. Are ya dogs.

Ellis: Dogs don't eat gelato, right?

Jude: So, ya eat sweets in another’s body.

Jude takes a cigarette out of his pocket and puts it in his mouth with a natural gesture.

Kate: Oh, Jude, you can't smoke. That’s Ellis' body!

Kate: Besides, if you smoke it, you'll end up choking again.

Jude: ….Tch.

The reason we’re on the platform at Paddington Station, is because we’re on an important mission for Crown.

Actually, the two of them were planning to work at Jude's company as usual.

[Screen shows a pic of Jude in Ellis’ body.]

Jude: Yer in breach of the contract ya piece of shit…….I’ll show ya hell.

[Show a pic of in Ellis’ body.]

Ellis: Are you okay? Shall I make you happy?

(They stopped so that the people at the company who knew the two well wouldn't get confused.)

The two are now on Crown duty, while Victor and Harrison are at Jude's company posing as friends.

(I have to keep an eye on the two of them and keep up with my assignment!)

Kate: …..Still, the target doesn’t seem to have shown up.

Today's target is the capture and decimation of members of a corrupt business association who are committing theft in the country.

A man believed to be the main suspect was recently arrested by police but escaped from jail.

The Crown received word that he was planning to flee the country.

(The main culprit has a bad leg and limps. I have to make sure I don't miss him.)

Ellis: Kate, I'll give you my berry flavor, too. Okay, ahhh.

Kate: Ahhh.

Kate: Mmm….it’s delicious.

Ellis: Right? We don't know when the target will appear, so let’s just take it easy.

Kate: ……Thank you.

(…….When Jude treats me kindly, the gap is shocking.)

Jude: Oi, Ellis. Don’t do gross things with other people’s faces.

Jude: What’re ya up to?

Kate: I’m not up to anything.

Kate: It's just... it's refreshing and nice to be treated kindly……by you Jude.

Jude: Ha, don’t lie.

Jude’ lips in Ellis’ form twisted cruelly as I was grabbed by my chin.

Jude: Yer a masochistic pervert who needs to be tormented to get excited.

Kate: That, that’s not true……Please don’t treat me like a pervert!

Jude: Doubt that.

(I can never say I’m excited.)

While I was secretly excited, Ellis lifted himself off the bench.

Kate: Are you going somewhere, Ellis?

Ellis: I thought I'd get you something warm to drink.

Ellis: You must have gotten cold from eating gelato, Kate.

Ellis: Ah.

Jude: ……Didja see the target?

Ellis: No. When I stood up, I was just a little surprised that my gaze was lower than usual.

Ellis: Jude, you’re so short.

Jude: ….Ha?

Kate: ….He-hehee.

Jude: It's not that I'm short, it's just that yer a big guy.

Jude: Why’re ya laughin’, too? I'll knock yer head ‘round ‘n make ya shorter!

Kate: I’m sorry. It’s just sometimes you can learn something new when you change things up.

Jude: That’s damned useless information.

Ellis: I'm enjoying being Jude, though.

Jude: Shuddup.

Jude: Yer fluffy conversations are drivin’ me crazy.

At that moment, Jude’s gaze, which was clad in Ellis’ twilight color, were filled with sharpness.

Jude: ……..

Kate: Jude? No way….

Jude: There he is, that guy with the limp.

Jude: It'll be troublesome if he leaves the country. Follow him.

Kate: Ha, …..on it!

We board the train and pursue our target, weaving through the passengers.

Just as I stepped into the last row of the empty cargo area.

Main Culprit: Thanks for following along.........You guys, surround them.

As if on cue, several men jump out from the shadows of the seats and surround us.

(…….we’re surrounded.)

(I had no idea his friends were on board too.)

Jude: Yer very gracious to welcome us. Thanks.

Main Culprit: I knew the coppers were after us. I let you come, so I could get revenge.

(They think we’re the police.)

(Whatever it is, it means they were reading our moves.)

As we stare at each other, our feet shake and the train begins to move.

Main Culprit: We can throw your bodies out of the train and into the river, and there won't be a single piece of evidence left behind.

Main Culprit: It would be the perfect place to die. Go ahead, kill them.

Ellis: …..Kate, stay here so you don’t get hurt.

Kate: Yes….

Ellis tried to jump up as easily as usual, but wasn’t able to do so.

Ellis: Oh, whoa.

Ellis, who’s still in Jude’s form, lost his balance and fell on the spot.

Isla: Huh, Ellis….?

Ellis: Surprising. That’s right, I’m Jude.

(Oh, because his body is different than usual!)

Jude: What’re ya waitin’ for?

Jude:….Damn, what’re these uselessly long legs. They’re difficult......

Main Culprit: I thought you were an elite group, but you’re just a bunch of small fry.

Main Culprit: Take care of them kindly in “moderation”.

Ellis: ....... Hmmm, Jude has strong legs.

Ellis: I'm starting to get the hang of it.

Ellis: ……..Like this.

Ellis’ raised leg strikes into the jaw of the main culprit’s subordinates.

Subordinate: Gah……

(Wow, that's amazing...)

Kate: Oh, Jude, behind you!

Jude: I can see ‘em without ya tellin’ me.

Jude, using Ellis’ body, flew through the air and touched their heads one after another.

Subordinate: Whoa our hands are stuck together! They won’t separate. What is this……

All the men knelt on the spot in a prayer pose..

Jude: I can barely breathe in this body….I hate it.

Ellis: I wanted to use Jude's ability to put them to sleep.

Jude: Ya can't torture ‘em if they’re asleep.

Main Culprit: Hic…..

Jude: …..Let’s make a deal.

Jude: Right to left, James Spencer, Simon Harris, Oscar Perry.

Main Culprit: ……How did you know our names?

Ellis: The names of business partners, family members….he says it's basic to know everything.

Jude: Didntcha guys anonymously transfer the money ya stole to orphanages all over the UK?

(What…..?)

Jude: I did some research ‘n found out that ya ‘n all the other members of the vice society came from the same orphanage.

Jude: Yer all in on it, stealing money from the crooks ‘n usin’ it to give to poor children.

Main Culprit: ……yes.

(You mean he was committing evil and helping people?)

Jude: How admirable, tear jerkin’, think I’d overlook it.

Jude: —What can I say idiot. Yer tears ain’t an excuse.

Whatever the motive, evil is evil.

The fact that once you have been involved in evil, it will never go away.

Jude: I'll letcha choose. Either you’ll be sold abroad, or you’ll be forced to work in a coal mine until your last breath?

Jude: Do you wanna stay alive, be my slave ‘n work for the rest of yerr life?……..Whaddya choose?

Main Culprit: I thought you guys were the coppers……

Ellis: Is that relevant now? He’s asking if you want to die or live.

Main Culprit: ……

Main Culprit: Please just save my life. Please......!

Jude: The slave contract is complete. Congratulations on yer lifetime employment.

Jude: Remember, a promise is a promise…..If ya break it, I'll give ya hell, so much so, that you’d wish ya were dead.

We boarded the turnaround and made it back to Paddington Station without incident.

Kate: ……that was still surprising.

Kate: Jude you wanted them as part of your company's workforce from the start, and Ellis understood that.

Jude: What’s with those eyes? Ya act like I helped somebody.

Jude: I was forced to do a mission that wasn't planned, ‘n I got something out of it.

Ellis: I think it's okay as long as Jude and Kate are happy.

Kate: I….will work even harder as a fairytale keeper!

Jude: Fuwaha, that useless guts argument. That's all ya do.

Ellis: You’re a hard worker Kate, I like that.

(Oh, that’s.......?)

Ellis: What's wrong, Kate?

Kate: Um...even though you look different, for a moment both looked like you usually do.

Jude & Ellis: ……….

Kate: Jude is still Jude and Ellis is still Ellis, no matter what you both look like.

Kate: But ...…..I kind of want to see the two of you as usual.

Jude: I knew ya were a pervert who wanted to be tortured.

Kate: What, that’s not true!

Ellis: Shall I tease you? I've never done it before, but maybe I can?

Kate: ……Please stop teasing me Ellis.

Ellis: Hehe, sorry.

Jude: Let’s switch back quickly. It's about time that quack finished the medicine.

When we returned to the castle, Roger had successfully completed the antidote.

After drinking it, Jude and Ellis safely return to their normal forms and the matter settled.

Or, it should’ve been -

Kate: I am so glad you’re back to being whole!

Kate: Hey, Ellis. What's with the wine and book in your hand?

Ellis: Victor and Harry went to work for us. Thanks for that.

Ellis: So, I picked the wine, and Jude picked the book.

Jude: It’s just a matter of amassin’ debt.

Kate: Hehe, that's right. Because “nothing is more expensive than free”.

Jude: What's with that grin on your face? It’s stupid.

Ellis: Should l I call Victor and Harry?

Victor: That’s not necessary, for Victor has come even before he was called!

Kate: Harrison……?

Kate:  .......What's going on? You sound like Victor.

Jude: Have ya finally gone nuts after bein’ smeared in all those filthy lies.

Ellis: Harry is kind, so I wonder if he forced himself...

Victor: ?? What are you talking about?

Victor: No matter how you look at it, it's your dearly loved Queen's aide Victor, isn't it?

Ellis: …….Harry.

Jude: Imitatin’ someone you hate is unpleasant, condolences.

Kate: Very......, -you need to get yourself to the hospital as soon as possible!

Harrison: ……I finally found you.

Kate: …..Victor?

Victor grabbed Harrison's chest with a look of anger on his face that he had never seen before.

Kate & Ellis: !

Victor: Oh.….I'm right in front of me. Why?

Harrison: ……Haven’t you noticed? Look at your reflection in the window.

Victor: Wow, I became you Harrison?

Victor: C-CUUUTE~~! Your hair is so smooth! And the tear mole is cute! 😭 LMFAO

Harrison: Don't touch my body!

Kate: Um, wait a minute.

(Harrison is Victor and Victor is Harrison.)

Kate: Does that mean ...…..the two of you swapped places!

Harrison: Aaah.

Harrison: Victor .……You're the one who got us into this mess, aren't you?

Victor: It wasn’t me! If I were the culprit, I'd probably notice the switch right away, right?

Harrison: …..That’s right.

Ellis: Oh.…on there’s needle marks on Victor’s and Harry’s arms.

Harrison: Someone drugged us with a syringe while we slept.

Victor: Judging from the brilliant puncture work, I'd say there's only one suspect.

Harrison: Roger! That egoistical bastard.….He used us as test subjects for an experiment, didn’t he?

Victor: Wow, Roger’s so passionate about research.

Victor: Ah, Kate. Would you mind telling me a little lie?

Kate: What? Well, I hate you Victor.

Victor: Yes, it's a lie! Wow, I can see them like this, that's amazing.

Harrison: Don't get excited, old man!

Ellis: ...Hehe, it looks like fun.

Ellis: Hey, Jude. Shall we switch places again?

Jude: Ain’t happenin’, I’ll never do that again.

…..To be continued?

[Master List]

If you'd like to be added to my translations tags list for current event translations, please comment or DM me.

[irrealisms]

every time I see a “it’s actually totally fine and nbd to have sex you don’t enjoy and are uncomfortable with because your partner wants it and you want them to be happy, as long as you’re giving uncoerced consent!” post I lose a month off my lifespan

[whamss]

There's something cathartic about having just done a small write-up on troll quadrants and how they function in troll society, and how canon shows them slowly shifting towards a healthier framework towards the end of Homestuck, and then checking into that One Big Homestuck Server and getting to see the same terrible quadrant discussion I always do. Never change. Reading comprehension in the gutter, that entire server

[phoenixshallrise]

Can nobody see nuance on this site? Yes, Neil Gaiman is a famous author who has, surprise surprise, just been accused of horrible and awful things. “Burn his books” “if you watch good omens you support genocide”. The world is not black and white. Let’s look at the facts:

Neil Gaiman is very rich, very famous, and a very cishet guy

Neil Gaiman is very vocal about his support of transgender people

Neil Gaiman fingered his son’s 22-year-old Nanny when he was 61, when they were in a legal sexual relationship

The journalist who broke the news is a transphobic radfem and the sister of Boris Johnson

The podcast discussing this story with the is very anti-BDSM (something very much present in the relationship between Neil and the first victim)

Texts and emails between Neil and Scarlet (one of the women) were expressions of mutual sexual desire/enjoyment

The two women said they were both in their twenties when the respective sexual relationships began, with Neil several decades their senior (61 with Scarlet and mid-forties with K)

The victims have accused Neil Gaiman of raping them via digital penetration and have shared very similar stories

You are not a horrible person for still liking Neil Gaiman media. Stop telling people to burn their copy of good omens. Stop telling people that reading the Sandman means they support genocide. Stop turning this into a chance to spread antizionism. Stop trying to get David and Michael to speak on this. You don’t know anything except what has been written. You do not have the moral high ground.

Take a deep breath and get off of tumblr.

Go touch grass.

(edited because of wording)

(please see my other post where I reblogged with more info)

[olderthannetfic]

Not gonna lie, sometimes being a writer in my native language feels... isolated and alienating. However not in the 'AO3 stats be low and less than English ones' that maybe one could thought of it at first, no, I know what I am doing writing and posting my non-English fanfics on AO3. I have really good friends and a minor readership that I love.

The isolation and alienation comes from people hating their own native languages and being so vocal (almost proud with others encouraging them) about it. Bet I am not the only who has see this. And I am sorry, but that just feel like hot bullshit. Why do you hate your own language that much? Why do you praise/treat like a better language English and English alone? Why do you say 'ew, a fanfic in my native language!" like that is a completely normal thing to say? I try to come with responses and their logic that aren't plain linguistic colonialism, but I can't. It feels alienating because I see it so. freaking. much. In Tumblr, in Discords, in Reddit, in Twitter, everywhere! Sometimes I have my lows and think 'man am I the wrong here? should I despise my own language, my own (literature) culture? everyone does it'. I respond with a 'no' obviously, since I keep writing in my native language and encourage everyone who approachs me to do it. That still doesn't erase the fact that seeing 'ew fics in my native language sucks!' comments in the wild are pretty demotivating and, to be quite honest, shitty, even if the people doing them aren't from my country.

This kind of feels like a consequence of how... imperialist (for a lack of a better word, sorry) the Internet has become in the past few years. Rather, the whole world, yes; and the Internet is just a part of it so of course fandom got affected by it. If it got affected by this puritanical, bigoted and radfem-y viewpoints, it was just a matter of time for this issue ('fics in English are superior/better in general/better to write/better to got numbers') to chime in. Damned 'globalization'. It was so fast.

--

I hate it. I hate it so much. It's been constant for decades (with the exception of a few languages like Mandarin). English isn't special! Whatever century's trade language can reach more people, but that's it: it isn't more beautiful, historic, nuanced, interesting, worthy, whatever.

And god is English not less cringey and terrible when it comes to words for dicks or squelchy sex noises or whatever else people find terminally embarrassing to write about. We native speakers had to get over it in order to write. Native speakers of anything can do the same!

Though, yes, Arabic-speaking anon from last time, I grant you that some languages' speakers are going to have to invent a whole new era of writing in the vernacular. Go forth. Write your Canterbury tales if that's what it takes.

[mojoflower]

So You Want to Tumbl?

There are lots of newcomers here these days, and I thought I'd spell out how to begin and what it means to ‘curate your own dash’ for folks who haven't grown along with Tumblr for the past decade.

If you're coming from a platform where content is fed to you, Tumblr can seem barren and intimidating in the beginning.  But that's actually a good thing!  What it means is that you will see what you want to.  If you're in a fighting mood, go find political discourse.  If you're feeling fragile, make your dash nothing but art and nature.

How to begin?

You’ve made your blog and picked out your icon (seriously, choose an icon:  otherwise you’re indistinguishable from bots).  Feel free to be anonymous.  Most of us are, and it’s wonderful to have a place that’s not tied to your Real Life.  Here you can be a fandom freak (like me!) and no one judges you and your boss will never find out.

Now seek out tags that interest you.  For example, I was just looking through #moss because I like peace and green things and old-growth forests.  (And, apparently, beautifully naked fae-men, heh.)

Now you follow that tag (if it's a popular tag, it'll say how many followers the tag has, which is beneficial to know if you're making a post that you want to reach all its interested audience) and posts with that tag automatically fill your dash. Voila, you have begun to curate your experience!

Do Follow:  tags; blogs in that tag that you like; people who comment on posts in the blog/tag you follow that seem like they’re up your alley.  The more people you follow, the more varied and nuanced your dash is.

Don’t Follow:  people who make comments or posts that raise your blood pressure.  Topics that upset you.  Discourse that has you arguing in your head for the rest of the day.  PLEASE avoid toxicity.  Real Life is hard enough.

How to be Social and Interact

If you want to find your tribe and interact, it’s best to start following individual blogs.  (If you follow a blog, they have an opportunity to follow you back.  Simply following a tag is a passive, one-way street.)  To Tumbl is to be in a vast cocktail party, and you need to mingle and eavesdrop to find the things that galvanize you.

How to be seen and heard

💬Comment on posts (please always stay positive and enthusiastic:  we really try to avoid toxicity).  You can read other comments (and reblogged comments) by clicking on the notes:

🔁Reblog posts you like, both to show your support and to show other people what kind of things get you excited.  Reblogging is essential to the tumblr ecosystem, because it’s the only way posts move around and get seen.  You can also “like” posts, but that's a much more passive way to interact. Also, reblogs and your own original posts show up on your blog and prove that you're not a bot.

Create your own posts and remember that the first 20 tags you use are essential, because that’s what gets you seen (and followed) by strangers.  Tags 21-30 are good for searching and archiving on your own blog, but they don’t count on the dash.  Instructions on how to Make A Post.

Participate!  Once you find your crowd, you’ll discover that there are always things going on.  For example, in fandoms, we’ve got writing events, art events, crafting and cons.  The more you try to be involved, the more new friends you’ll discover.  Tumblr allows for such an organic community.  One person has a thought, and many others build on that thought, creating something far greater than the sum of its parts.

There is no real algorithm beyond using those first 20 tags.  This may be discouraging to folks who are used to working an algorithm, but we like it fine here, because it keeps everyone real and keeps obnoxious social climbers/capitalists out of your face.

Be patient!  Just like in real life, when you find yourself in a crowd of people you don’t know, it takes a while to form connections.  Watch and listen, and learn to read the room.  Honestly, the thing that will win you the most friends/followers is honest enthusiasm about your space.

Don’t aim for the big names to become your new buddies.  You’re more likely to find a thriving coterie among other fresh faces.  Don’t assume that because they’re small or new they have nothing to offer you.  Often, this is the fire that keeps any given corner of Tumblr going.

Tumblr Etiquette

NEVER REPOST (without explicit permission).  Reposting is when you cut and paste from someone else’s content and then make it into a brand new post under your own blog name.  That is stealing and is very condemned.  Reblogging is when you use 🔁and the OP (original poster) remains attached to their post and continues to see and be in charge of interactions.  

Reblog in addition to Liking. A post that you 'like' is static. You are not helping it to get to a broader audience. If the post or poster is something/someone you support, then REBLOG that sucker: it deserves to fly!

Reblog and add your own content.  One of the best parts of Tumblr is that you can comment on a post, or even add to it in your reblog (as long as you’re not being a dick, okay?  Or changing the topic, which is known as ‘hijacking a post’).  Here is a wonderful example of the Tumblr ecosystem at work, where someone had a thought, other people had thoughts about that thought, and then a bunch of artists jumped in.  Tumblr posts BUILD COMMUNITY, and you can be a part of that conversation.  (Do try to refrain from reblogging with vacuous comments just because you want people to notice you rather than because you actually have something to add, though.  That’s just clutter.)

The most important part of “curating your experience” is learning to Block.

You can block individual blogs, Anons, people in the comments that you find upsetting.  Here's a post on How to Block.

Block entire tags or keywords if they are triggers for you.  (Here is a post on how to do that.) 

Blocking is self-care.  It is not a platform to demonstrate to the community how much you hate someone and how they should, too.  Usually the blocked person never even knows you’ve blocked them.  If they do something egregious (like tell you or someone else to kill themselves), then ‘Report’ them.

You can block something (like #US Politics) if you can’t handle it at the moment, and then unblock it later.  Block a friend if they’re spamming something you don’t like and then unblock them later.  It’s all good!  You are in control of what shows up on your dash.

But doesn’t this mean my dash will be single-topic and boring?

The simultaneous joy and pitfall in following individuals is that MANY blogs are not single-topic.  You will be exposed to all kinds of reblogs/ideas/other people from the folks you chose to follow, and can decide for yourself if you (a) want to be involved in that topic, (b) are indifferent to that topic, or (c) want to run from it screaming.

Also, the blogs you follow will move from hobby/theme/passion over time, and you can move with them, appreciate their new topic without vibing with it, or drop them altogether.

And THIS is how you curate your dash, my friends.

***Install New XKit extension.  It’ll make your life easier!

***Here's the Tumblr Help Center, where you can learn more details.

[sparrowlucero]

what's the strange aeons opinion you disagree with?

(just to clarify: this was a lighthearted jab, i dont really care and this explanation is just for posterity. except for the clown thing. fix that) There was a recent strange aeons video that reiterated what I see as kind of poor tumblr takes on Steven Moffat's work, specifically that he 1) only writes cheap shock value without meaningful stories to make himself look clever, 2) that his work is "for men like him, who wanted to watch strong male characters who are always right save the day and ogle at some hot women along the way", and 3) that he habitually queerbaited because he didn't know how to respond to a female fanbase (1) I talked a bit why I disagree with this here; basically, I just think it was one of those things where a subset of a fandom would interpret the work as being deliberately vindictive (Ex. "We have issues with this show, so it must be because the writer is making it bad on purpose to spite us. Only a very arrogant person would do that, so it is now reasonable to see everything in this show through the lens of that ego." etc etc), and it got to the point where the actual themes and motifs of the shows would be entirely unremarked upon or outright dismissed (and it was even a bit of a tumblr faux pas to attempt to engage with them at all) in favor of trying to dissect how and why each episode and character was bad/hostile towards the audience. Because these takes were so popular and widely accepted then, they're often treated as the most objective and nuanced take now. I could get into why I disagree further in regards to the actual content of the shows, but to put it simply, I just think he's a good writer who did some really thoughtful and thematically engaging work for reasons other than, you know, trying to make himself look smart and not wanting girls to watch doctor who. (1) (I didn't really go into this in that previous post but I think it's really weird how people treat the co showrunner, Mark Gatiss, a gay man who wrote a lot of what people attribute to Moffat as a straight man queerbaiting female fans, as a non entity in this conversation. I'm not a big fan of Gatiss but, like, I don't know, give him some agency in his own art here)

[bitterrobin]

You know what I've realized these past several months on Tumblr and just...years of consuming content?

It's pretty rare for the fandom to acknowledge Gotham as a city. A real, living city with people in it. Like, sure we always get cutesy posts about Batman or the others from outside perspectives or fics that include interesting ocs (I love u if you do that btw).

But what I mean isn't that. What I mean is: does anyone think of Gotham and its citizens as actual people? Because I've sure seen kind of the opposite.

I see constant arguments or heavily biased (mostly misinformed) posts regarding what Bruce does and how the Batman helps the city. That his riches would get lost in corruption and no one can save the city unless there's violence. You could try and make the argument, sure. But we've seen time and time again in comics that Bruce uses his money to the benefit of the city. We've seen in comics that he employs people who are disadvantaged and gives them opportunities. People know Bruce Wayne gives jobs and treats his employees well. He donates heavily to charities, creates his own organizations, funds Leslie Thompkin's clinic, and consistently updates the safety of his own buildings. People (at least post-Crisis) would know that Bruce Wayne did everything he could to save Gotham after the Cataclysm earthquake/No Man's Land - that he went up against Congress. Of course, not everyone would like Batman. Not everyone would trust the Wayne name. They'd see a stranger who prowls nightly and may or may not rescue you. They'd see the privilege of an old rich name who gets to exert his influence over the city. If you go to him for help, you go to him with the fear, and anticipation of rejection or with the knowledge that he will be safe.

I've also seen the (imo) ridiculous notion that Crime Alley citizens would trust the Red Hood. Maybe some would now, after the reboots and actual comic book evidence that he's doing something. But I cannot fathom living in a city with such heavy crimes occurring and then trusting what is essentially a cop. People don't know the Red Hood. They don't know Jason Todd. They would only know: 1. he has tried and succeeded various times to take over organized crime and drug routes 2. he can and will kill if he sees it fit. In some people's eyes, he would be a cop with even less judicial oversight. In some families, he would be the killer of their breadwinner, of their fathers or family members or lovers. A man with a gun. Eyes without a face. If you go to him for help, you go to him for blood.

This doesn't even begin to lay out the insane amount of vigilantes who live/operate in Gotham. The Batman is not the only figure. The Red Hood is not the only figure. If you boil down Gotham to only the conflict between these two characters, you miss the nuances and varied opinions of the city by miles. If you boil down Gotham to just Batman-affiliates, you miss even more.

For every person who doesn't trust Batman, there's someone who'd prefer Huntress. For every child who lives in fear but can't trust an adult, there's Robin or Batgirl. For an abused woman, there's other women out there who help: Catwoman or Black Canary or Holly Robinson. There's people who'd never trust a vigilante but want safety, they'd have Leslie Thompkins (who operates in Crime Alley) or Lucius Fox who could give them a job.

Not to mention, Batman is very obviously white. There would be some people who would rightfully mistrust white men, and would prefer figures like Orpheus or Onyx or Batwing or the Signal or Huntress (post-N52). There's the Creeper, who would be terrifying but some might prefer the monster over the man. There's Ragman, an explicitly Jewish vigilante who was literally called the Tatterdemalion of the Oppressed and trusted by the poor and homeless. There's Batwoman, Mother Panic, Spoiler, Nightwing, Red Robin, Azrael, Bluebird, the enigmatic idea of the Oracle, Anarky, Ghostmaker, Gotham Girl/Boy, Catman, Alan Scott-Green Lantern, Wildcat.

Hell, maybe someone who lives in Gotham would just straight up trust Superman or the Flash or Wonder Woman more than anyone else. Maybe they'd never once trust someone acting for a perceived view of justice and would just trust an employer like Two-Face or the Riddler or any mobster.

I'm stressing my point here: when you write anyone who lives in Gotham City, keep in mind that they don't know they live in a comic book world. Secret identities are foreign to them, they only know the base actions of each vigilante. Each person's opinion will heavily vary. Every experience colors their view of the city and vigilantes as a whole. Just, idk, widen your horizons and consider about what someone living in a place like Gotham would really think.

To that end, read the comics!!! Research actual cities!!! Take in experiences and history!!! It's all interesting and just adds so much more.

You want one comic that shows Bruce helping Gotham and the various views of Gothamites, read Gotham Knights #32, published in 2002 and titled "24/7." Read it online illegally if you have to!!

[3liza]

thank you for speaking rational thought AS AN ARTIST into the ai debate. i get so tired of people over simplifying, generalizing, and parroting how they’ve been told ai works lmao. you’re an icon

some of the worst AI art alarmists are professional artists as well but theyre in very specific fields with very specific work cultures and it would take a long and boring post to explain all the nuance there but i went to the same extremely tiny, hypefocused classic atelier school in San Francisco as Karla Ortiz and am actually acquainted with her irl so i have a different perspective on this particular issue and the people involved than the average fan artist on tumblr. the latter person is also perfectly valid and so is their work, all im saying is that we have different life experiences and my particular one has accidentally placed me in a weird and relevant position to observe what the AI art panic is actually about.

first thing i did when the pearl-clutching about AI art started is go on the Midjourney discord, which is completely public and free, and spent a few burner accounts using free credits to play with the toolset. everyone who has any kind of opinion about AI art should do the same because otherwise you just wont know what youre talking about. my BIGGEST takeaway is that it is currently and likely always will be (because of factors that are sort of hard to explain) extremely difficult to make an AI like Midjourney spit out precisely wht you want UNLESS what you want is the exact kind of hyperreal, hyperpretty Artstation Front Page 4k HDR etc etc style pictures that, coincidentally, artists like Karla Ortiz have devoted their careers to. Midjourney could not, when asked, make a decent Problem Glyph. or even anything approaching one. and probably never will, because there isn't any profit incentive for it to do so and probably not enough images to train a dataset anyway.

the labor issues with AI are real, but they are the result of the managerial class using AI's existence as an excuse to reduce compensation for labor. this happens at every single technological sea change and is unstoppable, and the technology itself is always blamed because that is beneficial to the capitalists who are actually causing the labor crisis each time. if you talk to the artists who are ACTUALLY already being affected, they will tell you what's happening is managers are telling them to insert AI into workflows in ways that make no sense, and that management have fully started an industry-wide to "pivot" to AI production in ways that aren't going to work but WILL result in mass loss of jobs and productivty and introduce a lot of problems which people will then be hired to try to fix, but at greatly-reduced salaries. every script written and every picture generated by an AI, without human intervention/editing/cleanup, is mostly unusable for anything except a few very specific use cases that are very tolerant of generality. i'm seeing it being used for shovelware banner ads, for example, as well as for game assets like "i need some spooky paintings for the wall of a house environment" or "i need some nonspecific movie posters for a character's room" that indie game devs are making really good use of, people who can neither afford to hire an artist to make those assets and cant do them themselves, and if the ai art assets weren't available then that person would just not have those assets in the game at all. i've seen AI art in that context that works great for that purpose and isn't committing any labor crimes.

it is also being used for book covers by large publishing houses already, and it looks bad and resulted directly in the loss of a human job. it is both things. you can also pay your contractor for half as many man hours because he has a nailgun instead of just hammers. you can pay a huge pile of money to someone for an oil portrait or you can take a selfie with your phone. there arent that many oil painters around anymore.

but this is being ignored by people like the guy who just replied and yelled at me for the post they imagined that i wrote defending the impending robot war, who is just feeling very hysterical about existential threat and isn't going to read any posts or actually do any research about it. which is understandable but supremely unhelpful, primarily to themselves but also to me and every other fellow artist who has to pay rent.

one aspect of this that is both unequivocally True AND very mean to point out is that the madder an artist is about AI art, the more their work will resemble the pretty, heavily commercialized stuff the AIs are focused on imitating. the aforementioned Artstation frontpage. this is self-feeding loop of popular work is replicated by human artists because it sells and gets clicks, audience is sensitized to those precise aesthetics by constant exposure and demands more, AI trains on those pictures more than any others because there are more of those pictures and more URLs pointing back to those pictures and the AI learns to expect those shapes and colors and forms more often, mathematically, in its prediction models. i feel bad for these people having their style ganked by robots and they will not be the only victims but it is also true, and has always been true, that the ONLY way to avoid increasing competition in a creative field is to make yourself so difficult to imitate that no one can actually do it. you make a deal with the devil when you focus exclusively on market pleasing skills instead of taking the massive pay cut that comes with being more of a weirdo. theres no right answer to this, nor is either kind of artist better, more ideologically pure, or more talented. my parents wanted me to make safe, marketable, hotel lobby art and never go hungry, but im an idiot. no one could have predicted that my distaste for "hyperreal 4k f cup orc warrior waifu concept art depth of field bokeh national geographic award winning hd beautiful colorful" pictures would suddenly put me in a less precarious position than people who actually work for AAA studios filling beautiful concept art books with the same. i just went to a concept art school full of those people and interned at a AAA studio and spent years in AAA game journalism and decided i would rather rip ass so hard i exploded than try to compete in such an industry.

which brings me to what art AIs are actually "doing"--i'm going to be simple in a way that makes computer experts annoyed here, but to be descriptive about it, they are not "remixing" existing art or "copying" it or carrying around databases of your work and collaging it--they are using mathematical formulae to determine what is most likely to show up in pictures described by certain prompts and then manifesting that visually, based on what they have already seen. they work with the exact same very basic actions as a human observing a bunch of drawings and then trying out their own. this is why they have so much trouble with fingers, it's for the same reason children's drawings also often have more than 5 fingers: because once you start drawing fingers its hard to stop. this is because all fingers are mathematically likely to have another finger next to them. in fact most fingers have another finger on each side. Pinkies Georg, who lives on the end of your limb and only has one neighbor, is an outlier and Midjourney thinks he should not have been counted.

in fact a lot of the current failings by AI models in both visual art and writing are comparable to the behavior of human children in ways i find amusing. human children will also make up stories when asked questions, just to please the adult who asked. a robot is not a child and it does not have actual intentions, feelings or "thoughts" and im not saying they do. its just funny that an AI will make up a story to "Get out of trouble" the same way a 4 year old tends to. its funny that their anatomical errors are the same as the ones in a kindergarten classroom gallery wall. they are not people and should not be personified or thought of as sapient or having agency or intent, they do not.

anyway. TLDR when photography was invented it became MUCH cheaper and MUCH faster to get someone to take your portrait, and this resulted in various things happening that would appear foolish to be mad about in this year of our lord 2023 AD. and yet here we are. if it were me and it was about 1830 and i had spent 30 years learning to paint, i would probably start figuring out how to make wet plate process daguerreotypes too. because i live on earth in a technological capitalist society and there's nothing i can do about it and i like eating food indoors and if i im smart enough to learn how to oil paint i can certainly point a camera at someone for 5 minutes and then bathe the resulting exposure in mercury vapor. i know how to do multiple things at once. but thats me!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[pretty-weird-ideas]

Small Thing...

A couple of months ago on IWTV Tumblr, I made the comment that we have incentivized going after, deplatforming, and disenfranchizing antiracist black fans. Then we ritualistically prop up those who exhibit antiblackness (from nonblacks or internalized). And I want to bring that point back in since we're seeing an uptick in this sort of behavior of hunting down and finding incredibly small/medium accounts of Black people talking about racism and nuanced depictions and blasting them in an attempt to remove even more Black fans.This fandom is constantly finding new black people who talk about racism to dislike.

We have created a culture of incredibly disproportionate responses toward Black fans speaking against racism that in any other fandom would be considered wildly out of pocket. Takes and commentary that if said by anyone else or in any other fandom would simply stay within its bounds go nuclear within seconds if it means that another antiracist Black fan gets put on the pyre.

It's gotten to the point that new fans (of all races) walk right into it, get harassed, and have to ask "What did I do?" consistently in our spaces if not leave the fandom entirely after simply interacting with accounts in ways that are non-controversial. People are making their first IWTV posts and getting anon hate... because we don't follow regular fandom etiquette or climate, we are incredibly incendiary to certain people in ways that are unique and are unheard of outside of this space.

We treat our black fans with less than 50 followers like lolcows or Gamergate victims. Black fans will have 3 followers and a dream and get slammed as if they brought in Satan himself if they think something fictional or real is racist. Even insanely racist fandoms I've been in for years have the decency not to go searching out antiracist and problack sentiment shared online privately to mock and belittle the way that IWTV Tumblr does. They pick subjects out of a hat, they go for big groups or entire commentary, but they don't hunt down and find accounts as small as these to pick on.

If you don't like "problack woke nonsense" (as I've seen it put) do not interact with people who do... and stop posting about them. And also maybe those "problack wokescolds" would stop being as bothersome if you didn't constantly mention and speak on them.

And the question also becomes... if you burn and get rid of all the antiracist people, and yourself are marginalized (esp if you're black), who are gonna run to when they run out of people to burn on the pyre and they suggest you hop on top of it?

If you are Black and are using this culture of disproportionate hate as a way to get ahead by stepping on the other black people near you by downplaying racism, you aren't safe. You'll be next. The goalpost will always shift, and who is considered a pariah will just keep moving.

[bonefall]

God I am so tired of Bramble fans who refuse to use critical thinking and believe that brambleclaw and squilf are equally bad. Many also hate on moonkitti's video which they most likely haven't even watched or misconstrued points in it. You can like a character without defending all their actions please I'm begging you

And people will sometimes jump to their defense, saying that people just dogpiled them for liking a character the fandom doesn't like, and while that can happen, sometimes people are actually dogpiling them for ignoring abuse and insulting creators with different opinions

(Some discourse happened on Twitter recently about this but it's something I've seen happen before, I'm not specifically talking about anyone)

I'm going to be honest and drop my feelings.

Never have I ever actually SEEN a Bramblefan "get dogpiled" for liking Bramble.

I come out here on my massive soapbox every couple of weeks and drop whole essays on this guy, I chat casually about how important he is to me as a character, both as someone who was abused in a way similar to Squirrelflight AND as someone who can relate to Bramblestar's situation, and before BB got so large and my attention was easier to divide I even ran an AU called Sweet Nothings which had a "big brother" Bramble take in it.

There is no shortage of Bramblestar-related posts around here, yet, I have never, NEVER gotten shit for when I talk positively about Bramble.

In fact, he's commonly cited as one of the favorite cats to see on this blog from my audience. I get praise for addressing him with nuance, explaining how his actions are abuse while also keeping him human, talking about how his life is a painful cycle of self-doubt that makes him double down on his worst decisions. Every time I post about him, I get an influx of comments centered around how my takes on him are appreciated.

What I DO see is people who make art where they try to bothsides him and Squirrelflight, or say something completely false about his behavior, or straightup post DARVO tactics to defend their fav's honor. When someone makes a comment that goes "uhmm? Bit strange innit?" they call it "harassment." Or when people block them, they call that "receiving hate."

OR when someone makes a vaguepost like "Heyyy, DARVO is an abuse denial tactic where the abuser or their apologists Deny the abuse took place, Attack the accuser, and then Reverse Victim and Offender to claim they were actually the person harmed. Bramblestans are playing this out, step for step, and that's bad!" they call THAT dogpiling.

Meanwhile Moonkitti got death threats and was actually harassed for posting Bramblestar Is Worse. To the point where she is hesitant to ever make another video on the topic.

So y'know what? Hot take? The stans don't actually like Bramblestar. They like the vague idea of a sadboy character who broke free from his dad's legacy so they slurp up the framing of the notorious abuse apologist writers, and they get mad when people who have critically engaged with the books don't see what they desperately crave.

How can you really LIKE a character if you can't engage with their actions? If you need to surround yourself in an unpoppable bubble and can't accept anything he's done in the 20+ years he's been active? How can you truly love a man without all his mistakes?

It's sooo hard to be me, Tumblr User Bonefall, the ONLY one who likes Bramblestar correctly. It's rough out here.

[toutvatoujoursbien]

midnight thoughts (i hope i don't regret this)

Let me preface this by saying that these are just (very, very long) ramblings I’ve had in my head over the past few days and are MY opinions. I never post to Tumblr, but my level of emotional unhinged-ness right now needs an outlet so that I can process everything and feel, well, less unhinged.

I have never been this enamored with any celebrity or promo for a show like I have for this season of Bridgerton. Admittedly, I am a fan of the books and Penelope & Colin are my favorite couple. I’m going to age myself by saying that I read the series almost 20-ish years ago; past me could have never imagined I would actually get to see a Regency romance on my screen. Romances are for the girlies, and what the girlies like tends to be mocked, ridiculed, and not taken seriously - I’ve seen this time and time again across many different fandoms. I also really enjoy the tv series for being its own creative adaptation. I’ve liked many (though not all) of the changes they’ve made to the show; and I’ve liked all the little nods to the books that have been sprinkled in. Are the books or show perfect? Of course not, but that doesn’t mean I can’t love them for bringing me some entertainment and joy and escapism. I think that’s the beauty of it, I get to have the best of both worlds, so to speak. And for me personally, it’s been so fun to watch the press coverage over the past six or so months. As a fandom, I think we’ve been EXTREMELY well fed. 

Having Nicola and Luke as the leads has been a true blessing; I think/hope folks can tell how much they clearly love and understand their characters/roles. I know everyone has been talking nonstop about their chemistry and their close friendship, which I think is beautiful, truly unique and special. How can you not enjoy watching two people, who seem to genuinely like one other, talk endlessly about a project that they love and have poured so much into? And the way they have supported one another, not only during promo, but during their years of friendship? Astonishing, really. So while I am old enough to know better than to ship real people, I would’t blame anyone (myself included) if they got caught up in the whirlwind excitement and couldn’t help but wonder a sincere “What if?” (At least that was the case for me.) Isn’t that the beauty of hope and possibility and potential? Like, I knew rationally and intellectually that the likelihood of them being together was low, but damn if I didn’t feel giddy seeing their interviews, reading articles, and watching video after video.

“Oh, but it’s all PR!” they cry. Maybe, but like most of life, I don’t think it’s so simple or clear. I think there’s been a lot of nuance and perhaps some blurring of the lines during this promo tour. As long as we are respectful about it and realize that at the end of the day, the only opinions that matter in regards to their relationship are N & L’s, I don’t think some lighthearted dreaming is unheard of. We have to remember, though, that what we’re shown is only a fraction of their true selves, carefully and deliberately curated to accommodate their status as actors/celebrities/those in the public eye. 

(And yes, I know this is the internet and therefore everyone has an opinion - again, myself included. But I struggle to understand why some people think that their opinions should be deemed THE most important to the discussion or would have an impact on any type of outcome, especially in this particular scenario… I hope it’s obvious I’m referring to the very vocal people that chose to expend their energy in hateful, negative ways. Aren’t you exhausted?

However, as a longtime lurker, I have to admit it’s been absolutely fascinating reading all the different perspectives and takes on this too. I think reading other POVs and seeing people articulate points that challenge me and make me think is a good thing - again, as long as it’s all in a respectful manner. 

Also I have spent literal years curating and cultivating a social media bubble that doesn’t make me want to cry or give up on life. I don’t seek out negativity and hate - constructive criticism for a thing is a different matter. It may be “putting blinders up,” but honestly, real life can be a shitty enough place that I would like to spend my limited time online looking at cute things and learning or reading about stuff that makes me feel less alone in the world.)

Last week, I stayed off social media to avoid Bridgerton spoilers until I could watch Part 2. I did open Twitter on Thursday to check on something that was entirely unrelated, saw the absolute meltdown of a shitstorm brewing and quickly NOPED out of it. (I was also reminded of why Twitter scares me at times. And I'm not calling it X because that is stupid.) When I finally caught up over the weekend (both with Bridgerton and… all the other stuff 😅), I felt like I was experiencing mental and emotional whiplash.

Look, ultimately, I don’t know them personally and know even less about their private lives. As an outside observer (even though, yes, I have a vested interest in them), Nicola is fucking amazing and Luke seems to be a nice, sweet guy. I think they are each others support, and it has been mentioned many times that she has helped him deal with the intensity/anxiety of being in the spotlight this season. So here are some potentially hot takes: I just think, when they’re together, it’s like he’s a different, better person. When he soaks up even a little bit of her light (sorry, I had to), I can see all the qualities in him that she is constantly gushing about. But, and again this is my take on it, I also think he has a lot of growing up to do. I don’t know much about his supposed “hot/fuck boy summer,” but it seems to me that he’s perhaps going through his own Colin phase, which he can totally do. I genuinely want to see him and Nic succeed. However, I do think he’s got to get a better handling on his media image now (this whole thing reeks of a PR nightmare, but I need to take off my comms professional hat). The way this has all played out has been, imo, a clusterfuck. There are other issues that I’m also not going to get into at the moment. 

The thing that frustrated me the most is the timing of those “leaked” photos. You’re telling me that N&L went through SIX months of a - literal - worldwide promo tour, building up hype, doing countless interviews and appearances, etc., only to have these pap pictures “captured” on the night of the Pt. 2 London premiere??? And yes, while I’m aware there were rumblings of a gf being at various events/locations, I didn’t pay much attention to it (read: my curated social media bubble, lol). And I think the lack of confirmation up to that point from Luke and his team just mades things even more tricky/messy. So when the inevitable backlash played out online, piled on top of the hate Polin seems to get from many corners of the internet (Is it ship wars? Regular trolls just trolling? Polin and/or Lukola antis? People who, for whatever reason, don’t like the actors themselves or, worse, don’t like the creative choices/decisions made by the higher-ups and therefore deem it okay to spread hate online? All of the above, most likely.), I know I felt like I had been hit by a train.

Here’s my point: I think what should have been a moment of triumph and a joyous occasion for Nic, Luke, and Bridgerton season 3, was sadly overshadowed by the aforementioned shitstorm. And that’s a damn shame. Too many cast and crew put in a lot of time, effort, and blood sweat and tears, to pull this all together. I was happy with Season 3, which perhaps I will deep dive about in another post because this one has already spiraled out of control. Were there things I wished they had included or, rather, things that could have been left out? Yes, of course. But at the end of the day, I think we got a beautiful story led by two actors who love Polin as much as we do. And I cannot wait to see them back for Season 4. Plus, seriously, those viewing numbers alone should have been mostly what people are talking about. I hope all this doesn’t take away from the overall impact of the show and season.

I think it’s okay to be disappointed by all the stuff that has come out over the last few days. I think it’s perfectly human to want/need to process your thoughts and emotions. What is NOT OKAY is sending hate to anyone, period. And I hope you don’t let all that has happened sour your enjoyment of Season 3 and/or Polin.

Lastly, if you take anything away from this long ass post, it’s that Nicola is a GODDAMN QUEEN. Anyone who says otherwise is speaking slander and we do not stand for that in this house. She has carried herself during this time with grace, charm, and poise, consistently and constantly. And she is always ready for a mega fashion moment. She must be exhausted - already on to her next film/job but also perpetually online, and even stepping up to defend her costar. I may have to do a whole separate post just gushing about her and add to all the people already singing her praises. (And as a big fuck you to all the haters.)

Geez Louise, I clearly have a lot of feelings (more than I allowed myself to believe I did…). But I would love to hear what others think! Please, I need friends with whom I can have rational (okay, maybe slightly unhinged), spirited, deep analyses and discussion of this whole thing, or anything else we might have in common!

[what-even-is-thiss]

Why do people have so much trouble telling the difference between "90% of car usage is technically unnecessary and could be eliminated if we made changes such as these to our neighborhoods" and "WHEN I BECOME THE GOD-EMPEROR NEXT WEEK, I WILL IMMEDIATELY VAPORIZE ALL CARS AND YOU WILL ALL HAVE TO FIGURE THINGS OUT FROM THERE"? I mean, the main difference between these two statements is that you're only making the first one. You're not saying the second one at all, but people are somehow reading it on their screens when they see your posts.

I dunno, dude. People can take anything you say on the internet to a logical extreme. I also think there’s groups of people out there used to having to claw and yell and be annoying to get noticed because society hasn’t been kind to them. So they assume that when they haven’t been mentioned they’re being forgotten about again. And sometimes they’re right. And sometimes you just can’t fit all of the nuance in the world into one tumblr post you make at 2am and you haven’t forgotten them but that post just wasn’t about them.

When it comes to cars specifically I also think there’s a level of learned helplessness from people who grew up in car dependent areas. It took me over a year of living without a car to fully buy into anti-car politics because I’d been conditioned to think that cars were the only way to get around. But it doesn’t have to be that way. We all deserve better. Everyone does. With way less cars our cities are more dense and energy efficient, they’re quieter and less polluted with unnecessary noise, what few cars are left will have emptier and safer roads to drive on, people will spend less money on travel, they’ll get more exercise, have more contact with their neighbors, be more physically in touch with their town and everything in it.

There’s dozens, hundreds of little points that go into all this though. Nuances, local politics, competing needs. Things people are thinking about. But you can’t always address all of those concerns in one place. You usually can’t. And people get upset when you don’t address the thing they’re thinking about.

[anodymalion]

ok I am in fact using this as an excuse to make a long post about this thank you thank you asjksdjfaljdf

---

Interpreting Yuri as asexual is my very very favorite type of headcanon, which is one that 1. is compellingly coded in the source material (even if that wasn't the creator's intent), 2. is thematically relevant to what the piece of media is Trying To Do as a whole, and 3. just means a lot to me, personally, because I said so.

Coded in the source material

Yuri’s short program is “eros”, aka desire (you can interpret what “eros” means in various ways, but YOI itself explicitly refers to sexual love, at least in the English translations). Yuri struggles with this. Hard. He can’t come up with an answer when asked what eros means to him. His big revelatory moment about desire is that it’s how he feels about wanting to eat his favorite food (omg… boy). Even as the season goes on and the way he views the Eros program changes, the program doesn’t ever really embody the idea of eros as sexuality or romance (which was how the other characters expect him to interpret it) but rather as a desire to keep Victor in his life.

Like look. I’m obviously not going to say that the creator intended any kind of ace subtext to be there. I kind of doubt it was her intent. But goddamn is the subtext there.

2. Thematic relevance

The central theme throughout YOI is “love”, and especially loving people in a way that inspires you both to be your best selves: Yuri learning that the people in his life truly love and support him; Victor finding someone who makes him feel joy about skating again.

Like, Yuri’s whole skating theme for the Grand Prix is literally about him exploring what love looks like to him, even when it takes a form that other people don’t totally understand. Viewing all this through a lens of him being ace is really compelling. It adds depth to the idea of learning how to express the way you feel love even when it looks different than what other people expect. I think it’s a really delicious layer that adds even more nuance to what the show is getting at.

Besides, it’s an interesting way of viewing the criticism of the show that occurred for it not being 100% explicit about them being a couple (aka people getting mad because the kiss in ep 7 is blocked by Victor’s arm lmaooo). Like, ok, did you see the ending scene of ep 9? Did you see ep 10??? They definitely, definitely love each other, in whatever way that means for them. Their relationship takes a form that’s pretty different than the other way people in the show are going about romantic relationships, but that doesn’t mean it isn’t real for them. That is very much in line with the main themes of the show.

3. Means a lot to me

In the final scene of the penultimate episode, Yuri tells Victor that they should end their coaching relationship after the Grand Prix ends. This is because he thinks he’s holding Victor back, that Victor would be happier being free to go back to skating on his own instead of being Yuri’s coach. When I watched this (and, I’ll be honest, this is completely me projecting here) I REALLY interpreted this as an ace thing. I think it’s pretty easy to internalize the idea when you’re asexual that you just won’t be… enough, for other people. In my case I ended up a strong impulse to self-sabotage relationships because I would rather be the one to end things than to let someone else tell me that who I am as a person is fundamentally lacking. Yuri destroying a connection he desperately wants because he thinks there’s something about him that is holding Victor back from a life he’d be truly happy with? Oh yeah. I can fucking relate to that.

Also: YOI came out in 2016, which was the absolute peak of hostility to ace people I was seeing on this site. It was bad here. At the same time Tumblr was going wild over this show. Everyone was watching it. Seeing a whole site of people absolutely adore a character I very deeply in my heart believed to be ace? Extremely vindicating.

---

In conclusion Yuri is asexual because it is fun and interesting that way, and also because of this:

[miquellah]

⚜️ SOTE Impressions Survey Results ⚜️

Earlier, I cycled around a survey to get opinions on the story of Elden Ring's DLC, and 101 respondents answered!! Following through with my promise, here are now all the results as recived.

Most all of these responders are likely from Tumblr, with potentially just a few from Twitter. To my knowledge this was never posted anywhere else, so these results can likely be best considered the thoughts of a good chunk in the Tumblr sphere of players!

I've done my best to make everything sufficiently readable, but there's still quite a bit in length here, apologies. The text on the actual charts may or may not be difficult to actually read, but I've given small summaries after each question to try and mitigate this.

First, the basic demographic questions:

These two were optional, but almost entirely filled by all respondents nonetheless. It’s a pretty good split between gender! I half wish I’d made it more specific just for curiosity, but eh. Age range is primarily 19-25, with 26-30 second place.

A question to determine how familiar players were with Fromsoft’s soulsborne genre and writing. Most respondents are indeed Fromsoft regulars.

Most respondents fully expected Miquella to be Morally Grey before DLC release, with only a somewhat smaller amount expecting True Good over True Evil.

These speak for themselves. Base game lore has consistently high scores, whereas while DLC lore still has high peaks, there’s still much more of a spread haha.

Despite it all there’s more people saying the DLC lore coheres with base game more than not??

Have you changed opinions on the DLC's lore at any time since it's release? If so, how?

No (no elaboration) - 18 No change, i feel negative- 15 No change, i feel positive- 10 Yes, I feel worse- 2 Yes, I feel better now- 18 Yes (no elaboration)- 6 N/A- 7

And wherever there’s nuance it’s usually a lot of “yeah I see the vision, but some execution could ultimately have been better.” In hindsight this is also a question I should’ve made multiple choice…

A very high chunk of people were spoiled to any degree beforehand!

This question was due to all of the comparisons to Miquella as being similar to Griffith/initially expecting that of him before DLC. I think Berserk is a bit more popular in the Twitter/Reddit circles of fans, though.

Primarily high impressions of Marika, with veeeryy low levels of believing she’s justified. Only a sliver of hate.

VERY high opinions of Messmer! Very small justifications of his actions, much in line with his mother.

Very high impressions of Mohg overall, with a small slice of dislike, a tiny sliver of hate. People largely feel his actions are nuanced, with a small slice of more justified than not.

Miquella is by far the most divisive character! Albeit he still has some good chunks of Like and Love. Justification scores are much the same as Mohg, primarily complicated/nuanced.

More people feel Miquella is a child only in body, with a near-equal chunk feeling it’s open-ended/nuanced.

Surprisingly, most respondents do NOT believe in Mohg having sexual misconduct with Miquella… though perhaps some people felt this meant just with Mohg as a perpetrator, and not that there wasn’t iffy stuff at all? Nonetheless, this headcanon seems pretty prevalent in the community as a whole, but maybe that’s just due to all the loudest people with the crass jokes.

How do you feel about the writing choice of Radahn as Miquella's chosen king and consort?

Okay rather than try and take the stats for this one, I’m going to try and summarize the bulk of responses best as possible:

The least generous replies say this sucks ass. The most generous usually say “yeah, I see what they were going for, but the execution of this feels very flawed nonetheless.” One respondent states that the emphasis of Miquella’s plotline seemed to be on his choice of consort entirely, rather than his actual motivations or journey to get here.

Many people lament Malenia’s lack in things at all within DLC, past a single mention. A notable amount of people note that they would’ve been more accepting of the consort if it had ended up being Godwyn instead, because of the amount of weight he seemed to have in the base game lore alongside Miquella. At least one respondent laments the disservice “done to monsterfuckers everywhere” that we didn’t even get a physically  monstrous boss in the end.

There’s a couple of people who go “oh yeah this makes sense for the both of them and/or I saw the signs along the way”, but they never go on to elaborate… the longest responses are always from people who are most unhappy, or are fairly understanding, but still ultimately unable to end up terribly pleased with this plot point.

Overall the reception to this plot point is decidedly poor, with the main grievances being how little foreshadowing or apparent basis there was, and how it changed the context of things in base game– such as Radahn’s first boss fight, the battle of Aeonia itself, Jerren’s wishes, and the sacrifices of all the soldiers between both armies. Even any concerns over implications of incest are honestly low priority here.

By far my personal favorite response is “I couldve written a better plot twist with three hoyrs of sleep and a coca col”, so shoutout to that one.

(Bonus) Optional because she's not relevant in the DLC. How do you feel about Ranni as a character and her actions?

I’ll be honest, this one was just because I think people’s thoughts on Ranni are a great judge of narrative comprehension. HAHAHA. But out of 91 responders to this one, most everyone cleared!

The bulk of responses are ultimately “yeah what she did to Godwyn was fucked up, but ultimately I understand it”. A few respondents note her narrative of female autonomy, and state their own reflection in this. Several note that she is selfish, but some aren’t particularly condescending with this and say that by all means, she’s just like the rest of the demigods if not still better than them.

A small handful also note that Ranni and Miquella are essentially foils to one another, where Miquella gives up everything for the sake of his Age of Compassion, but Ranni finds a means to keep her soul. It’s noted that even with his well-intentioned ambitions, he still ultimately fails as a reflection of Marika, whereas Ranni cuts herself from the cycle entirely.

A good handful of responses are little more than “hell yeah girlboss” and “fuck yeah that’s my wife” lol. On the other end, there’s a couple of responders who talk about how much they hate how she’s waifu’d, some disliking her purely because of this. Only about 2-3 responses in here are ones I’d truly consider character hate (without any seemingly justified reason) though.

Overall she’s more praised than not, with most everyone acknowledging her motivations, complexity, and role in the story. She’s often noted for her foils with Miquella, her goals of autonomy and the subsequent sympathy here from cis and trans female responders alike, with many acknowledgments that she is still by no means a saint.

And that's all! Thanks again to all of those who responded, and once more to those who've now read all the results. I still have the individual responses saved, so if I wanted I could go through and try to discern if there's any patterns related to how certain outcomes in opinion happen... but I'm tired!!! Hopefully if nothing else, this survey was a nice way to reflect and to sate some curiosity ✨

[wakeywakeyjakey]

to batjokes or not to batjokes

so now that i'm on tumblr and interacting with the fandom i (a batjokes shipper) am seeing all the anti-batjokes shippers lol hey. one of the biggest arguments i'm seeing against batjokes is the whole he killed jason/paralyzed barbara/etc. and batman "wouldn't do that" because he's a "good person" and it "goes against his moral code" and like okay, i see where our wires might be getting crossed—

because you're operating under the belief that batman is a good person and i am not. personally i don't think that he can be a "good person" being batman and doing what he does but more than that—that's just not how goodness works. it's not like being a good person = you only do good things. good and evil are multi-dimensional and nuanced and complicated. it's not black and white, it's not just a theory or something that can be done "by the book" and as much as batman is a symbol, he's also a man.

i think we can objectively agree that from a moral standpoint, fucking the person that killed your son falls under the "bad" category. but thing is, batman goes to the extremes. this dude took the normal desire to do good in the world and became a vigilante who spends all day and all night on this crusade to do good. so yeah, i fully believe that when he leans into the "bad" category it is also just as extreme. like, batman does bad things too because we all do, that's literally what being human is. and y'all are trying to tell me that batman being evil is just... what? him getting a parking ticket? yelling at a waiter? no! good and evil balance out in the end (even sans joker/within ourselves) and if that's meant to foil all the good he does, it has to be pretty fucking awful.

and so that's also part of it—personally i think batjokes makes him a more compelling character. batman is already the only superhero i can stand because he's more morally ambiguous and less mary sue than the rest. and hey, if you like your heroes mary sue i can totally respect that bc i don't police what people enjoy in fiction. but batjokes gives us an entire realm of possibility beyond the traditional one-dimensional portrayal of good and evil. joker is a mirror because he puts batman's hypothetical goodness to the practical test. he doesn't just exist to show us what batman is not, but also what batman is.

what does it say about batman and his humanity if he loves joker and still chooses to be batman? what does it say about joker and his humanity if he is able to be the object of affection to someone who is as "good" as batman is?

personally, i really like the fics and portrayals that actually address what happened with jason or where the batfam find out. because then we get to see beyond what batman thinks about himself (which is often way too self-deprecating regardless) and can see how the world he's most aligned with sees him. then it's about how much humanity can be offered to a good person who does bad things (ha) and i've seen it go both directions. it's the answer to all the aforementioned hypothetical questions and it's so cool to see creators unpack the reality of human existence beyond the fantasy we’re provided.

batjokes takes batman out of this infallible narrative, this children's story about right and wrong, and brings it to a level we can understand by taking it somewhere we could not otherwise comprehend.

to me, that's what good fiction is. that's what make a good story.

the fact that i also get sexual gratification out of it as someone with pretty extreme kinks that are already overrepresented in canon is just icing on the cake.