#and then i rewatched season 1 and 2 just to see her on screen for two seconds in season 3….

[thatonesquintern13]

it’s funny rewatching sex education and thinking back to when i didn’t know hannah waddingham. bc now when she’s on screen i just

[dollypopup]

"all the negativity is killing the vibe"

"just be grateful for what you got!" "was it perfect? no! but we got some good stuff!" "people are just being so down about season 3"

There is a reason people are displeased.

We are consumers of this media. We PAID for this media. With time, with money, with subscriptions. We bought the merch, we watched the promos, we paid in attention, we paid financially, we paid literally and metaphorically.

And they did not deliver.

So, yes, we have a right to complain because objectively speaking, it was a bad ending. It just was! It was poorly written and poorly edited, it did not leave viewers happy, and there is a REASON the engagement of part 2 is much lower than part 1. Polin is not the problem, sidelining Polin is the problem. Writing Polin poorly is the problem. Shoving Colin to the side (half of the pairing) is the problem. Inconsistent characterization is the problem.

the fact that we came in with high expectations and they were let down for us? makes it a bad ending. makes it bad writing. the fact that we waited 2 years for it and then another month in between and did not walk away feeling as though that time was worthwhile? makes it a bad ending.

the writing was disjointed, characters were underutilized, Colin was pushed aside in his OWN SEASON, they tried to do a #girlbossfeminism narrative and then threw Cressida to the wolves because she did a few things that hurt the main heroine's feelings, even after showing us as viewers we should (and do) empathize with her. I mean, for fuck's sake, there was literally a big speech and everyone clapped moment. stakes were defanged, there were threesome scenes that cut any and all tension building between Polin, Eloise's character was written inconsistently for the sake of swift forgiveness, they threw Babies ever After at us, momifying the one character who was said to be plus size representation at NINETEEN, there were more sex scenes for Benedict than there were for the main couple Polin. Lady Whistledown was a black hole for good quality because instead of writing a narrative that suited the couple's ending, they wrote a narrative to keep her as a plot device by any means possible. This season was a roller coaster that went up up up and then stagnated.

there are legitimate criticisms to be had about this season. as if we don't have a right to demand good quality from something we paid for.

and the worst part of it is that they set it up SO. WELL.

I ended Part 1 pacing my apartment, giddy and kicking my feet and rewatching the ending over and over. Part 2? None of that. And the reason people have been so negative about it is that IT SHOWS.

Yes, in part, some negativity is homophobia for Michaela, who I honest to god adore and am so happy to see on screen. Yes, in part, some negativity is for Polin from haters, a couple I love with all my heart.

But most of the negativity comes down to poor writing. Inconsistency. A lack of bravery for dropping a plot device (Lady Whistledown) that the show has held onto not for Penelope or for Polin, but for Bridgerton's story moving forward that writers do not feel confident portraying without a narrator so it might crutch them.

Stop licking a plate of crumbs and claiming it a meal. They had 2 years to deliver a fantastic season. They didn't do so. That is not at all on the actors, because they are FANTASTIC, it is on the writers, and on the production. Was it beautiful? Sure. Was it well acted? Absolutely. Was it good? Well edited? Well written? Meaningful? Fun?

No.

There are parts of it that are, but when you fumble an ending, it sours the entire experience. The reason people loved Part 1 so much was because of the ending of Episode 4, which was done beautifully. It felt satisfying. And then Part 2 felt like an entirely different beast. If you settle for mediocrity, that is all you will get. So yes, I demand better of this season. I demand that we get more than just one thirty second scene of Pen and Colin being intimate after their marriage. I demand more characterization and time devoted to the main couple instead of useless side plots. I demand better writing. I demand better EDITING. Cressida was done dirty, Colin was done dirty, Eloise was done dirty, Penelope was done dirty. And at the end of it, VIEWERS were done dirty.

There's a reason Part 1 had such glowing positivity and then Part 2 is garnering horribly mixed reactions. It's because one is better than the other. And if this show is CAPABLE of delivering content like Part 1, then yes, I will absolutely demand it of part 2. One day, Bridgerton will learn how to write a proper final episode, a proper closing to an arc.

That day was not in Season 3.

[woniverse-writes]

"Moth to a Flame (part 1.5)"

Bada Lee x Reader

part 1 ⟵ part 1.5 ⟶ part 2

series masterlist

summary: all teams react to the first episode of street woman fighter season 2

word count: 1.7k

warnings: surprisingly no swearing lol, uhhhm I don't think there are actually any warnings for this chapter, not proofread

The members of Jam Republic settle in on the couches and chairs of the dance studio lounge room surrounded by staff as they get ready to watch the premier of Street Woman Fighter Season 2. Kirsten already has her phone out and ready, Latrice is on face time with her brother, and Ling is taking pictures of the three youngest members as they pose and mess around. The camera crew is doing some last-minute sound and lighting checks, even though this would just be some extra reaction content posted on the choom’s YouTube channel. 

A few miles away was team Bebe, were all cuddled up together on their couch in the Just Jerk studio lounge. They were waiting for Tatter and Minah to arrive, seeing as they were both in a class at the moment, but both were supposed to get there right as the show would be starting. They were offered some energy drinks while waiting, which the team gladly took.

Once the show started playing everyone was screaming and cheering in excitement, all phones having pulled out to record the introduction. After getting past the initial shock of seeing themselves on TV, the girls returned to their seats and got comfortable again. The team introductions and reactions were shown first leaving some laughing in annoyance at the reminder of the comments, while others stressed out about the things they had said only for the sake of the competition.

When Jam Republic came on the screen an uproar in almost every single team space occurred. They all restated their previous positive opinions of the team- like how Kirsten was well-known, Audrey had the face of an angel, and y/n was a princess. But they also brought up y/n’s initial anger issues. They all remember how scary she seemed back then, and now they all laugh at it because while it is still scary, she’s very cute. The editors put scary music over her at first when she started glaring, but then cut to her pouting a few minutes later and put a kitten meow over it, which caused y/n to roll her eyes and giggle while all of her teammates burst out laughing. The reactions of other teams were quite similar with them all dying laughing as well and calling her cute.

“Our baby” Tatter cooed making grabby hands at the screen, causing everyone else to tether giggle or chime in. Bada surprisingly didn’t really say much, she just smiled and giggled, looking extremely in love

They show Bada and redy’s battle and jam republic is reliving their emotions that occurred a few months prior when the show was shot. y/n giggles and leans on her hand hiding behind it as she rewatches the scene. she smiles shyly at the older girl’s moves, reacting much more tamed this time compared to her original reaction. Said reaction was aired immediately after the battle ended, including the part where Kirsten pointed out her intense blush which caused her and all her teammates to laugh, y/n somewhat lowering her head and laughing softly in embarrassment. they also happened to air what was said shortly after when y/n said “The way she got up in Redy’s face- UGH I WOULD’VE DIED” causing y/n’s eyes to widen briefly before she immediately buried her face in her hands as the rest of jam republic died of laughter

Team Bebe’s reaction to the battle was as usual- hyping Bada up and laughing over the drama, but they were definitely more interested in the reactions, especially y/n’s. When the screen panned to the small girl with her hand on her forehead as she stood in a daze, the blue team instantly burst out laughing, including Bada who had no idea this was how y/n had been reacting to her. Then as they heard her say she would’ve died if Bada got in her face as she did with redy, Bada hid behind her hands and smiled embarrassedly as her teammates ‘ooh’ed and teased her

“With that logic, I can’t believe she’s still alive…” Lusher mumbled but everyone heard it, causing another uproar of jeers and claps from the team

“I can’t believe I didn’t listen to you back then” Bada muttered still hiding behind her hands as she glanced over to Lusher, who just smirked and shrugged her shoulders. Shortly after that the battle between y/n and Lusher comes on and the editing overdramatizes the whole thing making it seem like y/n was going to pick Bada by adding long pauses and cuts in between her words.

Everyone thought your interaction beforehand with Lusher was cute, as you shook hands and wished each other good luck- seeing as your reaction was that of a slightly breathless fangirl who just met her celebrity crush. Other teams giggled and cooed at your bright smile and wide eyes

“y/n just looks so happy to be there-” Lia Kim said with an endeared smile and the rest of her team agreed all sharing a similar reaction. Bebe is hyping Lusher up even as they rewatch the battle that already occurred, loving how fired up she had gotten during it- It showed the part where she ruffled y/n’s hair before the switch and everyone freaked out

“I hope you know I really thought about killing you for a hot second in that moment…” Bada joked with Lusher who chuckled and nodded her head

“I did it more so to provoke you than her” the younger girl responded causing her leader to scoff and roll her eyes while letting out a sarcastic ‘of course’- but when y/n started dancing lusher was the first to get even more hyped

“YEEEAH THAT’S MY BABY GIRL” the girl was hyping up her then-opponent, now-friend, as if she weren’t the one in a battle against her. Her team laughed at her antics before they all began excitedly chattering about how amazing of a battle it was, and how y/n’s power and personality were showcased perfectly. And just like y/n’s reaction was aired, Bada’s gay panic sent every single member of every team into an uncontrollable fit of laughter when it was shown immediately following y/n’s ‘razzi shots’ move

“Oh my god, I’m crying- that was the funniest thing ever” Redlic wiped tears from her eyes, still trying to calm her laughter.

“I never thought I’d see Bada react like that” Mina Myoung stated, amused and lowkey satisfied by the usually cool leader’s anything-but-cool reaction.

“We’re usually the ones reacting to Bada like that, so it’s definitely refreshing seeing that she really is just like us-” “and toward y/n, which is absolutely justifiable” the two biggest y/n supporters- Redy and Harimu- conversed aloud. Of course, other teams’ reactions were shown to her dancing, but the editing specifically highlighted Bada fumbling to pull herself together as y/n sexily finished her half of the battle. Just like everyone else, team Bebe was laughing hysterically- all except their dear leader of course, who was now curled into a ball on the couch, covering her head with her arms as she hid behind Lusher and screamed in denial

“I CAN’T BELIEVE I ACTUALLY REACTED LIKE THAT” Bada screamed into Lusher’s shoulder as her members only laughed harder at her muffled stress

“I CAN’T BELIEVE THEY ACTUALLY AIRED IT” Minah responded practically crying with how hard she was cackling. When Jam Republic saw it they all freaked out as well but screamed and shook y/n around as she sat shell-shocked in her spot in between Audrey and Emma on the couch. y/n’s eyes were as wide as possible as her jaw practically lay on the floor. They ended up having to pause the episode because even the older members couldn’t bring themselves to calm down. y/n sat completely zoned out for the next seven-ish minutes, trying to calm down her heated face. While Bada was also zoned out for a while, it was because she was having an internal mental breakdown.

The episode ended right as Lia Kim and Mina Myoung were about to battle, leaving the audience in suspense as they wouldn’t be airing it until the following week, which left everyone annoyed but excited for the next episode. After it ended, everyone debriefed for a few moments but they were mostly talking about the connections. The teams discussed how there was a lot of history between certain contestants- like Mina Myoung and Lia Kim, Bada and Redy, and then Harimu and Redlic. After talking about the old relationships, they all somehow managed to have similar conversations about building new connections with other dancers

“I was surprised at how reactive Bada was, especially towards y/n…” Mina Myoung snickered, still grinning away at the thought of Bada losing her composure.

“Yeah but everyone was reactive toward y/n-” Gooseul commented in reaction, but was immediately cut off 

“Right, but Bada is usually pretty chill and reserved… her reactions to that girl were anything but reserved” They all laughed and agreed

In the Jam Republic space, all the members were doing the same as every other team by debriefing.

“I think we got a pretty positive reaction out of them!” Kirsten happily noted with a lifted tone of voice

“We definitely proved them wrong, especially with our secret weapons-” Emma moved to ruffle Audrey's hair while squeezing y/n, causing the two youngest to complain but the older members to chuckle.

“I guess they did really like us, huh y/n?” Audrey smugly observed and prompted the other to respond

“Hm, it sure seemed like it.” the youngest chuckled with raised eyebrows, still slightly in shock by how much cooler she looked on TV- loving how she could see everyone’s reaction and hear their comments. It really boosted her ego when she realized that was Bada’s first impression of her… they had known each other for a while now, so it was pretty normal for her to see the older girl have similar reactions to the ones she did in the episode- but it didn’t hit y/n right away that this was all months ago before the two girls really knew each other. They had been through a lot since then and were still recovering from some of it, but y/n and Bada definitely had a better understanding of each other now.

taglist (open): @tinybada @angel-hyuckie @violetinferno @jesuschrist2006 @1luvkarina @uwulyn @justandloyal2961 @deadgirlwalking3 @heeheemich @squidvoldyvoid @vivzyo @ouhaika @jksjx @ocyeanicc @marianamartinsthings @jxrdxnh @luvjanexx @lorenztired @khjssss @heavenlycloud @loisje123 @starchasermyloves @zhivaxo @grinnwolph @notyourd0lly @stinkbvgs @nermandiiiii-blog @abllucena @arujee @idontknownemore @thatgayinsomniac @l-a-u-r-a--b @fruitr0llup @cgriffin9797-blog @woooooya @kaaylvst @ssc7514 @astoreea @linda-botello @kpopgirl-97 @erikook @majookim @okjaeminn @misszoldyc @sammisregrets @jysai @moonsvrse @froufrousnowman @amararosesblog @tikitsune @aestrelle19 @laaaasanielzz @randomhoex @tswisal1 @leasha25823 @unpretty-reader @charlesswife

accounts in bold were unable to be tagged

[heliomanteia]

My personal list of criticisms for the series because if I don't put these somewhere I will actually go crazy in my room within the panopticon. I thankfully saw some other people share their lists and here comes mine.

Here I'm looking back at the episodes with the perspective of the viewer who knows what has and has not been properly used.

I rewatched the whole thing so this is EP1 through EP8.

🔱 Episode 1:

The ADHD & dyslexia rep stops episode one like it was forgotten about. It will become a pattern.

I am very, very bitter about the introduction of the "not everyone who looks like a monster/hero is actually one" through Perseus' story because in the context of Percy's life, he is - at least in PJO - a hero. Don't make the boy doubt himself more.

If they did introduce the "looks are deceptive" idea, I fail to see why this was not alluded to later with Luke.

I feel like neither Nancy nor Mrs. Dodds are really given screen time enough to actually showcase how much of an impact both have on Percy's life.

I still hate everything they did to Gabe's character. RIP Sally's Jackson empowerment story.

Blue food. They never really explain why it's significant.

They had budget to showcase Percy's dreams but instead of obvious enough dreams with animals it's Exposition.

Sally knows too much. They messed up her role as a character by taking away her book archetype. She's going from The Guardian to The Knowledge Keeper to The Victim back and forth.

Percy figures out too much too quickly. It has been discussed back and forth, so just putting it down here.

They mention the Minotaur smelling Percy but they never use it to explain Sally's unnecessary marriage? Potential lost.

Looking back at the Big Bull fight, they really don't let Percy act. The luring trick is his thinking, not Sally's. RIP the horn getting stuck and torn away. I can't exactly believe a young teenager had the power to break off a giant horn, in the rain, in the dark. Bad execution, the tree trick is a way to showcase Percy's wits.

🏺 Episode 2:

I wish they let Percy be dark-haired desperately. Hair color swap is bad design-wise because there's already one recognizable curly-haired blond in the series (Will). It's just a disservice to the actor.

RIP blonde 'Beth. Annabeth being wrongly seen as a "dumb blonde" is half of her character's thing. If they thought it no longer worked for her, they needed to play off another "perceived stupidity" stereotype.

Ugh I wish they let Percy be alarmed around Dionysus because in the book his gambling & "familiarity with alcohol" trigger Percy's PTSD.

Percy's PTSD is not a thing.

So, after the entire season: They had no reason to hide Sally's survival from Percy. Them doing it never got mentioned again. Traumatize the boy some more why don't you.

Luke's speech about the importance of glory doesn't work because his failed quest is never mentioned.

I think Clarisse is a miscast. She's pretty whereas in the books it's sort of the whole thing that she's "big, ugly, and mean-looking". She's one of the examples of deceiving looks as we learn in SoM and later on. Making her pretty just makes her lose purpose.

RIP showing friendly interactions or any true bonding with Luke.

All of that talk about Annabeth's wits and strategies in EP2 only to have it never play a major role in the rest of the season. Told you it's a pattern.

🐍 Episode 3:

Annabeth's story keeps getting decimated. There's so much talk about her closeness to Luke, but there's no showing it.

Ugh, I dislike how they keep making Mrs. Dodds so neutral - enough to just tell Annabeth everything? This is a whole new character.

The Medusa reveal still sucks so much, the tension & suspense are just non-existent.

Upon rewatching, I'd say Medusa overall was a decent monster because she barely did anything but it felt like the entire story was offered up on a silver platter and got resolved too quickly.

"You can't ship the head off" makes no sense, none of Athena's arc makes sense in this show. They established that heroes earn glory through mighty deeds (such as killing monsters) and established that Athena cursed Medusa. Percy is for once right.

Overall, this is the episode where Percy's starting to take up the Exposition Character role and I really don't like that.

🌊 Episode 4:

RIP book Sally Jackson I loved you. Sally's starting to go down the "showing visual frustration towards her neurodivergent child" which is a) utterly out of character b) breaks down her arc even more.

The Furies, the Minotaur, and Medusa are not children of Echidna. The monster's great despite looking extremely boring, but her motivation being personal doesn't work in their specific case; they didn't kill any of her kids.

Small complaint but "a temple is a temple" isn't exactly making much sense. We just established Athena-Poseidon rivalry, we just announced that Athena's place is safe for everyone and protected from Poseidon's earthquakes. The idea to call upon a rival God sounds stupid.

Athena's portrayal is just horrible. She was written badly in the books, like most women, but the show's literally saying: Yeah she would gravely endanger her kid for the "mistake" that wasn't even hers. And... it is never brought up again.

Making Athena such a bad mother while Poseidon goes out of his way to save his child from death seems a bit eh.

I. Am. Tired. Of others. Telling Percy. How and what to feel! Please let the guy discover things on his own.

🏛️ Episode 5:

I will die on the hill of "Annabeth is not supposed to be the one to see the Fates and no, her closeness to Luke does not matter" especially when her and Luke's connection has been buried!

It's Percy's quest, it's his prophecy to handle, it's for him to witness the yarn being cut. It's for him to put things together. I do not get why they keep switching Annabeth and Percy's places in the plot.

So, the fugitive twist is abandoned and never handled again. This is a pattern.

It makes absolutely no sense for Annabeth to be talking back to Ares when she knows who he is and how powerful he is. They keep making her play Percy's part and him - play hers.

I mourn Annabeth's geekiness over architecture. The sole time she seems entranced by something that distracts her is Hephaestus' mechanical wonders which is engineering but not exactly book Annabeth's focus.

I am pretty sure Ares doesn't hate his children in the book, he's just a hard-to-impress dad that lets his children fight their own fights. Making him "hate his kids" added zero weight to his character.

Why is Percy mansplaining mythology to Annabeth.

"Seaweed brain" doesn't work when he just explained a myth to her while she stood there listening as if she has never heard it before.

Ares doesn't really have an impact on the three that he had in the books. This was supposed to be the moment Percy first learns his mom's alive. Since Ares was messed up later on too, I call it lost potential.

🎲 Episode 6:

There's no real reason to suspect Ares or Clarisse in the theft, that scene/realization are lazy cop-outs. They do not begin to suspect Ares unless they literally find the bolt.

Lotus Casino my detested. Worst case of "they already know it" that I've seen in this show. The Casino is meant to be a trap, they are not supposed to know where they are going.

Suspense is nonexistent. They literally figure out the lotus-eaters the moment they step into the place, this is boring!

"Wise Girl" doesn't work when they spent less time letting Annabeth talk the smart talk than Percy.

It has been said a multitude of times but the Casino is boring.

"If you don't know what chances do I have" pretty high ones because they've been writing you off as the wise boy, Percy.

Personal pet peeve: I heavily dislike Hermes' casting.

Hermes' scene is far, far too early in.

Arcades are not too old to put into a 2023 series, VR is lame.

Why is the "is it because of me?" scene so awkward, why are they making Grover feel guilty/implying he's guilty. It was literally not his fault.

Hermes' involvement is so messy, there's absolutely no reason for him to hold them back in any way.

THE SOLSTICE PASSING MAKES NO SENSE, IT DIMINISHES ALL STAKES, AND IT DOESN'T EVEN CHANGE ANYTHING

💀 Episode 7:

It has been discussed deeply but everything about Procrustes' scene was done with utmost laziness and letting him live when he was just proclaimed a murderer makes absolutely zero sense.

RIP Sally Jackson's entire character. Show Sally is not above stressing her 9 year old out, getting visibly annoyed by his "outbursts" (they are really tame), putting the blame on him instead of explaining things to him in a calm manner, and raising her voice at him. Not only is this directly polar to her book self, but it also finalizes the show's destruction of her character.

The Underworld: ugly, incomparable with the book's version, boring. All that CGI and they could only pull up a LOTR movie Isengard.

RIP court of Kings, RIP Fields of Punishment, RIP actual Asphodel Meadows, RIP Elysium. The Underworld is done lazily.

Sally Jackson would never let her child think she's getting rid of him. It baffles me that she's not explaining anything to Percy.

This is not Hades and you cannot at a gunpoint make me accept that this is the terrifying, glorious, intimidating God of the Dead that puts awe into Percy Jackson and terrifies his own child. This goofy mf is not Hades, this is clownery. Another utterly decimated character, entirely off-point.

"These grudges go on forever" is hilarious (/neg) to hear from a God whose children are canonically stated to hold grudges as a fatal flaw. They really can't get the single clearly depicted person right.

Percy single-handedly figuring out it's Kronos with no clues is undoubtedly the worst part of the whole season. Go home kids, there's no tension anymore.

I hate how little Annabeth matters in this show. Her tie to Luke is severed, Percy does her job retelling the myths, she's not obsessive about her interests, and she's not even there with them when the biggest revelations are made. Her sole function is carrying the invisibility cap around (and apparently her friends can't even explain that to Hades). The show has killed Annabeth as a character and it's sad.

⚔️ Episode 8:

Sword lessons are far too late in the season, they would do much more impact building Percy and Luke up if they happened earlier.

I know that in the book Ares' curse is largely forgotten about, but they could have easily included it into the fight.

I feel like Percy has never been explained that monsters don't exactly "die" because not once does he seem surprised that Dodds is back.

Olympus is ugly!

The whole Luke reveal is a mess. Percy jumps to the conclusion far too fast, his sole direct argument it is Luke is the shoes, but he realistically has no other reason to assume Luke's the traitor. He has just given Percy the reason why he kept quiet about Clarisse. Percy and his Super Knowledge I guess.

Luke having a portal-opening tool at hand ruins the whole purpose of Thalia as a character and narrative function.

RIP Annabeth's arc.

Oh, Gabe's story line is horrible. We know they purposefully made him non-abusive (c), meaning turning him into stone doesn't really do anything. Like, you just killed a guy; an annoying but non-threatening guy. Lame.

My overall impression was more negative than positive.

My main complaints regard Richard himself for his shameless misleading promotion and poor writing, the casting directors for missing the "vibe" with too many characters (actors have certain types of charisma and this show is hit or miss with them), the producers for slacking off with prioritizing CGI where it doesn't need to be, and for costume designers. Whoever worked on the Camp sets did a decent job, but the Underworld and Olympus suck so much it's unbelievable.

Doesn't work as an adaptation for me. I wouldn't give it more than 2/10 - only for some set designs.

[zaptrap]

Zaptrap's 70% serious predictions for DR Season 2:

(These aren't super in-depth or anything, mostly just spit-balling but yeah. I tried avoiding leaks and tweets for these too so please don't correct me on these until the season actually comes out lmao)

It won't be as bright and shiny and new vibes-wise as Season 1, but it'll still be of comparable quality overall, re: solid writing, visuals, and such.

Zane will still be sidelined. He'll be delegated to a logistical task that mostly happens off-screen.

The focus of the season will be on Lloyd and the weird Dragon Conduit stuff. The Shadow Dojo stuff will provide snippets of lore regarding the dragons and maybe a secret third thing.

Arin's object spinjitzu will play a key in defeating the Wolves.

The Wolves/Shadow Dojo borrow some kind of power from Chima.

Jay will get 31 seconds of screentime. Jk, Jay will be more relevant but I don't know by how much.

Cole's whole "went off to follow Wu" will be resolved within the first two episodes. He'll tell everyone he found another gate in an area near the Land of Lost Things.

Geo+The kids will leave LoLT, maybe via the gate. The reason they will be able to leave will be because Cole misses them from beyond LoLT, therefore making them not lost anymore.

Kai and Wyldfyre will still be the best duo.

Ras's Master will also be from Chima, either another tiger or a Lion. They'll be revealed later in the season as an "ohshit" moment.

Lobbo tragic backstory reveal. His father is Cryptor and his parents are divorced.

Hints as to where Pixal is, but no confirmation. Kind of a "notice when you rewatch after season 3" type thing.

Some new characters, but not as many as last time, and they'll mainly be villains. The new characters from S1 will be fleshed out more (Geo, Arrakorre, etc)

No notable Djinnjago relevance, but it might be more important in season 3 when it's had more time to actually grow. If it is acknowledged in s2, then it's because Arrakorre has made his own tiny rock island with a single tree lmao.

Some kind of hints about the connection between Zeatrix and Sora.

Tournament arc 2nd half

Things I hope happen:

(These are based more on leaks lmfao. Still don't spoil anything for me though, ty)

ARIN STORY ARC Sora already got hers, I wanna see arin's now

Tournament arc! Prize is this season's mcguffin

Evil Jay! Though evil by technicality. He has to represent the Administration in tournament and since he has amnesia, ends up fighting the other ninja

Zane to have more relevance. Maybe an entire epic subplot that results in some EPIC REVEAL or whatever.

Angst and misery

[kimberleyjean]

Discontinuity alert - let there be light!

So, welcome to the next instalment of my Good Omens metas where we look at some of the inconsistencies and discontinuities in Season 2! In a previous post, I brought attention to the issue of the disappearing cross on Gabriel's Statue and then also the Illustrated Bible. I have more to say about both of these, the book in particular, but that's for another time - because I think I've found something even more obvious!

A word of caution before we jump in - what I am about to share can have significant consequences for the season 2 plot. If you are averse to analyses that reinterpret the narrative of season 2, it might be better to skip this one. You have been warned.

RED ALERT EVERYONE - The scenes in good omens 2 may not have been in order and if you're new to this idea, please check out my previous post first. This has been my conclusion after the mounting evidence, but it's still possible there are other explanations - I just don't think they're very likely. So, FAIRY LIGHTS! Yes, that's right. While everyone has been picking through the details of every scene, what character is wearing, the road markings, the cars... how did we miss the fairy lights around Marguerite's restaurant??

For most of the show we can see these fairy lights, either as characters sit and stand in front of them, or through the windows of other shops.

The first time we see the fairy lights is in episode 1 as Maggie is leaving her record shop (around 13:18):

There are so many shots with the fairy lights throughout the show that I won't exhaust you here to cover them all. However, to my knowledge they are always there until suddenly... huh?

In episode 4 they disappear. We only get one Whickber street scene in episode 4 and it starts around 41:19 with Aziraphale standing next to the Bentley (presumably just returned from Edinburgh):

Nina pulls up on her bike (around 41:27):

Nina goes into her cafe, receiving bad text messages, and we see Aziraphale cut across the road (around 41:50):

Then we cut to Crowley handing his plants to Aziraphale outside the bookshop (around 42:03... and we also hear a weird crash sound during this scene):

While they load the plants in, the wall of Marguerite's is out of shot all the time.

However we then get this shot over Crowley's sholder and they aren't there (around 42:47):

Ok, so they took the lights down from episode 4 onwards right?

Nope, they reappear immediately in episode 5 and stay there:

Just like with Gabriel's Statue, if this was a continuity error, then someone was asleep on the job! But, no, the good omens team are all talented, amazing and they put their heart into this. Something as big as having these fairy lights off for episode 4 was done on purpose.

So, why? What does missing fairy lights tell us about this scene in episode 4? When the fairy lights aren't being shown on screen should we assume they are off or on?

Let the rewatching begin! (I sure will be.)

And there is more to come by the way... when I have time to write it down :)

[milamilamilax]

Sydney's mental health

I’ve read plenty of theories about Sydney’s potential health issues, particularly whether she might have lupus, but I think the show could take a different approach. There are various clues throughout the two seasons pointing at mental health issues for Sydney, which I think these point towards things potentially getting worse for Sydney as she puts too much pressure on herself - or perhaps hints of a backstory for Sydney, but the clues are definitely there. 

We’ve seen general hints about Sydney having anxiety, e.g. struggling to sleep, haunted by memories of catering, and the stomach problems she has, likely due to stress. We also know that she is closed off emotionally, to the extent that she arguably even hides the truth about her mother’s death. Although we haven’t seen it officially yet, her “c’est pas grave” tattoo feels like something someone with anxiety would say to themselves as a kind of motto.

Specific things I’ve noticed while rewatching that support this include:

Sydney talking to Carmy (1x05) about the collapse of her business “My whole shit got rocked. And there’s not a night I don’t stay up just thinking about what I could’ve done different.” Sydney refers to her shit getting rocked separately to her credit getting fucked. Notably, when talking with Marcus about the same thing (the collapse of her business) in 1x08 is how this affected her finances - her negative credit score and moving back in with her dad, so she must be thinking of something else here. (I also think this is a sign of Sydney/Carmy > Sydney/Marcus; she’s more open with Carmy when they barely know each other than she is with Marcus when they’re hanging out outside of work as friends.)

In the shots of Sydney's bedroom (also in 1x05) the choices of posters could mean something more. There are 2 film posters that we see clearly in Sydney's room: (1) Jumping' Jack Flash, a film named after a Rolling Stones song, which recounts stories of intense suffering only to come out stronger, and (2) Speed, a film about a bus that has been rigged to explode if its speed drops below 50mph. This also made me of all the references to Sydney driving and how this is a metaphor for her ambition and work ethic (see here) - could it be a reference to this drive also being a weakness?

Sydney talking to Marcus (1x08), after he compliments her for not taking a day off and getting right back to cooking: “I’m just the type, like, as soon as I stop I just *mimics falling apart*". Clearly, she’s experienced this falling apart before, but this is something we haven't seen on screen. We don’t know the timelines of Sydney’s business and exactly when it fell apart, but could it be that the collapse of Sheridan Road drove her to also collapse? (This is also the conversation where she explicitly says to Marcus "It would be weird to work in a restaurant and not completely lose your mind," but I think this is something different to her references to losing her mind when she's not working.)

Sydney talking with her dad (2x02), she differentiates The Bear from her previous business, saying: “I’m in a much better place than last time.” I found this choice of words interesting - separately, she mentions that she’s learned lots of lessons, and has a partner now, but the reference to a “better place” is distinct. What kind of “place” she was in when she started and closed Sheridan Road? It sounds like whatever her emotional and mental state was, it was at least a factor in her failure there. It’s also interesting that she didn’t mention this as one of the reasons for leaving catering when she discussed it with Carmy in 1x05: she didn’t refer to any personal factors, focusing instead on the logistical challenges (on her business getting too big too fast, and the difficulties of running it out of her garage). 

Emmanuel to Sydney (2x09): “I know you can put a lot of pressure on yourself”; Sydney responds: “why can’t we put everything that we have into everything that we can?” And then, “I don’t know if I could do another one.” This exchange isn't subtle at all, because Emmanuel is a great dad and cares about his daughter, but I find it interesting how much he is focused on the pressure Sydney puts herself under; he's no longer focusing on the risky nature of the industry or her change in plan as he was in 2x02, he’s only concerned about her wellbeing here. We know how much pressure she is in fact putting on herself (to get a star, and to generally be the best) so could she end up pushing herself too far again?

Sydney talking to Carmy (2x09) in the infamous table scene: “What if I just, like, completely melt? Like I just, fuck up and fail?” Now, at this point, we haven’t actually seen Sydney completely melt. In 1x05 and 1x06 she handles crises at the restaurant like a boss and saves the day with her quick thinking, and even with the to-go crisis in 1x08, her initial response is to try to help - what makes her throw in the towel is Carmy’s attitude towards her. She could also be referring to the final pasta dish she did for Sheridan Road, but this also didn't sound like "completely melting" to me. I think she’s remembering another time here, a different memory that we haven't seen yet - or perhaps foreshadowing melting in the future.

I’m also interested in how the writers have made Sydney so similar to both Carmy and Mikey, two characters who we know have struggled with extremely poor mental health.

Now, Sydney and Carmy's clothes (think matching jumpers, uniforms, the Thom Browne connection - see post here), language (see this post), and even their names (see here) show how similar they are. This post, however, made me realise how much the writers have also made Sydney mirror Mikey. Maybe the writers are hinting at a similar spiral (although I couldn't imagine this involving drugs specifically, which is something we've never seen referred to in the context of Sydney). 

When Mikey was spiralling, Carmy was away - he didn’t even know Mikey was using drugs, and he didn't go home in the immediate aftermath. Likewise, in 2x10, Carmy is (for all intents and purposes) away and unable to help Sydney when she begins to lose control of the situation. Just as with Mikey, Richie is the one who is available - and, this time, he’s able to save the day.

Generally, Sydney appears relatively stable on the surface, particularly when we compare her to some of the Berzatto family - but I think this is at least partly a case of her being a character who doesn't let her emotions show as much. My own theory for S3 is that the above is either hinting at a larger spiral for Sydney, or is some heavy hinting for Sydney's backstory, which I hope to God we get to see more of.

[mlmarint]

hello to the bridgerton fandom: here is my thoughts about what happened.

first, i am a bridgerton fan since 2015/16 when i read the books, i was active on facebook and twitter about it back then, so i am not even a little surprised how much hate we saw in the last hours.

i remember VERY clearly how much racism there was involving casting people of color back when the cast was announced. i stopped being active on the fandom, i left the facebook groups, i stopped following pages, all because i hated seeing so much hate and racism. i remember how much hate regé had to endure “because simon wasn’t black”. honestly, i remember being confused about how they would handle casting poc in a history drama like bridgerton, but i LOVED the ideia of embracing history inaccuracy like they did it with the tv show. we need more of that on media.

but back on regeé, he had to suffer with “not looking like simon” and then being absurdly sexualized int he show. AND before anyone says “oh it’s an explicit show everyone was sexualized”:

1 - rewatch simon’s scene and compare them with others characters

2 - read the comments and the way people (specifically white woman) said about him

3 - also, read an article about the sexualization of the black body by white people

so, no i don’t believe that regé left the show because “he wanted to try other things”. this fandom it’s so so disgusting and has been for a long time.

when i met john, i saw a lot of people saying he was ugly. he’s a handsome man.

people loved the idea of lesbian!eloise, but it had to be with a white woman. the moment michaela appeared on the scene most of you didn’t hate her because she wasn’t michael, most of you hated because she was a BLACK WOMAN and that made frannie bisexual. probably if michaela was white the amount of hate would be less then we have right now.

listen, i am a fan of the book and frannie’s it’s one of my favorites loosing only for eloise’s and daphne’s. i was SAD that i wouldn’t had michael on the screen, but i also like the idea of michaela. i know sometimes they have to change things on adaptations, and when they change it to people of color or make someone queer?? i love it even more. “oh but don’t change a character for it, create another one, i want this one”. he have millions of straight histories out there, let’s tell queer stories in shows with audiences like bridgerton. let’s make a history drama not be about two queer people that suffered and died without being able to show their love. let’s make this because it’s necessary and beautiful.

and its okay to be sad about “losing” michael, but ask yourself: why am i truly sad about it? at what point this sadness it’s becoming hate?

now, about the fact that “this changes frannie storie and i don’t like it”. it only changes a little bit and honestly they have a possibility of changing for even better.

i personally didn’t like francesca’s reaction when she met michaela. one very important thing about her history and biggest one it’s that she wasn’t attracted or in love with michael when she was with john, she learned it was okay to want and love michael after johns death and THAT WAS BEAUTIFUL. i really hope they don’t go towards a infidelity plot (cheating it’s not just kissing or sex, it can be a lot of things) john was her first love, she loved two people, but she loved and was happy with john. now, if that was just a bi panic moment? don’t care about this, fine, it’s okay and understandable. i just don’t want her having sex dreams about michaela while with john. please don’t do this.

that being said.

the whole “infertility plot” can be EVEN more powerful on her season. why? she would loose john’s baby. she wants to be a mother. if she stays with michaela? she won’t have a baby. later she can realize that she can adopt and there’s more than one way of being a mother, but that would be something to work towards it. she would have to abandon her dream (again, later realize she can still have it) in name of being in love and happy again. THAT IS SO POWERFUL.

the queen probably will give some permission to michaela be the earl, michaela could fight for the titles go to woman’s too. again, it’s not a historical accurate show.

in queen charlotte’s story the society had to deal with poc be included in society, in frannie story they’d have to heal with queer people be included on it.

frannie story can be so more powerful and beautiful and important.

yes bridgerton it’s a not perfect show, it’s not a 100% good adaptation, but it can be a powerful show. having poc and queer representation on it would be so more important than having your little story book become real on tv.

i don’t think that they’ll change eloise’s story specifically because we already met her *male* love interest, maybe she can have a fling with a woman next season, but honestly she needs to grow up before her season.

i don’t honestly know about benedict’s season. i don’t think they’ll genderbent sophie, but if they did it i would like it too. i honestly think they only made him bisexual (and frannie too) because they saw it the fans liked the idea.

BUT i think they can change hyacinth’s and gregory’s histories too. AND i would love to see it two. imagine hyacinth doing crime with a woman, IMAGINE gregory STEALING the GROOM from the altar (said groom having to be force to marry a woman despite being gay). i would love to see it.

honestly, i stoped hoping for book accuracy since anthony’s season and as much i didnt love it at the beginning, i learned to love it with time as a different and separate thing from the books.

you can be sad. just don’t spread hate. don’t be a racist. don’t be biphobic and/or queerphobic.

it’s so beautiful to have something like this happening in pride month don’t ruin another thing.

and if you want to “stop the show, it’s ruined for me” go ahead and do it. honestly? it won’t change a thing, people will still watch and it will still happen. queer people will continue to fight and love, and queer histories will continue to be told.

[chirpsythismorning]

My hottest take of all time is that Mike is (was) the main character of Stranger Things.

Now, do I think he still is? No. Not really.

TBH I would argue that ALL the OG's are main characters in their own way at this point, with them all getting somewhat similar amounts of screen-time across the board by s4.

But if we're talking about the first two seasons, Finn was indeed credited before both Millie and Noah. The only actors that were credited before him were Winona and David (respectfully).

Just rewatching s1-2, you can see very clearly that Mike is being framed as the main character, with his perspective being favored in big group sequences, with us following him places that we don't really follow others, and for longer periods of time.

What I find interesting, is that even though Noah revealed recently that the Duffer's have been slowly building up/hinting at Will's feelings for Mike since the beginning, it's Mike whose perspective we were usually seeing in all those moments.

In s1, we see Mike looking for Will, with Noah only having like a handful of scenes that entire season. We also get more of a focus on Mike's reactions in comparison to the other party members.

In s2, we see Mike making every effort to support Will all season. It's Mike whose reaching out to Will constantly, calling to see why he's not at school, going by his house, sleeping over for days and staying by his bedside at Hawkins lab. Although Will arguably plays a bigger role in the upside down aspect of the show this season, a large portion of Mike and Will moments focused on Mike's feelings for Will being shared through Mike's POV, and not so much the other way around.

It isn't until s3 that Millie starts being credited before Finn (and respectfully so, as she was arguably bringing in more hype in terms of fandom excitement back in those days, so I do get it). And so we're arguably going from Mike centric (s1), to Will centric (s2), to El centric (s3).

As a result, we also started seeing less of Mike's POV. Though, to be fair there are 10+ new characters joining every season, so EVERYONE is getting less screen-time, every season.

But isn't it so convenient, that when we start getting less insight into Mike's POV, he starts acting strange...? And we don't really get outright answers as to why? Answers that we would probably have if we had Mike's POV as much as we used to?

S3 is when we started getting Will's POV more when it came to him and Mike's relationship. Their dynamic sort of flips between s1-2 vs. s3-4.

Not to say we never get Mike's POV anymore, but when we do, it's hard to discern and so most people overlook it completely on the rare occasion that it does pop up.

Anyways, this whole concept reminded me of the main character shots we got at the end of s4.

These were shots that had multiple characters in the frame, but with only (1) person specifically at the forefront...

YALL KNOW WHAT THIS MEANS???

Arguably, these three main characters storyline's are tied together in a substantial way, and how it all plays out could have been foreshadowed, by the very order and even blocking of these shots.

Think about it.!?!.

Mike was arguably the main character of s1, which means getting his POV at the forefront again would be going back to the shows roots.

Will is arguably the main character of s2, and so blending Mike's arc (ending with Mike hugging Hopper hmmmmmm... Mike accepting his sexuality??) with Will's unreliable narrator arc being resolved (ending with Will and Mike side by side hmmmmmmm... Will getting the boy??), and this combined with Will's connection to the upside down, blending perfectly with his wonder twin, El's storyline (El walking passed Mike and Will.... El dumping his ass again??), with her now at the forefront as the main character, arguably just like in s3, except now she has full autonomy for the first time in the show, she knows her worth, she's accepted herself. And this all coming to a head with those three and everyone in the shows arcs being resolved by the end??

BITCH???

[zoe-oneesama]

ONE MORE EPISODE LEFT TO WRITE! CONGRATULATIONS!! 🎉🎊 Based on everything we’ve seen up to this point in-show, what are your thoughts on Nathalie, her Catalyst akuma and Mayura villain persona, and the Heroes’ Day Season 2 two-parter after your fresh rewatch of the episodes?

I'll be watching both parts at once, but since I'll probably have to rewatch part 2: "Mayura" when I finish my own part 1, I'll mostly focus on Part 1: "Catalyst", with some bleed in from Part 2. I'll be taking a linear critique of the episode in a stream of consciousness way.

To start, "Heroes' Day" is not a real French holiday, yet Marinette's parents say it's come again "just like every year", implying that this has been going on for multiple years? Implying that a Hero Day based off your local superheroes have been happening for YEARS while Marinette and Adrien are in the same class, in the same school year....make it make sense.

Of course, this could be a totally in universe regular holiday that USED to be about just doing good deeds for a day that they adopted to theme around their superheroes, what do I know.

About those good deeds...Marinette deserves slack here. She does good deeds for her friends all the freaking time, but the first part of the two episodes puts a lot of pressure for her to not only do a Good Deed but a Good Enough Good Deed, which to me defeats the purpose of a good deed. You're supposed to do good deeds for the sake of being kind and improving the world, not for...recognition. Or maybe they're being graded...

This feels like a dropped plot line, which is a shame because this was actually a decent lesson for Marinette for once about taking on too much and pressuring herself. Except for Chloe, Marinette is the only person demanding Marinette do a Good Enough Deed, to the point of making a promise she couldn't keep. (Though it's dumb she feels pressured thanks to CHLOE of all people, when all the richest girl in Paris is offering is her own autographs). Yet they only go part way and nearly completely drop this plot line in the second half.

You know, instead of that scene of Adrien meeting Marinette on the steps and assuming he's not invited, they could've used that time for Marinette to admit to Adrien that she panicked and is struggling to keep to her word. Marinette could've actually confided in Adrien, showing their friendship by allowing her to be vulnerable with him about how she was feeling inadequate compared to everyone else and how these feelings spurred her into trouble. This also would've been a great lead in for the end of the two parter:

In Part 2, the picnic/taste testing that Marinette promised but had no time for? It still happens. How? According to Adrien at the end of his speech, the class "jumped at the chance to help". Would've been nice to see any of that, or see any REAL conclusion to Marinette's issue in these episodes, which was putting too much pressure on herself and not telling the truth when it became overwhelming. Even her mom tells her that bravely admitting when you've messed up is heroic, but...Marinette never tells anyone.

On screen anyway.

By having Marinette tell Adrien, Adrien could've rounded up the class to make the picnic happen. And Marinette should've been distraught - this was supposed to be HER good deed yet THEY did all the work! She failed! And then the class disagrees. She does good deeds all the time! Checking in on Ivan after he was an akuma! Breaking Juleka's picture curse! Bringing Marc and Nathaniel together! A single day can't compare to the number of things she's done for everyone here! And now it's their turn to do something for her!

And then she's brought to tears and kisses his cheek in thanks blah blah blah you've seen canon. Instead it's treated as a "oh yeah, we did that thing with Marinette in the first part, uhhh, that's resolved now, okay?" What a waste.

Actually I'm sure this is a completely dropped plot line because Adrien says "Like Rose said earlier" when she didn't say anything.

Where were we? Oh right, Lila's first sighting in a whole season.

Alya here says Marinette is jealous of Lila for trying to hit on Adrien (or in the French, "seduce"~ lol). I'd just like Alya to remember that for later when she actually believes Lila when she says she doesn't have feelings for Adrien, but we all know continuity doesn't live here.

Speaking of, I'm not surprised how many salt fics paint Lila's (first) mom as an idiot. Right after Lila tells her mom that Principal Damocles is also stuck as an akuma thanks to Ladybug's "incompetence", a giant floating balloon of Ladybug floats past her bedroom window.

Woman, how you gonna believe that Paris' heroes are incompetent on the word of your daughter while Paris throws a Macy's Thanksgiving Day Parade in her honor? (I also assume this woman doesn't talk to anyone other than Lila despite apparently being out of the house so often that they don't even share breakfast together. Sure ZAG.) But at least I get to enjoy Gabriel deliberately poking the bear by bringing up Volpina when she was completely and utterly irrelevant. That did in fact make me laugh.

Oh, this is something that I only just put together, but Alya says her good deed was going to the Mayor and getting him to sign off on making the school accessible for disabled students, and we see in this episode on-wards that the school has a ramp. I HAD noticed the ramp in Season 3, but I had completely forgotten that Alya talked about it here at the end of Season 2. So, wow! Good continuity detail, Zag! You get one gold star. ⭐

(though that ramp is hella steep)

I was about to also praise the continuity of Gabriel bringing up financing a Ladybug movie, since that seemed to be setting up "Animaestro"...but then he says it's playing that day (on EVERY tv channel?!). But..."Animaestro" was the movie's premiere...So I guess there's another in universe Ladybug movie ( funded by a fashion director?) that we'll never see. U_U

Damn, I was gonna point out the nepotism of hiring your primary sponsor's son to voice act the male lead, but I guess I can't anymore, bummer 😗

I do make a mental note of the things Lila is calling Ladybug as she's cycling through news coverage. "Liar. Traitor. Coward." Just...interesting. Where did Ladybug lie? Where did Ladybug betray Lila? Where did she run and hide? Interesting, interesting, interesting.

And betrayals only happen when there's trust between you, in order for Ladybug to "betray" Lila she would've had to have Lila's trust or loyalty to begin with.

Even here she didn't accept the akuma as willingly as she did in "Chameleon", but she still greeted Hawkmoth like an old friend, and is DELIGHTED to ruin everyone's Heroes' Day and traumatize them with her illusion for a chance to help Hawkmoth succeed, just to get back at Ladybug. Yikes.

Lmao, not the unfinished png photoshop background on the flute. Great quality check, guys.

I do think this is the first time I actually thought Hawkmoth did something smart. After putting all his eggs in the Audrey/Style Queen basket and then handing the basket to Chloe/Queen Wasp, I wasn't too impressed with him, but this plan was actually good. (I mean it should've PARTIALLY fallen apart once people saw both the Unakumatized Ladybug AND Chat Noir now that we know people can reject their akumas, but sure. We didn't know it at THIS point, so it seems smart.)

But all this energy could've just been channeled into making the ultimate doctor akuma. I mean, you literally made a Miraculous Holder Power Booster with Catalyst, so I'm just saying what we've all been saying~

"I know, it wouldn't be very heroic to use my powers on my personal business" - GIRL at this point YOU'VE EARNED IT, SCREW what Tikki says!

This does make it the second time someone's told Marinette to just come clean to her friends. Why did they drop this plot line after pushing it so hard?!?!?!

"You don't have enough cake for me, do you?" Sir, did you pull a muscle with that leap?! I guess the intention of this scene was that Marinette was ABOUT to come clean to her friends but Adrien's excitement put the pressure for her to pull off the picnic back on. Again, there is no solid conclusion for this part of the story, Marinette just festers on it until there's akuma stuff to deal with. Wait, maybe the mass akuma outbreak is how she really got out of it... "Sorry guys I TOTALLY had this whole thing planned, but, you know. Akumas. Lots of them. Couldn't do it."

How satisfying. 🙃

"Heroes' Day is now...meaningless!" This is like in Christmas movies when people say Christmas is RUINED because a tree caught fire or Santa didn't come. Did the Whos in Whoville teach you nothing, that's the not the true meaning of Christmas and Superheroes are not the true meaning of Heroes Day when you set it up as a reoccurring holiday where people go the extra mile to be kind to one another!

Sorry, this is nit picky, like really nit picky, but don't create a fictional holiday that's about joy and kindness and then "ruin" it by something only tangentially related. I know it's totally just to get the plot going forward, but I'm too old and have seen this too many times (mostly in Christmas media) and it starts to grate on you. Just make the holiday a new one in tribute TO the heroes, then it can be ruined by the heroes turning bad, otherwise you're killing your message about the Everyday Heroes doing Good Deeds to Keep the World a Kind and Happy Place by putting all the weight on the SUPERNATURAL EXTRAORDINARY FIGURES THAT NORMAL HUMANS COULD NEVER COMPARE TO!

*huff huff*

So...Sabrina should know what's up with Lila at least a little, right? Since Ladybug firmly believes Volpina was involved, right? Well, based off some spoilers, MAYBE (strong maybe, this is speculation entirely), Sabrina might finally be using this knowledge. You know, 3 Seasons later. Maybe. They've been doing pretty decent at pulling stuff from earlier seasons, even if it DOES feel too little too late, so it's possible that Sabrina will FINALLY remember this moment with Ladybug.

"You're Rena Rouge and you didn't tell me?!" You didn't tell her you were Carapace either, but I see this is where it freaking starts with you young man. I remember this being a funny moment but hindsight has ruined it, so, thanks for that "Rocketear". 🙃

See, THESE are the Adrien/Chloe moments that I wanted: annoying sibling energy 100%. But alas, this is ALSO ruined. Chloe is calling it her Miraculous, give me MY Miraculous, putting down Chat Noir as Ladybug's "underling". This was never going to work.

Wow, Nora totally nailed it: "If he's talking to Ladybug, then Ladybug and Mr. Whiskers are still on the good side!" I thought she was supposed to be the dumb one?

Anyway, that's part 1 (or at least most of what I have to say about it). As a stand alone, this feels like a huge lead up, which I think gets mostly paid off on the akuma side of things...and definitely not on the Marinette side of things. Wah wah.

I don't have many feelings on Nathalie, Catalyst, or Mayura since they're barely in the first part (or not in it lol) and when she is in it she feels very OOC - smiling a lot, shy glances to the side, all in to go full Team Rocket with Hawkmoth. Up until now she's been so peripheral that seeing her main stage (though again, just barely) is so jarring.

Well, we'll see her "shine" in the next part I guess.

[merryflamingo]

I 👏 just 👏 noticed 👏 something 👏 that 👏 destroyed 👏 my 👏 sanity 👏 even 👏 more 👏 and 👏 I'm 👏 taking 👏 you 👏 down 👏 with 👏 me 👏

Now you remember Season 2 Episode 3 when Mr Dalrymple asks Aziraphale and Crowley what's in the jar ?

Well we've all clearly seen how Aziraphale reacts upon learning that the boy is dead : bringing the jar to his chest, looking distraught, all of this emphasized by the music. Exactly what you would expect from an angel, a being of love, who finds it deeply unjust that a poor innocent boy had to die in such a horrible way.

Now after many rewatch of the series (not even counting anymore) I tend to focus less on the middle of the screen and look for other stuff in the background.

And what got me is this :

1 - Aziraphale instinctively looking at Crowley for comfort.

2 - Crowley's freaking hand reaching for more alcohol because he too cannot stand what he's hearing and he also needs a way to find comfort. He's disgusted and sad. No more jokes. Innocent children are dying.

And he can't stand that, we've known this for a long time, since the Ark.

Not. The. Children.

That's why he's not joking when he later says 'Too late.' to Aziraphale when the angel fails to save Wee Morag. If his angel wants to break the rules in order to save a dying child, he's not mocking him. He's supporting him. Not because Aziraphale is breaking the rules but because it's a sacrifice that could have grave consequences and he's willing to do it for what he thinks is a good cause.

That's why when Elspeth wants to kill herself, he drinks the fatal dose of laudanum and orders her to live. He cannot stand the idea of children dying so soon, their future being robbed from them.

Maybe it's because it's unnatural that parents live to bury their children, or maybe it's because Crowley's dreams were crushed so soon in his life and he just doesn't want to see it happening to others, because he knows how it feels to lose everything.

[for-ships-that-never-sail]

So, here are my unsolicited opinions on season 3:

1. They mentioned that there was a Polin sex montage at some point… didn’t they? If that ever existed, they should’ve 100% put it in after their marriage because literally everything post wedding was just so angsty… I’m displeased with the fact that any time Polin would think back to their wedding night they’d just remember that for days they just slept apart and that’s just so heartbreaking 💔 I get that the angst was for a reason and all, but it still would’ve been nice to just see the addition of them being super intimate post-marriage but pre-epilogue… even just then cuddling and waking up in bed together all happy could’ve done it

2. They did Cressida waaaay too dirty, like why did you bother developing her character and thennnnnn ruin her life anyway?? Should’ve just let her stay a villain with no nuance like in the past if this is how you wanted it to end for her - and that could’ve also afforded some more screen time for Polin too - Why bother showing us her plight, and her frankly justifiable actions to try and take care of herself when no one else would, and then say haha sorry but for pen to win you have to lose and there’s just nothing else we can do about it 🤷🏻‍♀️ I’m sorry but there really could have been SO MUCH MORE to it, could’ve let Eloise or Pen be the bigger person and recognize where Cressida comes from and actually help her in some way idk man that one just did nottttt sit right with me at all

Other than those 2 issues I have with this season,

I do think everything else was well written and that the season was also impeccably and masterfully acted out 🙌🏼

🥺 The Portia and Pen storyline really tugged at my heartstrings and in the end so did Eloise and Pen’s storyline

It is a bit telling that somehow those side plots left a bigger impression on me than joyous Polin though. I was MUCH happier with the vibe of the first 4 episodes in that sense

At the end of part 1 my head was only POLIN - just an absolute brain rot - but at the end of part 2 all I remembered were the side plots like Portia and Eloise

Only a billion more rewatches will really help me form a final opinion on this full season I guess

But for now, other than the 2 things up top,

I am PLEASED and GRATEFUL to have seen this season of Bridgerton and the final Polin HEA 🙏🏼 🙌🏼🥹

[relatableblorbopoll]

Round 1 of preliminaries, group 14

The first two places get a place on the bracket

Little reminder: there will be 2 more rounds of preliminaries, the losing blorbos of this poll still have 2 chances of getting in the official bracket

Propaganda under the cut

Oz Vessalius (Pandora Hearts)

"Struggles with self-worth, adores books, ADHD (though that’s not canon—but he fits the diagnostic criteria), his strongest/most important relationships are platonic"

Sound (My School President)

"Lonely gay teenager who tries to be cool and sauve but gets adopted against his will by a group of losers and then falls for one of the losers who gets on his nerves a lot because he was nice to him once and then he gets all awkward and flustered around the boy and tries to avoid him and antagonize him but the boy sees through it and they eventually end up together and he becomes the most annoying person in love ever"

Luz Noceda (The Owl House)

"adhd. possibly some autism too. a weird girl who got outcasted by being herself and sure has some WACK coping mechanisms to deal with it. self worth is IN THE DRAIN. gnc and not straight. writes fanfic. artist. goes through a depression era when at her moms house. loves her mom also. this is canon stuff i'm saying"

"AAAAAAAAAAAAAAAAAAAAAA she is so ASDHSUJD. Okay I started watching the owl house because I knew there was a WLW couple, so obviously I had to check it out. But upon watching the show, I got so emotionally connected to it, or moreso the protagonist, Luz, that it could go beyond some people's understandings... I remember that almost any scene showing her neurodivergent traits would hit SO. CLOSE. HOME. It would be unbelievable. I literally rewatched the show more than seventeen times one summer. She is just so goshdarn relatable man. She's the weird kid, has no friends, loves making anime edits, is OBSESSED with a book series, loves witches and magic and stuff, has ADHD, an attention span that is so high when she's engaging with something she likes doing and so low when she's bored. She's just so lovely. I know a lot of people found her annoying in season one but she hit close home to me. Season two was amazing as well and she started getting even MORE relatable!! She started showing her people pleasing, how much she blames herself, it was so sad but I was glad to see a character I could relate to so much on screen. I mean i personally didn't experience the loss of my father and I personally do have one friend whom I'm able to share my life with, but she's still super relatable. She can be so silly and so cool. And her impulsivity and the way she realized she doesn't know what she wants to do when she grows up also hit close home. Mwah"

Gundham Tanaka (Super Danganronpa 2)

"Goth autistic theater kid"

Saiki Kusuo (Saiki Kusuo no Psi Nan/The Disastrous Life of Saiki K)

"He's very dead inside, especially in the English Dub, and introverted. But even so, he cares a lot for his friends, even if he never says it to them and he finds them annoying most of the times. He also be nosey and just insert himself into others' situations that don't involve him (obviously, he makes it so that nobody knows he's there and, obviously, he's also complaining about this all the time). He's canonically aroace, or at least aroace spec He's canonically trans. He was born as a girl but he didn't like it so he immediately turned himself into a boy with his psychic powers. An argument could be made about him being on the autism spectrum."

Drew (The Music Freaks)

"I don't like him actually I hate him and love him st the same time in fact but. This man is so real and such a horrible jerkwad to everyone around him. I mean I can't relate to THAT but I should mention he also gets jelous easily, he is in love with his best friend who does not like him back, he's all moody and grouchy and bratty. And so am I and I hate it lol."

[waitingtobreatheagain]

Something else that is still so wild to me is how folks really just make up stuff when it comes to what we are seeing and have seen on screen.

I saw a post that asked why Pen even likes Colin and then they said at the bottom they don’t want to rewatch season 1 & 2. Then if it’s not apparent or obvious why—or you forgot—don’t speak on what you don’t know. & then so many people in the comments were getting it wrong TOO. Like at this point yall have to be getting it wrong on purpose.

Especially with people saying he was embarrassed to be seen with her…

The same man who would seek her out no matter the event and would drag HER to the dance floor in front of the whole ton was embarrassed to be seen with her. Like the takes are not only bad but incorrect!!!! Y’all don’t know how to interpret what is in your face on screen and that’s worrisome.

[erideights]

With my 6th sense. (3)

Pairing: Hunter x fem! jedi reader

Rating: SFW

Wordcount: 3K

Chapters: (1) (2) (4)* (5)* (*not posted yet)

Warnings and tags: extremely light swearing from frat boy Hunter (because no one can tell me he didn't before he became all soft in TBB), canon-typical slight violence, tension between characters, maybe plot convenience (but let's be real, who doesn't add it?? The Clone Wars was just it all the time)

Summary: Another day, another suicide mission for the squad. This time commanded by a jedi general Hunter doesn't seem to really get along with.

A/N: I've been struggling a bit with making Hunter so distrustful, thinking it was maybe out of character, and then I rewatched episodes 1,2,3,4 of The Clone Wars season 7 where they are introduced, and actually saw how suspicious he was of Echo at first. So yeah, it's pretty accurate and I love it. Enjoy!

Blurred streaks of light turn into distant stars as the Bad Batch’s shuttle, the Havoc Marauder -she still wonders who chose that name but will wait some more to ask- drops out of hyperspace, Serenno now looming ahead. Tech worked thoroughly to disguise their shuttle as a Separatist cargo vessel during their long trip, modifying all their scanner parameters, and now they are moments away from testing his handiwork and to see if the general's creative idea is a stroke of genius or a suicidal move.

Hunter’s mind is a swirl of doubts, tension painfully pulling from his muscles while seated in the copilot seat. Usually, when he’s the one that proposes the reckless strategies, he doesn’t worry so much about the outcome. Maybe because if everything goes wrong, he would blame himself, but this time he wouldn’t have that privilege. He glances at his General as his thoughts wander to her, far too relaxed given the circumstances. That playful smirk tugging at her lips and how calm she seems to be does little to ease his nerves. In fact, it infuriates him more. Her confidence is both reassuring and unnerving at the same time.

“Alright, everyone, get ready,” Tech instructs, his hands flying over the controls. “We’re approaching the Separatist control station.”

And as on cue, the mechanical voice of a battle droid echoes through the cockpit. “State your designation and cargo,” it demands.

Tech adjusts his goggles and leans in, voice steady and authoritative. “Shuttle TR-77, carrying supplies for the main base on Serenno. Transmitting clearance codes now.”

Hunter’s jaw tightens as silence falls over them. Oh, he really doesn’t trust this plan. What if they see through the ruse? What would happen if a damn droid decides to take a peek through the front of the ship?

The jedi, sensing his unease filling the room like toxic gas in a locked closet, leans closer to his seat, calmly resting her arm against it. “What’s the matter, sarge? Don’t trust Tech’s hacking skills?”

Before Hunter can respond, his lip twitching in what she would say is close to a snarl, Tech beats him to it. “Actually, based on the statistical data and previous successful infiltrations, there is a 97.6% chance this will hold up. The algorithms I use to—”

“Tech,” Hunter interrupts, keeping his eyes on the screen, “focus.”

“Roger roger, TR-77, you may approach and land,” the droids finally confirm.

Hunter exhales slowly, thinking he is subtle enough, but he isn’t. “See? Told you it would work,” she says with a playful grin, chuckling lowly.

Wrecker, on the other hand, slumps back in his seat, clearly disappointed. “I wanted some action.”

“Just wait,” Crosshair says dryly, biting into his toothpick. “Things always blow up eventually.”

…

Everyone’s getting ready by the time the cargo ship descends smoothly through Serenno’s atmosphere, the planet’s thick cloud cover parting to reveal a dense, sprawling forest below on its way to the main base. Tech’s hands move deftly over the controls, detaching and guiding the shuttle to a discreet landing spot near the edge of the forest. The ship lands with a soft thud, -smooth in comparison to the disaster the sergeant pulled off hours before-, and blends seamlessly into the surrounding greenery.

Hunter’s gaze sweeps over the calm landscape before he turns to his team. “Alright, lads,” Hunter calls them, drawing everyone's attention to him, his tone commanding while reluctantly checking everything is in place with his new outfit. “Let’s get this started. Crosshair, you stay here near the Marauder. If things go south, we’ll need a quick escape. General, you’re with me on the front. We’ll scout ahead and ensure the lab is clear once we find it. Tech, you’re with Wrecker.”

So, he’s the one giving orders now, huh? (Y/N) raises an eyebrow and rolls her eyes at how bluntly he ignores her rank and command, her authority to be the one to give the orders there, but keeps her thoughts to herself because, in the end, he knows best how his squad works. Hunter’s need to assert control could be a problem, though. “Want to keep an eye on me, sergeant? Afraid I might steal your thunder?”

Hunter’s expression remains hard to read, he could be annoyed or incredibly calm at the same time. He steals a quick glance at her, though. “I just want to make sure everything goes smoothly.”

She nods, pressing her lips in a cocky frown. “Sure thing.”

And so, with their roles established, the group splits up. Hunter and (Y/N) are the first to go into the forest with Tech and Wrecker close behind, the air thick with the scent of damp earth and decaying leaves. The canopy above is dense, allowing only slivers of sunlight to pierce through, casting dappled shadows on the forest floor.

Hunter’s enhanced senses stay on high alert at all times. Every rustle of leaves, every snap of a twig, the humidity in the air around them, and the wet earth underfoot, he hears it all, smells it all. He crouches low, his improvised, ‘’undercover’’ helmet under his left arm, examining the ground where faint tracks of heavy machinery have disturbed the soil, he guesses, a month ago. “This way,” he huskily murmurs.

The jedi just watches him work, intrigued by his meticulous nature. She relents her steps at some point, letting Tech and Wrecker reach her and then, she leans softly to the first. “Remind me what he… does, exactly.” She inquires kindly, raising an eyebrow in the direction of the squad leader.

The clone, who was just checking his datapad until now, looks at her and then at Hunter, nodding in understanding. “He’s just tracking. Hunter’s abilities are actually extraordinary. All his senses are heightened to a level and precision that are almost superhuman. He can track a target through environments that would be impossible for others, or feel electromagnetic fields around him.”

Amused and finding that genuinely interesting, a small smile tugging at her lips. “Does he, now?” That’s the closest thing to a… physical, weaker version of the Force. More or less. “That’s impressive.”

“Indeed,” Tech continues, more than happy to talk to whoever was ready to listen to him. “The Kaminoans designed him with an acute awareness that allows him to detect even the faintest traces of a trail. But it’s not just physical; his brain processes these sensory inputs at an accelerated rate, making him an unparalleled tracker.”

And from there, she assumes correctly, comes his name. Originality might not be their strong suit, but it… suits him and that inherent masculinity that seems to ooze out of every pore of his skin. And she must admit, she has heard much worse.

The Jedi nods, now in deep thought, her eyes lingering on Hunter’s back as he leads them through the dense forest. He moves with the precision of a well-oiled machine, every step calculated to avoid detection. Though, she highly doubts there’s anything to worry about there in the open; according to their -Tech’s- calculations, security, both outside and inside, should be minimal. After all, they are deep in Separatist territory, only someone desperate or straight-up (borderline) suicidal would even think to try to infiltrate.

With ease and guided by their human map -better than calling him loth-wolf- the team gets deeper into the forest, the mechanical sounds of the hidden laboratory under their feet growing louder and more annoying inside the sergeant’s ears. And then he stops, raising a hand, signaling them to halt. ‘’This is it.’’

In front of them, in a small clearing surrounded by younger trees than what they’ve seen before, stands a stone structure no more than 3 meters high, covered in fallen leaves and vines. A good way to make it pass slightly more "unnoticed". Judging by the way there is absolutely nothing behind it, it is easy to assume it is an elevator.

Tech approaches the concealed entrance, his fingers dancing over his datapad. “Definitely the place. I’ll start bypassing the security.”

Hunter turns to her, his gaze steady. “Stay sharp. We don’t know what’s inside.’’

“Werll, in that case maybe we should find another way in first and make sure it’s clear,” she suggests, her eyes scanning the ground, her feet taking her from one side of the lab entrance to the other. She starts kicking at the large piles of dry leaves accumulated, without success the first three or four times.

The hell is she doing? Hunter frowns, curious, arms crossed and senses alert, but he doesn’t seem to hear or feel anything nearby besides the lab. ‘’What do you suggest, General?’’

“Ventilation ducts,” moving a few meters away, in the direction of one of the few thick trees she spots around, she bites her lower lip, focusing on finding them and proving her point. ‘’An underground base must have ventilation ducts to the surface, right? We both could sneak in and wait for them inside.’’

Once in front of the large, tall, and open roots of the tree, she takes a closer look, squatting on the ground. Inside them there only seem to be dead leaves and some mushrooms, but a blinking light, very small but red, proves her right.

She scoffs ‘cause in the end, the Separatists and the Republic are not so different; there are very similar shelters on Naboo with the same technique to cover their ventilation ducts and secret doors to escape. “Found them.”

That was really clever. Smart. And there’s a part of him that’s surprised of not having thought about it himself. So as Hunter approaches from behind, taking a look over the Jedi, he nods to himself, pleased and annoyed in equal parts. Though he wouldn’t admit it. Nor let it show. He is too proud to give her any kind of credit, but… he likes her style. 

He just finds her perky personality annoying.

She looks back over her shoulder, her lips curling into a playful smile as soon as she catches a glimpse of approval in his eyes. Her head tilting in a gesture that invites him to go with her. “Shall we, sarge?”

…

Her feet land softly and silently on the pristine metallic floor of the base, Hunter behind her with a subtle, deaf thud. Their movements are silent and precise, not daring to pronounce a single word until they verify it's all clear. Both start walking around in sync, searching for the elevator door to let the others in. The interior is a stark contrast to the forest outside—sterile, metallic, and illuminated by cold, fluorescent lights. The walls are clean, with a couple of terminals next to each door. The air is filled with a faint hum of electricity and the occasional beep of automated systems in the distance or mouse droids. It is a place of cold efficiency and clinical precision, a far cry from the natural chaos of the forest above.

Under his helmet, Hunter’s eyes scan the corridors, picking up every detail around them. The sterile smell of the lab, the faint whir of machinery, the subtle vibrations of the floor—all of it loud inside his brain. "Clear," he whispers, his voice barely audible.

(Y/N) nods and sends a quick message through her comm to give the green light to Tech and Wrecker still outside, closing her eyes for a moment, breathing deeply. She might not have his cool enhanced, superhuman senses, but she has an extra one, her 6th one, that’s not warning her at all of any possible threats at this precise moment.

The other two clones don’t take long to reach them, with Tech immediately moving towards the first terminal he spots. His fingers fly over his data-pad, connecting to the system. "I’m in. Closing the cameras on loop and downloading the map of the lab now," he says, eyes focused on the screen. The personification of efficiency right there.

Looking at him from the corner of her eye, she would swear Hunter seems to relax for just a moment thanks to the lack of activity around them, his eyes fixed on the end of the open corridor, his mind racing even if his body doesn’t show it. "Find the communication center. That’s our primary target."

Tech nods, his eyes darting back and forth. "Got it. This way."

Moving through the labyrinthine corridors of the lab, passing closed rooms filled with half-constructed droids partially visible from outside, workbenches cluttered with tools, and scientists’ notes scribbled on boards, they find no more than a couple of scientists working in the distance, too distracted to notice them. As they pass another set of closed doors, though, Wrecker can’t resist peeking through a small window. "Looks like more droids in there," he mutters mostly to himself. "Probably more trouble waiting for us."

Let’s hope not.

Giving him a playful look, nudging at his arm, the jedi pushes him softly. "Keep moving, Wrecker. We’ll do some sightseeing next time."

"There won’t be a next time," Hunter grumpily corrects her, incapable of shaking off the feeling of being watched, even though he knows and feels there's no one doing so, and it’s just his paranoia. And she cannot help but glance at him again, over the black mask covering half of her face, his tension so strong she swears she can taste it through the Force. "Relax, sergeant. I thought your team enjoyed risky missions."

But the sergeant keeps walking, his eyes jumping to her for a second, shaking his head lightly. "We do, but I would rather fight a male yalbec than be balls deep into separatist territory."

"Fair enough."

And to keep being fair with his concerns, she must admit, it’s somehow unnerving not finding anything or anyone through the corridors. Almost too convenient, even if they already count with a minimum to nonexistent level of security.

Then they reach the communication center and Tech connects right away to another terminal in the middle of a control panel in the center of the room. And as he works, Hunter’s unease grows. Every second feels like an eternity inside that hell of a place, and he would love nothing more than giving Wrecker thumbs up to blow it all, and then he hears it. Something moving, or better said: a lot of things moving. In their direction. Slowly.

"Wait—" but it’s too late, the moment Tech connected his data-pad to the control panel, his actions triggered a silent alarm that woke up some droids. "We are about to get company," Hunter hisses in a low tone, pulling out his vibroblade.

Wrecker’s face lights up with anticipation. "Finally, some action!"

"Technically, it’s just a small guard squad checking for a false alarm. If we hide..." Tech starts talking fast, already searching for solutions to the problem.

"We can’t hide him," The General interrupts to point at Wrecker, noting matter-of-factly as she peeks out the hallway to check where the droids will arrive right after. "Have you blocked external communications?"

"Since we entered," he assures her with a small nod.

"Good. Let’s take care of these droids quietly and get out of here," Hunter orders, to which everyone nods without exception. Wrecker more reluctantly; he wanted a good fight.

‘’And remember—’’ squinting her eyes, she first glances at the sergeant, then at the biggest clone; so the one she trusts the least, basically, he enjoys maybe too much the idea of destroying everything. ‘’If we see the droid we came looking for, don't touch the motherboard. We need to bring the control unit intact to Coruscant.’’

A couple of mechanical voices give away the arrival of a squadron of battle droids within minutes, an experimental one for the way it doesn’t seem fully finished, sleek and deadly, keeping its distance in the back, silent, observing. Its design is already more advanced than the classical ones, with a menacing, insect-like appearance.

With a hiss, the regular battle droids open the doors and not even a second later, Wrecker smashes the head of one of them without mercy or having taken a real look at it. Hunter stabs another, as (Y/N)'s lightsaber cuts the third in half. Their big boy, true to form, engages the last one with sheer brute force, enjoying every second from the moment he lifts it into the air until he slams it against a wall. 

That was dramatic, poor droid.

"Is that all you got?" Wrecker taunts, grinning from ear to ear.

But unbeknownst to them, the experimental droid that kept its distance analyzed the situation from afar and seeing one of the intruders connected to the terminal, it bypasses the others, faster than the group can predict, and zeroes in on Tech. It lunges, pinning him to the wall by his neck, its mechanical fingers tightening. Tech's eyes widen in shock, his hands scrambling to pry the droid's grip from his throat.

And from here… everything happens just. so. fast.

Hunter doesn’t hesitate, vibroblade in hand, he plunges the blade into the droid’s motherboard in the back of its head, stabbing strong and deep.

"Hunter, wait! That’s the one we n—" The jedi scream comes too late. She didn’t think she would have needed to scream at all. But there she is.

The droid sparks and falls limp, and an ear-splitting alarm blares to life. Red lights flash throughout the lab, bathing everything in a crimson glow. The sound of the alarm echoes through the corridors, a harbinger of the chaos to come.

Silence falls over them as Hunter pulls back, his movements fluid, but his eyes wide with realization as soon as he processes (Y/N)’s warning. This cannot be happening. "Kriff—"

[taraljc]

It has only just occurred to me that since Marina married Phillip Crane, that they might bring back Theo Sharpe for Eloise. I really hope so actually because the actor was very good in the part and they had great chemistry and it's a much more interesting dynamic than her fate in the books.

Having now finished my season 1 and season 2 rewatch, I realise just how much I prefer the series to the novels because in large part to the addition of Queen Charlotte, and the overarcing story of Charlotte vs Penelope.

I'm also looking forward to seeing how the back half of season 3 progresses because so much is different. Colin and Penelope in this series have always been much closer than they were in the novels, and much more is made of Eloise and Penelope's relationship and it's much more complex and interesting.

and I greatly enjoy Benedict having his little side quests and adventures with his artist models and unexpected polyamory. I know a lot of people were upset that the series is skipping around in terms of the timeline, but I think it works much better with the television version of the Featheringtons because they are as much a part of the series as the Bridgertons and Lady Danbury. It is truly an ensemble cast, where everyone gets a lot more to do and a lot more character development but particularly Portia and Penelope.

Also I can now no longer imagine the series without Genevieve Delacroix and Will and Alice Mondrich. They may not get as much screen time but they are very much entangled in so many different relationships.

The one thing that does make me laugh is that even though the London season is actually structured around when parliament meets, I don't think we've ever seen anyone actually at the House of Lords, or even so much as mentioning parliament.