#and they don't even realise it

[asteria-argo]

my favourite thing about chapter four of To All The Better Places is watching absolutely everyone losing their minds about Teds perspective

[theophagie]

I thought I was losing it but no, kh1 Sora's fast swimming animation really does change after you've been to Atlantica. It's a small detail, but also a cute and smart one 🥺

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[aimasup]

Business partner doodles

very much business yes

[mellosdrawings]

Oh love your losers forever number 2 group doodles. Seeing the doodles, I realized Leona and Vil are together longer than with Jamil.

Well, even on the off-chance that they weren't already dating before, they've still known each other for a while longer, while Jamil was off in his corner pretending to be mid and trying not to attract attention.

In both cases, Leona and Vil would already have their own habits/banter and Jamil, who is barely getting used to standing out and competing against "higher status" people, would take more time to feel comfortable.

(I have paragraphs of potential dynamics between those three, I could talk about them for hours haha)

[22ndnervousbreakdown]

"the man we idolised turned out to be a bad person, but it's okay, this other man hasn't fucked up yet so we can just idolise him twice as hard!"

Do you people not see the problem

[now-you-sound-like-a-jedi]

In essence, the argument that Satine Kryze destroyed Mandalorian culture boils down to an overly simplistic perspective which reduces Mandalorian culture to violence and warmongering. The vitriol directed at Satine for “destroying” this stems from the fact that what she actually destroyed was the romanticised macho warrior fantasy which may be said to form the basis of many Star Wars fans’ obsession with Mandalorians. This fantasy is symptomatic of a wider obsession in Western media with romanticised representations of warrior societies, such as Japanese samurai, ancient Greek Spartans, mediaeval knights, and Roman legionaries. However, these representations are themselves oversimplified, and gloss over the real impact of the violence these groups participated in and perpetuated in favour of focusing on arbitrary ideals like honour and glory, much like how the impact of the violence in Mandalore’s history is frequently glossed over in attempts to make Satine into the bad guy. In this essay, I will-

[nostalgia-tblr]

One thing New Who doesn't really have that Old Who did was the thing where everyone (audience included) thinks the Doctor is this amazing genius from space with the best spaceship of all time, and then someone else from Gallilfrey shows up and goes "Oh, it's you. Did you get expelled from our university or did you just fail your degree? Is THAT what you're driving around the universe in? How does that thing even still work? And why are you dressed like that?"

[arthursfuckinghat]

The use of the journal in rdr1 is very different compared to rdr2, it's used more as a log of current missions/tasks in a brief form. There's no actual writing or drawing in it, just text, John cannot physically open the journal since it's simply an option you press to view from the start menu.

But from a story perspective, I see it as something pretty interesting.

Let's say that John was actually writing these brief and short sentences about his tasks, then it makes me think that maybe by 1911, he was running out of room to write in Arthur's journal.

As in, maybe there was only a handful or more pages left and he wanted to still use the journal, but still save as much room as he could. Maybe he saved paper by not drawing and doodling, by being more brief and to the point with what goes on in his day to day life, by making his writing smaller and taking longer to write to make sure he made no spelling mistakes, all little sacrifices to make sure that he could hold onto his brother's journal for just a bit longer.

So he could hold onto the memory of his brother for a bit longer.

[elzorton]

She's stealing your stuff

[llamagoddessofficial]

hello llama

i have been thinking and headcanoning about vampire bad sanses lately, so i was curious if you have any thoughts about or interest in vampires of the nightmare and crew variety? (人 •͈ᴗ•͈)

"do i have interest in vampires", he asks

ok, i will share my extensive vampire brainrot. but in return..... you have to write that vampire fic.... oooOOooO look into my eyes you know you want to write it ooOoOooo 😵‍💫😵‍💫😵‍💫

I very much like the idea of Nightmare's castle being Castlevania-style. Lots of spooky architecture, lots of ancient magical passages that haven't been seen in centuries.

Horror can be summed up in one word. Bloodlust. There's a constant hunger inside him he can't ever seem to fill, driving him almost to the point of madness. He is more beast than man. When he smells or tastes blood, he loses control of himself, becoming little more than a starving wild animal - his capability for slaughter is limited only by his appetite. So unless Nightmare requires it, he generally abstains from blood. He doesn't like losing himself so entirely.

Something about you makes him forget his hunger. Is it your voice? Your scent? He has no idea, but oh, it feels good to feel whole. When you're around it's as if he'll never be hungry again... he follows you like a dog, grinning intensely every time you look at him. This is one hound that can't be shaken.

Despite his 'condition', he finds a lot of solace in cooking. Nothing will give him the same drug-like rush as blood but human food is nonetheless warm and filling and distracts him momentarily from the emptiness. He enjoys the process of making it, too, doing something with his hands. Let him cook for you, please? Watching you eat brings him vicarious joy.

Dust's backstory is one of legend. Something resembling a story can be spun from the loose whispers. A vampire invaded his peaceful isolated village hundreds of years ago, intending to turn the helpless populace into enslaved vampires. Dust, the first to be bitten, turned and slaughtered them all himself - and despite being a vampire for barely a week, the equivalent of a stumbling newborn, he killed the centuries-old invading vampire in single combat.

No one's quite sure why he's joined Nightmare. Perhaps Nightmare was keen to take this uniquely violent creature under his wing, and Dust just didn't really care where the wind took him. Or perhaps he has some other motive, hidden beneath that silent face. Who knows.

... Dust might be quiet, but it's obvious he's fixated on you. Which is a big deal. This is a creature who hasn't mustered a second thought for anything but blood for decades; but somehow, you've excited him. He's very clearly interested in you, silently watching your every move, listening intently to every word you say. Too bad he's not much for conversation.

Killer's backstory, on the other hand, is shrouded entirely in mystery. No one knows where he came from, who he is, or what he's done. He simply appeared one day - right within the coveted inner circle of Nightmare himself. He's the Night King's most trusted weapon, and the closest thing he has to a friend.

Killer seems very clear about what he wants. He thinks you're adorable, and he says you'd make such a pretty vampire. He talks (at length) about how much he wants to bite you, and how if it were up to him you'd already be one of them. A lot of his flirting involves calling you things like sweet treat and honeyblood. However... despite all the taunting, all the talk of seeing you as food, Killer is the one in the castle who treats you with the most respect. The others seem to see you as an object, a cute toy, something to squish and own. Killer talks to you like you're a real person. You can't help but like him for it.

Nightmare's inferiority complex has driven him to declare himself the king of the vampires. No one contests - Nightmare is royalty by blood, and vampires place a lot of emphasis on blood. But even if he wasn't, Nightmare frequently murders those who won't bend the knee. Plenty of powerful vampires have fallen embarrassingly fast at his hand.

... Nightmare's goal is to make you agree to be his spouse. A pretty little human partner would be excellent for his image. It would not only demonstrate his incredible self control as such an ancient vampire (not to mention his control over his warriors), but it would also show that his power is so great he doesn't need to strike a political marriage with another powerful vampire. It might also convince some of the pesky rebellious human groups to settle down.

His pride means that he won't force you. Not yet, at least. He likes to think he can seduce you. He's a royal vampire, after all, and you're just a simple human - isn't it only a matter of time?

... But it seems like, as time goes on... he's the one falling.

[konigsblog]

I don't know about you guys, but I take pictures and send videos to people in my sleep. 💤

I'm thinking that König messages his significant other at four in the morning, sending you messages while he's dreaming away and you're resting your head beside him. You'll wake up to the notifications, reading the weirdest messages through your sleepy, exhausted haze while König snores peacefully, blissfully unaware of his actions and confusing words.

And it'll be the most bizarre messages. You'll question him in the morning and he can rarely explain himself for the random messages he sends, sometimes talking about the strangest things that make zero sense.

I think he'd send you a couple messages while having a wet dream as well... 👀

[1-marigold-1]

Just something about two men and their guitars

This is my contribution to society *leaves*

Yeah anyways they have like opposite themes (futuristic and middle age knight)

I like Xisuma and Wels duo <3

Also sorry but I literally can't stop redesigning X for some reason, the way I draw him never feels right somehow

Also trying out and new artstyle, I must say - pretty good but I don't think I'll stick around with it

[divineandmajesticinone]

THE ON1Y ONE (2024) I 1.06 They were like: "Oh my, that back is so handsome."

[lazylittledragon]

what do you mean youre technically a detransitioner cause of terf bullshit?

it's a v long story but i detransitioned for a couple of years when i was 16/17, for multiple reasons but mostly because i fell into the blaire white/kalvin garrah chamber of "you have to be This way to be trans otherwise you're not real".

i was already Deeply insecure about myself and my 'passing' and i was led to believe that i couldn't want to wear makeup or skirts, and i couldn't choose not to have bottom surgery, and i couldn't do anything but bind for 12+ hours a day to the point that my ribcage is still misshapen. basically i thought that if i wasn't suffering enough doing 'feminine' things, i couldn't really be trans, so i should just go back to being a girl and suck it up.

the terf bullshit is because i'd seen a lot of terfs/detransitioners talking about the 'dangers' of testosterone and how it would turn me into a horrible ugly evil monster and how there was nothing worse than wanting to be a man. which combined with 'you need to fully medically transition to be valid at all' creates some very dangerous and upsetting feelings to cope with.

it also came from trying really hard to put myself in a little box before i realised that my sexuality/gender are very fluid and it's FINE for me not to have a label and just do whatever i want. when i was 19 or so i went back to using they/them (and eventually he/him) and changed my name again because even though i like doing 'feminine' things, i don't want to be seen as a woman.

tldr: i was conditioned by transphobic/terf rhetorics to think that i was being trans the 'wrong' way so i couldn't be trans at all, so i believed i must actually be a girl if i still wanted to do 'feminine' things. nowadays i am a transmasc who does feminine things because i don't give two shits about what any transmed prick thinks of me anymore.

[weaponizedducks]

If bbc merlin wasn't gay then tell me why my middle aged, agressively heterosexual father that thought neil and todd were straight just turned to me and told me magic was an allegory for queerness. fucking riddle me that