#and without being accused of one thing or another.

[smuttysabina]

When Editing Goes Wrong

(Pokimane's Editor (You) x Pokimane, 3.3k Words) Tags: Excessive masturbation, gooning, sex surprisingly enough, anal sex, oral sex, foot sex, butt sex, obsessive behavior, a stunningly brave tale about the perils of editing for your masturbation material, absolutely degenerate behavior all around, also like damn dude you really couldn't resist telling her huh? Current events, breeding

You had done it, you had acquired your dream job, being the video editor for your favorite streamer; there was just one small problem, an afterthought really, an understatement. You were totally and utterly addicted to every inch of Pokimane's body. Her luscious hair, her gorgeous eyes, her perky lips, her smooth skin, her bodacious breasts, her toned arms, her delicate hands, her smooth stomach, her shapely hips, her puffy mound, her thick thighs, her tempting feet, so perfectly shaped and formed and begging to be licked- Oh dear, you did it again, another hour gone and several tissues filled. You were supposed to be taking Poki's raw, uncut footage and removing all the parts those filthy gooners would enjoy too much, obviously some slightly erotic shots would be left in to titillate them, but not enough to make her haters online accuse her of being a slutty tease. The issue was that there was simply too much delicious content to sort through, and you were unable to resist slamming your meat for hours on end to all of the content she was sending you. You would hump your hand for hours on end to your own private compilations of lewd moments, groaning Pokimane's name as you worshipped her in the only way you knew how. Of course, this made getting videos and vlogs out on time somewhat difficult, since editing actually public-friendly videos did in fact take some time, so things were getting to the point where you might have to start asking for extensions...

You sweat nervously as you hurriedly type out a message to Poki, explaining to her that you would be unable to get her video out this week, that you had hit some unexpected snags while cutting down her content. Nothing to be worried about of course, just a normal hazard of splicing together all of those disparate clips, you should have the vlog out in time by next week, for sure! Your typing is made a touch more difficult by the fact that you were doing so one-handed, even messaging your goddess got you all worked up. Her response of course, is as kindly and supportive as always, "No worries, these things do happen! I am looking forward to receiving the vlog by Wednesday of next week." Next Wednesday? You look at your calendar and groan in despair, it was going to be hard to fit editing time into your schedule with all the gooning you had been planning on doing... But you managed it, somehow. The thought of disappointing your goddess, as arousing as that was, had goaded you into putting the effort in, and you had made what you knew was a masterpiece. You smile proudly as you send the vlog to Poki, you were sure her fans would love it, and they did! "Good job on that last video Editor, that extra time sure helped, didn't it?" Your goddess praises you, so of course you have to hump your hand in celebration, you finish several times to that simple sentence.

The next few weeks pass by without much incident, with you throwing together videos in time for the deadline while still blasting rope to Pokimane constantly. Your videos had been doing extremely well judging by the viewer-count, your subtle blend of inside jokes and community memes with vaguely provocative shots had been largely popular with the fanbase. Of course, you kept the most delectable cuts to yourself, so while those degenerate coomers online were filling their pants to some risque stills, you were pumping furiously to the good stuff. The editing for the upcoming week's video was running into some blockages however, since for whatever sadistic reason Poki had chosen to include almost half an hour's worth of video pointed down at her bare feet as she wanders around her apartment chattering away. You had been unable to resist such potent stimulation, and had been beating your meat almost continuously to her feet. So lost in your lusts were you, that when Poki messages you, you feel inclined to answer honestly, "What's the hold up on next week's video? Its almost Sunday and I haven't gotten it yet?" Your orgasm-fried brain misfires as you try to conceive an excuse, but the thought of telling her the truth is simply too exciting to resist. So you tell Poki that you had been too busy blasting rope to her perfect feet, pumping and edging to her delicate toes and smooth soles so much that you were unable to fit in any editing. You climax when you hit send, obliterating several tissues as you end your hours-long session with a catastrophic orgasm; then of course you realize what you had done, and start panicking. Not that you should have worried though, as Poki swiftly responds, "Understandable, but please try to stop jacking off long enough to do your job." Suitably chastened, you comply; but not before squeezing another fap in.

Over the next month, you start to notice a subtle change in the content Pokimane sends you. Whereas before the more sensual shots would go by swiftly, now she seemed to... linger a bit on certain areas. Normal people would not have perceived this development, but as someone who had spent the past year consuming endless hours of her content, it was obvious. Poki would now spend on average an extra second giving you a view down her bodice, show off her meaty ass for just a little longer, playfully flex her toes before moving onto something else. Of course, you react to this novel situation by offering her with yet more of your seed, while still barely managing to get a video out on time every week. Editors truly have it rough!

Then it happened. In the middle of a vlog about household products, Poki was busy blathering about her automatic cat feeder when she suddenly pauses and stares at the camera. "I know you're watching, Editor. I just wanted to give you a special thank you for all of your hard work." Then she pulls up her shirt to reveal her breasts, wiggles them around, before yanking it back down again and continuing her spiel where she had left off. You gawp in absolute shock, sure that your mind had been playing tricks on you, that your fantasies had bled into real life, that this was actually just a surprisingly accurate wet dream. But no, as you rewind and replay the section, Pokimane had in fact flashed you, she had shown you her slightly tan breasts, each perky while still carrying some heft, graced with a dark-brown nipple upon a wide areola. Your response is entirely predictable, you pound your fleshlight for an entire day straight, not even stopping for food or rest as you honor your goddess's bountiful blessing. When you collapse, it is only from sheer exhaustion, your body and balls utterly drained by the sight of Pokimane's boobs. Upon awakening, you discover that a large amount of time had passed, and that you had a minimal amount of time to complete your deadline. Working like a man possessed, you furiously throw together a video, not even touching yourself once where before you would have savored every tantalizing moment. Through some holy miracle, you are able to send Poki the week's video on time, a feat that she seems suitably impressed by, "I thought you would have to be late again this week, good job Editor."

The next week's content is lacking in such stimulation however, simply a return to Pokimane's usual slight teasing, which still excites you, but leaves you yearning for more. Which was no doubt her intent, because in her next footage, she abruptly turns around, bends over, and pulls down her pants. The mere sight of Poki's monolithic ass in the nude has you painting the underside of your desk before you can fully process what you are seeing. Her fat cheeks wobble provocatively before she languidly reaches back and spreads them and reveals her glistening slit- By the time you have regained control of yourself, you are literally covered in cum, and far, far past your deadline. Panicking, you open your messages and hurriedly inform her that this week's vlog would be delayed due to a medical emergency you had to deal with; yes indeed your health had truly been threatened by what you had seen! Pokimane's response seems amused, "Don't lie to me Editor, you were too busy blasting rope to my ass, admit it." Moaning, you have no choice but to agree with her, informing your goddess that you had been unable to resist relentlessly pleasuring yourself to her; begging her for forgiveness, "It's fine, just be sure to have two videos done by the end of this week, or I'll have to find a new editor, got it?" The mere thought of being cut off by your queen has you in shambles, and you grovelingly assure Poki that her will would be done.

Through a herculean effort, you manage to complete your task, sending two videos of the highest quality to Poki, "Good job, I'm impressed! Next week I will not be posting though, so enjoy your time off." Most employees would celebrate having an entire week off, but being denied fresh content has left you morose; no matter, you still needed to enjoy her last gifts to the fullest. Then a notification pops up that you had received the usual weekly content file from Pokimane, and curious, you open it. Inside there is only one file, an hour long titled: 'For My Editor'. Thoroughly intrigued, and not a little excited, you start to watch it. The video starts with Poke modeling in a sleek black dress, nothing unusual there, as she poses and shows off her angles until she pauses and looks into the camera, "Hello Editor, after working so hard last week, I decided to help you get through this one." Whereupon she confidently pulls her dress over her head and tosses it aside, revealing her voluptuous body to you in all its glory. Pokimane leans forward, cupping her breasts with an arm while making slow stroking motions with her other hand, "Jack off for me, Editor. Pump, pump, pump," she growls huskily. Then she explores her body for you, fondling her weighty breasts, running her hands down her fertile tummy, teasingly rubbing her slit, turning around so that she can show you how heavy her ass is as she bounces it with her hands. All the while she encourages you to pleasure yourself to her, motioning with her hand for you to masturbate, "Edge for me Editor, I want you all worked up for the real show..." Poki opens her mouth and sticks out her tongue, rolling her eyes back in a perfect ahegao face for a full minute before ending with a devilish smirk. Her teasing grows ever more obscene as her own arousal heightens, "Imagine how wet my mouth would be wrapped around your cock, how soft my boobs would be, how tight my ass would be, how breedable my pussy is..." She moans ecstatically, her fingers squishing against her lower lips as she masturbates, as she angles the camera downwards towards the floor. Poki crouches in front of it, breathing heavily, her face flushed, "How would you take me, Editor?" She gets on her back, spreading her legs for you so that you can see just how sopping wet her pussy is, how it would be to pump between her meaty thighs, "Missionary?" Before rolling over and hoisting her thick ass in the air, pressing her chest against the ground to show you her sensual arch, "Doggy?" She gets up onto her knees and turns around, lustfully humping their air while groping herself and licking her lips, "Or would I need to put all the work in?" Poki leans forward, purring, "I want you to fuck me, Editor. I want every last drop of your cum, understood?" Wet slopping noises grew louder as her face became more and more red, as she nods encouragingly as the camera, "Do it, now. Cum for me, Editor. Cum in me!" Then Pokimane lets out a little gasp before moaning unashamedly, her eyes rolling back as she climaxes right in front of the lens, shuddering with pleasure until it is over. She sighs sensually, "Enjoy your week off..." before giving you a wink and ending the video. Needless to say, you did not get much done that week.

Or the next week for that matter, so busy were you blasting fat reams of jizz to your Goddess's instructions; so lost in an endless cycle of cumming for Pokimane that you only stopped when she messaged you again, "I guess you've been too busy stroking for me to get any work done, so here's a little incentive for you. Finish a video, and I'll give you an hour of my time, deal?" Of course, you had no choice but to obey, even with images of your queen's naked body prancing through your addled brain, you still managed to pump out a video in a reasonable amount of time; as well as an unreasonable amount of loads. A few hours after sending the video, you hear a knock on your apartment door, and more than a little annoyed at being interrupted while worshipping your goddess, you go to open it. Imagine your shock then when you find Pokimane on the other side of it, wearing a sleek outfit of deep red, dolled up to perfection. Pushing past your gawping form, she stalks inside, wrinkling her nose at the stench of semen she plops herself on your much-stained bed before licking her lips and giving you an expecting look, "Well? You have an hour, how would you like to fuck me?" You let out a piteous groan as you shamble forward, your cock already bulging and dripping, your mind unable to believe that your goddess is before you, but your body knows what to do. You dreamily turn her around and pull down her panties, humping Poki's fat ass as she amusingly informs you to go in raw, "After all, I am on birth control, and I doubt I have to worry about any STDs..." So you mount Pokimane like an animal for an entire hour, grunting like a beast while she passively waits for you to finish, you don't stop pumping for a single moment, nor do you ever stop filling her up with your cum until it leaks out of her cunt. Before you know it, her phone is buzzing loudly, and she commands you to stop, your hour is over. You notice she is limping slightly as she leaves, "Fuck I am so full..." she murmurs, before cheerfully saying, "I'm looking forward to your next video, Editor" and leaving.

The subsequent months pass by in a blur, you swiftly and skillfully produce a video for Pokimane, and soon after she arrives at your door, ready to be used. And god, do you use her. You lick and fuck her feet until they are squishy with your semen; you pump between her mighty thighs, breeding her continuously as she moans beneath you; you mount her fat tits more often that you can count, humping her chest until her breasts are smothered with cum; you make her suck you off, making her clean the fluids of your coupling off your cock so many times you know the contours of her mouth better than she does; you violate her anus with her cock, often without any lubrication, groaning as her tight coils milk your dry within minutes; you plow her from behind, again and again and again, unable to resist her thick ass you simply give in and fuck; you spend several hours simply jacking off onto her perfect face, until her hair is soaked and her face white; you make her ride you in every position imaginable, bouncing and swaying on your cock while her breasts flop around her chest, as she tirelessly drains you of load after load; you masturbate to porn together, until you are both staining the sheets afresh with your cum; you ask her to peg you, which she does with great enthusiasm while your cock sprays like a firehose; you dress her up in all sorts of cosplays, roleplaying a wide variety of scenarios that always seem to end up with you breeding her while howling her name; you fuck her while watching the video she sent you, so that you are pumping to Poki porn using Poki's perfect pussy, achieving a gooner's nirvana.

All the while you continue to churn out videos like a machine, all of which rack up an ever growing quantity of views and interactions; you are single-handedly (because the other hand is busy) driving up Pokimane's numbers on Youtube. You reach your zenith after editing while your goddess's head bobs between your legs, sucking you dry even as you complete your masterpiece. Eventually though, you begin to tire of it all, your videos begin to do progressively less well, and you feel a growing indifference towards Poki. You had flew to close too the gooner sun, your wings had been burned by the intensity of your fulfilled passions for her. No longer did her every message and word carry the power to compel you any more, no longer was she your Aphrodite, now she was simply a high priestess, the pedestal of goddess left unoccupied as your ardor cools. None of which goes unnoticed by Poki, so that one day she messages you, "I think we may need to go our separate ways Editor, let's discuss this at your place," and you agree. She patiently explains that the quality of your videos had declined recently, and that she was firing you, "Send me a copy of all the recordings you made of us together though," she smirks at your shock, "what, you thought I wouldn't notice? That much content will be useful for when I launch on Pornhub." You shudder at the thought of Pokimane gracing the porn scene with her presence, much seed would be spilt that day... "Also, I shot your reference to a friend of mine who needs a good editor, so expect to hear from her soon." You thank her profusely for this generosity, and she smirks in response, "Once more before the road then? I know how much you love fucking me..." So you spend the next hour pumping Pokimane full of your semen, and making her suck the resulting mess off of your dick; she even stays an extra few minutes to make sure it is extra clean. You hear her mutter as she leaves for the final time, "Well that one lasted a while..."

You spend the next week in a morose stupor, lost without a goddess to worship, unable to even achieve an erection. Even when Poki glibly announces on stream that she had to fire her pervert of an editor, you don't get hard even from this humiliation. Your depressed mood continues until a fresh notification pops up on your work account, piquing your interest; it reads, "Hello, I was looking for a new editor, and Imane recommended you to me! I need to have this video out by tomorrow, so please get it done ASAP! -AriaSaki" Curious now, you open up attached files, and feel a faint stirring in your crotch. Several hours later, and you send the video to her, your cock leaking from your constant edging, eager for her response. You don't have long to wait, as a short video arrives soon after, you open to see the goddess talking excitedly to you, while wearing little more than short-shorts and a blue pushup bra, "OH MY GAWD, thank you so much Editor! This looks so freaking good, let's discuss terms tomorrow okay? Thank you thank you thank you!" Before ending it with a beaming smile. You are smiling as well, as semen drips down from the underside of your desk, anything for your goddess AriaSaki...

And so the Editor finds a new job, and the cycle continues...

[queermatcha]

"Evan, just... talk to him. That man loves you and a little fight doesn't mean your relationship is over. Chim and I fight all the time!"

Buck swallowed thickly and he wiped his eyes with the back of his hand. It was trembling and he felt tears sting in the corners of his eyes. He really didn't want to cry, but it was so hard to.

"Yeah, but you two... You're soulmates! You were made for each other!" Buck answered with a heavy sigh. He got up from where he was sitting on Tommy's couch in Tommy's living room and started pacing nervously.

This had been their first fight. Tommy had told Buck he needed to leave LA for two weeks for advanced in-service training somewhere in Arizona. The worst thing about this was the fact that Tommy couldn't even come home during those two weeks because of the intense hours of the training. Two weeks without his boyfriend? Buck had just... freaked out about it. One word had lead to another and then, Buck had accused Tommy of not even minding the fact that they'd be apart for two weeks. That maybe, he'd even find someone better at a training center full of other amazing pilots. Then, Tommy's phone had told him he needed to come to Harbor - there was a forest fire and he had been on standby all day. So, Tommy had went to the bathroom to get ready really quickly and Buck had called Maddie immediately.

"Evan, please calm down. Maybe it is not for me to say this, but I do think you and Tommy, that is a perfect fit. You'll be fine. Just talk to him."

Buck heard the bathroom door open again. "I need to go. Thanks, Maddie." He ended the call and looked up to see Tommy standing in the door frame, watching him. "I really hate that I need to go now," Tommy said and Buck swallowed thickly around the lump in his throat again, nodding. "Me too."

Tommy walked over to where Buck was standing and the young firefighter looked at his boyfriend with huge, wet eyes when Tommy's large hands cradled his face oh so gently.

"I love you, Evan," Tommy said and the sincerity in his eyes made Buck's heart flutter in his chest. "And I hate that we'll be separated for two weeks. And I will promise you that I'll still love you when I come back - maybe even more than I do now. I don't care about others, okay? You're the one I want."

Buck stared at him for a few seconds. "I love you too. I've- I've never felt like this for anyone before and I'm so scared to lose you and that's because I freaked out and fuck, I'm so sorry, I don't want to drive you away with being to clingy and too much, I-"

Tommy's lips brushed against Buck's. "You're not too much. You're all I want, Evan." The pilot said. "And fuck, I wish we could keep on talking about this, but I need to go. I love you, okay? And I can't wait to come back home to you."

Home. Tommy spoke of his apartment as their home. Buck laughed wetly, more tiny tears clinging to his eyelashes, with his heart fluttering in his chest. "I will wait for you to come home to me," he said. He leaned in to press a really soft kiss to his boyfriend's lips. "Be safe, Tommy." The gorgeous smile Buck loved so much was now back on his boyfriend's handsome face. Tommy nodded. "I promise."

[psychedelicgenesis]

I sent an anon ask to @starfxkr about single!dad!!jj and now my brain is consumed by this so here's a more elaborated blurb/write-up...

JJ's daughter is so much like him it's unreal. She's packing a punch and shouting profanities at the boy who has your daughter's school bag strung up in a tree and her belongings stuck in a bird's nest. Neither yours or JJ's daughters had ever really interacted before this, at least not enough to be close. But now they were sat on a bench outside the office, swinging their feet that couldn't reach the floor and giggling about something their Maths teacher misspelt on the board earlier that day.

It wasn't as much fun for you, though... This wasn't the first time you'd been called to the school regarding incidents like this; the boy had been bullying your daughter for months now with no repercussions. Instead, your daughter was the one consistently asked to stay off the next day.

"Maybe he just has a crush," the principal suggests tamely. Your eyes nearly dry from not blinking for a solid 2 minutes and JJ's sat there, head down and stifling a laugh, in front of the desk. "Bad move, cupcake," he mutters to the principal. "That type of mindset lets them grow up to be wife-beaters," you strain your voice from shouting. "Then perhaps it's just an overreaction... or maybe your daughter isn't being entirely truthful." "Do you wanna try that one again, Principal Whitaker?" You suck your teeth and watch the suited man shift uncomfortably. "There have always been kids willing to vouch for her. You just have it out for us, clearly, and you love that little shit's family donations. Tell me, how much do they let you pocket?" "That's an absurd accusation!" "Then why's it my daughter who's always penalised for that ratty boy's actions?" "Mrs--" "Miss," you correct sternly. JJ side eyes you, noting the correction. "You can't call a child ratty, it's not appropriate." "We're way passed what's appropriate. This is the thirteenth visit, if my daughter wasn't so dead set on staying here, and if there was another school district, I'd have taken her out months ago. Where is he? Where are his parents?" "That's what I've been asking for the past hour," JJ chimes in, leaning back on his chair and puffing his chest, then letting out a loud exasperated sigh as he cracks his knuckles. "Sorry, you are?" Your focus is now on the blonde. He turns to you eagerly, reaches out a hand for you to shake and then quickly takes his hat off as some gentlemanly gesture. "JJ Maybank, my girl's the one outside with yours... the one who got a few punches in on the kid." You nod slowly, letting your hands meet to shake a greeting. His hand is clammy and warm when it engulfs yours, far bigger than yours too. The rough skin of his palm strokes against your own calloused one as you both pull your hands away. "You raised yours well, then." Principal Whitaker scoffs. "I don't think that's the right thing to say, do you?" Now he's cowardly when your focus falls to him again. "Did you already talk to them?" You fold your arms and JJ is also equally as curious to know. He stands up now, fiddling with and squeezing his cap. His hair is tousled without it on his head.

The office door swings open and you're being gently shoved out by JJ, who ended up having to diffuse the situation between you and Whitaker. You're still shouting at the principal even from the hall, while JJ's acting as a barricade between the two of you, all while smiling at the two girls on the bench. Their eyes are wide at your loudness, albeit both are unfazed. "She's just feelin'... passionate, girls." His body is being shaken by you trying to speak over or around his tall frame at the principal. And then the principal shuts the door, closes the blinds to the windows... You back away from JJ and pace, trying to control your frustrated breathing. You crouch to the floor, bag falling from your shoulder, and you try to keep it together. Your daughter is right there, you have to keep it together. You have to-- A tiny hand rests on your head and messily strokes your hair. She's tangled it but you lift your head to see the beaming smile of your daughter. "Who wants pizza?" JJ calls out. "On me." You look up at him exhausted but managing to form a small smile as he looks down at you with a sympathetic one. His daughter runs up at him and begs to be picked up, chanting "pizza" non-stop until you all arrive to the pizza truck restaurant.

[e-r-a-n]

Eran.

— the last surviving follower.

— chosen by the Victim.

— the future God of Life.

— magic is easier for her.

— she is eternally grateful to Darke. She will not be able to fight with him, even in the event of a conflict.

— in the future, she will conquer territories.

— she likes to have her hair stroked.

— in the future, she will definitely fight with the Chosen One.

— can see Victim in dreams.

— she loves his last remaining costume of his people.

— can remain quiet even when seriously injured.

— can stay without food for a long time.

— has a psychological trauma associated with the death of relatives.

— hates almost all deities.

— she will not be able to betray a loved one.

— she loves golden juice.

— she will definitely take revenge on the God of agriculture.

— she does not know how to show love.

— she will be able to restore the balance.

— at first, no one knows about the existence of her state.

— she can heal a person's moral state with her aura and save them from depression.

— the more acute the emotional state, the faster she can heal the spiritual state of another person.

— until the last moment, she was afraid to go into the territory of death.

"once she becomes a deity, her appearance will be transformed.

The Dark Lord is the God of death.

At the moment, he has vast territories located in the Northern Hemisphere. He has dark magic. He talked a lot with Victim. He is the second god after life. Appeared when the first creature died. He tried to protect the follower of life, but he couldn't because of the sudden attack. He remained without emotions and feelings, put a barrier for other deities to enter his territory. Does not trust any of the deities after the death of Victim. Trying to restore the balance of life and death.

He also sees how many people have left to live. He can speed up this process, but not increase it.

Victim is the God of Life.

One of the most senior gods, who had huge prosperous territories. He was located in the Southern Hemisphere. Life flourished on his land. He gave his people the power of healing, which made them almost invincible. After Victim was overthrown and accused of being a heretic, his people were exterminated. Only Eran survived. Alan created him when the first creature appeared.

He liked to wear a white cape decorated with gold patterns.

The Orange King is the God of power.

He borders territories with the Chosen One, the Dark Lord and almost the entire Central Bank. He did not participate in the extermination and was neutral to such a decision. He communicates normally with almost everyone. He often visits Gold and Violet. Uses a staff that has incredible power. He can easily control ordinary people, capture their minds. He can read their minds and choose their fate. A cruel but intelligent puppeteer and manipulator.

Red is the God of animal husbandry and agriculture.

He borders territories with the entire CG and is a member of it. He actively participated in the extermination, destroyed a large number of refugees, including Sister Eran. He has the features of a wildcat, as well as very sharp claws. He was chosen by the past God of agriculture. After the fall of the God of Life, his vegetation fell, as did crops and livestock. Red blamed everything on karma from Victim and began collecting the bodies of the dead followers of the God of Life to use them as fertilizers, because their blood and wings are capable of all living things. The archives were sold to the God of Wisdom. A pendant is his accessory attached to his ear.

— has hatred from Eran.

— has little fear of the God of Death.

Alan is the God of time.

This deity lives by himself. He has one small continent in the middle of the sea. There are no followers and no religion, he communicates in all languages. He created a Victim and can mentally contact all the gods, read the thoughts of any creature. It is unknown when he appeared.

The Chosen One/Chous is the god of war.

He borders the territories of Dark, King and Yellow. Across the ocean, the same with Alan and Red. He also actively participated in the extermination, killed most of the followers of life in his territories and Dark. He used to have wings, but Dark cut them off to him as punishment, because he is still dependent on scarlet. Relations with the CG are neutral. After the fall of the god of life, the death rate in his state jumped sharply, and the birth rate decreased. He also believed that Victim himself was involved in this. He destroyed archives and, in principle, the state of life.

— afraid of the god of time[Alan], since he has never seen him and does not know anything about him.

— afraid of the god of death after punishment

[manic-pixie-dream-dude]

Ngl... while I do understand the strength of a certain ship that is canon, narratively-wise, Lunter hits stronger for me. Like the idea of star-crossed lovers constantly reincarnated and yet facing the same big bad each time who keeps them separate? That's some tasty shit right there 🍲

YEA!!!!! Devouring that shit up!!

From the visual contrast to the parallels between them and Caleb/Evelyn, they're!!! Such a fun pair!! Like I could make my arguments for lunter all I want but in the end, it's just good! it's got so much appeal in many aspects and is SO compelling to me personally. I like em lots. Lunter my beloved.

And yes, same here! I can respect Lumity as an amazing win (plus how unabashedly pride flags and queerness were shown in the latest ep!) while still finding Luz and Hunter to have a much more enjoyable relationship to mess around with in my fanon worldscape.

[shadowslocked]

Ah, good, sounds like from the liveblogs we're speed running to corrupt systems, this'll be interesting

[vamptastic]

i genuinely don't understand what capitalist countries stand to gain by fighting each other instead of collaborating economically. like why does the us warmonger against china when we would benefit more from trade? ostensibly it's for moral reasons, but regardless of the veracity of any given claim i think the united states has shown itself to prioritize economic success over human rights on a number of occasions especially during the cold war. i suppose i assume most wars are waged on the grounds of economic gain (natural resources, global political power, straight up money in the form of the military-industrial complex) but you could make an equally solid argument that just as many are waged over purely social and political issues- ethnic and religious conflict, blind nationalism, the whims of a dictator. it just confuses me at times, i guess. i have a hard time believing that the united states is bound and determined to wage war against china over human rights abuses, infringing on other countries sovereignty, and neo-colonialism in africa when we've propped up fascist dictators in many a country who've done far worse. is it literally just the association with communism? because surely whatever evil fuckers actually want war know that china is very far from communist right now. is it just nationalism? the idea that we must be on the top of the totem pole, even if our economy would stand to gain from trade? because i suppose i could believe that, but i think if that was true we wouldn't have gotten to where we are today in the first place. blegh. at the end of the day i am also ignoring the fact that many many different groups of people want war against china for reasons ranging from sinophobic jingoist nationalism to a genuine belief that the united states is a global moral watchdog determined to establish ~democracy~ worldwide. but there is a definite slant to media coverage on china right now, genuine attempts at disinformation, and given that the media in the us is so deeply tied to corporate interests it leads me to believe that there has to be some economic motive here, and it frustrates me that i can't figure out what it is.

[seilon]

just wrote like three paragraphs ranting about my living situation and deleted it just know I am going insane and i hate it here and I need to live by my fucking self or I am going to absolutely fucking lose it

[ambrosiagourmet]

I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

[mionghairearracht]

....really fucking fed up with the amount of people ive seen imply or outright state that anyone advocating for police abolition has never experienced violent crime.

guess what, some of us have and for many of us a huge part of the reason we support it is because of how absolutely horrible our experiences were.

things police have done for me when ive come in contact with them

tell me that a person strangling a coworker wasn't a reason to call and then refuse help

get pissed when i called back because someone was being fucking choked and they were forced to send someone out

get pissed and accuse the staff of purposely attracting problems after we installed a sharps container to reduce the used needles we'd been dealing with for months when they saw them after we reported another assault....

which took them an hour to arrive at and then they got pissed the victim had gone with paramedics to the hospital and we hadn't somehow held the person who did it for them

harass two witnesses to an assault because the were homeless

harass me because i carry narcan and they overheard me say i used it to paramedics at an overdose

see the shelter van in a parking lot and come in to harass the shelter workers as they helped someone

and so much more

there has never been a situation where police have helped me when i experienced violence and there are a ton where they have made shit much worse.

if the police disappeared and none of the money was redirected i would be much safer, let alone if the money went to organizations and groups who actually gave a shit about people beyond using them as punching bags

who would i call if i needed help? definitely not the people who've repeatedly harassed me, refused to help when needed, and take a fucking hour to show up when someone is being beaten.

probably one of the community groups that's managed to do a significant amount more with a fraction of the budget without guns or harassing victims.

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

[wilwheaton]

Thomas Paine: “I do not believe in…any church,” he declared. In a call to arms against what he called church-state tyranny in early America, he insisted that “every national church or religion accuses the others of unbelief; for my own part, I disbelieve them all.”

George Washington: "The government of the United States is not, in any sense, founded on the Christian religion."

Thomas Jefferson: " The Christian God is a being of terrific character -- cruel, vindictive, capricious, and unjust . We discover in the Bible a groundwork of vulgar ignorance, of things impossible, of superstition, fanaticism and fabrication . On the dogmas of religion, as distinguished from moral principles, all mankind, from the beginning of the world to this day, have been quarreling, fighting, burning and torturing one another, for abstractions unintelligible to themselves and to all others, and absolutely beyond the comprehension of the human mind."

James Madison: “It was the universal opinion of the [18th] century, that civil government could not stand without the prop of a religious establishment and that the Christian religion itself would perish if not supported by a legal provision for its clergy.” But as President, Madison found that, “the devotion of the people have been manifestly increased by the total separation of church from the state.”

John Adams: “the United States is not, in any sense, a Christian nation.”

[bemusedlybespectacled]

what's happening with James Somerton right now: a probably-incomplete primer

TW: suicide, including suicide as a threat and a manipulation tactic.

The short version:

James Somerton is a former Youtube essayist who focused entirely on queer history, queer media criticism, and queer issues in general. He is also a flagrant grifter who has made tens of thousands of dollars via fraud, both directly (lying about his finances to beg for money and getting donations for films he never even started making) and indirectly (stealing whole essays and articles and books, reading them out loud verbatim for his videos without indicating they were anything other than his own work, and then using the prestige he gained from using their work to get Patrons and sponsorships).

The story as told James and James apologists was that James attempted to apologize twice, was hounded mercilessly on the internet for weeks, and then, driven to the end of his rope, he posted a suicide note on Twitter, was MIA for several days, and from then on has been avoiding the internet.

The actual story, as revealed yesterday, was that James used two sockpuppet accounts to defend himself and parrot his talking points (again, while publicly claiming to be trying to take responsibility for his actions), using one to try to rebrand the con under a different name and another to deliberately stoke the panic caused by his suicide note. He was not only aware of the pain and anxiety he was causing people, but he encouraged it on one alt while hornyposting about his favorite movies on the other.

He is an unrepentant con artist who successfully used a suicide threat to prevent further interference with future cons. The only reason he was caught is because he is apparently incapable of going more than a couple of weeks without trying to get back in the internet spotlight, allowing people to tie his alts back to him. He lies for fun and profit and he should not be taken seriously, ever.

The long version:

In December 2023, Youtube essayist Hbomberguy (Harry Brewis) put out a four-hour-long video about plagiarism on the internet, and devoted two hours to addressing as much of JS's plagiarism as he could. I strongly recommend watching the entire thing, as the first two hours build on the concepts that he uses later in the video.

He also blew the whistle on James' fraud surrounding Telos, a studio James founded using thousands of dollars of IndieGoGo money that never actually produced any films despite him definitely working on them! Any day now they'll be released! Don't you worry!

A day later, Todd in the Shadows, a guy whose entire thing is music reviews, posted his own video debunking multiple outright lies that James had told about history, especially queer history. A few more days later, The Ace Couple, who run a podcast about asexuality, released an episode detailing how they'd lost $1.5k donating to Telos.

I have put the videos, Twitter threads, Patreon posts, and Reddit posts by other people discussing different aspects of James' fraud under the cut.

Every other time James was caught plagiarizing, prior to Harry's video, he would lie about it. Either he'd have some excuse (easily proven to be a lie) or he'd retreat to his favorite deflection: "I'm just being harassed because I'm gay."

This last lie was one he'd use not only to deflect accusations of plagiarism, but all criticism in general, no matter how trivial. Every time, the critic or someone associated with them would somehow dox him, or harass him, or send him death threats, or threaten to falsely accuse him of sexual assault.

This happened to The Ace Couple (who'd tried to correct him on something extremely acephobic in one of his videos), Jessie Gender (who'd tried to correct him when he claimed that there were no queer content creators on Nebula, given that she and a bunch of other queer creators were definitely on that platform), and the person who first blew the whistle on him stealing from Tinker Belles and Evil Queens by Sean Griffin (who was accused of being behind death threats he'd received, and hounded so harshly they had to leave Twitter).

It is important to note that every time James faced potentially damaging criticism, or even just a threat to his ego, suddenly he would claim to be harassed by people connected to the critic, including threats to his life. There has never been any proof of any threats being directed at him, nor evidence that, if the threats were real, that they are actually from people connected to the critic.

In the original video by Hbomberguy, Harry makes a compelling argument that James brought on a friend of his, Nick, as a co-writer specifically as a shield against accusations of plagiarism. "How dare you accuse me of plagiarism! Nick would NEVER do that!" This is even more apparent given subsequent developments which I will get into.

When evidence started dropping about different aspects of his fraud (not only Harry's video, but Todd in the Shadows' video debunking his misinfo, The Ace Couple's podcast about their experience donating to his fraudulent film studio, and Dan Olson's tweet thread about James' obvious lies about his finances), he went into hiding for two weeks, and then put out the first of two apologies. He then deleted that one and put out another one a few weeks later. And then he immediately deleted that one.

While his first apology was rambling, vague, and dramatic (lots of sniffing/crying), and his second was more measured, thought-out, and totally batshit (lots of hilariously and bizarrely implausible excuses for why he'd done what he'd done), they had roughly the same points:

Not ALL of his stuff was plagiarized! Actually, a lot of it wasn't! No specifics as to what, though!

Most of the stuff that was plagiarized was just a failure to properly cite sources, as he had no idea that putting someone's name in your end credits or video description (without specifying what parts are attributable to that person or disclosing that you are using their words verbatim) is not sufficient credit,

Also, he totally had permission, in some cases, to use their work verbatim prior to publishing the video (this is not true, and is disproven both in Harry's video and his own screenshots);

He definitely didn't commit fraud with Telos and would soon have a good explanation for where the money went! (he did not)

He was going to keep the videos up so that he could either donate the funds from any monetization to the fund Harry had set up for his victims or to "help Nick's portfolio" by showcasing his work;

He lost his best friend (i.e. Nick) over these allegations, who absolutely definitely wasn't a scapegoat, except Nick was also responsible for a lot of the stuff James was being criticized for;

He was going to keep the videos up so he could either donate the advertising proceeds to Harry's fund for his victims (first apology) or to "help Nick's portfolio" by showcasing the work he'd done; and

As a result of this entire ordeal, he had attempted either self-harm or suicide (he merely alluded to "doing something stupid").

Again, his response was to 1) downplay the severity of his actions or flat out ignore allegations against him, 2) come up with ridiculous excuses for his behavior, 3) throw Nick under the bus, and 4) claim to be in mortal danger. As far as I am aware, he has never taken any concrete action to make amends to any person, not even donating money to charity.

This was coupled with some kind of attempt to profit: monetizing his apology videos, closing and then reopening his Patreon right before the monthly charge cycle happened (totally to let people unfollow him, not at all as a grab for that money), creating a new Patreon under a different name, and changing his Twitter and Youtube handles to distance himself from the controversy while gathering new followers.

At one point (I forget if this was on Twitter or Instagram), he also said that someone had broken into his apartment due to the notoriety he'd received from Harry's video. I believe that was after his first apology, when people started to point out that he'd just changed the name of his Twitter and Youtube channel and had restarted a new Patreon under a pseudonym. (BTW, the pseudonym he used for his new Patreon was "The Gay Raconteur"; this will be important later).

It had what I think was the desired effect: any attempt at pointing out that he was rebranding his grift now came across as weirdly fixated on minor things he was doing, which certainly wasn't worth putting him in physical danger. (Again, he has never provided any proof of this happening, nor provided any evidence that these people allegedly threatening him were, in fact, in some way inspired by Hbomb).

So along comes March 5, 2024, and James posts a suicide note on his Twitter, saying that he is going to set up his videos to automatically publish (for Nick's portfolio), provide in some way for the ad revenue to go to a suicide prevention nonprofit, and then kill himself.

The immediate response from the internet was compassion and totally chilling any further criticism, since you might be callously criticizing a dead person. Harry and Kat worked for a couple of days to get a wellness check for him while a substantial section of the internet called them murderers.

On March 6, a day after the note was published, Nick tweeted that that he had cause to believe James was fine. Kat confirmed that James was safe on March 11. Due to the drama of the "suicide attempt," however, the chill on criticizing James stayed in place for months.

And then yesterday Lady Emily, one of the cowriters for Sarah Z., drops two more bombs:

James has not one but two alt accounts that he was using to rebrand and start over.

The first one was created between his first and second apologies, and originally was for "The Gay Raconteur" until he changed it to "Will"/"thatgayyouknow" and, later, "The Achillean Boy."

The second one was much older, under the pseudonym "Mikey JB," and used stolen pictures from Grindr instead of his own face. However, it is pretty obvious that it is, in fact, a sockpuppet account and not just some other person who happens to like James, as detailed below.

Both accounts, both between apologies and after his "suicide," talked about how criticism of James was unfair because the plagiarized stuff was "like a decade old" and repeating the same excuses that James had also made.

The "Mikey JB" account not only supported James, but actively threw Nick under the bus, saying that a criticized part of a video "reeks of his co-writer."

On March 6, the day after James' main Twitter posted the suicide note, The Achillean Boy account was hornyposting about Ryan Phillipe. James didn't even take a day or two off of Twitter. If he had been completely off Twitter for a couple of days, that could have been an indication that he really had hurt himself and was unable to access his phone, or at the very least unaware of the panic. But he wasn't. He was aware of it and did nothing. Actually, no! Worse than nothing!

On the same day (March 6), the Mikey JB account was actively contradicting Nick saying he was okay (they "haven't spoken in months" so there's no way Nick could know if he was alive) and saying that "people like you" i.e. his critics, "drove him to it." Not only did he ignore the panic he'd intentionally created, he actively drove it.

He saw people going emotionally through the wringer over the idea that they might have somehow caused his death, and intentionally made them keep thinking it. He say people calling his critics "murderers" for "driving him to his death," and he joined in.

Why am I explaining all of this? I want to make a couple of things extremely clear, and the context is necessary to my ultimate points, namely:

James Somerton didn't merely "credit people improperly;" he conned his followers out of more money than some people make in a year with the Telos con, while raking in thousands more per month on Patreon and buying expensive equipment, while claiming to be near insolvency and in desperate need of money.

James Somerton has never taken full responsibility for his actions or attempted to make amends. He has only ever tried to dodge responsibility, particularly by throwing Nick under the bus.

Every time he has ever been criticized, for any reason, he has lied about threats to his life to gain sympathy and quell criticism. This is a standard part of his MO. He has done this over and over and over again. At this point, I think if he says the sky is blue, someone should go out and check first before doing anything.

"But BB, what if he really is getting harassed/threatened or really is suicidal?"

So, okay: people who are attempting to manipulate you may use legitimate problems as a tool. It doesn't need to be fake to be effective - in fact, it might be more effective if it it's true. An abusive ex who says "if you leave me, I'll kill myself" and genuinely means it and actually attempts it (and possibly even succeeds!) is a lot harder to leave than someone who says the same thing but is clearly just bluffing, because the threat is real.

My rule of thumb in these cases is to treat the threat like it's real, without caving to the intended manipulation. Whether your ex is lying or telling the truth when they say, "I'll kill myself if you leave me," the appropriate response in both cases is to immediately call a mental health service or supportive family member. If it's fake, it's inconvenient for them; if it's real, you reacted appropriately. Your response needs to be the same regardless.

You don't get back together with them because it's a real threat (presumably you wouldn't do that if you knew it was fake and they were never in any danger), and you don't tell them that they're a piece of shit who should be dead (HOPEFULLY you wouldn't do that if you knew for a fact that they were telling the truth).

In this case, I am extremely confident in saying that he was coldbloodedly lying the entire time and was never once threatened, and certainly not to the degree he claimed to be. But even if he wasn't, that does not and should not change anyone's behavior in terms of holding him accountable.

And I mean actually holding him accountable: making sure he doesn't try to start a new con on new people, continuing to point out that he hasn't paid anyone back for his previous con (so long as it's still true), that sort of thing. It doesn't mean people should tell him he should go die for real or, I don't know, try to get him fired if he gets a job at Tim Horton's or Target or something else that's not fraud. That would be wrong regardless of whether he's actually in danger or not. The point is to avoid being cruel without negotiating with terrorists.

Video sources and links under the cut:

Links:

It's like Breaking Bad, but backwards: a brief history of how Somerton successfully screwed himself Dan Olson's Twitter thread about the financial fraud My Year With James: Todd's post explaining the backstory of his video (Patreon-locked) DJSO#: Dan Olson's breakdown of James' second apology (Patreon-locked) Lady Emily's Twitter threads revealing James' alt accounts, part 1 and part 2

[joyful-soul-collector]

I've seen a lot of people talking about how Barbie talks about how the patriarchy affects women and how well it does that, so I wanna talk about how Barbie talks about how the patriarchy affects men and how well it does that. Because it does that really well tbh.

At the beginning of the movie, it's made very clear that the Kens are constantly competing with each other, and trying to prove their worth, their Ken-ness, to both the Barbies, and more importantly, to the other Kens. In fact, multiple times through the movie it's shown that Ken seems to find the opinions of other Kens as a motivator for him to do things. He tries to show off to Barbie only after he sees the other Kens saying hi to her. He only starts dancing with Barbie when he sees the other Kens dancing with her. He only goes with her to the Real World after another Ken accuses him of cowardice and he decides to prove him wrong. Barbie says "Ken's not cool!" and Ken responds "He is to me."

This shows so damn well what the patriarchy is like for men. Because for the Kens it's not necessarily about Barbie, it's about what other Kens think of you. Being a man you are constantly, incessantly trying so damn hard to prove to the other men around you that you are a man, the manliest man to ever man, the best Ken to ever Ken. Literally doing backflips trying to prove yourself. And this is before patriarchy is even officially introduced to the story, there's no undertone of power yet, this is just what it's like to be a man around other men. It's toxic masculinity.

And when the patriarchy is introduced, that's increased tenfold. At first it looks like they've banded together to take power, but really they're still competing with each other, they're just doing it differently. Rather than competing to see who can get Barbie to fall in love with them, they're competing to see who can be the manliest, have the manliest stuff, wear the manliest clothes, have the manliest house and decorations.

And then they literally go to war. War is considered one of the few places where it's socially accepted for men to be more emotional, form deep and personal bonds with other men, and that's exactly what happens in the movie. They go to war, and there's an entire song where they bond and learn not to fight with each other anymore.

And that I think is the message from the Kens. For men, the way the patriarchy affects them is it forces constant competition and animosity, even around people that are supposed to be your friends. It makes it impossible to express your feelings unless they're with a romantic partner, and all of this turns you into a pent up ball of emotions with nowhere to go.

Which means that the message is: In order to fix the way the patriarchy oppresses men, men need to learn how to form close bonds with people, especially other men. Because like Barbie said to Ken, he needs to discover who he is without her. Men have learned to lean on women as a crutch, using them to figure out how to Be A Person and express emotions in a healthy way, but this can very quickly turn into a woman feeling like she needs too be his mother and teach him how to do these things. And Ken was 100% doing this, or at least he was trying to throughout the movie. Ken was so desperate for Barbie to be in love with him, not necessarily because he loved her, but because he needed a person he could just exist as himself around. Because he couldn't do that with the other Kens, the only person he could be himself around was Barbie.

And what's so great about the end of the movie is that the Kens did eventually figure out how to form close bonds with each other! They went to war, argued and fought, but by the end of the song they were holding hands, kissing each other on the cheek, telling each other they were enough. Even when Ken is up in the dreamhouse, crying and saying that he looks stupid, all the other Kens start shouting back up to him, saying that he looks cool. And Ken responds by giving one of his new friends his coat, which was clearly very important to him.

What the Kens did, that's what men in the real world need to do. They need to form close bonds with other men and stop competing with each other. Hopefully not by going to war the way the Kens did, Barbie isn't a blueprint for solving the patriarchy lol.

I'd be happy to do it through a song though.

[fawnindawn]

even at our worst, we know we'll still be okay (luke castellan x apollo fem! reader)

summary: Where Percy's insistent pestering forces Luke to rethink on his possibly not platonic feelings for you, his best friend, and Percy's questions are answered for him with Luke's reaction to you being heavily injured on your return from your quest.

pairing: luke castellan x apollo fem! reader

a/n: i'm actually in love with this, maybe it's just the friends-to-lovers in me (where a love confession happens because one of them was near death's door-) but man.. also, i love including percy so much he's such a kid.

masterlist for this series next

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"Face it, man. You're whipped."

Percy watched Luke choke on his water, coughing as he tried to swallow past the sudden accusation. Wiping at the excess that dripped past his chin, Luke raised a brow at Percy.

"Whipped? For who?" Luke questioned, eyes averting and staring straight ahead, beyond the training grounds towards the meadows in the distance, seemingly searching for something or just doing a poor job at avoiding Percy’s unimpressed stare.

“I’m not blind, as much as Annabeth claims, to this...love stuff.” Percy huffed, half in exasperation and half in exhaustion as he leaned forward using his sword to balance himself. “You’ve been depressed ever since she left for her quest.”

Luke doesn’t need to hear your name to know who Percy was referring to. It’s been weeks since you were chosen by your father, Apollo, to descend on some mighty quest to fetch back his lyre that had been stolen. It wasn’t supposed to be a dangerous quest, but Luke had felt his gut sinking when he first heard the news from you.

“Why does he need to send you out there, where you could possibly be tracked down by monsters to get back a musical instrument of all things?” Luke snapped, exasperated as he runs his fingers through his curls, pacing back and forth in the Hermes Cabin, while you laid on his mattress looking undeniably calmer than he was.

“Luke, my dad won’t purposely send me on some death trap. I'll be fine.” You tried to reassure him, waiting for him to calm down in his pacing before you extended your hands in his direction right as he turned to make another round through the cabin for the seventh time. “Hey, come here.” You gestured. “Sit with me.”

He hesitated, stopping in his tracks as he finally took the time to look at you, noting your concerned expression at him. As if you weren’t about to descend on some ridiculous quest to god knows where all because your father couldn’t pluck up the effort to collect the instrument himself.

The longer your hands stayed outstretched for him, the more his anger and frustration dissolved into the overwhelming need to be near you. One second, he’s standing and the next, he’s laying in bed with you, your arms wrapped around him to stabilise him even though he should be the stronger one. The one to look out for you.

Laying his head on your shoulder as he wrapped one of his fingers around your hair, curling it in his palms, he spoke again in a soft whisper only for you to hear. “I’m worried.”

“I know.” You responded, your hands tracing at the curve of his shoulder, stopping at his collarbone, before your finger moved to tilt his face by the chin to look at you. “You trust me, right?” You ask, knowing his answer but wanting to hear the reassurance all the same.

“Course' I do.” He replied immediately, his eyes intense as he made eye contact with you. That was without question. You could ask him to walk into blazing flames, and he'd trust you would ask for good reason.

“Then you can trust that I’ll make it back alive.”

“Alive can mean lots of things.” He muttered, his eyes growing distant, the ghost of blood and a stinging burn running down the half of his face appearing uninvited in his mind.

“I’ll make it back alive and unharmed.” You reiterated, a knowing look in your eyes as you unconsciously traced at his scar, leaving warmth where it resides, making him shiver instinctively. “It’s a promise, Luke.”

He stayed silent, before slowly moving his hand to cup yours that rested over his scar. “I’m counting on it, sunshine.”

That promise rested over Luke’s conscience, gnawing at the back of his heels, chasing him daily from the early hours as he forced himself not to break over the stress and anxiety before putting on his golden boy facade, to pretend that he wasn't constantly distracted and nauseous over the thought of something happening to you without him being there to protect you.

He would've snuck out of camp if he could, just to find you, but Chiron had been tight-lipped on your destination, his all-knowing gaze piercing right through Luke when he had tried to nonchalantly ask about your whereabouts.

"I wish I could help you, Luke." Chiron had told Luke a few days after you had gone. "However, Apollo's request was clear. Only she shall take on this quest. No one else." The pin-point gaze Chiron had locked onto Luke made it clear he was talking about him.

"I am not whipped." Luke denied. "She's my friend. Like how you're my friend."

"I don't think your friendship with her is normal though." Percy fired back quickly, sipping on his own water as if he didn't casually demolish the older boy. "I swear I caught you bringing her back after curfew to your cabin, a few times in fact."

Luke felt his cheeks flush at Percy's sudden interrogation, smashing facts after facts on an early Tuesday morning. "I've been having.. nightmares lately. She's the only one who keeps them away." He didn't know why he felt like he had to explain himself to the kid, but the longer his friendship with you went under fire, the faster he wanted to get out of this conversation.

"You don't think that's something you should think deeper about?" Percy muttered with a shrug.

Luke is left speechless, his mind short-cutting at the sudden implication of.. him feeling something more for you? His most recent memories flashed through his mind. You tucked under his blanket as you laid beside him for the last night before your quest, a sleepy smile etched on your lips before you whispered him goodnight and he pulled you into his chest so he could feel your heart beating against his to push away any tricks currently playing on his mind, bringing light to how you're the only person he believes could calm him down and bring him peace-

"She's my best friend." Luke replied, more to himself than to Percy. "I'm just worried for her. A quest like that shouldn't take so long, and I keep imagining-"

He stopped in his tracks, not wanting to say his fears out in the open in fear that his words would jinx it, but Percy knew where he was getting at. Percy inched closer to Luke, moving to pat him awkwardly on the back in an effort to comfort him. "It's normal to be worried. From what I heard from Annabeth, you two are really close. I didn't have much conversations with her before she left, but she seems brave, and smart too. I have no doubts she'll make it back. If she's half as good as you, there's no way she wouldn't."

Luke felt a real smile crossing his face, the corners of his lips quirked up at Percy's words. "She's not half as good- she is better than me." He turned to look at Percy, that shine in his eyes noticeable as he talked about you. "Don't let her hear that when she gets back though, she'll talk my ear off for ages."

Percy returned his own smile, elated to see Luke have some improvement in his mood, proof being the first genuine smile Percy's seen in weeks coming from him.

"So.. do you want to stop for today?" Percy attempted with a casual tone.

"Why? Backing out already?" Luke teased, a smirk playing on his lips as he inched towards the kid jokingly with his sword raised.

"No!" Percy denied frantically. "I swear I'm not using the sympathy card as an excuse to get out of training-"

The sounds of a horn cut off his words, groaning across the camp, reaching the training grounds in record time. Luke felt his heart palpitate, nearly crashing into his rib cage.

He barely had time to think, yelling to Percy with urgency flying off his tongue. "Catch you later, Perce!" Then, he was off, his legs carrying him up the hills and back towards the camp entrance.

He heard Percy yell his name in confusion, but he could apologise later for his sudden departure.

You had come back to him.

The journey seemed too long, his shoes scrambling for ground, barely scraping the dirt as he ran towards the front of camp. He didn't know what to expect, a celebration with cheers from the other campers on your arrival, a glimpse of your face with that smile he loves. What he didn't expect was the silence as he came towards a slow jog before ultimately stopping at what seemed to be a crowd gathering around something- or someone.

He pushed his way through, barely making the effort to apologise over the thought of seeing you. His eyes finally caught onto what the onlookers were staring at, and his heart dropped.

You laid on the ground, passed out with what seemed to be dark, angry coils covering your skin, ranging from your neck to the outstretch of your back that was exposed from the gash in your shirt. That stupid lyre laid not too far from you, its golden strings ripped apart.

The sound that tore from his throat barely sounded like his voice, yelling out your name as he pushed through the final barrier in the crowd before reaching for you. He nearly made it before someone dragged him back, grabbing him by the shoulders and pushing him away.

The curses that left Luke's mouth would make anyone wince, and he had to resist the urge to punch whoever was holding him back as he twisted his head to face his repressor. "Chris! Get out of my way." Luke hissed, still trying to make his way to you, fury twisting in his gut as he couldn't fathom why no one's helped you yet.

"Calm down, Luke!" Chris pleaded, desperation in his eyes forcing Luke to falter. "I know you want to help her but you have to listen to me. Whatever attacked her left something contagious on her body. Someone already tried helping her but it spread to their skin too!"

Wait? While whatever was attacking your body seemed to grow more intense by the minute, as Luke's gaze locked onto your form and watched the sickening, black coils spread further and further up your neck.

"Rodriguez, does it look like I care if it spreads to me?" Luke spat out, giving his friend a final push. "If she dies, I won't ever forgive myself for standing on the sidelines. Let me go now."

The cold venom in his tone made his friend loosen his hold just enough for Luke to rip himself out of his arms to drop his knees beside you. He grabbed hold of your shoulder, which still had shreds of your shirt to prevent him from being stung by whatever was infecting you, but his other hand which grabbed hold of your back did not face the same fate. The coils snaked onto his palm, and he gritted his teeth at the burning sensation.

Just as he turned you around so he could lift you up, he heard the familiar sound of hooves stamping against the soil and he looked up to see Chiron approaching with a grim expression. No words needed to be said as Luke met eyes with the centaur, a mutual understanding as Luke wrapped his arms around your torso and legs.

He pushed through to help carry you up, barking orders for the crowd to part way as he made his way to the infirmary. The longer he held onto you, the more every bone in his body seemed to scream to let you go, but he only focused on every step it took to get you closer to help, his eyes unable to look away from the paleness of your skin, the blue to your lips.

It seemed unfit for a child of Apollo, a child of the sun, to be dull and lifeless. You looked dead, and if it wasn't for the faint drumming of your pulse he could sense from your wrist, he would've struck the name of your father with such unbridled hatred, Apollo himself would descend from the heavens to condemn him.

"Please." He begged, holding onto you tighter despite his body's cries not to. Begging to who, he did not know, but if any being could save you from the fate you did not deserve, and pass it to him instead, he would gladly offer his prayers and worship. If it meant saving you, he would take your pain and suffer it tenfold just to see you open your eyes again.

It took you five days to recover. The infirmary had been quarantined and no one save for Chiron and Will, the main healer from the Apollo cabin, was allowed in. In those five days, no one dared approach Luke, who seemed near death's door despite having received his own small dosage of ambrosia to heal the coils that had managed to sink into his skin. He had begged Chiron to let him visit you, but Chiron deemed him too unstable to be near you, your recovery process a fragile thing that required tentative hands and patience.

Waiting to see you was a torture not even he could have envisioned for himself. He had been torn apart at the seams, of his belief in the gods and the scars that were immortalized onto his body. He had lived through days of water and nothing but false hope, hiding from monsters and other horrors before he made it to camp, arriving as a scrawny boy with eyes having witnessed events no kid his age should have to go through. Yet, no pain he had experienced could compare to his fears of losing you. If he-

He couldn't think of it without wanting to puke, but if he lost you somehow, he would lose his faith in this world. There would be no one to hold him back, no you, to stop him from letting go of the world that failed him and tearing it down.

It didn't help that in those five days, he had dreams. Of a different world, of salvation. A dark, ancient voice called to him, older than time, with whispers of promised glory and revenge. There was no you, none of your soothing touches or voice to wake him. In those five days, his strength faltered and he made a deal.

On the sixth day, he was woken frantically by a shake on the shoulder from his sleep. He roused awake, dizzy and still-half asleep to see Chris talking to him in rushed incoherent words.

"Awake- She's awake, sleepy-head!"

Luke was half-dressed, still fighting off sleep with aggressive rubbing to his eyes as he tugged on his t-shirt, rushing towards the infirmary with Chris hot on his heels.

He burst through the front door, holding his breath when he finally saw you, propped up on two pillows talking to Will. Tears pricked in the corners of his eyes, blurring his vision as he rushed over to you.

You turned to him then, just in time to see him blink his tears away. "Luke." You called to him softly, and time seemed to stop just for the two of you, and he could only see you in his vision.

"Can you guys give us some privacy?" You asked politely, eyeing Will and Chris, but your eyes never drifted far before moving back to him.

"Of course." Will responded, quickly getting up from his chair towards the exit, dragging a confounded Chris with him with a tug on the back of his shirt. "Hey! I wanted to see her too-" "Give the two lovebirds some time alone, you idiot."

Luke inched closer to you, his heart beating so loudly in his eardrums he swears you could hear it too. You lifted your arms to him and he didn't waste time, taking you in his arms and embracing you so tight, and yet he felt he couldn't be close enough.

"You were dying. In my arms. I felt it when I carried you in here." He muttered into your shoulder, shaking as he finally let out the exhaustion and pain he had been feeling since the day you left.

"I'm so sorry. I'm so sorry." You apologised, rocking him back and forth as your voice croaked up. "All I thought of was you. When I fought against that beast, I kept repeating my promise to you. That I would come back to you. You saved me."

He shook his head, feeling his tears wet his cheeks as he pulled back to grab you by the chin, a gentle touch like he was afraid you would disappear if he couldn't see you talking to him, that your voice would be a hallucination he concocted. "I should've stopped you from going. I had a bad feeling since I heard about it. I should've protected you- prevented you from getting hurt in the first place-"

You stopped him with a kiss, desperate yet shy, before pulling away and pressing your forehead to his. "I love you, Luke. I was so scared I would never get to tell you and it would've been my biggest regret. I love you so much, Luke, and I'm sorry if this ruins anything between us but I can't hide it anymore-"

Luke cut you off the very same way you did, but with such intense hunger you gasped when he kissed you, sloppy and with even more desperation, tugging at your bottom lip and pulling you closer with his hand at nape of your neck. "I love you." He muttered through quick breaths. "I love you, it actually hurts because of how much I do." He admitted, grabbing your hand to place right above his heart, which is owned completely and only by you.

He leaned in once more, addicted to the taste of you, kissing you with one hand holding yours to his heart, the other pulling you close so that there was no space between the two of you. When he had to stop so you both could gasp for air, he pressed his forehead back to yours, the first smile stretching at his lips in days. "I never want to be apart from you ever again, you hear me, sunshine?"

You giggled at his words, nodding slightly. "Wouldn't dream of it."

Extra: Luke reappears with you the next day when you insisted on wanting to get out of the infirmary after being cooped up away from the sun for so long. ("You're such an Apollo kid." Luke teases, which you ignore with a roll of your eyes.) He's with you every step of the way, and now that your feelings are out for each other in the open, he doesn't hesitate to kiss you on the cheek or fawn over you without hiding his intensity.

When he makes eye contact with Percy over the room, the damn kid gives him a wink and a thumbs-up.

a/n: i want to expand so much more on this, with kronos taking advantage of luke's weak mind during your recovery and more, OMGGGGGGG. tell me if you guys want more pls and i'll make more parts. thank you for reading if you made it this far <3

update: I am officially making this into a series called ‘everything in between’. To those who want to follow more on their story, you can comment on whether you want to be added to the tag list for this series or check the masterlist!

[cjayius]

MAGNETIC — PARK SUNGHOON

SYNOPSIS. sunghoon had been stressed for weeks due to their comeback, and an argument with you makes him say really hurtful things, whether they were true or not. but at the end of the day, he knows you love him, and thats really all that matters to sunghoon.

pairing. idol!sunghoon x f!reader wc. 0.4k tw. kissing , slight angst , hoon and reader are fighting genre. fluff ( CATALOGUE )

the tension between you and sunghoon had been building for days. sunghoon barely spent time with you anymore. he was always at work, practicing for his new comeback, and when he was home, he was asleep.

of course, this was not sunghoon's fault at all. it's just that recently your schedules weren't aligning, and you'd rather be occupied than stay home waiting for your boyfriend, so you signed up for more work hours.

this arrangement led to the two of you being able to meet only once or twice in two weeks; you saw sunghoon less often, and you talked to him even lesser.

sunghoon wasn't stupid. he could tell something was wrong. his girlfriend had stopped responding to his messages, and this past month she had seemed off, but whenever he asked her about it, she brushed him off.

it started with a simple misunderstanding, as most arguments do. sunghoon had made a passing comment that struck a nerve, and before you knew it, the two of you were exchanging harsh words, each one stinging more than the last.

" you never listen to me ! " sunghoon's voice was sharp, you could hear the frustration oozing from his voice.

" i do listen, sunghoon, " you shot back, your own voice tinged with irritation, " you never take my opinions seriously ! "

the argument escalated quickly, fueled by the pent-up frustration and unspoken grievances. you both said things you didn't mean, and your words had cut deeper than you'd intended.

you resorted to sitting far from him, on the other end of the couch, refusing to communicate. sunghoon scoffed at your state, " you're always so quiet when it actually matters. you don't even care about us. "

his tone was accusing, and had unknowingly begun to dredge up insecurities you'd tried to bury. suddenly, the argument wasn't just about the disagreement at hand, you could tell that this had been on his mind for a while.

after a few minutes of staring, he was still met with silence from you. sunghoon stormed out of the room, leaving you alone with your thoughts and a sinking feeling in your chest.

hours passed in silence, but the argument hung heavy in the air. you tried to focus on other things, but your mind kept drifting back to sunghoon.

just as you were beginning to retire to the bedroom, the front door creaked open, and there stood your boyfriend, obviously surprised that you were still here.

he sighed, walking over to the kitchen counter behind you, pouring himself a glass of water. " i thought you wanted some space ? " he said, voice laced with annoyance.

you glanced up, you had spent enough time alone. " i don't need space, " you replied softly, voice barely above a whisper. " i need you, hoon. "

for a moment, there was silence, then, without another word, sunghoon crossed the room in quick strides, pulling you into his arms with a surprising tenderness.

" i'm sorry. " you smiled against his chest, as he whispered an apology in response to yours.