Pretty tired of seeing adult characters being infantilized. Do it in fics and your hcs if you want to, but stop treating them as if adults shouldn't show emotions and be vulnerable, especially men, and then complain that them acting like actual adults is OOC. So many young people are unable to see a grown man show his tears, his frustrations (other than by punching walls and people), or any emotion, really, without being reduced to a little fragile thing that has to be protected.
When I see Buck and his raw nature, and how he's so often infantilized (and I don't mean in a fun way, because of course he's a cutie), it removes his adulthood and his growth from the narrative and, yes, encourages ageism in real life. Buck is 32. He's an adult man with emotions he doesn't always hide and it doesn't make him act younger. Same goes for any man on the show, especially those who fans find cute.
Yes, Buck is flirting with Tommy and makes sexual innuendos as an adult who knows what he's doing. And no, it's not OOC, you just deaged and sanitized him so much in your head that him acting like he's been acting on the show since season 1 is shocking you for no reason except your own doings in your head. And even if he's just expressing his desire with a funny choice of words and phrasing, he's not a little kitty trying to be saucy. It's a grown man feeling sexual desire and attraction for another person. It's very simple, but also very normal for an allosexual person. We've seen him do that for 6 seasons, and he'll keep on doing it until the end. It's Buck.
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@songandflame
Although accustomed to putting on an act, Benjamin was not used to the rampant filth, flirtatious jeers, and stench of ill repute found along these P.arisian docks. A leering woman with rotting, yellowed teeth all but fell into him and he jerked aside, tugging his coat in closer, lest he find himself robbed of his hard-earned coin.
This was a mistake, he thought. But no...L.afayette had insisted upon this area being prime for potential targets. Men became foolish in the arms of women -- sadly, Benjamin knew this from personal experience -- and attempting to breathe through his mouth to avoid the sour, suffocating stench of human waste, he quickened his step until he was in the heart of debauchery.
There were women all around him -- some young, some old, some robust, while others were barely standing. Benjamin pitied these poor waifs. Avoiding their eyes, if only to fight against his natural impulse to soothe, to aid, he faltered once he spotted a young woman with hair the color of bottled sunshine.
The sun... It hadn't been out in days, and helpless but to gravitate toward her equally crystalline eyes, Benjamin approached the woman with a nervous tremor to his step. He would never, ever debase a human being in such a way, and yet he forced himself to maintain the act as he lifted his coat, revealing a coin purse strapped to his hip. "I..." He cleared his throat, hating how damnably dry his mouth felt. "A moment of your time, Miss. Please?"
A wave of shame rushed over him -- most especially once the other women started catcalling how they were better or more suitable for his needs -- and grateful when she started leading him off toward what he presumed to be her chambers, he held his breath before offering, "My name is John... If you promise to do everything I say, I can guarantee a lot more than coin."
The name was a lie; he didn't yet know if this thin, ashen woman could be trusted -- and offering her what he hoped to be an appeasing smile, his heart knocked up into his throat once the door closed behind them with a loud and final click. "Ah..." Nervously, he reached inside his coat before presenting the coin purse. "Name your price, and I'll see if I can double it. What I've come calling for is unlike anything you're accustomed."
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Found a new, concise way of putting it that I'm gonna try and remember so I can reuse it:
To say, as a straight person, that a queer character's queerness is out of the blue or unrealistic is to claim that they understand the queer experience to be able to identify inaccurate representation of it.
To call a character's queerness out of the blue as a straight person is to claim full understanding of the queer experience.
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I think of so many stupid shenanigans between Wriothesley and his daughters in the Addison Lee verse. They tell Wriothesley crazy shit all the time, their daddy-daughter secrets, and it drives Neuvillette nuts that Wriothesley won't snitch.
Sigewinne, whispering into his ear: Today at school I punched a boy because he was being mean. I waited until it was recess, and made sure that no one was watching, and I punched him. Everyone knows he is a liar, so noooo one believed him when he cried about it. And Sigewinne is aaaalways a superstar so Mr Vautrin didn't suspect a thing !
Wriothesley, mildly concerned: Uh huh.
Sigewinne: Papa would say Sigewinne has to be nice to everyone, but, Sigewinne thinks bullies need to get punched sometimes, b'cos, b'cos otherwise, they think everyone is just gonna let them be mean
Wriothesley: Y'know what. That's fair
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@xluciifer
No Morty. No Summer. No Beth, no Space Beth, and more importantly, no JERRY. Today was a day for himself--and himself only. Granted, he's always the one pulling everyone else into his bullshit, so mayhaps the real vacation is for everyone else.
But the point still stands, after a long few weeks of dealing with fighting overlords from a few galaxies over for some spices to trade for credits to gamble at an intergalactic horse race for the Beths, taking Summer on some stupid girl adventure he promised her, Morty the next day wanting the same special treatment, followed by a few days later Jerry asking for help with something involved in the house's plumbing that ended up involving a giant sentient mutated AMOEBAE taking residence in the pipes...
Well.
He was packing his shit up and leaving for a few days before anyone else wanted anything out of him. His experiments weren't working out like how he'd hoped as of late, ideas were becoming stale, and he was growing increasingly frustrated with his current prototypes.
Punching in the coordinates for dimension TE-584, the green swirling portal opens up in his garage. On the other side awaited him with nothing but the bliss of beautiful men, women, and anyone else in between and outside of the between. Plus the drugs, booze, and endless food. A simple step through is all it takes, and when he does so, he's quick to announce his presence on the other side, arms raised high.
"HELLooOOOOooo VILIXONIA! LADIES! GENTS! READY TO PARTAAAAAAY IT UP IN HERE! RICK IS IN THE HOU--"
Huh.
This isn't the intergalactic beach hooker bar on the beach he remembered.
Where the fuck IS he?
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Right now, wine glass in hand and staring vacantly into the dark corners of the room in which he dwells - Barok can't help but think about his brother. To think about Klint during hard times, the man who he's always admired so much, has always come naturally to him - but it can't bring him any comfort now.
The truth is, Barok doesn't know what he should feel more betrayed about. The fact that the brother he'd wanted to emulate all his life was nothing but a killer, who's actions resulted in the ending and ruining of so many lives, including Barok's own? Or... is it that, until the very end, Klint was too afraid to share that horrible truth with him, even when that fear allowed him to be controlled into committing the most heinous acts imaginable?
It makes him want to laugh with a bitterness he hasn't felt in years. It makes him feel ill; desperate and angry and like a fraying rope about to snap. Perhaps it's sinful, and a sign of Barok's own weak character, that Klint's lack of trust in him might be what hurts the most. Had he thought Barok would break under the weight of the truth, and sought to protect him from that fate? What's worse is that Barok doesn't know how he would've reacted deep down. What's the scarier thought - that Barok would've turned away in despair and been unable to carry on just as his brother feared, or that he would stand with Klint, perhaps even turning a blind eye to his crimes...?
...There's no point in thinking about it now. But if he doesn't think about Klint, then there's no shortage of other things to take his place at the forefront of his mind. Such as the true identity of the Reaper, and how Barok had been complicit in his crimes for the longest time - allowing himself to be used and manipulated like a puppet on a string, even when he didn't see the full extent of it all.
His whole life, these past ten years in which he thought he'd endured so much, all for the sake of the people of London... what were they all for?
When he hears the knock on the door, it's tempting to ignore it entirely - he barely has the energy to stand, anyway. He doesn't know who it could possibly be, considering everything, but... in the end, he rises like a man possessed, and finds himself walking to open the door as if in a trance. What he sees when the door opens is the last thing he expects.
"Mr... Naruhodo...? You... pray tell, what are you doing here at this hour?"
@tenacquity ( starter! )
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i think (one of) the answer(s) to "oh i'll never find a partner like (character)" or "when will it be my turn" or "where's my (character)" is to just. to embody that yourself instead?
not just because loving someone in the best, most wholehearted way you can imagine sounds like a lovely thing to do but also because humans mirror.
they take on the traits and mannerisms of the people around them, especially if they already wanted to do it but were hesitant about it. when i say "i love you" to my friends, they often say "i love you" more, too. when i tell them how much they mean to me, they feel comfortable doing the same. when i send people messages out of the blue saying "i was thinking of you", they know they can do the same to me.
love your friends and your partners the same way you want to be loved.
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Me and my Lokius-obsessed self watching the 24-hour daycare debate thinking: Don would have used the hell out of a 24-hour daycare
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Honestly a lot of the time, it's not even about people having to agree with me, it's about needing to know that they actually heard and listened to what I had to say even if it didn't persuade them
Just... some basic indication that there's enough respect to give a shit about what I said, and also to make sure that they disagree because they actually disagree and not cause they just didn't bother listening
It's all I really ask
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Randomly remembered the half-reason i call my oc-verse by the name it has while laying in bed. One-half of the reason i still knew, but I had forgotten what had truly, really cemented it jointly until now
(it was a song from my favourite band I haven't listened to in a while.)
(the song fit so well at the time, still does, that i needed to hold onto it for the main protagonists forever, by partially naming their story in reference.)
Does this explanation make any sense? Does anyone know why I'm tearing up remembering this. Aahh
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getting tired of myself and everything around me again 😐
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@mothergooseberry said : “ i only want us to be friends. ”
nails dig into her palms. it isn't hard enough to draw blood. not yet, anyway. but, as she watches the other woman search for her, getting closer and closer to her spot beneath a table, amanda feels her chest begin to tighten. she'll find her if she doesn't move. she knows that. it isn't safe. this whole place is a goddamn shitshow — full of freaks trying to kill her, trying to kill all the rest of them.
“ friends? ” amanda makes a noise, a cross between a laugh and a sob. “ i don't know what you're talking about. it doesn't work like that, lady. ”
normally, she'd have kept her mouth shut. this time, she's hoping that by speaking, she can make a run for it.
in her mind, amanda is hoping that gooseberry will be so distracted by following her voice that she'll somehow gain more time to escape. that, while she's investigating her current hiding spot, amanda can find a better one.
probably not the best idea, all things considered, but she's running out of options here.
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Trying? Trying??? By learning. By succeeding!
(about this and my text under the cut)
this is very nice actually thank you so much <3 <3 and like, i probably do need to give myself more credit in general but also i am still very much learning and stumbling and figuring digital art out (and for the most part it is so fun)
I’m gonna ramble about this a bit so bear with me and also i apologize lol, but that art was done after a month of getting increasingly more frustrated with everything turning out so badly and eventually realizing that I was trying to 1. copy a certain look/style that i’ve internalized is what fanart and digital art should look like and is very far away from my style/comfort zone 2. i was trying to do everything digital allows without being comfortable with it or understanding it
so (and this took me a month to realize ? ??) i did what i already knew from doing acrylic and oil painting in the past and could somewhat easily transfer to digital without having to know more than the basics, like i didn’t use a lot of the things digital provides or allows for. i used layers for my own peace of mind but without actually needing them and did some color adjusting (honestly, the color adjusting digital lets you do is such a blessing to me) but the only fancy way i really utilized the medium was making it a gif (which is so fun and a lot easier than i would have thought, like honestly watch me make any future art into gifs too) but there are so many things you can do with the medium with settings/effects, different brushes, tools to use in the process etc that i just do not understand what they are or how to implement them so i am very slowly learning digital art as a whole new medium rather than just being able to use it to adapt what i already know
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Sooo this is random, but I would love to hear your in-depth thoughts on ChrissyxEddie?!
This doesn't feel random at all to me specifically, anon, becaue I've actually been playing around with my Chrissy x Eddie fic I Might Be Great Tomorrow again recently, haha. The hold they still have on me!
I don't think I could actually articulate my thoughts on why they unhinge me better than I did at the time though, so I hope you don't mind links, but:
They're narrative foils and opposites attract!
They compliment each other in both being performers, but with different intents - Chrissy performs to hide, while Eddie performs to be heard! Obsessed with that!
They're a sandbox crush which doesn't get left behind with childhood as they get older!
They just offer so much narrative potential!
Plus Joseph and Grace both just had real chemistry, and there is a genuine drought of that in current TV.
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the first time EY "stole" those headphones, the shop owner didn't have any proof it was him. despite this, he insisted on calling his dad, proposed to call the cops, and showed very little sympathy for a child literally getting beaten up by their father right in front of him.
-> why?
he felt disrespected bc of how EY talked to him. it stopped being abt the headphones before his dad even arrived. he just wanted to see the kid who disrespected him shut up, apologize, and admit he was wrong. especially considering how many people were watching and talking abt their argument -> gotta save face and restore your credibility & pride.
this is why, in a way, his dad wasn't wrong to tell him to apologize bc he knew that's what the shop owner wanted to hear. sometimes, the quickest way to solve the issue is to give the person what they want (in this case, an apology) and walk away.
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