#why is it so difficult for people to communicate!?

[thetransfemininereview]

Do you have any recommendations for gaining access to these books? I have a pretty long list of ones I want to read but can't afford most of them. The library has the big ones (Whipping Girl, Detransition Baby, Nevada) but the newer or less well known ones have been difficult to find

No this is actually so real though. Let's talk about it.

One of the big problems that I'm trying to address here is the fact that there is a lack of ability for trans books to reach their perhaps core audience, trans people. Over the last few years trans librarians have been trying to increase the number of trans books in circulation, but that's super contingent on where you live. Not to mention the fact that, at least in the US, states are actively trying to criminalize circulating trans books in libraries.

I know Tumblr is allergic to economics a lot of the time, but you've gotta look at the math to understand why this is the current state of things. Essentially it's a vicious cycle. Lots of trans people can't afford to buy a $25 hardcover on a whim, and traditional publishers put a lot of stock into how well a book performs on release, cause that's how they make money. So when the core audience can't afford it and isn't marketable, they register that as a lower demand, which means that fewer trans books get published, fewer end up in libraries, and the cost of an individual book is driven higher. Low demand, high price. Then because the price is high, trans people cant afford the books, and the cycle continues.

It is the dilemma of the transfemme author that most of their core audience is also gonna be transfemme. It's a self-selecting process that's very hard to break out of. And at the end of the day, there just isn't very much money to go around in the trans community because trans people so frequently get cut off from generational wealth. So when you get an ecosystem of transfemmes selling books to other transfemmes who also sell books to them....

I took a class on the Sociology of Art a few years ago, and one of my core takeaways was that the boundaries of a field (yes my teacher liked Bourdieu, come for her ass, not mine) are fundamentally governed by institutions and entities with the money and power to dictate their rules of play. In Althusser's language, you would call those ISAs (Ideological State Apparatuses). When you read Weber, he talks about how culture needs to have some level of social legitimation in order to become a force of power in the world (I butchered that but it's the gist lol). And it's like.

The people who have the money to read the books dictate which books receive the money. Organizations like Lambda Literary, presses, big name publishers, etc. One of the big problems in the field of trans literature up to this point is that the only people who've had the money to produce social legitimation from the organizing schema/matrix of an ISA have also only chosen to read a very small slice of the extant literature. Then, because those non-profits and presses and companies only champion a small selection of books, that in turn dictates for those who have less money which of those books deserve social attention, critical acclaim, sales, library slots, etc.

And like, all of that is an illusion, but it produces a material reality for the transfemme author. It dictates the material conditions for the reproduction of said literature and who can participate in it.

So, what's to be done about it?

"Buzz" is a big deal in the publishing industry. A good review, an award, a thinkpiece - all of that can be the difference between a successful book and a flop. Publishers look for that. If nobody talks about a book and it doesn't sell well, they'll drop the author faster than you can say Susan. Again, vicious cycle. But like, at the end of the day, a "field," an "ISA," a "legitimated" work of art, that's all just a class prerogative. The different between a Very Important Literary Blog and a "person talking about books on the internet" is money. Like. It's just money. The reality of it is really banal.

It's who has the money to read books. It's who has the money and time to write about books. It's who has the money to gain institutional access to book. It's who has the money to read enough to say, "Oh, well that might seem true, but if you look at X, Y, and Z it's clearly not." It takes money to fact check. It takes money to challenge institutional myths. It takes money because when an institution makes a claim about a book and none of the people who care enough to argue with them have the cash to challenge it, the claim tends to stand.

And like, the honest truth is that between the books, the website, and the education, I've spent a lot of money bringing this website online in the form you're reading it in. A lot of the books I've read were really fucking expensive. I grew up in a wealthy family, my parents were accepting. They have both the means and the desire to support my passion projects. I'm lucky.

The goal of The Transfeminine Review is to create at least one independently trans-run website that can challenge that brand of institutional legitimation work from non-profits and big publishers and cis outlets, a website that can actually highlight transfeminine literature as it exists in the world, not as the Big 5 publishers have dictated it. Topside, Metonymy, Arsenal Pulp, LittlePuss, etc. They've all taken on that challenge from the angle of producing books, but there hasn't been a corollary trans secondary ecosystem dedicated to documenting and critiquing them. Or there is, but it's extremely diffuse and hard to find if you don't know exactly what you're looking for. Then there are the general queer outlets, like them. and whatnot, and they do their best but literature is a side hustle at best. There's the queer-helmed literary outlets like Electric Lit (shout out Denne Michele Norris) but they spend most of their time talking about cis authors. None of it is designed to help or review self-published literature from poor authors, and let's be frank, most transfeminine publishing is still done indie or self.

It's an investment, essentially. On the longshot, the hope is that this website will inspire others to do similar work, and that eventually through the collective efforts of trans authors and their readership, we can begin to change the math on trans publishing and help to spread it to a wider audience.

Now.

None of this changes the current reality that trans lit is expensive.

Unless you're lucky, you're probably not gonna find much trans lit at the local library even if you dig for it. Another good place to find free trans books is transreads.org, but their selection is mostly non-fiction, and the fiction is, again, largely the same few books you can find elsewhere. Another good online queer library is https://www.queerliberationlibrary.org/, which might be a good place to look (shoutout to Skye for bringing it to my attention!)

There are a couple of cheaper places to find trans books. If you shop around on itch.io, a lot of self-published trans authors have "name your price" models, which can be more accessible. Creators on itch will also bundle their work on a fairly regular basis, so you can get like 10-20 books for $10, which is, by my token, an excellent price.

If there's a particular author you're interested in, a lot of self-pub trans authors have Patreon accounts where they serialize their novels. You also can find serial (pre-edit) versions of a bunch of books on Scribblehub.

This has gotten steadily less affordable over the last few years cause Amazon is evil, but Kindle Unlimited ($11.99 a month, but there's a free trial) has thousands of trans books. Most of them are erotica, but like, there are a lot of hidden gems in there, and if you're a voracious enough reader, then it'll definitely be much cheaper per book than buying trad.

The problem with all of these, though, is that they tend to favor specific genres and tropes. Like there's only so much variety on itch.io or Scribblehub or transreads.org or KU. So if you like the genre conventions, then awesome! But if you don't it's probably not for you.

And none of it will give you access to some of the rare older tradpub books or the new but scarce releases that I've been going through unless you're willing to pay the full price for them.

I wish I had a better answer, but that's unfortunately the current state of the industry :/

Hopefully this ramble is helpful.

Beth

[rinachains]

wc: 1.2k

contents: drabble; sukuna x gn!reader, established relationship, a bit of angst and fluff; modern!au (no curses), sukuna can't say sorry for his life, but both of you kind of suck at communicating lol

a/n: aghhh, this is the first drabble I'm posting on here, so bear with me :) reblogs and comments are very much appreciated!

You knew from the start that a relationship with Sukuna wouldn't exactly be conventional. Being with someone like him didn't promise an easy, smooth ride, but you knew what you were getting into. And it wasn't like you were someone who was easy to handle either.

Sukuna and you were basically like two peas in a pod- you would snicker and roll your eyes at others, exchange brash comments, crude words spilling from your sly mouths. It made you giddy. He was anything but a prince charming - if anything, he was more of a villain. But ever since you were a child, you felt more drawn to the antagonists, believing them to have a certain charm that captivated you.  

A match made in hell, your friends would jokingly say. The two of you weren’t particularly good people and perhaps that’s why you were so good for each other. After all, they do say that two negatives make a positive.

Your very first interaction consisted of you scowling at him and saying that he was ‘an embarrassing asshole trying to compensate for something he clearly lacks'. On that day - which you remembered more than well - you were in a café with your friend, and as you were on your way out, he bumped into both of you, causing your friend to spill her coffee on herself. Instead of apologizing, he just gave her a dirty look and started walking away before you stopped him and started berating him.

From that moment on, Sukuna was a goner. Of course, at first he was just irritated and annoyed by your audacity, but thoughts of you quickly consumed his mind afterwards, which in turn made him despise you even more. Only he didn't really hate you - the line between hatred and appreciation was thin for Sukuna, blending into a confusion of emotions that made it difficult for him. But Sukuna was not one to shy away from challenges, the longing for intensity was deeply rooted in his body.

Sukuna didn’t have a normal perception of love. To him, love was a nuisance and useless. But he found you interesting. There was an intensity to you that matched his own, that he could relish. You were unafraid to show yourself, indifferent towards the opinion of others, too headstrong for your own good. And you understood him, in a twisted way. And he was able to understand you. Maybe that was what he needed this whole time – an equal. Someone who didn’t hold back and wouldn’t try to make him hold back.

When you finally started going out, which was a silent procedure since you two didn’t use the words ‘dating’ or ‘going out’, there was a surprising harmony between you. Meaningful conversations formed easily, playful quips and taunting inbetween, keeping each other on your toes, and there were moments of silence that you basked in, not feeling the need to fill it with unneccesary words. It was comfortable; like the spring breeze, promising something new, something fresh, but still holding an air of familiarity, bringing in a sense of comfort. Until then, Sukuna had never believed that he would ever experience anything like this. Sometimes he thought you were just a figment of his imagination, a product of the loneliness that had clung to him all his life.

So when Sukuna first saw the tears in your eyes (the same ones he always subconsciously looked for, no matter where you were), standing out so brilliantly against your glassy eyes that he felt like he was going blind, and had to resist the urge to turn his own away from them, he also felt overwhelmed for the first time. It didn't help that those tears were forming because of him, a reaction to his words leaving his mouth. It was a thoughtless remark on his part, said out of a moment of disdain, which wasn't necessarily anything new, but this time it obviously hit something deep inside you, and Sukuna knew he’d screwed up. Badly.

He never thought twice about something he said, especially when it was something harsh, simply disregarding the consequences of his hurtful words. So why did he suddenly have this heavy feeling forming in his chest, making it hard to breathe? This bitter taste in his mouth?

Sukuna remained silent, his face unreadable and blank like a sketch where the artist had not drawn a face but only the outline of a head. As he stared at you, your cheeks flushed blotchy and you tried to swallow the embarrassment creeping up your throat, blinking a few times to clear the wetness in your eyes.

You didn't want to be weak in front of him – that’s not who you were. You always prided yourself on not showing weakness in front of others, but at the end of the day, you were only human. What if he left you, now that you got this emotional? What if he decided you were too weak, too big of a nuisance to be with? You destroyed the perception he had of you, you were sure of that. 

Silence hung over you like a heavy blanket, trapping you both and making it hard to move. What exactly were you waiting for? For him to apologize? Words like ‘sorry’ never rolled smoothly over your tongue, your own pride and discomfort holding you back. So how could you expect that from him? You didn’t truly know what you wanted. Perhaps reassurance? A sign that he didn’t think any less of you now? That he didn’t mean what he said?

After a few seconds (which felt like minutes, even hours) had passed, you cleared your throat, eyes flickering to the the clock hanging on the wall behind him. You were running late for work.

“I have to go now”, you managed to breathe out, voice slightly scratchy from holding down your emotions.

“Right.”

There was no goodbye following your departure. Sukuna was left with an empty feeling in his chest, his hand reaching out to grab at it. He hated it.

By the time you got home around 8pm, exhaustion was present in your bones, your body weak and head foggy. Being away for a few hours helped you calm down and get a clearer head, although the embarrassment still seemed to cling to you. Should you just pretend nothing happened? Ignore him? Be cold towards him? You didn't really want to talk about it, you were too tired from the day, from everything.

But as you hung up your coat, with conflicting thoughts running through your heavy head, a smell you knew only too well reached your nose and caught your attention: it was your favorite food. Sukuna has cooked it for you a few times before; each time he has grumbled about how long it takes to make and that some of the ingredients are crazy expensive - he never said it was too difficult for him though, he can make any dish, in his eyes there is no complicated one.

The special thing was that you never had to tell him out loud that it was your favorite dish, he just guessed it from your reaction every time you ate it. The moment you smelled his cooking and heard the clink of dishes being placed on the table where you shared every meal, you knew immediately - that was his way of apologizing.

[3hks]

How to Write the "Black Cat" Character

A trope that's becoming increasingly popular right now is the "Black Cat and Golden Retriever" dynamic! And with good reason: their opposition in character makes such a cute and fun relationship! So today, let's explore the "Black Cat" character and how to write them!

OVERVIEW

The Black Cat is known to be introverted and can seem harsh at times; they tend to avoid people and might not talk a lot. They also dislike showing vulnerability or sensitivity, which results in their genuine emotions getting concealed more often than not. In general, they aren't great at dealing with other people.

DIALOGUE

In general, the "Black Cat" is not known for making a lot of friends and getting along with everyone. One of the main reasons for this is because of their communication, which we'll explore!

**SUBTEXT**

Like I said, this character archetype is not honest about their true feelings towards people. When talking, they have a tendency to avoid or lie about the topics they may find sensitive or don't want to share. Thus, their dialogue isn't all that reliable.

So instead, subtext is the key to portraying their emotions.

They could lie and say, "I'm not scared", but their tenseness and darting eyes betray their words, offering the truth without speaking. Those actions are the subtext.

This creates a contrast between their words and their actions, forming a more dimensional person! I'm not saying that they're dishonest all the time, but they will absolutely make something up if they have to, which makes communication with them just that much harder.

**SPEECH PATTERNS**

Everyone has their distinct speech patterns, and this trope is no different! The "Black Cat" is concise and terse with their speech. They're the type to respond with short, curt answers, which makes holding a conversation difficult because they don't feel the need to butter up their words. As a result, they can be quite blunt.

Obviously, that can pose a problem.

Additionally, more often than not, they're unaware of their ruthless honesty and/or struggle to understand why it could hurt someone.

On the other hand, they may say stuff they do not mean (much like word vomit), which can also be hurtful.

Tone-wise, they tend to have a blanker manner of speaking. Not necessarily in an emotionless way, but they speak more to get their point across than to express their emotions. So naturally, their tone is more consistently calm (or even cold) and involves less emotion.

Lastly, there's vocabulary. These characters are unlikely to use slang and generally don't stutter. They might have a richer vocabulary but also may not show it off when talking.

PERSONALITY

Let's break down some of the standard characteristics of this trope!

**FLAWS**

Blunt

Stubborn (Unwilling to accept help)

Closed off

Lack of communication skills

Struggles with empathy

Sometimes (unnecessarily) mean

Cold/Apathetic

**VIRTUES**

Intelligent

Analytical

Unbiased (Unless it the "Golden Retriever" is involved)

Highly skilled (Or a wide range)

Independent

Responsible

**GENERALIZED TROPES**

Tsundere

Apathetic

Mean/Cold

This is just a quick overview of their characters as a whole; the tsundere generally is softer compared to the other two. Although they act disinterested, they care deep down. On the other hand, an apathetic is one that strongly lacks empathy and emotions. They typically don't care about anything and may or may not be mean--it's up to you! And finally, there's the mean/cold type. Obviously, they have more hostile tendencies but sometimes it's a defense system in which they have no control over.

If you can't tell, this archetype is introverted with a more neutral temperament (it depends on how you write them, but the point is that they aren't all sparkles and butterflies). Most of their struggle consists of connecting with other people and building on that relationship. Normally, this is because they may feel that others weigh them down--especially if they themselves are gifted--or that they don't need anyone else because they can sustain themselves just fine. However, when they are close with someone, they're protective, if not overprotective of them.

**CHARACTER**

Another important aspect to keep in mind is that because the "Black Cat" won't show as much emotion and is considerably more serious, this character can easily seem too robotic. So how do we avoid this? We give them some more personal traits!

For starters, slowly establish any fears and/or weaknesses that your character has. The fact that they have their own vulnerabilities demonstrates that they are still human while adding some depth! I also suggest including backstory and dreams to build onto the dimension.

Following that, when they do open up, I recommend not skimping out when it comes to describing the importance of the moment! It doesn't have to be every time, but it allows you to demonstrate the value of their honest expression! Yes, it's mainly just for fun and fluff, but it doesn't hurt to be a bit dramatic about their elusive smile or laugh!

To finish up, the point of view the story takes place in is also crucial. If you're telling it from the "Black Cat's" POV, you have more access to their thoughts, which is pivotal when developing the character. However, they may be less self-aware about how their demeanor affects others.

On the flip side, if you're telling the story through the eyes of the "Golden Retriever", you get to establish how the other looks from someone else's angle and how they handle such a character.

Personally, I prefer to switch the perspective from time to time to get the full picture!

RELATIONSHIP

Here's the fun part! How does the "Black Cat" and "Golden Retriever" trope really function?

Most of the BC's character development actually happens around their partner or loved ones. This is because alone, they have no reason to change and they're perfectly fine with how they're functioning. However, with the GR, they must put in more effort into communication, opening up, asking for help, etc.

That slowly builds character development!

As expected, in their relationship, the BC is the most reliable and organized of the two, balancing out the GR's more reckless nature. Part of their enjoyability is the sheer opposition in their persona, but they should also break out-of-character for each other every once in a while.

What do I mean?

Well, like I mentioned before, although the BC is stoic and distanced, they should be willing to express their vulnerabilities and might even act uncharacteristically shy with their partner. Conversely, the happy and loveable GR may have serious moments when concerning their loved ones. That's how you can tell they do care about each other and that's what makes this dynamic so cute!

CONCLUSION

To summarize, the "Black Cat" is terrible at dealing with emotions and communication. As a result, their actions speak louder than words, so subtext is vital when their writing dialogue! Most of their development happens around their partner--not everything will change, but that's the beauty of this character!

Guys, I'm SO, SO sorry for uploading less recently; school is a mess right now so I'm trying my best to make it up! Homework is getting a bit overwhelming, and my tennis season is starting so I'm still trying to figure things out. With that being said, fall break is only a week away and I understand very well now that I need to prepare beforehand 😅 I genuinely apologize, and I'll working hard to clean my schedule up!

On a separate note, I appreciate all the asks I've been getting, it makes me so happy, so if you need something, please reach out! Thank you so much for making it all the way to the end, expect a post on writing "Golden Retrievers" soon! ;)

Happy writing~

3hks <3

[alexxncl]

‼️NIGHTBRINGER LESSON 49 SPOILERS‼️

lesson 76 spoilers

gonna be using race and racism as an allegory and an explanation. don't like, don't read

masterlist | theories/spoilers | all lessons | season 3 | lesson 48.1 | lesson 48.2 | lesson 49.1 | lesson 49.2

(for context, the other response was something along the lines of "he really cried his eyes out, huh?")

regardless of how much luke has grown and matured, he's still a kid. like, a kid kid. they cry when they're upset, when they're angry, when they're throwing a tantrum, and when theyre confused and/or overwhelmed. i feel like the latter might be the case with luke, which is why i chose the "i'm sure he'll be ok" option

luke was raised with ideals that painted everything in black and white, as good and evil, and as right and wrong. up until his time as an exchange student in the devildom, he was, for lack of better phrasing, undeniably racist and prejudice to all of demonkind because of the way the celestial war was taught to him, because he was taught to think that way during some of the most foundational years of his life

he was thrust into a world that forced him to not only unlearn every harmful and incorrect thing that the people he believed knew best, that knew everything there is to know about the world, but it forced him to realize that everything that was taught to him was built on some sort of lie, that the life he'd been leading and the way he'd been treating the demons he interacted with made him act no better than, if not even worse than, the way that angels believed demonkind acted in their everyday life

with all of this in mind, he understood why the brothers fell and became demons. they disobeyed their father for (imo, not at all) selfish reasons and started an all-out war, costing who knows how many lives. while harsh, the punishment could be seen as justified

but with simeon, it was different. he was someone who disobeyed their father by stealing a ring with the intent of saving not just the celestial realm, but all three realms, and was banished to being mortal. being punished for acting selfless, for risking your life and immortality for the sake of billions doesn't make any sense, right?

and what makes even less sense is that despite his good deeds, despite being on the right side of the war, despite being an overall good person with good moral standing, despite already beinh punished to a life of mortality, simeon still is faced with the same fate as people who committed treason against god himself and cost thousands of angels their lives

imagine how hard it would be for a 10-year-old or 12-year-old to understand and process his entire life and moral code being flipped on its head, still working through and unlearning his negative biases, followed immediately by his big brother/pseudo father figure being faced with an unimaginably harsh punishment for a "crime" that shouldn't even be considered a crime

luke, to me at least, is an example of why it's so so important to teach kids at a young age how to live in and interact with the people and the world around them, whether they're part of a marginalized community or not. it's so easy to fall down the alt-right pipeline given how easily accessible the internet is to young boys, and unlearning the prejudices, biases, racism, sexism, misogyny, etc. that those things can teach you is not only extremely difficult, but a long road to walk down

idk how many people are gonna read this, and i doubt that it's gonna go outside of the obey me community, but i felt like i had to talk about it

[supermoongirl9]

Fleabag is making me think so much about the role 4H/8H/12H placements often end up having within their own family aka the black sheep but also the one everyone expects to miraculously save them and resolve the worst issues and heal family traumas while also rejecting them for it.

They're the only ones capable - also because they've been forced to do so tho - of bearing the weight of actually being ready to change things by addressing what's wrong but while others are subconsciously grateful for them to do so, these natives also are an easy target in their family because of it aka they've become the scapegoat as it's easier for others to treat them like this than to recognize all the internal dysfunctions they've helped to create and maintain.

4H/8H/12H placements know that even if it's painful, it will free themselves and potentially everyone else around to speak about the most difficult topics, to end some stigmas and taboos that have been going for too long within the family.

It's hard though and that's why their own blood and community often resent them for it: they think these natives are troublemakers that just want to attract attention, that just want to ruin everything (just like Claire's husband is seeing Fleabag btw) because remember how it's always better for toxic people and abusers to make sure that things don't change so they can go on with their bad actions and bad treatments of everyone around.

Because speech, just like writing, is freeing: that's how you'll get to make sense (or at least try to) of what's happening in your head, you'll give tangible forms to your thoughts and feelings, that's how you can explain yourself to others - which is also why abusers are so against it and try to control their environment by constantly distorting the truth through lies, gaslighting and such.

Anytime Fleabag is saying something her family doesn't want to hear - because they're not ready and they don't want her to disturb their fragile balance (even if it's an unhealthy one, they're like 'it has worked like this so far, stop trying to change it!!') - they're literally rejecting her and making her feel like she's such a mess, a trash person and almost like she shouldn't even exist, even actually trying to erase her impact by acting like she doesn't matter - it's unfair and that's often what happens to 4H/8H/12H placements because they dared say out loud what was supposed to be kept silent, to be kept a secret.

[the-magiarcheologist]

Theios Aner, or Ancient Magic in Antiquity

Sometimes I get really curious about the sources the writers for HL used to get inspiration for Hogwarts Legacy and Ancient Magic.

For instance, I was doing some research into magical practice in ancient civilisations to see if we can find traces of some of the very first known wizards for the HP universe and I stumbled upon about a group of people in ancient Greece called ‘theios aner’ (θεῖος ἀνήρ) which is translated to ‘divine men’. The definition for these theios aner given by Wikipedia is:

Person connected to the gods, which grants them the ability to perform miracles and supernatural events.

And, think about it!, if we just replace "the gods" in that sentence with "ancient magic" we get a description that fits our MC and the abilities they get from their strange connection to AM. So I started to wonder: are the theios aner some of the very first known ancient magic wielders?

One of the earliest exemple of one of these ‘divine men’ is Pythagoras of Samos, born 570 BCE. Many miracles have been attributed to him, including:

Being seen in two different cities (Metapontum in Italy and Tauromenium in Sicily) on the same day, conversing with friends

Having tamed a savage bear by the power of his voice alone and converting it to vegetarianism

Stopping an ox from eating beans

A white eagle coming down onto his shoulder so Pythagoras could pet it

Biting a venomous snake to death

The river Caicasus calling to him "Hail, Pythagoras!" as he was passing over it with some friends

Having a thigh made of gold

Predicting that a dead man would be found on a ship entering the harbour

(Some sources for this: 1, 2)

What struck when reading this list of ‘miracles’ is that, if we try to explain each of these by a magical discipline we know from the Wizarding World we get:

Time-travel (being present in two cities at the same time)

Care of Magical Creatures or, generally, an ability to communicate with animals (taming the bear, the ox and the eagle)

Divination (predicting the dead man)

Transfiguration (thigh made of gold and probably also biting a venomous snake to death by using self-transfiguration to change his mouth to something able to kill the snake and be immune to the venom)

(The only one difficult to explain is the one about the river calling ‘Hi!’ to him 😂. Although if we stretch it, it could also be some advanced transfiguration that changes the river into something capable of speech.)

And if we consider these 4 disciplines, we realise that they correspond exactly to the specialised skills of the four Keepers: Niamh Fitzgerald being a time-traveler (I explained here why I think that!), San Bakar teaching Care of Magical Creatures and his trial being about taming a magical creature, Percival Rackham being a seer and Charles Rookwood teaching transfiguration.

Cue the famous meme!

I’ve always found Bakar’s ability and his trial to be very random after the sophisticated dungeons we had to go through for the other Keepers, but if we consider that the writers of HL took inspiration from the the ancient theois aner as the originals wielders of Ancient Magic and that the 4 disciplines highlighted are at the core of the abilities granted to a wizard by Ancient Magic, then suddenly his trial makes sense!

[And, if you would allow me a completely crazy tangent here!, I just realized that the only 3 ‘special abilities’ we know of in the Wizarding world, i.e. Metamorphmagi, true Seers and Parselmouths, just happen to correspond to 3 of the 4 Ancient Magic disciplines! And for the metamorphmagi and parselmouths, it’s not just any type of transfiguration ability or ability to care for animals, it’s specifically self-transfiguration and an ability to talk to animals, which are exactly what Pythagoras was known to be able to do! Is that a coincidence?🤯😵 Could we imagine that over time some of the ‘Ancient Magic abilities’ got passed down into the blood of ‘regular’ wizards to become rare inheritable traits? The exception here being time-travel since we don’t know of anyone having a natural ability to time-travel. But time-travel could be an exception since I don’t think Niamh Fitzgerald herself is able to time-travel, she still uses an old version of a time-turner that she wears around her neck, but maybe she has a special ability that makes her immune to the effects of time-travel (we see these ageing effects with Prof Hecat)? And since in 1899 time-travel becomes heavily restricted, anyone having special time-travel abilities would not even know it! Anyway, food for though! And now back to our regularly scheduled programming!]

And the parallels don’t stop there! I’m basing myself here mostly on the Wikipedia page for Magic in the Greco-Roman world since I haven’t had time to do extensive research on the lives each of the other known theois aner. But the amount of parallels between the game and the Wikipedia article is still interesting if we try to find possible sources of inspiration for the HL writers who may have read the same article.

Empedocles was also considered one of the theios aner and he followed Pythagoras' philosophy. Here’s what the Wikipedia article says about him:

Empedocles (c. 490 – c. 430 BCE) too has ascribed to him marvelous powers associated with later magicians: that is, he is able to heal the sick, rejuvenate the old, influence the weather and summon the dead. […] It is important to note that after Empedocles, the scale of magical gifts in exceptional individuals shrinks in the literature, becoming specialized. Individuals might have the gift of healing, or the gift of prophecy, but are not usually credited with a wide range of supernatural powers as are magoi like Orpheus, Pythagoras and Empedocles.

And does that not remind you of someone? Someone who wanted to heal the sick and after whose death the practice of Ancient Magic was significantly changed to become much more restricted, with very few even knowing what Ancient Magic even is?

I don’t know if I’m the only one but the story of Pythagoras and Empedocles (as it is presented in the wikipedia article at least) reminds me of Isidora and the Keepers. Some ‘dark magic’ practices are attributed to Empedocles (summoning the dead), like the ‘dark magic’ practices of Isidora who siphons emotions out of people, and after their death some aspect of the practice of Ancient Magic is lost, with either Ancient Magic wielders (or theios aner) becoming way less powerful or the Keepers locking Ancient Magic away permanently.

If we accept that the ancient theios aner have indeed been used as inspiration for the Ancient Magic wielders, it could be a sort of ‘history repeating itself’ scenario where at several points of history some theios aner abused their tremendous power to do some things considered unnatural or dangerous (summoning the dead, taking away people’s pain) and when that happened other theios aner (perhaps organised into a secret Society for Ancient Magic?) stepped in and placed regulations and restrictions on the use of Ancient Magic, such as dividing the foundational ‘Ancient Magic Powers’ (i.e. time-travel, divination, transfiguration and a connection to animals) among four different Ancient Magic users and not permitting anyone to wield all four together, or, in the Keepers’ time, hiding Ancient Magic away altogether and not permitting anyone to learn it anymore.

[zeynatura]

.

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[nighttimenothings]

it's so easy to find someone attractive, but it's harder to find someone who's in tune with their emotions and knows how to regulate it?? like finding someone emotionally stable, or at the very least, knows how to communicate what they need is so very difficult.

not saying i'm the perfect example of that, but just Trying is enough, you know? being unable to communicate or being mature about what you need and can give a partner is the quickest way to turn me off, honestly. it's just so simple and clear-cut to me, and when someone else can't meet me there, it's just immediately a no from me.

it's not my job to fix someone or change them. i mean, yeah, i can communicate how i feel with someone, but if they can't or won't address the issue, i just don't feel like it's worth sticking around. my mental health deserves better. *i* deserve better.

i think about this a lot actually, and it all comes back down to, like, the bare minimum. people settle for the bare minimum literally every single day. i hear "oh, but they're nice and funny" all the damn time. okay??? and??? so your partner is playing limbo with a bar in hell. good! great! but you deserve so much more than that?? why should you be settling for less??

every and all relationships are a two way street. it's a give and take system. you should be able to talk to each other, and if not, that's something to reflect on.

[simplydnp]

I also think it’s really sweet that they take photos with fans and that they actually smile and look pleasant in them, I’ve seen some celebs look absolutely miserable in fan pics and not smile at all and like I get it if a bunch of people are harassing you but it also makes me sad for the fans and dnp always seem grateful and kind to fans

i have never heard of a time where dnp were rude--fan interactions, employees, nothing. and while no one is perfect, it does make me feel, as a fan, validated in my support of people who are generally good humans. the reason we watch dnp is for their personalities. it would be hard to reconcile their on-camera nature with knowing they're regularly shit people behind the scenes, so any time there's a new selfie and story about how nice they are, it makes me smile. they've been at this a long time, and now that they're not at their 'peak', one could argue they could be tired of it. but they're always so lovely to fans. if it comes out that someone has had a bad experience with them, it won't shatter anything in my eyes cause they're humans, we all have off days or moments--they've got over a decade of extremely positive interactions, and i think that's worth a lot, especially in this industry.

[mellotronmkll]

I need to stop having one weird reaction with someone and then letting the anxiety decide in my head that the friendship is doomed because I ruined it like it's my absolute worst trait and I just have to move past it but it's hard

[dandyshucks]

blinks tiredly. i decide "hm maybe i should try to expand my circle and step outside of it a little, lets go look at the main community tags" and im just greeted with a bunch of edgelords who think saying "fiction doesn't affect reality, don't like don't read" is peak activism and "fighting censorship". head in my hands. this is partially why i do not ever go into the community tags, my nervous system cannot handle blocking fifty weirdos every single day just so i can have a normal experience in the community tags hfdsjkl

[samwinchestermydude]

I’m sick and tired of seeing coquette femcel Lana del ray posts in the Ethel Cain tag. I want to see ETHEL and discussion about and related to her music! Not your posts fetishizing mental illness and skinny white girls and infantalizing grown women. I had to scroll a bunch to find an actual post about Ethel. Anyways We should post more incest to scare them away. Help me out y’all.

[transgendercastiel]

Season 1 community, season 3 community and season 6 community are so different that they actually feel like separate shows entirely.

The humour (style and subject) shifts drastically, as does the soundtrack, characterisation and colour grading. (This is especially relevant to season 6, where the increase in time and the budget and the remade set really affects the show’s tone)

I think the reason for the disparity between season 1 and 2 is the drastic change in where the story was supposed to end up. Troy and Pierce were supposed to ‘bond over their immaturity’, Britta was supposed to end up with Abed. Of course the great comedic chemistry between Donald Glover and Danny Pudi meant that Troy and Abed were paired up instead, meaning the show was already off the rails from the very beginning. Troy’s character was adjusted to be more childish in a way that fit his dynamic with Abed (think cardboard spaceships instead of Ass-burger jokes), Britta became more inadequate, Pierce became more xenophobic.

Alternatively, the reason I believe is behind the shift in season 5/6 is a combination of character dynamics and external changes. When Hickey was introduced because of Donald Glover’s departure from the show, he was purposefully different and added a variety of dynamics within the show. Then, at the beginning of season 6, Shirley is also gone, Frankie and Elroy are introduced and the Dean and Chang are promoted from side characters into the main cast. The set is painstakingly recreated in a new place, the increased budget allows for less extreme colour grading and the episodes are increased to 30 minutes a piece. Of course all these changes contributed to a show that felt almost completely different to its origins, especially after a few rewatches.

Whether these changes are positive or negative is up to the viewer and their personal preferences.

[professorlegaspi]

In my special self-indulgent headcanon version of speech gifts, telepathy is a mind gift, but the equivalently difficult Speech gift is speaking in concepts

[gregmarriage]

really think i need to make more irl friends, but it feels so impossible. like most of the ppl my age seem to only hang out in bars, and it’s like sorry, i’m uncool and can’t drink, bc i’m on medication. and making friends via dating apps or something similar is abysmal. so, i’m kinda stuck imaooooo