Whumper-Turned-Caretaker CYOA 27
CW for the series | Masterlist
You chose to take Whumpee on an outing.
“Whumpee,” you start, “I’d like to take you outside. And not just to the backyard. I was thinking a walk around the neighborhood. Can I trust you not to…get me in trouble?” They acted trustworthy before, when they kept quiet with your friend over, so you believe you can trust them again. But this is a new level of freedom and opportunity, so you’d like to make sure.
They nod. “Yes,” they say, voice soft but not weak.
“And are you ready for that?”
“Yes,” they say again. “I would really like that.”
“Okay. Let’s go, shall we?”
You bring them outside—out the front this time, where there’s sidewalk leading away from the house and no tall fence enclosure to keep the two of you hidden.
Whumpee gawks a little. It’s understandable; they haven’t seen a space this open in a long time.
You let them pick a direction, and start walking down the block, side by side. Whumpee enjoys the fresh air, the sunlight, and the birds that occasionally fly by or sing from the trees. You enjoy seeing their renewed wonder at a world that you’ve taken for granted but that they’ve spent too long cooped up away from.
They don’t shout or make a break for it. It seems you’ve succeeded in building up a trust that goes both ways. You make it back home without any incidents.
Whumpee looks a little regretful that it’s over. You promise them they’ll have the chance to stroll the streets again before too long, which cheers them up and earns you one of those smiles you’ve learned to value from them.
What you don’t tell them is that you’re not sure whether that chance will be with you again.
It’s time to make a choice. Whumpee has come a long way. As far as you’re able to tell, they’ve gotten through the biggest parts of the recovery you decided to help them with when you first brought them out of the basement. Whumpee is about ready to go back to whatever life they had before. Still, you can't help but wonder if…maybe they didn't have much to go back to. No one came looking for them in all the time you’ve had them, after all.
Taglist:
@kabie-whump, @whumpanthems, @whumpsoda, @3-2-whump, @generic-whumperz,
@taterswhump, @alivenova, @whumped-by-glitter, @expressionless-fr, @whumpycries,
@whumpsday, @moons-cozy-corner, @echo-goes-aaa, @whumplr-reader, @starfields08000,
@whump-blog, @ivymyers, @currentlyinthesprial, @lumpofsand, @coffin-hopping,
@ragin-cajun-fangirl, @catnykit, @indigoviolet311, @dragongodryss, @kira-the-whump-enthusiast,
@risk606, @natthebatt, @decaffeinatedtimetraveler94, @whatwhump, @venusski
@hermitcrabs-1, @croixph, @mj-or-say10, @kawaii-cakes, @gevwer,
@fourwingedwriter, @turtlesnap1
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A book asks the reader to imagine any sensory input of the story, whereas a film or TV show provides both sound and visuals. Audio fiction lives in the space between these two approaches. I think there's a unique power to that middle ground. I love how audio drama asks the listener to co-construct their sensory experience of the story.
Audio drama allows me to simultaneously experience 'This character feels real to me because I've heard their voice' and 'This character feels real to me because I've pictured them myself'.
What the characters are experiencing is both directly presented to me and left to my imagination. There's no page or screen between me and the story. It's there in my ears. It's there in my mind's eye.
There's a strange sense of intimacy to that, the intimacy of feeling like a fly on the wall during a conversation or of hearing a character speaking as if directly to me. Perhaps it sounds contradictory to say that experiencing a story only through sound allows me to feel uniquely connected to that story, but that's one of the reasons why I love audio fiction so much.
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Since my dash brought up the idea of dual promos for intertwined blogs... you know what else we should bring back. Verses made with other people's portrayals in mind in which the other person's muse is mentioned or alluded to in asks/threads/narration/etc no matter whose blog you interact with since that person's portrayal is deeply intertwined with yours & became canon to your muse's verse (ex: a Pacific Rim verse where your muse is a pilot and the other person's muse is their copilot & because drift compatibility is so rare they're a staple in each other's verses so they're brought up in threads even with unrelated muns when it contextually makes sense to talk about them; or a Psycho Pass verse where your muse is an inspector/enforcer and the other muse is their designated enforcer/inspector who gets mentioned in your verse bio/page and sometimes even in ic conversations/narrations ETC ETC ETC)!
Relationships that expand even outside of the og 2 people's interactions & become 'canon' to a verse even while interacting with third parties are just SOSOSO nice to write and experience!! I already have this going on for my romances since I'm singleship so the romantic r/s are canon across all verses, but I think we should expand this to even more types of dynamics. Friendships! (Found) Families! Coworkers! Enemies! I want my muses and you guys' muses (<-ofc, where applicable) to talk about each other even outside of our own interactions! (ex. My Shuusei sometimes talks/thinks about Red's Seven during threads because they're childhood best friends and you can't separate them entirely. My Ezekiel has Kaya's Chihiro as his 'canon' younger sister and regularly mentions her in various threads. My Aha 'canonly' chose Blu's Mya as their Emanator and if an interaction ever asks them about their Emanators, she will get a mention no matter what. My Langris and Kim's Kimiko are 'canon' coworkers who can't stand each other and he will talk about her in interactions where the Golden Dawn squad is mentioned. So on and so forth!!)
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