#anti comics sentiment

[ufonaut]

The aggressive content of comic books is so conspicuous that most observers fail to notice that this aggression is rigidly channelized, that the willingness of any reader to accept a fantasy escape from his frustrations presupposes a willingness to achieve less than total and actual escape. Like all other forms of dreaming, literature operates under a censorship. And this censorship -- in both its legal and internalized expression -- does not allow any direct, total attack on the frustration that elicits the dream. It offers a choice.

- Love and Death: A Study in Censorship (1949), Gershon Legman

Five years before Fredric Wertham’s infamous Seduction of the Innocent essay and the subsequent spark of anti-comic sentiment that nearly killed the industry along with the introduction of the Comics Code Authority and the Senate Subcommittee Hearing into Juvenile Delinquency, Gershon Legman had explored similarly sentiments in Love and Death: A Study in Censorship (1949).

The belief that the violence of pre-code comics was harmful to children and the approach of the ‘Superman model’ as inherently fascist explored in Legman’s work would form much of the basis for Wertham’s later criticism and the crusade against comics. Interestingly enough, Gershon Legman is widely believe to have been gay himself.

[daydreamerdrew]

excerpt from American Comics: A History by Jeremy Dauber

[stromuprisahat]

Demon in the Wood comics added an extra storyline about another amplifier in the area- a bear- and Aleksander's Eryk and Annika's sidequest to hunt it.

(Surprisingly, it only adds another layer of tragedy.)

... that leads them into the otkazat'sya village on the other side of the mountain...

Otkazat'sya located and killed an amplifier.

(How? How do they recognize it?)

The don't hunt it, because they're afraid it's dangerous.

They don't hunt it, because they're hungry.

They kill the bear, because it is valuable to Grisha.

They recognize the connection between Grisha and amplifiers, so they destroy what they can.

They call it the DEMON bear... just like they call Grisha witches.

[not-another-robin]

The people have spoken!! Mighty Mouse lore drop under the cut! Very 5th grader core but it means a lot to me. Hope you enjoy!

The original Mighty Mouse, MJ Fierro, was a young soldier in the eighties who volunteered to be a super soldier experiment. She was granted heightened strength, agility, constitution, and senses - but her powers were deemed too unstable for the field, so they simply abandoned her. With her new powers and no help from the government, she decided to help her community of La Puente, anonymously thwarting injustice. She gained the local name "Mighty Mouse" because of her stature, but refused any accolade. After ten years of fighting, she left crimefighting behind her to start a family.

Fast forward 25 years, and MJs body is starting to deteriorate. A devastating cancer has formed, possibly caused by the experiments done to her. She passes away before 50, leaving behind 3 children.

The youngest of these children, Marcel Montgomery, starts to experience changes at the age of 18. Weird things are happening - they don't know their own strength, their senses are becoming overwhelming, and their clumsiness suddenly leads to no injury. After investigation, it seems the mutated DNA from their mother was passed down to them alone, activated at the same age their mother recieved her powers.

Marcel idolized their mother and took all of her lessons on heroism to heart. They decide that with great power comes great responsibility, and with the help of their friends, they take up the legacy of Mighty Mouse. They are bad at it. They lack coordination and any skill, and they start to worry their powers might attract undue attention to their family. They need someone to teach them.

Marcel strikes out on their own to the most super-crime infested city in the world - Gotham. Jumps right into the deep end. Alone, they start their search for Batman. He just seems like the mentoring type - I mean, how many robins are there at this point?

During a scarecrow attack, Batman encounters the new hero trying to get help. They get civilians to safety, but he warns them to stay away from the source. Sorrounded by scarecrow gas, Batman is in a vulnerable position - and Mighty goes in any way. Affected by the gas, Mighty starts to panic, momentarily distracting scarecrow and allowing Batman to neutralize him. He takes Mighty back to the cave for inspection after hearing their fears of not being able to protect their loved ones, and failing their mother.

At the cave, Batman insists Mighty is in over their head. They know that, that's why they're here. Mighty begs Batman to take them under his wing, just wanting to do right by the world and their mother.

"I just want to be like you. I want to be like her."

Batman knows the feeling.

And thus Mighty Mouse is the new sidekick in gotham! Posing as a personal assistant to Bruce Wayne, and also just being a personal assistant to Bruce Wayne, Mighty Mouse is born.

[ketchup-monthly]

N for DC

N - Name three things you wish you saw more or in your main fandom (or a fandom of choice)

oh god there are so many more things than 3 that i would like to see in the DC fandom that i dont see. but i'll shave it down to 3

MORE LANTERNFAM -dear god please give me more lanternfam. i want hal! i want guy! i want john! i want kyle! i want kilowog! i want carol! i want razer! i want aya! please god i just want more lanternfam -on that note, i also just want the lanterns to get more respect???? they wield the most powerful weapon in the known universe and are insanely powerful to be able to do so. lets get some respect on their names, please?

midnighter and apollo actually getting the credit they deserve instead of being watered down little bitches -dear god please dc ruined their characters and took away all interesting factors that either of them had and left them soulless shells of the men, nay, gods they used to be. they took away their marriage. they took away their daughter. they took away their beautiful codependency. -instead, midnighter is an edgy batman knockoff and apollo is a superman fanboy -they would not fucking say that -and a lot of fans are seeing their new 52 and rebirth versions and accepting that as who they actually are as characters, and no! they had a rich and vibrant history before the new 52 ruined them -i just want them to go back to who they were, together and apart, before the new 52, where their story actually had meaning and a political message instead of the watered down fanservice "oh look we have gay characters" that their comics are today

more content that separates other characters from the bats so they can get an actual story told -ive complained about this in some of my tags recently, but as someone who is in a lot of other parts of the dc fandom that ISNT the batfam, i'd like to be able to sit down and actually have content for characters, ships, and dynamics between characters that dont involve any of the bats. -im a lantern fan. do you know how hard it is to actually find content for that? there is so little guyhal content, or superlantern, or green lantern the animated series, or hal's relationship with literally any other character when compared to the content for bruce and his kids. -i want to be able to read clark kent content without it being about bruce. i'd like to read superbat where its not about clark being a stepdad to the batkids and completely ignores clarks kids. he has kids and this is as important to his character as bruces are to his. -i want to read flash content without dick in it. i'd like to have comics coming out where i wont have to read about the bats and their misadventure of the year -please stick the bats in an alternate dimension where nothing happens for a year so i can enjoy literally anyone else doing anything else -duke can stay bc he already has literally barely any content for him and i think he deserves to get to grow as his own character for a bit. im putting him in a terrarium with shelter, food, and enrichment and gently misting him with water as we speak. i shall take care of him as he becomes independent and gets to be a kid for a little while. he is being taken care of well -that being said can i please have more fics where we take bruce's kids from him and they actually get to grow a personality other than "gotham vigilante"? let hal steal bruces kids! let clark! let barry! let dinah! please im asking very nicely

[bitchyblkqueer]

from action comics 1938 issue 630

[cultofthepigeon]

Every now and then I think about how Vance and Venom were in the Vault at the same time and so was Scott Washington and tbh retroactively I think the three of them had some fun Interactions together

[kermit-coded]

nothing like reading about the history of american comics to make you say, "wow folks REALLY used to hate the irish!"

[dudeshusband]

i don't recommend the matt helm movies unless you really like dean, 3 ring circus unless you like dean or jerry (especially jerry), mr. ricco unless you really like dean, or that's my boy, at all. you can love dean and jerry with all your heart and that movie sucks ass.

[thedreadvampy]

oh no rich people have commodified and gatekept the enjoyment of art, treating it as an access code to high society and as an investment portfolio.

surely the problem here is that Art Is Bad And For Richos Only and not that art is made inaccessible and poor people are deprived of access to beauty.

[fellhellion]

its kind of unfair to be making this analysis without knowing what elements of the comics spiderverse is going to utilise in it’s interpretation of the characters, AND it’s difficult to tell from the brief glimpses whether things have changed socioeconomically, but im kind of obsessed w Miguel kind of having completed a cycle where he’s ended right back up top of Uptown in an isolated tower.

Downtown Nueva York was historically quite literally just where the poor and outcast lived, out of sight and beyond the reach of the sun. The catalyst that begins Miguel accepting the spiderman mantle is him getting his ass kicked all the to Downtown (confessing the L of not even knowing it existed) and the only people to really offer him help the entire time he’s being hunted by the corporations are people from Downtown. 

[daydreamerdrew]

excerpt from American Comics: A History by Jeremy Dauber

[imperiuswrecked]

BDS HAS CALLED FOR A TARGETED BOYCOTT OF PRO-ISRAEL PROPAGANDA CHARACTER SABRA!!!

BOYCOTT SABRA (RUTH BAT-SERAPH) IN MARVEL'S CAPTAIN AMERICA : NEW WORLD ORDER!!!

As Captain America: New World Order is released I urge all fans who are against Zionism to flood the Captain America tags with messages of Boycott Sabra. All the links provided in the graphic are publicly available from their websites, and social media.

Anti-Zionism =/= Anti-Semitism!!! We are boycotting Sabra not because she is Jewish but because she represents a Pro-Israel, Pro-Zionist message that should not be platformed in any media. Her comics have Pro-IDF propaganda.

Marvel was made aware of the fact that this character promotes a Pro-Israeli & Anti-Palestinian sentiment when the character of Sabra was announced for Captain America 4, despite fan concern, and calls for Marvel to remove this character from the movie and despite have more than enough time to respond to what type of statement this would promote, a Pro-Zionist, Pro-Israel stance and despite reshoots Marvel has still chosen to keep Sabra in the movie. Shira Haas is the actress playing Sabra, she is Israeli and has shared Pro-Israel posts online even during the genocide of the Palestinians.

Marvel claims they will be reinventing the character however a character whose very nationality and backstory relies on Pro-Israel & Pro-Zionist ideals is irredeemable especially because not once in all her comic appearances does she ever change her Anti-Palestinian stance. Israel is currently committing a Genocide against Palestinians. Since of October 7th more than 30,000 Palestinians, of which over 12,000 are children, have been murdered by Israel. Over 60,000 have been injured, more missing, and millions displaced in Israel's genocide and ethnic cleansing of the people of Palestine. This is in addition the 75 year long occupation, countless war crimes, and 16 year blockade on Palestinians.

Marvel claims to care about Jewish characters, but Marvel hasn't even cast Jewish actors for Jewish Characters like Moonknight. Marvel choosing to back a Pro-Israel, Pro-Zionist character like Sabra sends a very clear message that aligns with Marvel Comics long held Anti-Palestinian sentiment. There are other Jewish characters for Jewish representation, such as Magneto, and Kitty Pryde, who were not created with a Pro-Israel, Pro-Zionist background.

BOYCOTT SABRA!!! Send a message, write a tweet, make a post, and tag Marvel and Disney and let them know why you are Boycotting Captain America: New World Order. I love Sam Wilson as Captain America but I will never support a movie that has Sabra as a character.

For more information about the character's history here is a breakdown of her appearances in Marvel Comics.

The Incredible Hulk (1968) #256 - Sabra's Origin

On the cover of Sabra's origin issue is the image of a dead Palestinian boy.

continued...

As we read the issue, we find Bruce Banner/The Hulk has stowed away on the ship "The Star of David" to Palestine, in the comics it is called Israel, however Marvel Comics has long been erasing Palestine, calling it only Israel.

This is Marvel Atlas (2008) #2 page on Israel

Marvel Fandom Wiki states that Palestine was the name of the land before Israel. While I understand that Marvel's 616 Universe is fictional, it's important to state that they base their locations on Real Life locations, and in 1948 Palestine underwent The Nakba, in which Israeli Forces displaced over 750,000 Native Palestinians and killed countless men, women, and children, stole land and homes, and forced the remaining Palestinians into the Gaza Strip which is the world's largest concentration camp, or confined to the West Bank all of which is under Apartheid laws today, or out of Palestine with no right to return to their homes and lands.

That being said, Sabra was created in 1980, as a Mossad Agent, Mossad is the Israeli Secret Service which has done so much harm to Palestinians. In her first issue she was working as a cop in Tel Aviv.

The Editor's note states: "The word Sabra denotes a Native-Born Israeli, the name derived from an indigenous form of fruit - a prickly pear possessed of a sweet interior, and a spiny outer surface to protect it from it's enemies."

Sabr (arabic, it also means "patience") is a cactus prickly pear that is Native to and found growing in Palestine. Read more about it in this article talking about the politics of Palestinian erasure and the Sabr fruit.

The Prickly Symbolism of Cactus Fruit in Israel and Palestine.

“If you look at most Palestinian villages demolished in Israel, what’s left is cactus fruit and olive trees,” says Qattan. Since 1948, he adds, this has imbued the cactus plant with a “mythical symbolism.”

When Blum’s father started the farm, he knew that many parts of the world have cactus fruit plants, so he wanted to make theirs the best. They chose Dimona, in southern Israel, because of its intense sun and “the Zionist dream of making the desert bloom.” 

"Making the desert bloom" is a racist Zionist ideals and propaganda that has caused severe ecological damage to Palestine by destroying thousand years old Olive trees to plant non indigenous trees that are not native to Palestine in a form of ecocide. So even the character Sabra, her very name brings a connection back to the Nakba, the ethnic cleansing of Palestinians & promoting Zionism.

However Sabra's name also has another very real and very tragic memory. One I will discuss here before returning to the comics. Just two years after her appearance in comics in 1980, Israel's war crimes continue.

The Sabra & Shatila Massacre 1982

The article linked above has information of what occurred September 16-18, 1982. There were the Refugee camps of Sabra & Shatila, where Palestinians displaced from Israeli Occupation lived, and they, as well as Lebanon Civilians, were killed by the right wing Lebanese Militia working with the Israeli Military, which took the lives of 2,000 - 3,500 people in 2 days. Raped, tortured, murdered. Many Palestinians know the history of the massacre and bringing up the names of Sabra & Shatila is a constant reminder of the deaths that occurred, the war crime that was committed, and that 42 years later not one person involved in the massacre was held accountable.

The Sabra and Shatila massacre is remembered as one of the most traumatic events in Palestinian history and its memory is commemorated annually by Palestinians in Lebanon and in Palestine.

Marvel promoting a character like Sabra who's very creation ties into the Pro-Zionist Israel a statement that Marvel is promoting a Pro-Israel message. No matter what changes occur to the character in the movie, already her very creation, her very name is linked to the deaths and torture of thousands of Palestinians. It does not matter that she was created 2 years before the Sabra & Shatila massacre, her name is still connected to the ethnic cleansing of Palestinians from the 1948 Nakba and the creation of Israel.

For anyone who says "Well Marvel couldn't change her name just because of Political Controversy" let me remind you that when the American Black Panther Party gained popularity Marvel changed The Black Panther's name temporarily to the Black Leopard because they didn't want to associate the character with the American Black Panther Party.

Now that you have an understanding of why Palestinians are rightfully boycotting an Israeli Propaganda character let me return to the the comics.

Back to The Incredible Hulk (1968) #256; this comic is one of the most Anti-Palestinian, "Arab Terrorist Propaganda" comics I have ever read so I will briefly outline the plot: The Hulk meets a poor Palestinian boy who was stealing a watermelon (The watermelon is the symbol of resistance for Palestinians) and Bruce spends time with the boy, Sahad, however Sahad is killed by a bomb. Hulk is enraged and fights the Arabs, Sabra intervenes and thinks Hulk is in league with the Arabs and attacks him.

Hulk takes Sahad's body away and Sabra thinking Hulk was fighting with the Arab Terrorists goes after him in order to protect Israel. However she finds that Hulk wasn't the monster she thought he was. Hulk's angry speech about the Israel-Palestine conflict leaves Sabra shaken and for the very first time she sees a Dead Palestinian Arab Child as human.

"For an instant, Sabra prepares to give chase. She is, after all, an Israeli Super-Agent... A Soldier... A Weapon of War. But she is also a woman, capable of feeling, capable of caring. It has taken The Hulk to make her see this Dead Arab Boy as a Human Being. It has taken a monster to awaken her own sense of humanity.

Reminder this is her FIRST FULL COMIC, this is her ORIGIN, and you would think that perhaps she is more sympathetic to the plight of the Palestinians after this but she isn't. Let's continue with the rest of her comic appearances.

Marvel Super Hero Contest of Champions (1982) #1-3

Sabra is included in the contest of champions where superheroes must team up to battle their foes, she is teamed up with Iron Man, and The Arabian Knight (1st incarnation: A Saudi Bedouin with mystic artifacts/powers). Again, the Anti-Arab racist stereotype of Arab men being misogynistic towards women (misogyny is not a trait of ONLY Arab men, it is something that occurs world wide, however focusing it only on Arab men is racist) as well as the Zionist Propaganda lies that Arabs hate Jews, Arabs vs Jews, Arabs and Jews are enemies because of their religion. Not to mention that this Arabian Knight (Abdul Qamar) is from Saudi Arabia, he has no ties to Israel, so Sabra is judging him because he is Arab and has conflict with him because of their countries, it ties into the stereotype that "All Arabs are the same", Saudi Arabia is not Palestine.

Even after The Arabian Knight saves Sabra, she states her hatred and racism towards Arabs; "I would rather be dead than allied with you!"

The Incredible Hulk (1968) #279 - Sabra once again states it was the Hulk who taught her about Humanity.

Marvel Super-Heroes (1990) #6 - Sabra fights Israeli Anarchists who want to overthrow the Israeli Government and saves the American Ambassador's son, who is deaf. The main villain is a woman who Sabra saved by giving her some of her life energy, and she is upset because she did not want to be saved nor does she want to fight for Israel with the powers Sabra gave her. Sabra takes her life energy back and it kills her.

A constant running theme throughout her comics is that one of Sabra's repeated goals is the protection of Israel even above her own life.

The Incredible Hulk (1968) #386-387 - Sabra thinks the Hulk is in league with people who are trying to kill a boy, and attacks him. Later she thinks Hulk has defeated her and has this speech where she says that Israeli Soldiers are beating their wives out of frustration.

Again, how is that not the fault of the soldiers, why is it even when they are perpetrators of violence it's not their fault because they are frustrated?!

The main plot was that a Jewish man, who survived the German Nazi concentration camps, believed the boy to be the next Hitler which is why he wanted to stop him.

I never downplay the horror of the Holocaust or what Jewish people suffered from Nazis, from Anti-Semitism, throughout their history, but I am mainly focusing on how Sabra's character is in the comics and how that related to Anti-Palestinian, Anti-Arab sentiment.

The New Warriors (1990) #58-59 - Sabra reveals that her six year old son was killed by Arabs, bombed on a school bus, after she urges the New Warriors to kill Batal, a Syrian Super-Agent. Batal then states that it was the PLO (Palestinian Liberation Organization) that killed her son and to stop generalizing all Arabs.

Batal: Well Sabra? There's a Palestinian over there -- aren't you going to push him out of his seat and claim it as your own? Sabra: I don't respond to child-killers

Again, Sabra's racism against Arabs doesn't end at Palestinian Arabs, but extended to Saudi Arabia and now Syrian Arabs. LET ME BE VERY CLEAR THAT SABRA IS BEING RACIST: Batal has 2, TWO, only 2 comic appearances, he is there as security detail like Sabra is, there is nothing about his character that indicates he's anything but a Syrian Superhero, and Sabra still called him a child killer because she thinks all Arabs are child killers. Batal is written with the stereotypical racist Arab Man writing that many Arab characters suffer from, and he does insult Sabra by calling her an "Israeli Pig" after she treated Batal with disrespect, distrust, and suspicion ever since his arrival.

Sabra is then mind controlled into stopping the peace conference and killing everyone who allowed it to happen. She is stopped by the New Warriors.

Sabra's son is never once shown in a flashback, we are only ever told of him and how he died.

X-Men (1991) #67-69, 72-73

Sabra's dead son's name is revealed to be Jacob, she uses her position in Mossad to get secret information for the X-Men.

She later has plans to track down and kill Magneto, but ends up fighting with his clone, Joseph, before being told that wasn't the real Magneto and stopping.

Excalibur (1988) #120-121

Sabra teams up with Excalibur to defend "Israel" from Legion's ghosts. Then she is debriefed of her mission by Mossad.

Uncanny X-Men (1963) #366, 367, 379

Sabra takes Joseph (Magneto's clone) to an Israeli Military bunker where scientists study his DNA and state he is a clone of Magneto. Later Sabra attends Joseph's funeral.

X-Men (1991) #111

Sabra makes a statement about Magneto; Israeli Super-Agent Sabra weighed in on the looming war with her usual candor, "It is clear to me at least that Magneto has become the monster he claims to despise. There are some factions who believe this rumored son of Israel has brought much shame to his countrymen. Factions who believe he should be dealt with once and for all. Okay maybe not factions. But certainly Individuals... like me."

New X-Men (2001) #131-132

Sabra attends a funeral for Darkstar in #131. In #132 Sabra interacts with the mutants, and x-men, and says to Quicksilver (on the apparent death of Magneto), "I'm sorry Quicksilver, but good riddance. Magneto was a master-race lunatic who coherenced the entire Genoshan mutant population into a war with humanity and brought this on himself."

JLA/Avengers (2003) #4

Single panel appearance where Sabra is shown protecting the Wailing Wall in Jerusalem. Again she is called an Israeli hero.

Side Note: I don't think there's been a single comic where Sabra has a major presence that has not mentioned at least once that Sabra is an Israeli Super Hero, a Mossad Agent, or an Israeli Super-Agent at least once. It's so noticeable that they always mention it and how big of a role it plays in her character.

Excalibur (2004) #5

Flashback two panel appearance of Sabra on Genosha.

Civil War: X-Men (2006) #1-4

Sabra fights on the side of Tony Stark/Iron Man and battles Archangel, then aids an injured Micro Max.

Civil War (2006) #6

Sabra fights on the side of Tony Stark/Iron Man.

Union Jack (2006) #1-4

The Arabian Knight has changed mantles, the 2nd incarnation is portrayed by a Palestinian Hero, Navid Hashim. I make mention of this because in Union Jack (2006) #1 Navid is called a Saudi, then in Hulk (2008) #45 Navid is called a Afghani, however the Marvel Fandom Wiki stated he was a Palestinian and I wanted to confirm it, which I did in:

Marvel Encyclopedia, New Edition (2019)

In the first issue of Union Jack, right off the bat, Sabra has an issue with The Arabian Knight, and is antagonistic towards him.

Navid is written in Marvel's usual racist writing; the misogynistic Arab man stereotype. Navid tells Sabra she should embrace her role as a mother instead of a hero. Sabra snaps and chokes him while telling Navid that Palestinians killed her son. Note how now it's Palestinians and not, Arabs, and not the PLO? Because by now the PLO is no longer considered a Terrorist group, so Marvel can't blame them and instead shift the blame to all Palestinians for the loss of Sabra's son. Arabs is too general, so of course it's the Palestinians.

To this date Sabra's son, Jacob, has still never appeared in any flashbacks, never seen drawn into a comic with Sabra, no mention of who the boy's father is. Nothing except Sabra's loss and hatred of the Palestinians. Even in her first solo comic series, which I discuss further down, does not mention her son. Using the death of an Israeli child to justify villainizing the entire group of Palestinian people is Zionist Israelis do. It's Anti-Palestinian Propaganda.

Later Navid gets hurt and Sabra checks on him, he tries to apologize;

Arabian Knight: About your son... I only meant. Sabra: Don't. We are allies of the moment. Another day I would have driven the dagger home.

Later Sabra, The Arabian Knight, and others are mind controlled by the villain to attack Union Jack. Union Jack is told that he can distract them by turning them against their "natural enemies" and then Union Jack insults Sabra and uses Sabra's hatred and racism towards Arabs to turn her against The Arabian Knight. Sabra calls Navid a terrorist as she attacks him.

The mind control gets broken, and the team rallies to save the day by the last issue. The final exchange between The Arabian Knight and Sabra shows a tense acknowledgement between them meant to show begrudging respect. This is the nicest Sabra has been to any Arab character since her creation. The bar of "showing respect" is literally on the ground.

Secret Invasion #6

Cameo one panel appearance of Sabra in Israel fighting a Skrull.

Astonishing Tales (2009) #6 - Astonishing Tales: Sabra

Tagline in the comic states: Sabra: Whether as an agent of Mossad, or a superhero, the Israeli mutant Ruth Bat-Seraph has never doubted her decision to put her country above self. Fighting alongside the Avengers, X-Men, and Captain Britain, as the patriotically garbed Sabra. Ruth has proven herself a champion to all nations.

"Sabra in Flight" - is one of the most disgusting pieces of Israeli comic propaganda I have ever read thus far in Sabra's comics. For my first time reading it I was shocked at how easily they projected the narrative of Israel as something noble and worth dying for. This piece of utter trash is the very first time Sabra has her own solo comic story. Let that sink in. This is the first time in 29 years since Sabra's creation 1980 that she has her own solo comic story. Sabra's total presence in the comics is 42 years.

The only things we know of her character is that her name is Ruth Bat-Seraph, she was born and raised in a special Israeli Kibbutz (Israeli settlement), that she manifested mutant powers that include; flight, energy quills, poisoned quills, super strength, and life energy transference. Sabra had a six year old son named Jacob who died in a bombing. She has always stated or maintained her solidarity and defense of Israel even above her own life. She is racist to any Arab, especially Palestinian Arabs.

It also important to note her costume changes over the years, her Star of David has diminished greatly from being on different parts of her uniform to just barely being a necklace/neck accessory. Her roles as Israeli Hero is greater than that of her being a Jewish Hero.

This comic introduces us to Ruth at a Israeli social function in Jerusalem, where is with her mother. Her mother tells her not to spill anything on her Sabra uniform, and mentions how people want to talk to her, Their Greatest Soldier. Again the emphasis on her being an Israeli Soldier and a Mossad Agent is hammered home in the first page of this comic.

Mother: "Your dad would be so proud of you, Ruth. To see his daughter in uniform protecting the Nation." Ruth: "I just hate being put on display at these receptions. I am a Mossad Agent after all."

Then the next bit of news we learn is that Sabra has a brother. So now we know she has a mother and brother who is living, and her father is deceased. Next a old friend of Ruth's arrives with her teenage daughter, Yael, in tow, she introduces Sabra to her daughter and leaves them to talk. Sabra then mentions to Yael that she must be getting close to her mandatory military service soon. Yael mentions she is nervous because her friend was in the military and was paralyzed in Gaza.

Sabra then spends the next part of the comic reassuring Yael that it's ok to be nervous and that she was nervous too sometimes and mentions a story where she faced Hydra, and that when Yael goes into the Israeli military (IDF: Israeli Defense Force) she will learn a lot.

Sabra: "You'll learn a lot when you enter the Military. But the biggest thing you'll discover is that you have two families; your military family, and your personal family. Both will always be there for you, and perhaps even sacrifice themselves for you. A hard truth I learned the day my dad died rescuing me."

Yael mentions how her father was killed by surface to air missiles, and then goes on to say she was accepted into the air force flight academy and she always wanted to fly but that she was nervous. She mentions she might go into Military Intelligence. Sabra says that is good too but Yael then says she feels she was always meant to fly. So to convince Yael go into air force and alleviate her fears Sabra then takes her in her arms to fly her over Jerusalem and tells her that this land is what their dads died for. And she is convinced that Yael will make the right choice.

Side Note: Excuse me while I throw up, this entire comic made me feel so disgusted. I always try to write and speak about comics as professionally as I can but fuck this comic. Fuck this Pro Israel Propaganda. Fuck Sabra. Fuck this Pro-IDF comic. Fuck making an entire comic about reassuring a young teenage Israeli girl to go and join the IDF to fight in Gaza, to kill Palestinians. THIS. This is why Sabra will NEVER be able to be divorced from her origins, her character, as a Pro-Israeli Super Agent. No matter what Marvel tries to put into the movie this is who the character is at her very core.

Over 12,000 children have DIED since October 7th. Israel is committing genocide against the Palestinian people, but Marvel and the MCU, and Disney think it's ok to have a Israeli Superhero in a Captain America movie? Boycott. Scream out online to them. Tell them we do not want their Israeli Propaganda. Sabra should never ever be used for any platform, movies, shows, animation, comics, ever again. Over 30,000 Palestinians have been slaughtered by Israel in the last few months alone. Never forget.

I'm shaking with rage as I write about this comic but we move on. There's still some comics left to discuss. However in my firm opinion this character is indefensible, she literally is an Israeli Propaganda character. She is propaganda for the IDF.

History of the Marvel Universe (2012)

Cameo Appearance.

Amazing Spider-Man (1963) #685, Amazing Spider-Man: Ends of the Earth (2012) #1

Sabra teams up with Spider-Man and other heroes, she is introduced as a Israeli based mutant, she fights spider robots in Jerusalem.

X-Men (2010) #31, 34-37

In Paris, Sabra greets Storm and later she helps the X-Men using her influence as a Mossad Agent.

X-Men (2013) #9, 11, 16 + X-Men Legacy (2012) #23

Sabra aids the X-Men.

Captain America: Steve Rogers (2016) #18

One page Cameo, Sabra appears to have completed a mission and gathered files.

Avengers (2018) #11

Sabra and the Arabian Knight are at a meeting called by The Black Panther. T'Challa wants everyone to work together, they are currently discussing an issue with Namor the Sub-Mariner, King of Atlantis. Ursa Major makes fun of the situation; "Haaaa, look at Sabra and the Arabian Knight! Even the Jew and the Muslim are agreeing! How touching!

Zionist propaganda of making it seem as if the conflict between Israel and Palestine is a religious conflict between an Arab and a Jew. Making of a Jewish and Muslim character getting alone because they should be fighting is racist, Islamophobic, and anti-sematic. The conflict between Israel and Palestine is NOT a religious conflict, Israel has been occupying and murdering Palestinians for 75 years. It is a conflict between Israel being a colonizer and Palestine being colonized. Israel is committing a genocide as I create this post.

At the end of all her appearances spanning 42 years Sabra has not once changed from her palestinian, arab hating, israeli zionist roots. All we get is her trading a few words back and forth with Arabian Knight and acting like an adult at a table full of kids. There isn't even respect between them. That is all the appearances of Sabra.

Why is important to boycott Sabra? In addition to the character being Pro-Israel, Pro-IDF Propaganda, giving a large platform like the one an MCU movie provides will give the actress a larger platform.

Israeli Actress, Gal Gadot, who is Pro-Israel, Pro-Zionism, Pro-IDF, and was a former IDF soldier, was cast in a high profile role of Wonder Woman, she used her platform, power, and access to thousands of fans to further messages of Zionism and even promoted a Pro-Israel propaganda film to be aired in Hollywood. The film was used to further the Zionist agenda of continuing their genocide against the Palestinians in Gaza. Bearing Witness (2023) is a Israel IDF propaganda film that Gal Gadot endorsed as Israel continued their genocide of the Palestinians in the Gaza Strip.

Wonder Woman isn't even Israeli, however the actress used her ties to the character to promote Israel. In Wonder Woman: 1984 there is a very racist, Anti-Arab, Anti-Palestinian message including a scene where Wonder Woman, played by Gadot, saves 4 Arab boys from a missile. Article Link

Why is that scene so controversial? Because Israel murdered four young boys who were playing on a beach in Gaza back in 2014 by a drone missile strike. Article Link

Gal Gadot and now Shira Haas having roles in movies with as much exposure as DC and Marvel movies promotes Israel, and Zionism. Pro Zionist groups have already voiced their approval of Shira Haas playing Sabra.

I will boycott any piece of media that features Sabra, the Israeli Propaganda Super Agent.

Use the Captain America tags to Boycott Sabra.

If you have read this far then please support Palestine. Support Palestinians and fight against Zionism. Comics were created by Jewish Creators, do not let Zionists try to erase their contribution or use comics to promote Zionism. Comics are never created in a vacuum, they are the pulse of current pop culture, of current news. Comics are Political and always have been. Marvel choosing to keep Sabra in the MCU sends a clear message of support for Zionism & Israel.

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[theodore-sallis]

“Man-Thing!” Fear (Vol. 1/1970), #10.

Writer: Gerry Conway; Artists: Howard Chaykin and Gray Morrow; Letterer: Artie Simek

[watermelonsugacry]

harry's 30th birthday blurb with 1d!yn?! 👀

Birthday Surprises

SUMMARY: Harry celebrates his 19th and 30th birthday with the person he loves.

GENRE: 1dbandmember!yn, married!ynrry

Since 2010 masterlist

Not to sound ungrateful, but Harry thinks that this was one of the worst birthday celebrations that he's ever had.

Tonight, he just wanted to spend his last year being a teenager having fun with friends—not be completely embarrassed and uncomfortable being strip teased and danced on by strippers. 

Not to mention that afterwards, One Direction’s management team had booked him to do a relationship stunt for the night. So as he walked out of the club and into his security team’s Range Rover, a tall, blonde model was by his side. As bad as it sounded, he couldn’t remember the girl’s name for the life of him. 

Nothing was going to happen with her anyways. All they had to do was a couple of paparazzi pictures of them together before they’re driven off into the night. The driver would discreetly drop her off at her own hotel before escorting Harry back to his. 

So there's not an ounce of uncertainty that when Harry comes out of the elevator, he's absolutely tired and wants nothing more than to be left alone.

He waves his card key in front of the lock and once he hears the little "beep" sound, he pushes the heavy door open.

His irritation and tiredness might have just peaked over its breaking point when he begins to hear rustling from inside. He’s already extremely worn out that he doesn’t even want to put in the effort into putting on a nice face to whoever’s inside his hotel room. But the smile that appears on his face is effortless when he sees YN flicking the wheel of the lighter over some birthday candles sticking out of a chocolate cake.

“Fucking fuck—oh, surprise!” She hops, extending her arms out beside her in what she hopes to look like a grand gesture.

“What’s going on?”

“We’re celebrating your birthday.” 

Anyone a mile away can tell how uncomfortable he was during the whole stripper fiasco. It sucked to have to stand off to the side, a faux smile on her face to see her bandmate in that type of situation. As much as she wanted to stay with him for the other “fun” festivities the night had to offer, she knew that she couldn’t let his birthday end the way it was heading. So she took the chance to leave the club a bit early and hoped that he would be up for one more celebratory, late night hang out.  

“But, but it’s already past midnight,” He blinks, still a little dumbfounded at the kind surprise before him.

"Oh come on, we only have—err—three, ah! Two more minutes until your birthday is officially over." YN pulls Harry over to the small dining table and sits him down in front of his freshly lit cake. It's then that he notices the shaky lettering on the cake that reads, “Happy Birthday Harry!” Letting him know that she went more out of her way for him than she initially let on. 

She comically clears her throat before beautifully yet quickly singing the infamous Happy Birthday song. The song isn't being yelled at to him by a big group of people, and the room isn't jam-packed with people he doesn't know. When he leans over to blow out his candles, he isn't fearful of hands going to the back of his head to stuff his face into the cake.

He doesn’t think twice about wrapping her up in his arms. He squeezes the tops of her shoulders tightly and she nestles into his chest. He presses a kiss to the top of her head, “Thank you.”

The sentiment doesn't, can't go by unnoticed, but it doesn't seem totally out of the norm. This is Harry. A sweet and affectionate person whose love language is undoubtedly physical touch. If anything, it'd be YN feeling the one out of place in this situation. And maybe it was a change of heart towards her anti-touchy feelings or maybe it was because of his birthday. Either way, he's grateful for the way she's letting him hold her. If it were anyone else, she definitely wouldn't wrap her arms around his torso, humming at the warmth he brings.

"Well the night doesn’t have end here,” YN blinks up at him. As if they both realize their close proximity, they slowly pull away to give each other some space. “If you're still up for it and not too tuckered out, I rented that one stupid rom com you like. The one with the guy standing outside with the signs."

"Love Actually? I thought you didn't like that movie."

"Well to be fair, I actually have never seen it. But it’s your birthday and this is sort of part of my gift to you. You know, if you even wanna see it. If not, I can just fuck off and you can sleep because I know you probably had a pretty eventful day—”

She’s rambling. YN’s rambling—a quality she was never prone to particularly show, but it’s cute. He thinks she’s cute. 

“YN,” He chuckles, effectively cutting her off. “I’m down to watch it.”

“Really? Okay, cool. Because I already have the film on queue in the room so that would have been real fooking embarrassing.” Annnd she’s back.

He watches with curious eyes as she carefully slides the heavy cake plate onto her hands. 

She throws a nod towards the kitchenette, “Mind grabbing the forks.”

As much as Harry tries to resist it, he can’t seem to wipe the smile off his face. He quickly grabs the two utensils before following behind her to the open bedroom. YN quite literally steps onto the foot of the bed before carefully sitting down, balancing the cake in her hands.

He sits down next to her, handing her the fork just as she begins the movie. They both dig their forks into the middle of the cake, taking out a chunk.

“Happy birthday, Harry,” She says, clicking the ends of their forks together. She happily hums at the delicious dessert but it quickly turns into a groan at the opening aong of the movie. “Ah not this stupid song again. I felt like this was all i was hearing just the other month.”

He’d be lying if he said he was watching more of the movie than her. His cheeks hurt from chuckling at her witty commentary and he tries not to make a big deal about the way she actually started to get into the film. So as he eats cake and spends the rest of the night with his best friend, he thinks that this might be the best birthday he’s had in a long time.

• 11 years later ●

YN stumbles through the front door as Harry cradles her in his arms, his mouth feverishly pressed to hers. They smile through their kisses, and he hums as she runs her finger through his growing curls. Harry kicks the door of their shared home behind him and blindly tosses the keys haphazardly in the general direction of the bowl by the door.

“Okay, okay,” YN pushes against his shoulders, finally getting a breath in, the pair still walking further into their home without separating. “So I know you said you didn't want any more presents—”

“Baby,” the grown man playfully whines. “You've already given me everything.” In all sincerity, she really has in his eyes. He’s been in love with the woman before him since they were sixteen. He wanted to be with her since their time in the band, through the making of their solo albums and everything in between. Even though it’s been a little over a year now, it still brings an explainable peace and warmth to his heart that she’s now his wife; not his friend with benefits, secret lovers, or merely a couple, but married.

And today couldn't have gone better. YN had the whole day planned. They started the day with lazy morning sex that turned into breakfast in bed. They spent the afternoon down by a secluded beach, having an impromptu dip in the water just before eating the lunch she packed for them. Then, after a plane ride to their private villa in Italy, they've just got back from having a beautiful dinner at his favorite restaurant.

“There's nothing more I could possibly want. Ooo, unless you're hiding some sexy lingerie under this fine ass dress you got here.” He says into her the crook of her neck, already sponging kisses onto her skin.

YN lets out a laugh, especially as his fingers begin to bunch up her silk dress. “No! Well, not no but—”

“So you do,” Harry says with excitement, the creases in his eyes appear when he hears her laughter. 

“Just hang on a sec. Your present is upstairs.”

“So I get to unwrap my last birthday present in the bedroom,” He teases her further. Her husband relishes in the way she lets out a girly squeal when he dips down and effortlessly lifts her over his shoulder to bring them into the master bedroom. 

 “Wait, wait,” She pushes as Harry plops them down on the bed, already trapping her underneath him. “Wait here. I’ll be back in a sec.”

Once she's managed to wiggle herself free (with great effort, no thanks to Harry) she scurries off to the connected bathroom.

He sits himself down on the bed, undoing the cuffs of his button up before rolling up his sleeves, preparing himself to see if wife in lacy undergarments that are only begging to be taken off by his teeth. Or torn off. Either one would work.

“H, close your eyes.” YN says from behind the door. “I mean it, no peeking.”

“Alright, alright.” He complies, already feeling a childlike sense of giddy anticipation. 

“Are they closed?”

“Yeah.”

“...are you sure?”

“Yes! For fuck sake’s woman. Being so mean on my birthday,” he laughs.

He feels the bed dip next to him before a kiss is pressed to his lips. Before he can bring his hands to her jaw to deepen the sweet kiss, he feels something being placed in his hands.

“Okay, open them,” she says against his lips.

He pulls back and sees a red box tied with a bow on top. 

“Lovie, you really shouldn't have.”

“Last one, I promise.”

Just to tease her, he brings the small box next to his head and shakes it slightly to hear the contents rattle inside.

YN makes a strategic move by placing one of her hands behind him so her thumb can twist at her rings, knowing that that's her dead giveaway for her nerves.

When he opens the lid, it's only then his face gets serious—lips slightly parted with soft eyes. On top of the pile of confetti lies a pregnancy test. The small, red plus line stares back at him clear as day.

“YN?” When he looks to his love, she begins to hold back her tears at the sight of his watery eyes and pink nose. “Is—wha—are you sure?”

“I took like five of them just to be sure,” she lets out a chuckle.

“We’re having a baby?” Words can't describe the warmth and happiness that fills her chest at his excitement. It's not like they haven't mentioned having kids before. It's been brought up a couple of times, most recently these past two years, but the timing was never right. They were always working; whether it be on making an album, working on themselves, and for the longest time, tour was their babies. But now that their 2 year world tours have ended and they've finally had time to go MIA for a couple of months, it didn't feel like a better time.

The couple wasn't setting up a schedule or anything technical to have a baby. Especially since going on their second honeymoon had been occupying their schedule right after touring was done, they decided that baby making would happen naturally. Whenever their baby decided to enter their lives, that would be the perfect time.

YN nods and before she can say the words to verbally confirm, he has her wrapped in his arms. Harry lifts her off the bed and gives her a little twirl.

As quickly as he picked her up, he's on his knees before her and puts a gentle hand on her tummy.

“Hi, bubba,” he says softly. YN beams at the sight, already wiping at the happy tears running down her cheeks. “I'm your daddy, and I love you so so much.”

After placing a gentle kiss on her stomach, he finally takes his wife's face in his hands and kisses her. It isn't rushed or filled with a sexual need. It's soft and filled with so much love and passion.

“We're gonna be parents, baby. You’re gonna make the best momma," he says sincerely, getting more emotional at the thought of holding a mini YN or a mini him in his arms in less than a year from now.

"And you're gonna make the best dad," she hums. He wraps his arms around the tops of her shoulders, pulling her close to him as she cuddles into him. He presses a kiss to her forehead and sniffs back his tears.

"I love you so much."

“i love you, baby. Happy birthday, Harry.”

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