#anti hera

[adenathroughthemultifandom]

Whos ur least favorite god

Adena: Wow, you want to start another Trojan War, don't you?

Also Adena: Hera for ruining my first marriage and forcing my hand to rejoin that stupid arranged marriage that I ran from in the first place. Entitled bitch.

[moony-2001]

A star is born 🌟

I just had to redesign Hera’s fertility goddess form. In all ways possible, I wanted her to be opposite of Kronos, hence the total makeover.

I based her color palette off of a neutron star! Neutron stars are technically dead stars and she was “dead” there for a minute so I figured that would go hand in hand.

Hope you like my redesign (click for better resolution) ✨

[antiloreolympus]

What is LO Cooking?!

I heard Lore Olympus was ending soon, so I caught up, and wow, it somehow got worse. The main thing I'm stuck on is Hera being the fertility goddess.

I don't know about y'all, but this is NOT the same person. But I assume this is for the reveal to be a 'surprise'.

((If you have to switch up a character's whole look and remove their only "unique" trait (mole) for a surprise, maybe don't do it.))

To continue, while this recent episode (273) depicts Zeus as awful for using Hera's powers. It also doesn't explain why Metis couldn't fight Kronos herself.

I haven't read the fast pass, but I'm going to make an educated guess that Hera is going to solo Kronos easily like Persephone did.

If this is the case, wouldn't that mean Metis was powerful enough to stop Kronos on her own, and she simply chose not to? Not only that, but she and Hera could've teamed up him if they were this powerful on their own.

It's very odd how this story wants me to believe Zeus did this only out of greed and not necessity if even Metis can't handle Kronos.

Also, Metis not only didn't take Kronos out but kept the truth from Hera? The blame is instead shifted to Zeus as if Metis didn't have the responsibility of telling her daughter.

If the story is willing to critique Demeter for lying to Persephone, why isn't Metis getting the same heat story wise?

This isn't me saying Zeus is justified using Hera's powers post-titanomachy as that is unacceptable (RIP Zeus Stans). Only in the context of defeating Kronos.

It just feels like another way for Metis to be seen as a "caring mom" as if she didn't sleep with Young Zeus, knowing two of her kids had a crush on him.

- - -

The potential reasons I have are between:

"RS didn't think this through and made Metis such a terrible mother that most of the aftermath could've been prevented if she had either fought Kronos on her own or taught Hera how to use her powers."

Or

"Hera (and Metis to an extent) wouldn't have been able to use the full extent of their abilities without a man using them as a battery first."

Both of these are terrible, and I hate it here.

[alatismeni-theitsa]

In "KAOS" nothing is anything, and everything is wrong

Two disclaimers: I am no stranger to modern art, and I have no issue with queerness in shows, or in my own mythology (I'm Greek). I am also aware that KAOS is a comedy. It's in the gutter of British comedy, but still part of the genre. At least I laughed every time they said "Oh God!". I don't believe this is the same person who wrote the great and amusing "End of the F**king World"! The premise of "The gods in our modern world" appeals to me a lot, so that wasn't my problem either. My general issue with KAOS is its horrible delivery, bad writing, and piss-poor Greek representation.

This is gonna be long and full of stupid gifs, so sit comfortably, grab a coffee or some popcorn and... pame!

The "ILoveGreekMythology" Kid

Art without context is just a pretty thing to look at. Most of the time, this context can be found within the art piece itself, as the artist has taken care to weave it in. KAOS refuses to connect itself to any context besides the names and a few vague powers. It aims to exist outside of those "boring old stories of the Greek myth" and be entirely "fresh and modern". Something impossible when the entire show and the meanings are based on ancient recorded material. In other words, KAOS is so meta that it ends up being nothing. KAOS cannot stand on its own because you need more than the viewers being familiar with the Greek myth basics to pull such a show off.

KAOS tells us "See? I know all the names of the gods, and what they did, and I know all the locations, so I am qualified to tackle this". More or less like any Western kid who takes all their knowledge from PJO and Marvel and proceeds to unironically hate ancient deities and make a girlboss out of Medusa.

Here's a Greek word for you guys, ημιμάθεια, meaning "half-knowledge". Α Greek saying very well declares "Half-knowledge is worse than no knowledge". The confidence of thinking you know enough often leads you to grave mistakes whereas the humility of not knowing prevents you from touching shit that you shouldn't. When you have no idea what the original myth is trying to say and spit on its meaning, knowing a few names and locations is just smoke and mirrors. I don't believe the audience fell for that.

And don't get me started on the "subversions". A good subversion is intriguing and thought-provoking. In KAOS, every twist was hollow - Greek myth related or otherwise.

"What if Euridice doesn't love Orpheus?" I don't know, babe. What if??? What was the point of that? What did you show us? That women's stories are dominated by men and men don't listen to women, perhaps? And you chose to twist... the love story of Orpheus and Euridice to show this?? One of the best and most tragic love stories Greek mythology has to offer?? You just mocked the myth, you didn't make anything profound out of it.

The Greek Stuff (Nothing salvageable)

I was surprised to see they had a Consulting Producer (Georgia Christou) and an Assistant Script Editor (Isabella Yianni) who happen to be Greek. And I stress that because those people probably weren't hired or utilized for being Greek. We are not sure they were involved in cultural decisions because we have no evidence and because shows with no Greek elements can have more Greeks than that on their staff.

Okay, perhaps they took 5 seconds to ask Isabella about a greeting - which they proceeded to say in a wrong intonation 🙄🤌It's where Poseidon says "ya sás" in the Fates, by the way. How he said it sounds more like "for you (pl.)" than "health to you (pl.)".

Surprise! The only Greek actor present (Peter Polycarpou) has less than 5 minutes of screen time and plays the caricature of an immigrant with a thick (and inaccurate Greek) accent. He has a canteen, selling falafel which is not Greek, and Dionysus buys from him an unidentified tortilla wrap (which... is also not Greek, if you haven't caught up).

For the show they brought in actors of Maori, Nigerian and Sierra Leonean, Pakistani, Black American, Latvian-Jewish, Iranian, Egyptian, Indo-Fijian and Malay descent and you tell me it was impossible for them to seek and find an English-speaking, skilled actor of Greek descent in a show regarding Greek heritage. Sometimes I wonder, do y'all hate us so much?

They considered Greeks only to give us a simple (and wrong) greeting and a stereotype. Crumbs, we are supposed to be happy with. By the way, there are over 70.000 Greek immigrants just in the UK, usually in the urban centers, many of them students or fairly young employees in the corporate workforce. Not the largest minority but not hard to spot either.

Another plague of Anglophone shows: Almost everyone's Greek name is shortened. Yes, we know their full names but we are told that we will use the short ones. Greeks and their "long and difficult" names am I right fellas? Because saying "Ariadne" apparently requires 5 years of Greek language training, and no English word ever has more than two syllables.

Coincidentally, short names are cool in Anglophone imaginary universes and the "long" names are not. it's so strange Anglophones never make universes where it's cool for Greek names to be spoken in full hmmm... They don't even want to practice saying a whole Greek name for just 2 minutes in preparation for a show full of Greek names. And don't give me that "Greek is hard" shit when we only talk about a few syllables. If Greek kids can learn English since first grade and people here can sing English songs and spell English names, you have no excuse.

They also said the name "Fotis" means light, which is close enough but... ugh.. It's like saying Sebastian means "respect". I am not sure if they asked anyone or what their research was here. If I had the writers in front of me, I'd be like:

(This character from an all-time favorite Greek show is called Fotis)

They also made the flag of "Krete" an alteration of the Greek flag and the local Cretan flag. Which is the stupidest move, because they had to remove the religious symbol of the cross to make the flag fit the universe. These are flags created based on 1) Christianity 2) the Greek Revolution of 1821.

National Greek flag to the left, local Cretan flag to the right:

Flag of the KAOS' "Krete":

The only time they seriously took into account anything Greek, was the time when they decided to remove the religious symbol of our ethnoreligion AND (from what I could observe) keep the nine stripes?? The nine stripes of our national flag represent the syllables in "Freedom or Death". The colors are from the white foustanela of the mainland attire and the dark blue vraka of the island attire, the clothing of the Revolution fighters. (That's more of a meta explanation but the characteristics of the flag were decided during and nearly after the Revolution.)

I think I don't have to explain it more but it's not a homage to put the nine stripes in an ancient era where they have no meaning, and to replace a cross??? Let's... not replace religious symbols on national flags, okay? Thank you.

Another cultural element they changed was making everyone have a dedicated coin to pay Charon. Orpheus has Euridice's coin, "her coin", and he's meant to put it on her before she got buried. In Greek culture, any coin would do. Sorry that our culture restricts your script, dear writers. I guess you had to bend this too, in order to create a cohesive plot with a semblance of a twist.

Finally, the many "Kerberus" dogs were cute and I can understand the creative decision behind that. However, in a show full of inaccuracies, this made me roll my eyes a little. I think the showrunners know that Kerveros is not a breed of dog, and there can only be one of him because he doesn't have any other "Kerveros" to breed with. On the other hand, as demonstrated from art/writing on the internet, quite a lot of Westerners are not exactly aware of how our monsters work, so forgive my uncertainty 😅

Nothing is Anything

Every element KAOS played with ended up meaningless. In the words of a Lifo article:

“Zeus is a paranoid authoritarian dictator in mid-life crisis who fears losing his power and murders his aides to vent. Hera is a promiscuous goddess who repeatedly betrays Zeus and has mutilated mute priestesses for protection. Dionysos is a spoiled and immature zoomer who, apart from pranks, indulges in orgies with all genders. Poseidon a sadistic god of the sea, who tortures the crew on his ship for fun. Prometheus is gay and killed his lover so he could overthrow Zeus. Orpheus is a famous pop singer and Eurydice does not love him. Theseus is black and gay. The Erinyes are tough-as-nails mechs that look like they stepped out of ‘Sons of Anarchy’. The Fates resemble a three-member jury in a talent show. The Trojans are a terrorist group that acts against the gods. Crete is more reminiscent of California than the Mediterranean.”

The "River Styx" is a sea, the "River Lethe" is a lake, the gods are nothing more than spoiled humans, the Moirai are drag queens, the Cave is a club where you have to take a quiz to enter the underworld, and generally everything is modern, flat, mundane and anticlimactic. The producers aimed to achieve a work so meta that a "river" is now a concept, a metaphor, whatever you have in your heart. And those who want to see a river when we speak of a river are probably uncultured swines and don't understand postmodernism. Never mind that rivers are rivers in Greek mythology for a reason. That's not culturally interesting enough to explore compared to the new, cool approach of not assigning meaning to anything. That totally shows love for the original rich and meaningful material...

And the reason behind all this subversion? Probably the shock factor. They brought the characters to a point where they said "We have to save the world from Zeus" - Zeus! The father of gods, heroes and humans! - just because they could. It gives off a certain type of smugness that I personally don't like. I mean, I would like the smugness and cheekiness of KAOS if it wasn't a vapid and practically meaningless show. As nothing symbolizes anything anymore, we are just led from hollow plot point to hollow plot point.

If you cut it out of any cultural influence and see it as a story then it's... okay, I guess. But when you consider that it's meant to derive from certain material and it fails spectacularly, it's not a good story. It forgets its bases and doesn't play with the ancient elements at all. Disney's Hercules did it better, FFS!

Bad Writing (pt.1)

KAOS is not without recognizable themes but their demonstration is so juvenile and heavy-handed that it fails to influence a viewer of average intelligence. For instance, "Riddy" says to her religious mother "You dedicated your whole life to Hera, what about me?" Okay, KAOS, we get it. At the same time, this theme nulls itself because it turns out that Ridy's mother was right to do what she did, as she had a greater goal in mind. (And this, kiddos, is called Bad Writing, because your themes and scenes contradict each other)

The biggest theme I spotted was a criticism of religion and religious people who say "Do as I say, not as I do" and create exceptions for themselves. Only, it's not a criticism of anything real, in this case. It's a fact that some people in the clergy tend to preach peace and love and then they do harm, but we don't know, for example, that The Goddess of Marriage is a cheater and yet she pressures everyone into strict marriages. By focusing their wrath on divine beings who are not known for their hypocrisy, the creators missed the mark.

I can give KAOS props for how it handled Trojans to reflect real issues regarding how immigrants and war refugees are mistreated and blamed. I'd argue it was the only (nearly) well-done theme in the whole show because it had the least on-the-nose delivery and some genuine/serious scenes. But that's it.

More Bad Writing!

Jeff Goldblum's Zeus is shit. He'd crap his pants in an argument with a stern Greek dad/uncle his age. Is this character supposed to be intimidating? (Laughs in Mediterranean) That's not to say that Goldblum is not a good actor, but this role wasn't for him. The same can be said for the other actors, too. They are competent but they only give off the air of "The Greek gods if they lived in London, from the minds of people who think beards and body hair are an affliction". In addition to being misplaced, the actors cannot show their talent when following a script that resembles a children's book.

Why does THE GOD Dionysus have the maturity of a 15-year-old? I repeat, The God Dionysus. He's a freaking deity, and a very old one at that. He is not a teenager neither in appearance nor in experience. In our culture, he is mystical, mighty, wise. Why did they downgrade him so? Just for the plot? This is not Dionysus just because you named him so.

The dialogue rarely takes itself seriously to the point it has you wondering at times "Do people talk and behave like that?". In a comedy where everything is meant to be already extreme and parodied. Even in comedies, something must occasionally be serious so there is a healthy fluctuation in tone and the funny moments can hit you. In KAOS very few scenes treated their impactful dialogue as it should be treated.

The queerness and diversity (good elements, in general) were worse off for being in KAOS. Like, I want these elements to be there. I'm just sad about the whole situation. It's not enough that the show is shit, now you also give an additional reason for conservatives to shit on diverse and queer characters because they are part of a stupid narrative.

I'm the type of person who doesn't mind the queerness of Astyanax and Theseus being lovers in the context of this specific show but they're still the oddest pairing to me because they're from the most irrelevant myths and eras. Also, Astyanax in my mind is a baby who died tragically, for little reason if we are honest, so to bring him back and make him a love interest is... ekh.

In addition, isn't Astyanax supposed to be crippled after a fall from the city walls when he was a baby? Sorry to change subjects but the show is so convoluted and with so many issues that it's extremely difficult to stay on track with what's wrong.

To the person who thought this show was a good idea:

Whatever. Bye. I'm fucking done.

[hermesmoly]

Headcanon: when Hephaestus chained Hera to her chair, it took a night before Dionysus could convince him to free his mother. Hera spent overnight trapped in that chair in contempt and guilt. Zeus, for all his sleaziness cheating, and arrogance over his wife, never left her side during this. He wouldn’t sleep in his marriage bed nor in the bed of another that night. He slept right next to her on his own throne, clutching his hand with hers, their rings gently gleaming.

[sarafangirlart]

If you want Hera to cheat so bad Iris is right there, she’s an absolute simp to Hera in some sources and Kaos would have at least one explicitly wlw couple. Then you’d really be cooking.

[scarareg]

HC Hera always despised Annabeth because,as a goddess,she could see that Annabeth would become a toxic partner; and since Hera is in a toxic relationship herself, she just could not pretend to like her

[demeterdefence]

besides the fact that 90% of the comments on lo are absolutely terrible in vibe and take, it also feels like the place where rachel just plucks all her plot points

[that-guy-in-the-chiton]

Daddy Oceanus & baby Hera.

[mythsandheather]

Made this for the ULO Reddit and now you guys have to look at it too.

Heard that one podcast where RS talks about how “everyone prayed for good marriages to Hades and Persephone cuz they are SO perfect” and naturally my hateful ass couldn’t let that slide.

[mylittleversaille]

Every day I see more and more pop myth takes that make me want to pull my eyelashes out. No, Ares was not a protector of women. No, Aphrodite was not a war goddess (and you know what, being the goddess of sex and lust and beaut is okay!). No, Hera is not an irredeemable villain. No, Zeus is not evil incarnate. No Achilles isn’t without fault or some ‘gay softboi’ icon (he’s literally presented in the Iliad as someone who is proud to a fault. You’re supposed to recognize that he’s selfish and arrogant). No, Demeter was not an overbearing mother nor was Hades some sort of misunderstood, brooding knight in shining armour. Medea is allowed to commit heinous crimes and still be a sympathetic character. Jason… deserves all the hate he gets, respectfully.

Off the top of my head, I think Helen is one of the few people who gets complex, interesting characterization in modern retellings and discourse, ironically enough. She’s allowed to be vain and aware of her own beauty while also often having a great deal of agency. At the same time, she is frequently depicted as both victim and as offender. She’s allowed to want to be in Troy, but also to miss her husband and daughter.

Some days I feel like I could write essays about pop mythology and the way people reduce mythological figures to one dimensional caricatures. And how these retellings are never as progressive as people think, fixing some issues but exacerbating others. I do think retellings end up being an excellent resource for identifying what social issues bother us and how we would like to address them.

For example, we see a lot of feminist retellings that want to show women as capable of the same things as men, and in so doing they reject or deride their own femininity. But a retelling that is ultimately saying that masculinity is more interesting or valuable than femininity isn’t a truly feminist retelling, but it does show us that our society struggles to find femininity compatible with strength or courage.

[moony-2001]

Fellas, is it wrong to let your characters emote?

TW for blood/ichor under the cut and body horror (?)

I wanted something a little more yikes, if you get me, so I had Persephone’s old scars open up. I know it’s not perfect but I think it looks cool

[lo-shouldve-been-an-email]

Hera your grandfather-in-law is trying to destroy the world this isn’t the time to reconnect with your groomer mother

[amphitriteswife]

✨Lore Olympus art fails✨

What happend to brodie’s hair😭 girl aint got no hairline at all. It starting on her head atp. Also why her head looking like a minecraft block 💀 and why is it like 10x bigger than her body

Uhh ma’am why is Hades a dog😭??? Bro got his own fursona. BRO IS CERBERUS LIKE SAVE MY DAWG FROM HIS FURSONA. Bro joined the furry fandom 😟

What the fuck is this 😭 bro’s hand bigger than his head and neck combined HIS NOSE LOOKS LIKE GRU’S HELP

Uhh miss where is your hairline? 😭 also why do her eyes look upside down??? Yo her neck real strong if you can carry the weight if such a big head yall. SHE LOOKS LIKE A CHIPMUNK 💀 this aint cute at all

Uhh ma’am you is missing eyes brows. Forever 19 and still having a receding hairline?? Girly be pulling up w the bug eyes 🐛 also why are her arms so long compared to her body??

‘ Lo is a modern retelling’ THEN WHY IS PERSEPHONE SEXUALIZED SINCE THE FORST EPISODE??? And why is she supposed to look pathetic??? 😭😭 also she aint chubby or plus sized💀 as you can see she is just so curvy her spine has the golden radio arch

Girl that dress is almost falling off her 💀 and the left side of her head is going bald😭 HER EYEBROWS TOOK OVER HER FOREHEAD

GOOD LORD WHO’S IDEA WAS THIS . Also her eyes aint looking in the same direction. And her boobs look glued on.

Not Hera having the hades built😭 HER BODY IS LIKE MASSIVE COMPARED TO HER HEAD. THE SHOULDERS BRO

🌸Tags🌸: @miss-seanymph-pani @viostar2095 @vilereign @nicasdreamer @monstertreden @tinyy-tea-cup

[sarafangirlart]

No but now that I think about it the writers of Kaos are absolute cowards for not faithfully adapting Semele’s hilarious demise and instead simply turn her (and all Zeus’s lovers) into a bee, how boring can you be?

[jedimasterbailey]

WARNING! AHSOKA SHOW RANT DOWN BELOW! SPOILERS!

Furthermore, I’m going to be completely honest in this review so if you’re someone who truly enjoyed the show, you’re a Rebels stan, etc. then this post isn’t for you. Haters will be blocked immediately so take your negative energy elsewhere. You have been warned!

For everyone else, buckle up because I’ve got a lot to say and I’d love to hear your thoughts on this as well. All comments are welcome so long as they are respectful to everyone.

Okay, so now that the show is done for now. I’m going to be listing some major talking points. We’re there some aspects of the show that I enjoyed/appreciated? Absolutely! But overall, I’m leaving this show very disappointed, confused, and frustrated. The finale left me feeling empty and never have I personally been more silent after a Star Wars show. Now mind you I think this has a lot to do with the fact that I love Ahsoka’s character dearly as well as the Clone Wars and the prequels so there is bias here. Furthermore I am pretty indifferent with Rebels so going in knowing that the Ahsoka show wasn’t going to be…well about Ahsoka but rather a Rebels sequel, that already put a bad taste in my mouth and I was very nervous how this show was going to go and well…it was exactly what I expected from a Filoni/cheap Disney production. Without further ado, here’s a list of all my beef.

1.) Lack of a Coherent and Cohesive Story

So I’ve mentioned this in a previous post, but my main issue with Dave Feloni productions is that the story seems to be going all over the place and there’s a lot of moving parts that don’t necessarily meld well together. I often think to myself that Ahsoka is an example of a poorly written fanfiction brought to the screen. So the plot of the show initally was focused on Ahsoka bringing Ezra home. Okay, that’s simple, there’s many different ways we can make that cool and interesting but that’s not what happened here. We’re just filled with a ton of confusing information and we’re in for a very boring journey heading for a very anticlimactic and unsatisfying ending.

For starters, we the audience are informed that Ahsoka and Sabine had started an apprenticeship (which I have ALOT of issues with but that’s for another talking point) but they got into a tiff (which we never find out about and/or see) and now things are just depressing and weird between them. First of all, anyone who has seen Rebels KNOWS that Ahsoka and Sabine literally had very little to do with each other; I can’t recall a single conversation those two have had in the past, nor was it ever eluded to us that Sabine is Force sensitive.

Second we see that Hera and Sabine don’t have anything to do with each other for some reason? Which is weird considering all that’s happened and their history but okay suddenly Sabine, a grown ass 30+ year old woman is Ahsoka’s responsibility, which again why? We don’t get any background information, we’re just expected to accept and go with it.

Third, Ahsoka and Hyuang are reunited and working together immediately but again do we know how that became to be? No. We see none of that.

Fourth we are told that Morgan Elsbeth, a one off antagonist from the Mandalorian that Ahsoka fought is suddenly a Dathormirian woman even though she looks nothing like one besides her outfits in the show nor was that eluded to previously.

Fifth, we are introduced to these two new…I don’t even know what to call them “dark siders” “non Jedi” Shin and Baylan (who is apparently a former Jedi from the Clone Wars but did we see that or see how he knew Ahsoka and Anakin? No.) but we aren’t given any reason to care about them other than they’re in Ahsoka’s way of completing her mission. They end up being more like time fillers that anything else and end up walking away from the big conclusion. Like…why are they even in this show and why should we care?

Perhaps Dave Feloni has this big grand story in his mind but he’s so far up his own ass that none of us get to see this story. It’s like seeing a little kid play with their action figures and they’re super passionate about it but as a outsider you have no idea what’s going on. Now this isn’t good not only for the sake of good storytelling but it’s bad for business too.

Disney wants to make as much money off of Star Wars as they can. That’s extremely obvious. However here you have a show that isn’t going to pull in a casual Star Wars viewers (they would have to watch so much content to catch up on whose who and what is going on) nor is it really going to pull in fans of Clone Wars and Rebels because while they overlap, the fandoms are different and Feloni hasn’t done a good job melding those worlds together thus the divisive opinions on this show. This leaves for an incredibly small niche of people and honestly I think whatever toy sells they make from this show will do better than the actual ratings. I would be shocked if they greenlit for another season because I’m pretty done with this story as is many of the people who would be willing to watch.

All in all this is embarrassing how Feloni and the gang with all the money and resources can’t pull off a simple and epic show when there are thousands of unpaid fanfic writers that could pull off a much better story and build these beloved up characters, which leads into my next point.

2. The Characterizations of Ahsoka, Sabine, and Hera Are Bad

Now I have mentioned previously how much I love Ahsoka but damn it upon watching this show, she may as well be dead. Ahsoka has been given the Luke Skywalker treatment in that Ahsoka has been stripped of everything that made her lovable in Clone Wars and Rebels and is left as a sorry shell of who she once was. Her dialouge is hollow and lifeless not like the lively Ashley counterpart that made us all love Ahsoka in the first place. And no don’t give this “well she’s older now” bullshti excuse because Obi Wan Kenobi never lost his cheekiness and charisma as an old man, neither did Yoda, or Leia, etc. Just because you age doesn’t mean you have to be lifeless. Maturity does not equate to emotionless. Secondly for a woman whose well into her fifties and still acts very much like a Jedi Ahsoka’s views on the Jedi and their philosophy seem very warped and the audience is again left confused as to where she stands on the Jedi. I mentioned in a previous post how I couldn’t stand Ahsoka’s negativity towards the Jedi and how nobody seems to matter but Anakin (even though he’s put her through a ton of trauma and has tried to kill her as Vader) because it’s just so distasteful to the people who raised her and loved her that died by genocide no thanks to Anakin. Ahsoka has zero character development other than she seems to forgive Anakin for his wrongdoings despite the nonexistent apology. For a show that has her name on it, she sure is boring. Makes me miss Ashley and old Ahsoka even more.

As for Sabine I probably could write a whole thesis on how unlikeable she is but I’ll keep it short. One, I find it sick on Feloni’s part that he’s having a grown 30+ year old woman act like a teenager and be snarky with just about everyone. Ezra, who annoyed me immensely in Rebels, was WAY more mature and grounded. And again I’m sick and tired of the Mandalorian excuse of you getting to be an asshole because youre Mandalorian. Shut up. No one is above manners and decency. Sabine’s actions in this show have been far from Jedi like and thanks to her immaturity, she left Ahsoka for dead once and is indirectly responsible for the death of New Republic officers who were trying to stop this very dangerous mission that could possibly bring Thrawn and the Empire back ensuing more death and destruction of innocents. Ahsoka deserves to be angry with her for her words and actions, but of course Sabine gets a free pass and her bad behavior will continue to be enabled.

As for Hera…when did she become such a Karen? Just because you’re an officer doesn’t mean you get to abuse your power for your own personal agenda. That Senator was right about her. Finding Thrawn is a threat to the galaxy and using resources and putting lives at risk for it is a big deal. Hera was depicted as honorable and responsible in the Rebels series and I swear I was watching a different person on screen. Also she is a major Sabine enabler and that needs to stop. Sabine is grown and needs to grow up and fix her attitude.

3.) Anakin’s Role In the Show

Now don’t get me wrong, I love Hayden and I love Anakin, I have the dude tattooed on me for Force sake so don’t come at me for that, but I had some issues on how his character was used here. First, I’m tired of Ahsoka’s relevance to Anakin being the only defining trait about her. Second, I’m continuously annoyed by Anakin’s lack of accountability in these shows; he never once apologizes to Ahsoka for all that’s happened, he never once’s has a meaningful conversation with her; he just basically beats her down until she finally lets go of her past. Did I love the Clone Wars flashbacks! YES! They were my favorite part of the entire show and I want MORE of that; but I so wish Anakin could have been reflecting on his own actions with Ahsoka instead of being like “Is ThAt WhAt ThIs Is AbOuT?” Like come on 🙄

4.) Ahsoka’s “It’s Time To Move On” Line

Are you kidding me Ahsoka? There is still so much more to unpack with her past such as all the other relationships she’s had that completely changed her trajectory like BARRISS and REX and she could also be a mentor figure to Luke and Leia, etc. But nope the only thing that matters is getting over Anakin and all is well despite being stranded in another galaxy and Thrawn being unleashed back home. Like THIS IS NOT OKAY!

5.) The Cheap Ass Production of this Show

I’m not normally one to comment on production but it was so obvious in this show how many corners were cut. For one characters like Thrawn look god awful. Dude looking like a blue Elon Musk instead of an intimidating villain. The use of fog and the volume were very obvious and the places we went to were so boring minus the red leaves forest. The worlds of Star Wars used to be so cool and otherworldly but that’s not the case nowadays and it’s sad. Also why does Force ghost Anakin look better in the 2000’s than it does now? I prefer quality over quantity so I really wish Disney would quit churning out these cheaply made productions and have the audacity to rise their Disney plus subscriptions and not pay their people well.

6.) THE RACISM

I’m so fucking tired of this y’all! 🤬 of course make the Jewish actor in the shipyard be greedy and power hungry. Of course make the Asian Senator the asshole and not any of the white protagonists. The antisemitism and racism against POC is unacceptable to me and it should be unacceptable to you too.

Conclusion

I’m sure I’m missing some talking points but these are my biggest grips and as an Ahsoka fan I’m disappointed. Being a miserable Jedi not Jedi responsible for bringing a new evil into the galaxy but being content being stranded in another galaxy is not the future I believe Ahsoka deserves and I sincerely hope they don’t continue this story. It’s just bad all around. Except for the Loth cats… the Loth cats can stay. And Clone Wars flashbacks.