#anyway every time i see a Content Creator assume everyone who watches Let's Plays is a lobotomized 10 year old

[funishment-time]

i think one of the weirdest things i see from Internet Commentary Folk is the assumption that anyone who consumes non-intellectual YouTube content or whatever has to be a child. (like, a Minor, not just a young adult.)

remembering a few years back when there was a slight Tiff Around The Internet about the Game Grumps selling fursona body pillows of themselves because their fanbase had to be children, of course, it had to be minors, how gross it is for two adult men to sell body pillows of themselves to kids.

...which is obviously very gross, except the GG demographic is not and has never been Minors, i'm p sure. young people who are adults, sure, and i'm certain many minors watch, but they never geared their content towards 13 year olds.

always strikes me as very High and Mighty from Internet Commentary Folk, like watching some idiots poorly play a Sonic game is lowbrow - but your borderline racist and somehow also transphobic "video essay" completely trashing Japanese culture because you saw an anime you didn't like, that's totally where it's at, dog

[blackradandmad]

why blippi is rotting yr children's brains

preface: i literally expect no one to read this. it is an essay length, strong opinion piece critiquing a niche youtube-based children's show that i don't expect most of y'all to even have knowledge of lol. but like, i promise that even if you know nothing about what i'm talking about, in my incredibly, super humble opinion, it's a good piece of writing and interesting nonetheless. anyway if you read this whole thing for some reason yr really hot and we should kiss.

i thoroughly vet everything my child watches before he watches it, episode by episode. and we rarely watch youtube for entertainment; we usually just look up educational videos when he has a question about something and wants more detail than i can provide him. and that's mainly because children's content on youtube is so fucking troubling and distressing. i don't judge parents who give their children a tablet at a restaurant at all bc i've been there and sometimes it's easier on everyone to just put on a video and avoid a giant scene, but i do judge parents who just leave their children alone with youtube kids on autoplay.

take stevin john, a literal millionaire who got famous from dressing up as a silly character called blippi and going on tours of places like aquariums, zoos, construction sites, etc and posting it on youtube. this has branched into a whole empire of blippi videos, hulu shows and specials, live shows and tours (that he outsources to another character actor), merchandise and so on. this 30-something year old man cites his main influence as being mr. rogers, but i question if he's ever even seen an episode of that program.

mr. rogers had no background in early childhood development or media production, but he revolutionized the world of children's media, because he respected his audience and didn't shy away from real world situations, all while creating a show with an enormous heart. mr. rogers begins his episodes by inviting the viewer in, literally changing his attire to be more comfortable, and talking about/doing things he genuinely cares about. whereas mr. rogers calmly and maturely addresses the viewer, blippi puts on a high pitched, contrived voice, interjecting every other sentence with a forced exclamation such as, "teehee! we're having so much fun!"

i don't find it a coincidence that john (blippi) is a veteran, either. his videos are completely devoid of the absurd, abstract, childlike thinking that makes children's media fun, creative, and entertaining. his thinking and process is methodical, devoid of emotion, and very superficial. this line of thinking clearly shows the kind of creative sterilization and emphasis on sameness and conformity instilled in the military. blippi simply observes things and interacts with them in a stale, matter-of-fact way. "this ball is purple! this ball is pink! anyway... what's over there? teehee! a car! vroom, vroom!" objects are colors, toy cars don't do anything but drive, curiosity is simply not encouraged.

he uses the "it's educational!" excuse to hide the fact that his show lacks everything that makes media a valuable resource for children to consume in the first place. further than identifying colors, numbers, and the occasional letter or shape, there is just this total lack of children's need for social and emotional development. when mr. rogers breaks the fourth wall to address the viewer and let them know they're special, it feels authentic and natural, because we've spent the last half hour building whole worlds with diverse characters and unique stories in a pretend neighborhood, learning about and enjoying different musical instruments, being exposed to and making friends with (even if parasocially, it is still a real bond to children when done properly) children who are similar to us in character regardless of physical or environmental differences, feeding the fish, making art together, and so on. when blippi tells the viewer, "you are very special, and i enjoy spending time with you!" it falls completely flat and feels unearned, because the last half hour was spent running around a soft play center pointing at bright, colorful objects, visiting interesting locations like farms or fruit production factories while failing to acknowledge the humanity of the humans actually working there (everything is machine or product focused; the human workers are simply an extension of the machine), learning "fun facts" about elephants that just list attributes of elephants, not taking the opportunity to inform the viewers of elephants' intelligence, or diet, or matriarchal society. it is a loud, sensory overwhelming display of a man so disconnected from the social and emotional needs and desires of children that he assumes they're stupid, easily entertained idiots who only need some silly dances and fast-moving cartoon graphics to give their attention (meaning time and desire to purchase products meaning $$$). john clearly views his audience as a means to gaming the algorithm and ultimately a paycheck by the hollow way he addresses them.

the show is so narcissistic, so focused on all the fun blippi is supposedly having, but he lacks any of the character traits that make individual children's show hosts memorable, so much so that he was able to have someone else who doesn't even vaguely resemble him dress as blippi and impersonate him and host the show or appear at live shows, and it went unnoticed by most of his toddler and child audience. the show is so formulaic and the character of blippi is so unmemorable that instead of taking the blue's clues route of developing a story of the host leaving for college and his brother now stepping in, or making some sort of believable excuse for the change in actors, they can simply swap him out with some random guy and not acknowledge it at all. although a comedy show for older children, the amanda show in no way could or would try to replicate the show with the same name but swapping out amanda bynes with a random teenage girl who is clearly not amanda bynes. it's weird and nonsensical and shows that his character is so much of a farce put on for a paycheck that not even his dedicated audience is affected or even cares when he is replaced by a random, unknown person.

this is completely garbage content made by an opportunist with no experience with children who saw his nephew watching children's youtube content, took it at complete surface level and still hasn't realized that while children's content only looks and feels so easy, entertaining, and enriching because it is so hard to do well. even with outsourcing his music, that aspect of the show still sucks. famous and successful children's musician, raffi, is known for his song describing the life of a little white whale, called "baby beluga." it opens with a calm strumming of his guitar, followed by the lyrics, "baby beluga in the deep blue sea/swim so wild and you swim so free/heaven above/sea below/and a little white whale on the go." is it silly and kind of pointless? yes, but the point is that he is captivating children and showing them the fun of listening to music, dancing, singing, and appreciating art. the "excavator song" featured in an episode of blippi about construction vehicles opens with what sounds like a default garageband loop and the flatly sung lyrics, "i'm an excavator/i'm an excavator/hey dirt, see you later/i'm an excavator." i don't feel i have to meticulously analyze the aforementioned lyrics; the stark contrast should speak for itself.

i have a million more criticisms about both blippi specifically and youtube children's content as a whole, but this is already so long and i doubt many people will get this far anyway. it's an issue i was completely apathetic towards until i had my own child and had to wean him off these kinds of junk food shows because i realized the fast-paced visuals and bright colors and repetitive songs/lyrics were putting him in this spaced-out, fugue state, and he thought he could demand this show or that show whenever he wanted. the moment he started regularly yelling things like, "watch! cars!" or "no! click it!" i knew i had to be a lot more invested in the things he watched even if just for entertainment or as a soothing message. i showed him an episode of mr. rogers yesterday and feared it would be too slow to hold his attention, but he was mesmerized, greeting and interacting with mr. rogers verbally, asking me, "what's that?" to different objects on the screen. since purging this low-brow children's entertainment, he has had a noticeable increase in attention span and concentration, can focus on a task for longer amounts of times, is more likely to "read"/look through books without me initiating it, and doesn't throw a fit when the tv/my laptop is off.

i just know that for me, growing up with so much unsupervised internet access definitely led me to real-world pain and consequences, and it seems like now children are born with an iphone as an extension of their arm. if my child is going to be consuming videos, i'm definitely supervising every second and am going to be highly critical of the videos and the credentials (or lack thereof) of the creators and team behind it. but i also know, from pure observation admittedly, that parents letting youtube kids autoplay parent their children for hours at a time is not an uncommon occurrence. and it worries me that a generation of children are being raised on videos that rely on being as loud and bright and superficially enjoyable as possible. what's the use of a child knowing their colors and alphabet if they don't know how to treat people with kindness and empathy and respect? there is something wrong for a children's show host to plug the spelling of his name at the end of his videos ("well, that's the end of this video. but if you wanna watch more of my videos, just type in my name! can you spell my name with me? b-l-i-p-p-i!") after essentially rotting his audiences' brains for a half hour. there's something so insidious about the prioritization of naming different parts of construction vehicles over honest depictions of and conversations about dealing with feelings, or why someone with autism may act differently than you, or what to do when you feel lonely, or ways to make art and express yrself creatively. also, not to mention the blatant police propaganda and outright worship is seriously jarring; as a black mother to a visibly non-white child, i cannot sit there and watch blippi show kids how to be a bootlicker for the shittiest profession on earth, but that could be a whole essay in and of itself.

anyway, thanks for reading, if yr looking for quality children's content, i recommend, in no specific order: mr. rogers, sesame street, the electric company, molly of denali, daniel tiger, bluey!, blue's clues, the odd squad, word party, trash truck, puffin rock, uhh... that's definitely not an extensive list but that's just off the dome!!! ok bye y'all <333

[zahara-fire]

Long Post Discussing Dream TWT: Featuring Fan, Hate, and Trending Talks Mostly (Interaction Absolutely Encouraged)

(A lot of this can actually be applied to all fanbases but I chose the one relevant to my current interests and issues that were on my radar.)

I made a post previously that my love for mcyts (Specifically members of the Dream SMP) was dying because of nonstop Dream hate on Twitter. I felt like I couldn't safely look through a trending tag (which will be a separate discussion in this) without having to also see endless insults, attacks, and belittlement amongst people just trying to have fun with CCs. To make this understandable and easy for me to keep on theme I'm gonna break it down into the relevant topics also this is absolutely open for discussion as long as everyone is being respectful. Do not insult people and if they seem like a troll just leave them be.

Fans vs Stans:

So this, I think, is a center point for the Dream hate. It feels that anyone expressing interest in Dream and related CCs content is immediately targeted and made fun of because obviously you can't enjoy something without being an awful person to people who don't enjoy said thing. That last statement was sarcastic (just so its clear). People especially on Twitter will be relentless in preying on just basic fans for simply posting about a funny moment. They claim its because its annoying and nonstop and all of their fans are obviously brainwashed.

No. Just. No.

Enjoying something means you consume it. If you enjoy sports you watch the team play. No one says yeah this is my favorite team I watched one game once. That would be ridiculous. So it makes no sense to attack people for watching a person's content and knowing their content when they're a fan of said content.

That being said, yes people can get carried away and be rude to people for no reason. This however includes people hating on fans simply for being fans. You can't say you're disrespectful to all fans because one time a few were rude to you. Every fan base has rude people and at this point in the internet people WILL talk more about bad than good so please don't assume the worst because you heard a story or saw one wildly talked about incident where a small percentage of fans were involved and where other fans were actively telling the others to chill out.

Trending and Interaction:

This is the topic I sort of touched on in my last post. So to summarize, Dream and his friends trend A LOT. This isn't surprising as one, they're popular at the moment and two, they're streamers so when something happens a ton of people all know at once and will post at once. That's how trending works after all.

Here's where it gets annoying though, and no, not due to fans. Fans are allowed to post about content they enjoy and are allowed to joke and interact online with people who enjoy the same content. So you can't gatekeep the trending tab. It's literally impossible and just because its not enjoyable for you and not something you're interested in doesn't mean it shouldn't be trending.

This is where interaction comes in. Twitter and pretty much every social media ever tracks what you consume. This is why Twitter actually has multiple trending pages. The "For you" trending is what we'll mostly be discussing now though. The "For you" trending is the first page it opens up and will consist of things Twitter knows you interact with. So in other words, constantly viewing Dream and related content just to get angry and insult people? Guess what! You just ensured it will constantly be on your radar. Easy solution? Don't interact with content you don't enjoy. Yes you won't always be able to avoid it but this is true for everything. Just do your best and watch out for your own interests as best as possible (this statement applies to the actual trending page as well). Unless you're intentionally interacting just so you can continue bullying people its not that hard to avoid. And if you are doing that, I feel really sorry that you don't have something you actually enjoy to consume instead of just spreading hate (this is genuine not an attack).

CC Relationships:

A lot of Dream and related creator haters often state that the creators and fans have an unhealthy relationship. This is not a fair statement to the standard fan. People who actually show obsessive traits and attack people over their creators do have an unhealthy connection, but what is not unhealthy is-

Enjoying a creators content

Following their social media

Making posts and content about creators

These actions are literally the basis of being a fan of content. So no, posting about something a creator said or did is not creepy and obsessive just because its not funny or entertaining to you. Its like when your friend does something stupid and you will randomly bring it up whenever you can because it was a funny moment. Thats essentially what this is. No, we are not friends of the creators most of the time, but we do have a relationship to the creators. Most of the time with CCs their fan base consists of people with similar interests, senses of humor, and personalities. So we can relate to the things that happen with them and their friends and since they're broadcasting it we will find it funny when they find it funny. And that's okay and shouldn't be a hot take.

Also creators saying they love their fans is not a bad thing. Platonic love of people who share in your accomplishments, support you, and encourage your growth is not a bad thing. Thats what this type of relationship is and should be with CCs. They are where they are because people connected with them and they connected with those people. Let them express that admiration and gratitude.

Joking vs Attacking:

Final rant because this is already long and probably won't get attention anyways. A lot of Dream fans have tough skin after being a part of this sudden shift to mainstream and constant hate. This means that sometimes fans will make their own jokes about hating the fans even though they are one. However, this can sometimes be extremely misleading and damaging to see. No I'm not saying you can't make these jokes after all some are actually really funny! But try to make it clear that you aren't actually a part of the people who are actively trying to tear down a fanbase. Sometimes intentions don't come across well and insults can actually be, well, insulting when not phrased correctly. This is by no means an attempt at gatekeeping but rather just a general public announcement as a fan who often times saw something that actually added to the sadness of feeling constantly attacked and belittled only to see that the poster was also a fan.

That was long and probably a little all over the place so if you made it this far just know that I appreciate you and hope you're doing well in these times. 💕 I just really needed a place to get out these thoughts and figured hey Tumblr is significantly less mean than Twitter in my experience so let's attempt this.

Final statement! If you see this in a tag you think it shouldn't be in or know a tag you think I should add please let me know! I'm still new to posting my own content and don't want to cause problems where there need not be any.

[foundthe8wing]

Okay, doing this over here because my main tumblr is usually a place for me to vibe and I don’t want all the bullshit tied to that account, but basically: I’m really angry and disappointed with the dndads cast for how they’ve put a lot of the minors in their fanbase in danger. Everything below is a repost from twitter (with permission from the OP, crypticjoy), and I’ll link the thread in a reblog. 

Under a cut because it’s long and potentially triggering (content warnings for grooming, sexualizing minors, and sexual assault)

[OP tagged the relevant cast accounts; I added slashes here bc I’m not sure if those same urls exist on tumblr and I don’t want to be randomly tagging people over here]

5:49 PM Sep 5, 2020

“I don’t usually do this, but: the way that the cast of @/dungeonsanddads engages with their audience is actively dangerous to minors, and they need to get it together. (cw for discussion of grooming, sexualizing minors, sexual assault)

First off, there are some iffy jokes and situations in the podcast itself. I’m not going to get into all of it right here, but have a google doc: [doc will also be linked in reblog]

Yes, the kids in #dndads are fictional, but that doesn’t mean this stuff doesn’t affect real kids listening. a. it normalizes talking/joking about kids in that way and b. There’s a lot of inconsistancy and confusion on the lines they draw--

Paeden saying “baby” is weird but Ron sitting in Terry Jr’s lap isn’t? I’m confused. You know who the fuck relies on that type of confusion and unclarity? Fucking predators

And I’m not saying every in-character decision has to be perfectly moral or acceptable, but the way the cast, out of character, discuss what’s weird and what’s not sends a lot of mixed messages. And that’s legitimately dangerous.

So then you take all of this, and you add a patron discord server that lets nsfw discussions run virtually unchecked--you create a fandom space that allows adults to discuss kinks, and porn searches, and just, all this other stuff, with teenagers...

... and it becomes a breeding ground for grooming and abuse.

The creators aren’t responsible for babysitting their fanbase or for how people engage with their content outside of their spaces (though, again, I’d urge them to be very careful about what kind of messages they’re sending)

But  they ARE responsible for taking basic steps to keep the spaces that THEY create and engage with safe.

“But the rules for the server say 18+!” The rules say you have to be 18 *or have parental permission.* They also say to keep things PG-13. That’s vastly different than establishing something as an adult-only/nsfw space.

“Minors shouldn’t be joining/listening anyway!” The cast can’t control who listens and neither can I, but there’s a difference between knowing teens are listening to you discuss sex with your adult friends vs facilitating conversations between teens and adults on those topics.

“If people are uncomfortable they can just leave.” First off, this situation isn’t just uncomfortable, it’s unSAFE. Second: fuck that. It’s not on minors to set and maintain boundaries about this stuff; a lot of them literally do not know how

Not because they’re stupid, but because they’re young and inexperienced. It’s the responsibility of adults to set and enforce healthy boundaries around sexual discussions, and this particular group of adults has done a fucking terrible job

(Maybe don’t encourage listeners to DM you about kinks! Maybe especially don’t do that when you’ve communicated, intentionally or not, that making and escalating sexual jokes is a really good way to get a reaction from you guys)

I get that they didn’t expect to have so many young listeners, but to be aware of that fact and make no adjustments whatsoever is irresponsible and it WILL lead to someone getting hurt. Does their “young, thirsty, female” audience only exist to them when they can laugh about it?

And let’s be absolutely 1000% clear: this isn’t an issue they’re unaware of. The stuff I’m talking about is an ongoing problem with how their server is run, but it came to a head with one specific situation very recently:

They released a bonus, patron-exclusive episode about the dads taking the bdsm test. Given the general state of the server, I was worried about where those discussions might lead, so before it dropped, I reached out to @/anthony_burch to express my concern

He told me he raised the issue with @/fwong and Ashley, meaning at least three members of the dndads team were aware of the situation, and decided it didn’t warrant any type of preemptive action on their part

(alternatively, it means Anthony lied, which would be a whole separate issue)

[Image ID: a discord DM conversation from Sep 1, 2020, between a crossed out username and reverendanthony. It reads: 

OP: heyyyyy have you guys considered that releasing an episode focused on the bdsm test is almost inevitably going to lead to a bunch of 15 year olds sharing their results in your server because you might want to get ahead of that before someone gets hurt

reverendanthony: oh holy shit, really good idea

OP: thanks, I know it's easy to veer into that territory just because of the nature of your show but I wanted to bring it to your attention because I figured you don't want to create a situation that's like, actively dangerous (and for the record I'm willing to discuss what I think would make it safer but I'm also not going to assume you want/need my input, obviously you can handle it however you see fit)

reverendanthony: No, thank you for bring it up, I really appreciate it -- I just raised the issue with Freddie and Ashley

OP: Good to know, thank you /End ID]

I’m not overreacting. I have seen this shit happen, to my friends and to myself, and watching the dndads cast take absolutely no meaningful action to prevent situations like that from occurring directly under their noses makes me fucking livid

I can guarantee that the #dungeonsanddaddies fanbase includes both predators and survivors of abuse, grooming, etc (including those currently living through it), and I need them to think very, very hard about which group they’re prioritizing.

And I need that choice to be evident through more than just their words, because it doesn’t fucking matter how much you “really appreciate” that I brought up my concerns if you do fuck-all to address them.

It doesn’t matter how many times you say the word “consent” if apparently everyone was okay that “Darryl gets sexually assaulted” was almost a plot point played for laughs.

(His dare from Scam  would have been rape, straight up. Just because no one said the word doesn’t mean it wasn’t coercive and gross).

I’d like to think the @/dungeonsanddads cast isn’t intentionally encouraging abuse, but they’re sure as hell enabling it, and they needed to get their shit together ages ago, because they’re not the ones their negligence hurts.”

Quote retweet by OP 6:51 PM Sep 7, 2020

“So, they updated the rules for the patron server, but I want to be really clear that from my perspective, it’s way too little, way too late. 

The new rules don’t adequately address the core issues and they certainly don’t absolve the cast of the harm they’ve already caused. 

[Tweet includes 2 screenshots: one of a bot asking people to click thumbs up to confirm they’re 18+ (or have a parent’s permission) and agree to the rules, and one that includes two of the rules. It reads: 

“This is an 18+ space. Them’s the rules: per Patreon’s policy, you must be 18+ or have parental permission.

Use language as if you’re at your parents dinner table. Don’t get people in trouble because of your SPICY POSTS. Keep conversation polite. NSFW content is not allowed!”]

(and before anyone says I should bring up my concerns privately, a quick refresher on how well that went last time I did it:) 

[links back to the “(alternatively, it means Anthony lied . . .)” tweet from the original thread]

So hey, @/fwong, some thoughts:

1.The rules are vague and unclear: what /exactly/ do you mean when you say “NSFW content is not allowed!” when the content of your show itself is so often nsfw? And how are you planning to enforce this?

Does it mean you’ll shut down the MBIC conversation that is literally just kink discussion? I need you to be clear on where the line is, because, again, predators rely on that confusion. Don’t give them a gray area to play in. 

For an example of a more clear policy, it’s pretty easy to say, “yep, ‘Henry gets pegged’ sure is a sentence we said on our show and you don’t have to pretend it’s not, but if you’d like to discuss it in any more detail at all, you need to move”

2. Remember how I said I needed to be clear on whether you’re prioritizing survivors or predators? While I doubt it was intentional, the language you’re using here is prioritizing predators.

It’s not “don’t get people in trouble,” it’s “don’t make people uncomfortable.” It’s “we all have a responsibility to make sure this space is safe for everyone, especially the younger members of the community.”

You’re setting people up to be afraid of expressing concerns for fear of “getting people in trouble” or “inciting unnecessary drama.” Even if it’s not what YOU meant, it’s very easy for those words to be manipulated, so +

You absolutely have to be explicitly clear that if someone expresses their discomfort, you’ve got their back. Being safe is more important than being polite. 

3. I need every cast member to take responsibility for their own actions. I’ve gotten no indication from any of you that you understand the ways in which the in-show things I brought up were harmful.

Acknowledging that harm is important not just because of the immediate effects of that content, but also because it implicitly sets an example for how similar complaints should be dealt with going forward.

When someone says “hey, I was uncomfortable that you seem fine with the Glennary ship, because she reads as very young to me,” I don’t need a dissertation on how the perception of characters can evolve due to your improvisational nature

I need to hear “oh, I interpreted her differently, but you’re right, we should have been more clear, and I’m sorry for making you uncomfortable.” Because your responses to your own mistakes set the tone for any other situations like that going forward.

How comfortable is someone going to be with coming to you, or Ash, or any of the mods about someone making them uncomfortable if they’ve seen that when people call YOU out, they’re argued with and shut down?

Don’t tell people you’ve “made it clear that you won’t go there” when they tell you that you ARE there. Listen to them and do better. 

Set the expectation that people will be respected when they raise their concerns. “If you want to come at me you have to bring the heat” is not an appropriate response on a subject that made people genuinely uncomfortable. 

In essence: set people up to be supported and protected, not dismissed. 

[It’s like a matriosche of tweets over here. This one links to another thread, also by crypticjoy. That thread reads:

A non-comprehensive guide to keeping discord servers safe for minors:

1. Make designated channels for nsfw/18+ discussion. Generally speaking, this is a lot more effective than banning those discussions altogether, because it’s a lot easier to say “hey, can you move this conversation?” than “hey, I need you to stop”

In fandom spaces, it’s usually a good idea to have separate channels for talking about nsfw fiction vs discussing your personal sex lives.

2. Give everyone minor/adult roles; make sure your 18+ channels are locked to people who don’t have an adult role. It’s important that there’s more of a barrier there than just checking a box.

3. NSFW channels shouldn’t necessarily be a free-for-all; be aware of people’s boundaries and respect them (for example, r*pe jokes aren’t funny or okay, even if you’re not making them around kids)

4. Explicitly state in your rules that people should feel free to come to mods if anyone is making them uncomfortable. Actually listen to people and resolve the situation if they do approach you.

5. Make it clear that creepy behavior via DMs or other means is also not tolerated--you can’t control what people do outside your server, but you can make the choice to not allow people like that in your space

6. Make sure mods are on top of things BEFORE people have to say anything; sometimes being a mod means being willing to be the “asshole” who shuts things down before they get out of hand, even if they’re not asked.

Be generally aware of signals that people are uncomfortable or that things are escalating too far, and address those situations sooner rather than later.

*It should be noted that safety involves a lot of components beyond just containing nsfw discussions; this thread just happens to be focused on that one specific element.

oh also! It's a good idea to provide resources on grooming so people know what to look out for [links to some resources; again, this’ll be in the reblog]]

So, @/dungeonsanddads, if you’re interested in anything beyond just having a flimsy excuse you can point to to cover your own ass, I’m gonna need you to try again.

Sorry I can’t be nicer about it, but I’ve given so many benefits of the doubt I could be running a successful charity, and this isn’t an issue I’m willing to drop. 

10:02 PM

Thought I was done but actually I've got a few more questions: to what extent were @/HeyBethMay, @/WillBCampos, and @/mattLarnold included in conversations about this issue/the new rules? Is this something your whole team is involved in?

Have you discussed what you're doing on a team and individual basis to keep your fan interactions safe, and are you on the same page about how much it matters? Are you holding each other accountable? Is everyone okay with where this ended up?”

[astro-pioneer]

Anyway thoughts about Dain and others. I'm gonna separate this into different parts since it's probably gonna get confusing. Might do a second part for certain parts of this.

So to get as accurate as possible I did search for more information about The Abyss and Khaenri'ah

OK so I'll give a little back story before diving into my thoughts: Khaenri'ah is an underground unreleased section where, in Dain's words, "the gods' gaze does not fall". It is the origin of Khemia, a type of alchemy heavily focused on the creation of life that ultimately destroyed it. Also, for the Sword Cemetery, that is a result of a war between Mondstadt and Khaenri'ah.

Khemia

Anyway thought time - so since Knaenri'ah has very little fauna and plants they have to find a way to survive and get food and whatnot - hence the creation of Khemia. Now, since there's no information on the aftermath of using Khemia on let's say a human, we're going to make assumptions.

So obviously altering with human life is bound to have it's backlashes, right? My three main bully victims are going to be Kaeya, Albedo, and Dain. Kaeya first: he was sent to Mondstadt as a last hope for his original homeland (I got too lazy to type it continuously) so I'm gonna assume that, before he was dropped off at Dawn Winery, he went through some alterations.

Kaeya

And you guys are gonna get mad but I'm gonna talk about his eye patch. Now, my assumption with the backlash is that it does something physical to the person undergoing Khemia. And yes, while Noelle does say she prepares Kaeya's eye patch, that doesn't necessarily mean that she puts it on him and has seen him without it.

Seeing as though Khemia isn't well-known by the common folk and is concerning to the gods (at least to Venti - thoughts on this later) it's best to hide any evidence of it when around people. That might be Kaeya's case with his eye patch, especially with the issue with Diluc and his father.

Albedo

Listen I hate myself for even starting this but I'm too far deep to give up so we gotta talk about his sexy ass. Now, his diamond. If that's a birthmark then holy hell that's one gorgeous mark. BUT I don't think it is. Since he's the one who practices Khemia, he probably knows how to manipulate the placement to be somewhere hidden or so small you can't see it.

Lmao that kinda contradicted my diamond topic but my thought behind that is that he got that from his teacher (I REFUSE to type that long ass name ok) before he knew the art himself. Him knowing the practice and Venti's wariness of it makes more sense now - will be explained soon.

Dain

THIS BITCH- Ok I need more content of him so I can understand him more but I hate him so muuuuuch. So since he admits that he saw Old Mondstadt before Dvalin resided in it, I immediately thought to the battle at Sword Cemetery even though it doesn't fit with the geography (be honest though nothing matches the geography since the "Wolf of the North" is in the wEST) and you can't see it even from atop the logs (before anyone says anything, yes, I did check with the tallest character I have and yes, I did blind myself at one in the morning just for that.)

Anyway we're getting off topic what I wanted to talk about is the galaxy thing right over his heart. This is going to be short since there's not a lot about him but it's very obvious that it's not natural (well duh) and it reminds me of the particles that erupt from Paimon and that appears out of Aether's hand for an idle animation (I, personally, chose Aether for the MC so I will be using him most of the the time). However, there's noy a lot on him and his attire so this is all I really have.

Venti and Khemia

So a little while ago someone found out that in front of Venti's statue in front of the cathedral it says "Gate to Celestia" backwards. And I do love the theories from many others about how the game might end right where it started, aka Mondstadt. Khaenri'ah dislikes the gods and is not under rule of the Seven and, with Kaeya as a "last hope" so to speak, I feel like (if he doesn't get too attached to everyone) Kaeya and possibly Albedo as well, is going to lead the hilichurls and possibly the Abyss to Mondstadt to open the gate to destroy Celestia.

This is probably why Venti is wary of anyone who knows Khemia or is a known member of Khaenri'ah. This is far fetched but what if he knows of a possible ending without the traveller that is Mondstadt and possibly Teyvat as a whole being destroyed? It's obvious that history and stories are told through songs and, as Venti said in the archon quest, he knows songs "from the past, present, and future."

The Abyss ft. Khaenri'ah & Dain (again)

This is probably going to be the biggest since there's a lot of parts to it. So it's been confirmed that the hilichurls, the people of Khaenri'ah, are being controlled by the Abyss. My thought process was that the Abyss was once a part of Khaenri'ah but there was so much Khemia practice on them that they became less and less human. On a similar note, Instagram user natrya_art made her own theory based off of the Abyss and the chambers just off of the opening screen itself (also one about Dain, Durin, and Alberich (Kaeya's last name) that's still on her story :D).

You guys are probably like "Astro where are you going with this" so I'll stop adding random information and get on with it. Dain specifically only mentions Lumine with "her" and "she" along with "is" and similar present tenses, meaning that she is still alive during whatever time he comes from (as he will decide fate himself if "Albedo were to make a single wrong move using Khemia" (possibly opening the gate) and that's the only time he'll interfere). It's obvious he knows Aether, as he's very easy to talk once he mentions being a traveller. Now, when have you ever heard anyone in genshin mention traveller that is not about Aether/Lumine? Exactly, barely ever if at all.

I mention this since Dain's interest isn't peaked when Aether introduces himself as an adventurer but only after he says he's a traveller looking for his sibling. I, personally, think that Dain was a travel buddy for Lumine since, branching off of Natrya's theory about the Abyss, she was probably brought to the Abyss when they were fighting on one of the paths in Celestia in the beginning.

Since Lumine is trying to redirect Aether from finding out anything about her plans, it shows that she does not want him to either catch her trying to destroy the world or get caught in the crossfire and die. In the time where Dain comes from, though, that's probably what happened and the Abyss wins in the end. So Dain, already knowing where Lumine and the Abyss went, brings Aether to every location that he can remember.

During the old timeline, let's call it that since it's obviously going to change with Aether having help from Dain and Friends™, Lumine most likely talked about Aether and what happened to them. Maybe Dain was just trying to see if he was the real Aether during the tavern scene? No one knows right now honestly (other than the voice actors and creators honestly but they can't say anything.)

It's also obvious that he knows how far Aether is on his journey, as he mentions the Contract to End All Contracts but not why it was made or what the Tsaritsa did with them all while knowing about Venti being Barbatos and the Stormterror battle. This could just be blamed on his failing memory but that's not the case, as he says that he doesn't lack time and will wait to talk about Rex Lapis. However, it's obvious he only knows one side of it, as Aether and the player know of Zhongli being a player in the Rite of Descension but Dain doesn't, as he questions his attitude towards it.

Prophecy

This is copied from Dain's profile on the genshin wiki: The confluence between the past and future. The original calamity had been overturned, yet the island in the sky set the earth to burn. Chalk pursues gold, in this time inopportune, the eclipse is swallowed by the crimson moon. The future must atone for bygone mistakes, as the bond familiar falters and breaks— of the same blood, elders and the youth... Such is the cycle of the world, in truth. Dain, what is that strand of blonde hair to you? Someone you must kill? Or the object of your penitence? - Self-proclaimed prophet

I changed the colour of the parts I want to talk about. The first line is obviously referring to Dain and his connection with going back in time to change the future he came from. "The island in the sky" is Celestia, and the line about setting earth alit could be talking about the gate opening or the gods thinking it'll be best to destroy earth to save themselves.

"Chalk pursues gold." THIS LINE. This one line is what I want to talk about a lot. Gold is not referring to the alchemist who destroyed Khaenri'ah, as it's not uppercased as all names should be. Instead, it's referring to Aether. (Note: the game is actually supposed to take place as you playing as Aether, which is why he's always in the trailers as the protagonist and is more expressive). Aether has multiple gold or gold coloured parts to him, including his hair, parts of his outfit, and it can even be argued that his eyes can be included too. Chalk is, obviously, Albedo, which connects to the quest about him where he's called the Chalk Prince when Dragonspine was introduced. Speaking of Dragonspine, Durin (the dragon that died there) actually came out of Khaenri'ah. Weird how Albedo is almost always in Dragonspine right? The pursuing part can go two ways: his ending line about how if he [Albedo] destroys Mondstadt, will Aether be there to stop him OR to make sure Aether is there to watch him destroy it. A third side is that Albedo pursues Lumine to help with her plan of Destroying Mindstadt/Teyvat.

Crimson moon is obviously about one of the trailers, where I think Lumine is seen walking on the path where her and Aether fought the god in Celestia with a red moon and sky in the background.

"Bond familiar falters and breaks - of the same blood, elders and youth" Aether and Lumine. I feel as though one of them (Aether most likely) will feel the most betrayed and he will lose all trust and love in Lumine and what's she's doing/done. Elders and youth is interesting. It can be nodding at the gods and the people of Teyvat or the gap between Lumine and how she's grown old while Aether died when he was young.

"That strand of blolde hair." English classes and teachers do not teach this enough!!! So I'll say it: blond, with no 'e' is masculine and is used to describe males. Blonde WITH an 'e' is feminine and for females. The use of blonde instead of blond eliminates Aether, Albedo, and Dain. The only blond we really encountered? Lumine. And I can already see the "well what if they didn't know the difference between e and no e" but we're talking about a game where a god dressed as a bard speaks in rhymes and riddles while Dain speaks like hes a poet. They know what they did. This might hint to him being the former travel companion of Lumine and any possible feelings he had that might get in the way of stopping him from helping everyone to stop her.

The Three Questions

When talking to Dain he asks three questions in order to see how similar your thought process is to Lumine. "Who do you think was the key to stopping the Stormterror incident" or something along the lines is the first question. Your answers are Barbatos, yourself, or the people. I will try to go off of memory with my answers, as his quest has yet to be added to the completed quests, as it's in chapter four which hasn't been released yet. I answered Barbatos for this question.

The next one is about Liyue and who will take care of it since Rex Lapis is no longer there to protect it. I said the people of the harbour, which was the third question. The last one is about Visions and who are more important in the eyes of the gods. The three answers are people with visions, without visions, or neither. I answered neither, giving me the dialogue of Aether's answers being similar to Lumine's.

Vision Question

The one about Visions struck me as odd. Visions are given by gods to people that they have acknowledged, yeah? Khaenri'ah isn't acknowledged by the gods and isn't run by any of the Seven. So that means that no one who resided in Khaenri'ah were never helped or were given visions. So why would Dain ask about them? I think it's due to Aether and most likely Lumine being able to weild the elements without a vision. There's also two certain dialogue options that are in the form of thoughts (I do not remember what quests they're from however) and the first one is like "(I'm getting back to my original strength)" I think it was in regards to getting geo too or something while the other one is "(I wish to get the powers of the gods)" or something.

When I first got them I paused for a second. Original strength and the powers of the gods... This obviously means the fact that with one touch of a statue we can switch to that element and can be "blessed" so to speak without actually being blessed. Also I've been meaning to talk about this ever since I leveled up Venti's statue but so far both Mondstadt and Liyue have an extra oculus. This is probably going to be for every region. I found that interesting, since you usually almost always interact with the statues with specific oculi, making it more powerful and giving you more stamina in the process. I think we have to use the extra one to fully harness the powers of that god in order to beat the final boss (probably Lumine.) They are also under the "Precious Items" tab in your inventory which is somewhat significant as well.

I'm gonna end this theory here for now since it got extremely long lmao. A part two might be coming though!

[crash-cinematic-universe]

stories from the rooftop

pairing: ftm!peter maximoff/bisexual!fem!reader

summary/request:  Can you write a trans!Peter Maximoff x bisexual!female reader (like insecurities and all that and just general fluff) - anon

warnings: insecurities

notes: Sorry this took so long, I had to research some stuff. I hope u like it!!! it’s just over 2k words and I worked really hard and i am very Proud. 

taglist: @creator-appreciator

         The sun was low on the horizon, a golden glow filled the sky as the bright star disappeared bit by bit. It was peaceful and calm, the quiet sound of the warm summer breeze rustling the leaves somehow slowing down time. Peter was sitting on the roof of the mansion next to a pretty girl watching the sunset. Every now and then her hand would brush his and his skin would tingle and his heart would skip a beat and his cheeks would flush. He took a deep breath and focused on the feeling of the air in his lungs. His eyes fluttered shut and he ran his hand through his hair.

        Peter couldn’t remember the last time he felt like this. He couldn’t remember the last moment where he didn’t have to worry about anyone or anything. Everything was always chaotic and hard and confusing-- Peter had gotten so tired of everything going so fast all the time. Now, Peter could just lie back and watch the world go by slowly. He could lie down next to a pretty girl who would lie down next to him. He doesn’t think she knows that Peter loves her with all his heart, but he wouldn’t be surprised if he did. Everyone around him knew it, they knew that he would do anything for the pretty girl beside him. They teased him about it and Peter laughed, but deep down inside a fear began to fester. The fear that he was somehow unlovable grew inside of his chest, and it grew with each day. 

        The past was filled with hardships for the jittery boy-- his teenage years were filled with self-discovery. He was a mutant, gifted with the power of super speed. At first, it didn’t feel like a gift. Everyone around him would fear him, and he soon found himself all alone. No one wanted to be friends with the mutant freak, after all. That wasn’t the only thing Peter discovered as a teenager. You see, at age 14, Peter realized he had never felt comfortable in his own skin. When he looked in the mirror he didn’t see the man he was-- he saw a stranger. The girl in the mirror wasn’t Peter and she never would be, because Peter was Peter and no one else. He was a man-- he always has been and always would be. 

        As Peter reflected on his teenage years, he found himself feeling a great pain for his younger self. He remembered every emotion: the panic, the fear of rejection, the insecurity, and the looming thought that Peter would never look like the person he was. However, Peter also remembered all the good. He remembered the relieving, accepting embrace of his mother. He remembered the joyful days he spent with his sisters in his bedroom playing video games and watching movies. He remembered how it felt to arrive at Xavier’s and be totally welcome by everyone. The story of Peter Maximoff is not a tragedy, it’s a tale of hope; and right then, sitting next to the pretty girl on the roof, Peter Maximoff shook away the sad memories and focused on the moment.

        The pretty girl beside Peter peered below at the flowerbeds at the foot of the wall she was looming over. She studied the colors and smiled softly. She too, had faced a lot as a teenager and she too, was content sitting next to the beautiful boy on the roof. She loved him. A lot. More than she’d ever loved anyone-- at least, that’s what she thought. She wasn’t really sure who she loved, or how much, but she was 100% sure that she loved Peter.

          Love had always been a touchy subject for Y/n. She didn’t know what love was for the longest time. She just assumed that love was something that every girl felt for a boy and every boy felt for a girl and that was it; that’s why she was so confused when she began feeling what she felt for boys for other girls. The butterflies that would fly in her stomach for any boy in her class would erupt for the girls that would sit beside her. Her heart would skip a beat for the pretty girl giving her science presentation in the same way her heart would stutter for the pretty boy telling her about a book he’d read. 

        Her mutation activated when she was in 8th grade. She was sitting, hidden under the bleachers with the pretty girl from her science class. Y/n had made an offhand remark about a nasty teacher and the pretty girl laughed. Y/n focused on it hard, and it sent a booming sound wave out from their location. Suddenly the pretty science girl was running away from Y/n, and the echo of her perfect laugh was the only thing she had left. None of the pretty boys or pretty girls would talk to her after that-- she was a monster, an evil creature waiting until the perfect time to strike. She felt as if she was meant to be alone. The thought made her sad, but she shook it away. She didn’t want to be sad now. No, now she just wanted to be next to the beautiful boy she loved. She wasn’t alone anymore.

        Peter’s head filled with thoughts of the future. Eventually, the two of them would have to get off the roof and say goodbye. Even if they would see each other in the morning, every second Peter spent away from her felt incredibly lonely. Neither of them wanted to walk away from this moment, neither of them wanted to let go of everything that they were feeling. But Peter didn’t think Y/n would want to stay much longer. Soon she would get bored of him-- after all, he was just a silly, lovestruck boy who didn’t know how to express his feelings. Could she love him? Could she love every quirk and every flaw and every blemish and every insecurity? Could she love his personality and his appearance and his humor? Could she really love him? Peter wasn’t sure. He really hoped she did, though.

        “Don’t you wish this could be forever?” Peter spoke softly. It startled Y/n just a bit. 

        “This?” She asked. She couldn’t really process the idea that Peter would want to be right here, with her, forever. The pretty girl next to Peter that he loved so, so much believed that Peter was bored on top of the roof with her. He would never get bored of her-- Y/n could read the dictionary and still hold Peter’s full attention, and he’d cherish every word she said and every intricate definition. A word Peter would associate with this moment would be insangelous, equivalent to angels.

        “Yeah,” He sighed a good sigh. “I dunno, everything just feels… right with you, ya know? I don’t ever want this perfect feeling to end.” Peter’s face flashed with the sparkle of an idea. Peter’s mind filled with the warm images of the two of them leaving the mansion at night and exploring the world by themselves. Sure, Peter loved the mansion, but he knew there was more out there for him. There was more to see, more to do, more to experience. But he didn’t want to experience any of that without Y/n by his side. “What if we--” He paused for a moment. The sparkle in his eye faded quickly as she shook away the idea. She would never want to escape with him. She would never want him. He was just a stupid man with stupid ideas. “Actually, nevermind.”

        “No, keep going,” Y/n urged softly. “Please.” The look in her eyes was enough to get Peter to spill his guts. 

        “I was just thinking, what if we… what if we ran away? Just you and me against the world. Then this feeling would last forever.” Peter’s heart dropped slightly as the pretty girl was shocked into silence, the beautiful images of him and her being together until the end of time fading away. He felt stupid and foolish and decided that he would simply never speak again. “It’s stupid. Forget I ever said anything-- it’s a dumb idea anyway.”

        “No it isn’t,” Y/n spoke softly, so softly Peter had to lean a bit closer to hear her. “That idea isn’t stupid, it’s beautiful.”

        Peter looked at the pretty girl that was sitting next to him on the roof as if she was a goddess. He never thought he could feel so much for one person. He never thought so few words could make him feel everything at once. A warm fuzzy feeling filled his chest as the pretty girl reached out and gently placed her hand on his. His breath got caught in his throat and he tried not to choke on his feelings.

        “Peter?” She called. Peter thought his name sounded so nice when it came from her, and Y/n thought Peter’s name was the most precious word in the English language. She looked into his deep dark eyes, the final golden sun rays making the dark brown hue of his irises shift into an endless golden shimmer. She spoke her next words carefully, savoring every syllable. “I love you.” 

        For a moment, Peter thought he would fall off the roof. His golden eyes filled with tears because three words made him feel so much he almost couldn’t take it. There he was, sitting on a roof 30 feet above the solid ground feeling more safe and welcome and accepted than he had ever felt anywhere else. The pretty girl sitting next to him on the roof as they watched the stars fill the night sky loved him. She loved him. It was only when the pretty girl began to look worried that Peter realized he hadn’t said anything in response.

        “I--” He began, but he soon stopped. He couldn’t just say ‘I love you’ because that would barely capture a fraction of everything he felt for her. Peter would simply have to find another way to show her exactly how much he loved her, but for now, he would use his words. “I love you, too. More than anything. You’re my best friend and I love you.” Peter was afraid that he sounded redundant, but Y/n just thought he was being cute.

        Y/n looked at the beautiful man beside her and moved a little closer to him. Her fingers laced with his and they began to sit in a comfortable silence. Peter’s tears fell freely, but they were good tears. Y/n didn’t say anything, she simply wiped away his tears and held his hand and looked at the stars that replaced the golden sun. 

        Peter never thought something like this would happen to him. The idea of loving someone so much that it hurts seemed outlandish to the silver-haired boy, the idea that his love would be requited even more so. Nevertheless, there he was, next to the pretty girl on the roof with his hand in hers and her love in his heart. He felt safe. He felt comfortable. He felt like his whole body was lighting up like a lighting bug. He smiled so wide his cheeks hurt and his chest swelled and he felt so, so, so happy.

        “Y/n?” Peter asked quietly, his voice cracking as he spoke. “Will you… will you say it again? That you love me?” She smiled softly.

        “I love you, Peter Maximoff,” her gentle words made Peter shiver. He didn’t think he’d ever get used to hearing her say that. “You’re the most extraordinary man I’ve ever met.” Peter was afraid that she’d get tired of saying she loved him-- or worse, that he was being annoying or overbearing by needing her affection so much. Y/n would show him soon enough that she could never get tired of him.

        “I love you so much I think it might kill me,” He chuckled softly. “You’re…” he searched his brain for a perfect word to describe the way the pretty girl next to him on the roof looked in the starlight as she told him she loved him. Then, it came to him, and he grinned. “... insangelous.”

[joyofcrime-elinorhigh]

Don’t Hug Me, I’m Scared REVIEW:

  Hello there everybody! My name is JoyofCrimeArt and I do review-y type stuff on rare occasion! I've been a fan of online original content ever since I was a kid, ever since I first got into "Homestar Runner" back in 2010 (before that most of my internet time was spent playing flash games online and listing to Phineas and Ferb songs on Youtube.) Me and my brothers fell in love with Homestar Runner, as well as the various spin-off series that came from Homestar like the "Teen Girl Squad" and the "Strong Bad Emails." While I'm sure there where some web series I had seen before then it was Homestar that was the first big one and ever since I have been enamored with online original content. As time went on I became fans of other online web series, like Death Battle, TOME, RWBY, and many many others. There is something I find just magical about online original content. It's completely unfiltered content. Online you can do or create anything you can imagine, have it run for as long as you want it to (assuming you have the money or dedication to keep producing it) without the threat of it "not meeting the right demo" or "not pulling in high enough ratings." If you can imagine it and have the gumption to put in the hard work you create anything you want to. It like the artist equivalent of the American Dream. You can do anything you want, and be as creative as you want to be! Sorry if that came off as a bit long winded and cheesy but that's how I feel about this exciting new medium. And while there are tonnes of web series I would like to talk about in a review at some point, (and hopefully I will get to some of them in the future) for today I want to talk about a web series that brings whole new meaning to the word "creative," Don't Hug Me I'm Scared.   "Don't Hug Me I'm Scared" is a British web series created by Becky Sloan and Joseph Pelling. Also TomSka was an executive producer for episodes 3-6. Which...actually explains a lot. Basically DHMIS Is a six part miniseries that ran from July 29th, 2011 to June 19th 2016. The series is basically an education series in the style of "Sesame Street" starring three puppets named "Red Guy," Yellow Guy," and "Duck Guy." (And yes those are there official) names as they learn different educational lessons from different "teachers" in each episode. Now if you haven't seen the series yet I highly suggest you check it out before continuing the review because this is the kind of show where the less you know going in the better, plus combined the series is only about a half hour long. However, I feel like I must warn you, this series is not for young children. It is for adults. (Because come on, it something online and it looks wholesome. Of course it's actually fu*ked up.) Don't go into this series unless your in the mood to see some messed up sh*t. So before you advance be aware, SPOILERS!  Anyway, you back? Okay, so for those of you who already know the show or don't care about spoilers, the show is really a dark parody of pre-school televisions that should either be classified in the horror genre, the REALLY dark comedy genre, or BOTH, depending on ones personal point of view. Each episode tends to follow the same basic formula about some teacher showing up and trying to teach our main characters a lesson, but somewhere along the way the message becomes corrupted and usually ends with the puppets being traumatized or killed. Episode Two, for example, is at first about time, but slowly but surly ends up becoming about the impending death or everyone and thing. Episode Three starts talking about love and ends up being about cult indoctrination. It's pretty messed up stuff. But I know what you're thinking, who cares? There are tonnes of stuff that take kiddie things and makes them adult, especially on the internet. What makes DHMIS so special? Personally, I think want makes Don't Hug Me so special is the amount of detail and that was put into it. Even without the shock value the series is still a well made and interesting spectacle to see.  So let's talk about the characters. While this form of simple and short form series doesn't lend itself to any complex characterization the main three puppets still have distinct personalities, even if there not the deepest characters out there. Red Guy is the sarcastic and rational one, and always talks with a deadpan tone to his voice. He is the smartest one of the group and is the fastest to figure out that something wrong is going on. Yellow Guy is naive, childlike, and not very bright. He is the most excepting of all of the puppets. He's my favorite character in the series, because by the end you just feel so bad for him (watch the series if you want to know what I'm talking about, I don't want to spoil to much.) Duck Guy, honestly, is my least favorite of the main three puppets. He seems kinda foppish and a bit more likely to kinda acts as the smart one when Red Guy isn't used for that, but overall I feel he's the weakest of the main three characters and doesn't have as much character development.

(...) (What did you say to me, b!tch?)  And I say character development because, shockingly, all three characters do go through some character development as the series progressive. The characters become more self aware, and eventually start to expect something bad to happen once there weird "teachers" show up, instead of just going with it like they did in the earlier episodes. One of my favorite blink and you miss it style jokes in the series is when Duck Guy freaks out when The Computer mentions being able to tell the time, because he remembers the "lesson" about time he already learned from the clock. It's cool because they are learning form past experiences. Also there's individual arcs for the characters as time goes on like Red Guy learning to be less of a downer and being more creative.  The show starts following a basic formula, with a teacher teaching the puppets a lesson through song, then something messed up happening and the world resets. However what I really admire is that this show plays with that formula, starting with episode four onward. The shows starts to lose it's status quo and, as mentioned above, the characters start to become more self aware. The episodes start having frickin' continuity! For real! It's really unexpected and, in my opinion, was a really good idea. The audience where starting to see the formula, and after the first episode where just waiting for the episodes to become messed up. So they decided to create a story to draw the audience in. If they just keep doing messed up things over and over again the show would become boring but the twist of actually telling a story, couple with the brevity of the story, managed to keep the story interesting the whole way through.  The story is...weird. It's very much up for interpretation and cryptic. Sort of in the "Five Nights at Freddies" kind of way. Hints and Easter eggs are hidden in the various episodes and there are tonnes of theory videos online about what it all "really means." So if that's your kind of thing then you'll love this series. there are so many weird hints and recurring motifs that I haven't seen a single theory that covers everything. The final episode feels like the story is solved but heck if I know what the story even was about. I think the point of DHMIS isn't about actually solving the mystery but rather making up your own conclusion. I don't think there is a one hundred percent "definitive" answer, partially because of the theme of "creativity" that is in the series a lot and partially because Becky Sloan in an interview said in regard to fan theories that "they are all correct." and I love it when creators say that. They leave things up to the audience to decide what to take away form the series, instead of telling them.  Don't Hug Me I'm Scared's attention to detail goes beyond the recurring motifs and Easter eggs though. What I really appreciate about the series is the attention to detail when it comes to the parody aspect of the show. Now this is a subjective thing, but I've always felt that the best parodies are the ones that either respect the thing that they are parodying. If you like the thing that your parodying it will give you a better understanding of it and make it easier to parody, cause you know exactly why the thing works and is good. It is possible to parody something you hate if you really get what your parodying, but it may end up coming off as sounding bitter. (Not always mind you, but sometimes.) It is clear that there was respect and love for educational programming like Sesame Street, and thus the parody ends up working a lot better. The high production value also helps the parody aspect. The puppets in DHMIS look really good! They look like they could be legitimate puppets in a real children's educational television program. This ends up making the twist that it's actually a horror story even better because the audience doesn't know what to expect if there going into the series blind. They might stumble upon the video and think it's a clip from some real British television series. The series wouldn't be able to work the way it does now if the puppets looked creepy from the start, there would be no contrast. To be honest the puppets in this show look less creepy than some real children's educational puppet shows.

(That top pic is from 80's direct to VHS education series "Peppermint Park" by the way, and also sorry if I accidentally gave you any nightmares.)  Speaking of which, the production values of this whole show is frickin' incredible! Admittedly the production values for the first two episodes aren't as good as later episodes, but starting with episode three the series becomes amazing to look at. Every prop is is made of felt or cloth and the world is heavily decorated down to the smallest detail. The show also incorporates a multitude of different art styles throughout the series. Sure it's ninety percent puppetry but they also incorporate stop motion, flash animation, purposely bad CG graphics, and even some live action film making in certain parts. Every episode features a different song, and most are really catchy (Though the series tends to focus less and less on the songs as time goes on in order to focus more on plot, which is kind of a bummer.) The humor won't be for everybody, it's that sort of dry and surreal humor found in say, and old adult swim show. It's not for everyone but I really like it. It would be so easy to just make this show a kid show that ends up becoming disturbing, but this show does offer other positives so you can still enjoy the series after on re-watch.  If I had to pick a favorite episode out of the six I would probably say episode three. I like the song, moral, and environments the most out of any episode and I feel like the comedy in that episode is the best of the whole series. Episode three also acts like a nice breather episode as it's one of the least terrifying one. My least favorite episode would probably be episode five. The song isn't that catchy in my opinion and it keeps getting interrupted by the plot, which isn't bad for the episodes necessarily but it does hurt the song.) Also I honestly can't tell what the message is. Most other episodes have a message, even if it is a dark and twisted one, like how episode four is about the dangers on the internet, how it just wants information from you, and how easy it is to get sucked inside it. But episodes five's moral, I just don't really see it. I still like the episode but I just find it a bit subpar compared to some of the other episodes. And no disrespect to you if you love episode five or hate episode three, it's just my personal opinion.  So yeah, I highly recommend DHMIS. It's bright, it's disturbing, it's funny, it has incredible production value for a Youtube series, it has great songs, it has chicken picnic's and aspic, what more can anybody want! While it's in no way the perfect series it's a really creative show that I think really pushes the envelope of what a Youtube series can be, because honestly that's probably the most impressive thing about Don't Hug Me. It managed to become popular without feeling the need to conform to what everybody else on Youtube was doing. It is something completely unique. While there may be tonnes of online gamers and film reviewers (And I'm not trying to knock those type of Youtuber's as I am a fan of many people that fall into that category) but there is only one online surrealist, horror, dark comedy, musical, puppet show! And that's Don't Hug Me, I'm Scared. It's not for everybody, but if your a fan of things like "Too Many Cooks" than you'll love this.  So that's my review of Don't Hug Me, I'm Scared (Hopefully it didn't come off as too rambly and fanboy-y). Have you seen the series? If you have, what do you think? Do you have any theories or interpretations on the ending? What's your favorite episode? Tell me in the comments bellow if you'd like to. I'd love to have a civil discussion about it! I'd love to hear what you all have to think, even if you disagree with what I think. Also I'd love to know what you think about my review style, and what I could do to improve upon it in the future. Please fav, follow, and comment and If you liked the review and I will see you all next time! Have a great day! (I do not own any of the images in this review.) .......Okay, I change my mind. This guy is my favorite character.

https://www.deviantart.com/joyofcrimeart/journal/Don-t-Hug-Me-I-m-Scared-REVIEW-629975791 DA Link

[mucky-puddler]

Here is Kubrick blog no. 2

So, this week I’ll be looking at Kubrick’s early work (again), Paths of Glory, and the introduction of Depth of Field; Stanley Kubrick, film, and the uses of history – yes, that is the whole title.

The first thing Nathan had us all do was shout out any themes we could think of that Kubrick had used in the films we had watched so far. This list ended up being ridiculously long and appeared to contain every film under the sun (which is something I never understood – creatives don’t really think about themes when creating things, it just kinda happens, so what is the point in listing themes to look at?). Here are a few examples of themes we named;

- Madness

- Masculinity

- Obsession

- Photography

- Chess

- Brutality

- Violence

- Animalism

- Sport

- Fathers/mothers

We then reviewed the Seafarers (again) and looked deeper at the shot composition used; one of the more obvious ones was the shot change from machinery to people, suggesting that within the seafarer community the people are simply machines designed to complete certain tasks.

Let’s move on to the man himself. It has been suggested that Kubrick makes his films for men, and the evidence is as such – his characters fulfilled the stereotypes of having the damsel in distress and the knight in shining armour, making his female characters weaker and in need of assistance, he would often utilise the male gaze to sexualise women (as seen in the Seafarers when the camera pans up and holds on the image of a naked calendar), all of which makes him seem misogynistic. Alternatively, Kubrick could just be representing the world around him – personally, I think we give people who grew up during the 40’s and 50s much more credit than they deserve – there is no way we can assume that so many people during that time felt the way we all feel now, because the times have changed so much and we don’t want to ruin our idealised, romanticised perspective of a different time. I’m not saying that there weren’t people that thought this way, I have no doubt that there were, I just don’t believe that everyone thought that way. In every single piece of media I have studied where there is some injustice, the argument has always been made that they were “representing the views of the time”, inferring that the creators did not have the same views when it is entirely possible that their own views aligned with the unjust perspective they present.

Okay, rant over for now.

Something else I picked up on, that is somewhat related to what I’ve said above, is how Kubrick used his camera to give himself as much freedom as possible. Kubrick was commissioned to film the Seafarers as a promotional piece, meaning there was very little creative liberty given to Kubrick – what he did have control over was the camera movement. It would appear that his favourite were the long tracking shots, giving the audience long takes of the food hall (and the food itself, to a pornographic extent).

Another clear feature is Kubrick’s sense of humour – his sense of humour was young, like that of a teenage boy (hence the calendar shot). He would sneak as much suggestive evocative imagery through the loopholes into his films to entertain his audience.

And now for our word of the week – Gematria; Greek for geometry, turning letters into numbers, giving the numbers power, meaning texts have hidden codes.

It has been suggested that Kubrick used gematria in his films – critics and fanatics have spent hours poring over his films, trying to discover the hidden meanings behind the numbers and text he leaves in the shots. The numbers 7 and 3 are said to be popular numbers in Kubrick’s films but no one has figured out why yet. I personally don’t see the point in obsessing over every pixel in a shot to mangle it into an alternative meaning, but some people enjoy it, so you do you.

The last thing I took from the lecture was that theme and style should be considered together, especially over the many films brought to life by a single director. For Kubrick, we should look at similar themes through films like 2001 and Spartacus and Lolita, just to name a few.

Now onto the film – the film we watched this week was Paths of Glory. Like all of Kubrick’s films so far, it starts with a lovely bit of narration and a somewhat boring long shot – expositional, some would call it. Both these features together let us know that we are in for a war-time film. For almost the entirety of the rest of the film, I couldn’t understand what these characters were saying, So I had to gather the deeper plotlines from context. Something I drew from the film was how realistic it was for a film of that era; it does not romanticise war like others have, it is a good example of strong men being scared to obey orders, then suffering the consequences.

Here is something about the film that confused me – there is a single shot that pans around the characters to watch them leave, and a washing bowl that was used at the beginning of the scene comes back into the shot – why? It is not referenced at all in the scene, or even the rest of the film. Why was that shot included? Was it because it looks cool? Thinking about it deeper, the character played by Kirk Douglas was using it at the beginning of the scene – this character goes on to defend the men who get called to trial for ‘not following orders’ but assigning their deaths anyway because of the the decision of the court. To someone who grew up religious, this sounds familiar (that’s right, we got Jesus imagery right here). Kirk Douglas’ character could be reflected as Pontius Pilot – he washes his hands of the blood of the men under his command (as demonstrated by the washing bow) – making the men that were sacrificed as an example to the rest a reflection of Jesus – they were strung up to poles.

Let’s now talk about authority, an obvious theme in this film. There appears to be two types of authority – those who care about the mission, and those who care about the people. The general, who is the former of these two authorities, could be considered obsessed with winning the battle and then the war, and does not consider casualties (he’s a bit of a dickhead). On the other hand, the colonel’s concern is for the men and the logic behind why they did not obey orders (which makes sense). There is, as there is with reality, challenge and contention within and between the ranks; everyone wants to either impress their superiors or undermine them. Within the theme of authority, I’m going to make up a sub-theme – authority vs reality; those in higher authority have an idea that they want to execute, and put it into action without thinking about the factors that could make it possible e.g. the men that would have to die to make their ideas a success. The reality of the ideas is that it most likely isn’t possible, and hundreds of men would die in the process before the authority would begin to realise. One of my favourite scenes from the film is when the fate of the selected men are being decided by the colonel and two generals, one of whom is for killing them in a court-martial, the other hearing reason and willing to give them a fair(ish) trial. The colonel is framed between the two generals, and at first, I thought it would have made more sense to have the more neutral general framed between the two arguing parties. However, after a second thought, the colonel is the one frames between two opposing but equal forces – they are the angel and devil on his shoulders (hell year).

Ah yes, we love a courtroom drama, a turn I did not expect this film to make – it reminded me of the courtroom scene in Hacksaw Ridge (such a good film), and I feel this is a fair comparison; the intensity was continual and high, there was a ‘will they, won’t they’ vibe to it, and an all-round good scene for both films. Only with “Paths of Glory”, I hated the son-of-a-bitch prosecutor and the court for clearly favouring him, giving way to another sub-authority theme – humanity vs the court. Like the overbearing general, the court sides with the authority rather than reason – I thought the defence was not given the opportunity to give their case to the fullest extent, even though their evidence was solid.

The final theme I’m going to look at is religion (catholic flavour) – there isn’t a whole lot to say here as it doesn’t play a huge role in the film, the only religious figure (other than the Jesus imagery) is the father that comes to bless those who were chosen to be sacrificed as an example to the others.

Okay, onto the reading – this reading doesn’t really have anything to do with the film specifically, and I only got through the introduction again. These people really need to calm down with their intros because I’m never going to actually read something of merit if they keep their intro’s long. The book I read is called “Depth of Field: Stanley Kubrick, Film, and the uses of History”. One of the first things it discusses is the phrase ‘depth of field’, because it’s meaning it two-fold; the first is concerning photography, as depth of field refers to how sharp and in focus parts of a shot are (which is relevant to Kubrick because he loved photography, so would be able to use depth of field to his advantage), and the second is in reference to researching and trying to understand as much about an area of expertise as possible (this could be Kubrick researching for his films, or could be these critics learning as much as they can about Kubrick – I suspect it’s the latter).

Also, they spoke very briefly about how what is in the frame is the only thing that can “portray the world of human emotion/feeling and action realistically”. I completely disagree with this statement – there are so many elements that goes into portraying human emotion, like music, rhythm, acting lighting, just to mention a few.

Something else I don’t quite understand is how/why directors are praised for working in multiple genres over their career – how is it different to a student having to do multiple courses or modules at the same time? Surely, they just work in whatever genre they want to at the time?

This might just become a list of things I don’t understand because we already know that Kubrick liked to have control over every single aspect of the film, but according to this introduction, he let the cast and crew experiment with their tasks? How does that work?

A quote I found interesting is this – “…seen as bringing the terrible news of the twentieth-century history…to a mass audience” – sorry what? What is this even saying? Is he translating what was happening around him into film for other people to better understand? But if that is the case, then the ‘terrible news’ would have already passed because of how long it takes to make and distribute a film. Why aren’t these people reading the news? Surely no one relies solely on film to give them ‘terrible news of the twentieth-century history’? Or does this mean the people outside of America, seeing as global news was not yet prevalent?

Anyway.

Adorno is a man that pops up a few times in this intro and is said to have said “art and ideology are becoming one and the same thing” and I honestly love that because it’s kinda true. This is also the same guy that said “poetry became impossible after Auschwitz” which is the kind of deep, philosophical shit I enjoy.

This intro really does jump all over the place because then they discuss how Kubrick primarily adapted texts that weren’t already popular, with the exceptions of The Shining and Lolita, so his audience could judge his work as his own rather than an adaptation. This seems a little selfish to me. Like he’s not acknowledging the fact that it’s someone else’s work?

I do plan on reading more than just the intro’s to the actual readings, but it’s so difficult because the intros are so long! Also, somehow this blog ended up being longer than the last one, I don’t know how that happened, please don’t hate me.

[icewindandboringhorror]

hmmm’st....Another group of replies since I’m trying to keep up with my inbox better this year !! (I know #3 is missing, I accidentally mislabeled them and skipped straight to 4 and don’t feel like re-editing the photos lol ) 

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1. “What would you recommend doing with a 1x1 ft square of tapestry-eqsue fabric ?” (question typed out in a shortened way/some words left out)

Hmm, I’m not really sure!  I always have problems with tiny squares of fabrics since I often like.. am in love with the colors or texture or pattern or etc, but at the same time it’s too small to actually serve as a really substantial part of the outfit lol, so I usually just use them in small ways for accents? Squares are really good for making collars out of, since you can just cut a hole in the middle and put your head through it and it’s done lol, but you can also tuck them into shirt collars or belts so they hang out a little and just serve as a pop of color or something. If you don’t mind cutting it, you could also turn it into little strips or change the shape, make it into a small pocket/bag, wrap pieces around the arm or tie it around boots as decor, tie the cut up buts together to make it into a longer piece of fabric then use that as a belt or sash or headband, etc. Idk, I have trouble with small fabric bits as well, but maybe some of these ideas help!!

(other answers under read more so it doesn’t get long)

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(note: sorry to everyone who's questions I had to shorten when re-typing them here, I hope I abbreviated them okay and didn't leave out anything you saw as very important! The full message is still shown in the images above and I just wanted to save myself a little time on the typing aaa!) 

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2. “Sorry this is random,  but you seem like a very nice and thoughtful person. Hope you have a happy new year”

Thank you!! I always try to include one or two of these nice ones in here just to continue to show appreciation for people who send me kind things! Even if I don’t respond to all of them (since I feel really awkward just like.. publicly responding to a ton of compliments lol), still know that I really appreciate it! I hope you also have a great year, anon! 

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3. accidental mislabeling error means free space for cat image

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4. “will you do more videos? vlogs, tutorials, explaining your art, games, podcast, anything? sorry if it's weird to say, but I just really enjoy listening to you speak!” (question typed in a shortened way/not fully quoted) 

Possibly? I just can’t think of many things to make that would work well for me?

vlogs:  I don’t like to do vlogs anymore because of my mental illness and becoming more anxious about showing my face or daily life in public. Though I do enjoy aspects of the “lifestyle blogging” sort of content, like I think it would be cool to be able to make easy videos where all I do is sit down and talk about my hair or something for 20 minutes lol, or etc., but I guess as I get less comfortable with showing myself, I tend to stray away from stuff like that?

(this is also why I’ve been shifting more towards like... costumes, art, world-building, making games, etc. as opposed to outfits/personal style/personal life type content, since I feel much more comfortable being framed as more of a ‘detached and faceless creator that shows some personality but is still mostly obscured’ than ‘open personality that posts selfies and talks about their life extensively’ or etc. Obviously I still post personal stuff like questions and thoughts/opinions and cat images and etc., but less so.. like I don’t even remember the last time I posted an actual selfie where my face wasn’t obscured by costume makeup or something lol..) 

I would absolutely still do stuff like “room tour” or “what’s in my bag” videos, or like a single video showing my usual daily routine or something,,  if those were ever requested of me/interest was shown in them..  I’m okay with small one time “lifestyle” genre sort of content. But anything too invasive or long term (daily/frequent vlogging, or like “story time” videos) I think I would get uncomfortable with lol. 

tutorials: I’m not really sure what I would do tutorials on? If you want me to make a tutorial about something, feel free to let me know something in specific! My main problem is that I don’t feel like there’s anything unique that I do that there aren’t  already 100 other tutorials for, so I’m never sure what I should make those about. I get occasional asks with people saying “do a makeup tutorial” or “do a sculpting tutorial” or something, but they don’t ever say WHAT SPECIFIC makeup or what SPECIFIC thing they’d like to see me explain, so then I’m still left alone with vagueness and unsure what to do lol! 

art explanation: Same kind of goes for the “explaining your art” thing like, what art? Explaining what specifically about it? You mean worldbuilding? Or sculptures? etc.??  I’m actually always happy to make videos for anything people want to see (since I enjoy the process of making them, usually), but I just am never sure exactly what to do. But if I had specific prompts I would be glad to explain something though! Videos are fun, I just never know what to make them about lol

games: I would absolutely love to do let’s plays/game videos or something (I assume this is what you meant by just saying ”games”??)  since I enjoy games, and my whole thing about not being able to relax (I feel guilty about playing games (or any other leisure activity) unless it’s working towards something, I have to have a way to justify the activity being productive, which is why I rarely ever play games despite liking them a lot lol..but if I made videos or etc. it would feel slightly more worth the time/effort).. But seeing as I’m fairly lower income I really don’t have much money to buy games, and I don’t have a very good computer situation lol. I would need to have money to fix my current computer, and a few other things, etc. etc. 

 Idk, it’s something I think about occasionally and that would be extremely convenient  for me and my current situation (in terms of having something simultaneously low effort/relaxing/ suitable to my needs/mental illness/physical issues, but also that feels productive at the same time), but it’s also a very weird genre of stuff (idk if I’d feel comfortable being anywhere near the broader “games” community ghggb), and I would need a little money first lol.. 

podcast: I would never start my own podcast because I have no idea what I would even have a podcast about, and I also don’t have any friends who do that sort of thing (podcasts usually have multiple people, right??). I would do one with someone else or something like if a close friend asked me I guess, but idk... I couldn’t ever see that being something I start by myself?? Especially since I don’t know anything about them or what equipment or programs are required to edit together the audio, I’ve only listened to a few of them every once in a while, etc. am not really tech savvy in the field of like. how podcasts work ggh. So that’s probably the most unlikely one out of everything you listed, sorry!! 

As for other stuff, I’ve thought of answering questions in audio form instead (so rather than writing them out here, I’d just make a video (though not with visuals, since I don’t like filming myself talking..maybe I could put footage of cats over the audio though lol) of me going through my inbox and answering things, since I feel like typing takes me so much longer than speaking, and sometimes it’d be more convenient). 

I’ve also thought about just like.. talking about world-building stuff, like.. rather than writing out a post, I can just ramble about things or something,, but I’m afraid I’d get too disorganized, so it’d probably only be good for answering questions about specific things (which I don’t really get questions about worldbuilding stuff that I could have enough to sit down and answer in a video lol.. I think I’ve gotten two so far?? which I already answered in text posts).

So idk, maybe those could also be ways to hear more of me talking? If I used audio more often to answer things or discuss things (like answering asks that way) rather than typing.. which would save me time anyway lol.. But I just feel unsure about it since it seems.. weird.. like.. some people might just want a quick answer to their ask and not have to skip to a certain time stamp of a video and hear me talk about it for 5 minutes lol.. 

But anyway, yeah, feel free to offer specific suggestions or support towards anything mentioned if it’s really something you want to see! I really appreciate that you even watched the silly little vocabulary video and especially that you actually enjoy my rambling lol (I sometimes feel annoying when I speak), and I hope I can make something sometime!! I just have trouble deciding on what content I should be making or etc., but maybe I’ll try to find a few more things I can do where I’m actually talking! 

(also thanks for hoping I feel okay! I am a little bit better, but still sick lol)

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5. “Hope you feel better (emoji heart that I can't type on a computer)”

Thank you!! It’s been really stink to be sick the entire first month of the year lol, but hopefully I’ll be better like.. by mid February at least!!! With how goal focused I am, it’s been like... utterly evil to not be able to start the year off well and get all of my to-do list stuff done.. I’m finally at a point where I’m finishing a few things again (like this post, and a few of the worldbuilding things from a week ago or etc), but I still can’t stop myself being.... deeply annoyed, by my loss of time and how much I feel like I should have gotten done already aaaAAA.

Especially I REALLY WANT TO DO another costume soon!!!! I have some laid out in my closet that I hope to do, but I keep waiting until I’m feeling better, since I’m afraid of having some random sickness related health problem in the middle of getting dressed and then having to like.. show up to the doctor while I have elf ears on and half a horn on my head or something ghghggh... 

But anyway, I can’t do anything to change it now, so the best I can manage is just to kind of.. ignore my losses and move forward and try to be as productive as possible from now on! I really hope I can still get some of my main goals (like the game, costumes, music, worldbulding stuff) finished in reasonable time, even if I basically lost the entire month of January into a void lol. Sometimes you just lose an entire month of time... life is just Like That and you have to move on and make the most out of it I guess! 

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6. Would you ever like consider selling your outfits???? I have an extended non violent larping thing coming up and i really love your outfits!

I might actually! I mentioned it before I think like, months ago, but i have a LOT of clothes I really want to get rid of, it’s just that it’s SO daunting. I’ve sold clothes before and it took hours and hours of effort, and you have to constantly keep up with it and track sales, and on top of that I really underestimated shipping prices (especially making the mistake of shipping internationally on one of them I think), and I ended up making no profit and actually losing $70 just from paying people’s shipping that I didn’t charge them for (which for me and my financial situation is.. A LOT.. like.. I do NOT have that kind of spare money ghghh).

This time I want to be careful about it and also I’ll have to charge a lot more (which of course, I feel guilty about since I have Bigg Money Anxiety and wish everything was free for everyone all the time gghb), and also it’s hard for me to find the time and energy to take literally hundreds of photos of hundreds of items and then list them somewhere and etc. etc. etc. 

BUT to cut down on that workload I’ve thought about actually just grouping them into outfits or like, groups of clothing that all match each other or etc. and selling them all together (so that I don’t have to photograph and list every individual item), and additionally that way I can maybe just do one batch at a time like.. maybe sell two of them a week or something, instead of all at once. 

Maybe just buying a certain size of box/envelope thing and stuffing whatever I can into it and selling them all for a set price like $40 a piece or something. Which to me sounds extremely expensive I guess since I’m someone who would never have $40 to just spend on clothing lol, but I really kind of can’t go much lower than that if I want to allot for shipping and not make the same mistakes again as last time (and definitely not allow people to buy internationally unless they pay me like.. $50 extra or something, which would be ridiculous lol). 

But anyway, especially since I have a few things I could really use money for (paying my guardians back for recent medical copays, and for my cat’s vet visit a few months ago, and also I have to fix the battery on my computer or buy a new one, etc.), I’ve thought about trying to do that soon!  Maybe sometime in the next month I can start listing some themed clothing groups/outfits/etc. and sell them at a slower better pace for me (like one group a week or so). I’ll definitely post about it if I do!

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7. (this one will have to be shortened a lot since it's so long, but I'll try to just type the main parts I'm replying to)  “Are you making/would you consider making a story with your fantasy worlds? Like a book or a zine or youtube videos where you roleplay as the characters and make them talk to the viewer or each other? If you don't want to create plot, you could just do characters seeking to educate humans bout their cultures or something.  I used to scroll past your posts since I'm more visual when it comes to fantasy, before realizing how interesting they are and I feel like your ideas need more playing out and exposure. ALSO, how do you feel about collaborating with other people on creating art? Or just being art pals and sharing ideas/plans/etc.? I just read your FAQ about collaborations so I understand the terms and my offer to be art friends still stands!” 

-- About whether I’ll make more things with my world:  

Thanks so much for the very nice message!! Worldbuilding stuff is one of the most fun creative activities for me to do, so I always appreciate it when people discuss it with me and etc. (not that I don’t also appreciate compliments on sculptures and costumes and etc., those are great too! But I guess because world stuff is something I’m so much more personally invested in yet also never get to talk about lol, anytime anyone sends me anything related to characters or worlds or etc my brain is instantly like !!!!!!!!!!!!! O v O !!!!!!!!!!!  ghgh). 

I am actually making a game like I may have mentioned a few times, which though it’s more character focused and doesn’t really have a plot/broader story (it’s basically like a dating sim except without romance/dating, but it has similar mechanics in the sense that the main goal is to get to know characters in the world and do tasks for them and etc.), it will include a good bit of things that have do with my world, seeing as it like... takes place there. 

And since each of the characters have their own backgrounds and etc., they’ll of course speak about various world-related topics. Like for example, one of the shop-owners you can work for is an elf from outside of the elven alliance, and another shop the player can work at is owned by a set of twins who were formerly part of a royal family within the alliance, so those characters (when getting to know them and doing quests for them and etc) will of course have different perspectives on the world and talk about some of the stuff that’s been brought up in my worldbuilding posts, just obviously in a more personal/casual way, since it’s dialogue rather than me writing exposition infodump posts. 

Like for example, the fact that alliance elves and non-alliance elves often have very different takes on the main elven religion, meaning if it comes up in conversation, both shopkeepers would give different dialogue relating to it, etc. Which since every character has their own unique situation and heritage and etc. (the game is set on a popular market street in a large global city, so here it actually makes sense for a bunch of different species to all be in the same place and etc.), I think could maybe expose players to a lot of the central worldbuilding concepts, depending on which shopkeeper they go with. 

Obviously characters aren’t going to just be doing unnatural exposition dumps about the extensive background of the world or something lol, but even just naturally and playing through a character with neutral favor (meaning not unlocking any special positive/negative dialogue options/etc), you’d still be able to get at least a few tidbits about the world. (especially since some character’s conflicts stem from cultural/worldbuilding factors, so it’s not unnatural for them to bring it up if that’s like.. something that seriously impacts their life lol.). It probably wont expose people to Advanced Lore like the time gaps or obscure types of magic or etc (well.. depending on which shopkeepers you talk to hbhbb), but it could help with some of what you’re talking about.. In the sense of it being a more accessible visual medium that, while not the MAIN focus of the game, does end up covering some of the world background information through natural dialogue. 

(always feel free to send an ask or something if you have any questions about the game, I never talk about it but every time I start to my brain unlocks and I have to stop myself from like.. saying literally every single thing about it ghgbhj)

Other than that though, I’m not currently working on anything that actually involves my world. I totally get what you mean though, and I’ve often tried thinking of ways to make it more accessible and etc (shorter posts, more clear topics, more visual elements, etc.), but it can be hard for me to work within those constraints when it already takes so much time for me to put those things together. It’s like I have so much planned out in my head, I kind of just want to get it out there however I can, since if I spend too much time deliberating about it or etc. it will become an endless task lol..

Ghhbh I actually have an extensive background in acting out characters, I’ve pretty much walked around talking to myself in different voices and etc. for my whole life and am used to like acting multiple characters at once and improvisational storytelling things (this is still what I spend a lot of my time doing lol.. I just.. walk around my house having conversations out loud pretending to be random people.. Especially when doing chores, like washing dishes or etc. is more fun if you pretend you’re a group of travelers working in a weird little elven restaurant bickering with each other the whole time hgh), but idk if that would be something I would do for videos. I feel weird about being on camera personally, even if I were in costume. But it is a really good suggestion since that is something which would be much much easier to produce than like, doing a full animation or writing a book or something lol. 

I have thought of reading my worldbuilding posts aloud/ doing audio versions of them, so that people could just listen to them instead of reading them (there would be no visuals like.. just black screen or something with audio of me reading it), but the way I write is like.. hard to read back? I love to read out loud (one of my favorite activities to entertain myself is to actually find random text I’ve never seen before and see how well I can sightread it. Especially random medical articles with a lot of words I don’t know in them lol, it’s fun to just try to go through a new text fast in a convincing narrator voice or something, scrambling to mess up as little as possible), but I find that I have to modify my writing in order to read it that way (I’ve attempted to make a worldbuilding audio thing before, this is how I know this lol), so it’s almost like I’m writing a whole second version of the post, which makes it take longer?

I could modify my writing style (less having things in parentheses and etc., side sentences that occur in the middle of main sentences and break reading flow, etc.. Like this one lol), and have thought about writing in a way that would be easier for me to read back, but it’s just a whole thing I’d have to plan. I’ve definitely considered it though, and could pursue that idea further if people were interested or something! 

I’ve also thought of writing dialogue out between characters as a method of worldbuilding (not a story, but more like a script) since I think that’s a good natural way to convey things or give snapshots of moments in history or etc... but like.. That would just be more text so it wouldn’t really solve the problem lol. I could do audio reading them I guess, but since I’m more used to improv stuff, idk how I would do trying to read actual already written lines, even if I was the one who wrote them, it would definitely be something I’ve never done before lol!  

I also just think doing smaller things could help, and anything interactive. Like shorter posts, especially with more visuals in them, typically get seen more, and then stuff like me making a game or other condensed things.. I’ve thought of making like.. a character selection screen, not an actual game but kind of like a dress up game where you get to choose your background from the different species in my world and then dress them up a little or etc. but that would be a LOT more work than it seems probably lol.

A lot of social media is just a combination of luck/the right connections, quantity, and consistency especially. I’m sure if I could do a short post a day or a drawing of a character every other day or something and reblog them a lot, then more people would see the other things I do as well and etc., but it’s just... very difficult for me to operate that way since it’s so inherently antithetical to my personality and how I work lol (I tend to be more of a.. .. ‘stay isolated working on things and barely post anything for 3 months then post 10 things at once out of nowhere before going inactive again’ type of person ghbh.. which is like.. horrible from a Social Media Strategy standpoint). 

(Oh also, I still have no idea what a zine is even though I've seen them around and looked at a few and even looked up the definition of one to try to understand them hhghgg.. I’m still not exactly sure like.. what qualifies as one or how I would make a world-related one lol.. so this is why I didn’t really go into much detail on that specific suggestion of yours since.. I’m Uneducated Fool )  

But anyway, Idk if I could do acting videos, but I could do audio reading of posts or other things, and I am at least in the middle of working on a game which heavily involves elements of the world, so maybe that counts for what you’re talking about! 

Though personally it really doesn’t matter much to me if many people see my world stuff or etc., since really all the fun is just that I sincerely enjoy coming up with ideas and creating worlds and etc., even if I’m not doing anything major with it ( making a book series or comics or etc. I don’t feel like worldbuilding has to be working toward another project, and like that it can just be done for it’s own sake as a hobby), I still truly appreciate the sentiment and that you enjoy the world enough to give suggestions and etc. for stuff like that!! I’m going to keep at it however I can just because I love doing it so much, no matter if anyone really pays attention, but it is always unexpected and very meaningful when people like you engage with the content, so thank you for that! I’ll continue trying to make things and be productive and maybe use a few new ideas here and there just so it’s easier for people like you who tend to be more visual with things. I want to avoid leaving people out, and try to make a variety of things that can cater to more visual people as well or etc.! 

-

-- About possibly being art friends or working together: 

Well you said you read the collaboration FAQ, so I’m under the impression that I no longer need to answer that part of your question lol, thus I’ll just continue on with an answer assuming you know all of that information! 

I’m always up for it I guess! I’m not sure about collaborating since I know nothing about you, and also don’t know where you live (remember I mention that it’d be much easier to collaborate with people I live closer to so we don’t have to like.. skype or some other weird digital method of communication in order to talk about ideas. Just since that sort of thing can get so lengthy, especially if it’s an actual project being taken seriously, I’d rather speak to someone in person and be able to work on it alongside each other better). If I got to know you for a few months and thought I could trust you/know we have a similar vision/don’t clash creatively or personality wise,  AND we also lived close enough to meet at least occasionally, then yeah! project collaborations could work. If otherwise, then unfortunately it might not work in that regard. : U

(OH also if we’re a similar age?? I forget that people on the internet can be way younger than me.. I have nothing against younger people (very against the weird overly-simplified generational stereotyping ggh), but I would just feel kind of weird being an adult (early 20s) working with a minor who’s like 13 years old or something. I would be happy to talk about things from time to time and help with ideas or something, but actual like.. long term collaborative projects like writing a book together or creating and selling a game or something may be strange just due to us being at such totally different stages in our lives and etc. So, to collaborate on projects or even just communicate frequently about them or etc. I would also prefer we’re a similar age range (you’re somewhere from like 19 - 28 yrs old or close to that) ghhbh) 

As for just talking about art though, that could work fine probably! Since it would just be casual discussion and less serious than full on project collabs or etc., you wouldn’t need to live near me or etc. Though of course I would still need to know about you first (especially politics and stuff like.. I don’t want to get 50 long conversations in with someone only to find out they hate trans people or are a huge racist or etc. I always like to establish that ahead of time or at least have some idea of a person’s leanings.), and understand your personality a little.

 I am pretty socially anxious and due to health problems and stuff can sometimes be bad at replying ( I know some people expect instant responses, whereas I usually reply in a day or two ( depending on how long the message is)), but I also don’t currently have any friends to talk about world-building stuff with really or who care much about that sort of thing, so I’m always open to having conversations about stuff like that! 

Especially if it’s a low-pressure causal sort of thing in the sense of like “hey let’s just see if we get along well conversationally and if we don’t then no hard feelings”, etc. One of the main reasons I’m often afraid to talk to strangers is that if we end up NOT getting along and I decide that I want to stop talking or etc., I’m afraid they’ll get mad at me or lash out at me or something. I prefer it when the expectation is set ahead of time like “we can both walk away at any time and should feel free to openly communicate how we feel about this conversation at any time. if we wouldn’t make good art friends or have trouble communicating then that’s fine and we just respectfully stop talking”.  Which sounds like.. very common sense but.. I've talked to a few people in the past who struggled with communication and would be passive aggressively mean to you about it or something like that instead of just being open about them not feeling like talking anymore or etc., which is always a confusing situation to be in and I’d like to avoid it! 

Anyway though! I can’t promise anything since I don’t know you and am cautious about new people (I don’t want to be like “OH sure we’ll be best friends!!” before I even know you and set up false expectations), but I’m definitely at least open to talking,  especially about world-building stuff, if we’re compatible and respectful to each other and etc. And am also open to collaborations, under the right circumstances like what I’ve mentioned. Thank you  again for the very nice set of asks!!!! I hope you have a great day, anon~ 

--

And that’s all for the reply post. Thanks to everyone who sent in asks about stuff!!

[steve0discusses]

Yugioh S3 Ep8: Noah Gets off His Ass, Immediately Sits Back Down

I am so thankful for short episodes.

Mostly short because it was mostly a game and we don’t actually go over the games here.

So to summarize that entire game, overall, Johnson, the evil lawyer, was cheating.

Shocking.

And then, for another surprise.

Maybe Yugi just makes these with one of those little die-casting machines you make little tabletop characters with. I can see his parents trying to get him into crafts to try and calm down his absurd nervous energy. Maybe he gives these to people he’s cursed to keep track of them. Still a little weird that everyone’s cool with having Yugi’s third eye on their coinage.

Like does Seto have this in his pocket? I assume he does too, right?

Speaking of, on the other side of the forest, Mokuba and Seto went into another door and I think at this point Noah just kind of ran out of ideas and wanted them to get some exercise so he sent them to Dune.

Noah has still not talked directly with Seto Kaiba. So, now, instead of being lost in a forest they are lost in a desert. That has a beach on it. Maybe it’s...just a beach. Still feels super desert, though. Deserts can have beaches, right?

(more under the cut)

And so Noah kind of rolls his eyes after watching this duel for about 15 minutes and then shows that he can stand on those two feet and thus dashing any ideas I may have had that he’s paralyzed and can only float around on the weird sci fi chair.

And then Noah left this old ass clunky TV just stranded in the desert.

Man, remember when TV’s were the worst?

Like Noah wasn’t really planning on coming down here to deal with this duel situation, so does he know that Seto can see him? Or, did he forget that he left his streaming software on when he went to deal with Yugi and friends?

I love how the show forgot it’s own timeline within the same season. I got to hand it to this series in how much it just *doesn’t give a damn* about the timeline at all. Like it has a video game spinoff where Yugi is King Henry 7th fighting in the war of roses and they’re like...”That works perfectly. And can we have a spinoff where they’re just on motorcycles and throwing cards? That’ll make sense, too”

Like it’s sort of refreshing in this age of people raging about every minor detail in Marvel or DC or Star Wars in how much these guys messed up the Kaiba timeline but they don’t even care. They’re over there sipping tea with their middle finger to the sunset just like, “come at me bro, and I’ll just make another insane spinoff just to spite you all. Go ahead, do it.”

Remember also that Kaiba’s past self is also married to a paper card that Kaiba now uses so Kaiba has not only been orphaned twice but is also a widow. And he’s only 16.

Apparently in the Japanese version, he was like 8 when he got adopted, I dunno why they changed that, they just did, and no one cares. Which is fine. It’s a kid’s show. If we treated more shows like that and just relaxed and let the creator go for it and tell us their crazy tale, we’d probably enjoy the content more.

I mean...every single property ever written is going to have timeline problems, eventually. And then there’s Yugioh, who have made so many timeline sins at this point that Season Zero might actually still be canon. Like, that’s what’s kind of neat when you have such a flexible timeline. If we were to say the timeline is perfect, then basically none of Season Zero happened. But, because they never outright say and because they contradict themselves so often, then sure, believe whatever you want. No one can fight you. Yugi once made a guy think he was watch parts and then set another guy on fire with Russian whisky. That can still be canon if we wanted to.

Either way, if Gozoboro got the Hell out of Dodge 5 years ago and abandoned his kids, that means that the Big 5 and Seto have been in charge of this company since Kaiba was 11. As someone who watches 11 yos as a part time I would LOVE to see any of them try and do sales taxes. On guns. Seto Kaiba has been selling mostly guns since the time he was 11. No wonder he used to dye his hair lime green. It probably went gray from stress at age 12.

But then once I assume this duel is thankfully over and Noah is about to do everyone a favor and delete Johnson, Joey decides to be an idiot.

And then he teleports away in a very pretty set of twinkle lights.

It was nice of our villain to try and save everyone’s asses. Yugioh villains are unique in that they are constantly saving our heroes better than the heroes save themselves. In this case, Joey was so bad at saving himself that he immediately jumped back into the same pit Noah dragged him out of.

And Seto and Mokuba just have nothing to say about that, apparently. No one seems to think that this was the weirdest exchange just now.

Like they really did just sit here in this desert with one TV and watched Joey Wheeler play a game although they supposedly don’t like Joey at all.

Yeah, he just screams out this weird line and then adds an “if it weren’t for you meddling kids” type of finisher and then blows up into thousands of pieces.

Got one last lawyer jab in there, I see Yugioh. You have...so much disdain for lawyers. Which is very funny since the only DMCA I’ve ever received was over Yugioh fanart. And guys, I’m at the point of internet obscurity when it comes to art, where that happened, and I was like “FINALLY! I’m actually getting recognition for my hard work from like...a real company! WOW!”

Sorry I had to delete a 60 K word rant about internet marketing and this is my blog to escape that hell beast.

So after Joey does his 180 and remembers that he has a sister, he tosses Yugi in the air a little bit and then just books it down the hallway.

With the way he was acting you’d think he’d just carry Yugi under his arm like a football until Serenity is found, but instead, Yugi and his very short legs will follow behind like 30 steps.

Mmmmm look at that early 00′s DeviantArt grunge. Nice. I kinda miss when we were digging through this artist’s old and crusty pen supply cabinet but maybe they will make a return.

Off they go, to save Joey’s sister again. And also Duke Devlin.

OMG is this my moment that Duke Devlin will finally die OMG is it happening? Please, show please give Duke Devlin something to do.

Anyways, if you just got here and want to start from the beginning, here’s a link to follow from Ep 1 S1

[miss-musings]

The Good & Bad of NBC: or, Why “The Blacklist” is everything that’s wrong with TV, and “The Good Place” is everything that’s right (SPOILER EDITION)

(Written Oct. 2018… pre-S6 of TBL and mid-S3 of the Good Place.)

NOTE: THERE WILL BE MAJOR SPOILERS OF BOTH SHOWS. DO NOT PROCEED UNLESS YOU HAVE SEEN THEM BOTH!!!!!!!

In case you haven’t, there is a spoiler-free version of this post here.

(Author’s note: So, if you’re reading this you may or may not have read the other version first. If you have, I’m basically going to be going over the same material with the same structure, with some of the text basically copy/pasted from the first version. But, where I held back on the spoiler-y details before, I’m now going to be going all out. I’ll reiterate: PLEASE DO NOT READ THIS VERSION UNLESS YOU HAVE SEEN BOTH SHOWS!!! Thank you.)

For any of you unfamiliar with my content, I’ve been analyzing different aspects of The Blacklist for the past few years, including calling attention to what I believe are flaws in its plotlines and characterizations.

This April, I happened upon The Good Place on Netflix and absolutely gobbled it up. I watched all of S1 in pretty much a single day; S2, in a similarly short time frame. Now, I’ve probably seen every S1 and S2 episode at least four times, and I’m watching the S3 episodes as they air on NBC before The Blacklist returns in January for its sixth season.

Now, it’s definitely not fair to compare The Blacklist and The Good Place. The former is an hour-long (44 minutes/episode) crime drama procedural that has had 22 or 23 episodes per season in five seasons. The latter is a half-hour (22 minutes/episode) ‘genre’ comedy set in the afterlife that has 13 episodes per season in three (ongoing) seasons.

So, TBL has an approximate 4,840 minute run-time, and TGP’s is approximately 858 minutes (including all of S3).

That means that The Blacklist’s overall runtime is almost SIX times the length of The Good Place.

Even so, both of these feature prominent TV actors, including Emmy Award winners James Spader and Ted Danson, respectively; both center on a relationship between a 30-something white woman and an older white man(whether that relationship is romantic, platonic or pseudo-familial is debated by fandoms of both shows); and both of these are NBC shows.

So, while it might not be exactly fair to compare these two shows, I’m going to do so anyway, because I feel like where the Blacklist struggles, The Good Place shines as a quality television program.

Now, don’t think for an instant that The Blacklist is a completely worthless show or that The Good Place doesn’t have its flaws. There are good and bad aspects of both shows, but I’m going to be comparing the two by focusing on three key things that make a TV show compelling:

Plot Progression

Character Interactions

Character Development

1. PLOT PROGRESSION

I think anyone who’s seen the Blacklist will tell you that this show’s plot is convoluted AF. In S1, it seemed like the show was setting Berlin up to be the show’s overarching Big Bad. But, then he gets killed off in S2 while the Cabal takes the forefront. The Cabal kinda hangs out until the end of S3, really, and then gets mostly forgotten until Ressler kills Hitchen in S4. And, Mr. Kaplan becomes Red’s enemy because she was once Liz’s nanny????

This show is so fucking weird.

It continues to frustrate me that all of the show’s major plot developments/revelations come during a mid-season or season finale, or a season or mid-season premiere. The Blacklist’s plot structure continually revolves around the idea of ‘sweeps week,’ when the network tries to boost its ratings by promising major reveals and developments during certain time frames.

Why not space some of these things out more instead of giving us what is essentially filler? We go along for the ride week after week, hoping to get clues or developments to the overarching story, only to be frustrated at the world’s slowest drip ever.

I feel like the first part of S5b really fell into this trap. It reveals to the audience shortly after Keen’s return that Ian Garvey is a dirty cop. And then we wait like 4-6 episodes (I don’t remember exactly how long) until Liz realizes this too. Jeez. Why drag it out so long?!?!

Now, I will say that the decision to kill Garvey in 5x19, rather than the season finale was a good idea. As it breaks the mold of having to wait until the (mid)season finale for the Arc’s Big Bad to finally bite it.

But, while that might’ve been a small victory, it still doesn’t make up for all the times this show has thought it was pulling the rug out when all it was doing was being predictable AF.

Between Liz “dying,” Kaplan helping her, Kirk being her stepdad, Mr. Kaplan being the one coming after Red, Tom dying, Liz trying to trick Red into revealing his secret by playing like she’s in danger and needs him to rescue her, the bones being the Real Reddington, etc...  it continually frustrates me that folks here on Tumblr predict everything that’s going to happen with pinpoint accuracy. It makes the show boring and rote. (Not the folks on Tumblr; more the fact that this show’s plots are so predictable.)

Conversely, the Good Place – per the show’s creator Mike Schur – centers on the idea of subverting expectations. Based on the pilot’s premise, you might assume that the finale will be Eleanor revealing that she doesn’t belong in the neighborhood. But, Schur and his writing team have said multiple times that they focus on trying to make each episode end with a cliffhanger, and doing those big reveals or developments earlier in the season than the audience expects.

As Schur (or maybe some other writer or exec) recently said on the Good Place podcast, 2x09 “Best Self – where the crew leaves the Good Place to head to Bad Place HQ – feels a little like a season finale, despite the fact that there were three more episodes left in S2.

The Blacklist, IMO, also suffers from overdramatic promotions that sometimes make it seem like each episode is going to have some shocking development, when in fact, you could probably skip it and not really miss much (unless it’s a premiere or finale).

I feel like I remember the S2a promos about Liz hiding Tom in the boat, which of course, everyone predicted, really hyped up that reveal so that it was a real let-down whenever we finally got the truth.

TGP, on the other hand, doesn’t really have episodic promos like The Blacklist does, which might work in its favor. (Although, I will say that I was pissed the NBC Thursday night comedy line-up promos ruined the 3x01 Trevor reveal before the actual episode ended.)

I mean, compare how TBL handled the Boat Door Reveal in S2 versus how TGP handled the Michael-sacrifices-himself-to-save-Eleanor development. If TGP had done it like TBL’s, we would’ve known a week or two in advance that someone was going to sacrifice themselves to save Eleanor. It would’ve been these dramatic promos going like “Who! Will! It! Be?!?!!” with like pictures of all the cast members flashing by. And, of course, everyone would predict it would be Michael and/or Chidi, we would all be right and subsequently disappointed.

Also, while I feel like TBL tends to play things safe – very rarely breaking away from the crime drama procedural vibe – TGP doesn’t mind taking chances, so long as whatever they’re taking a chance on fits within the ‘world’ of the show.

If you haven’t seen my rant about TBL’s S5b, I was so excited after Liz woke from a coma to see how the show might tackle that plotline. Would Liz be traumatized? Would she be reluctant to rejoin the Task Force? What if she decided to give up her life with the FBI altogether and raise Agnes? What if she had PTSD? etc.

And, the show went the very predictable route of not showing much, if any, of Liz’s physical therapy or psychological trauma, and having her get back ‘out in the field’ (proverbially speaking) pretty much right away. She pawned Agnes off to Scottie and then kicked it in the woods for an episode.

Whereas, with The Good Place, we got to see major glimpses of Eleanor’s year after her near-death experience in 2x12. Granted, not much of it, but given the show’s time constraints and break-neck speed (in terms of plot development as opposed to TBL), it was nice that we got to see Eleanor become a better person, backslide, and then make a decision on whether she wanted to try to make progress again or whether she was going to stay in her rut forever.

Clearly, you can seen how one’s plot progression is preferable – as a viewer – to the other. It’s also helpful, I imagine, as a writer, to let the plots unfold organically, as fast or as slow as they need to… instead of having to either rush them or drag them out to reach a certain point in the season’s schedule.

2. CHARACTER INTERACTIONS

As said above, both shows focus on the connections between its male protagonist and female protagonists. While ultimately it’s the female protagonist’s journey, the male protagonist is a guiding force in her journey, helping her along and pushing her to make decisions (whether good or bad).

(Although, I guess you could argue that Chidi is really TGP’s male protagonist, but considering that Ted Danson is more heavily promoted, I’d argue Michael is really TGP’s male protagonist.)

And, for both shows, its two main protagonists are part of a six-person main cast.

For The Good Place, the cast is Eleanor and Chidi, Tahani and Jason (two other residents in Eleanor’s neighborhood), Janet (the neighborhood’s anthropomorphized mainframe/help desk), and Michael.

The Blacklist’s cast, as of the end of S5, is Reddington and Keen, her fellow agents Donald Ressler, Samar Navabi and Aram Mojtabai, and their task force director Harold Cooper.

Now, the Blacklist primarily focuses on the relationship between Reddington and Keen; he doesn’t interact with the other cast members very frequently and Keen’s interactions with them are pretty basic and often work-focused. There aren’t very many crucial interactions between non-Reddington/Keen pairings, especially in more recent seasons of the show. While S1 and S2 tried its best to have Keen interact with Ressler, Ressler interact with Reddington, Cooper interact with Reddington, Keen interact with Navabi, etc., S3-5 have more focused on the Reddington/Keen dynamic at the expense of everyone else.

Granted, I like the Reddington/Keen dynamic (in some respects), but giving it more weight in the runtime unfortunately means that the remainder of the cast has to tackle the more procedural aspects by trying to track down the Bad Guy of the Week while Reddington and Keen get to have more of the character-driven serialized moments and developments.

Compare this, though, with TGP and its interactions outside of the Eleanor/Michael dynamic.

Throughout different points in S1 and S2, we got significant interaction between almost every single possible pairing of characters on this show. (And I mean pairing in a non-romantic sense.)

We see Eleanor fall in love with Chidi, become ‘mates’ with Tahani, become bros with Jason, and try to kill Janet and then later give her relationship advice. Meanwhile, Michael has his falling out with and subsequent heartfelt apology to Chidi; he admits to Janet that she’s his most loyal friend; in S1, he seeks out Tahani’s help; and in S2, he seeks out Jason’s feedback. Tahani and Jason’s romantic connection is explored, as is Jason and Janet’s. Chidi and Tahani have an important bonding moment in S1, and even the dynamic between Chidi and Jason is touched on some.

So, while TBL’s cast feels a little separated and almost cliquish, TGP’s six castmembers feel like a cohesive team where any two or three characters can be trusted to carry a scene and have an emotional connection/interaction. The former comes off as weak writing and show structuring, while the other is far preferable to watch.

3. CHARACTER DEVELOPMENT

As I’ve said in several other TBL posts, THIS is probably my biggest grievance with the show … even more so than the weird-ass plot structure.

Despite supposedly being major characters, Ressler, Cooper, Samar and Aram get very little in the way of growth or development. I can barely describe them, their personalities, their desires, their moral codes, etc. in maybe a paragraph for each character. And these are people who have been on this show for FIVE FUCKING YEARS!!! How is that possible that they’ve gotten so little development in so much screentime?

Again, remember, TBL’s runtime is SIX TIMES that of TGP. And yet, I feel like any and all of The Good Place’s major characters get way more development simply in the first season than TBL’s peeps do in five.

I could definitely describe Jason, Tahani, Chidi and Janet’s personalities, desires, moral codes, etc. in like a page for each character.

Now, granted, I suppose the show’s structure lends itself better to that. The characters have to do a lot of soul-searching, so to speak, in almost every episode. Whereas, the Blacklist’s cast has to chase down the week’s bad guys, which takes up at least 20-30 minutes per episode.

Okay, okay. Maybe it’s not fair, considering that TBL clearly doesn’t care about its non-Reddington/non-Keen characters. So, let’s focus on both shows’ two leads and their character arcs.

Let’s look at Reddington’s character development versus Michael’s.

Despite having much more screentime and weight within the show, Reddington’s arc PALES in comparison to Michael’s. Granted, Michael started out as a literal demon whose entire purpose was to torture people. But, over time, we saw his genuine curiosity about humans transform into a genuine desire to understand them and want to be one of them. Yes, he only seeks them out after 802 reboots because he feels he has no other options (thanks to Vicky threatening to blackmail him). But, as he learns ethics alongside the humans, he realizes he needs to become a better ‘person’ (read: demon) to better care of them. Because he OWES IT TO THEM.

Reddington’s character development, meanwhile, seemed to come more in the latter half of S4 when he was trying to deal with Mr. Kaplan coming after him and he was trying to confront this spectre of death that seemed to be looming over him.

Yet, even after all that bullshit with Mr. Kaplan, where he called him out for keeping secrets from Elizabeth that she had the right to know, he still held all the cards and kept his secrets to himself and killed anyone who got in the way.

If Red had really grown, the way Michael did in S2, he would’ve confessed to Elizabeth at some point that he wasn’t the real Reddington, that he stole her father’s identity, and he’d been keeping it from her all this time because of “x.”

While Michael has learned and grown as an individual, Reddington has stayed relatively static in terms of personal growth. Not to say we haven’t seen different sides of him, what he would do when he faced difficult scenarios, like Liz’s death or losing his criminal empire… but the Reddington in the S5 finale is too much like Reddington in the pilot episode. Which is absolutely ridiculous, given how much screentime and emphasis he’s gotten over FIVE SEASONS!!!

Michael has learned to admit when he’s been wrong, apologize and become a better friend to his humans, while Red still has yet to do Liz (a woman he loves immensely in some capacity or other) the basic kindness of telling her that he stole her dad’s identity.

Alright. Now let’s look at Elizabeth Keen versus Eleanor Shellstrop.

Both characters have suffered from character regression, where they start at Point A, then develop and grow over time to reach Point B, and then – for whatever reason – regress to Point A again.

Elizabeth Keen started out happy and bubbly in S1a, went to dark and gritty in S1b-3a, then went back to happy and bubbly in S3b to S5a, then back to dark and gritty again in S5b.

Eleanor started off as an Arizona dirtbag, then became a good person to the point where she decided to sacrifice herself by going to the Bad Place... then got rebooted 802 times... then started as an Arizona dirtbag again, progressed to the point where she was the only one of the four humans who passed her test from The Judge ... then was sent back to earth and was saved from death, so she decided to change her life, backslided and now is AGAIN trying to become a better person.

Now, while Eleanor’s character regression fits within the confines of the show, Keen’s makes no sense. She’s confronted and overcome so many challenges over the show’s the five seasons… so, why hasn’t she learned from them? Why is she still relatively the same, especially considering that x-number of seasons ago, she was so completely different?

Why is she back to being all angry and hateful and dark, etc., when it’s like... she has a young daughter who’s lost her father, she lost 10 months with her after being in a coma.... and she just wants to go beat up dirty cops??? I feel like if they wanted us to see an Elizabeth Keen that had learned from her experience, she would’ve given up her life with the FBI, saying that it’s put her in danger, severed ties with Red (or tried to) because he’s also endangered her (via the bones), and spent time with her daughter, whom she claims is more important than anything else in the world.

And, whereas Eleanor was not a very likable protagonist at the outset but she becomes more likable over time, Keen started out as somewhat likable but has become more annoying as her character continually regresses.

All in all, to quote (or at least paraphrase) some other Tumblr user, “I can’t believe The Good Place literally invented character development.”

TL;DR

Again, just to reiterate, I think there’s good and bad in both shows. But, there’s a reason why I’ve seen every episode of the Good Place at least four times and why TGP S1-2 is currently #4 on my list of All-Time Favorite TV Shows.

The Good Place pushes the envelope by subverting expectations and having major developments earlier in the season than expected; it makes sure that almost every character has significant moments with every other character; and it ensures that each of them has a major character arc that works within the confines of the show.

The Blacklist, in comparison, does what too many other shows on TV do: it treads water plot-wise; it focuses too much on some characters at the expense of others; and even the characters it focuses on don’t show any significant or organic growth.

And, that’s why, IMO, The Blacklist represents everything that’s wrong with television now; and The Good Place represents everything that’s right.

[aharris00britney]

ASKS 10

‘less weird hairs,’ pics of me, real life questions, seasons thoughts, kpop stuff, ‘are you a boy’ erhdfnv, tutorial questions, edits, ‘safe’ cc, and umm yeah never go camping in the actual woods ok

Anonymous said: Can you do Less weird hair? I Like how good Mesh You make but all styles look Really Weird I never Would use them. I just want Usual hair? Thanks you            

Firstly, thank you for the meshing compliment, but tbh I think I make pretty simple hair styles? Like I don’t do many crazy things especially recently? Idk, I hope you like some of my hairs and can find something that fits in your liking :/

Anonymous said: Hi I really love you content and I was wondering if you’d ever do a “goddess locs” hairstyle?            

Ok I am gonna be super straight forward about this, making hairstyles like this is really challenging for me. I have tried a ton of times and I just can’t get the meshes to work out the way I like. UV mapping is a pain in the ass, making the hairline match well, and making sure none of the mesh strands are broken is next to impossible for me. Most creators that make hairstyles like this do them from scratch or spend a long time working on them for them to look right. I’m not saying ‘no’ because I am going to try to play around with some seasons meshes (I have hair ideas) but no promises :(

Anonymous said: BLACKPINK COMEBACK

i know omg jennie snapped, I wasn’t planning on buying the physical album but I ended up caving in and getting the pink versions ;-; I hope I get Jennie or Lisa photocards

Anonymous said: i know your theme is by gukthemes, but what is it called?            

PAPILLON by GUKTHEMES

Anonymous said: Are you ever gonna do a face reveal?

I have posted a pic of myself before in one of these ask posts, here are three more from the past few months :P

Anonymous said: Fav kpop group(s)???            

1). LOONA (bias Kim Lip) 2). BLACKPINK (bias Jennie) 3). RED VELVET (bias Joy) 4). CLC (bias Yeeun) 5). DREAMCATCHER (idk their names but the rapper)

Anonymous said: You play pokemon go still?

Yes! I collected cards/figures growing up and watched the show before school every morning. I’m not a ‘game’ fan but the mobile app is fun. Actually I played the Wii U Pokemon tournament game but it was boring so :/

Anonymous said: are you going to buy seasons? do you think it is worth it?

I got it from CDkeys for $25 lmao, so yes :P I can’t run the live mode so I kind of am just getting it for the new CAS assets :/ but I think the pack looks really good. Everyone always says ‘it looks like the best EP so far’ every time something new comes out so I’m not gonna say that but we will see :D

Anonymous said: whats ur skin blend called?            

Fruitpunch! You can get it here

Anonymous said: when are you going to be done camping?

I am back home now lmao I assume you sent this when I posted about not having service there :P but I was camping for 3 days? I know it was 2 nights at least refdbv also omg some camping stories:

► I didn’t have my voice for the entire trip bc I got sick with laryngitis, and now koby (the guy i shared a tent with) has it too erfdbvc

► It was blazing hot like omg I was dying, there werent showers, bathrooms, anything with AC. The tents were boiling hot, the ground fucking hurt, and it was just hell ok this isnt even a story I just need to complain.

► There was a racoon family outside the tents the first night, and we thought it was a bear bc we were literally in the middle of the woods, like it wasn’t a campsite with other people, it was the forest ;-; anyways we were legit so freaked out and up for 2 hours just listening to them walk around the tents and god it was so scary rfbdv

► As I said, I had no service so I missed the larvitar community day in pokemon go -_-

► I suck at cornhole so I was the cheer leader for a team UwU

► A deer jumped out right in front of the fucking car like RIGHT IN FRONT OF IT omg we were so close to hitting it like... it was fucking scary

► We went walking on a trail that was down a mountain and once we got down we discovered that the chairlift up was CLOSED so we had to walk back up and it was a nightmare bc we had all just drove like 30 minutes to shower in crappy no pressure no heat showers and we were all sweaty again by the time we got back to the top ;-;

dont go camping

Anonymous said: Your last edit creeps me out.

LMAO why? It isnt meant to be sexual or scary?  

@achinghearts88 said: I really love Sims 4 cc but I constantly struggle with finding safe sites and have accidentally downloaded a virus trying to get cc before so I'm kinda frightened now. What advice do you have for getting safe cc? Thanks!

Hello! I use an adfly skipper + adblock, and if both of those don’t work then I just don’t download the cc. For some creators (nolan-sims, simduction, isjao, ivo-sims, and others) I will turn them off because I know these creators aren’t ones that use the sketchy adfly stuff, but for others that I don’t know well I leave it on. I use: U Block origin and adfly skipper (both on firefox)

Anonymous said: I couldn't find a "contact me" thing but your AHarris00Britney has a broken mesh I think.            

??? idk what this means im sorry ;-; what hair are you referring to?

Anonymous said: an amazing creator and a loona fan???? i stan            

My mind... your mind... our mind..

@chocooosims said: hey, I love your cc, you are such a good creator! :) I'm not sure if someone already ask you that, but have you ever considered making a tutorial where you show us how you create maxis match hair? I mean, I know that I can already find on Internet  tutorials about frankenmeshing hair. But the thing is that you are one of the only creator who do more than simply merge 2 EA's hair together. So, I would really love to see a tutorial of how you are creating your cc! :) Thx for your time!! 

I am making a BIG tutorial right now of me making a hair from start-finish and it is around 3 hours not speed up. My guardian angel is going to edit it for me tonight and then I will try to have it posted next week sometime

Anonymous said: what university are you going to?

Radford :D it is in Virginia

Anonymous said: Just wanted to let you know you're a king           

thank you lmao I wish it were true, stan loona or be beheaded

Anonymous said: r u a guy or girl or non binary etc. also are you lgbtq+ at all? not to judge, just wondering :)

uuh, I’m a gay guy lmao idk about all the other terms like cis/bianary ;-; i like the anatomy exclusive to the male body

edit: rip so someone messaged me asking what I meant by “anatomy exclusive to the male body” and I was like ?? bc I meant i like d**k, and i explained that i didn't like using cuss words on my blog bc my account got shut down/deleted/reported last year and was completely gone for two days while I emailed my butt off to get it back. Also, I was trying to be funny by sounding proper and using big terms like anatomy/exclusive instead of just saying “i like penis” bc that just isnt as fun to say imo. My anatomy teacher never used words like v*gina/p*nis and would say stuff like that, and I always found it funny and I guess that was another reason I worded it that way. Anyways if you think I was being transphobic, I apologize. I hope you don’t think that I am transphobic bc of that? If you want to message me and talk to me about how I can word stuff better then I am around 24/7 mostly, but I’m not going to fight with anyone who is just looking to argue because that is childish. I am sorry to those that got offended but I got one message about this so if something like this happens, message me like this person and ask what I meant so that it isn’t blown out of proportion. Again, I did not think that it would be taken that way and I am sorry if you felt that I was making fun of a trans person. <3

Anonymous said: What do you see in the corner of your room when you get sleep paralysis  (;            

James Charles with breasts on the beach and im not sharing this photo anymore it is demonic OK

Anonymous said: hi! i installed your non-default eye recolors but i'm having a glitch with them. my female sims lose their face in cas and it's just like an empty spot where the face should be. i have the default eyes installed too so i know it's not an issue with a missing mesh but i'm not sure how to fix it.            

Hello!! I don’t think this is my eyes because I’m not experiencing this glitch? Did you run a S4S batch fix over everything? I think that causes this glitch sometimes but I am unsure. Try repairing your game and if you have the “no EA eyelash” mod then redownload that and replace the old file.

@sephirajo said: I found your sims 4 mods and I love the hairs! They're so amazing and pretty.            

thank you so much!

Anonymous said: In your collab with wildpixel, I F**KING love the Ivy hair; do you have any recolours of it or any of the other hairs in the collab?

all the hairs in that pack are recolored in the anathema and sacharinne palette :) and I reblog all recolors of my cc over on @aharris00britneyrecolors

[forbidden-creepypasta]

Lost Episode: Archer

Never wrote a lost episode pasta before. Testing the waters with this one. Lets see how it works. Look, I don't really like pirating stuff on the internet. I mean, yeah, I do, but not when its for something I love. That something, in this case, is Archer. My favorite show is definitely Archer. For those unfamiliar, its basically an animated show about the world's most dangerous spy, Archer, and his adventures and misadventures with his coworkers at ISIS, the secret agency operated by his mother. They don't exactly have the best of relationships, the basis of several episodes, but they make do. Anyway, between work and having a life and such, it gets difficult to watch every new episode as it airs. So instead of waiting for a rerun or, worse, waiting for it to come out on DVD, I rely on Google to help me find the most recent episode. It takes a little bit of time and effort to find a decent upload, but its always worth it. I had finished watching the season finale to season two the other night, great episode by the way, when I saw that link at the bottom of the page. The episode itself was labeled S02E13. The link, however, was titled "Archer divx.2011.s02.e13.5", or something along those lines. The only part that stood out was S02E13.5. Episode thirteen and a half? I thought it was maybe a sneak peak of Season 3, or maybe even an extended version of the episode or an alternate ending. I clicked the link and waited a few minutes for the video to load before clicking play. It wasn't episode 13, but it wasn't any other episode either. Strange, but not unwelcome. If this was the first episode of season 3 that got leaked way early, I was going to be pretty excited. I kept watching. It was like any other episode of Archer. Archer's mother, Malary, was debriefing the group on the next mission while they cracked various jokes on each other. They were to go undercover on a very large, very luxorious cruise ship to protect a group of diplomats,who were meeting to write a peace treaty or something, amidst rumors of a terrorist plot to assassinate all of them. The details aren't important though. Quick summary, the group ran amok on the ship before realizing one of the diplomats was, in fact, a supporter of the terrorist group and almost succeeded in killing several others and himself before being stopped by Archer. In what should've been the end of the episode, the group and Malary were back at the office, discussing the mission and why ISIS didn't recieve a reward. Malary revealed that she had accepted the mission from the ship captain himself, who was interested in, not protecting the diplomats, but keeping the reputation of his ship from being tarnished. In return, Malary would be permitted to stay on the ship for the entire trip in one of the most luxorious suites on the ship. The group grumbled about how she led them astray for her own gain, yet again, but Archer said nothing. He just stared at her. Archer had a look on his face, in his eyes that was beyond anger, beyond frustration, beyond hatred. Malary made a snide remark about why he was still there. He walked slowly over to her, expression not changed, and swung at her face. This threw me off; Archer, while being frustrated constantly with her, never showed malicious intent toward Malary. She fell from the blow, but didn't make a sound. He kneeled above her and began to punch her in the face. The sound wasn't like the ordinary, cartoony punching sound effect. Each blow landed in Malary's face sounded very real. Every blow to her nose was the sound of bare knuckle dropped hard on skin and cartilage and, eventually, the wet pit-pat of blood. Every few punches to her mouth sounded like the snap of pencils underwater. Malary was quickly knocked unconscious, and every so often her jaw would hang open, her mouth leaking an alarming amount of blood and producing the occasional tooth snapped from the roots, with the gum that refused to let go. His face remained in the undying embodiment of rage as he beat her literally senseless. His blows had swollen her eyes shut, possibly ruptured one as an unfamiliar yellowish substance leaked out of her tightly clenched eyelid. Her nose was more than broken; she made a kind of gurgling noise as air forced its way through the blood, shattered bone, torn cartilages and mucus that used to be her now completely collapsed nasal cavity. Each punch now made the sound of so many watermelons unfortunate enough to be in a Gallagher act. Malary was now completely unrecognizable. Archer's fist was completely drenched in various bodily fluids and was possibly broken. His knuckles appeared to be uneven and his hand itself up to the wrist was swollen slightly. Eventually, he stopped. He stood above her, staring down at what was now a red-and-dark-purple crater on the front of her head. The credits rolled and played the usual jazzy jaunty song it did as the names rolled off. I'm not sure how long I spent considering what I had just watched. The episode itself lasted around 21 minutes. The beating lasted a solid 7. My stomach was doing a good job of telling me how pissed it was at what I had just watched. My mind reeled with questions, mostly who and why. Once I gathered my composure, vomited once or twice, and stopped crying, I decided to look for the easiest of the two. Who would give the go-ahead to the creators of the show to make an episode like this? I tried to find a way to contact everyone whose name appeared on the credits. After emailing around half of the Archer staff, I got just over a dozen replies. None of them knew anything about the episode. I tried to reply with a link to the episode I saw, but it had been removed due to "copyright infringement." Surely I hadn't been the only person to see this episode, but no TV forums discussed or even mentioned it. After extensive googling for any scrap of info I could find and after finding nothing, I was ready to call it quits and assume I invented the entire thing in my mind. That is, until I saw a certain news article published a few days before I watched it. The article described a lonely apartment that the inhabitants hadn't entered or exited for about two weeks. The landlord banged on the door for a while before using his master key to get in. Upon opening the door and looking inside, he immediately called the police. What the police described to the press was a bloodbath. A woman, in her late 50s, had been brutally beaten to death, in no location other than her face. Located near her body was an expensive piece of recording equipment, whose contents had been completely removed. She was identified as Alexandria DeLuise, the mother of one Thomas DeLuise, who was an editor for Archer before being released several months before. He had lived with his mother while working and had gone missing shortly after what is speculated as her time of death. He has yet to be found. What is equally troubling is, if he made the episode himself, how he did it. None of the voice actors who emailed me back said they voiced for the episode, or had even heard of it. Same goes for the animators and sound technicians. It takes an entire group of people around a month to produce and create an episode of Archer. It took Thomas merely two weeks. I don't think I'll be watching any more Archer online.

Credit to: Armthehobos