#anyway gonna kms

[wendihoe]

Thinking about how at the end of the day Hoffman gets stuck with Adam’s body and Lawrence gets stuck with Peter’s body

[ishistudy]

😔🪦

[atopvisenyashill]

why do you think jonsa is happening tho? jonerys is different bc they are going to be enemies, but i don’t see what jonsa does for the story

so let me first lay out roughly what i think is going to happen should jonsa become canon. I personally love going down meta and graphic spirals, so I'm including links to other people’s theories/explanations/graphics of events too - also I would like to shout out @istumpysk because half these metas and gifsets were stuff I found on their blog initially, and also was the one who really convinced me that jonsa is less of a crackship and more of a contender for an actual canon theory, and from there i really found my niche in this fandom. specifically this meta about jon being the mummer's dragon is what pulled me out of my "we're never getting twow and if we do it's just gonna be that stupid dany has jon's magical baby while tyrion watches, then they all die theory" slump and lit my brain on fire again. let's goooo:

The Ashford Tourney Theory - Something Shady goes down at the tourney Petyr has planned that requires Sansa to make a quick getaway, and likely causes her to run into Brienne while fleeing. This theory for me is about hinting at Sansa's romantic future, allies, and how she's getting the hell out of the Vale: both the dark haired, Not Targ Looking Targ Prince that is the son of A Great Prince That Never Was being her romantic endgame but also it's about Brienne (/Dunk) getting her the hell out of there and becoming Sansa's number one ally and protector (with Sansa's number two being Bronze Yohn!! But he's not fleeing with her - if he helps her get out of the Vale, it'll be to cause a distraction or a fight so Sansa can slip away unnoticed. Bronze Yohn is coming with the knights of the Vale later to help defend his girl!).

The Girl In Grey - Out of options on where to go, Sansa & Brienne makes a long, fast, and dangerous trek to the only family she knows is still alive: Jon Snow at the Wall. No, I don't think Alys Karstark is the girl in grey on a dying horse; I think she's a red herring, the same as the scene where Sweetrobin destroys the snow castle, and that the real girl in grey (who slays the savage giant) is Sansa. Melisandre says that she sees "Jon's sister" but doesn't specify more than that, or how she knows it's Jon's sister, even - why would she assume Alys is Jon's sister and not some random Northern girl? Why was she so sure that it was his sister? It's because Alys isn't the girl in grey, it's Sansa, her horse dying because she's traveled halfway across the continent with Brienne and Pod, desperately trying to keep ahead of the dozens of people hunting her down.

The Blood of Winterfell - Sansa and Jon will reclaim winterfell together. This one is similar to above; just like Alys was a red herring, the scene where Sansa rebuilds the castle has a lot of foreshadowing (imo) but that isn't the moment in the prophecy Arya hears. The Savage Giant is Littlefinger, the castle of snow is Winterfell, and Sansa is going to liberate her home alongside Jon and what's left of the Northern lords.

Stone and Snow Remains - THIS is where Sansa and Jon will fall in love while fighting for the North. This is also the part where you lose a lot of people, because they think the evidence is real weak sauce but like, I also think the Jonerys "evidence" is weak af too (and no wonder, we have at minimum 2k pages left to get through!!). There's several believed foreshadowing points to this one, bare with me for this weird ass formatting because I can't do sub bullet points on tumblr:

1. Sansa's linking of snow with love and affection - "drifting snowflakes brushed her face as light as lover’s kisses, and melted on her cheeks...She could feel the snow on her lashes, taste it on her lips. It was the taste of Winterfell. The taste of innocence. The taste of dreams." along with her snow maiden and snow knight.

2. Bael the Bard and the Rose of Winterfell - the chapter where Sansa gets her period for the first time, Cersei refers to it as “flowering” a dozen times, linking being a maiden (a young girl, not quite of age or just barely of age) to flowers and several people refer to sex as ~plucking. Also notice the one who stole her from KL is Lord BAELish.

3. Aemon the Dragonknight & Queen Naerys - Sansa compares herself to Naerys, Joffrey to Aegon, and wishes for an Aemon, among the many similarities between her life and Naerys'. Jon not only calls himself Aemon, he has a deep connection with a different Aemon Targaryen. And if you’re thinking “Sansa isn’t Naerys, X is Naerys” I would remind you that Sansa as a character existed first, George purposefully had her compare herself to Naerys, and parallels don't belong to just one character.

4. Jenny of Oldstones and The Prince of Dragonflies - there's honestly a lot of parallels between them but like the Aemon/Naerys parallel, the Jenny/Duncan one stands out to me.

5. Janos Slynt - I mean. Iconic. This was the scene that made me first think about what their relationship could be in the future and there’s a reason Jonsas fixate on it. It’s about Sansa being desperate for a hero and the hero she dreamed about being Jon the whole time. 6. Societal Alienation - There's the bastard parallels here, the "it would be so sweet to see him again", the "Winterfell belongs to my sister, Sansa." It's about how Jon, through circumstances of his birth, finds himself alienated from the rest of society and reconnects with his prim and proper sister Sansa, who finds herself alienated from the rest of society as well but for vastly different reasons.

Robb’s Will - Howland is going to show up in the North, along with Maege and Galbert, with some WILD news about why Jon can’t rule Winterfell. There’s a lot of contention around this. Bran probably shows up around this time too, and Arya gets to the Riverlands to discover Lady Stoneheart and give her the gift of mercy. This is where all the inheritance stuff is going to happen and I have no idea how it's going to go down besides it's going to be messy as all fuck.

The Pact Of Ice And Fire - Jon & Sansa get secret married bc they’re in love, not siblings, & jon is the only man she trusts not to steal her claim. This isn't the only possible foreshadowing instance of a marriage either - some believe the Sandor/Sansa scene during the Battle of the Blackwater is foreshadowing as well (personally I feel that's a bit of a stretch but I wanted to include it anyway).

Jon As An Envoy - I talked about this in my "what's Jon's ending" a little but I believe Jon will act as an envoy for either Sansa or Bran to Aegon VI, essentially playing out a similar story that he does in the show with Daenerys. By which I mean, Jon is not the King because the ruler themselves do not go as an envoy, that’s stupid and dangerous, but he goes as an ambassador for Sansa or Bran, to treat with a new claimant to the Iron Throne that is gaining support - Aegon VI & Jon Connington. They will probably clash, Jon will probably have yet another identity crisis, there had BETTER be gay incest subtext, then Aegon dies, and Jon has his sixth quarter life crisis in a row.

“King” of the Gift - again, something I touched on in my Jon meta is that I think he’s going to have a hand in resettling the Gift. Personally, I think it's likely that Jon leaves to protect the claims of his siblings (see: Duncan and Jenny) and goes to the Gift to help resettle it to keep out of the way. This ending is typically referred to as the "bael the bard" ending but i like to think of it as the "brandon's gift" ending instead - though he is not physically with his family, Jon feels fulfilled having confirmed his family loves him through reclaiming Winterfell and marrying Sansa, being reunited with Arya, and being given the Gift by Bran. Sansa claims her children were fathered by a wolf.

So…what does all this do for the story?

Well, in my opinion, several things.

I think the main barrier here is that most people in the greater fandom describe Sansa's story as ~growing past childish wants~ and Jon's as ~rejecting love~ and I do not agree with either of those takes even a little bit. This is where (imo) the dividing line between Jonsas and the rest of the fandom is. I don’t think the answer to Sansa’s question “will anyone ever marry me for love” is going to be “nah" - that's not just a sad story to me (wanting to be married isn't childish! craving intimacy and understanding isn't childish! it's also not wrong for a child to be childish!), I think the idea that Sansa (or Jon) will not find another love just doesn't line up with how George approaches his story. Who Sansa's husband will be has been such a big question, and her story is so heavy into the more romantic tropes like courtly love and chivalry and the line between politics and love and identity, that the question of Sansa's hand in marriage will be plot relevant. I also think it's kinda naive of people to pretend like George isn't very interested in the sexual dynamics of the characters he writes about (yeah, sure, no woman needs a man but "needing a man" is not what this is about. look at everything this man wrote in F&B and tell me he is going to write a female character that longs for sex and desire and doesn't get it!).

After AGOT, nearly every time Sansa thinks about marriage involves her longing for love but believing she will never get it because a man will only ever love her for her claim. Giving her a man - like Jon - who not only will not steal her claim and in fact has defended it twice over already, who will love her for who she is and not what she can give him, is a really important aspect of her story in my opinion.

As for Jon, I am even more firmly against the opinion that his story is about rejecting love; Jon’s story is about wanting to be a good man, to measure up to his father ~despite~ his bastard blood. When Aemon asks if Ned would choose honor over love and Jon stubbornly says yes, Jon is wrong and it’s important to not forget that. Ned has never once in his entire life chosen honor over love; he chooses his daughter’s life over his honor, he chooses his sister & her son’s life over honor, he chooses Arya & Nymeria over honor, and on and on!!! Ned chooses love at almost turn but none of his children know that just yet - look at Robb choosing Jeyne’s honor over his own and how upset he is at the idea that Ned would be disappointed despite the fact that Ned would have understand Robb’s decision! Jon's whole arc is tied up in realizing that it is not wrong or dirty to feel and choose love, passion, and desire and if he never has another romantic arc again, I think you lose the second part of that lesson which is "you are responsible for how you act when you feel love but that doesn't mean that simply choosing love makes you a bad person."

There's also the fact that George has talked a lot about "who lives, who dies, who gets married" and yet we have not one marriage at the end of the show AND there's not a lot of guesses at what "who gets married" means besides Jon/erys (and even if Jonsa doesn't happen, I simply do not see Jon/erys happening. they are not similar enough, they will not be in the same space for long enough, and they are on wildlly different trajectories for their story, they are not getting married let alone having sex). I think Jonsa fits that bill very well.

These various theories - from Sansa being queen, Jon living in exile, The Ashford Tourney Theory, the secret marriage, every one of them - are ideas and themes that I have really been thinking about for about 12 years now. I think Jon and Sansa's relationship could fit with the themes in their stories, the overarching themes in the books, and my own personal opinions. I think it gives George a great opportunity to delve into the courtly love aspects he enjoys so much, as well as delve into inheritance, legacy, legitimacy, honor, incest (yes, that too), and above all, what George himself has said the whole series is about - love. The human heart in conflict with itself is what I think Jon and Sansa as a romantic couple does for the series.

[bunnyreaper]

welder!ghost who painstakingly crafts you a custom engagement ring, and when the time comes, your matching wedding bands too.

[galenti]

[answer2jeff]

narrow thoughts // carmen berzatto

part one: sprite

finally done with part 1! somewhat happy ending in part 2 btw, since i don't totally hate you guys or want you to suffer for once

synopsis: you and carmen were good friends turned strangers — the trauma bond from Noma still keeping you closer. you've noticed Carmen's hard work, and you worry terribly for him and his wellbeing. keeping quiet has never been so hard; being "friends" has never been so hard.

pairings: platonic!richie x reader – romantic!carmy x reader

english isn't my first language — expect some mistakes. feedback is always appreciated.

WARNINGS: friends - strangers - lovers, angst, fluff, NOT an established relationship, pre-existing history, ZERO use of y/n, reader is implied female, mention of the nickname "Pico," short for "Piccola" ; small (young), or even baby, in italian.

wc: 2.1k

You twisted the silver key at an angle, locking the glass door shut — the 'CLOSED' sign taunting you. You and your pre-existing staff expected to open in just 6 weeks, and you still felt like so much time lingered. The emptiness of the sidewalk made your stomach drop to your feet, the same way it did every night. You waited so impatiently for the opening day of your coffee shop to inch closer and closer; but you were uncertain, unsettled, and lacking confidence in your craft. Was simplicity really the answer? Should you have just stayed in New York? Were you just another, "Eleven Madison Park Dickhead?" Did you even want answers to these looming questions? No. No you didn't — not yet. All you wanted that night was a glass of homemade sprite, and maybe a real conversation with an old friend.

Maybe he'd know what to say, if anything at all.

So, you walked. And you walked, and you walked, and you kept walking — your dark blue crewneck sweater that went just past the belt line of your baggy jeans, a pair of pantyhose, white socks, and Doc Martens keeping you clothed in the Chicago cold. Your bracelets clanged against each other, harmonizing with the sound of the keychains jingling against your purse, clutched close to your sides. You finally reached the The Beef, the florescent glow casting a blueish green shine against your face. Another 'CLOSED' sign pointed a childish finger at you.

"Richieeee!" You wined, gently knocking on the glass window to grasp his attention — his back turned to you as he was telling Tina and Marcus yet another story about Carmen's childhood. You almost regretted being nice to him, but it gave you leeway; visiting after hours, special treatment, and even the nickname 'Pico' was coined after you.

"Richie, I know you can hear me!"

"Yeah, and he goes—" Richie reluctantly paused, hearing a familiar voice from behind the glass. His hands, frozen in the air, fell to his sides as he dramatically walked over to the door. "Shit, hold on. Pico's here." He groaned, slowly unlocking and cracking the door open, moving out of your way to let you in.

"Thanks." You breathed, crossing your arms as you took a step into the restaurant — immediately met with smiles and good night's from Marcus and Tina. Your eyes darted around the cramped space of the counter, not quite being able to see into the kitchen as you stepped closer to take a seat in a red barstool.

"What're you doin' here? You alright, sweetheart?" Richie asked, his tone only slightly annoyed from the interruption of his attempt to humiliate Carmen. He waltzed behind the counter, supporting his weight by pressing his palms against the metal as he stood across from you. He furrowed his eyebrows, wondering — completely disregarding Tina and Marcus clocking out and leaving for the night.

"Yeah, just uh — my stomach hurts. Like, bad." You sighed, sticking your elbows up onto the counter and resting your face in your hands, the stool next to you occupied by your purse. Richie only nodded his head, noticing your mouth slightly gaped open like you had more to say. Even if he was a childish asshole, he wasn't evil. He'd never interrupt someone who was clearly in need.

"And–and i'm just... payin' a visit, I guess." You tried justifying your reasoning for coming all this way. It was 9:47, and you hardly ever came around this late. Typically, you'd lock up by 9:15, come over and stick around till 9:30, and be home by 10:45. You must've needed something, he thought, but he chose not to pester you tonight.

Please don't ask.

"Alright.. Yeah, 'ya look a little green. You wanna sprite?" Richie gently placed the back of his hand against your forehead, just reassuring you didn't have a fever. You nodded your head in approval. He walked into the kitchen, shouting "COUSIN! Pico wants a sprite! Make it for 'er, will 'ya?"

Carmen shut his locker as he nodded his head to Richie, mumbling, "be right there." He bit the inside of his cheek, his lips curling into a smile when he saw you through the tiny peak between the counter and the kitchen that you were too far from to experience. Admittedly, Carmen liked seeing you come in — bringing coffee for everyone in the mornings, and wishing everyone goodnight in the evenings. It gave him something to look foreword to. He liked the consistency; and hell, he fucking loved the blonde espresso macchiato you conjured up for him, the foam just a tad bit flat from having to travel on foot from the cafe to the restaurant with it.

You scrolled on your Instagram timeline as you heard Carmen mumbling to himself as he made your sprite, noting the clinking of ice against a glass cup and the crisp sound of the homemade soda pouring in. You gave Richie an air-kiss on the cheek goodbye as he walked out of The Beef, his lanky frame covered by his leather jacket. You smiled again at the sight of Carmen politely delivering your drink, putting your phone away in the pocket of your jeans.

"Why thank you!" You cooed, looking into his big, blue eyes that didn't really know what to focus on. You took in every feature: his curly dirty-blonde locks in need of trimming, his big and arched nose, the round shape of his chin. You were staring, your stare never leaving his figure as he set the glass down on the counter, and he couldn't help but smile back.

He was perfect — it was almost scary.

"Pleasure." Carmen chuckled, placing a warm hand on the back of his neck as he thought of what else to say. He couldn't remember the last time you two were alone. The closest thing was him coming over to your apartment in broad daylight to help you get rid of the green, god awful futon in your living room that was covered in weird stains.

"You've got a weird definition of pleasure." You sighed, raising your glass to your lips and feeling the sprite ease your stomach. Your eyes rolled when you heard his obnoxiously attractive laugh; breathy and nervous.

"Yeah, yeah. I know." Carmen nodded his head, essentially saying "you're right, but respectfully — fuck off" without actually saying it. He picked his head up, watching your throat contract with each sip — the neon lights all around the restaurant displaying a purple glow against your skin. It was childish, but knowing he could make your night just a little bit better with a glass of sprite made him proud of himself.

"You feelin' alright? As best as you can, I mean." You set your glass down, resting your face in your palms as you blinked at Carmen, your eyebrows knitted in concern. You worried for him, no matter how much your brain reassured you that they grey crescents under his eyes were none of your concern. It was normal to never get more than 5 or 6 hours of sleep every night as an overworked 34 year old, right? It's a Carmy problem, right?

No. Fuck no.

"Uh... yeah, I—" Carmen's hands gripped tightly against the cold, metal counter, his foot tapping against the tile floor. He bit the inside of his cheek, diverting his gaze away from you and back towards the walkway into the kitchen. He was lying, and you knew it. He felt his chest heave at the question as he forced himself to look at you again; your face still expressing a sense of panic for him.

"You..?" You finished his empty sentence for him, getting a little impatient. Your manicured nails clicked against the counter, waiting for him to tell at least some fragments of the truth.

"No, not alright. Not really. I, um—" He paused again, his eyes finally locking with yours, completely unable to pull away now. You looked beautiful to him — elegant, even. With your hair messier than the way you styled it this morning, with your chipped and grown out manicure, and especially with your lack of knowledge that Carmen was analyzing every inch of you. He felt guilty for looking - more than he usually did.

"I've been having those weird fuckin' dreams again. A-and these panic attacks, I think?" Carmens voice went softer, a whine of fear in his speech; he finally let his guard down just a bit. It was like just looking at you calmed him down enough so he could choke out another sentence.

"Shit. Still?" You asked, your nails pausing their annoying clack and tap so you could focus all of your attention onto Carmen. You remembered Natalie mentioning Carmen's recent manifestations of his stress, often asking if you'd just check up on him every once in a while, just in case she couldn't reach him.

"Yeah." Carmen replied, his voice airy and unsupported. His eyes were blue and desperate, and fixated on every part of your face. It made his thoughts narrow down to you; your weird sense of humor, your artful hands that illustrated your frustration when you complained about your day, even the perfume you wore every day that lingered around the jacket you left at his apartment (which he still hasn't given back to you.) Why would he? How could Carmen not keep a piece of you in his home?

You finally caught Carmen's gaze as you grazed the condensation on your glass of sprite — and you could see it in his face; the exhaustion, the anxiety, the need for stability in his eyes. You saw what this place did to him; what fixing this hellhole turned him into for a second time. It felt silly, controlling, nagging even, for you to assume that Carmen couldn't handle himself. But maybe that wasn't too unfair of an assumption; even if Sydney tried to condition you to believe that not every Carmy problem had to be a you problem.

"Jesus. I'm sorry." You clenched your teeth as you thought about his nausea spells he'd get every morning, remembering the dozens of empty bottles of pepto bismol littered around the kitchen counter of his apartment in New York. It was like you could still feel the sting of stomach acid your throat when you ended up puking every night after dinner rush; your digestive system completely empty from the lack of time you even had to keep your body intact. And yet, it was fucking everything. Your calloused fingers from the knives and the rasp in your throat from crying felt like a trophy; a mark on your person that forever reminded you of how great you once were.

What were you even doing here? Opening another thrift shop? But this time, it had a built in cafe; a cafe you dreamed of serving the best coffee in Chicago? Wow! What an original, realistic and inspiring concept. Like Richie warned the two of you: neither of you had any idea what you were doing back in Chicago.

Is it too late for me to understand you?

"Is this even.. I don't know — fun, for you anymore? Was it ever?" You croaked, tracing the tip of your middle finger along the rim of the glass — watching the little bubbles in the drink rise and pop. The question almost struck a nerve in Carmen, it forced him to think; really think.

"I mean... 'fun' isn't the word I'd use." He shrugged his shoulders, his face contorting into that typical confused look he always gave you. It made your heart ache.

"I don't like what it does to you."

"I'm– I'm trying to... to do somethin' here, Pico." His eyebrows knitted as his hands gripped just a little tighter against the counter.

"I know, Carmy. A-and you're doing great I just– I miss you." You barely whispered, crossing your arms almost trying to defend yourself as Carmen's face softened. His stomach dropped to his feet, his adams apple bobbing as he swallowed hard.

You two hadn't had a real conversation since the night you decided to quit, leaving Carmen to chase his success and even become Food & Wine's best chef without you. You hadn't cried in front of him since the day after Mikey's funeral: which neither of you could bring yourself to attend to. You'd been back home much longer than Carmen had; him coming home was so bittersweet. You needed him here. You needed him in the warm glow of your apartment, on your vintage couch as you shared the leftover pasta carbonara you made the night before. You forgot what his arms felt like around you, trying so hard to remember as you glanced at his tattoos.

"I miss you too."

TO BE CONTINUED BITCHESSSSSS!!!!!!

[todayisafridaynight]

[mahi-wayy]

"All Hail The Tiger" || Devara : Part I [Dir. Kortala Siva]

[possession1981-moving]

anyways

[skitskatdacat63]

For @sansebastinae and @boisinnot, my fellow saint seb truthers :)

+ the usual

Yayyyy finished a drawing! Haha only took me...2 weeks. I kept going back and forth on whether I could finish it tonight, and I really wasn't going to. But then I looked at the unfinished version on a different screen and was like oh? Not too bad actually?? So I finished it :) First of all, ofc, here is the process. Kinda weird seeing it for smth like this, it makes me feel like I'm the painter in rennaisance au, not Mark dhjfkf

Ah I was gonna draw a silly renaissance au comic to accompany this(read: lighten the mood), but it's 5 am and I've still not really drafted it well, so! I'd like to finish it at some point bcs I wanna draw more chibi comics, but when I finish smth, I can't help but immediately want to post it, so part 2 will have to wait. I'll show you the outline though so you can at least imagine 😭

^ So many renaissance and beyond paintings of Saint Sebastian are always the most horny thing ever. Like pre/early rennaisance, yeah he was naked and all that, but they were pretty chaste, and uhhhhh suffering?? Well the newer paintings are suffering, but in a different way, if you know what I mean.

So I feel like Mark's the type to be overly pedantic about it, and refuses to make borderline porn of a saint, I mean, god forbid, Seb!!! But then he just. Does anyways. Because he can't control his lust for Seb even when drawing him half dead. I just imagine him holding the paintbrush in a death grip like "must not be horny. Must not draw him sexy. Must make him chaste." And then he ends up with the one seen above. Seb is all smug about it. "Wow you'd wanna fuck me even while I'm all bloody and dying? 🥺"

Mark: "oh I'll make you bloody, alright."

But god so funny to imagine Seb doing all these different slutty poses, like arching his back as much as possible, the cloth nearly falling off at all times, etc etc. And Mark finally lands on this pose bcs he hopes the suffering will outweigh the horny. It doesn't. Also Seb is genuinely serious once he actually gets into the pose, focus mode on. And honestly that's even worse for Mark, bcs it's so much more arousing to see Seb in his element, focused. Tbf I think Seb could be drinking water, and Mark would still find some way to sexualize it. Don't look at his sketches!! They're just filled with Seb doing all kinds of random activities.

Also! Here is the painting I referenced this off of, must give credit where credit is due ofc

The Dying St. Sebastian by François Fabre

Also this isn't really relevant in the context of this drawing specifically. But I looked thru a bunch of Saint Sebastian paintings while trying to find one I could reference, and I came across this middle ages one that actually looks so much like boy king seb 😭 I guess it really is meant to be!

St Sebastian between St Roch and St Peter by Pietro Perugino

Lmao but do you see the difference between early rennaisance and later work???

[edelgardism]

this excerpt from kaveh’s old sketchbook makes me clinically insane

[thickenmyblood]

hi maca :) do u already know when you can post chapter 20? im so sad about hiuh ending but also so excited for some happiness :( also, will it really only be 20 chapters or will you add one or two more? in any case, thanks so much for all the time and effort you put into this! I loved every second I spent reading this fic <3

hello!!! well, i was supposed to post ch20 on feb 1st . . . but that obviously did not happen. this month is the month though!!!! I'll try to make it happen before march.

about the chapter: yes, it's the last chapter ever. there will be no more. ever. honestly, I don't think you'll want another chapter after this considering the rough draft I'm working with is 250 PAGES

[dazais-guardian-angel]

Okay but forreal, now more than ever I desperately NEED Aya to eventually wreck Fyodor's shit somehow. I already wanted her to get her revenge before, but I didn't think Fyodor would even remember or know who she was, and would massively underestimate her for that reason (just like Jouno knew that Fukuchi would underestimate her). But now the story has instead created this twisted, fucked-up dynamic between them, where Fyodor not only knows her, but is protective of her for reasons that are not his own: he has taken the pure, noble, kind, fatherly love motivating Bram to protect Aya and warped it into something horrific, vowing to protect her body only while not caring how much her heart and mind has been scarred, and claiming to be doing it for her own salvation, when he cannot possibly understand the selfless feelings Bram had that made him want to protect her and care for her — feelings that he does not have. He may genuinely have some sort of affection for children (the way he treated Karma, "blessings for the children", this), but it is twisted and hollow and is quite possibly only him unconsciously acting out the motions due to behavior instilled in him from the feelings of all the people he's subsumed in the past.

All this is to say that, now the narrative has specifically pitted Aya and Fyodor together as direct enemies: she not only had reason already to hate him because he killed Bram, but because he's also taken Bram's love for her and defiled it, dishonored it and him and all that he was; meanwhile, Fyodor has given himself an arch nemesis that he no doubt takes great pleasure in seeing how much she hates him/how much despair he's brought her, but paradoxically at the same time feels a compulsion to "protect" her that draws himself to her and that he can't ignore. Aya has to defeat him somehow (not permanently, mind you; Dazai will undoubtedly be his final end), and the setup for Bram being able to fight back enough to stop Fyodor from the inside with her help is all right there, too. Their love for each other is still enduring, stronger than ever, Fyodor is proof of that right now, and they will be able to defeat him together, at least enough that Bram can be freed and come back to Aya. Dazai told Fyodor that he would lose because he doesn't understand and underestimates the power of friendship bonds and love, and there is no better a time for that to happen than here, when he is literally using someone's strong love for and connection with someone (acting as that person and claiming to know how they feel and to be the same as them) in a way that he cannot understand, which will be his undoing.

[stinkypeanutbutter]

SpOiled for uehhfhh uhh neck crackalackin ?

OOOO MOVES MOVES GET EM OOO GET EM BEAT EM DOWN !!!!!!!!

KAPOW !!!!!!!

[chrisbangs]

i finished thesis, won an award, and have graduated.. hello 👋🥸

[jkgnggj]

˚༘ ೀ⋆｡˚ HAPPY ๑ BIRTHDAY ๑ TORI ˚༘ ೀ⋆｡˚

I can't remember if I'd already posted this drawing of him but it's my favorite one I've ever drawn probs <333 I put so much details into it, I think he'd have a very messy but cool room lol

Happy birthday to the best boy ever !