#anyway this is something I have nightmares about.

[pathologicalreid]

what goes bump in the night | s.r.

in which Spencer's struggling with violent nightmares after prison, and you find yourself on the receiving end of his tossing and turning

who? spencer reid x fem!reader category: angst content warnings: reader gets whapped in the face. don't like don't read, please. blood, prison arc, black eye, a lot of guilt. therapy. word count: 1.89k a/n: (this wasn't a request but shout out to the anon who told me i had to repost this after i deleted it) this is some dark shit but i have to admit i do think about the possibility a lot. take care while reading my loves.

Several years in the BAU had inadvertently trained you to wake up at any slight movement or noise. While some might call it paranoia, you considered it to be a finely tuned skill.

Spencer didn’t sleep talk before prison, and even now, he only mumbled in his sleep when he was having a nightmare. Normally, he didn’t move, he just tossed his head around and begged for whoever he was seeing in his nightmare to just hold on. Tonight was different, he sounded like he was pleading for someone to leave him alone, and he was thrashing more than usual.

You knew there was a risk of waking him, but you reached out and gently shook his shoulder anyway. “Spence,” you whispered, not wanting to hurtle him out of his darkened dreamscape.

There was no response. No sign of him coming even close to waking up.

His thrashing became worse, and his mumbling became even less intelligible like something was covering his mouth in his dream. Reaching out from your side of the bed, you tried to grab his hand, hoping it would be something that he could use to ground himself. Gripping his hand, you said his name again, more forcefully this time.

The pain didn’t even register at first. The first thing you recognized was the sensation of having something stuck in your eye, a small twinge in the outer corner that sent your hands flying to the side of your face.

Oh.

With your uninjured eye, you looked up to see Spencer, awake. Breathing heavy, sure, but awake. Very slowly, his breathing slowed, but he had seemingly forgotten that he was sharing a bed with you until you felt liquid trickling from your nose and scrambled to the bathroom before you got blood all over the sheets.

His wide eyes followed your shadow through the bedroom, putting the convoluted puzzle pieces together as he came out from under his nightmare-induced fugue state only to find a different type of panic. You faintly heard him curse and rustle the sheets as you shut the bathroom door harder than you intended.

You looked at yourself in the mirror, your right eye was tearing up as a result of the impact, and your nose was trickling blood down your face. Grabbing a wad of tissues from the box on the counter, you pressed them to your nose, blinking the tears from your eyes to the sound of your heart beating through your chest.

Spencer knocked on the bathroom door, followed by a larger thud that you assumed was him leaning his head against the door. “Can I come in?”

You tried not to sniff, hating the sensation of your nose being covered, you responded, “It’s your bathroom.” Your tone was far too blasé, and Spencer was going to see through it immediately.

“That’s not what I asked,” he told you, a slight tone of desperation ringing through. You knew what he wanted to know; he was asking if you were comfortable with him being in the same room as you – if you’d feel safe with him in the same room as you.

Leaning your head back, you took as deep of a breath as your body would physically allow you before you answered, “Yeah, you can come in.”

Before you had even finished speaking, Spencer had opened the door to the bathroom, letting the light stream into the bedroom, “Fuck,” he murmured when he saw you, “Hey, don’t lean your head back. You don’t want the blood to run down your throat.”

“Okay,” your voice quavered, watching him lift his hands like he wanted to guide your head down until he realized he didn’t know what to do with his hands – he couldn’t bring himself to touch you. Leaning over the sink, you let coagulated blood fall from your mouth, watching it go down the drain before you looked up at Spencer, who watched on in horror at the mess he had created. “Can you grab more tissues?” You asked him, giving him a job to busy his idle hands.

Instantly, Spencer grabbed a handful of tissues and held them out for you, within your range of motion. Still leaning over the sink, you took the new tissues and held them to your nose, haphazardly dropping the soiled tissue in the basin beneath you. “I don’t… What-“

Cutting him off, you spoke, “Do you still have those ice packs? The first aid ones from last year,” you made a new request, giving him a job to perform so that he wouldn’t apologize to you. He’d apologize until he was blue in the face, but you still wouldn’t know how to respond.

He nodded, crouching in front of one of the cabinets and filtering through a first aid kit, hoping to produce a disposable ice pack for you to place near your eye. With the timidness of a newborn foal, Spencer set the plastic on the counter next to you.

Your boyfriend watched as you carefully peeled the tissues from your face, checking to see if the bleeding had stopped, only to quickly replace the tissue when you noticed a trickle of fresh blood making its way down your philtrum. “Aren’t you supposed to pinch it or something?”

“Yes, you can pinch the bridge of your nose to staunch the bleeding,” Spencer said, grabbing your discarded Kleenex and putting them in the garbage bin. He watched intently as you reached up your free hand to pinch your nose, “Does… does it hurt?”

Giving him a quick shake of the head, you met his eyes through the mirror, “I don’t think it’s broken,” you told him, avoiding answering most of his question.

He loosed a sigh of relief, “Thank god,” he murmured, keeping an eye on you as you wondered how terrified he must have been to invoke the name of a deity he didn’t believe in.

Once you were finally able to drop the last of the tissues in the sink, you were faced with an even worse reality. There was no way of escaping the black eye that you already had forming, the tender skin would be further marred with time. “I think it looks worse than it actually is,” you offered meekly, reaching to your side and grabbing the ice pack off of the counter. You popped the center of it before wrapping it in a towel that Spencer had set out for you.

Holding in a hiss as the towel touched your face, you allowed your eyes to wander across the rest of your body. Your shirt had drips of blood on it, but the larger issue was red encrusted all over your face. With the urgency of a sloth, Spencer took a different towel from the drawer and ran it under the tap, wringing it out before holding it up, “May I?”

“Yeah,” you breathed, thankful for your newly cleared airway as you extended your neck, giving him the access he needed to wipe the blood from your chin and neck. “Spence-“

“I’m so sorry,” he interjected, his movements faltering as he let his hand drop to your shoulder.

You shook your head, crinkling the icepack in your hand, you blinked rapidly, hoping to clear your vision. “It’s okay, I shouldn’t have grabbed you,” you told him, it was the truth. He had obviously been having a violent nightmare, and you grabbing him had likely triggered a fight or flight response.

Spencer sighed dejectedly, “I burst a blood vessel in your eye. I’m so…” his voice trailed off in the middle of his sentence, leaving you unsure whether he was going to apologize again or go off on a self-deprecating tirade. “I hit you,” he breathed, abruptly yanking his hands away from you, “I’m sorry. I shouldn’t have touched you.” Setting the washcloth on the counter, he put his hands up in surrender and stepped away from you.  

Leaning against the bathroom counter, you wished for an inkling – anything you could say to him that would prevent his auto-villainization. “I wish you wouldn’t say it like that. Saying you hit me sounds so…”

“Wrong? That’s because it is,” he said harshly, and you could almost see the storm of self-loathing that was brewing in his mind.

Shaking your head, you adjusted your grip on the icepack before looking up at him, “but it makes it sound like it was intentional. You didn’t hit me, you… thwapped me.”

Spencer loosed a shaky sigh, “I’m not so sure that’s better.”

“Would you prefer bonked?” You proposed, looking at him and hoping for a small smile, but being disappointed when you were met with the same haunted expression. “It was an accident,” you insisted, reaching out your unoccupied hand and taking his hand in yours, “I am fine.”

He scoffed dismissively, “I should have had a better handle on myself.”

You frowned, “You were asleep, Spence. You couldn’t have had a better handle on yourself. It wasn’t on purpose, and you’re taking care of me now,” you told him softly.

“But you’re scared of it happening again,” he challenged you.

When he had come home, you knew he had been changed. Not necessarily for the better or for worse, but he was most certainly changed. You had heard everything in bits and pieces, what had happened in Millburn, what had happened with Cat, but nothing had prepared you for the harshness of your new reality. He was capable of harming others, but that didn’t mean you thought he’d hurt you again. “You’re disappointed in yourself, but you don’t believe you get to feel that way. You’re projecting onto me,” you told him, taking your hand back.

Spencer flinched back, “Don’t profile me.”

“You, Spencer Reid, would never knowingly lay a hand on me,” you insisted, you believed it. You believed it even if he didn’t believe it himself.

The two of you sat in an angst-filled silence before he stood up straight, gently starting to usher you into the bedroom. Handing you a t-shirt from your drawer to change into, you could see his internal struggle as he grabbed a pillow from the bed and made his way toward the door.

Despondently, your shoulders slumped forward, “Where are you going?” You asked softly, hating to watch him leave your shared bedroom over this.

“I’m sleeping on the couch. I’m gonna… I’ll try to set up a meeting with my therapist in the morning. I just…” his voice trailed off as he looked at you with wide, sad eyes, “You’re okay?”

Your heart ached at his voice as you nodded, opening your arms for him and letting out a sigh of relief when he returned to you for a hug. Reaching your free hand behind him, you rubbed his back comfortingly, “We’re going to make it through this, mark my words.”

He nodded in affirmation as he pulled away, “For my own peace of mind, I’ll sleep on the couch for a while.”

You accepted it, knowing that he needed to deal with this in his own way, he closed the door behind him, effectively leaving you alone. Laying back on the pillows with your icepack still clutched to your face, you sighed, wondering how long it had been since your boyfriend felt any semblance of peace of mind.

[jadeylovesmarvelxo]

🍂🍁🎃

❤️ just some tooth rotting fluff involving Eddie and his not so secret admirer

🎃💌

Eddie was in hell. Who's idea was it to do this stupid shit again?

A banner hung from outside the school that proclaimed today was Boo Day 👻🎃 a day dedicated to your boo (partner) or someone you admired.

Who had came up with this monstrosity you ask? Why that was Miss O'Donnell. She had the idea to have the day before Halloween dedicated to love. Where she had even had an idea like that was anyone's guess but Eddie was pretty certain that the old bat had lost her mind.

Or teaching Eddie for three years had finally driven her crazy.

Everywhere he looked people were cooing over mystery cards that they had gotten from a secret admirer.

This was another thing he hated about this whole day, he had to suffer through Valentine's Day, now he has to go through this shit as well? Who the hell would send him a card like that?

He'd be slightly jealous if he didn't think this was load of bullshit.

He dodges excited students dressed up as ghosts and pumpkins, students who Miss O'Donnell had cajoled into delivering cards and gifts to people who had participated in the card and gift exchange.

Finally there is a hint of escape when he barges into the drama room and breathes a sigh of relief. Jesus h Christ that was a nightmare.

It takes Eddie a second to realise that he's not alone. His heart skips a beat when he realises you're with him.

🎃💌

You're settled on one of the desks with a serene smile on your face that disappears the moment you hear the door open.

Once you see it's just Eddie and no loved up couples looking for a place to make out, you feel yourself relaxing once more.

"Hey Eddie" the haggard look on his face morphs into a genuine smile, all cute dimples and big brown eyes lighting up.

He was so cute and you had the biggest crush on him and you had planned to tell him, today in fact but his loud proclamation that this day was all a bunch of bullshit made you chicken out of handing him the card you made.

You doubted he felt the same anyway, he probably had a crush on one of the cheerleaders or someone like that.

Even if he said he didn't conform to societal standards you still caught him checking out the cheerleaders once or twice. You weren't a cheerleader or popular or anything like that, you just did what you liked and right now that was occasionally joining in on a Hellfire campaign or drawing or writing, honestly anything creative was your thing.

"So do you not have a secret admirer you made a card for?" Eddie teases and you clam up, avoiding his eyes.

"Maybe it's not like he feels the same though" you murmur and notice that Eddie isn't smiling anymore, in fact he looks kinda pissed and a little sad.

"Right, so I guess it's some popular douchebag or something?" He mutters and you try to figure out why his mood has suddenly changed so dramatically.

Was he jealous of who you liked? Didn't he realise that it was him you were smitten by. Shit what if he didn't... Feeling brave you decide to tell him how you feel and hope that he feels the same way or at least things aren't awkward between you after it all.

"It's you. I made a card for you Eddie" shit you wish the ground would swallow you up. The waiting to know how he felt was horrendous, if he laughed in your face you're sure that you'd high tail it out of here.

Instead of laughing he's gawking at you and you're ready to leave and hope to forget this all but something in his expression stops you.

"Maybe I should thank Miss O'Donell after all then" he's grinning widely and looks thrilled. "Can I see the card sweetheart?" flustered you nod and hand him the card.

It has a hand drawn picture of a pumpkin patch and you wrote inside if you were a pumpkin I would pick you 🎃❤️

Cheesy yes but you thought it was cute. Now however you're second guessing that decision and mortification fills you. Shit. This was a bad idea.

The anxiety leaves you when Eddie looks up at you smiling, he hides his face with his hair and it's so adorable.

"Aww shucks sweetheart, that's so cute. Just so you know I feel the same about you, I like you a lot princess and I'm thinking that maybe I could take you on a date"

Beaming you kiss his cheek and nod. "Where were you thinking?" he holds up your card and points to the pumpkin.

"I'm thinking of visiting the Pumpkin patch in town" he suggests and the idea is so perfect that you can't help but giggling.

"Sounds perfect"

🎃❤️

[ozziethegreat]

hue makes an appearance again.. if any of yall know me from tiktok and saw my first post about him ily

don’t mind me @toffeebrew @howlsofbloodhounds

Yapping below \/

So initially he didn’t have much of a story because I’m not very creative and I blank out whenever I try to make something original so yeah.

basically, if Color were ever to get error-d, I think he would be on a hike, probably in some random AU that had nice scenery or something. He’s wearing a rain jacket because it was raining at the place he was, and he he just happened to be at the wrong place at the wrong time, and Error or some other entity was destroying it or something. As for how he got into the anti void,,, yall can use ur imagination 😭

(That’s the best explanation I can give, kill me)

I was more focused on the actual character than his backstory, so I’ll just explain my ideas of how he would act and such..

I called him Static Hue, or just Hue for short. (It’s a synonym of color I’m very creative guys)

I think whatever caused the error in his code amalgamated the human souls, and kind of made them fuse together, so Hue can never understand what they are saying because they speak over each other all the time. The different traits overlap and he feels mixed emotions all the time, along with intense mood swings and anxiety attacks. His flames also change color at a much faster rate, so people with epilepsy will stay FAR away from him 😭😭😭😭

Fun fact: he’s also blind. The only thing he can actually see is the color of his flames (which change all the time), and it tends to give him headaches and nausea. His grabblings are always out and just attached to his back so he can use them to move around.

As for the strings, they are very hot to the touch and leave burn marks on however he uses them on. They burn himself as well but he doesn’t pay any attention to it.

Hue’s memory is very jumbled, he didn’t necessarily forget about everything, but he doesn’t remember why exactly he does things. He knows he needs to help killer and protect him at all costs, but he isn’t sure why. He knows he hates Nightmare and REALLY wants that guy dead, but he doesn’t know where that hatred came from. And of course he naturally feels safer near the epic trio, and nervous staying in the same places for too long.

hue’s pretty obsessive over Killer for this reason. His need to help killer was multiplied by a gazillion, and he tends to just.. kidnap Killer and take him random places to keep him close. Sometimes he accidentally hurts him, but he doesn’t realize it, the only thing he can think about is keeping him safe and close to himself. On the contrary, he gets super aggressive and defensive at the mention of Nightmare, and if he were to see him face to face he would attack without hesitation. He knows his job is to keep Killer safe and away from Nightmare, and that’s really his only motive. He just doesn’t know where it came from.

Similarly to most errors, he has trouble speaking because of stuttering and glitches. He also can’t form very clear thoughts because the souls are constantly influencing his behavior. He has trouble explaining his thoughts and feelings, he tends to speak more in actions (as in he would crush you to death in a hug to show affection.)

anyway. If anyone wants to add onto this or share thoughts I’d appreciate it..

Here’s some older drawings of him LMAO

[luvstarkeyy]

MY EXPERIENCE IN THE VOID STATE

english is not my first language so might have some grammatical errors, be nice pls

So, first of all, this happened to me about a month ago, and I wanted to share this cause it was so random to me.

I never really tried to get into the void state cause I never really understood what that was, I read some stuff before but in my mind was kinda “impossible” for me to get into that state, yknow? So I never rlly cared about that.

But one day I was going to sleep and I listened to some brown noise, cause helps me sleep better, and then I had a nightmare that I was getting followed by someone trying to kill me (?), anyway, this part doesn’t matter, but when I woke up from the nightmare I was in some kind of darkness

Like, all I could see was dark, and I couldn’t feel my body or hear anything. I was scared because of the nightmare so I screamed, but I couldn’t hear myself, was so weird that I thought I was in a sleep paralysis, but then my second thought was like: “shit, maybe I’m shifting”, and then I started to yell my s/o’s name.

Like I said, I still couldn’t hear myself or anything. It felt like I didn’t have a body, like I was just existing, pure consciousness.

But I didn’t realized that it was the void, and I was still scared about the nightmare that I had before, so I just stopped yelling my s/o’s name and tried my best to wake up on my cr asap.

After that, I talked to my friend and she said that I had gotten into the void state. Was so crazy for me cause I didn’t even had to try yknow? I think it just shows how shifting your consciousness is something so natural and you don’t even have to try to do it.

Mb if I wasn’t so scared abt the nightmare I’d have shifted, cause tho I thought in the moment that maybe I was shifting, I was scared to end up shifting into the nightmare, which made me want to wake up on my cr.

My first shift — or mini shift, whatever, — was without intention to shift too. I’ll probably post abt it later.

If you had some experience with the void state too please share in the comments:)

[kusanagihaku]

the promises carved into our tears 

⭢ haku x mc, 3.6k

I will look for you in my next life, and the next, and the next. Now that I have tasted how sweet a happy ending with you can be, I will turn my back on fate over and over again, if only to meet you one last time.

or: a red string soulmate au where hotarubi works for yuelao, 如果可以-style. on ao3 here.

“Nightmares again?” 

Haku sinks into a chair, blinking blearily at Subaru as flames clear slowly from the edge of his vision. “Mm.” 

Subaru smiles sympathetically. He sets a warm teacup down on the table in front of Haku, and motions for him to take a sip. “Gyokuro blend, from Nakamura Tokichi. Zenji’s just stepped out to get this week’s list of clients from Yuelao.” 

Haku murmurs a thanks as he cradles the teacup in his hands. It is nearly too hot to hold, but the weight in his hands is grounding, and it doesn’t take more than a few sips before the fog behind his eyes clear. 

Good. He has a full day of work ahead of him. 

It started after The Incident back at Darkwick – after the smoke had cleared, all major and minor deities had descended on the island, eager to recruit a freshly dead ghoul into their ranks. 

Once most of them had gotten over the shock of also needing to work in the afterlife (Daikokuten had laughed, saying, “How else do you think the gods keep this world running, if not for the behind the scenes work of us supernatural beings?” before promptly offering Taiga a job) and the shock of there being another ghoul in their midst (Zenji’s non-apology was rather sheepish, and mostly directed at Jiro), Towa was the first to be recruited, enticed by Yuelao’s stories of soulmates tied together with red string and destined lovers with fates written in the stars. Haru had followed, of course – only for a while, until Towa gets settled, he said. I’ll worry about him. 

Naturally Zenji got pulled along too, claiming the red strings he’d tie would be brilliant source material for his next manuscript. After all, love sells, doesn’t it? 

Subaru didn’t have the heart to remind him there would be nobody around to publish his manuscript, now that none of them were corporeal, but had followed him anyway, despite an offer from Ame-no-Uzume to work as a kabuki talent scout. There was something repelling about going back to his old life, he said, and left it at that. 

Of course, they pulled the shell of their vice-captain along too. It was the least they could do, with what was left of Haku. 

Not that Haku minded – working for Yuelao isn’t particularly taxing. He sends them a list of soulmates meant to meet that week, each pair of serial numbers complete with the time and location; all they have to do is map out their routes each day, show up at the correct place and time with the red soulmate strings, then let the latent magic floating in the fabric of the universe do its work. 

It’s mostly paperwork anyway, with the biggest part of their job being signing off on each pair after the soulmate strings tie themselves. He can’t complain; it’s been easy work for the past twenty odd years, the days slipping by like water between his fingers. Not a bad way to spend eternity. 

And it’s fulfilling too  – like what Zenji says, there’s something special in seeing bonds form between two people that are two sides of the same coin. It reminds him of–

Haku sets his empty cup down. Shakes his head to clear it. 

Subaru looks up from the book he is reading, but does not say anything. He picks up the teapot, instead, and refills Haku’s cup. 

Haku nods in thanks. 

The comfortable silence stretches out again, drifting like dust motes in the late morning light. It is only interrupted when Zenji arrives back home, banging his way through the entrance of their shared home with a triumphant, “Guess who I met on the way home!”

Haku cracks a smile. There is always something infectious about Zenji’s enthusiasm, no matter how tired he is. “Who?” 

“Towa!” Zenji exclaims. He sets his messenger bag on the table. “Still as floaty as ever. He rejected my offer to let him listen to my latest plot idea, though. It seemed like he had somewhere to be.” 

Subaru laughs. “He must have been heading to a binding. He’s still on morning shift, after all.” 

Zenji hums as he unzips his messenger bag and pulls out their soulmate lists for the week. “I told him he and Haru were welcome over for dinner any time. Don’t think he heard me, though.” 

Subaru nudges a freshly-poured cup of tea away from Zenji’s stack of paper. “I’ll text Haru. It’s been a while since we last saw him.”

And it has been – the last time Haku remembers seeing the red-haired ghoul was sometime two or three months ago in April. All five of them were slated to work a freshman orientation at a university, easily one of the busiest times of the year for the entire Yuelao organisation. Instead of going to his allocated location and waiting, however, Towa had just tossed all the red strings he had in his box up in the air, waved a hand, and trusted that all the strings would go where they were meant to go. 

Haru had cried at the logistical nightmare, then promptly banned Towa from holding the box containing their soulmate strings ever again. Haku wonders idly if Haru ever recovered from the stress. 

Zenji shuffles the stack of paper into three smaller piles, then hands one pile each to Subaru and Haku. They descend into silence, the way they always do with a new list, quietly setting virtual push-pins on their Maps apps to plan out their individual routes for the week. 

Haku is at the end of his list before he sees it. Tucked under entry number 85, his last pair for the week, is a single serial number, slid in at 5.17pm at a park in Meguro. 

He blinks. That’s not supposed to happen. Don’t they usually come in a pair? 

He waits until Subaru looks up from his own list before carefully highlighting the problem. 

Subaru glances over the strange entry, brow furrowed. “Must have been an administrative error. Perhaps whoever was compiling the lists forgot to copy paste the second serial number in?” 

Haku looks doubtfully at the lone serial number sitting at the bottom of the page. Administration has never made a mistake before. “Perhaps.” 

Zenji leans over, peering over his glasses. “My last one for the week is there too,” he says. “At 5.09pm. We can go together to figure it out.” 

Subaru rests his chin on his hands. “My day ends at 4.28pm. Shall we head there together? I’m curious to see what happens.” 

A wave of gratefulness for their wiling companionship slides a smile onto Haku’s face. “Yeah. Yeah, why not?” 

-

The end of the week does not come soon enough. 

They meet at the corner near the Meguro River as the summer sun begins to dip lower in the sky. It is a short walk to the park they are meant to be at, and along the way Zenji regales them with how one of his bindings this morning looked like it was right out of a romance novel. 

“Was it better than the one last week?” Haku teases, and Zenji laughs, bright and loud. 

“The one at the cat cafe? No, nothing can beat that! I could tell right away those two were meant to be, I swear.” 

The park they stop in front of is small, more like a playground than anything else. There is a small child sitting on the swings, blue push-popsicle sweating in his little fist. His feet barely touch the floor as he swings gently back and forth, looking around the neighbourhood with wide, curious eyes. 

“That’ll be him, then,” Haku says. He leans over to check Zenji’s list, then flicks his wrist to check the time. “Any minute, now.” 

Subaru sighs, smiling. “I love it when they find their soulmates young. It’s the best kind of friendship, isn’t it?” 

“Exactly,” Zenji coos. He tugs open his messenger bag to retrieve his box of red strings. “It’s always adorable. Goodness, I want to pinch his little cheeks… he has no idea what’s in store for him.” 

Haku snorts fondly at the two of them. Thank goodness they weren’t visible to humans – three strange men standing in a playground staring at a child? Never mind they still looked like they were in their mid-twenties, they’d be reported for kidnapping straight away. 

Before he can say anything, though, a slightly older boy rounds the corner on his bicycle. It is evident he is new to cycling, shiny orange bicycle wobbling from side to side as he banks hard to the right, trying to make too sharp of a turn. 

Haku barely has time to blink before the boy’s bicycle screeches too far to the right, flinging the boy onto the soft, packed earth of the playground. 

There is a teary “ow,” as the boy sits up, cradling a scraped knee. His hands are bloody, too, roughness of the ground having rubbed abrasions onto the skin of his palm. 

The boy on the swing slips off his seat neatly. He barely comes up to Haku’s hip. “I saw that.”

The boy on the floor whips around at the sound, scowling through his tears. “No, you didn’t.” 

“I did,” he confirms. His tongue flashes blue as he speaks. “It’s okay, though. My brother says it’s normal to fall when you just start learning. Do you need help?”

The older boy hesitates. “Maybe.”

As he helps him up, Zenji slides his box open, and lifts a single red string out of it. He blows, gently, and they watch as the thin thread rolls off the tips of his fingers and drifts over to where the older boy has just regained his balance. It loops around their arms and knots around both their little fingers, giving off a gentle glow as both ends seal, before disappearing. 

The only evidence that anything ever happened is Zenji’s beam as he scribbles a quick signature beside their serial numbers. “Lovely!” 

He clicks his pen closed before tucking everything haphazardly back into his bag, and they watch as the boys pick up the bicycle and begin to walk away. Subaru turns to face Haku. “It’s going to be 5.17pm soon.”

Haku looks down at his watch. Two minutes. 

He has barely retrieved his own box of strings out from his bag when a voice sounds out behind them – “Excuse me. Coming through.”

Time stops. 

It is a voice he can recognise anywhere, a voice he hears in the moments between closing his eyes and falling asleep, one he hears echoing through the threads of his dreams and nightmares alike. It sinks into his skin, past the beat of his heart and the pulse of his nerves, and fills his veins with a feeling he does not quite dare to describe as hope. It sends tremors down the tips of his fingers; it calls open a rift in his memory he has never attempted to heal.  

He turns around, almost mechanically, and sees you. 

-

You swear to every deity there is that if the universe has a reason it’s making you late to your part-time job today, it better be a fucking good one. 

First the trains weren’t running as frequently as they were supposed to, then there was an issue with the gantries malfunctioning at the station exit, then you dropped your bottle and had to run after it for a bit to get it back and in the process missed the green light to cross the road… and now, finally on the home stretch to your employer’s place there are three fucking idiots standing in the middle of the sidewalk, blocking your way. 

You huff. Your employer better be flexing their omniscient powers to read your situation – what for work for a minor god if they make you relive every tiny inconvenience to explain why you’re fifteen minutes late to your job? 

(Never mind that they’re actually incredibly nice and don’t really care when you head in for work as long as you get their paperwork done.) 

“Excuse me,” you call out. “Coming through.” 

All three men whip around. On their faces are various states of astonishment, frozen almost comically in their surprise. 

You’re about to sigh and push forward, when you suddenly notice the colour of their eyes. 

Shit. 

They’re not human. 

Fuck. 

You send a quick prayer to your employer. Hopefully they’re listening – the last time you ran into another supernatural being he made you look for his glasses for two hours before receiving a call saying he left them at home. 

You don’t generally mind helping minor deities here and there, honestly, especially not since they bless you right after for your help. Most of them are really nice. In fact, you’d even say you’re used to doing little things for them, having grown up with the Sight and being able to see supernatural beings for most of your life. But these three don’t look like they need any help, and you’re going to be late to what you know is going to be a mountain of paperwork and— 

You think the tallest one might be crying. 

Ah.

Before you can ask if he’s okay and if they need any help, something bright and glowing rises from the box one of them is holding. 

It elongates, spinning itself slowly mid-air, one end gliding over to you like it has found its target. The other end floats up to the man with green hair. As you watch in bewilderment, it gently wraps around both your little fingers, then tightens with a flash of gold. 

It sends a searing pain through your arms, a shock that slams the air out of you and turns your vision an inky black. 

-

You are standing on a wooden porch, shade of dripping wisteria providing you a little shelter from the grey drizzle. The quiet patter of the rain is only interrupted when someone calls your name, a soft summoning that fills you with warmth. You turn your head to see the brown-haired man – Subaru whispers into your mind, like his name has been there all along – smiling at you. Tea is ready, he says. Come inside. 

You are looking down from the top of a long staircase, closely packed torii gates lining the path down. The stone steps beneath your feet are faded with age, but the red of the dates are vibrant, almost as if they were recently painted. The blue haired man in front of you turns, grinning brightly; his ruby eyes sparkle in the dim light as he extends his hand backwards. Zenji – the flash of his name brings along with it a swell of affection. Come, my dear, he says. They’re waiting for us. 

You are sitting on a cushion laid out on the porch of a traditional Japanese house, back resting against doors made of paper and wood. It overlooks a quiet garden that extends on all three sides; the peacefulness of the stone lanterns makes it feel like a secret you are bound to keep. Your legs are stretched out in front of you, covered by a black blazer with gold trim and pressed against the long legs of someone else. Your hands lay in your lap, fingers intertwined with his graceful ones. When you look up at the man with green hair, his eyes closed and dozing, something in you shifts like a sunbeam – Haku. His name is a cloud on your tongue, painting the inside of your lungs a new, different, golden sort of warmth. It tangles itself into the base of your throat, all tender and sweet; your heart aches with a fondness you’ve never thought possible. Haku. 

You are dangling your feet off the edge of a dock, watching diamonds of moonlight dance off the ripples in the water. Translucent fish float lazily around your feet, drifting in invisible eddies only they can see. An arm is curled behind you as you lean against someone’s shoulder; you don’t have to look up to know the giddy feeling running through your veins is because of the soft kisses Haku is dropping into your hair. He raises his hand to brush your cheek, to tilt your chin up to face him. You watch the monochrome of the moon wash his eyelashes a silvery grey as he dips towards you, before your eyes flutter closed at the gentle warmth of his lips on yours, languorous and insistent and exploring. How lucky you are, you remember, to be able to love him like this. How lucky you are, to have him love you. 

You are pressed up against the back of a door, your shirt half unbuttoned and blazer long discarded somewhere on the floor. Haku’s hands are everywhere, mouth hot on the hollow behind your ear as your fingers scrabble against the buttons of his vest. Princess, he groans, all teeth and tongue on your neck as he slips a leg between yours. Please. And you acquiesce, as you always do, melting into him under the deftness of his fingers and the heat of his breath. He hangs stars on the ladder of your spine and his name on the roof of your mouth; you dance in the fire he lights in the kiln of your hips. You think, as he pulls gasp after gasp from the scorch of your skin, that if it is for Haku you will burn yourself inside out, if only he asks. 

You are sitting - no, lying - in a pile of rubble. There are flames licking up the walls around you, ghastly bright and smokeless, unending despite the rain that seems to be pouring around everything else. You are dimly aware of how close the flames are to you, but the burning that flickers from under your skin is infinitely more unbearable.   

There are sobs above you from the figure who has pulled you into his lap, cradling you in his arms and shielding you from the rain; you barely need to open your eyes to hear the guilt leaking out each breath Haku takes.  

“Don’t cry,” you rasp. Some part of you recognises the irony, given the tears staining your own cheeks, but you raise a heavy hand anyway, thumb brushing the wetness away from his cheeks. It is hard to form words. You hope Haku understands. 

“I’m sorry,” he gasps. He are shaking uncontrollably, tsunamis rolling off the tense slope of his shoulders. “I should have tried harder—“

“No,” you say, again, this time a little more vehemently. The scratch of your throat worsens, but you no longer have the strength to cough out the petals that have lodged themselves in your lungs. 

You want to tell him that it wasn’t his fault, it was never his fault, that he has done nothing but try as hard as he could to break your curse the moment you stepped into Darkwick. He has spent so much of himself making your final months lovely, and even now with the walls crumbling around him he still has not let you go. 

I’m sorry, you want to say. For meeting you on the train that day, already like this, already cursed. For not meeting you earlier in this life, from the beginning already too late. For being filled with flower and fire, even though all I want to be is filled with my love for you. 

But it is getting hard to breathe, and it is getting dark, and you are so, so tired. 

“Wait for me,” you say, instead. You tilt your face into the palm of his hand, and inhale the last of his scent as best as you can. 

When you gather the strength to speak again, your voice is an oath made, fierce and low, carved into the ache of your tears. You look up at Haku, your love, your light, radiant even in his grief, even as your vision is blurry and fading. “We’ll meet again, I promise.” 

I will look for you in my next life, and the next, and the next, until we meet again. I will look for you in every lifetime. Now that I have tasted how sweet a happy ending with you can be, I will turn my back on fate over and over again, if only to meet you one last time. 

-

You blink, and suddenly you are back, gasping for air as an ache cracks open in your chest, gaping and yearning. 

You are vaguely aware of the wetness on your cheeks, and that the tallest man – Zenji – is openly bawling now, but the moment your eyes meet his the rest of the world blurs. 

Haku. 

He has not moved, you think, all hesitance and incredulity, frozen with the helplessness of a man who has wanted so much for so long but has only dared to hope for so little. His gaze shines with unshed tears, disbelief wrapping itself taut around the clench of his fists, like he is trying not to reach out for you, trying to keep the spark of his skin from setting your world ablaze again. 

But, oh, in this life you’ve been raised fireproof, heart forged into a glass-clear that sings for the sunset of his hands. In this life, you are not on a train, you are not too late, and you are not filled the potency of a curse but the promise of a happy ending. 

We’ll meet again, I promise. 

You take a small step forward. The red string wound around your finger ripples, flashes gold in the evening light. 

“Haku?” 

[spirits-n-giggles]

Must.... conclude.... Beetlejuice story.... after.... 2nd.... movie....

Go on this journey with me

(slightly edited for a better flow.)

Picture it:

A few years goes by....

Astrid and Lydia had become inceperable after their Halloween from hell and live together, but she eventually talks about wanting to experience dorm life for her first year of college. Lydia is happy for her daughter but is now afraid of being alone, not entirely sure what might happen with so many dreams that always plagued her sleep since the resurgence of ☆he who shall not be named☆ - and I want them to use that line as much as they used "keepin' it real."

The house on the hill will become internationally known as the notorious "Lydia Deets' Haunted Arthouse", she didn't have a show anymore, but that didn't stop her reputation from growing exponentially after the Halloween fiasco. People wanna buy this property for millions of dollars, but Lydia will be too afraid of whatever might happen to anyone, should they ever meet the demon from her nightmares, so she keeps the house by using some of Delia's fame funds to keep the home in their name - something Delia would HATE lol - but Lydia doesn't wanna actually be in the house.

Betelgeuse is stuck in the underworld, trying to hide from a revived Delores that continues to terrorize the afterlife, only now she is destroying the place. If the Sandworm can't kill Betelgeuse, how tf is it gonna kill Delores? Wolf Jackson is of course on the case, but things are getting out of hand. This makes Betlegeuse a prime target for anyone with a soul that might wanna rat him out. And there are PLENTY who wanna rat him out. Trying to find a way out or a way to kill the broad, he has to get creative as he stays in hiding. And where is the perfect place to hide? In a certain model town in a certain model home.

Rory will be undead and use his winning personality to act like he worships the ground Delores walks on so she doesn't suck out his soul. She will say she wants Betelgeuse and wants to kill Lydia. He is cool with that and says he will help her achive that goal. He will then become her lacky and tell her how pretty and perfect she is to keep the target off his back. He will be terrified of her but this will gradually make her love Rory and this can cause some potential fun for future scenes.

Lydia has nightmares that always involve Betlegeuse, even some can involve them going on wacky cartoon adventures from the show, but they'll be creepy and dark and stop-motion because Burton. She tries therapy, but it will end up being a bust. It's hard finding the right therapist with someone as much truama as her. OH MY GOD HAVE MICHAEL KEATON PLAY THIS CHARACTER!!!!! (Nice little nod to movie 2) It will freak her tf out thinking she's seeing Betlegeuse everywhere!

This will cause her to become a shut-in after getting rich off the royalties of selling her personal story - a melodrama of love and the loss of two parents after a lifetime of hauntings from their psychic daughter. She sells this story to various people who want to write it into something. She will end up reading raving reviews about a live theater production of her story called "Ghost House" or "Scared Sheetless" after a graphic novel that was released or some shit. Supernatural levels of meta. Might as well! :D

After a particular dream that ruffles Lydia awake in her own apartment, (the dream at the end of movie 2 maybe?) something strange will happen to the house on the hill, causing Lydia to go back and figure it out. Astrid will hear of this and not want her mom to be there alone and goes with her to help solve the mystery. Lydia thinks she knows what (or who) it is and doesn't want Astrid to come along, but she does anyway.

Hiding there in the model, Betelgeuse will see that she and her daughter have returned, thinking she's finally come to her senses and come back to him lol. Betelgeuse gets desperate for Lydia's attention in the best way he knows how - dreams. They've got a psychic connection, and he's done it plenty of times, but now it's for business as well as pleasure.

It would be some kind of earthquake that shakes the hill. Being careful and walking around whatever damage was mysteriously done, some locals say its another haunting and they want to tear the large house down and make something new. Aatrid can hear these comments and relay them to her mom. This will start making Lydia curious about the history of the hill this house was built on, especially since it's so close to the graveyard (the same place Betlegeuse was buried in the model in movie 1)

So she goes on a hunt in the small town, expands it a little, maybe even find the Mainlands old shop? This can parallel with expanding the afterlife while Betlegeuse is trying to find allies. Betelgeuse tries to round up anyone he knows that he can trust - literally anyone from the past - gotta bring Catherine O'Hara and Gena Davis back, right? Stop motion her in as a ripple in dimensional shifts or something and just use her voice. Richard would help as a thanks for helping his kid in the past, and I KNOW we can get Bob back if we tried.

Lydia can end up learning about some of Betlegeuse's history - finds a picture of an eerily familiar couple - but all this place knows is that they were just two of the MANY that were tossed in mass graves on this land centuries back but they don't know details other than they came from Italy. She will make it a mission to go to their original resting place to try to get more info. She's rich. She can do that. (Their love story was in Italy, right?)

Getting to Italy, Lydia learns the urban legend of a murder suicide of some nutorious bad couple who was known for terrorizing the nights in their hellrsising escepades, but after they were dead and buried, the two lovers corpses, along with many other discarded corpses of dead evil people, were moved out of their original land and brought to a new land to be buried there - getting rid of unwanted individuals so they could bring in the industrial revolution. There will be several names, but two will stand out along with a picture -- Delores and another name that's crossed out. Make it Lawrence, lol. Isn't that Betlegeuse's name in the cartoon?

"Betlegeuse?" Lydia whispers.

“Mom!”

“S-sorry."

Astrid tags along with her mother, happy to travel and hunt creepy shit again. Her dad would be proud. This time she won't meet a boy but maybe a girl who was also doing her own research for school. Jeremy was technically her first experience with a boy, and it's possible to stray away from reminders of bad experiences and kids experiment at this age anyway. It will be a cute goth girl who is a fan of Lydia's old show and is one of the first girls Astrid's age to ever actually be nice to her. A nice connection. This could also be a ploy to pull Lydia back into BJs world again, too - yay twists! She can maybe be an illegal ghost girl looking for help from Lydia because she thinks the paranormal human can help everyone in the afterlife.

Underworld is in chaos, and here is a rift between worlds after so many souls had been taken from the afterlife. There's no more order, reality is breaking, and the only way to get everything back in order is to destroy the soul sucker and release the souls she has absorbed. The more she absorbs, the more power she gets.

They get home, and another shift happens between worlds, and with so much death in the afterlife, it's causing serious problems in the real world and Astrid has an idea to maybe call someone for help. Lydia shuts it down, but more rifts and earthquakes happen. She will have another dream of him trying to get her to call his name. And maybe she can awaken in a living nightmare caused by the rift between worlds, and they are both almost killed (by a sandworm, why tf not!!!) before calling Betlegeuse for help.

Get real 'out there' and put those practical affects to good use and let the shenegins begin! As much as I love watching Betelgeuse try to marry Lydia, there is no attempt at marriage this time. There's too much to do. "I just saved your life, now you can help me save mine and finally kill that soul sucking witch for good.”

“No games. No tricks.” Lydia warns.

“I'm not the trickster in this relationship babe,” he wickedly grins, “but we can get back to that after we save our asses. You're coming with me.” Have him turn into a tour guide as he shows off different aspects of the afterlife thays falling apart before the three of them eventually have to run from people who have allied themselves with Delores to find Betelgeuse.

Imagine the reunion of seeing Rory with Delores. Imagine crazy shit that can magically appear to help end the story. Hell, have the goth girl Astrid meets to come back and redeem herself at the end. I dunno. She can appear and admit to being Delores daughter (before meeting Betelgeuse) and thats why she was at the same place Lydia and Astrid went in Italy to find answers- she was too.

This relationship can parallel Lydia and Astrid's positive one- have Delores sacrifice her daughter to start her sacrificial rite for power, and her daughter never forgive her (I swear I am just pulling this out of my ass) have the girl hold vengence for her mom and she can give Lydia the dagger that her mother Delores killed her with that still has the young girl's cursed blood on it. She says to use it to kill Delores, but Betelgeuse is the only one strong enough who can get close enough to do it.

With so much chaos and so many souls taken, anything can happen in the underworld, and chaos ensues. Maybe even break in to see glimpses of the afterlife, perhaps they see a glimpse of hell and see how Jeremy is being tortured (it will be a silly Tim Burton way). They can see part of the great beyond maybe wave at Delia (and the back of Charls’ head) too?

They finally meet Delores and she will say she is over Betelgeuse, happy with her new pet Rory. It's a shock for Lydia to see Rory there but isn't surprised to see him so desperate to fawn after Delores. Satisfied with the new power she’s gained, Delores prefers to keep Betelgeuse alive to torture him.

Lydia will give Betelgeuse the dagger so he can pop her like a bubble and all the souls she's consumed will escape and go back to their soul holders. But why waste energy killing Betelgeuse when Delores can just use him? She is able to levitate him up but Lydia, Astrid, and the goth girl work together to pull him back down. - this is where the goth girl can suddenly enter for the final fight!

Seeing her daughter makes her angry, and seeing her help her foes pisses her off. Delores grows in size to show her strength, and ordering Rory to take care of those little girls. Little goth girl and Astrid go after Rory and Lydia will get a plan -

"Oh... you're not into him anymore, huh? So... you wouldn't care if I did this?" And Lydia pulls that fucker in to kiss him. (This feels very Phantom of the Opera coded.....) Just a peck is enough for Delores to RAGE and she goes full attack mode. She goes after Lydia and Beletgeuse steps in front of her and kills Delores with whatever magical shit her dead vengeful goth daughter supplied, lol. (And I'm talking full jack sparrow stabbing the kraken slow mode scene) Epic as shit!!! Delores daughter will then rest in peace.

Astrid will then ask herself, “Now why the hell can't I connect with humans like I can with ghosts?”

“Family trait, unfortunately.” Lydia says feeling Beletgeuse's breath literally go down her neck with his close proximity. "At least they didn't try to suck you into marrying them."

End it with Lydia being recruited by Wolf Jackson to find those who have been lost in the real world or something. Make it to where she and Betelgeuse have to work together to keep the plane between the living and the dead closed with her as the keeper of the house.

Have the house be the main character in the end!!!!

Betelgeuse will turn to Lydia and say, "So, you're not the marrying type, eh? I'm fine with that-" He'll try to pull her in for another kiss, but she'll push him away.

"Nooo! No-" He lets her shove him to the floor, "I just knew something like that would save your ass. That's what you asked for right? Now we’re even." He quickly jumps back up. "I know jealousy when I see it.”

"You sure do." he inches closer to her, but she crosses her arms looking away, seemingly uninterested.

"Betelgeuse...”

"I can wait, honey. I know you want me." He flexes as he slowly walks away with pride. "No one can resist ‘the juice’ once they've had a taste." He winks.

Astrid groans for her mother, but Lydia just looks to him like she always does.

"Betelgeuse..."

"You will be the one to kiss me again, babes." He holds his arms out in his iconic way. "I got all the time in the world." He thinks this is the end.

"Betelgeuse."

Hmmm.... he doesn't disappear?

But he does give a wicked smile.

Turns out when killing the spirit of the soul sucking witch, the souls did escape, but her power had to be absorbed by someone, and Betelgeuse didn't... really... need.... help with obtaining more power, did he?

Would he be like demi-god state now? Why the hell not? Give me an Astarion evil ending kind of transformation. Give me love and deepspace realness. (google those). Go the whole nine and make him HOT AND SCARY in the end. Michael Keaton is attractive. It's doable! Antihero status! Make it wild! Demigod!!!!

Imagine THAT being interested in you, Lydia. I don't think you'd say no.

End it with his new form levitating and him saying that that iconic voice and green glowing eyes. "It's Showtime."

Throw in a musical number somewhere, a little justice for Bob and you have a lovely story.

There. Done.

I don't think a 3rd will be made, and if there is one, I don't think it would be this ^ stupid! Lol

[pastlivesandpurplepuppets]

[...]airborne outfits that go into combat are supposed to be relieved within three to five days. But it never happened; not with us, anyway. Normandy was thirty-four days combat. Holland was seventy-four days combat. When we got to Mourmelon, it was right into battle again. By the time we got into Bastogne, we were all flaky to start with. Then we were forty days combat in Bastogne. If it wasn’t for each other, I’m sure a lot of us would have gone crazy. That’s where the cohesion comes in. We were brothers.

Me and Mike Massaconi were in a hole in the Bois Jacques woods. Snow was all around, and I saw a goddam bird stick his head out the side of my hole. I told Mike to look at it, but there was no bird there really. Mike gave me a hug and brought me down. That’s what I’m talking about. You’re flaky after all that combat. Crazy. One little thing sets you off. I swear to Christ I saw that bird. He opened his beak and all. The Germans were shelling the living crap out of us at the time. I’m scared like everybody else. If it wasn’t for Mike I would have charged the light brigade or something. But he calmed me down.

After that I was fine—actually, I wasn’t fine, I carried that with me for many years. I got to a point after the war where I started drinking a lot. When you drink you forget your nightmares. But then you wake up and you have to go worship Mother Hopper and you’ve got a damn headache and you still remember it. So it took me a long time to get out of that.

I’m telling you—in Bastogne I got so calloused I could sit on a frozen corpse and eat a K ration. But after the war I used to have these dreams—I was afraid I’d roll over in bed and strangle my wife. The dream I remember most is of the bayonet attacks. Running headway at the enemy, rifles out, and they’re running at you. I can see their faces. I remember the blade going into a man. I had nightmares about the concentration camps we saw in Germany, too. There was the stench of it, the skeletons walking around—they come up to you and hug you, I’ll never forget the reality of those experiences as long as I live.

~ Clancy Lyall

[uboacore]

Wirt is a forest, all branches and leaves and quiet stillness.

Every layer of bark is a wall, behind which lies only a soulless husk. No one can hide themselves for so long without losing themself in the process. To call it a nightmare would be wrong. A nightmare ends with the dawn of day.

Wirt reaches out to us. His eyes are burning nearly as bright as his soul. A raging fire, where only candle flame could ever be accepted. It does not dim.

We squint against the light and recoil. It wants something from us, to be known, to be loved.

The devil is lonely. We kicked out the devil and it must miss us. It keeps begging to be let back, for us to let it in.

And Wirt did.

Every secret belongs to it. Leaves to whisper them, and shadowed night to hide them.

But we do not listen.

We close our eyes and block our ears.

We choose to ignore.

And the devil only ever gets one moment.

For revenge, for freedom, for "please know me."

But there is nothing to fear when there is two against the devil.

Beatrice brings the feathers. Her radio trills and shifts and pulls against her.

Greg brings the music. His radio hums and whistles and calls out.

Our radios scream and crash against him and the devil is destroyed.

—

It feels fitting for me to make a crossover with We Know The Devil and Beast Wirt. I’m pretty sure that me cosplaying him and talking about him is the reason I was recommended WKTD.

So here’s some Beast Wirt fanart, in the style of a WKTD scene. And here’s something I wrote to fit the narration of these scenes in the game.

(I have reasoning and explanations for a lot of it, so feel free to ask! I’ve also got ideas about how the rest of this crossover would play out)

Anyway.

Beast Wirt fans please go play We Know The Devil for spooky forest times and people becoming cryptid beings.

And We Know The Devil fans please go watch Over The Garden Wall since it’s a perfect Halloween show, and then you can enjoy the Beast Wirt AU for it’s similarities to the WKTD endings.

[uponawhitehorse13]

So I replayed the original Tsukihime… I just wanna say that Nasu really like making waifu suffer tragic fate…

Anyway…

I wanna ask Reader helping Kohaku with her trauma, she may look cheerful but she must have some trauma from her past.

Helping Kohaku heal

This request comes from @cosmichorrorsarestillnicerthanme's inbox

Author's note: This was very fun to write and I'm very happy with how it turned out.

HUGE SPOILERS AHEAD

-You were probably running an errand when you met Kohaku. While you were at the same market you started chatting. This would repeat several times until you decided to invite her for a drink in a local cafe. Then another. Then to the movies. It wasn’t long until you had really connected with this cheerful maid. After a while she decided to invite you over to the mansion where she lives/works to meet her sister and the people she served.

-When the day came on the way over you were stopped by Ciel. She told you about the Tohno demon blood and how you shouldn’t involve yourself with that family but you persisted. The time at the mansion was surprisingly  pleasant. Most of it was spent drinking tea with Akiha and the maids. Shiki was out doing something so you’d have to meet him another time. After some time Akiha sent the maids away and confronted you. She knew Ciel told you about her family. She explained the situation with her family and explained the things her father and SHIKI did to Kohaku. But she also implored you to stay with her. She noticed that Kohaku was better since she started dating you. She also offered to allow Kohaku more free time so she may spend it with you and even a room for you to sleep in the mansion. You felt really horrible about the things you heard but decided to proceed with the relationship.

-When you were about to leave you were pulled aside by Kohaku. She overheard your conversation with Akiha and said she understood if you didn’t want to continue. While it was nice while it lasted she understands that you’d want a normal relationship instead of being with someone “broken” like her. It was at that point you were truly determined to stay with her and  help her. You told her that you’re horrified by what she’s been through but you are determined to stay with her and help her.

-Progress was slow but steady. You started coming over to the mansion more often and you slept over on the weekends and whenever you had spare time. You’d spend time helping Kohaku around the kitchen or watching TV and playing games in the evening. Since starting to become more open about her emotions she’d become prone to nightmares. While you two were cuddling asleep she would suddenly wake up and push you off her. When she realised what she did she’d quickly grab you again and start crying. You’d comfort her until she fell asleep again.

-The culmination of all the progress you made came when you were helping her in the kitchen as usual when your thoughts got interrupted by a yelp. Kohaku cut herself and was sucking on her finger to stop the blood while you went to get a bandaid. She seemed really focused on it until she realised you had a huge grin on your face. She started to get angry but then realised what you were smiling about. She was finally fully feeling things again. She joyously jumped in your arms to give you the strongest hug she had ever given you. You were getting blood on your shirt but you didn’t really care.

-After that not much seemed to change on the surface. Kohaku was going around being her usual cheerful self. But you knew what changed. It was no longer an act. The most surprising part of the whole ordeal was when you were alone with Hisui and she suddenly hugged you. She thanked you for helping her sister but also gave you the scariest look in the universe when she told you not to betray her. There was also the time Shiki talked to you. He told you about the promise he made to Kohaku as a child and gave you the ribbon. He’s sorry he failed her but glad she has you now. It was nice of him to do and it did give you an idea.

-Kohaku was waiting under the tree in the garden. Hisui told her that you asked her to wait for you there when you came over today. When you came you started telling her how sorry you are you weren’t there in the past to help her through all the things she’s been through but that you can promise that you’ll be there for her now and until the end of time. Kohaku was completely silent during your whole speech but when you presented her with the ribbon the silence was interrupted by sniffling until she leapt at you for a kiss. She was sobbing and thanking you for everything, it was a messy but incredibly sweet moment. When you were done she went to put on the ribbon but felt something wrapped inside slip out. She managed to catch it pretty easily. It wasn’t anything big, just a small ring. A ring…

[poorly-drawn-mdzs]

oh hey! i was reading a fic the other day where Wangji was once misspelled as Wangu. which leads me to: MDZS Pingu-style??? noot noot!

Do you think love can bloom on the sea ice?

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[flickerintwilights]

—Anne Carson, The Glass Essay

[otaku553]

Procrastination doodles of sabo for the king sabo au :)

[muffinlance]

Do you get the impression the live action is treating us like utter morons?? Like I thought that making it aimed at an older audience would open the doors for more subtle story telling, but no, they're just using monologues to tell us eveything! Like in the second episode Katara's like 'oh his power isn't that he's the avatar, it's that he ~connects~ to people'. Girl we're not idiots we can see that!! And the first episode with Aang's goddawful 'I don't want this responsibility' monologue

THIS, YES. The word that keeps coming to mind is definitely "subtlety". The show for literal children? Had it. The remake for adults? Not so much.

[somegrumpynerd]

Random hcs that have been on my mind for the past couple days: now in doodle format!

Text for each drawing written out under the cut in case it's not clear or anyone wants to translate it!

(1) <- Somehow soft?? <-Sometimes makes a comforting hum/rumble <-Holding for support

(2) <-Walks so quietly everywhere he goes <-Is about to meet god

(3) <-Can't see well in the dark (no eyelights) <-Can't help himself

(4) <-Thinks Color will turn Killer against him and convince him to run away

(5) <-Thinks Nightmare is using them all for the negativity and has brainwashed Killer into liking it

(6) <-Thinks if he runs and jumps at Cross as fast as he can Cross will lift him and it'll look so cool

[turtleblogatlast]

[ cw: nightmares / trauma / ]

Post-invasion, Mikey sneaks into Leo’s room and when asked by Leo what the problem was, Mikey just smiles and says since he’s awake and knew Leo would be too, he didn’t want either of them alone. Leo laughs and lets Mikey stick around, both of them clumped together on Leo’s bed, watching grainy compilations of old Lou Jitsu commercials on Leo’s phone.

Technically, Mikey didn’t lie. He just didn’t explain everything that led him to Leo’s room. He didn’t explain the nightmare of his arms burning up too bright, too fast, destroyed before Raph and Donnie have a chance to help. He didn’t explain how he woke up with a wail caught in his throat, phantom pain in his arms and chest alike chasing away any semblance of exhaustion. He didn’t explain how his mind made sure he knew, vividly, that if one thing went wrong with his portal, then he would have never seen Leo again.

He didn’t explain, and he didn’t have to. Leo knows his brothers better than he knows himself, and Mikey has always been easy to read. So it’s no trouble to let Mikey know that he’s still with them, that Leo is here and alive with everyone else. And when Mikey finally regains his exhaustion and falls asleep leaning against Leo, Leo simply maneuvers him into a more comfortable position and stays by his side.

He doesn’t move, doesn’t go to sleep - not that he could, anyway. He just mindlessly scrolls on his phone, the soft snores of his little brother filling the room. He stays in place, awake, because he wants to be sure that when Mikey wakes up again it’s to the immediate sight that Leo is alive and well and home.

And, if Leo’s bring honest, that’s a reminder not just for Mikey’s sake.